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British Museum

January 10, 2023

For other uses, see British Museum (disambiguation).

Coordinates: 51°31′10″N 0°7′37″W / 51.51944°N 0.12694°W / 51.51944; -0.12694

The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence.[3] It documents the story of human culture from its beginnings to the present.[a] The British Museum was the first public national museum to cover all fields of knowledge.[4]

British Museum
Aerial shot of the British Museum
Location within Central London
Established7 June 1753; 269 years ago (1753-06-07)
LocationGreat Russell Street, London WC1B 3DG, England, United Kingdom
Collection sizeapprox. 8 million objects[1]
Visitors1,327,120 (2021)[2] (up 42 percent from 2020)
ChairGeorge Osborne
DirectorHartwig Fischer
Public transit access Goodge Street; Holborn; Tottenham Court Road; Russell Square;
Websitewww.britishmuseum.org
Area807,000 sq ft (75,000 m2) in
94 galleries
The Great Court was developed in 2001 and surrounds the original Reading Room.

The museum was established in 1753, largely based on the collections of the Anglo-Irish physician and scientist Sir Hans Sloane.[5] It first opened to the public in 1759, in Montagu House, on the site of the current building. The museum's expansion over the following 250 years was largely a result of British colonisation and resulted in the creation of several branch institutions, or independent spin-offs, the first being the Natural History Museum in 1881. The right to ownership of some of its most well-known acquisitions, notably the Greek Elgin Marbles and the Egyptian Rosetta Stone, is subject to long-term disputes and repatriation claims.[6][7]

In 1973, the British Library Act 1972[8] detached the library department from the British Museum, but it continued to host the now separated British Library in the same Reading Room and building as the museum until 1997. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport, and as with all national museums in the UK it charges no admission fee, except for loan exhibitions.[9]

History

Sir Hans Sloane

Although today principally a museum of cultural art objects and antiquities, the British Museum was founded as a "universal museum". Its foundations lie in the will of the Anglo-Irish physician and naturalist Sir Hans Sloane (1660–1753), a London-based doctor and scientist from Ulster. During the course of his lifetime, and particularly after he married the widow of a wealthy Jamaican planter,[10] Sloane gathered a large collection of curiosities, and not wishing to see his collection broken up after death, he bequeathed it to King George II, for the nation, for a sum of £20,000.[11]

At that time, Sloane's collection consisted of around 71,000 objects of all kinds[12] including some 40,000 printed books, 7,000 manuscripts, extensive natural history specimens including 337 volumes of dried plants, prints and drawings including those by Albrecht Dürer and antiquities from Sudan, Egypt, Greece, Rome, the Ancient Near and Far East and the Americas.[13]

Foundation (1753)

On 7 June 1753, King George II gave his Royal Assent to the Act of Parliament which established the British Museum.[b] The British Museum Act 1753 also added two other libraries to the Sloane collection, namely the Cottonian Library, assembled by Sir Robert Cotton, dating back to Elizabethan times, and the Harleian Library, the collection of the Earls of Oxford. They were joined in 1757 by the "Old Royal Library", now the Royal manuscripts, assembled by various British monarchs. Together these four "foundation collections" included many of the most treasured books now in the British Library[15] including the Lindisfarne Gospels and the sole surviving manuscript of Beowulf.[c]

 
Montagu House, c. 1715

The British Museum was the first of a new kind of museum – national, belonging to neither church nor king, freely open to the public and aiming to collect everything. Sloane's collection, while including a vast miscellany of objects, tended to reflect his scientific interests.[16] The addition of the Cotton and Harley manuscripts introduced a literary and antiquarian element, and meant that the British Museum now became both National Museum and library.[17]

Cabinet of curiosities (1753–1778)

 
The Rosetta Stone on display in the British Museum in 1874

The body of trustees decided on a converted 17th-century mansion, Montagu House, as a location for the museum, which it bought from the Montagu family for £20,000. The trustees rejected Buckingham House, which was later converted into the present day Buckingham Palace, on the grounds of cost and the unsuitability of its location.[18][d]

With the acquisition of Montagu House, the first exhibition galleries and reading room for scholars opened on 15 January 1759.[19] At this time, the largest parts of collection were the library, which took up the majority of the rooms on the ground floor of Montagu House, and the natural history objects, which took up an entire wing on the second state storey of the building. In 1763, the trustees of the British Museum, under the influence of Peter Collinson and William Watson, employed the former student of Carl Linnaeus, Daniel Solander, to reclassify the natural history collection according to the Linnaean system, thereby making the museum a public centre of learning accessible to the full range of European natural historians.[20] In 1823, King George IV gave the King's Library assembled by George III,[21] and Parliament gave the right to a copy of every book published in the country, thereby ensuring that the museum's library would expand indefinitely. During the few years after its foundation the British Museum received several further gifts, including the Thomason Collection of Civil War Tracts and David Garrick's library of 1,000 printed plays. The predominance of natural history, books and manuscripts began to lessen when in 1772 the museum acquired for £8,410 its first significant antiquities in Sir William Hamilton's "first" collection of Greek vases.[22]

Indolence and energy (1778–1800)

 
Entrance ticket to the British Museum, London 3 March 1790

From 1778, a display of objects from the South Seas brought back from the round-the-world voyages of Captain James Cook and the travels of other explorers fascinated visitors with a glimpse of previously unknown lands. The bequest of a collection of books, engraved gems, coins, prints and drawings by Clayton Mordaunt Cracherode in 1800 did much to raise the museum's reputation; but Montagu House became increasingly crowded and decrepit and it was apparent that it would be unable to cope with further expansion.[23]

The museum's first notable addition towards its collection of antiquities, since its foundation, was by Sir William Hamilton (1730–1803), British Ambassador to Naples, who sold his collection of Greek and Roman artefacts to the museum in 1784 together with a number of other antiquities and natural history specimens. A list of donations to the museum, dated 31 January 1784, refers to the Hamilton bequest of a "Colossal Foot of an Apollo in Marble". It was one of two antiquities of Hamilton's collection drawn for him by Francesco Progenie, a pupil of Pietro Fabris, who also contributed a number of drawings of Mount Vesuvius sent by Hamilton to the Royal Society in London.

Growth and change (1800–1825)

 
Left to Right: Montagu House, Townley Gallery and Sir Robert Smirke's west wing under construction, July 1828
 
The Mausoleum of Halicarnassus Room, 1920s

In the early 19th century the foundations for the extensive collection of sculpture began to be laid and Greek, Roman and Egyptian artefacts dominated the antiquities displays. After the defeat of the French campaign in the Battle of the Nile, in 1801, the British Museum acquired more Egyptian sculptures and in 1802 King George III presented the Rosetta Stone – key to the deciphering of hieroglyphs.[24] Gifts and purchases from Henry Salt, British consul general in Egypt, beginning with the Colossal bust of Ramesses II in 1818, laid the foundations of the collection of Egyptian Monumental Sculpture.[25] Many Greek sculptures followed, notably the first purpose-built exhibition space, the Charles Towneley collection, much of it Roman sculpture, in 1805. In 1806, Thomas Bruce, 7th Earl of Elgin, ambassador to the Ottoman Empire from 1799 to 1803 removed the large collection of marble sculptures from the Parthenon, on the Acropolis in Athens and transferred them to the UK. In 1816 these masterpieces of western art were acquired by the British Museum by Act of Parliament and deposited in the museum thereafter.[26] The collections were supplemented by the Bassae frieze from Phigaleia, Greece in 1815. The Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian antiquities from the widow of Claudius James Rich.[27]

In 1802 a buildings committee was set up to plan for expansion of the museum, and further highlighted by the donation in 1822 of the King's Library, personal library of King George III's, comprising 65,000 volumes, 19,000 pamphlets, maps, charts and topographical drawings.[28] The neoclassical architect, Sir Robert Smirke, was asked to draw up plans for an eastern extension to the museum "... for the reception of the Royal Library, and a Picture Gallery over it ..."[29] and put forward plans for today's quadrangular building, much of which can be seen today. The dilapidated Old Montagu House was demolished and work on the King's Library Gallery began in 1823. The extension, the East Wing, was completed by 1831. However, following the founding of the National Gallery, London in 1824,[e] the proposed Picture Gallery was no longer needed, and the space on the upper floor was given over to the Natural history collections.[30]

The first Synopsis of the British Museum was published in 1808. This described the contents of the museum, and the display of objects room by room, and updated editions were published every few years.

The largest building site in Europe (1825–1850)

 
The Grenville Library, 1875

As Sir Robert Smirke's grand neo-classical building gradually arose, the museum became a construction site. The King's Library, on the ground floor of the East Wing, was handed over in 1827, and was described as one of the finest rooms in London. Although it was not fully open to the general public until 1857, special openings were arranged during The Great Exhibition of 1851.

In 1840, the museum became involved in its first overseas excavations, Charles Fellows's expedition to Xanthos, in Asia Minor, whence came remains of the tombs of the rulers of ancient Lycia, among them the Nereid and Payava monuments. In 1857, Charles Newton was to discover the 4th-century BC Mausoleum of Halikarnassos, one of the Seven Wonders of the Ancient World. In the 1840s and 1850s the museum supported excavations in Assyria by A.H. Layard and others at sites such as Nimrud and Nineveh. Of particular interest to curators was the eventual discovery of Ashurbanipal's great library of cuneiform tablets, which helped to make the museum a focus for Assyrian studies.[31]

Sir Thomas Grenville (1755–1846), a trustee of the British Museum from 1830, assembled a library of 20,240 volumes, which he left to the museum in his will. The books arrived in January 1847 in twenty-one horse-drawn vans. The only vacant space for this large library was a room originally intended for manuscripts, between the Front Entrance Hall and the Manuscript Saloon. The books remained here until the British Library moved to St Pancras in 1998.

Collecting from the wider world (1850–1875)

The opening of the forecourt in 1852 marked the completion of Robert Smirke's 1823 plan, but already adjustments were having to be made to cope with the unforeseen growth of the collections. Infill galleries were constructed for Assyrian sculptures and Sydney Smirke's Round Reading Room, with space for a million books, opened in 1857. Because of continued pressure on space the decision was taken to move natural history to a new building in South Kensington, which would later become the British Museum of Natural History.

Roughly contemporary with the construction of the new building was the career of a man sometimes called the "second founder" of the British Museum, the Italian librarian Anthony Panizzi. Under his supervision, the British Museum Library (now part of the British Library) quintupled in size and became a well-organised institution worthy of being called a national library, the largest library in the world after the National Library of Paris.[17] The quadrangle at the centre of Smirke's design proved to be a waste of valuable space and was filled at Panizzi's request by a circular Reading Room of cast iron, designed by Smirke's brother, Sydney Smirke.[32]

Until the mid-19th century, the museum's collections were relatively circumscribed but, in 1851, with the appointment to the staff of Augustus Wollaston Franks to curate the collections, the museum began for the first time to collect British and European medieval antiquities, prehistory, branching out into Asia and diversifying its holdings of ethnography. A real coup for the museum was the purchase in 1867, over French objections, of the Duke of Blacas's wide-ranging and valuable collection of antiquities. Overseas excavations continued and John Turtle Wood discovered the remains of the 4th century BC Temple of Artemis at Ephesos, another Wonder of the Ancient World.[33]

Scholarship and legacies (1875–1900)

The natural history collections were an integral part of the British Museum until their removal to the new British Museum of Natural History in 1887, nowadays the Natural History Museum. With the departure and the completion of the new White Wing (fronting Montague Street) in 1884, more space was available for antiquities and ethnography and the library could further expand. This was a time of innovation as electric lighting was introduced in the Reading Room and exhibition galleries.[34]

The William Burges collection of armoury was bequeathed to the museum in 1881. In 1882, the museum was involved in the establishment of the independent Egypt Exploration Fund (now Society) the first British body to carry out research in Egypt. A bequest from Miss Emma Turner in 1892 financed excavations in Cyprus. In 1897 the death of the great collector and curator, A. W. Franks, was followed by an immense bequest of 3,300 finger rings, 153 drinking vessels, 512 pieces of continental porcelain, 1,500 netsuke, 850 inro, over 30,000 bookplates and miscellaneous items of jewellery and plate, among them the Oxus Treasure.[35]

In 1898 Baron Ferdinand de Rothschild bequeathed the Waddesdon Bequest, the glittering contents from his New Smoking Room at Waddesdon Manor. This consisted of almost 300 pieces of objets d'art et de vertu which included exquisite examples of jewellery, plate, enamel, carvings, glass and maiolica, among them the Holy Thorn Reliquary, probably created in the 1390s in Paris for John, Duke of Berry. The collection was in the tradition of a Schatzkammer such as those formed by the Renaissance princes of Europe.[36] Baron Ferdinand's will was most specific, and failure to observe the terms would make it void, the collection should be

placed in a special room to be called the Waddesdon Bequest Room separate and apart from the other contents of the Museum and thenceforth for ever thereafter, keep the same in such room or in some other room to be substituted for it.[36]

These terms are still observed, and the collection occupies room 2a.

New century, new building (1900–1925)

 
Opening of The North Wing, King Edward VII's Galleries, 1914
 
Sir Leonard Woolley holding the excavated Sumerian Queen's Lyre, 1922

By the last years of the 19th century, The British Museum's collections had increased to the extent that its building was no longer large enough. In 1895 the trustees purchased the 69 houses surrounding the museum with the intention of demolishing them and building around the west, north and east sides of the museum. The first stage was the construction of the northern wing beginning 1906.

All the while, the collections kept growing. Emil Torday collected in Central Africa, Aurel Stein in Central Asia, D.G. Hogarth, Leonard Woolley and T. E. Lawrence excavated at Carchemish. Around this time, the American collector and philanthropist J Pierpont Morgan donated a substantial number of objects to the museum,[37] including William Greenwell's collection of prehistoric artefacts from across Europe which he had purchased for £10,000 in 1908. Morgan had also acquired a major part of Sir John Evans's coin collection, which was later sold to the museum by his son John Pierpont Morgan Junior in 1915. In 1918, because of the threat of wartime bombing, some objects were evacuated via the London Post Office Railway to Holborn, the National Library of Wales (Aberystwyth) and a country house near Malvern. On the return of antiquities from wartime storage in 1919 some objects were found to have deteriorated. A conservation laboratory was set up in May 1920 and became a permanent department in 1931. It is today the oldest in continuous existence.[38] In 1923, the British Museum welcomed over one million visitors.

Disruption and reconstruction (1925–1950)

New mezzanine floors were constructed and book stacks rebuilt in an attempt to cope with the flood of books. In 1931, the art dealer Sir Joseph Duveen offered funds to build a gallery for the Parthenon sculptures. Designed by the American architect John Russell Pope, it was completed in 1938. The appearance of the exhibition galleries began to change as dark Victorian reds gave way to modern pastel shades.[f]

Following the retirement of George Francis Hill as Director and Principal Librarian in 1936, he was succeeded by John Forsdyke.

As tensions with Nazi Germany developed and it appeared that war may be imminent Forsdyke came to the view that with the likelihood of far worse air-raids than that experienced in World War I that the museum had to make preparations to remove its most valuable items to secure locations. Following the Munich crisis Forsdyke ordered 3,300 No-Nail Boxes and stored them in the basement of Duveen Gallery. At the same time he began identifying and securing suitable locations. As a result the museum was able to quickly commence relocating selected items on 24 August 1939, (a mere day after the Home Secretary advised them to do so), to secure basements, country houses, Aldwych Underground station and the National Library of Wales.[40] Many items were relocated in early 1942 from their initial dispersal locations to a newly developed facility at Westwood Quarry in Wiltshire.[40] The evacuation was timely, for in 1940 the Duveen Gallery was severely damaged by bombing.[41] Meanwhile, prior to the war, the Nazis had sent a researcher to the British Museum for several years with the aim of "compiling an anti-Semitic history of Anglo-Jewry".[42]

After the war, the museum continued to collect from all countries and all centuries: among the most spectacular additions were the 2600 BC Mesopotamian treasure from Ur, discovered during Leonard Woolley's 1922–34 excavations. Gold, silver and garnet grave goods from the Anglo-Saxon ship burial at Sutton Hoo (1939) and late Roman silver tableware from Mildenhall, Suffolk (1946). The immediate post-war years were taken up with the return of the collections from protection and the restoration of the museum after the Blitz. Work also began on restoring the damaged Duveen Gallery.

A new public face (1950–1975)

 
The re-opened Duveen Gallery, 1980

In 1953, the museum celebrated its bicentenary. Many changes followed: the first full-time in-house designer and publications officer were appointed in 1964, the Friends organisation was set up in 1968, an Education Service established in 1970 and publishing house in 1973. In 1963, a new Act of Parliament introduced administrative reforms. It became easier to lend objects, the constitution of the board of trustees changed and the Natural History Museum became fully independent. By 1959 the Coins and Medals office suite, completely destroyed during the war, was rebuilt and re-opened, attention turned towards the gallery work with new tastes in design leading to the remodelling of Robert Smirke's Classical and Near Eastern galleries.[43] In 1962 the Duveen Gallery was finally restored and the Parthenon Sculptures were moved back into it, once again at the heart of the museum.[g]

By the 1970s the museum was again expanding. More services for the public were introduced; visitor numbers soared, with the temporary exhibition "Treasures of Tutankhamun" in 1972, attracting 1,694,117 visitors, the most successful in British history. In the same year the Act of Parliament establishing the British Library was passed, separating the collection of manuscripts and printed books from the British Museum. This left the museum with antiquities; coins, medals and paper money; prints and drawings; and ethnography. A pressing problem was finding space for additions to the library which now required an extra 1+1⁄4 miles (2.0 km) of shelving each year. The Government suggested a site at St Pancras for the new British Library but the books did not leave the museum until 1997.

The Great Court emerges (1975–2000)

The departure of the British Library to a new site at St Pancras, finally achieved in 1998, provided the space needed for the books. It also created the opportunity to redevelop the vacant space in Robert Smirke's 19th-century central quadrangle into the Queen Elizabeth II Great Court – the largest covered square in Europe – which opened in 2000. The ethnography collections, which had been housed in the short-lived Museum of Mankind at 6 Burlington Gardens from 1970, were returned to new purpose-built galleries in the museum in 2000.

The museum again readjusted its collecting policies as interest in "modern" objects: prints, drawings, medals and the decorative arts reawakened. Ethnographical fieldwork was carried out in places as diverse as New Guinea, Madagascar, Romania, Guatemala and Indonesia and there were excavations in the Near East, Egypt, Sudan and the UK. The Weston Gallery of Roman Britain, opened in 1997, displayed a number of recently discovered hoards which demonstrated the richness of what had been considered an unimportant part of the Roman Empire. The museum turned increasingly towards private funds for buildings, acquisitions and other purposes.[45]

The British Museum today

 
Wide view of the Great Court

Today the museum no longer houses collections of natural history, and the books and manuscripts it once held now form part of the independent British Library. The museum nevertheless preserves its universality in its collections of artefacts representing the cultures of the world, ancient and modern. The original 1753 collection has grown to over 13 million objects at the British Museum, 70 million at the Natural History Museum and 150 million at the British Library.

The Round Reading Room, which was designed by the architect Sydney Smirke, opened in 1857. For almost 150 years researchers came here to consult the museum's vast library. The Reading Room closed in 1997 when the national library (the British Library) moved to a new building at St Pancras. Today it has been transformed into the Walter and Leonore Annenberg Centre.

With the bookstacks in the central courtyard of the museum empty, the demolition for Lord Foster's glass-roofed Great Court could begin. The Great Court, opened in 2000, while undoubtedly improving circulation around the museum, was criticised for having a lack of exhibition space at a time when the museum was in serious financial difficulties and many galleries were closed to the public. At the same time the African collections that had been temporarily housed in 6 Burlington Gardens were given a new gallery in the North Wing funded by the Sainsbury family – with the donation valued at £25 million.[46]

As part of its very large website, the museum has the largest online database of objects in the collection of any museum in the world, with 2,000,000 individual object entries, 650,000 of them illustrated, online at the start of 2012.[47] There is also a "Highlights" database with longer entries on over 4,000 objects, and several specialised online research catalogues and online journals (all free to access).[48] In 2013 the museum's website received 19.5 millions visits, an increase of 47% from the previous year.[49]

In 2013 the museum received a record 6.7 million visitors, an increase of 20% from the previous year.[49] Popular exhibitions including "Life and Death in Pompeii and Herculaneum" and "Ice Age Art" are credited with helping fuel the increase in visitors.[50] Plans were announced in September 2014 to recreate the entire building along with all exhibits in the video game Minecraft in conjunction with members of the public.[51] A number of films have been shot at the British Museum.[52]

Governance

Director

The British Museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport through a three-year funding agreement. Its head is the Director of the British Museum. The British Museum was run from its inception by a 'principal librarian' (when the book collections were still part of the museum), a role that was renamed 'director and principal librarian' in 1898, and 'director' in 1973 (on the separation of the British Library).[53]

Trustees

A board of 25 trustees (with the director as their accounting officer for the purposes of reporting to Government) is responsible for the general management and control of the museum, in accordance with the British Museum Act 1963 and the Museums and Galleries Act 1992.[54] Prior to the 1963 Act, it was chaired by the Archbishop of Canterbury, the Lord Chancellor and the Speaker of the House of Commons. The board was formed on the museum's inception to hold its collections in trust for the nation without actually owning them themselves, and now fulfil a mainly advisory role. Trustee appointments are governed by the regulatory framework set out in the code of practice on public appointments issued by the Office of the Commissioner for Public Appointments.[55]

Building

 
The museum's main entrance

The Greek Revival façade facing Great Russell Street is a characteristic building of Sir Robert Smirke, with 44 columns in the Ionic order 45 ft (14 m) high, closely based on those of the temple of Athena Polias at Priene in Asia Minor. The pediment over the main entrance is decorated by sculptures by Sir Richard Westmacott depicting The Progress of Civilisation, consisting of fifteen allegorical figures, installed in 1852.

The construction commenced around the courtyard with the East Wing (The King's Library) in 1823–1828, followed by the North Wing in 1833–1838, which originally housed among other galleries a reading room, now the Wellcome Gallery. Work was also progressing on the northern half of the West Wing (The Egyptian Sculpture Gallery) 1826–1831, with Montagu House demolished in 1842 to make room for the final part of the West Wing, completed in 1846, and the South Wing with its great colonnade, initiated in 1843 and completed in 1847, when the Front Hall and Great Staircase were opened to the public.[56] The museum is faced with Portland stone, but the perimeter walls and other parts of the building were built using Haytor granite from Dartmoor in South Devon, transported via the unique Haytor Granite Tramway.[57]

 
The Enlightenment Gallery at museum, which formerly held the King's Library, 2007
 
Proposed British Museum Extension, 1906
 
The Reading Room and Great Court roof, 2005
 
External view of the World Conservation and Exhibition Centre at the museum, 2015

In 1846 Robert Smirke was replaced as the museum's architect by his brother Sydney Smirke, whose major addition was the Round Reading Room 1854–1857; at 140 feet (43 m) in diameter it was then the second widest dome in the world, the Pantheon in Rome being slightly wider.

The next major addition was the White Wing 1882–1884 added behind the eastern end of the South Front, the architect being Sir John Taylor.

In 1895, Parliament gave the museum trustees a loan of £200,000 to purchase from the Duke of Bedford all 69 houses which backed onto the museum building in the five surrounding streets – Great Russell Street, Montague Street, Montague Place, Bedford Square and Bloomsbury Street.[58] The trustees planned to demolish these houses and to build around the west, north and east sides of the museum new galleries that would completely fill the block on which the museum stands. The architect Sir John James Burnet was petitioned to put forward ambitious long-term plans to extend the building on all three sides. Most of the houses in Montague Place were knocked down a few years after the sale. Of this grand plan only the Edward VII galleries in the centre of the North Front were ever constructed, these were built 1906–14 to the design by J.J. Burnet, and opened by King George V and Queen Mary in 1914. They now house the museum's collections of Prints and Drawings and Oriental Antiquities. There was not enough money to put up more new buildings, and so the houses in the other streets are nearly all still standing.

The Duveen Gallery, sited to the west of the Egyptian, Greek & Assyrian sculpture galleries, was designed to house the Elgin Marbles by the American Beaux-Arts architect John Russell Pope. Although completed in 1938, it was hit by a bomb in 1940 and remained semi-derelict for 22 years, before reopening in 1962. Other areas damaged during World War II bombing included: in September 1940 two unexploded bombs hit the Edward VII galleries, the King's Library received a direct hit from a high explosive bomb, incendiaries fell on the dome of the Round Reading Room but did little damage; on the night of 10 to 11 May 1941 several incendiaries fell on the south-west corner of the museum, destroying the book stack and 150,000 books in the courtyard and the galleries around the top of the Great Staircase – this damage was not fully repaired until the early 1960s.[59]

The Queen Elizabeth II Great Court is a covered square at the centre of the British Museum designed by the engineers Buro Happold and the architects Foster and Partners.[60] The Great Court opened in December 2000 and is the largest covered square in Europe. The roof is a glass and steel construction, built by an Austrian steelwork company,[61] with 1,656 uniquely shaped panes of glass. At the centre of the Great Court is the Reading Room vacated by the British Library, its functions now moved to St Pancras. The Reading Room is open to any member of the public who wishes to read there.

Today, the British Museum has grown to become one of the largest museums in the world, covering an area of over 92,000 m2 (990,000 sq. ft).[3][failed verification][62] In addition to 21,600 m2 (232,000 sq. ft)[63] of on-site storage space, and 9,400 m2 (101,000 sq. ft)[63] of external storage space. Altogether, the British Museum showcases on public display less than 1%[63] of its entire collection, approximately 50,000 items.[64]

There are nearly one hundred galleries open to the public, representing 2 miles (3.2 km) of exhibition space, although the less popular ones have restricted opening times. However, the lack of a large temporary exhibition space led to the £135 million World Conservation and Exhibitions Centre to provide one and to concentrate all the museum's conservation facilities into one centre. This project was announced in July 2007, with the architects Rogers Stirk Harbour and Partners. It was granted planning permission in December 2009 and was completed in time for the Viking exhibition in March 2014.[65][66] In 2017, the World Conservation and Exhibitions Centre was shortlisted for the Stirling Prize for excellence in architecture.[67]

Blythe House in West Kensington is used by the museum for off-site storage of small and medium-sized artefacts, and Franks House in East London is used for storage and work on the "Early Prehistory" – Palaeolithic and Mesolithic – and some other collections.[68]

Departments

Department of Egypt and Sudan

 
Room 61 – The famous false fresco 'Pond in a Garden' from the Tomb of Nebamun, c. 1350 BC
 
Room 4 – The Rosetta Stone, key to the decipherment of Egyptian hieroglyphs, 196 BC

The British Museum houses the world's largest[h] and most comprehensive collection of Egyptian antiquities (with over 100,000[69] pieces) outside the Egyptian Museum in Cairo. A collection of immense importance for its range and quality, it includes objects of all periods from virtually every site of importance in Egypt and the Sudan. Together, they illustrate every aspect of the cultures of the Nile Valley (including Nubia), from the Predynastic Neolithic period (c. 10,000 BC) through Coptic (Christian) times (12th century AD), and up to the present day, a time-span over 11,000 years.[70]

Egyptian antiquities have formed part of the British Museum collection ever since its foundation in 1753 after receiving 160 Egyptian objects[71] from Sir Hans Sloane. After the defeat of the French forces under Napoleon at the Battle of the Nile in 1801, the Egyptian antiquities collected were confiscated by the British army and presented to the British Museum in 1803. These works, which included the famed Rosetta Stone, were the first important group of large sculptures to be acquired by the museum. Thereafter, the UK appointed Henry Salt as consul in Egypt who amassed a huge collection of antiquities, some of which were assembled and transported with great ingenuity by the famous Italian explorer Giovanni Belzoni. Most of the antiquities Salt collected were purchased by the British Museum and the Musée du Louvre.

By 1866 the collection consisted of some 10,000 objects. Antiquities from excavations started to come to the museum in the latter part of the 19th century as a result of the work of the Egypt Exploration Fund under the efforts of E.A. Wallis Budge. Over the years more than 11,000 objects came from this source, including pieces from Amarna, Bubastis and Deir el-Bahari. Other organisations and individuals also excavated and donated objects to the British Museum, including Flinders Petrie's Egypt Research Account and the British School of Archaeology in Egypt, as well as the University of Oxford Expedition to Kawa and Faras in Sudan.

Active support by the museum for excavations in Egypt continued to result in important acquisitions throughout the 20th century until changes in antiquities laws in Egypt led to the suspension of policies allowing finds to be exported, although divisions still continue in Sudan. The British Museum conducted its own excavations in Egypt where it received divisions of finds, including Asyut (1907), Mostagedda and Matmar (1920s), Ashmunein (1980s) and sites in Sudan such as Soba, Kawa and the Northern Dongola Reach (1990s). The size of the Egyptian collections now stand at over 110,000 objects.[72]

In autumn 2001 the eight million objects forming the museum's permanent collection were further expanded by the addition of six million objects from the Wendorf Collection of Egyptian and Sudanese Prehistory.[73] These were donated by Professor Fred Wendorf of Southern Methodist University in Texas, and comprise the entire collection of artefacts and environmental remains from his excavations at Prehistoric sites in the Sahara Desert between 1963 and 1997. Other fieldwork collections have recently come from Dietrich and Rosemarie Klemm (University of Munich) and William Adams (University of Kentucky).

The seven permanent Egyptian galleries at the British Museum, which include its largest exhibition space (Room 4, for monumental sculpture), can display only 4% of its Egyptian holdings. The second-floor galleries have a selection of the museum's collection of 140 mummies and coffins, the largest outside Cairo. A high proportion of the collection comes from tombs or contexts associated with the cult of the dead, and it is these pieces, in particular the mummies, that remain among the most eagerly sought-after exhibits by visitors to the museum.

Highlights of the collections include:

Predynastic and Early Dynastic period (c. 6000 BC – c. 2690 BC)

  • Mummy of Ginger and five other individuals from Gebelein (c. 3400 BC)
  • Flint knife with an ivory handle (known as the Pit-Rivers Knife), Sheikh Hamada, Egypt (c. 3100 BC)
  • The Battlefield Palette and Hunters Palette, two cosmetic palettes with complex decorative schemes (c. 3100 BC)
  • Ivory statuette of a king, from the early temple at Abydos, Egypt (c. 3000 BC)
  • King Den's sandal label from Abydos, mid-1st Dynasty (c. 2985 BC)
  • Stela of King Peribsen, Abydos (c. 2720–2710 BC)

Old Kingdom (2690–2181 BC)

  • Artefacts from the tomb of King Khasekhemwy from the 2nd Dynasty (2690 BC)
  • Granite statue of Ankhwa, the shipbuilder, Saqqara, Egypt, 3rd Dynasty (c. 2650 BC)
  • Several of the original casing stones from the Great Pyramid of Giza, one of the Seven Wonders of the Ancient World (c. 2570 BC)
  • Statue of Nenkheftka from Deshasha, 4th Dynasty (2500 BC)
  • Limestone false door of Ptahshepses, Saqqara (2440 BC)
  • Abusir Papyri, some of the oldest papyri from ancient Egypt, Abusir (2400 BC)
  • Wooden tomb statue of Tjeti, 5th to 6th Dynasty (c. 2345–2181 BC)

Middle Kingdom (2134–1690 BC)

  • Inner and outer coffin of Sebekhetepi, Beni Hasan (c. 2125–1795 BC)
  • Quartzite statue of Ankhrekhu, 12th Dynasty (1985–1795 BC)
  • Limestone stela of Heqaib, Abydos, Egypt, 12th Dynasty (1990–1750 BC)
  • Block statue and stela of Sahathor, 12th Dynasty, reign of Amenemhat II (1922–1878 BC)
  • Limestone statue and stelae from the offering chapel of Inyotef, Abydos, 12th Dynasty (c. 1920 BC)
  • Stela of Samontu, Abydos (1910 BC)
  • Reliefs from the tomb of Djehutyhotep, Deir-el-Bersha (1878–1855 BC)
  • Three Granite statues of Senwosret III, Deir el-Bahri (1850 BC)
  • Statue of Rehuankh, Abydos (1850–1830 BC)
  • Colossal head of Amenemhat III, Bubastis (1800 BC)
  • Stela of Nebipusenwosret, Abydos (1800 BC)

Second Intermediate Period (1650–1550 BC)

New Kingdom (1549–1069 BC)

Third Intermediate Period (1069–664 BC)

Late Period (664–332 BC)

Ptolemaic dynasty (305–30 BC)

Roman Period (30 BC – 641 AD)

  • Schist head of a young man, Alexandria (after 30 BC)
  • The Meriotic Hamadab Stela from the Kingdom of Kush found near the ancient site of Meroë in Sudan, 24 BC
  • Lid of the coffin of Soter and Cleopatra from Qurna, Thebes (early 2nd century AD)
  • Mummy of a youth with a portrait of the deceased, Hawara (100–200 AD)
  • Over 30 Fayum mummy portraits from Hawara and other sites in Fayum (40–250 AD)
  • Bronze lamp and patera from the X-group tombs, Qasr Ibrim (1st–6th centuries AD)
  • Coptic wall painting of the martyrdom of saints, Wadi Sarga (6th century AD)
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    Room 64 – Egyptian grave containing a Gebelein predynastic mummy, late predynastic, 3400 BC

  •  

    Room 4 – Three black granite statues of the pharaoh Senusret III, c. 1850 BC

  •  

    Room 4 – Three black granite statues of the goddess Sakhmet, c. 1400 BC

  •  

    Room 4 – Colossal statue of Amenhotep III, c. 1370 BC

  •  

    Great Court – Colossal quartzite statue of Amenhotep III, c. 1350 BC

  •  

    Room 4 - Limestone statue of a husband and wife, 1300–1250 BC

  •  

    Room 63 - Gilded outer coffins from the tomb of Henutmehyt, Thebes, Egypt, 19th Dynasty, 1250 BC

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    Book of the Dead of Hunefer, sheet 5, 19th Dynasty, 1250 BC

  •  

    Room 4 – Ancient Egyptian bronze statue of a cat from the Late Period, c. 664–332 BC

  •  

    Room 4 – Green siltstone head of a Pharaoh, 26th–30th Dynasty, 600–340 BC

  •  

    Great Court – Black siltstone obelisk of King Nectanebo II of Egypt, Thirtieth dynasty, c. 350 BC

  •  

    Room 62 – Detail from the mummy case of Artemidorus the Younger, a Greek who had settled in Thebes, Egypt, during Roman times, 100–200 AD

Department of Greece and Rome

 
Room 17 – Reconstruction of the Nereid Monument, c. 390 BC
 
Room 18 – Parthenon marbles from the Acropolis of Athens, 447 BC
 
Room 21 – Mausoleum at Halicarnassus, one of the Seven Wonders of the Ancient World, mid-4th century BC

The British Museum has one of the world's largest and most comprehensive collections of antiquities from the Classical world, with over 100,000 objects.[74] These mostly range in date from the beginning of the Greek Bronze Age (about 3200 BC) to the establishment of Christianity as the official religion of the Roman Empire, with the Edict of Milan under the reign of the Roman emperor Constantine I in 313 AD. Archaeology was in its infancy during the nineteenth century and many pioneering individuals began excavating sites across the Classical world, chief among them for the museum were Charles Newton, John Turtle Wood, Robert Murdoch Smith and Charles Fellows.

The Greek objects originate from across the Ancient Greek world, from the mainland of Greece and the Aegean Islands, to neighbouring lands in Asia Minor and Egypt in the eastern Mediterranean and as far as the western lands of Magna Graecia that include Sicily and southern Italy. The Cycladic, Minoan and Mycenaean cultures are represented, and the Greek collection includes important sculpture from the Parthenon in Athens, as well as elements of two of the Seven Wonders of the Ancient World, the Mausoleum at Halicarnassus and the Temple of Artemis at Ephesos.[74]

Beginning from the early Bronze Age, the department also houses one of the widest-ranging collections of Italic and Etruscan antiquities outside Italy, as well as extensive groups of material from Cyprus and non-Greek colonies in Lycia and Caria on Asia Minor. There is some material from the Roman Republic, but the collection's strength is in its comprehensive array of objects from across the Roman Empire, with the exception of Britain (which is the mainstay of the Department of Prehistory and Europe).

The collections of ancient jewellery and bronzes, Greek vases (many from graves in southern Italy that were once part of Sir William Hamilton's and Chevalier Durand's collections), Roman glass including the famous Cameo glass Portland Vase, Roman gold glass (the second largest collection after the Vatican Museums), Roman mosaics from Carthage and Utica in North Africa that were excavated by Nathan Davis, and silver hoards from Roman Gaul (some of which were bequeathed by the philanthropist and museum trustee Richard Payne Knight), are particularly important. Cypriot antiquities are strong too and have benefited from the purchase of Sir Robert Hamilton Lang's collection as well as the bequest of Emma Turner in 1892, which funded many excavations on the island. Roman sculptures (many of which are copies of Greek originals) are particularly well represented by the Townley collection as well as residual sculptures from the famous Farnese collection.

Objects from the Department of Greece and Rome are located throughout the museum, although many of the architectural monuments are to be found on the ground floor, with connecting galleries from Gallery 5 to Gallery 23. On the upper floor, there are galleries devoted to smaller material from ancient Italy, Greece, Cyprus and the Roman Empire.

The current collection includes:

Temple of Hephaestus

Parthenon

Propylaea

  • Capital and column drum, (437–432 BC)

Erechtheion

  • A surviving column and architectural fittings, (420–415 BC)
  • One of six remaining Caryatids, (415 BC)

Temple of Athena Nike

  • Surviving frieze slabs and capital, (427–424 BC)

Choragic Monument of Thrasyllos

  • Statue of Dionysos, (270 BC)

Tower of the Winds

Temple of Poseidon, Sounion

  • Fluted column base, (444–440 BC)

Temple of Nemesis, Rhamnus

  • Head from the statue of Nemesis, (430–420 BC)

Temple of Bassae

  • Twenty-three surviving blocks of the frieze from the interior of the temple, (420–400 BC)

Sanctuary of Apollo at Daphni

  • Fluted columns, column bases and ionic capitals, (399–301 BC)

Temple of Athena Polias, Priene

  • Sculptural coffers from the temple ceiling, (350–325 BC)
  • Ionic capitals, architraves and antae, (350–325 BC)
  • Marble torso of a charioteer, (320–300 BC)

Mausoleum at Halicarnassus

  • Two colossal free-standing figures identified as Maussollos and his wife Artemisia, (c. 350 BC)
  • Part of an impressive horse from the chariot group adorning the summit of the Mausoleum, (c. 350 BC)
  • The Amazonomachy frieze – A long section of relief frieze showing the battle between Greeks and Amazons, (c. 350 BC)

Temple of Artemis in Ephesus

  • One of the sculptured column bases, (340–320 BC)
  • Part of the Ionic frieze situated above the colonnade, (330–300 BC)

Knidos in Asia Minor

Xanthos in Asia Minor

  • Lion Tomb, (550–500 BC)
  • Harpy Tomb, (480–470 BC)
  • Nereid Monument, partial reconstruction of a large and elaborate Lykian tomb, (390–380 BC)
  • Tomb of Merehi, (390–350 BC)
  • Tomb of Payava, (375–350 BC)
  • Bilingual Decree of Pixodaros, (340 BC)

Temple of Zeus, Salamis in Cyprus

  • Marble capital with caryatid figure standing between winged bulls, (300–250 BC)

Wider collection

Prehistoric Greece and Italy (3300 BC – 8th century BC)

Etruscan (8th century BC – 1st century BC)

  • Gold jewellery and other rich artefacts from the Castellani and Galeassi Tombs in Palestrina, central Italy, (8th–6th centuries BC)
  • Ornate gold fibula with granulated parade of animals from the Bernardini Tomb, Cerveteri, (675–650 BC)
  • Various objects including two small terracotta statues from the "Tomb of the five chairs" in Cerveteri (625–600 BC)
  • Gold libation bowl from Sant'Angelo Muxaro, Sicily, (600 BC)
  • Contents of the Isis tomb and François Tomb, Vulci, (570–560 BC)
  • Painted terracotta plaques (the so-called Boccanera Plaques) from a tomb in Cerveteri, (560–550 BC)
  • Decorated silver panels from Castel San Marino, near Perugia (540–520 BC)
  • Statuette of a bronze votive figure from Pizzidimonte, near Prato, Italy (500–480 BC)
  • Bronze helmet with inscription commemorating the Battle of Cumae, Olympia, Greece, (480 BC)
  • Bronze votive statuettes from the Lake of the Idols, Monte Falterona, (420–400 BC)
  • Part of a symposium set of bronze vessels from the tomb of Larth Metie, Bolsena, Italy, (400–300 BC)
  • Exquisite gold ear-ring with female head pendant, one of a pair from Perugia, (300–200 BC)
  • Oscan Tablet, one of the most important inscriptions in the Oscan language, (300–100 BC)
  • Hoard of gold jewellery from Sant'Eufemia Lamezia, southern Italy, (340–330 BC)
  • Latian bronze figure from the Sanctuary of Diana, Lake Nemi, Latium, (200–100 BC)
  • Sarcophagus of Seianti Hanunia Tlesnasa from Chiusi, (150–140 BC)

Ancient Greece (8th century BC – 4th century AD)

Ancient Rome (1st century BC – 4th century AD)

The collection encompasses architectural, sculptural and epigraphic items from many other sites across the classical world including Amathus, Atripalda, Aphrodisias, Delos, Iasos, Idalion, Lindus, Kalymnos, Kerch, Rhamnous, Salamis, Sestos, Sounion, Tomis and Thessaloniki.

Department of the Middle East

 
Room 9 – Assyrian palace reliefs, Nineveh, 701–681 BC

With a collection numbering some 330,000 works,[76] the British Museum possesses the world's largest and most important collection of Mesopotamian antiquities outside Iraq. A collection of immense importance, the holdings of Assyrian sculpture, Babylonian and Sumerian antiquities are among the most comprehensive in the world with entire suites of rooms panelled in alabaster Assyrian palace reliefs from Nimrud, Nineveh and Khorsabad.

The collections represent the civilisations of the ancient Near East and its adjacent areas. These cover Mesopotamia, Persia, the Arabian Peninsula, Anatolia, the Caucasus, parts of Central Asia, Syria, the Holy Land and Phoenician settlements in the western Mediterranean from the prehistoric period and include objects from the 7th century.

The first significant addition of Mesopotamian objects was from the collection of Claudius James Rich in 1825. The collection was later dramatically enlarged by the excavations of A. H. Layard at the Assyrian sites of Nimrud and Nineveh between 1845 and 1851. At Nimrud, Layard discovered the North-West Palace of Ashurnasirpal II, as well as three other palaces and various temples. He later uncovered the Palace of Sennacherib at Nineveh with 'no less than seventy-one halls'. As a result, a large numbers of Lamassus, palace reliefs, stelae, including the Black Obelisk of Shalmaneser III, were brought to the British Museum.

 
Room 6 – Pair of Human Headed Winged Lions and reliefs from Nimrud with the Balawat Gates, c. 860 BC
 
Room 52 – Ancient Iran with the Cyrus Cylinder, 559–530 BC

Layard's work was continued by his assistant, Hormuzd Rassam and in 1852–1854 he went on to discover the North Palace of Ashurbanipal at Nineveh with many magnificent reliefs, including the famous Lion Hunt of Ashurbanipal and Lachish reliefs. He also discovered the Royal Library of Ashurbanipal, a large collection of cuneiform tablets of enormous importance that today number around 130,000 pieces. W. K. Loftus excavated in Nimrud between 1850 and 1855 and found a remarkable hoard of ivories in the Burnt Palace. Between 1878 and 1882 Rassam greatly improved the museum's holdings with exquisite objects including the Cyrus Cylinder from Babylon, the bronze gates from Balawat, important objects from Sippar, and a fine collection of Urartian bronzes from Toprakkale including a copper figurine of a winged, human-headed bull.

In the early 20th century excavations were carried out at Carchemish, Turkey by D. G. Hogarth and Leonard Woolley, the latter assisted by T. E. Lawrence. The Mesopotamian collections were greatly augmented by excavations in southern Iraq after the First World War. From Tell al-Ubaid came the bronze furnishings of a Sumerian temple, including life-sized lions and a panel featuring the lion-headed eagle Indugud found by H. R. Hall in 1919–24. Woolley went on to excavate Ur between 1922 and 1934, discovering the 'Royal Cemeteries' of the 3rd millennium BC. Some of the masterpieces include the 'Standard of Ur', the 'Ram in a Thicket', the 'Royal Game of Ur', and two bull-headed lyres. The department also has three diorite statues of the ruler Gudea from the ancient state of Lagash and a series of limestone kudurru or boundary stones from different locations across ancient Mesopotamia.

Although the collections centre on Mesopotamia, most of the surrounding areas are well represented. The Achaemenid collection was enhanced with the addition of the Oxus Treasure in 1897 and objects excavated by the German scholar Ernst Herzfeld and the Hungarian-British explorer Sir Aurel Stein. Reliefs and sculptures from the site of Persepolis were donated by Sir Gore Ouseley in 1825 and the 5th Earl of Aberdeen in 1861 and the museum received part of a pot-hoard of jewellery from Pasargadae as the division of finds in 1963 and part of the Ziwiye hoard in 1971. A large column base from the One Hundred Column Hall at Persepolis was acquired in exchange from the Oriental Institute, Chicago. Moreover, the museum has been able to acquire one of the greatest assemblages of Achaemenid silverware in the world. The later Sasanian Empire is also well represented by ornate silver plates and cups, many representing ruling monarchs hunting lions and deer. Phoenician antiquities come from across the region, but the Tharros collection from Sardinia, the hoard of 16 metal bowls and hundreds of ivories from Nimrud and the large number of Phoenician stelae from Carthage and Maghrawa are outstanding. The number of Phoenician inscriptions from sites across Cyprus is also considerable, and include artefacts found at the Kition necropolis (with the two Kition Tariffs having the longest Phoenician inscription discovered on the island), the Idalion temple site and two bilingual pedestals found at Tamassos. Another often overlooked highlight is Yemeni antiquities, the finest collection outside that country. Furthermore, the museum has a representative collection of Dilmun and Parthian material excavated from various burial mounds at the ancient sites of A'ali and Shakhura (that included a Roman ribbed glass bowl) in Bahrain.

From the modern state of Syria come almost forty funerary busts from Palmyra and a group of stone reliefs from the excavations of Max von Oppenheim at Tell Halaf that was purchased in 1920. More material followed from the excavations of Max Mallowan at Chagar Bazar and Tell Brak in 1935–1938 and from Woolley at Alalakh in the years just before and after the Second World War. Mallowan returned with his wife Agatha Christie to carry out further digs at Nimrud in the postwar period which secured many important artefacts for the museum. The collection of Palestinian material was strengthened by the work of Kathleen Kenyon at Tell es-Sultan (Jericho) in the 1950s and the acquisition in 1980 of around 17,000 objects found at Lachish by the Wellcome-Marston expedition of 1932–1938. Archaeological digs are still taking place where permitted in the Middle East, and, depending on the country, the museum continues to receive a share of the finds from sites such as Tell es Sa'idiyeh in Jordan.

The museum's collection of Islamic art, including archaeological material, numbers about 40,000 objects,[77] one of the largest of its kind in the world. As such, it contains a broad range of pottery, paintings, tiles, metalwork, glass, seals, and inscriptions from across the Islamic world, from Spain in the west to India in the east. It is particularly famous for its collection of Iznik ceramics (the largest in the world), its large number of mosque lamps including one from the Dome of the Rock, mediaeval metalwork such as the Vaso Vescovali with its depictions of the Zodiac, a fine selection of astrolabes, and Mughal paintings and precious artwork including a large jade terrapin made for the emperor Jahangir. Thousands of objects were excavated after the war by professional archaeologists at Iranian sites such as Siraf by David Whitehouse and Alamut Castle by Peter Willey. The collection was augmented in 1983 by the Godman bequest of Iznik, Hispano-Moresque and early Iranian pottery. Artefacts from the Islamic world are on display in Gallery 34 of the museum.

A representative selection from the Department of Middle East, including the most important pieces, are on display in 13 galleries throughout the museum and total some 4,500 objects. A whole suite of rooms on the ground floor display the sculptured reliefs from the Assyrian palaces at Nineveh, Nimrud and Khorsabad, while 8 galleries on the upper floor hold smaller material from ancient sites across the Middle East. The remainder form the study collection which ranges in size from beads to large sculptures. They include approximately 130,000 cuneiform tablets from Mesopotamia.[78]

Highlights of the collections include:

Nimrud:

Nineveh:
Other Mesopotamian sites:
Wider collection:

Department of Prints and Drawings

The Department of Prints and Drawings holds the national collection of Western prints and drawings. It ranks as one of the largest and best print room collections in existence alongside the Albertina in Vienna, the Paris collections and the Hermitage. The holdings are easily accessible to the general public in the Study Room, unlike many such collections.[79] The department also has its own exhibition gallery in Room 90, where the displays and exhibitions change several times a year.[80]

Since its foundation in 1808, the prints and drawings collection has grown to international renown as one of the richest and most representative collections in the world. There are approximately 50,000 drawings and over two million prints.[80] The collection of drawings covers the period from the 14th century to the present, and includes many works of the highest quality by the leading artists of the European schools. The collection of prints covers the tradition of fine printmaking from its beginnings in the 15th century up to the present, with near complete holdings of most of the great names before the 19th century. Key benefactors to the department have been Clayton Mordaunt Cracherode, Richard Payne Knight, John Malcolm, Campbell Dodgson, César Mange de Hauke and Tomás Harris. Writer and author Louis Alexander Fagan, who worked in the department 1869-1894 made significant contributions to the department in form of his Handbook to the Department, as well as various other books about the museum in general.[81]

There are groups of drawings by Leonardo da Vinci, Raphael, Michelangelo, (including his only surviving full-scale cartoon), Dürer (a collection of 138 drawings is one of the finest in existence), Peter Paul Rubens, Rembrandt, Claude and Watteau, and largely complete collections of the works of all the great printmakers including Dürer (99 engravings, 6 etchings and most of his 346 woodcuts), Rembrandt and Goya. More than 30,000 British drawings and watercolours include important examples of work by Hogarth, Sandby, Turner, Girtin, Constable, Cotman, Cox, Gillray, Rowlandson, Towne and Cruikshank, as well as all the great Victorians. The collection contains the unique set of watercolours by the pioneering colonist John White, the first British artist in America and first European to paint Native Americans. There are about a million British prints including more than 20,000 satires and outstanding collections of works by William Blake and Thomas Bewick.[citation needed]. The great eleven volume Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum compiled between 1870 and 1954 is the definitive reference work for the study of British Satirical prints. Over 500,000 objects from the department are now on the online collection database, many with high-quality images.[82] A 2011 donation of £1 million enabled the museum to acquire a complete set of Pablo Picasso's Vollard Suite.[83]

Department of Britain, Europe and Prehistory

 
Gallery 50 – View down the Roman Britain gallery
 
Gallery 2a – Display case of Renaissance metalware from the Waddesdon Bequest

The Department of Britain, Europe and Prehistory is responsible for collections that cover a vast expanse of time and geography. It includes some of the earliest objects made by humans in east Africa over 2 million years ago, as well as Prehistoric and neolithic objects from other parts of the world; and the art and archaeology of Europe from the earliest times to the present day. Archeological excavation of prehistoric material took off and expanded considerably in the twentieth century and the department now has literally millions of objects from the Paleolithic and Mesolithic periods throughout the world, as well as from the Neolithic, Bronze Age and Iron Age in Europe. Stone Age material from Africa has been donated by famous archaeologists such as Louis and Mary Leakey, and Gertrude Caton–Thompson. Paleolithic objects from the Sturge, Christy and Lartet collections include some of the earliest works of art from Europe. Many Bronze Age objects from across Europe were added during the nineteenth century, often from large collections built up by excavators and scholars such as Greenwell in Britain, Tobin and Cooke in Ireland, Lukis and de la Grancière in Brittany, Worsaae in Denmark, Siret at El Argar in Spain, and Klemm and Edelmann in Germany. A representative selection of Iron Age artefacts from Hallstatt were acquired as a result of the Evans/Lubbock excavations and from Giubiasco in Ticino through the Swiss National Museum.

In addition, the British Museum's collections covering the period AD 300 to 1100 are among the largest and most comprehensive in the world, extending from Spain to the Black Sea and from North Africa to Scandinavia; a representative selection of these has recently been redisplayed in a newly refurbished gallery. Important collections include Latvian, Norwegian, Gotlandic and Merovingian material from Johann Karl Bähr, Alfred Heneage Cocks, Sir James Curle and Philippe Delamain respectively. However, the undoubted highlight from the early mediaeval period is the magnificent items from the Sutton Hoo royal grave, generously donated to the nation by the landowner Edith Pretty. The late mediaeval collection includes a large number of seal-dies from across Europe, the most famous of which include those from the Town of Boppard in Germany, Isabella of Hainault from her tomb in Notre Dame Cathedral, Paris, Inchaffray Abbey in Scotland and Robert Fitzwalter, one of the Barons who led the revolt against King John in England. There is also a large collection of medieval signet rings, prominent among them is the gold signet ring belonging to Jean III de Grailly who fought in the Hundred Years' War, as well as those of Mary, Queen of Scots and Richard I of England. Other groups of artefacts represented in the department include the national collection of (c.100) icon paintings, most of which originate from the Byzantine Empire and Russia, and over 40 mediaeval astrolabes from across Europe and the Middle East. The department also includes the national collection of horology with one of the most wide-ranging assemblage of clocks, watches and other timepieces in Europe, with masterpieces from every period in the development of time-keeping. Choice horological pieces came from the Morgan and Ilbert collections. The department is also responsible for the curation of Romano-British objects – the museum has by far the most extensive such collection in Britain and one of the most representative regional collections in Europe outside Italy. It is particularly famous for the large number of late Roman silver treasures, many of which were found in East Anglia, the most important of which is the Mildenhall Treasure. The museum purchased many Roman-British objects from the antiquarian Charles Roach Smith in 1856. These quickly formed the nucleus of the collection. The department also includes ethnographic material from across Europe including a collection of Bulgarian costumes and shadow puppets from Greece and Turkey. A particular highlight are the three Sámi drums from northern Sweden of which only about 70 are extant.

Objects from the Department of Britain, Europe and Prehistory are mostly found on the upper floor of the museum, with a suite of galleries numbered from 38 to 51. Most of the collection is stored in its archive facilities, where it is available for research and study.

Highlights of the collections include:

Stone Age (c. 3.4 million years BC – c. 2000 BC)

Bronze Age (c. 3300 BC – c. 600 BC)

Iron Age (c. 600 BC – c. 1st century AD)

Romano-British (43 AD – 410 AD)

  • Tombstone of Roman procurator Gaius Julius Alpinus Classicianus from London, (1st century)
  • Ribbed glass bowl found in a grave at Radnage, Buckinghamshire, (1st century)
  • Large milestone marker with inscription from the reign of the emperor Hadrian from Llanfairfechan, Gwynedd in North Wales, (120–121 AD) 
  • Ribchester, Guisborough and Witcham helmets once worn by Roman cavalry in Britain, (1st–2nd centuries)
  • Elaborate gold bracelets and ring found near Rhayader, central Wales, (1st–2nd centuries)
  • Hoard of gold jewellery found at Dolaucothi mine in Carmarthenshire, Wales, (1st–2nd centuries)
  • Bronze heads of the Roman emperors Hadrian and Claudius, found in London and Suffolk, (1st–2nd centuries)
  • Vindolanda Tablets, important historical documents found near Hadrian's Wall in Northumberland, (1st–2nd centuries)
  • Head of Mercury from Roman-Celtic Temple at Uley, Gloucestershire and limestone head from Towcester, Northamptonshire (2nd–4th centuries)
  • Wall-paintings and sculptures from the Roman Villa at Lullingstone, Kent, south east England, 1st–4th centuries)
  • Capheaton and Backworth treasures, remnants of two important hoards from northern England, (2nd–3rd centuries)
  • Stony Stratford Hoard of copper headdresses, fibulae and silver votive plaques, central England, (3rd century)
  • Square silver dish from Mileham in Norfolk, (4th century)
  • Gold jewellery deposited at the site of Newgrange, Ireland, (4th century)
  • Thetford Hoard, late Roman jewellery from eastern England, (4th century)

Early Mediaeval (c. 4th century AD – c. 1000 AD)

Mediaeval (c. 1000 AD – c. 1500 AD)

Renaissance to Modern (c. 1500 AD – present)

The many hoards of treasure include those of Esquiline, Carthage, First Cyprus, Hockwold, Hoxne, Lampsacus, Mildenhall, Vale of York and Water Newton, (4th–10th centuries AD)

Department of Asia

 
Room 33a – Amaravati Sculptures, southern India, 1st century BC and 3rd century AD
 
Room 95 – The Percival David collection of Chinese ceramics

The scope of the Department of Asia is extremely broad; its collections of over 75,000 objects cover the material culture of the whole Asian continent (from East, South, Central and South-East Asia) and from the Neolithic up to the present day. Until recently, this department concentrated on collecting Oriental antiquities from urban or semi-urban societies across the Asian continent. Many of those objects were collected by colonial officers and explorers in former parts of the British Empire, especially the Indian subcontinent. Examples include the collections made by individuals such as James Wilkinson Breeks, Sir Alexander Cunningham, Sir Harold Deane, Sir Walter Elliot, James Prinsep, Charles Masson, Sir John Marshall and Charles Stuart. A large number of Chinese antiquities were purchased from the Anglo-Greek banker George Eumorfopoulos in the 1930s. The large collection of some 1800 Japanese prints and paintings owned by Arthur Morrison was acquired in the early twentieth century. In the second half of the twentieth century, the museum greatly benefited from the bequest of the philanthropist PT Brooke Sewell, which allowed the department to purchase many objects and fill in gaps in the collection.[88][89][90]

In 2004, the ethnographic collections from Asia were transferred to the department. These reflect the diverse environment of the largest continent in the world and range from India to China, the Middle East to Japan. Much of the ethnographic material comes from objects originally owned by tribal cultures and hunter-gatherers, many of whose way of life has disappeared in the last century. Particularly valuable collections are from the Andaman and Nicobar Islands (much assembled by the British naval officer Maurice Portman), Sri Lanka (especially through the colonial administrator Hugh Nevill), Northern Thailand, south-west China, the Ainu of Hokaidu in Japan (chief among them the collection of the Scottish zoologist John Anderson), Siberia (with artefacts collected by the explorer Kate Marsden and Bassett Digby and is notable for its Sakha pieces, especially the ivory model of a summer festival at Yakutsk) and the islands of South-East Asia, especially Borneo. The latter benefited from the purchase in 1905 of the Sarawak collection put together by Dr Charles Hose, as well as from other colonial officers such as Edward A Jeffreys. In addition, a unique and valuable group of objects from Java, including shadow puppets and a gamelan musical set, was assembled by Sir Stamford Raffles.

The principal gallery devoted to Asian art in the museum is Gallery 33 with its comprehensive display of Chinese, Indian subcontinent and Southeast Asian objects. An adjacent gallery showcases the Amaravati sculptures and monuments. Other galleries on the upper floors are devoted to its Japanese, Korean, painting and calligraphy, and Chinese ceramics collections.

Highlights of the collections include:[91]

  • The most comprehensive collection of sculpture from the Indian subcontinent in the world, including the celebrated Buddhist limestone reliefs from Amaravati excavated by Sir Walter Elliot[92]
  • An outstanding collection of Chinese antiquities, paintings, and porcelain, lacquer, bronze, jade, and other applied arts
  • The Frau Olga-Julia Wegener Collection of 147 Chinese paintings from the Tang to the Qing dynasties.
  • The most comprehensive collection of Japanese pre-20th century art in the Western world, many of which originally belonged to the surgeon William Anderson and diplomat Ernest Mason Satow

East Asia

South Asia

South-east Asia

  • Earthenware tazza from the Phùng Nguyên culture, northern Vietnam, (2000–1500 BC)
  • Pottery vessels and sherds from the ancient site of Ban Chiang, Thailand, (10th–1st centuries BC)
  • Bronze bell from Klang and iron socketed axe (tulang mawas) from Perak, western Malaysia, (200 BC–200 AD)
  • Group of six Buddhist clay votive plaques found in a cave in Patania, Penang, Malaysia, (6th–11th centuries AD)
  • The famous Sambas Treasure of buddhist gold and silver figures from west Borneo, Indonesia, (8th–9th centuries AD)
  • Three stone Buddha heads from the temple at Borobodur in Java, Indonesia, (9th century AD)
  • Granite Kinnari figure in the shape of a bird from Candi Prambanan in Java, Indonesia, (9th century AD)
  • Sandstone Champa figure of a rampant lion, Vietnam, (11th century AD)
  • Gilded bronze figure of Śiva holding a rosary, Cambodia, (11th century AD)
  • Stone figure representing the upper part of an eleven-headed Avalokiteśvara, Cambodia, (12th century AD)
  • Bronze figure of a seated Buddha from Bagan, Burma, (12th–13th centuries AD)
  • Hoard of Southern Song dynasty ceramic vessels excavated at Pinagbayanan, Taysan Municipality, Philippines, (12th–13th centuries AD)
  • Statue of the Goddess Mamaki from Candi Jago, eastern Java, Indonesia, (13th–14th centuries AD)
  • Glazed terracotta tiles from the Shwegugyi Temple erected by king Dhammazedi in Bago, Myanmar, (1476 AD)
  • Inscribed bronze figure of a Buddha from Fang District, part of a large SE Asian collection amassed by the Norwegian explorer Carl Bock, Thailand, (1540 AD)
  • Large impression of the Buddha's foot made of gilded stone (known as Shwesettaw Footprints) donated by Captain Frederick Marryat, from Ponoodang near Yangon, Myanmar, (18th–19th centuries AD)
  •  

    Room 33 - Cubic weights made of chert from Mohenjo-daro, Pakistan, 2600-1900 BC

  •  

    Room 33 - One of the hu from Huixian, China, 5th century BC

  •  

    Room 33 - A hamsa sacred goose vessel made of crystal from Stupa 32, Taxila, Pakistan, 1st century AD

  •  

    Room 33 - Stone sculpture of the death of Buddha, Gandhara, Pakistan, 1st-3rd centuries AD

  •  

    Room 91a - Section of the Admonitions Scroll by Chinese artist Gu Kaizhi, China, c. 380 AD

  •  

    Room 33 - Gilded bronze statue of the Buddha, Dhaneswar Khera, India, 5th century AD

  •  

    The Amitābha Buddha from Hancui on display in the museum's stairwell, China, 6th century AD

  •  

    Room 33 - The luohan from Yixian made of glazed stoneware, China, 907-1125 AD

  •  

    Sculpture of Goddess Ambika found at Dhar, India, 1034 AD

  •  

    Sculpture of the two Jain tirthankaras Rishabhanatha and Mahavira, Orissa, India, 11th-12th century AD

  •  

    Room 33 - Western Zhou bronze ritual vessel known as the "Kang Hou Gui", China, 11th century BC

  •  

    Room 33 - A crowned figure of the Bodhisattva Khasarpana Avalokiteśvara, India, 12th century AD

  •  

    Room 33 - Covered hanging jar with underglaze decoration, Si Satchanalai (Sawankalok), north-central Thailand, 14th-16th centuries AD

  •  

    Room 33 - Hu-shaped altar flower vessel, Ming dynasty, China, 15th -16th centuries AD

  •  

    Room 33 - An assistant to the Judge of Hell, figure from a judgement group, Ming dynasty, China, 16th century AD

  •  

    Room 33 - Statue of Bodhisattva Avalokiteshvara, gilded bronze. Nepal, 16th century AD

  •  

    Portrait of Ibrâhîm 'Âdil Shâh II (1580–1626), Mughal Empire of India, 1615 AD

  •  

    Room 90 - Courtesans of the Tamaya House, attributed to Utagawa Toyoharu, screen painting; Japan, Edo period, late 1770s or early 1780s AD

  •  

    Room 33 - Large statue of Buddha made of lacquer from Burma, 18th-19th century AD

  •  

    Room 33 - Figure of seated Lama; of painted and varnished papier-mâché, Ladakh, India, 19th century AD

Department of Africa, Oceania and the Americas

 
Room 24 – The Wellcome Trust Gallery of Living and Dying, with Hoa Hakananai'a, a moai, in the centre

The British Museum houses one of the world's most comprehensive collections of Ethnographic material from Africa, Oceania and the Americas, representing the cultures of indigenous peoples throughout the world. Over 350,000 objects[93] spanning thousands of years tells the history of mankind from three major continents and many rich and diverse cultures; the collecting of modern artefacts is ongoing. Many individuals have added to the department's collection over the years but those assembled by Henry Christy, Harry Beasley and William Oldman are outstanding.

Objects from this department are mostly on display in several galleries on the ground and lower floors. Gallery 24 displays ethnographic from every continent while adjacent galleries focus on North America and Mexico. A long suite of rooms (Gallery 25) on the lower floor display African art. There are plans in place to develop permanent galleries for showcasing art from Oceania and South America.

Africa

 
Room 25 – A collection of African throwing knives

The Sainsbury African Galleries display 600 objects from the greatest permanent collection of African arts and culture in the world. The three permanent galleries provide a substantial exhibition space for the museum's African collection comprising over 200,000 objects. A curatorial scope that encompasses both archaeological and contemporary material, including both unique masterpieces of artistry and objects of everyday life. A great addition was material amassed by Sir Henry Wellcome, which was donated by the Wellcome Historical Medical Museum in 1954.

Highlights of the African collection include objects found at megalithic circles in The Gambia, a dozen exquisite Afro-Portuguese ivories, a series of soapstone figures from the Kissi people in Sierra Leone and Liberia, hoard of bronze Kru currency rings from the Sinoe River in Liberia, Asante goldwork and regalia from Ghana including the Bowdich collection, the rare Akan Drum from the same region in west Africa, pair of door panels and lintel from the palace at Ikere-Ekiti in Yorubaland, the Benin and Igbo-Ukwu bronze sculptures, the beautiful Bronze Head of Queen Idia, a magnificent brass head of a Yoruba ruler and quartz throne from Ife, a similar terracotta head from Iwinrin Grove near Ife, the Apapa Hoard from Lagos and other mediaeval bronze hoards from Allabia and the Forçados River in southern Nigeria.

Included is an Ikom monolith from Cross River State, several ancestral screens from the Kalabari tribe in the Niger Delta, the Torday collection of central African sculpture, textiles and weaponry from the Kuba Kingdom including three royal figures, the unique Luzira Head from Uganda, processional crosses and other ecclesiastical and royal material from Gondar and Magdala, Ethiopia following the British Expedition to Abyssinia, excavated objects from Great Zimbabwe (that includes a unique soapstone, anthropomorphic figure) and satellite towns such as Mutare including a large hoard of Iron Age soapstone figures, a rare divining bowl from the Venda peoples and cave paintings and petroglyphs from South Africa.

Oceania

The British Museum's Oceanic collections originate from the vast area of the Pacific Ocean, stretching from Papua New Guinea to Easter Island, from New Zealand to Hawaii. The three main anthropological groups represented in the collection are Polynesia, Melanesia and Micronesia – Aboriginal art from Australia is considered separately in its own right. Metal working was not indigenous to Oceania before Europeans arrived, so many of the artefacts from the collection are made from stone, shell, bone and bamboo. Prehistoric objects from the region include a bird-shaped pestle and a group of stone mortars from Papua New Guinea.

The British Museum is fortunate in having some of the earliest Oceanic and Pacific collections, many of which were put together by members of Cook's and Vancouver's expeditions or by colonial administrators and explorers such as Sir George Grey, Sir Frederick Broome, Joseph Bradshaw, Robert Christison, Gregory Mathews, Frederick Meinertzhagen, Thomas Mitchell and Arthur Gordon, before Western culture significantly impacted on indigenous cultures. The department has also benefited greatly from the legacy of pioneering anthropologists such as AC Haddon, Bronisław Malinowski and Katherine Routledge. An artefact is a wooden Aboriginal shield, probably dating from the late eighteenth century.[94] There is some debate as to whether this shield was found at Botany Bay or, given the nature of the wood being red mangrove which grows abundantly only 500 km north of Botany Bay, possibly obtained through trade networks or at an entirely different location.[95][96]

The Wilson cabinet of curiosities from Palau is an example of pre-contact ware. Another outstanding exemplar is the mourner's dress from Tahiti given to Cook on his second voyage, one of only ten in existence. In the collection is a large war canoe from the island of Vella Lavella in the Solomon Islands, one of the last ever to be built in the archipelago.[97]

The Māori collection is the finest outside New Zealand with many intricately carved wooden and jade objects and the Aboriginal art collection is distinguished by its wide range of bark paintings, including two very early bark etchings collected by John Hunter Kerr. A particularly important group of objects was purchased from the London Missionary Society in 1911, that includes the unique statue of A'a from Rurutu Island, the rare idol from the isle of Mangareva and the Cook Islands deity figure. Other highlights include the huge Hawaiian statue of Kū-ka-ili-moku or god of war (one of three extant in the world) and the famous Easter Island statues Hoa Hakananai'a and Moai Hava.

Americas

The Americas collection mainly consists of 19th and 20th century items although the Paracas, Moche, Inca, Maya, Aztec, Taino and other early cultures are well represented. The Kayung totem pole, which was made in the late nineteenth century on Haida Gwaii, dominates the Great Court and provides a fitting introduction to this very wide-ranging collection that stretches from the very north of the North American continent where the Inuit population has lived for centuries, to the tip of South America where indigenous tribes have long thrived in Patagonia.

Highlights of the collection include Aboriginal Canadian and Native American objects from North America collected by the 5th Earl of Lonsdale, the Marquis of Lorne, the explorer David Haig-Thomas and Bryan Mullanphy, Mayor of St. Louis, the Squier and Davis collection of prehistoric mound relics from North America, two carved stone bowls in the form of a seated human figure made by ancient North West Coast peoples from British Columbia, the headdress of Chief Yellow Calf from the Arapaho tribe in Wyoming, a lidded rivercane basket from South Carolina and the earliest historic example of Cherokee basketery, a selection of pottery vessels found in prehistoric dwellings at Mesa Verde and Casas Grandes, one of the enigmatic crystal skulls of unknown origin, a collection of nine turquoise Aztec mosaics from Mexico (the largest in Europe), important artefacts from Teotihuacan and Isla de Sacrificios.

There are several rare pre-Columbian manuscripts including the Codex Zouche-Nuttall and Codex Waecker-Gotter and post-colonial ones such as the Codex Aubin and Codex Kingsborough, a spectacular series of Mayan lintels from Yaxchilan excavated by the British Mayanist Alfred Maudslay, a very high quality Mayan collection that includes sculptures from Copan, Tikal, Tulum, Pusilha, Naranjo and Nebaj (including the celebrated Fenton Vase), an ornate calcite vase with jaguar handles from the Ulua Valley in Honduras, the Lord Moyne collection from the Bay Islands, Honduras and Boyle collection from Nicarugua, over 20 stone metates with zoomorphic and anthropomorphic ornamentation from Costa Rica, a group of Zemi Figures from Vere, Jamaica, and wooden duhos from the Dominican Republic and The Bahamas.

There are a collection of Pre-Columbian human mummies from sites across South America including Ancon, Acari, Arica and Leyva, a number of prestigious pre-Columbian gold and votive objects from Colombia, three axe-shaped gold diadems found near Camaná from the Siguas culture in Peru, unique collection of Moche wooden figures and staffs from the Macabi islands off Peru, ethnographic objects from across the Amazon region including the Schomburgk and Maybury Lewis collections and part of the von Martius and von Spix collection, two rare Tiwanaku pottery vessels from Lake Titicaca and important items from Tierra del Fuego donated by Commander Phillip Parker King.

  •  

    Room 26 - Stone pipe representing an otter from Mound City, Ohio, USA, 200 BC - 400 AD

  •  

    Room 2 - Stone tomb guardian, part human part jaguar, from San Agustín, Colombia, c. 300-600 AD

  •  

    Room 1 - Maya maize god statue from Copán, Honduras, 600-800 AD

  •  

    Room 24 - Gold Lime Flasks (poporos), Quimbaya Culture, Colombia, 600-1100 AD

  •  

    Room 27 - Lintel 25 from Yaxchilan, Late Classic, Mexico, 600-900 AD

  •  

    Room 24 - Bird pectoral made from gold alloy, Popayán, Colombia, 900-1600 AD

  •  

    Room 24 – Rapa Nui statue Hoa Hakananai'a, 1000 AD, Wellcome Trust Gallery

  •  

    Room 27 - Double-headed serpent turquoise mosaic, Aztec, Mexico, 1400-1500 AD

  •  

    Room 27 - Turquoise Mosaic Mask, Mixtec-Aztec, Mexico, 1400-1500 AD

  •  

    Room 2 - Miniature gold llama figurine, Inca, Peru, about 1500 AD

  •  

    Room 25 - Part of the famous collection of Benin brass plaques, Nigeria, 1500-1600 AD

  •  

    Room 25 - Detail of one of the Benin brass plaques in the museum, Nigeria, 1500-1600 AD

  •  

    Room 25 - Benin ivory mask of Queen Idia, Nigeria, 16th century AD

  •  

    Room 24 - Hawaiian feather helmet or mahiole, late 1700s AD

  •  

    Bowl decorated with pearl shell and boars' tusks, used to serve the intoxicating drink kava, Hawaii, late 1700s AD

  •  

    Great Court - Two house frontal totem poles, Haida, British Columbia, Canada, about 1850 AD

  •  

    Room 25 - Mask (wood and pigment); Punu people, Gabon, 19th century AD

  •  

    Room 25 - Otobo masquerade in the Africa Gallery, Nigeria, 20th century AD

  •  

    Room 25 - Modern interpretation of kente cloth from Ghana, late 20th century AD

Department of Coins and Medals

Main article: British Museum Department of Coins and Medals

The British Museum is home to one of the world's finest numismatic collections, comprising about a million objects, including coins, medals, tokens and paper money. The collection spans the entire history of coinage from its origins in the 7th century BC to the present day and is representative of both the East and West. The Department of Coins and Medals was created in 1861 and celebrated its 150th anniversary in 2011.[98]

Department of Conservation and Scientific Research

This department was founded in 1920. Conservation has six specialist areas: ceramics & glass; metals; organic material (including textiles); stone, wall paintings and mosaics; Eastern pictorial art and Western pictorial art. The science department[99] has and continues to develop techniques to date artefacts, analyse and identify the materials used in their manufacture, to identify the place an artefact originated and the techniques used in their creation. The department also publishes its findings and discoveries.

Libraries and archives

This department covers all levels of education, from casual visitors, schools, degree level and beyond. The museum's various libraries hold in excess of 350,000 books, journals and pamphlets covering all areas of the museum's collection. Also the general museum archives which date from its foundation in 1753 are overseen by this department; the individual departments have their own separate archives and libraries covering their various areas of responsibility, which can be consulted by the public on application. The Anthropology Library is especially large, with 120,000 volumes.[100] However, the Paul Hamlyn Library, which had become the central reference library of the British Museum and the only library there freely open to the general public, closed permanently in August 2011.[101] The website and online database of the collection also provide increasing amounts of information.

British Museum Press

The British Museum Press (BMP) is the publishing business and a division of the British Museum Company Ltd., a company and a charity (established in 1973) wholly owned by the trustees of the British Museum.[102]

The BMP publishes both popular and scholarly illustrated books to accompany the exhibition programme and explore aspects of the general collection. Profits from their sales goes to support the British Museum.[102]

Scholarly titles are published in the Research Publications series, all of which are peer-reviewed. This series was started in 1978 and was originally called Occasional Papers. The series is designed to disseminate research on items in the collection. Between six and eight titles are published each year in this series.[103]

Controversies

 
A few of the Elgin Marbles (also known as the Parthenon Marbles) from the East Pediment of the Parthenon in Athens.

Artefacts taken from other countries

It is a point of controversy whether museums should be allowed to possess artefacts taken from other countries,[7][104] and the British Museum is a notable target for criticism. The Elgin Marbles, Benin Bronzes, Ethiopian Tabots and the Rosetta Stone are among the most disputed objects in its collections, and organisations have been formed demanding the return of these artefacts to their native countries. The Parthenon Marbles (Elgin Marbles) claimed by Greece were also cited by UNESCO, among others, for restitution. From 1801 to 1812, Elgin's agents removed about half of the surviving sculptures from the Parthenon, as well as sculptures from the Propylaea and Erechtheum. The former director of the museum has stated, "We are indebted to Elgin for having rescued the Parthenon sculptures and others from the Acropolis from the destruction they were suffering, as well as from the damage that the Acropolis monuments, including the sculptures that he did not remove, have suffered since."[105] The British Museum itself damaged some of the artefacts during restoration in the 1930s.[106]

There is also controversy over artefacts taken during the destruction of the Old Summer Palace in Beijing by an Anglo-French expeditionary force during the Second Opium War in 1860, an event which drew a protest from Victor Hugo.[107][108] The British Museum and the Victoria and Albert Museum, among others, have been asked since 2009 to open their archives for investigation by a team of Chinese investigators as a part of an international mission to document Chinese national treasures in foreign collections.[109] In 2010 Neil MacGregor, the former Director of the British Museum, said he hoped that both British and Chinese investigators would work together on the controversial collection.[110] In 2020 the museum appointed a curator to research the history of its collections, including disputed items.[111]

The British Museum has stated that the "restitutionist premise, that whatever was made in a country must return to an original geographical site, would empty both the British Museum and the other great museums of the world".[112] The museum has also argued that the British Museum Act of 1963 prevents any object from leaving its collection once it has entered it. "The Museum owns its collections, but its Trustees are not empowered to dispose of them".[112][113] Nevertheless, it has returned items such as Tasmanian Aboriginal burial remains when this was consistent with legislation regarding the disposal of items in the collections.[114]

In late 2022, the British Museum had entered into preliminary negotiations with the Greek government about the future of the Elgin marbles.[115]

Disputed items in the collection

BP sponsorship

In recent years there have been several protests against the British Museum's relationship with the oil company BP. In May 2016, the British Museum was temporarily closed after a Greenpeace protest.[128] In February 2019, hundreds of people occupied the museum in protest against the BP sponsorship.[129] In July 2019, Ahdaf Soueif resigned from the British Museum's board of trustees in protest against the sponsorship.[130] In February 2020, 1,500 demonstrators, including British Museum staff, took part in a day of protest over the issue, occupying 11 of the museum's rooms. The PCS union said the museum had a duty to recognise the escalating climate crisis and cut its ties with BP. In reply the museum said: “We are aware of the comments from the PCS union and will continue to liaise with the British Museum PCS branch and our staff more generally.”[131]

Chairman's Advisory Group

The Chairman's Advisory Group is an informal group of business leaders who provide advice to the chairman on various issues including the museum's relationship with the British government and policy on the museum's collections. Its existence was made public after a freedom of information request by a group campaigning against the museum's links with the fossil fuel industry. The museum has declined to name the members of the advisory group as they are acting in their personal capacity.[132]

Galleries

Building
Museum Galleries

Department of Ancient Egypt and Sudan

  •  

    Room 4 – Egyptian Sculpture, view towards the Assyrian Transept

  •  

    Room 4

  •  

    Room 4

Department of the Middle East

  •  

    The British Museum, Room 6 – Assyrian Sculpture

  •  

    Room 8 – Pair of Lamassu from Nimrud & reliefs from the palace of Tiglath-Pileser III

  •  

    Room 7 – Reliefs from the North-west palace of Ashurnasirpal II, Nimrud

  •  

    Room 89 – Nimrud & Nineveh Palace Reliefs

  •  

    Room 10 – Nineveh, The Royal Lion Hunt

Department of Greece and Rome

  •  

    Room 18 – Ancient Greece

  •  

    Room 20a – Tomb of Merehi & Greek Vases, Lycia, 360 BC

  •  

    Room 85 – Portrait Sculpture, Roman

  •  

    Room 84 – Towneley Roman Sculptures

  •  

    Main Staircase – Discobolus, Roman

  •  

    Main Staircase – Townley Caryatid, Roman, 140–160 AD

Digital and online

The museum has a collaboration with the Google Cultural Institute to bring the collection online.[133]

Exhibitions

  • Chronology of Temporary Exhibitions at the British Museum, by Joanna Bowring (British Museum Research Paper 189, 2012) lists all temporary exhibitions from 1838 to 2012.

Forgotten Empire Exhibition (October 2005 – January 2006)

  •  

    Room 5 – Exhibitions Panorama

  •  

    Room 5 – The Persepolis Casts

  •  

    Room 5 – Exhibitions Relics

  •  

    Room 5 – The Cyrus Cylinder

From January to April 2012 the museum presented Hajj: Journey to the Heart of Islam, the first major exhibition on the topic of the Hajj, the pilgrimage that is one of the five pillars of Islam.[134][135]

Notes

  1. ^ Among the national museums in London, sculpture and decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections.
  2. ^ By the Act of Parliament it received a name – the British Museum. The origin of the name is not known; the word 'British' had some resonance nationally at this period, so soon after the Jacobite rebellion of 1745; it must be assumed that the museum was christened in this light.[14]
  3. ^ The estimated footage of the various libraries as reported to the trustees has been summarised by Harris (1998), 3,6: Sloane 4,600, Harley 1,700, Cotton 384, Edwards 576, The Royal Library 1,890.
  4. ^ This was perhaps rather unfortunate as the title to the house was complicated by the fact that part of the building had been erected on leasehold property (the Crown lease of which ran out in 1771); perhaps that is why George III paid such a modest price (nominally £28,000) for what was to become Buckingham Palace. See Howard Colvin et al. (1976), 134.
  5. ^ Understanding of the foundation of the National Gallery is complicated by the fact that there is no documented history of the institution. At first the National Gallery functioned effectively as part of the British Museum, to which the trustees transferred most of their most important pictures (ex. portraits). Full control was handed over to the National Gallery in 1868, after the Act of Parliament of 1856 established the Gallery as an independent body.
  6. ^ Ashmole, the Keeper of the Greek and Roman Antiquities appreciated the original top-lighting of these galleries and removed the Victorian colour scheme, commenting:

    The old Elgin Gallery was painted a deep terracotta red, which, though in some ways satisfactory, diminished its apparent size, and was apt to produce a depressing effect on the visitor. It was decided to experiment with lighter colours, and the walls of the large room were painted with what was, at its first application, a pure cold white, but which after a year's exposure had unfortunately yellowed. The small Elgin Room was painted with pure white tinted with prussian blue, and the Room of the metopes was painted with pure white tinted with cobalt blue and black; it was necessary, for practical reasons, to colour all the dadoes a darker colour[39]
  7. ^ Ashmole had never liked the Duveen Gallery:

    It is, I suppose, not positively bad, but it could have been infinitely better. It is pretentious, in that it uses the ancient Marbles to decorate itself. This is a long outmoded idea, and the exact opposite of what a sculpture gallery should do. And, although it incorporates them, it is out of scale, and tends to dwarf them with its bogus Doric features, including those columns, supporting almost nothing which would have made an ancient Greek artist architect wince. The source of daylight is too high above the sculptures, a fault that is only concealed by the amount of reflection from the pinkish marble walls. These are too similar in colour to the marbles...These half-dozen elementary errors were pointed out by everyone in the Museum, and by many scholars outside, when the building was projected.[44]

    It was not until the 1980s that the installation of a lighting scheme removed his greatest criticism of the building.
  8. ^ The Cairo Museum has 200,000 artefacts, with leading collections reposited at the Egyptian Museum of Berlin (100,000), Musée du Louvre (60,000), Petrie Museum (80,000), The Metropolitan Museum of art (26,000), University of Pennsylvania (42,000), Ashmolean Museum (40,000), Museum of Fine Arts, Boston (40,000), Museo Egizio, Turin (32,500 objects).

References

  1. ^ "Collection size". British Museum.
  2. ^ Association of Leading Visitor Attractions (ALVA), 22 March 2022
  3. ^ a b "About us". British Museum. Retrieved 26 March 2013.
  4. ^ "History of the British Museum". The British Museum. Retrieved 12 July 2018.
  5. ^ "The Life and Curiosity of Hans Sloane". The British Library. Retrieved 21 October 2017.
  6. ^ "The Big Question: What is the Rosetta Stone, and should Britain return". The Independent. 9 December 2009. Retrieved 2 April 2020.
  7. ^ a b Tharoor, Kanishk (29 June 2015). "Museums and looted art: the ethical dilemma of preserving world cultures". The Guardian. Retrieved 18 April 2018.
  8. ^ "British Library Act 1972". legislation.gov.uk. 1972.
  9. ^ "Admission and opening times". British Museum. 14 June 2010. Retrieved 4 July 2010.
  10. ^ "BBC – History – British History in depth: Slavery and the Building of Britain". www.bbc.co.uk. Retrieved 12 November 2019.
  11. ^ . Fathom. Archived from the original on 2 January 2010. Retrieved 4 July 2010.
  12. ^ "General history". British Museum. 14 June 2010. Retrieved 4 July 2010.
  13. ^ Gavin R de Beer, Sir Hans Sloane and the British Museum (London, 1953).
  14. ^ The question of the use of the term 'British' at this period has recently received some attention, e.g. Colley (1992), 85ff. There never has been a serious attempt to change the museum's name.
  15. ^ Letter to Charles Long (1823), BMCE115/3,10. Scrapbooks and illustrations of the Museum. (Wilson, David, M.) (2002). The British Museum: A History. London: The British Museum Press, pg 346
  16. ^ "The British Museum Images". Bmimages. Retrieved 4 July 2010.
  17. ^ a b Dunton, Larkin (1896). The World and Its People. Silver, Burdett. p. 38.
  18. ^ Wilson, David, M. (2002). The British Museum: A History. London: The British Museum Press. p. 25.
  19. ^ Cavendish, Richard (January 2009). "The British Museum opened on January 15th, 1759". History Today. Vol. 59, no. 1.
  20. ^ Rose, ED (15 April 2018). "Specimens, slips and systems: Daniel Solander and the classification of nature at the world's first public museum, 1753–1768" (PDF). British Journal for the History of Science. 51 (2): 205–237. doi:10.1017/S0007087418000249. PMID 29655387. Archived (PDF) from the original on 9 October 2022.
  21. ^ "Collection Guides – King's Library". Retrieved 1 June 2020.
  22. ^ Hoock, Holger (2010). Empires of the Imagination: Politics, War and the Arts in the British World, 1750–1850. Profile Books. p. 207. ISBN 9781861978592. Retrieved 21 July 2016.
  23. ^ BMCE1/5, 1175 (13 May 1820). Minutes of General Meeting of the Trustees, 1754–63. (Wilson, David, M. (2002). The British Museum: A History, p. 78)
  24. ^ Wondrous Curiosities – Ancient Egypt at the British Museum, pp. 66–72 (Stephanie Moser, 2006, ISBN 0-226-54209-2)
  25. ^ The Story of the British Museum, p. 24 (Marjorie Caygill, 2003, ISBN 0-7141-2772-8)
  26. ^ The British Museum – The Elgin Marbles, p. 85 (B.F.Cook, 2005, ISBN 0-7141-2134-7
  27. ^ The British Museum – Assyrian Sculpture, pp. 6–7 (Julian Reade, 2004, ISBN 0-7141-2141-X)
  28. ^ "King's Library". Bl. Retrieved 22 October 2011.
  29. ^ Wilson, David, M. (2002). The British Museum: A History. London: The British Museum Press, p. 79
  30. ^ The Story of the British Museum, p. 25 (Marjorie Caygill, 2003, ISBN 0-7141-2772-8)
  31. ^ Reade, Julian (2004). Assyrian Sculpture. London: The British Museum Press, p. 16
  32. ^ Dickens Charles Jr. (1879). "Museum, British". Dickens's Dictionary of London. Retrieved 22 August 2007. Beyond the new Lycian room is the READING ROOM: [...]; circular structure; original suggestion of Thomas Watts, improved by A. (Sir A.) Panizzi, carried out by Mr. Sidney Smirke; [...]
  33. ^ South from Ephesus – An Escape From The Tyranny of Western Art, pp. 33–34,(Brian Sewell, 2002, ISBN 1-903933-16-1)
  34. ^ "The Electric Light in the British Museum" (PDF). The New York Times. 18 December 1879. Archived (PDF) from the original on 9 October 2022. Retrieved 15 January 2016.
  35. ^ Caygill, Marjorie (2006). The British Museum: 250 Years. London: The British Museum Press, p. 5
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January 10, 2023
british, museum, other, uses, disambiguation, coordinates, 51944, 12694, 51944, 12694, public, museum, dedicated, human, history, culture, located, bloomsbury, area, london, permanent, collection, eight, million, works, among, largest, most, comprehensive, exi. For other uses see British Museum disambiguation Coordinates 51 31 10 N 0 7 37 W 51 51944 N 0 12694 W 51 51944 0 12694 The British Museum is a public museum dedicated to human history art and culture located in the Bloomsbury area of London Its permanent collection of eight million works is among the largest and most comprehensive in existence 3 It documents the story of human culture from its beginnings to the present a The British Museum was the first public national museum to cover all fields of knowledge 4 British MuseumAerial shot of the British MuseumLocation within Central LondonEstablished7 June 1753 269 years ago 1753 06 07 LocationGreat Russell Street London WC1B 3DG England United KingdomCollection sizeapprox 8 million objects 1 Visitors1 327 120 2021 2 up 42 percent from 2020 Ranked third nationallyChairGeorge OsborneDirectorHartwig FischerPublic transit accessGoodge Street Holborn Tottenham Court Road Russell Square Websitewww wbr britishmuseum wbr orgArea807 000 sq ft 75 000 m2 in 94 galleriesThe Great Court was developed in 2001 and surrounds the original Reading Room The museum was established in 1753 largely based on the collections of the Anglo Irish physician and scientist Sir Hans Sloane 5 It first opened to the public in 1759 in Montagu House on the site of the current building The museum s expansion over the following 250 years was largely a result of British colonisation and resulted in the creation of several branch institutions or independent spin offs the first being the Natural History Museum in 1881 The right to ownership of some of its most well known acquisitions notably the Greek Elgin Marbles and the Egyptian Rosetta Stone is subject to long term disputes and repatriation claims 6 7 In 1973 the British Library Act 1972 8 detached the library department from the British Museum but it continued to host the now separated British Library in the same Reading Room and building as the museum until 1997 The museum is a non departmental public body sponsored by the Department for Digital Culture Media and Sport and as with all national museums in the UK it charges no admission fee except for loan exhibitions 9 Contents 1 History 1 1 Sir Hans Sloane 1 2 Foundation 1753 1 3 Cabinet of curiosities 1753 1778 1 4 Indolence and energy 1778 1800 1 5 Growth and change 1800 1825 1 6 The largest building site in Europe 1825 1850 1 7 Collecting from the wider world 1850 1875 1 8 Scholarship and legacies 1875 1900 1 9 New century new building 1900 1925 1 10 Disruption and reconstruction 1925 1950 1 11 A new public face 1950 1975 1 12 The Great Court emerges 1975 2000 1 13 The British Museum today 2 Governance 2 1 Director 2 2 Trustees 3 Building 4 Departments 4 1 Department of Egypt and Sudan 4 2 Department of Greece and Rome 4 3 Department of the Middle East 4 4 Department of Prints and Drawings 4 5 Department of Britain Europe and Prehistory 4 6 Department of Asia 4 7 Department of Africa Oceania and the Americas 4 8 Department of Coins and Medals 4 9 Department of Conservation and Scientific Research 4 10 Libraries and archives 5 British Museum Press 6 Controversies 6 1 Artefacts taken from other countries 6 1 1 Disputed items in the collection 6 2 BP sponsorship 6 3 Chairman s Advisory Group 7 Galleries 7 1 Digital and online 8 Exhibitions 9 Notes 10 References 11 Further reading 12 External linksHistory EditSir Hans Sloane Edit Sir Hans Sloane Although today principally a museum of cultural art objects and antiquities the British Museum was founded as a universal museum Its foundations lie in the will of the Anglo Irish physician and naturalist Sir Hans Sloane 1660 1753 a London based doctor and scientist from Ulster During the course of his lifetime and particularly after he married the widow of a wealthy Jamaican planter 10 Sloane gathered a large collection of curiosities and not wishing to see his collection broken up after death he bequeathed it to King George II for the nation for a sum of 20 000 11 At that time Sloane s collection consisted of around 71 000 objects of all kinds 12 including some 40 000 printed books 7 000 manuscripts extensive natural history specimens including 337 volumes of dried plants prints and drawings including those by Albrecht Durer and antiquities from Sudan Egypt Greece Rome the Ancient Near and Far East and the Americas 13 Foundation 1753 Edit On 7 June 1753 King George II gave his Royal Assent to the Act of Parliament which established the British Museum b The British Museum Act 1753 also added two other libraries to the Sloane collection namely the Cottonian Library assembled by Sir Robert Cotton dating back to Elizabethan times and the Harleian Library the collection of the Earls of Oxford They were joined in 1757 by the Old Royal Library now the Royal manuscripts assembled by various British monarchs Together these four foundation collections included many of the most treasured books now in the British Library 15 including the Lindisfarne Gospels and the sole surviving manuscript of Beowulf c Montagu House c 1715 The British Museum was the first of a new kind of museum national belonging to neither church nor king freely open to the public and aiming to collect everything Sloane s collection while including a vast miscellany of objects tended to reflect his scientific interests 16 The addition of the Cotton and Harley manuscripts introduced a literary and antiquarian element and meant that the British Museum now became both National Museum and library 17 Cabinet of curiosities 1753 1778 Edit The Rosetta Stone on display in the British Museum in 1874 The body of trustees decided on a converted 17th century mansion Montagu House as a location for the museum which it bought from the Montagu family for 20 000 The trustees rejected Buckingham House which was later converted into the present day Buckingham Palace on the grounds of cost and the unsuitability of its location 18 d With the acquisition of Montagu House the first exhibition galleries and reading room for scholars opened on 15 January 1759 19 At this time the largest parts of collection were the library which took up the majority of the rooms on the ground floor of Montagu House and the natural history objects which took up an entire wing on the second state storey of the building In 1763 the trustees of the British Museum under the influence of Peter Collinson and William Watson employed the former student of Carl Linnaeus Daniel Solander to reclassify the natural history collection according to the Linnaean system thereby making the museum a public centre of learning accessible to the full range of European natural historians 20 In 1823 King George IV gave the King s Library assembled by George III 21 and Parliament gave the right to a copy of every book published in the country thereby ensuring that the museum s library would expand indefinitely During the few years after its foundation the British Museum received several further gifts including the Thomason Collection of Civil War Tracts and David Garrick s library of 1 000 printed plays The predominance of natural history books and manuscripts began to lessen when in 1772 the museum acquired for 8 410 its first significant antiquities in Sir William Hamilton s first collection of Greek vases 22 Indolence and energy 1778 1800 Edit Entrance ticket to the British Museum London 3 March 1790 From 1778 a display of objects from the South Seas brought back from the round the world voyages of Captain James Cook and the travels of other explorers fascinated visitors with a glimpse of previously unknown lands The bequest of a collection of books engraved gems coins prints and drawings by Clayton Mordaunt Cracherode in 1800 did much to raise the museum s reputation but Montagu House became increasingly crowded and decrepit and it was apparent that it would be unable to cope with further expansion 23 The museum s first notable addition towards its collection of antiquities since its foundation was by Sir William Hamilton 1730 1803 British Ambassador to Naples who sold his collection of Greek and Roman artefacts to the museum in 1784 together with a number of other antiquities and natural history specimens A list of donations to the museum dated 31 January 1784 refers to the Hamilton bequest of a Colossal Foot of an Apollo in Marble It was one of two antiquities of Hamilton s collection drawn for him by Francesco Progenie a pupil of Pietro Fabris who also contributed a number of drawings of Mount Vesuvius sent by Hamilton to the Royal Society in London Growth and change 1800 1825 Edit Left to Right Montagu House Townley Gallery and Sir Robert Smirke s west wing under construction July 1828 The Mausoleum of Halicarnassus Room 1920s In the early 19th century the foundations for the extensive collection of sculpture began to be laid and Greek Roman and Egyptian artefacts dominated the antiquities displays After the defeat of the French campaign in the Battle of the Nile in 1801 the British Museum acquired more Egyptian sculptures and in 1802 King George III presented the Rosetta Stone key to the deciphering of hieroglyphs 24 Gifts and purchases from Henry Salt British consul general in Egypt beginning with the Colossal bust of Ramesses II in 1818 laid the foundations of the collection of Egyptian Monumental Sculpture 25 Many Greek sculptures followed notably the first purpose built exhibition space the Charles Towneley collection much of it Roman sculpture in 1805 In 1806 Thomas Bruce 7th Earl of Elgin ambassador to the Ottoman Empire from 1799 to 1803 removed the large collection of marble sculptures from the Parthenon on the Acropolis in Athens and transferred them to the UK In 1816 these masterpieces of western art were acquired by the British Museum by Act of Parliament and deposited in the museum thereafter 26 The collections were supplemented by the Bassae frieze from Phigaleia Greece in 1815 The Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian antiquities from the widow of Claudius James Rich 27 In 1802 a buildings committee was set up to plan for expansion of the museum and further highlighted by the donation in 1822 of the King s Library personal library of King George III s comprising 65 000 volumes 19 000 pamphlets maps charts and topographical drawings 28 The neoclassical architect Sir Robert Smirke was asked to draw up plans for an eastern extension to the museum for the reception of the Royal Library and a Picture Gallery over it 29 and put forward plans for today s quadrangular building much of which can be seen today The dilapidated Old Montagu House was demolished and work on the King s Library Gallery began in 1823 The extension the East Wing was completed by 1831 However following the founding of the National Gallery London in 1824 e the proposed Picture Gallery was no longer needed and the space on the upper floor was given over to the Natural history collections 30 The first Synopsis of the British Museum was published in 1808 This described the contents of the museum and the display of objects room by room and updated editions were published every few years The largest building site in Europe 1825 1850 Edit The Grenville Library 1875 As Sir Robert Smirke s grand neo classical building gradually arose the museum became a construction site The King s Library on the ground floor of the East Wing was handed over in 1827 and was described as one of the finest rooms in London Although it was not fully open to the general public until 1857 special openings were arranged during The Great Exhibition of 1851 In 1840 the museum became involved in its first overseas excavations Charles Fellows s expedition to Xanthos in Asia Minor whence came remains of the tombs of the rulers of ancient Lycia among them the Nereid and Payava monuments In 1857 Charles Newton was to discover the 4th century BC Mausoleum of Halikarnassos one of the Seven Wonders of the Ancient World In the 1840s and 1850s the museum supported excavations in Assyria by A H Layard and others at sites such as Nimrud and Nineveh Of particular interest to curators was the eventual discovery of Ashurbanipal s great library of cuneiform tablets which helped to make the museum a focus for Assyrian studies 31 Sir Thomas Grenville 1755 1846 a trustee of the British Museum from 1830 assembled a library of 20 240 volumes which he left to the museum in his will The books arrived in January 1847 in twenty one horse drawn vans The only vacant space for this large library was a room originally intended for manuscripts between the Front Entrance Hall and the Manuscript Saloon The books remained here until the British Library moved to St Pancras in 1998 Collecting from the wider world 1850 1875 Edit The opening of the forecourt in 1852 marked the completion of Robert Smirke s 1823 plan but already adjustments were having to be made to cope with the unforeseen growth of the collections Infill galleries were constructed for Assyrian sculptures and Sydney Smirke s Round Reading Room with space for a million books opened in 1857 Because of continued pressure on space the decision was taken to move natural history to a new building in South Kensington which would later become the British Museum of Natural History Roughly contemporary with the construction of the new building was the career of a man sometimes called the second founder of the British Museum the Italian librarian Anthony Panizzi Under his supervision the British Museum Library now part of the British Library quintupled in size and became a well organised institution worthy of being called a national library the largest library in the world after the National Library of Paris 17 The quadrangle at the centre of Smirke s design proved to be a waste of valuable space and was filled at Panizzi s request by a circular Reading Room of cast iron designed by Smirke s brother Sydney Smirke 32 Until the mid 19th century the museum s collections were relatively circumscribed but in 1851 with the appointment to the staff of Augustus Wollaston Franks to curate the collections the museum began for the first time to collect British and European medieval antiquities prehistory branching out into Asia and diversifying its holdings of ethnography A real coup for the museum was the purchase in 1867 over French objections of the Duke of Blacas s wide ranging and valuable collection of antiquities Overseas excavations continued and John Turtle Wood discovered the remains of the 4th century BC Temple of Artemis at Ephesos another Wonder of the Ancient World 33 Scholarship and legacies 1875 1900 Edit The natural history collections were an integral part of the British Museum until their removal to the new British Museum of Natural History in 1887 nowadays the Natural History Museum With the departure and the completion of the new White Wing fronting Montague Street in 1884 more space was available for antiquities and ethnography and the library could further expand This was a time of innovation as electric lighting was introduced in the Reading Room and exhibition galleries 34 The William Burges collection of armoury was bequeathed to the museum in 1881 In 1882 the museum was involved in the establishment of the independent Egypt Exploration Fund now Society the first British body to carry out research in Egypt A bequest from Miss Emma Turner in 1892 financed excavations in Cyprus In 1897 the death of the great collector and curator A W Franks was followed by an immense bequest of 3 300 finger rings 153 drinking vessels 512 pieces of continental porcelain 1 500 netsuke 850 inro over 30 000 bookplates and miscellaneous items of jewellery and plate among them the Oxus Treasure 35 In 1898 Baron Ferdinand de Rothschild bequeathed the Waddesdon Bequest the glittering contents from his New Smoking Room at Waddesdon Manor This consisted of almost 300 pieces of objets d art et de vertu which included exquisite examples of jewellery plate enamel carvings glass and maiolica among them the Holy Thorn Reliquary probably created in the 1390s in Paris for John Duke of Berry The collection was in the tradition of a Schatzkammer such as those formed by the Renaissance princes of Europe 36 Baron Ferdinand s will was most specific and failure to observe the terms would make it void the collection should be placed in a special room to be called the Waddesdon Bequest Room separate and apart from the other contents of the Museum and thenceforth for ever thereafter keep the same in such room or in some other room to be substituted for it 36 These terms are still observed and the collection occupies room 2a New century new building 1900 1925 Edit Opening of The North Wing King Edward VII s Galleries 1914 Sir Leonard Woolley holding the excavated Sumerian Queen s Lyre 1922 By the last years of the 19th century The British Museum s collections had increased to the extent that its building was no longer large enough In 1895 the trustees purchased the 69 houses surrounding the museum with the intention of demolishing them and building around the west north and east sides of the museum The first stage was the construction of the northern wing beginning 1906 All the while the collections kept growing Emil Torday collected in Central Africa Aurel Stein in Central Asia D G Hogarth Leonard Woolley and T E Lawrence excavated at Carchemish Around this time the American collector and philanthropist J Pierpont Morgan donated a substantial number of objects to the museum 37 including William Greenwell s collection of prehistoric artefacts from across Europe which he had purchased for 10 000 in 1908 Morgan had also acquired a major part of Sir John Evans s coin collection which was later sold to the museum by his son John Pierpont Morgan Junior in 1915 In 1918 because of the threat of wartime bombing some objects were evacuated via the London Post Office Railway to Holborn the National Library of Wales Aberystwyth and a country house near Malvern On the return of antiquities from wartime storage in 1919 some objects were found to have deteriorated A conservation laboratory was set up in May 1920 and became a permanent department in 1931 It is today the oldest in continuous existence 38 In 1923 the British Museum welcomed over one million visitors Disruption and reconstruction 1925 1950 Edit New mezzanine floors were constructed and book stacks rebuilt in an attempt to cope with the flood of books In 1931 the art dealer Sir Joseph Duveen offered funds to build a gallery for the Parthenon sculptures Designed by the American architect John Russell Pope it was completed in 1938 The appearance of the exhibition galleries began to change as dark Victorian reds gave way to modern pastel shades f Following the retirement of George Francis Hill as Director and Principal Librarian in 1936 he was succeeded by John Forsdyke As tensions with Nazi Germany developed and it appeared that war may be imminent Forsdyke came to the view that with the likelihood of far worse air raids than that experienced in World War I that the museum had to make preparations to remove its most valuable items to secure locations Following the Munich crisis Forsdyke ordered 3 300 No Nail Boxes and stored them in the basement of Duveen Gallery At the same time he began identifying and securing suitable locations As a result the museum was able to quickly commence relocating selected items on 24 August 1939 a mere day after the Home Secretary advised them to do so to secure basements country houses Aldwych Underground station and the National Library of Wales 40 Many items were relocated in early 1942 from their initial dispersal locations to a newly developed facility at Westwood Quarry in Wiltshire 40 The evacuation was timely for in 1940 the Duveen Gallery was severely damaged by bombing 41 Meanwhile prior to the war the Nazis had sent a researcher to the British Museum for several years with the aim of compiling an anti Semitic history of Anglo Jewry 42 After the war the museum continued to collect from all countries and all centuries among the most spectacular additions were the 2600 BC Mesopotamian treasure from Ur discovered during Leonard Woolley s 1922 34 excavations Gold silver and garnet grave goods from the Anglo Saxon ship burial at Sutton Hoo 1939 and late Roman silver tableware from Mildenhall Suffolk 1946 The immediate post war years were taken up with the return of the collections from protection and the restoration of the museum after the Blitz Work also began on restoring the damaged Duveen Gallery A new public face 1950 1975 Edit The re opened Duveen Gallery 1980 In 1953 the museum celebrated its bicentenary Many changes followed the first full time in house designer and publications officer were appointed in 1964 the Friends organisation was set up in 1968 an Education Service established in 1970 and publishing house in 1973 In 1963 a new Act of Parliament introduced administrative reforms It became easier to lend objects the constitution of the board of trustees changed and the Natural History Museum became fully independent By 1959 the Coins and Medals office suite completely destroyed during the war was rebuilt and re opened attention turned towards the gallery work with new tastes in design leading to the remodelling of Robert Smirke s Classical and Near Eastern galleries 43 In 1962 the Duveen Gallery was finally restored and the Parthenon Sculptures were moved back into it once again at the heart of the museum g By the 1970s the museum was again expanding More services for the public were introduced visitor numbers soared with the temporary exhibition Treasures of Tutankhamun in 1972 attracting 1 694 117 visitors the most successful in British history In the same year the Act of Parliament establishing the British Library was passed separating the collection of manuscripts and printed books from the British Museum This left the museum with antiquities coins medals and paper money prints and drawings and ethnography A pressing problem was finding space for additions to the library which now required an extra 1 1 4 miles 2 0 km of shelving each year The Government suggested a site at St Pancras for the new British Library but the books did not leave the museum until 1997 The Great Court emerges 1975 2000 Edit The departure of the British Library to a new site at St Pancras finally achieved in 1998 provided the space needed for the books It also created the opportunity to redevelop the vacant space in Robert Smirke s 19th century central quadrangle into the Queen Elizabeth II Great Court the largest covered square in Europe which opened in 2000 The ethnography collections which had been housed in the short lived Museum of Mankind at 6 Burlington Gardens from 1970 were returned to new purpose built galleries in the museum in 2000 The museum again readjusted its collecting policies as interest in modern objects prints drawings medals and the decorative arts reawakened Ethnographical fieldwork was carried out in places as diverse as New Guinea Madagascar Romania Guatemala and Indonesia and there were excavations in the Near East Egypt Sudan and the UK The Weston Gallery of Roman Britain opened in 1997 displayed a number of recently discovered hoards which demonstrated the richness of what had been considered an unimportant part of the Roman Empire The museum turned increasingly towards private funds for buildings acquisitions and other purposes 45 The British Museum today Edit Wide view of the Great Court Today the museum no longer houses collections of natural history and the books and manuscripts it once held now form part of the independent British Library The museum nevertheless preserves its universality in its collections of artefacts representing the cultures of the world ancient and modern The original 1753 collection has grown to over 13 million objects at the British Museum 70 million at the Natural History Museum and 150 million at the British Library The Round Reading Room which was designed by the architect Sydney Smirke opened in 1857 For almost 150 years researchers came here to consult the museum s vast library The Reading Room closed in 1997 when the national library the British Library moved to a new building at St Pancras Today it has been transformed into the Walter and Leonore Annenberg Centre With the bookstacks in the central courtyard of the museum empty the demolition for Lord Foster s glass roofed Great Court could begin The Great Court opened in 2000 while undoubtedly improving circulation around the museum was criticised for having a lack of exhibition space at a time when the museum was in serious financial difficulties and many galleries were closed to the public At the same time the African collections that had been temporarily housed in 6 Burlington Gardens were given a new gallery in the North Wing funded by the Sainsbury family with the donation valued at 25 million 46 As part of its very large website the museum has the largest online database of objects in the collection of any museum in the world with 2 000 000 individual object entries 650 000 of them illustrated online at the start of 2012 47 There is also a Highlights database with longer entries on over 4 000 objects and several specialised online research catalogues and online journals all free to access 48 In 2013 the museum s website received 19 5 millions visits an increase of 47 from the previous year 49 In 2013 the museum received a record 6 7 million visitors an increase of 20 from the previous year 49 Popular exhibitions including Life and Death in Pompeii and Herculaneum and Ice Age Art are credited with helping fuel the increase in visitors 50 Plans were announced in September 2014 to recreate the entire building along with all exhibits in the video game Minecraft in conjunction with members of the public 51 A number of films have been shot at the British Museum 52 Governance EditDirector Edit The British Museum is a non departmental public body sponsored by the Department for Digital Culture Media and Sport through a three year funding agreement Its head is the Director of the British Museum The British Museum was run from its inception by a principal librarian when the book collections were still part of the museum a role that was renamed director and principal librarian in 1898 and director in 1973 on the separation of the British Library 53 Trustees Edit A board of 25 trustees with the director as their accounting officer for the purposes of reporting to Government is responsible for the general management and control of the museum in accordance with the British Museum Act 1963 and the Museums and Galleries Act 1992 54 Prior to the 1963 Act it was chaired by the Archbishop of Canterbury the Lord Chancellor and the Speaker of the House of Commons The board was formed on the museum s inception to hold its collections in trust for the nation without actually owning them themselves and now fulfil a mainly advisory role Trustee appointments are governed by the regulatory framework set out in the code of practice on public appointments issued by the Office of the Commissioner for Public Appointments 55 Building Edit The museum s main entrance The Greek Revival facade facing Great Russell Street is a characteristic building of Sir Robert Smirke with 44 columns in the Ionic order 45 ft 14 m high closely based on those of the temple of Athena Polias at Priene in Asia Minor The pediment over the main entrance is decorated by sculptures by Sir Richard Westmacott depicting The Progress of Civilisation consisting of fifteen allegorical figures installed in 1852 The construction commenced around the courtyard with the East Wing The King s Library in 1823 1828 followed by the North Wing in 1833 1838 which originally housed among other galleries a reading room now the Wellcome Gallery Work was also progressing on the northern half of the West Wing The Egyptian Sculpture Gallery 1826 1831 with Montagu House demolished in 1842 to make room for the final part of the West Wing completed in 1846 and the South Wing with its great colonnade initiated in 1843 and completed in 1847 when the Front Hall and Great Staircase were opened to the public 56 The museum is faced with Portland stone but the perimeter walls and other parts of the building were built using Haytor granite from Dartmoor in South Devon transported via the unique Haytor Granite Tramway 57 The Enlightenment Gallery at museum which formerly held the King s Library 2007 Proposed British Museum Extension 1906 The Reading Room and Great Court roof 2005 External view of the World Conservation and Exhibition Centre at the museum 2015 In 1846 Robert Smirke was replaced as the museum s architect by his brother Sydney Smirke whose major addition was the Round Reading Room 1854 1857 at 140 feet 43 m in diameter it was then the second widest dome in the world the Pantheon in Rome being slightly wider The next major addition was the White Wing 1882 1884 added behind the eastern end of the South Front the architect being Sir John Taylor In 1895 Parliament gave the museum trustees a loan of 200 000 to purchase from the Duke of Bedford all 69 houses which backed onto the museum building in the five surrounding streets Great Russell Street Montague Street Montague Place Bedford Square and Bloomsbury Street 58 The trustees planned to demolish these houses and to build around the west north and east sides of the museum new galleries that would completely fill the block on which the museum stands The architect Sir John James Burnet was petitioned to put forward ambitious long term plans to extend the building on all three sides Most of the houses in Montague Place were knocked down a few years after the sale Of this grand plan only the Edward VII galleries in the centre of the North Front were ever constructed these were built 1906 14 to the design by J J Burnet and opened by King George V and Queen Mary in 1914 They now house the museum s collections of Prints and Drawings and Oriental Antiquities There was not enough money to put up more new buildings and so the houses in the other streets are nearly all still standing The Duveen Gallery sited to the west of the Egyptian Greek amp Assyrian sculpture galleries was designed to house the Elgin Marbles by the American Beaux Arts architect John Russell Pope Although completed in 1938 it was hit by a bomb in 1940 and remained semi derelict for 22 years before reopening in 1962 Other areas damaged during World War II bombing included in September 1940 two unexploded bombs hit the Edward VII galleries the King s Library received a direct hit from a high explosive bomb incendiaries fell on the dome of the Round Reading Room but did little damage on the night of 10 to 11 May 1941 several incendiaries fell on the south west corner of the museum destroying the book stack and 150 000 books in the courtyard and the galleries around the top of the Great Staircase this damage was not fully repaired until the early 1960s 59 The Queen Elizabeth II Great Court is a covered square at the centre of the British Museum designed by the engineers Buro Happold and the architects Foster and Partners 60 The Great Court opened in December 2000 and is the largest covered square in Europe The roof is a glass and steel construction built by an Austrian steelwork company 61 with 1 656 uniquely shaped panes of glass At the centre of the Great Court is the Reading Room vacated by the British Library its functions now moved to St Pancras The Reading Room is open to any member of the public who wishes to read there Today the British Museum has grown to become one of the largest museums in the world covering an area of over 92 000 m2 990 000 sq ft 3 failed verification 62 In addition to 21 600 m2 232 000 sq ft 63 of on site storage space and 9 400 m2 101 000 sq ft 63 of external storage space Altogether the British Museum showcases on public display less than 1 63 of its entire collection approximately 50 000 items 64 There are nearly one hundred galleries open to the public representing 2 miles 3 2 km of exhibition space although the less popular ones have restricted opening times However the lack of a large temporary exhibition space led to the 135 million World Conservation and Exhibitions Centre to provide one and to concentrate all the museum s conservation facilities into one centre This project was announced in July 2007 with the architects Rogers Stirk Harbour and Partners It was granted planning permission in December 2009 and was completed in time for the Viking exhibition in March 2014 65 66 In 2017 the World Conservation and Exhibitions Centre was shortlisted for the Stirling Prize for excellence in architecture 67 Blythe House in West Kensington is used by the museum for off site storage of small and medium sized artefacts and Franks House in East London is used for storage and work on the Early Prehistory Palaeolithic and Mesolithic and some other collections 68 Departments EditDepartment of Egypt and Sudan Edit Room 61 The famous false fresco Pond in a Garden from the Tomb of Nebamun c 1350 BC Room 4 The Rosetta Stone key to the decipherment of Egyptian hieroglyphs 196 BC The British Museum houses the world s largest h and most comprehensive collection of Egyptian antiquities with over 100 000 69 pieces outside the Egyptian Museum in Cairo A collection of immense importance for its range and quality it includes objects of all periods from virtually every site of importance in Egypt and the Sudan Together they illustrate every aspect of the cultures of the Nile Valley including Nubia from the Predynastic Neolithic period c 10 000 BC through Coptic Christian times 12th century AD and up to the present day a time span over 11 000 years 70 Egyptian antiquities have formed part of the British Museum collection ever since its foundation in 1753 after receiving 160 Egyptian objects 71 from Sir Hans Sloane After the defeat of the French forces under Napoleon at the Battle of the Nile in 1801 the Egyptian antiquities collected were confiscated by the British army and presented to the British Museum in 1803 These works which included the famed Rosetta Stone were the first important group of large sculptures to be acquired by the museum Thereafter the UK appointed Henry Salt as consul in Egypt who amassed a huge collection of antiquities some of which were assembled and transported with great ingenuity by the famous Italian explorer Giovanni Belzoni Most of the antiquities Salt collected were purchased by the British Museum and the Musee du Louvre By 1866 the collection consisted of some 10 000 objects Antiquities from excavations started to come to the museum in the latter part of the 19th century as a result of the work of the Egypt Exploration Fund under the efforts of E A Wallis Budge Over the years more than 11 000 objects came from this source including pieces from Amarna Bubastis and Deir el Bahari Other organisations and individuals also excavated and donated objects to the British Museum including Flinders Petrie s Egypt Research Account and the British School of Archaeology in Egypt as well as the University of Oxford Expedition to Kawa and Faras in Sudan Room 4 Colossal red granite statue of Amenhotep III 1350 BC Active support by the museum for excavations in Egypt continued to result in important acquisitions throughout the 20th century until changes in antiquities laws in Egypt led to the suspension of policies allowing finds to be exported although divisions still continue in Sudan The British Museum conducted its own excavations in Egypt where it received divisions of finds including Asyut 1907 Mostagedda and Matmar 1920s Ashmunein 1980s and sites in Sudan such as Soba Kawa and the Northern Dongola Reach 1990s The size of the Egyptian collections now stand at over 110 000 objects 72 In autumn 2001 the eight million objects forming the museum s permanent collection were further expanded by the addition of six million objects from the Wendorf Collection of Egyptian and Sudanese Prehistory 73 These were donated by Professor Fred Wendorf of Southern Methodist University in Texas and comprise the entire collection of artefacts and environmental remains from his excavations at Prehistoric sites in the Sahara Desert between 1963 and 1997 Other fieldwork collections have recently come from Dietrich and Rosemarie Klemm University of Munich and William Adams University of Kentucky The seven permanent Egyptian galleries at the British Museum which include its largest exhibition space Room 4 for monumental sculpture can display only 4 of its Egyptian holdings The second floor galleries have a selection of the museum s collection of 140 mummies and coffins the largest outside Cairo A high proportion of the collection comes from tombs or contexts associated with the cult of the dead and it is these pieces in particular the mummies that remain among the most eagerly sought after exhibits by visitors to the museum Highlights of the collections include Predynastic and Early Dynastic period c 6000 BC c 2690 BC Mummy of Ginger and five other individuals from Gebelein c 3400 BC Flint knife with an ivory handle known as the Pit Rivers Knife Sheikh Hamada Egypt c 3100 BC The Battlefield Palette and Hunters Palette two cosmetic palettes with complex decorative schemes c 3100 BC Ivory statuette of a king from the early temple at Abydos Egypt c 3000 BC King Den s sandal label from Abydos mid 1st Dynasty c 2985 BC Stela of King Peribsen Abydos c 2720 2710 BC Old Kingdom 2690 2181 BC Artefacts from the tomb of King Khasekhemwy from the 2nd Dynasty 2690 BC Granite statue of Ankhwa the shipbuilder Saqqara Egypt 3rd Dynasty c 2650 BC Several of the original casing stones from the Great Pyramid of Giza one of the Seven Wonders of the Ancient World c 2570 BC Statue of Nenkheftka from Deshasha 4th Dynasty 2500 BC Limestone false door of Ptahshepses Saqqara 2440 BC Abusir Papyri some of the oldest papyri from ancient Egypt Abusir 2400 BC Wooden tomb statue of Tjeti 5th to 6th Dynasty c 2345 2181 BC Middle Kingdom 2134 1690 BC Inner and outer coffin of Sebekhetepi Beni Hasan c 2125 1795 BC Quartzite statue of Ankhrekhu 12th Dynasty 1985 1795 BC Limestone stela of Heqaib Abydos Egypt 12th Dynasty 1990 1750 BC Block statue and stela of Sahathor 12th Dynasty reign of Amenemhat II 1922 1878 BC Limestone statue and stelae from the offering chapel of Inyotef Abydos 12th Dynasty c 1920 BC Stela of Samontu Abydos 1910 BC Reliefs from the tomb of Djehutyhotep Deir el Bersha 1878 1855 BC Three Granite statues of Senwosret III Deir el Bahri 1850 BC Statue of Rehuankh Abydos 1850 1830 BC Colossal head of Amenemhat III Bubastis 1800 BC Stela of Nebipusenwosret Abydos 1800 BC Second Intermediate Period 1650 1550 BC Coffin of King Nubkheperre Intef Thebes 1570 BC The famous Rhind Mathematical Papyrus an early example of Ancient Egyptian mathematics Thebes 1550 BC New Kingdom 1549 1069 BC Schist head of Pharaoh Hatshepsut or her successor Tuthmosis III 1480 BC Statue of Senenmut with Princess Neferure on his lap Karnak 1470 BC Block statue of Sennefer Western Thebes 1430 BC Twenty Sekhmet statues from the Temple of Mut Thebes 1400 BC Fragment of the beard of the Great Sphinx of Giza 14th century BC Pair of granite monumental lion statues from Soleb in Sudan 1370 BC Hoard of silver bullion from El Amarna 1352 1336 BC Colossal head from a statue of Amenhotep III 1350 BC Colossal limestone bust of Amenhotep III 1350 BC Amarna Tablets 99 out of 382 tablets found second largest collection in the world after the Vorderasiatisches Museum Berlin 203 tablets 1350 BC Stela of Horemheb from his tomb at Saqqara 1330 BC London Medical Papyrus with 61 medical and magical treatments 1300 BC Papyrus of Ani one of the finest extant Book of the Dead from antiquity Thebes 1275 BC List of the kings of Egypt from the Temple of Ramesses II 1250 BC Statue of Khaemwaset son of Ramses II Abydos 1250 BC The Great Harris Papyrus the longest surviving papyrus from antiquity Thebes 1200 BC D Orbiney Papyrus with the Tale of Two Brothers 1200 1194 BC Seated statue of Seti II Temple of Mut Karnak 1200 1194 BC Face from the sarcophagus of Ramses VI Valley of the Kings 1140 BC Book of the Dead of Nedjmet with painted offering vignettes and columns of Hieroglyphic text Deir el Bahari 1070 BC Third Intermediate Period 1069 664 BC Greenfield papyrus funerary papyrus of Princess Nesitanebetashru daughter of Pinudjem II and Neskhons and priestess of Amen Ra at Thebes 950 930 BC Pair of gold bracelets that belonged to General Nemareth son of Shoshenq I Sais 940 BC Colossal column capital of Hathor from Bubastis 22nd Dynasty 922 887 BC Statue of the Nile god Hapy Karnak c 900 BC Mummy case and coffin of Nesperennub Thebes c 800 BC Shabaka Stone from Memphis Egypt 25th Dynasty c 700 BC Coffin of king Menkaure Giza 700 600 BC One of the three statues of Amun in the form of a ram protecting King Taharqo Kawa 683 BC Inner and outer coffins of the priest Hor Deir el Bahari Thebes 25th Dynasty c 680 BC Granite statue of the Sphinx of Taharqo 680 BC Late Period 664 332 BC Saite Sarcophagus of Sasobek the vizier prime minister of the northern part of Egypt in the reign of Psammetichus I 664 610 BC Sarcophagus lid of Sasobek 630 BC Bronze figure of Isis and Horus North Saqqara Egypt 600 BC Sarcophagus of Hapmen Cairo 26th Dynasty or later 600 300 BC Kneeling statue of Wahibre from near Lake Mariout 530 BC Sarcophagus of Ankhnesneferibre 525 BC Torso of Nectanebo I 380 362 BC Obelisks and sarcophagus of Pharaoh Nectanebo II 360 343 BC Sarcophagus of Nectanebo II Alexandria 360 343 BC Ptolemaic dynasty 305 30 BC The famous Rosetta Stone trilingual stela that unlocked the ancient Egyptian hieroglyphics 196 BC Naos or temple shrine of Ptolemy VIII from Philae 150 BC Giant sculpture of a scarab beetle 32 30 BC Fragment of a basalt Egyptian style statue of Ptolemy I Soter 305 283 BC Mummy of Hornedjitef inner coffin Thebes 3rd century BC Wall from a chapel of Queen Shanakdakhete Meroe c 150 BC Shrine of Ptolemy VII Philae c 150 BC Roman Period 30 BC 641 AD Schist head of a young man Alexandria after 30 BC The Meriotic Hamadab Stela from the Kingdom of Kush found near the ancient site of Meroe in Sudan 24 BC Lid of the coffin of Soter and Cleopatra from Qurna Thebes early 2nd century AD Mummy of a youth with a portrait of the deceased Hawara 100 200 AD Over 30 Fayum mummy portraits from Hawara and other sites in Fayum 40 250 AD Bronze lamp and patera from the X group tombs Qasr Ibrim 1st 6th centuries AD Coptic wall painting of the martyrdom of saints Wadi Sarga 6th century AD Room 64 Egyptian grave containing a Gebelein predynastic mummy late predynastic 3400 BC Room 4 Three black granite statues of the pharaoh Senusret III c 1850 BC Room 4 Three black granite statues of the goddess Sakhmet c 1400 BC Room 4 Colossal statue of Amenhotep III c 1370 BC Great Court Colossal quartzite statue of Amenhotep III c 1350 BC Room 4 Limestone statue of a husband and wife 1300 1250 BC Room 63 Gilded outer coffins from the tomb of Henutmehyt Thebes Egypt 19th Dynasty 1250 BC Book of the Dead of Hunefer sheet 5 19th Dynasty 1250 BC Room 4 Ancient Egyptian bronze statue of a cat from the Late Period c 664 332 BC Room 4 Green siltstone head of a Pharaoh 26th 30th Dynasty 600 340 BC Great Court Black siltstone obelisk of King Nectanebo II of Egypt Thirtieth dynasty c 350 BC Room 62 Detail from the mummy case of Artemidorus the Younger a Greek who had settled in Thebes Egypt during Roman times 100 200 ADDepartment of Greece and Rome Edit This section needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources British Museum news newspapers books scholar JSTOR January 2019 Learn how and when to remove this template message Room 17 Reconstruction of the Nereid Monument c 390 BC Room 18 Parthenon marbles from the Acropolis of Athens 447 BC Room 21 Mausoleum at Halicarnassus one of the Seven Wonders of the Ancient World mid 4th century BC The British Museum has one of the world s largest and most comprehensive collections of antiquities from the Classical world with over 100 000 objects 74 These mostly range in date from the beginning of the Greek Bronze Age about 3200 BC to the establishment of Christianity as the official religion of the Roman Empire with the Edict of Milan under the reign of the Roman emperor Constantine I in 313 AD Archaeology was in its infancy during the nineteenth century and many pioneering individuals began excavating sites across the Classical world chief among them for the museum were Charles Newton John Turtle Wood Robert Murdoch Smith and Charles Fellows The Greek objects originate from across the Ancient Greek world from the mainland of Greece and the Aegean Islands to neighbouring lands in Asia Minor and Egypt in the eastern Mediterranean and as far as the western lands of Magna Graecia that include Sicily and southern Italy The Cycladic Minoan and Mycenaean cultures are represented and the Greek collection includes important sculpture from the Parthenon in Athens as well as elements of two of the Seven Wonders of the Ancient World the Mausoleum at Halicarnassus and the Temple of Artemis at Ephesos 74 Beginning from the early Bronze Age the department also houses one of the widest ranging collections of Italic and Etruscan antiquities outside Italy as well as extensive groups of material from Cyprus and non Greek colonies in Lycia and Caria on Asia Minor There is some material from the Roman Republic but the collection s strength is in its comprehensive array of objects from across the Roman Empire with the exception of Britain which is the mainstay of the Department of Prehistory and Europe The collections of ancient jewellery and bronzes Greek vases many from graves in southern Italy that were once part of Sir William Hamilton s and Chevalier Durand s collections Roman glass including the famous Cameo glass Portland Vase Roman gold glass the second largest collection after the Vatican Museums Roman mosaics from Carthage and Utica in North Africa that were excavated by Nathan Davis and silver hoards from Roman Gaul some of which were bequeathed by the philanthropist and museum trustee Richard Payne Knight are particularly important Cypriot antiquities are strong too and have benefited from the purchase of Sir Robert Hamilton Lang s collection as well as the bequest of Emma Turner in 1892 which funded many excavations on the island Roman sculptures many of which are copies of Greek originals are particularly well represented by the Townley collection as well as residual sculptures from the famous Farnese collection Objects from the Department of Greece and Rome are located throughout the museum although many of the architectural monuments are to be found on the ground floor with connecting galleries from Gallery 5 to Gallery 23 On the upper floor there are galleries devoted to smaller material from ancient Italy Greece Cyprus and the Roman Empire The current collection includes Temple of Hephaestus Marble coffer frame and coffer from the colonnade 449 415 BC Parthenon The Parthenon Marbles Elgin Marbles 447 438 BC Propylaea Capital and column drum 437 432 BC Erechtheion A surviving column and architectural fittings 420 415 BC One of six remaining Caryatids 415 BC Temple of Athena Nike Surviving frieze slabs and capital 427 424 BC Choragic Monument of Thrasyllos Statue of Dionysos 270 BC Tower of the Winds Marble Corinthian capital 50 BC Temple of Poseidon Sounion Fluted column base 444 440 BC Temple of Nemesis Rhamnus Head from the statue of Nemesis 430 420 BC Temple of Bassae Twenty three surviving blocks of the frieze from the interior of the temple 420 400 BC Sanctuary of Apollo at Daphni Fluted columns column bases and ionic capitals 399 301 BC Temple of Athena Polias Priene Sculptural coffers from the temple ceiling 350 325 BC Ionic capitals architraves and antae 350 325 BC Marble torso of a charioteer 320 300 BC Mausoleum at Halicarnassus Two colossal free standing figures identified as Maussollos and his wife Artemisia c 350 BC Part of an impressive horse from the chariot group adorning the summit of the Mausoleum c 350 BC The Amazonomachy frieze A long section of relief frieze showing the battle between Greeks and Amazons c 350 BC Temple of Artemis in Ephesus One of the sculptured column bases 340 320 BC Part of the Ionic frieze situated above the colonnade 330 300 BC Knidos in Asia Minor Demeter of Knidos 350 BC Lion of Knidos 350 200 BC Xanthos in Asia Minor Lion Tomb 550 500 BC Harpy Tomb 480 470 BC Nereid Monument partial reconstruction of a large and elaborate Lykian tomb 390 380 BC Tomb of Merehi 390 350 BC Tomb of Payava 375 350 BC Bilingual Decree of Pixodaros 340 BC Temple of Zeus Salamis in Cyprus Marble capital with caryatid figure standing between winged bulls 300 250 BC Wider collectionPrehistoric Greece and Italy 3300 BC 8th century BC Over thirty Cycladic figures from islands in the Aegean Sea many collected by James Theodore Bent Greece 3300 2000 BC A large Gaudo culture askos from Paestum southern Italy 2800 2400 BC Kythnos Hoard of wood working metal tools from the island of Naxos Greece 2700 2200 BC Two pottery kernos from Phylakopi in Melos Greece 2300 2000 BC Material from the Palace of Knossos including a huge pottery storage jar some donated by Sir Arthur Evans Crete Greece 1900 1100 BC The Minoan gold treasure from Aegina northern Aegean Greece 1850 1550 BC Artefacts from the Psychro Cave in Crete including two serpentine libation tables 1700 1450 BC Bronze Minoan Bull leaper from Rethymnon Crete 1600 1450 BC Segments of the columns and architraves from the Treasury of Atreus Peloponnese Greece 1350 1250 BC Ivory game board found at Enkomi Cyprus 12th century BC Nuragic hoard of bronze artefacts found at Santa Maria in Paulis Cagliari Sardinia 1100 900 BC Elgin Amphora highly decorated pottery vase attributed to the Dipylon Master Athens Greece 8th century BC Votive offerings from the Sanctuary of Artemis Orthia at Sparta 8th century BC Etruscan 8th century BC 1st century BC Gold jewellery and other rich artefacts from the Castellani and Galeassi Tombs in Palestrina central Italy 8th 6th centuries BC Ornate gold fibula with granulated parade of animals from the Bernardini Tomb Cerveteri 675 650 BC Various objects including two small terracotta statues from the Tomb of the five chairs in Cerveteri 625 600 BC Gold libation bowl from Sant Angelo Muxaro Sicily 600 BC Contents of the Isis tomb and Francois Tomb Vulci 570 560 BC Painted terracotta plaques the so called Boccanera Plaques from a tomb in Cerveteri 560 550 BC Decorated silver panels from Castel San Marino near Perugia 540 520 BC Statuette of a bronze votive figure from Pizzidimonte near Prato Italy 500 480 BC Bronze helmet with inscription commemorating the Battle of Cumae Olympia Greece 480 BC Bronze votive statuettes from the Lake of the Idols Monte Falterona 420 400 BC Part of a symposium set of bronze vessels from the tomb of Larth Metie Bolsena Italy 400 300 BC Exquisite gold ear ring with female head pendant one of a pair from Perugia 300 200 BC Oscan Tablet one of the most important inscriptions in the Oscan language 300 100 BC Hoard of gold jewellery from Sant Eufemia Lamezia southern Italy 340 330 BC Latian bronze figure from the Sanctuary of Diana Lake Nemi Latium 200 100 BC Sarcophagus of Seianti Hanunia Tlesnasa from Chiusi 150 140 BC Ancient Greece 8th century BC 4th century AD Orientalising gold jewellery from the Camirus cemetery in Rhodes 700 600 BC Foot from the colossal Kouros of Apollo Delos 600 500 BC Group of life size archaic statues from the Sacred Way at Didyma western Turkey 600 580 BC Bronze statuette of a rider and horse from Armento southern Italy 550 BC Bronze head of an axe from San Sosti southern Italy 520 BC Statue of a nude standing youth from Marion Cyprus 520 510 BC Large terracotta sarcophagus and lid with painted scenes from Klazomenai western Turkey 510 480 BC Two bronze tablets in the Locrian Greek dialect from Galaxidi central Greece 500 475 BC Fragments from a large bronze equestrian statue of the Taranto Rider southern Italy 480 460 BC Chatsworth Apollo Head Tamassos Cyprus 460 BC Statue of recumbent bull from the Dipylon Cemetery Athens 4th century BC Hoard of gold jewellery from Avola Sicily 370 300 BC Dedicatory Inscription by Alexander the Great from Priene in Turkey 330 BC Head from the colossal statue of the Asclepius of Milos Greece 325 300 BC Braganza Brooch Ornamental gold fibula reflecting Celtic and Greek influences 3rd century BC Hoard of silver patera from Eze southeastern France 3rd century BC Gold tablet from an Orphic sanctuary in southern Italy 3rd 2nd centuries BC Marble relief of the Apotheosis of Homer from Bovillae central Italy 221 205 BC Bronze sculpture of a Greek poet known as the Arundel Head western Turkey 2nd 1st centuries BC Remains of the Scylla monument at Bargylia south west Anatolia Turkey 200 150 BC Bronze head and hand of the statue of Aphrodite of Satala 1st century BC Bronze statuettes from Paramythia 2nd century AD Large statue of Europa sitting on the back of a bull from the amphitheatre at Gortyna Crete 100 BC Ancient Rome 1st century BC 4th century AD Pair of engraved oval agate plaques depicting Livia as Diana and Octavian as Mercury Rome 30 25 BC Guildford Puteal from Corinth Greece 30 10 BC Bronze head of Augustus from Meroe in Sudan 27 25 BC Cameo glass Portland Vase the most famous glass vessel from ancient Rome 1 25 AD Silver Warren Cup with homoerotic scenes found near Jerusalem 5 15 AD Gladius of Mainz or Sword of Tiberius and Blacas Cameo depicting Roman emperors in triumph 15 AD Horse trappings in decorated silver plated bronze from Xanten Germany 1st century AD Pair of carved fluorite cups known as the Barber Cup and Crawford Cup 100 AD Athlete statue Vaison Diadumenos from an ancient Roman city in southern France 118 138 AD A hoard of silver votive plaques dedicated to the Roman God Jupiter Dolichenus discovered in Heddernheim near Frankfurt Germany 1st 2nd centuries AD Discus thrower Discobolos 75 and Bronze Head of Hypnos from Civitella d Arna Italy 1st 2nd centuries AD Part of a large wooden wheel for draining a copper mine in Huelva southern Spain 1st 2nd centuries AD Capitals from some of the pilasters of the Pantheon Rome 126 AD Colossal marble head of Faustina the Elder wife of the Roman emperor Antoninus Pius from Sardis western Turkey 140 AD Marble throne from the prohedria of the Panathenaic Stadium Athens 140 143 AD Hoard of jewellery from a tomb in the vicinity of Miletopolis Turkey 175 180 AD Inscribed marble base of the Roman Consul Tiberius Claudius Candidus unearthed in Tarragona Spain 195 199 AD Jennings Dog a statue of a Molossian guard dog central Italy 2nd century AD Segment of a decorated marble balustrade from the Colosseum Rome Italy 2nd century AD Politarch inscription from the Vardar Gate Thessaloniki Greece 2nd century AD Various silver treasures found at Arcisate Beaurains Boscoreale Bursa Chaourse Caubiac Chatuzange Conimbriga Macon and Revel Tourdan 1st 3rd century AD Votive statue of Apollo of Cyrene Libya 2nd century AD Uerdingen Hoard found near Dusseldorf in Germany 2nd 3rd centuries AD The collection encompasses architectural sculptural and epigraphic items from many other sites across the classical world including Amathus Atripalda Aphrodisias Delos Iasos Idalion Lindus Kalymnos Kerch Rhamnous Salamis Sestos Sounion Tomis and Thessaloniki Room 12 A gold earring from the Aegina Treasure Greece 1700 1500 BC Room 18 Parthenon statuary from the east pediment and Metopes from the south wall Athens Greece 447 438 BC Room 19 Caryatid and Ionian column from the Erechtheion Acropolis of Athens Greece 420 415 BC Room 20 Tomb of Payava Lycia Turkey 360 BC Room 21 Fragmentary horse from the colossal chariot group which topped the podium of the Mausoleum at Halicarnassus one of the Seven Wonders of the Ancient World Turkey c 350 BC Room 22 Gold oak wreath with a bee and two cicadas western Turkey c 350 300 BC Room 22 Column from the Temple of Artemis in Ephesus one of the Seven Wonders of the Ancient World Turkey early 4th century BC Room 22 Colossal head of Asclepius wearing a metal crown now lost from a cult statue on Melos Greece 325 300 BC Room 1 Farnese Hermes in the Enlightenment Gallery Italy 1st century AD Room 69 Roman gladiator helmet from Pompeii Italy 1st century AD Room 23 The famous version of the Crouching Venus Roman c 1st century AD Room 22 Roman marble copy of the famous Spinario Boy with Thorn Italy c 1st century AD Room 22 Apollo of Cyrene holding a lyre Libya c 2nd century AD Room 22 Satala Aphrodite Department of the Middle East Edit Room 9 Assyrian palace reliefs Nineveh 701 681 BC With a collection numbering some 330 000 works 76 the British Museum possesses the world s largest and most important collection of Mesopotamian antiquities outside Iraq A collection of immense importance the holdings of Assyrian sculpture Babylonian and Sumerian antiquities are among the most comprehensive in the world with entire suites of rooms panelled in alabaster Assyrian palace reliefs from Nimrud Nineveh and Khorsabad The collections represent the civilisations of the ancient Near East and its adjacent areas These cover Mesopotamia Persia the Arabian Peninsula Anatolia the Caucasus parts of Central Asia Syria the Holy Land and Phoenician settlements in the western Mediterranean from the prehistoric period and include objects from the 7th century The first significant addition of Mesopotamian objects was from the collection of Claudius James Rich in 1825 The collection was later dramatically enlarged by the excavations of A H Layard at the Assyrian sites of Nimrud and Nineveh between 1845 and 1851 At Nimrud Layard discovered the North West Palace of Ashurnasirpal II as well as three other palaces and various temples He later uncovered the Palace of Sennacherib at Nineveh with no less than seventy one halls As a result a large numbers of Lamassus palace reliefs stelae including the Black Obelisk of Shalmaneser III were brought to the British Museum Room 6 Pair of Human Headed Winged Lions and reliefs from Nimrud with the Balawat Gates c 860 BC Room 52 Ancient Iran with the Cyrus Cylinder 559 530 BC Layard s work was continued by his assistant Hormuzd Rassam and in 1852 1854 he went on to discover the North Palace of Ashurbanipal at Nineveh with many magnificent reliefs including the famous Lion Hunt of Ashurbanipal and Lachish reliefs He also discovered the Royal Library of Ashurbanipal a large collection of cuneiform tablets of enormous importance that today number around 130 000 pieces W K Loftus excavated in Nimrud between 1850 and 1855 and found a remarkable hoard of ivories in the Burnt Palace Between 1878 and 1882 Rassam greatly improved the museum s holdings with exquisite objects including the Cyrus Cylinder from Babylon the bronze gates from Balawat important objects from Sippar and a fine collection of Urartian bronzes from Toprakkale including a copper figurine of a winged human headed bull In the early 20th century excavations were carried out at Carchemish Turkey by D G Hogarth and Leonard Woolley the latter assisted by T E Lawrence The Mesopotamian collections were greatly augmented by excavations in southern Iraq after the First World War From Tell al Ubaid came the bronze furnishings of a Sumerian temple including life sized lions and a panel featuring the lion headed eagle Indugud found by H R Hall in 1919 24 Woolley went on to excavate Ur between 1922 and 1934 discovering the Royal Cemeteries of the 3rd millennium BC Some of the masterpieces include the Standard of Ur the Ram in a Thicket the Royal Game of Ur and two bull headed lyres The department also has three diorite statues of the ruler Gudea from the ancient state of Lagash and a series of limestone kudurru or boundary stones from different locations across ancient Mesopotamia Although the collections centre on Mesopotamia most of the surrounding areas are well represented The Achaemenid collection was enhanced with the addition of the Oxus Treasure in 1897 and objects excavated by the German scholar Ernst Herzfeld and the Hungarian British explorer Sir Aurel Stein Reliefs and sculptures from the site of Persepolis were donated by Sir Gore Ouseley in 1825 and the 5th Earl of Aberdeen in 1861 and the museum received part of a pot hoard of jewellery from Pasargadae as the division of finds in 1963 and part of the Ziwiye hoard in 1971 A large column base from the One Hundred Column Hall at Persepolis was acquired in exchange from the Oriental Institute Chicago Moreover the museum has been able to acquire one of the greatest assemblages of Achaemenid silverware in the world The later Sasanian Empire is also well represented by ornate silver plates and cups many representing ruling monarchs hunting lions and deer Phoenician antiquities come from across the region but the Tharros collection from Sardinia the hoard of 16 metal bowls and hundreds of ivories from Nimrud and the large number of Phoenician stelae from Carthage and Maghrawa are outstanding The number of Phoenician inscriptions from sites across Cyprus is also considerable and include artefacts found at the Kition necropolis with the two Kition Tariffs having the longest Phoenician inscription discovered on the island the Idalion temple site and two bilingual pedestals found at Tamassos Another often overlooked highlight is Yemeni antiquities the finest collection outside that country Furthermore the museum has a representative collection of Dilmun and Parthian material excavated from various burial mounds at the ancient sites of A ali and Shakhura that included a Roman ribbed glass bowl in Bahrain From the modern state of Syria come almost forty funerary busts from Palmyra and a group of stone reliefs from the excavations of Max von Oppenheim at Tell Halaf that was purchased in 1920 More material followed from the excavations of Max Mallowan at Chagar Bazar and Tell Brak in 1935 1938 and from Woolley at Alalakh in the years just before and after the Second World War Mallowan returned with his wife Agatha Christie to carry out further digs at Nimrud in the postwar period which secured many important artefacts for the museum The collection of Palestinian material was strengthened by the work of Kathleen Kenyon at Tell es Sultan Jericho in the 1950s and the acquisition in 1980 of around 17 000 objects found at Lachish by the Wellcome Marston expedition of 1932 1938 Archaeological digs are still taking place where permitted in the Middle East and depending on the country the museum continues to receive a share of the finds from sites such as Tell es Sa idiyeh in Jordan The museum s collection of Islamic art including archaeological material numbers about 40 000 objects 77 one of the largest of its kind in the world As such it contains a broad range of pottery paintings tiles metalwork glass seals and inscriptions from across the Islamic world from Spain in the west to India in the east It is particularly famous for its collection of Iznik ceramics the largest in the world its large number of mosque lamps including one from the Dome of the Rock mediaeval metalwork such as the Vaso Vescovali with its depictions of the Zodiac a fine selection of astrolabes and Mughal paintings and precious artwork including a large jade terrapin made for the emperor Jahangir Thousands of objects were excavated after the war by professional archaeologists at Iranian sites such as Siraf by David Whitehouse and Alamut Castle by Peter Willey The collection was augmented in 1983 by the Godman bequest of Iznik Hispano Moresque and early Iranian pottery Artefacts from the Islamic world are on display in Gallery 34 of the museum A representative selection from the Department of Middle East including the most important pieces are on display in 13 galleries throughout the museum and total some 4 500 objects A whole suite of rooms on the ground floor display the sculptured reliefs from the Assyrian palaces at Nineveh Nimrud and Khorsabad while 8 galleries on the upper floor hold smaller material from ancient sites across the Middle East The remainder form the study collection which ranges in size from beads to large sculptures They include approximately 130 000 cuneiform tablets from Mesopotamia 78 Highlights of the collections include Nimrud Assyrian palace reliefs from The North West Palace of Ashurnasirpal II 883 859 BC Palace of Adad nirari III 811 783 BC The Sharrat Niphi Temple c 9th century BC Temple of Ninurta c 9th century BC South East Palace Burnt Palace 8th 7th century BC Central Palace of Tiglath Pileser III 745 727 BC South West Palace of Esarhaddon 681 669 BC The Nabu Temple Ezida c 7th century BC Sculptures and inscriptions Pair of Human Headed Lamassu Lions 883 859 BC Human Headed Lamassu Bull sister piece in The Metropolitan Museum of Art 883 859 BC Human Headed Lamassu Lion sister piece in the Metropolitan Museum of Art 883 859 BC Colossal Statue of a Lion 883 859 BC Foundation tablet of Ashurnasirpal II from the Temple of Ishtar 875 865 BC Rassam Obelisk of Ashurnasirpal II 873 859 BC Stela and Statue of King Ashurnasirpal II 883 859 BC The Black Obelisk of Shalmaneser III 858 824 BC Stela of Shamshi Adad V 824 811 BC Rare Head of Human Headed Lamassu recovered from the North West Palace 811 783 BC Pair of statues of attendant god dedicated to Nabu by Adad Nirari III and Sammuramat 810 800 BC Bilingual Assyrian lion weights with both cuneiform and Phoenician inscriptions 800 700 BC Large sculpture of a male bearded head from a Lamassu with inscription dedicated to Esarhaddon 670 BC Nineveh Assyrian palace reliefs and sculptures from South West Palace of Sennacherib 705 681 BC North Palace of Ashurbanipal c 645 BC including the Lion Hunt of Ashurbanipal and Lachish relief The famous Garden Party Relief 645 BC Statue of a nude woman 11th century BC Broken Obelisk of Ashur bel kala the earliest known Assyrian obelisk 11th century BC White Obelisk of Ashurnasirpal I 1050 1031 BC Royal Library of Ashurbanipal A large collection of cuneiform tablets of enormous importance approximately 22 000 inscribed clay tablets 7th century BC The Flood Tablet relating part of the famous Epic of Gilgamesh 7th century BC Taylor Prism hexagonal clay foundation record 691 BC Rassam cylinder with ten faces that describes the military campaigns of king Ashurbanipal 643 BC Other Mesopotamian sites Khorsabad and Balawat Alabaster bas reliefs from the Palace of Sargon II 710 705 BC Pair of Human Headed Winged Lamassu Bulls 710 705 BC The Balawat Gates of Shalmaneser III 860 BC Ur The Standard of Ur with depictions of war and peace 2600 BC Queen s Lyre and gold drinking cup from Queen Puabi s tomb 2600 BC The Ram in a Thicket one of pair the other is in Philadelphia 2600 2400 BC The Royal Game of Ur an ancient game board 2600 2400 BC Wider collection Plastered human skull from Jericho a very early form of portraiture Palestine 7000 6000 BC Tell Brak Head one of the oldest portrait busts from the Middle East north east Syria 3500 3300 BC Uruk Trough one of the earliest surviving works of narrative relief sculpture from the Middle East southern Iraq 3300 3000 BC Pair of inscribed stone objects known as the Blau Monuments from Uruk Iraq 3100 2700 BC Hoard of Bronze Age gold jewellery found at the Canaanite site of Tell el Ajjul in Gaza 1750 1550 BC Statue of Idrimi from the ancient city of Alalakh southern Turkey 1600 BC Bronze bowl and ivory cosmetic box in the shape of a fish from Tell es Sa idiyeh Jordan 1250 1150 BC Group of 16 stone reliefs from the palace of King Kapara at Tell Halaf northern Syria 10th century BC Tablet of Shamash depicting the sun god Shamash from Sippar Iraq early 9th century BC Hittite lion head from the monument to King Katuwa at Carchemish southern Turkey 9th century BC Two large Assyrian stelae from Kurkh southern Turkey 850 BC Seated statue of Kidudu or guardian spirit from the Assyrian city of Assur under Shalmaneser III Iraq 835 BC Basalt bowl with engraved inscription in Hieroglyphic Luwian found at Babylon southern Iraq 8th century BC Shebna Inscription from Siloam near Jerusalem 7th century BC Group of 4 bronze shields with inscription of king Rusa III from the temple of Khaldi at the Urartian fortress of Toprakkale eastern Turkey 650 BC East India House Inscription from Babylon Iraq 604 562 BC Lachish Letters group of ostraka written in alphabetic Hebrew from Lachish Israel 586 BC Cylinder of Nabonidus foundation cylinder of King Nabonidus Sippar Iraq 555 540 BC The famous Oxus Treasure the largest ancient Persian hoard of gold artefacts 550 330 BC Jar of Xerxes I alabaster alabastron with quadrilingual signature of Achaemenid ruler Xerxes I found in the ruins of the Mausoleum of Halicarnassus Turkey 486 465 BC Idalion Bilingual bilingual Cypriot Phoenician inscription key to the decipherment of the Cypriot syllabary Idalion Cyprus 388 BC Punic Libyan Inscription from the Mausoleum of Ateban key to the decipherment of the Numidian language Dougga Tunisia 146 BC Amran Tablets found near Sana a Yemen 1st century BC One of the pottery storage jars containing the Dead Sea Scrolls found in a cave near Qumran Jordan 4 BC 68 AD Two limestone ossuaries from caves in Jerusalem 1st century AD Fragment of a carved basalt architrave depicting a lion s head from the Temple of Garni Armenia 1st century AD Group of boulders with Safaitic inscriptions from Jordan Syria one of which was donated by Gertrude Bell 1st 2nd centuries AD Parthian dynasty gold belt buckle with central repousse figure of eagle with outstretched wings from Nihavand Iran 1st 3rd centuries AD Silver bowl from Khwarezm depicting a four armed goddess seated on a lion Kazakhstan 658 AD One of the rare Hedwig glasses originating from the Middle East or Norman Sicily 10th 12th centuries AD Hoard of Seljuq artefacts from Hamadan including gold cup silver gilt belt fittings and dress accessories Iran 11th 12th centuries Islamic brass ewers with engraved decoration and inlaid with silver and copper from Herat Afghanistan and Mosul Iraq 12th 13th centuries AD Room 56 The Ram in a Thicket figure one of a pair from Ur Southern Iraq c 2600 BC Room 56 The famous Standard of Ur a hollow wooden box with scenes of war and peace from Ur c 2600 BC Room 56 Sculpture of the god Imdugud lion headed eagle surmounting a lintel made from sheets of copper Temple of Ninhursag at Tell al Ubaid Iraq c 2500 BC Room 56 Statue of Kurlil from the Temple of Ninhursag in Tell al Ubaid southern Iraq c 2500 BC Room 56 The famous Babylonian Queen of the Night relief of the goddess Ishtar Iraq c 1790 BC Room 57 Carved ivory object from the Nimrud Ivories Phoenician Nimrud Iraq 9th 8th century BC Room 6 Depiction of the hypocrite Jehu King of Israel on the Black Obelisk of Shalmaneser III Nimrud c 827 BC Room 10 Human Headed Winged Bulls from Khorsabad companion pieces in the Musee du Louvre Iraq 710 705 BC Room 55 Cuneiform Collection including the Epic of Gilgamesh Iraq c 669 631 BC Room 55 Lion Hunt of Ashurbanipal detail Nineveh Neo Assyrian Iraq c 645 BC Room 55 Panel with striding lion made from glazed bricks Neo Babylonian Nebuchadnezzar II Southern Iraq 604 562 BC Room 52 A chariot from the Oxus Treasure the most important surviving collection of Achaemenid Persian metalwork c 5th to 4th centuries BC Room 53 Stela said to come from Tamma cemetery Yemen 1st century AD Room 53 Alabaster statue of a standing female figure Yemen 1st 2nd centuries AD Room 34 Cylindrical lidded box with an Arabic inscription recording its manufacture for the ruler of Mosul Badr al Din Lu lu Iraq c 1233 1259 ADDepartment of Prints and Drawings Edit The Department of Prints and Drawings holds the national collection of Western prints and drawings It ranks as one of the largest and best print room collections in existence alongside the Albertina in Vienna the Paris collections and the Hermitage The holdings are easily accessible to the general public in the Study Room unlike many such collections 79 The department also has its own exhibition gallery in Room 90 where the displays and exhibitions change several times a year 80 Since its foundation in 1808 the prints and drawings collection has grown to international renown as one of the richest and most representative collections in the world There are approximately 50 000 drawings and over two million prints 80 The collection of drawings covers the period from the 14th century to the present and includes many works of the highest quality by the leading artists of the European schools The collection of prints covers the tradition of fine printmaking from its beginnings in the 15th century up to the present with near complete holdings of most of the great names before the 19th century Key benefactors to the department have been Clayton Mordaunt Cracherode Richard Payne Knight John Malcolm Campbell Dodgson Cesar Mange de Hauke and Tomas Harris Writer and author Louis Alexander Fagan who worked in the department 1869 1894 made significant contributions to the department in form of his Handbook to the Department as well as various other books about the museum in general 81 There are groups of drawings by Leonardo da Vinci Raphael Michelangelo including his only surviving full scale cartoon Durer a collection of 138 drawings is one of the finest in existence Peter Paul Rubens Rembrandt Claude and Watteau and largely complete collections of the works of all the great printmakers including Durer 99 engravings 6 etchings and most of his 346 woodcuts Rembrandt and Goya More than 30 000 British drawings and watercolours include important examples of work by Hogarth Sandby Turner Girtin Constable Cotman Cox Gillray Rowlandson Towne and Cruikshank as well as all the great Victorians The collection contains the unique set of watercolours by the pioneering colonist John White the first British artist in America and first European to paint Native Americans There are about a million British prints including more than 20 000 satires and outstanding collections of works by William Blake and Thomas Bewick citation needed The great eleven volume Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum compiled between 1870 and 1954 is the definitive reference work for the study of British Satirical prints Over 500 000 objects from the department are now on the online collection database many with high quality images 82 A 2011 donation of 1 million enabled the museum to acquire a complete set of Pablo Picasso s Vollard Suite 83 Rogier van der Weyden Portrait of a Young Woman c 1440 Hieronymus Bosch A comical barber scene c 1477 1516 Sandro Botticelli Allegory of Abundance 1480 1485 Leonardo da Vinci The Virgin and Child with Saint Anne and the Infant Saint John the Baptist prep for The Burlington House Cartoon c 1499 1500 Michelangelo Studies of a reclining male nude Adam in the fresco The Creation of Man on the vault of the Sistine Chapel c 1511 Raphael Study of Heads Mother and Child c 1509 1511 Titian Drowning of the Pharaoh s Host in the Red Sea 1515 1517 Albrecht Durer Drawing of a walrus 1521 Hans Holbein the Younger Portrait of Anne Boleyn 1536 Peter Paul Rubens Drawing of Isabella Brant his first wife 1621 Francisco de Zurbaran Head of a monk 1625 1664 Claude Lorrain Drawing of mules including one full length 1630 1640 Rembrandt The Lamentation at the Foot of the Cross 1634 35 Thomas Gainsborough Drawing of a woman with a rose 1763 1765 J M W Turner Watercolour of Newport Castle 1796 Isaac Cruikshank The happy effects of that grand system of shutting ports against the English 1808 John Constable London from Hampstead Heath in a Storm watercolour 1831 James McNeill Whistler View of the Battersea side of Chelsea Reach London lithograph 1878 Vincent van Gogh Man Digging in the Orchard print 1883 Peter van Dievoet Studies for a statue of a figure in Roman dress most likely for the statue of James II 84 Department of Britain Europe and Prehistory Edit Gallery 50 View down the Roman Britain gallery Gallery 2a Display case of Renaissance metalware from the Waddesdon Bequest The Department of Britain Europe and Prehistory is responsible for collections that cover a vast expanse of time and geography It includes some of the earliest objects made by humans in east Africa over 2 million years ago as well as Prehistoric and neolithic objects from other parts of the world and the art and archaeology of Europe from the earliest times to the present day Archeological excavation of prehistoric material took off and expanded considerably in the twentieth century and the department now has literally millions of objects from the Paleolithic and Mesolithic periods throughout the world as well as from the Neolithic Bronze Age and Iron Age in Europe Stone Age material from Africa has been donated by famous archaeologists such as Louis and Mary Leakey and Gertrude Caton Thompson Paleolithic objects from the Sturge Christy and Lartet collections include some of the earliest works of art from Europe Many Bronze Age objects from across Europe were added during the nineteenth century often from large collections built up by excavators and scholars such as Greenwell in Britain Tobin and Cooke in Ireland Lukis and de la Granciere in Brittany Worsaae in Denmark Siret at El Argar in Spain and Klemm and Edelmann in Germany A representative selection of Iron Age artefacts from Hallstatt were acquired as a result of the Evans Lubbock excavations and from Giubiasco in Ticino through the Swiss National Museum In addition the British Museum s collections covering the period AD 300 to 1100 are among the largest and most comprehensive in the world extending from Spain to the Black Sea and from North Africa to Scandinavia a representative selection of these has recently been redisplayed in a newly refurbished gallery Important collections include Latvian Norwegian Gotlandic and Merovingian material from Johann Karl Bahr Alfred Heneage Cocks Sir James Curle and Philippe Delamain respectively However the undoubted highlight from the early mediaeval period is the magnificent items from the Sutton Hoo royal grave generously donated to the nation by the landowner Edith Pretty The late mediaeval collection includes a large number of seal dies from across Europe the most famous of which include those from the Town of Boppard in Germany Isabella of Hainault from her tomb in Notre Dame Cathedral Paris Inchaffray Abbey in Scotland and Robert Fitzwalter one of the Barons who led the revolt against King John in England There is also a large collection of medieval signet rings prominent among them is the gold signet ring belonging to Jean III de Grailly who fought in the Hundred Years War as well as those of Mary Queen of Scots and Richard I of England Other groups of artefacts represented in the department include the national collection of c 100 icon paintings most of which originate from the Byzantine Empire and Russia and over 40 mediaeval astrolabes from across Europe and the Middle East The department also includes the national collection of horology with one of the most wide ranging assemblage of clocks watches and other timepieces in Europe with masterpieces from every period in the development of time keeping Choice horological pieces came from the Morgan and Ilbert collections The department is also responsible for the curation of Romano British objects the museum has by far the most extensive such collection in Britain and one of the most representative regional collections in Europe outside Italy It is particularly famous for the large number of late Roman silver treasures many of which were found in East Anglia the most important of which is the Mildenhall Treasure The museum purchased many Roman British objects from the antiquarian Charles Roach Smith in 1856 These quickly formed the nucleus of the collection The department also includes ethnographic material from across Europe including a collection of Bulgarian costumes and shadow puppets from Greece and Turkey A particular highlight are the three Sami drums from northern Sweden of which only about 70 are extant Objects from the Department of Britain Europe and Prehistory are mostly found on the upper floor of the museum with a suite of galleries numbered from 38 to 51 Most of the collection is stored in its archive facilities where it is available for research and study Highlights of the collections include Stone Age c 3 4 million years BC c 2000 BC Palaeolithic material from across Africa particularly Olduvai Kalambo Falls Olorgesailie and Cape Flats 1 8 million BC onwards One of the 11 leaf shaped points found near Volgu Saone et Loire France and estimated to be 16 000 years old 85 Ice Age art from France including the Wolverine pendant of Les Eyzies Montastruc decorated stone and Baton fragment c 12 11 000 BC Ice Age art from Britain including the decorated jaw from Kendrick and Robin Hood Cave Horse 11 500 10 000 BC Rare mesolithic artefacts from the site of Star Carr in Yorkshire northern England 8770 8460 BC Terracotta figurine from Vinca Serbia 5200 4900 BC Callais bead jewellery from Lannec er Ro h intact schist bracelet from Le Lizo Carnac and triangular pendant from Mane er Hroek Morbihan Brittany western France 5000 4300 BC Polished jade axe produced in the Italian Alps and found in Canterbury Kent southeast England 4500 4000 BC Section of the Sweet Track an ancient timber causeway from the Somerset Levels England 3807 6 BC Small collection of Neolithic finds including a necklace of flat bone beads from Skara Brae Orkneys northern Scotland 3180 2500 BC Representative sample of artefacts sherds vessels etc from the megalithic site of Tarxien Malta 3150 2500 BC A number of carved stone balls from Scotland Ireland and northern England 3200 2500 BC The three Folkton Drums made from chalk and found in Yorkshire northern England 2600 2100 BC Bronze Age c 3300 BC c 600 BC Jet beaded necklace from Melfort in Argyll Scotland c 3000 BC Gold lunula from Blessington Ireland one of twelve from Ireland Wales and Cornwall 2400 2000 BC Early Bronze Age hoards from Barnack Driffield Sewell and Snowshill in England Arraiolos and Vendas Novas in Iberia and Auvernier Biecz and Neunheilingen in central Europe 2280 1500 BC Mold cape unique cape made of gold sheet from Mold Wales 1900 1600 BC Contents of the Rillaton Barrow including a gold cup and the related Ringlemere Cup England 1700 1500 BC Bronze Age hoards from Forro Paks Dunafoldvar Szony and Zsujta in Hungary 1600 1000 BC Large ceremonial swords or dirks from Oxborough and Beaune western Europe 1450 1300 BC Eight bronze shields including those from Moel Hebog and Rhyd y gors Wales and Athenry County Galway Ireland 12th 10th centuries BC Gold hoards from Morvah and Towednack in Cornwall Milton Keynes in Buckinghamshire and Mooghaun in Ireland 1150 750 BC Gold bowl with intricate repousse decoration from Leer Lower Saxony northern Germany 1100 800 BC Dunaverney flesh hook found near Ballymoney Northern Ireland and part of the Dowris Hoard from County Offaly Ireland 1050 900 BC amp 900 600 BC Late Bronze Age gold hoards from Abia de la Obispalia and Merida Spain and an intricate gold collar from Sintra Portugal 10th 8th centuries BC Shropshire bulla gold pendant decorated with intricately carved geometric designs 1000 750 BC Part of a copper alloy lur from Arslev on the island of Funen Denmark one of only about 40 extant and the Dunmanway Horn from County Cork Ireland 900 750 BC Gold bowl with embossed ornament and fluted wire handle from Angyalfold Budapest Hungary 800 600 BC Iron Age c 600 BC c 1st century AD Basse Yutz Flagons a pair of bronze drinking vessels from Moselle eastern France 5th century BC Morel collection of La Tene material from eastern France including the Somme Bionne chariot burial and the Prunay Vase 450 300BC Important finds from the River Thames including the Battersea Chertsey and Wandsworth shields and Waterloo Helmet as well as the Witham Shield from Lincolnshire eastern England 350 50 BC Bronze scabbard with La Tene engraved decoration found at Lisnacrogher bog County Antrim Northern Ireland 300 200 BC Pair of gold collars called the Orense Torcs from northwest Spain 300 150 BC Arras culture items from chariot burials in the Lady s Barrow near Market Weighton and Wetwang Slack Yorkshire 300 BC 100 BC Other gold neck collars including the Ipswich Hoard and the Sedgeford Torc England 200 50 BC Winchester Hoard of gold jewellery from southern England and the Great Torc from Snettisham in Norfolk East Anglia 100 BC Eight out of about thirty extant intact Celtic bronze mirrors with La Tene decoration including those from Aston Chettle Desborough Holcombe and St Keverne in England 100 BC 100 AD Cordoba and Arcillera Treasures two silver Celtic hoards from Spain 100 20 BC Grave find of ornately decorated bronze bucket with human shaped handles a pan jug three brooches and at least four pottery vessels from Aylesford Kent 75 BC 25 BC Lindow Man found by accident in a peat bog in Cheshire England 1st century AD Stanwick Hoard of horse and chariot fittings and the Meyrick Helmet northern England 1st century AD La Tene silver hinged brooch from Szekesfehervar Hungary 1 100 AD Lochar Moss Torc and two pairs of massive bronze armlets from Muthill and Strathdon Scotland 50 200 AD Romano British 43 AD 410 AD Tombstone of Roman procurator Gaius Julius Alpinus Classicianus from London 1st century Ribbed glass bowl found in a grave at Radnage Buckinghamshire 1st century Large milestone marker with inscription from the reign of the emperor Hadrian from Llanfairfechan Gwynedd in North Wales 120 121 AD Ribchester Guisborough and Witcham helmets once worn by Roman cavalry in Britain 1st 2nd centuries Elaborate gold bracelets and ring found near Rhayader central Wales 1st 2nd centuries Hoard of gold jewellery found at Dolaucothi mine in Carmarthenshire Wales 1st 2nd centuries Bronze heads of the Roman emperors Hadrian and Claudius found in London and Suffolk 1st 2nd centuries Vindolanda Tablets important historical documents found near Hadrian s Wall in Northumberland 1st 2nd centuries Head of Mercury from Roman Celtic Temple at Uley Gloucestershire and limestone head from Towcester Northamptonshire 2nd 4th centuries Wall paintings and sculptures from the Roman Villa at Lullingstone Kent south east England 1st 4th centuries Capheaton and Backworth treasures remnants of two important hoards from northern England 2nd 3rd centuries Stony Stratford Hoard of copper headdresses fibulae and silver votive plaques central England 3rd century Square silver dish from Mileham in Norfolk 4th century Gold jewellery deposited at the site of Newgrange Ireland 4th century Thetford Hoard late Roman jewellery from eastern England 4th century Early Mediaeval c 4th century AD c 1000 AD One of five Largitio silver dishes of the emperor Licinius found at Nis Serbia and a hexagonal gold coin set pendant of Constantine the Great Early 4th century AD Two wooden ship figureheads dredged from the River Scheldt at Moerzeke and Appels Belgium 4th 6th centuries Part of the Asyut Domagnano Artres Sutri Bergamo and Belluno Treasures 4th 7th centuries Lycurgus Cup a unique figurative glass cage cup and the Byzantine Archangel ivory panel 4th 6th centuries Three large Ogham stones from the Roofs More Rath County Cork Ireland 5th 7th centuries The Sutton Hoo treasure Taplow burial and Crundale grave objects with some of the greatest finds from the early Middle Ages in Europe England 6th 7th centuries One of the Burghead Bulls Pictish stone relief from northeast Scotland 7th 8th centuries Three Viking hoards from Norway known as the Lilleberge Viking Burial Tromso Burial and Villa Farm barrow burial in Vestnes and the Ardvouray Ballaquayle Cuerdale Goldsborough and Vale of York hoards from Britain 7th 10th centuries Irish reliquaries such as the Kells Crozier Bell Shrine of St Cuileain and St Conall Cael s Bell from Inishkeel 7th 11th centuries Early Anglo Saxon Franks Casket a unique ivory container from northern England 8th century T shaped Carolingian antler container with carved geometric interlace and zigzag decoration found near Gruneck Castle Ilanz Switzerland 8th 9th centuries A number of luxurious penannular brooches such as the Londesborough Brooch Breadalbane Brooch and those from the Penrith Hoard British Isles 8th 9th centuries Three of the twenty extant Carolingian crystal intaglios including the Lothair Crystal the Metz engraved gem with crucifixion and Saint Denis Crystal central Europe 9th century Anglo Saxon Fuller and Strickland Brooches with their complex niello inlaid design England 9th century Seax of Beagnoth iron sword with long Anglo Saxon Runic inscription London England 10th century Mediaeval c 1000 AD c 1500 AD A number of mediaeval ivory panels including the Borradaile Wernher and John Grandisson Triptychs 10th 14th centuries Several elephant ivory horns including the Borradaile Horn Clephane Horn and Savernake Horn 11th 12th centuries The famous Lewis chessmen found in the Outer Hebrides Scotland 12th century Reliquary of St Eustace from the treasury of Basel Munster Switzerland and fragments of a rare Romanesque crucifix from South Cerney England 12th century Armenian stone cross or Khachkar from the Noratus cemetery in Armenia 1225 AD Items from the tomb of Henry VI Holy Roman Emperor at Palermo Cathedral Sicily including his mitre silk pall and shoe late 12th century The unique Warwick Castle Citole an early form of guitar central England 1280 1330 Set of 10 wooden door panels engraved with Christian scenes from the Hanging Church in Old Cairo Egypt 1300 Asante Jug mysteriously found at the Asante Court in the late 19th century England 1390 1400 Holy Thorn Reliquary bequeathed by Ferdinand de Rothschild as part of the Waddesdon Bequest Paris France 14th century Dunstable Swan Jewel a gold and enamel brooch in the form of a swan England 14th century A silver astrolabe quadrant from Canterbury southeastern England 14th century Chalcis treasure of jewellery dress accessories and silver plate from the island of Euboea Greece 14th 15th centuries Magnificent cups made from precious metal such as the Royal Gold Cup and the Lacock Cup western Europe 14th 15th centuries Complete church altar set from Medina de Pomar near Burgos Spain 1455 AD Renaissance to Modern c 1500 AD present Two luxurious silver brooches set with precious stones from Glen Lyon and Lochbuie Scotland early 16th century Intricately decorated parade shield made by Giorgio Ghisi from Mantua Italy 1554 AD The Armada Service 26 silver dishes found in Devon south west England late 16th to early 17th centuries Early Renaissance Lyte Jewel presented to Thomas Lyte of Lytes Cary Somerset by King James I of England 1610 Huguenot silver from the Peter Wilding bequest England 18th century Pair of so called Cleopatra Vases from the Chelsea porcelain factory London England 1763 Jaspar ware vase known as the Pegasus Vase made by Josiah Wedgwood England 1786 Two of Charles Darwin s chronometers used on the voyage of HMS Beagle 1795 1805 The Hull Grundy Gift of jewellery Europe and North America 19th century Oak clock with mother of pearl engraving designed by Charles Rennie Mackintosh 1919 Silver tea infuser designed by Marianne Brandt from the Bauhaus art school Germany 1924 The Rosetta Vase earthenware pottery vase designed by the contemporary British artist Grayson Perry 2011 The many hoards of treasure include those of Esquiline Carthage First Cyprus Hockwold Hoxne Lampsacus Mildenhall Vale of York and Water Newton 4th 10th centuries AD Room 2 Handaxe Lower Palaeolithic Olduvai Gorge Tanzania c 1 2 million years BC Room 3 Swimming Reindeer carving France c 13 000 years BC 86 Room 2 Ain Sakhri lovers from the cave of Ain Sakhri near Bethlehem c 9000 BC 87 Room 51 Mold gold cape North Wales Bronze Age c 1900 1600 BC Room 50 Wandsworth Shield Iron Age shield boss in La Tene style England 2nd century BC Room 50 Gold torc found in Needwood Forest central England 75 BC Room 49 Bronze head of a Roman emperor Claudius from Rendham in Suffolk eastern England 1st century AD Room 49 Hinton St Mary Mosaic with face of Christ in the centre from Dorset southern England 4th century AD Room 49 Corbridge Lanx silver tray depicting a shrine to Apollo northern England 4th century AD Room 41 Silver objects from the Roman Coleraine Hoard Northern Ireland 4th 5th centuries AD Room 41 Sutton Hoo helmet Anglo Saxon England early 7th century AD Room 40 Ivory statue of Virgin and Child who is crushing a dragon under her left foot from Paris France 1310 1330 AD Room 40 Chaucer Astrolabe the oldest dated in Europe 1326 AD Room 40 Royal Gold Cup or Saint Agnes Cup made in Paris France 1370 80 AD Room 2a Holy Thorn Reliquary made in Paris c 1390s AD Room 38 Mechanical Galleon clock Augsburg Germany around 1585 AD Room 38 Carillon clock with automata by Isaac Habrecht Switzerland 1589 AD Room 39 Ornate clock made by Thomas Tompion England 1690 AD Room 49 Romano British crown and diadem found in Hockwold cum WiltonDepartment of Asia Edit Room 33a Amaravati Sculptures southern India 1st century BC and 3rd century AD Room 95 The Percival David collection of Chinese ceramics The scope of the Department of Asia is extremely broad its collections of over 75 000 objects cover the material culture of the whole Asian continent from East South Central and South East Asia and from the Neolithic up to the present day Until recently this department concentrated on collecting Oriental antiquities from urban or semi urban societies across the Asian continent Many of those objects were collected by colonial officers and explorers in former parts of the British Empire especially the Indian subcontinent Examples include the collections made by individuals such as James Wilkinson Breeks Sir Alexander Cunningham Sir Harold Deane Sir Walter Elliot James Prinsep Charles Masson Sir John Marshall and Charles Stuart A large number of Chinese antiquities were purchased from the Anglo Greek banker George Eumorfopoulos in the 1930s The large collection of some 1800 Japanese prints and paintings owned by Arthur Morrison was acquired in the early twentieth century In the second half of the twentieth century the museum greatly benefited from the bequest of the philanthropist PT Brooke Sewell which allowed the department to purchase many objects and fill in gaps in the collection 88 89 90 In 2004 the ethnographic collections from Asia were transferred to the department These reflect the diverse environment of the largest continent in the world and range from India to China the Middle East to Japan Much of the ethnographic material comes from objects originally owned by tribal cultures and hunter gatherers many of whose way of life has disappeared in the last century Particularly valuable collections are from the Andaman and Nicobar Islands much assembled by the British naval officer Maurice Portman Sri Lanka especially through the colonial administrator Hugh Nevill Northern Thailand south west China the Ainu of Hokaidu in Japan chief among them the collection of the Scottish zoologist John Anderson Siberia with artefacts collected by the explorer Kate Marsden and Bassett Digby and is notable for its Sakha pieces especially the ivory model of a summer festival at Yakutsk and the islands of South East Asia especially Borneo The latter benefited from the purchase in 1905 of the Sarawak collection put together by Dr Charles Hose as well as from other colonial officers such as Edward A Jeffreys In addition a unique and valuable group of objects from Java including shadow puppets and a gamelan musical set was assembled by Sir Stamford Raffles The principal gallery devoted to Asian art in the museum is Gallery 33 with its comprehensive display of Chinese Indian subcontinent and Southeast Asian objects An adjacent gallery showcases the Amaravati sculptures and monuments Other galleries on the upper floors are devoted to its Japanese Korean painting and calligraphy and Chinese ceramics collections Highlights of the collections include 91 The most comprehensive collection of sculpture from the Indian subcontinent in the world including the celebrated Buddhist limestone reliefs from Amaravati excavated by Sir Walter Elliot 92 An outstanding collection of Chinese antiquities paintings and porcelain lacquer bronze jade and other applied arts The Frau Olga Julia Wegener Collection of 147 Chinese paintings from the Tang to the Qing dynasties The most comprehensive collection of Japanese pre 20th century art in the Western world many of which originally belonged to the surgeon William Anderson and diplomat Ernest Mason SatowEast Asia A large collection of Chinese ritual bronzes including a wine vessel in the shape of two rams supporting a jar 1500 200 BC Jade bi or disc with inscription from the Qianlong Emperor 1500 1050 BC Group of Oracle bones that were used for divination from the Shang dynasty China 1200 1050 BC Intricately designed gold dagger handle from Eastern Zhou period China 6th 5th centuries BC Huixian Bronze Hu an identical pair of bronze vessels from the Eastern Zhou period China 5th century BC Japanese antiquities from the Kofun period excavated by the pioneering archaeologist William Gowland 3rd 6th centuries AD Three ornate bronze Dōtaku or bells from the Yayoi period Japan 200 BC 200 AD Gilded and inscribed Han dynasty wine cup made from lacquer and found in Pyongyang Korea 4 AD Gandharan architectural wood carvings furniture and dress accessories from Loulan Xinjiang 4th century AD The famous Admonitions Scroll by Chinese artist Gu Kaizhi 344 406 AD The colossal Amitabha Buddha from Hancui China 585 AD A set of ceramic Tang dynasty tomb figures of Liu Tingxun c 728 AD Silk Princess painting from Dandan oilik Buddhist sanctuary in Khotan Xinjiang China 7th 8th century AD Seated Luohan from Yixian one from a set of eight surviving statues China 907 1125 AD Hoard of Tang dynasty silverware from Beihuangshan Shaanxi China 9th 10th centuries AD Seventeen examples of extremely rare Ru ware the largest collection in the West 1100 AD A fine assemblage of Buddhist scroll paintings from Dunhuang western China collected by the British Hungarian explorer Aurel Stein 5th 11th centuries AD Pericival David collection of Chinese ceramics 10th 18th centuries AD Ivory stand in the form of a seated lion Chos khor yan rtse monastery in Tibet 13th century AD Copy of a hanging scroll painting of Minamoto no Yoritomo first Shogun of Japan 14th century AD Handscroll silk painting called Fascination of Nature by Xie Chufang depicting insects and plants China 1321 AD Ornate Sino Tibetan figure of Buddha Sakyamuni made of gilded bronze China 1403 1424 AD Large Cloisonne jar with dragon made for the Ming dynasty Imperial Court paired with another in the Rietberg Museum Zurich Beijing China 1426 35 AD Pair of ceramic Kakiemon elephants from Japan 17th century AD Moon jar from the Joseon Dynasty collected by the potter Bernard Leach Korea 18th century AD Japanese prints including The Great Wave off Kanagawa 1829 32 AD Illustrations for the Great Picture Book of Everything rare album of drawings by the celebrated Japanese artist Hokusai 1820 1840 AD South Asia Excavated objects from the Indus Valley sites of Mohenjo daro and Harappa Ancient India now in Pakistan 2500 2000 BC Hoard of Copper Hoard Culture celts plaques and disc from Gungeria Madhya Pradesh India 2000 1000 BC Assembly of prehistoric artefacts from the Nilgiri Hills in southern India 10th century BC 2nd century AD Hoard of Iron Age metal weapons excavated at the Wurreegaon barrow near Kamptee in Maharastra India 7th 1st centuries BC Sandstone fragment of a Pillar of Ashoka with Brahmi inscription from Meerut Uttar Pradesh India 238 BC The Kulu Vase found near a monastery in Himachal Pradesh one of the earliest examples of figurative art from the sub continent northern India 1st century BC Copper plate from Taxila with important Kharoshthi inscription Ancient India now in Pakistan 1st century BC 1st century AD Indo Scythian sandstone Mathura Lion Capital and Bracket figure from one of the gateways to the Great Stupa at Sanchi central India 1st century AD Bimaran Casket and Wardak Vase reliquaries from ancient stupas in Afghanistan 1st 2nd centuries AD Hoard of gold jewellery with precious stones found under the Enlightenment Throne at the Mahabodhi Temple Bodh Gaya eastern India 2nd century AD Relic deposits from stupas at Ahin Posh Ali Masjid Gudivada Manikyala Sonala Pind Sanchi and Taxila 1st 3rd centuries AD Seated Hariti and Buddha statues and other Gandhara sculptures from Kafir Kot Jamal Garhi Takht i Bahi and Yusufzai Pakistan 1st 3rd centuries AD Hephthalite silver bowl with hunting scenes from the Swat District Pakistan 460 479 AD Three sandstone carved sculptures of the Buddha in Gupta style from Sarnath eastern India 5th 6th centuries AD The Buddhapad Hoard of bronze images from southern India 6th 8th centuries AD Small bronze figure of Buddha Shakyamuni Bihar eastern India 7th century AD Stone statue of Buddha from the Sultanganj hoard Bihar eastern India 7th 8th centuries AD Earliest known figure of the dancing four armed god Shiva Nataraja Pallava dynasty southern India 800 AD Statue of Tara from Sri Lanka and the Thanjavur Shiva from Tamil Nadu southern India 8th century amp 10th century AD Standing Pala statue of Buddha from Kurkihar Bihar India 9th century AD Several wooden architectural panels from the Kashmir Smast caves northern Pakistan 9th 10th centuries AD Hoard of Buddhist terracotta sealings from the Pala period found at the Nalanda Monastery Bihar eastern India 10th century AD Statue of the goddess Ambika found at Dhar in central India 1034 AD Foundation inscription of the Ananta Vasudeva Temple in Bhubaneswar Odisha eastern India 1278 AD Jade dragon cup that once belonged to Sultan Ulugh Beg from Samarkand Uzbekistan 1420 1449 AD Foundation inscription with Arabic inscription in Naskh script in the name of Sultan Yusufshah from Gauda Bengal eastern India 1477 AD Large standing gilded copper figure of the Bodhisattva Avalokitesvara Nepal 15th 16th centuries AD South east Asia Earthenware tazza from the Phung Nguyen culture northern Vietnam 2000 1500 BC Pottery vessels and sherds from the ancient site of Ban Chiang Thailand 10th 1st centuries BC Bronze bell from Klang and iron socketed axe tulang mawas from Perak western Malaysia 200 BC 200 AD Group of six Buddhist clay votive plaques found in a cave in Patania Penang Malaysia 6th 11th centuries AD The famous Sambas Treasure of buddhist gold and silver figures from west Borneo Indonesia 8th 9th centuries AD Three stone Buddha heads from the temple at Borobodur in Java Indonesia 9th century AD Granite Kinnari figure in the shape of a bird from Candi Prambanan in Java Indonesia 9th century AD Sandstone Champa figure of a rampant lion Vietnam 11th century AD Gilded bronze figure of Siva holding a rosary Cambodia 11th century AD Stone figure representing the upper part of an eleven headed Avalokitesvara Cambodia 12th century AD Bronze figure of a seated Buddha from Bagan Burma 12th 13th centuries AD Hoard of Southern Song dynasty ceramic vessels excavated at Pinagbayanan Taysan Municipality Philippines 12th 13th centuries AD Statue of the Goddess Mamaki from Candi Jago eastern Java Indonesia 13th 14th centuries AD Glazed terracotta tiles from the Shwegugyi Temple erected by king Dhammazedi in Bago Myanmar 1476 AD Inscribed bronze figure of a Buddha from Fang District part of a large SE Asian collection amassed by the Norwegian explorer Carl Bock Thailand 1540 AD Large impression of the Buddha s foot made of gilded stone known as Shwesettaw Footprints donated by Captain Frederick Marryat from Ponoodang near Yangon Myanmar 18th 19th centuries AD Room 33 Cubic weights made of chert from Mohenjo daro Pakistan 2600 1900 BC Room 33 One of the hu from Huixian China 5th century BC Room 33 A hamsa sacred goose vessel made of crystal from Stupa 32 Taxila Pakistan 1st century AD Room 33 Stone sculpture of the death of Buddha Gandhara Pakistan 1st 3rd centuries AD Room 91a Section of the Admonitions Scroll by Chinese artist Gu Kaizhi China c 380 AD Room 33 Gilded bronze statue of the Buddha Dhaneswar Khera India 5th century AD The Amitabha Buddha from Hancui on display in the museum s stairwell China 6th century AD Room 33 The luohan from Yixian made of glazed stoneware China 907 1125 AD Sculpture of Goddess Ambika found at Dhar India 1034 AD Sculpture of the two Jain tirthankaras Rishabhanatha and Mahavira Orissa India 11th 12th century AD Room 33 Western Zhou bronze ritual vessel known as the Kang Hou Gui China 11th century BC Room 33 A crowned figure of the Bodhisattva Khasarpana Avalokitesvara India 12th century AD Room 33 Covered hanging jar with underglaze decoration Si Satchanalai Sawankalok north central Thailand 14th 16th centuries AD Room 33 Hu shaped altar flower vessel Ming dynasty China 15th 16th centuries AD Room 33 An assistant to the Judge of Hell figure from a judgement group Ming dynasty China 16th century AD Room 33 Statue of Bodhisattva Avalokiteshvara gilded bronze Nepal 16th century AD Portrait of Ibrahim Adil Shah II 1580 1626 Mughal Empire of India 1615 AD Room 90 Courtesans of the Tamaya House attributed to Utagawa Toyoharu screen painting Japan Edo period late 1770s or early 1780s AD Room 33 Large statue of Buddha made of lacquer from Burma 18th 19th century AD Room 33 Figure of seated Lama of painted and varnished papier mache Ladakh India 19th century ADDepartment of Africa Oceania and the Americas Edit Room 24 The Wellcome Trust Gallery of Living and Dying with Hoa Hakananai a a moai in the centre The British Museum houses one of the world s most comprehensive collections of Ethnographic material from Africa Oceania and the Americas representing the cultures of indigenous peoples throughout the world Over 350 000 objects 93 spanning thousands of years tells the history of mankind from three major continents and many rich and diverse cultures the collecting of modern artefacts is ongoing Many individuals have added to the department s collection over the years but those assembled by Henry Christy Harry Beasley and William Oldman are outstanding Objects from this department are mostly on display in several galleries on the ground and lower floors Gallery 24 displays ethnographic from every continent while adjacent galleries focus on North America and Mexico A long suite of rooms Gallery 25 on the lower floor display African art There are plans in place to develop permanent galleries for showcasing art from Oceania and South America Africa Room 25 A collection of African throwing knives The Sainsbury African Galleries display 600 objects from the greatest permanent collection of African arts and culture in the world The three permanent galleries provide a substantial exhibition space for the museum s African collection comprising over 200 000 objects A curatorial scope that encompasses both archaeological and contemporary material including both unique masterpieces of artistry and objects of everyday life A great addition was material amassed by Sir Henry Wellcome which was donated by the Wellcome Historical Medical Museum in 1954 Highlights of the African collection include objects found at megalithic circles in The Gambia a dozen exquisite Afro Portuguese ivories a series of soapstone figures from the Kissi people in Sierra Leone and Liberia hoard of bronze Kru currency rings from the Sinoe River in Liberia Asante goldwork and regalia from Ghana including the Bowdich collection the rare Akan Drum from the same region in west Africa pair of door panels and lintel from the palace at Ikere Ekiti in Yorubaland the Benin and Igbo Ukwu bronze sculptures the beautiful Bronze Head of Queen Idia a magnificent brass head of a Yoruba ruler and quartz throne from Ife a similar terracotta head from Iwinrin Grove near Ife the Apapa Hoard from Lagos and other mediaeval bronze hoards from Allabia and the Forcados River in southern Nigeria Included is an Ikom monolith from Cross River State several ancestral screens from the Kalabari tribe in the Niger Delta the Torday collection of central African sculpture textiles and weaponry from the Kuba Kingdom including three royal figures the unique Luzira Head from Uganda processional crosses and other ecclesiastical and royal material from Gondar and Magdala Ethiopia following the British Expedition to Abyssinia excavated objects from Great Zimbabwe that includes a unique soapstone anthropomorphic figure and satellite towns such as Mutare including a large hoard of Iron Age soapstone figures a rare divining bowl from the Venda peoples and cave paintings and petroglyphs from South Africa OceaniaThe British Museum s Oceanic collections originate from the vast area of the Pacific Ocean stretching from Papua New Guinea to Easter Island from New Zealand to Hawaii The three main anthropological groups represented in the collection are Polynesia Melanesia and Micronesia Aboriginal art from Australia is considered separately in its own right Metal working was not indigenous to Oceania before Europeans arrived so many of the artefacts from the collection are made from stone shell bone and bamboo Prehistoric objects from the region include a bird shaped pestle and a group of stone mortars from Papua New Guinea The British Museum is fortunate in having some of the earliest Oceanic and Pacific collections many of which were put together by members of Cook s and Vancouver s expeditions or by colonial administrators and explorers such as Sir George Grey Sir Frederick Broome Joseph Bradshaw Robert Christison Gregory Mathews Frederick Meinertzhagen Thomas Mitchell and Arthur Gordon before Western culture significantly impacted on indigenous cultures The department has also benefited greatly from the legacy of pioneering anthropologists such as AC Haddon Bronislaw Malinowski and Katherine Routledge An artefact is a wooden Aboriginal shield probably dating from the late eighteenth century 94 There is some debate as to whether this shield was found at Botany Bay or given the nature of the wood being red mangrove which grows abundantly only 500 km north of Botany Bay possibly obtained through trade networks or at an entirely different location 95 96 The Wilson cabinet of curiosities from Palau is an example of pre contact ware Another outstanding exemplar is the mourner s dress from Tahiti given to Cook on his second voyage one of only ten in existence In the collection is a large war canoe from the island of Vella Lavella in the Solomon Islands one of the last ever to be built in the archipelago 97 The Maori collection is the finest outside New Zealand with many intricately carved wooden and jade objects and the Aboriginal art collection is distinguished by its wide range of bark paintings including two very early bark etchings collected by John Hunter Kerr A particularly important group of objects was purchased from the London Missionary Society in 1911 that includes the unique statue of A a from Rurutu Island the rare idol from the isle of Mangareva and the Cook Islands deity figure Other highlights include the huge Hawaiian statue of Ku ka ili moku or god of war one of three extant in the world and the famous Easter Island statues Hoa Hakananai a and Moai Hava AmericasThe Americas collection mainly consists of 19th and 20th century items although the Paracas Moche Inca Maya Aztec Taino and other early cultures are well represented The Kayung totem pole which was made in the late nineteenth century on Haida Gwaii dominates the Great Court and provides a fitting introduction to this very wide ranging collection that stretches from the very north of the North American continent where the Inuit population has lived for centuries to the tip of South America where indigenous tribes have long thrived in Patagonia Highlights of the collection include Aboriginal Canadian and Native American objects from North America collected by the 5th Earl of Lonsdale the Marquis of Lorne the explorer David Haig Thomas and Bryan Mullanphy Mayor of St Louis the Squier and Davis collection of prehistoric mound relics from North America two carved stone bowls in the form of a seated human figure made by ancient North West Coast peoples from British Columbia the headdress of Chief Yellow Calf from the Arapaho tribe in Wyoming a lidded rivercane basket from South Carolina and the earliest historic example of Cherokee basketery a selection of pottery vessels found in prehistoric dwellings at Mesa Verde and Casas Grandes one of the enigmatic crystal skulls of unknown origin a collection of nine turquoise Aztec mosaics from Mexico the largest in Europe important artefacts from Teotihuacan and Isla de Sacrificios There are several rare pre Columbian manuscripts including the Codex Zouche Nuttall and Codex Waecker Gotter and post colonial ones such as the Codex Aubin and Codex Kingsborough a spectacular series of Mayan lintels from Yaxchilan excavated by the British Mayanist Alfred Maudslay a very high quality Mayan collection that includes sculptures from Copan Tikal Tulum Pusilha Naranjo and Nebaj including the celebrated Fenton Vase an ornate calcite vase with jaguar handles from the Ulua Valley in Honduras the Lord Moyne collection from the Bay Islands Honduras and Boyle collection from Nicarugua over 20 stone metates with zoomorphic and anthropomorphic ornamentation from Costa Rica a group of Zemi Figures from Vere Jamaica and wooden duhos from the Dominican Republic and The Bahamas There are a collection of Pre Columbian human mummies from sites across South America including Ancon Acari Arica and Leyva a number of prestigious pre Columbian gold and votive objects from Colombia three axe shaped gold diadems found near Camana from the Siguas culture in Peru unique collection of Moche wooden figures and staffs from the Macabi islands off Peru ethnographic objects from across the Amazon region including the Schomburgk and Maybury Lewis collections and part of the von Martius and von Spix collection two rare Tiwanaku pottery vessels from Lake Titicaca and important items from Tierra del Fuego donated by Commander Phillip Parker King Room 26 Stone pipe representing an otter from Mound City Ohio USA 200 BC 400 AD Room 2 Stone tomb guardian part human part jaguar from San Agustin Colombia c 300 600 AD Room 1 Maya maize god statue from Copan Honduras 600 800 AD Room 24 Gold Lime Flasks poporos Quimbaya Culture Colombia 600 1100 AD Room 27 Lintel 25 from Yaxchilan Late Classic Mexico 600 900 AD Room 24 Bird pectoral made from gold alloy Popayan Colombia 900 1600 AD Room 24 Rapa Nui statue Hoa Hakananai a 1000 AD Wellcome Trust Gallery Room 27 Double headed serpent turquoise mosaic Aztec Mexico 1400 1500 AD Room 27 Turquoise Mosaic Mask Mixtec Aztec Mexico 1400 1500 AD Room 2 Miniature gold llama figurine Inca Peru about 1500 AD Room 25 Part of the famous collection of Benin brass plaques Nigeria 1500 1600 AD Room 25 Detail of one of the Benin brass plaques in the museum Nigeria 1500 1600 AD Room 25 Benin ivory mask of Queen Idia Nigeria 16th century AD Room 24 Hawaiian feather helmet or mahiole late 1700s AD Bowl decorated with pearl shell and boars tusks used to serve the intoxicating drink kava Hawaii late 1700s AD Great Court Two house frontal totem poles Haida British Columbia Canada about 1850 AD Room 25 Mask wood and pigment Punu people Gabon 19th century AD Room 25 Otobo masquerade in the Africa Gallery Nigeria 20th century AD Room 25 Modern interpretation of kente cloth from Ghana late 20th century ADDepartment of Coins and Medals Edit Main article British Museum Department of Coins and Medals The British Museum is home to one of the world s finest numismatic collections comprising about a million objects including coins medals tokens and paper money The collection spans the entire history of coinage from its origins in the 7th century BC to the present day and is representative of both the East and West The Department of Coins and Medals was created in 1861 and celebrated its 150th anniversary in 2011 98 Department of Conservation and Scientific Research Edit This department was founded in 1920 Conservation has six specialist areas ceramics amp glass metals organic material including textiles stone wall paintings and mosaics Eastern pictorial art and Western pictorial art The science department 99 has and continues to develop techniques to date artefacts analyse and identify the materials used in their manufacture to identify the place an artefact originated and the techniques used in their creation The department also publishes its findings and discoveries Libraries and archives Edit This department covers all levels of education from casual visitors schools degree level and beyond The museum s various libraries hold in excess of 350 000 books journals and pamphlets covering all areas of the museum s collection Also the general museum archives which date from its foundation in 1753 are overseen by this department the individual departments have their own separate archives and libraries covering their various areas of responsibility which can be consulted by the public on application The Anthropology Library is especially large with 120 000 volumes 100 However the Paul Hamlyn Library which had become the central reference library of the British Museum and the only library there freely open to the general public closed permanently in August 2011 101 The website and online database of the collection also provide increasing amounts of information British Museum Press EditThe British Museum Press BMP is the publishing business and a division of the British Museum Company Ltd a company and a charity established in 1973 wholly owned by the trustees of the British Museum 102 The BMP publishes both popular and scholarly illustrated books to accompany the exhibition programme and explore aspects of the general collection Profits from their sales goes to support the British Museum 102 Scholarly titles are published in the Research Publications series all of which are peer reviewed This series was started in 1978 and was originally called Occasional Papers The series is designed to disseminate research on items in the collection Between six and eight titles are published each year in this series 103 Controversies Edit A few of the Elgin Marbles also known as the Parthenon Marbles from the East Pediment of the Parthenon in Athens Artefacts taken from other countries Edit It is a point of controversy whether museums should be allowed to possess artefacts taken from other countries 7 104 and the British Museum is a notable target for criticism The Elgin Marbles Benin Bronzes Ethiopian Tabots and the Rosetta Stone are among the most disputed objects in its collections and organisations have been formed demanding the return of these artefacts to their native countries The Parthenon Marbles Elgin Marbles claimed by Greece were also cited by UNESCO among others for restitution From 1801 to 1812 Elgin s agents removed about half of the surviving sculptures from the Parthenon as well as sculptures from the Propylaea and Erechtheum The former director of the museum has stated We are indebted to Elgin for having rescued the Parthenon sculptures and others from the Acropolis from the destruction they were suffering as well as from the damage that the Acropolis monuments including the sculptures that he did not remove have suffered since 105 The British Museum itself damaged some of the artefacts during restoration in the 1930s 106 There is also controversy over artefacts taken during the destruction of the Old Summer Palace in Beijing by an Anglo French expeditionary force during the Second Opium War in 1860 an event which drew a protest from Victor Hugo 107 108 The British Museum and the Victoria and Albert Museum among others have been asked since 2009 to open their archives for investigation by a team of Chinese investigators as a part of an international mission to document Chinese national treasures in foreign collections 109 In 2010 Neil MacGregor the former Director of the British Museum said he hoped that both British and Chinese investigators would work together on the controversial collection 110 In 2020 the museum appointed a curator to research the history of its collections including disputed items 111 The British Museum has stated that the restitutionist premise that whatever was made in a country must return to an original geographical site would empty both the British Museum and the other great museums of the world 112 The museum has also argued that the British Museum Act of 1963 prevents any object from leaving its collection once it has entered it The Museum owns its collections but its Trustees are not empowered to dispose of them 112 113 Nevertheless it has returned items such as Tasmanian Aboriginal burial remains when this was consistent with legislation regarding the disposal of items in the collections 114 In late 2022 the British Museum had entered into preliminary negotiations with the Greek government about the future of the Elgin marbles 115 Disputed items in the collection Edit Elgin Marbles claimed by Greece and backed by UNESCO among others for restitution 116 117 Benin Bronzes claimed by Nigeria the Nigerian government has passed a resolution demanding the return of all 700 bronze pieces 118 30 pieces of the bronzes were sold by the British Museum privately from the 1950s until 1972 mostly back to the Nigerians 119 Ethiopian Tabots Pre Axumite Civilisation Coins claimed by Ethiopia 120 121 Four stolen drawings Nazi plunder Compensation paid to Uri Peled for the amount of 175 000 by the British Museum 122 Achaemenid empire gold and silver artefacts from the Oxus Treasure in 2007 the President of Tajikistan ordered experts to look into making a claim 123 Rosetta Stone claimed by Egypt 124 Dunhuang manuscripts part of a cache of scrolls manuscripts paintings scriptures and relics from the Mogao Caves including the Diamond Sutra claimed by the People s Republic of China 125 Aboriginal shield claimed by Aboriginal people of Australia 96 Hoa Hakananai a claimed by Chile on behalf of Easter Island 126 Repatriation and reburial of human remains is a controversial issue and the British Museum has issued a policy on the subject 127 BP sponsorship Edit In recent years there have been several protests against the British Museum s relationship with the oil company BP In May 2016 the British Museum was temporarily closed after a Greenpeace protest 128 In February 2019 hundreds of people occupied the museum in protest against the BP sponsorship 129 In July 2019 Ahdaf Soueif resigned from the British Museum s board of trustees in protest against the sponsorship 130 In February 2020 1 500 demonstrators including British Museum staff took part in a day of protest over the issue occupying 11 of the museum s rooms The PCS union said the museum had a duty to recognise the escalating climate crisis and cut its ties with BP In reply the museum said We are aware of the comments from the PCS union and will continue to liaise with the British Museum PCS branch and our staff more generally 131 Chairman s Advisory Group Edit The Chairman s Advisory Group is an informal group of business leaders who provide advice to the chairman on various issues including the museum s relationship with the British government and policy on the museum s collections Its existence was made public after a freedom of information request by a group campaigning against the museum s links with the fossil fuel industry The museum has declined to name the members of the advisory group as they are acting in their personal capacity 132 Galleries EditBuilding Main Staircase Discobolus of Myron the Discus Thrower British Museum Reading Room Ceiling of the Great Court and the black siltstone obelisks of Nectanebo II c 350 BC Detail of an Ionic capital on a pilaster in the Great Court African Garden created by BBC TV programme Ground ForceMuseum GalleriesDepartment of Ancient Egypt and Sudan Room 4 Egyptian Sculpture view towards the Assyrian Transept Room 4 Room 4Department of the Middle East The British Museum Room 6 Assyrian Sculpture Room 8 Pair of Lamassu from Nimrud amp reliefs from the palace of Tiglath Pileser III Room 7 Reliefs from the North west palace of Ashurnasirpal II Nimrud Room 89 Nimrud amp Nineveh Palace Reliefs Room 10 Nineveh The Royal Lion HuntDepartment of Greece and Rome Room 18 Ancient Greece Room 20a Tomb of Merehi amp Greek Vases Lycia 360 BC Room 85 Portrait Sculpture Roman Room 84 Towneley Roman Sculptures Main Staircase Discobolus Roman Main Staircase Townley Caryatid Roman 140 160 ADDigital and online Edit The museum has a collaboration with the Google Cultural Institute to bring the collection online 133 Exhibitions EditChronology of Temporary Exhibitions at the British Museum by Joanna Bowring British Museum Research Paper 189 2012 lists all temporary exhibitions from 1838 to 2012 Forgotten Empire Exhibition October 2005 January 2006 Room 5 Exhibitions Panorama Room 5 The Persepolis Casts Room 5 Exhibitions Relics Room 5 The Cyrus CylinderFrom January to April 2012 the museum presented Hajj Journey to the Heart of Islam the first major exhibition on the topic of the Hajj the pilgrimage that is one of the five pillars of Islam 134 135 Notes Edit Among the national museums in London sculpture and decorative and applied art are in the Victoria and Albert Museum the British Museum houses earlier art non Western art prints and drawings The National Gallery holds the national collection of Western European art to about 1900 while art of the 20th century on is at Tate Modern Tate Britain holds British Art from 1500 onwards Books manuscripts and many works on paper are in the British Library There are significant overlaps between the coverage of the various collections By the Act of Parliament it received a name the British Museum The origin of the name is not known the word British had some resonance nationally at this period so soon after the Jacobite rebellion of 1745 it must be assumed that the museum was christened in this light 14 The estimated footage of the various libraries as reported to the trustees has been summarised by Harris 1998 3 6 Sloane 4 600 Harley 1 700 Cotton 384 Edwards 576 The Royal Library 1 890 This was perhaps rather unfortunate as the title to the house was complicated by the fact that part of the building had been erected on leasehold property the Crown lease of which ran out in 1771 perhaps that is why George III paid such a modest price nominally 28 000 for what was to become Buckingham Palace See Howard Colvin et al 1976 134 Understanding of the foundation of the National Gallery is complicated by the fact that there is no documented history of the institution At first the National Gallery functioned effectively as part of the British Museum to which the trustees transferred most of their most important pictures ex portraits Full control was handed over to the National Gallery in 1868 after the Act of Parliament of 1856 established the Gallery as an independent body Ashmole the Keeper of the Greek and Roman Antiquities appreciated the original top lighting of these galleries and removed the Victorian colour scheme commenting The old Elgin Gallery was painted a deep terracotta red which though in some ways satisfactory diminished its apparent size and was apt to produce a depressing effect on the visitor It was decided to experiment with lighter colours and the walls of the large room were painted with what was at its first application a pure cold white but which after a year s exposure had unfortunately yellowed The small Elgin Room was painted with pure white tinted with prussian blue and the Room of the metopes was painted with pure white tinted with cobalt blue and black it was necessary for practical reasons to colour all the dadoes a darker colour 39 Ashmole had never liked the Duveen Gallery It is I suppose not positively bad but it could have been infinitely better It is pretentious in that it uses the ancient Marbles to decorate itself This is a long outmoded idea and the exact opposite of what a sculpture gallery should do And although it incorporates them it is out of scale and tends to dwarf them with its bogus Doric features including those columns supporting almost nothing which would have made an ancient Greek artist architect wince The source of daylight is too high above the sculptures a fault that is only concealed by the amount of reflection from the pinkish marble walls These are too similar in colour to the marbles These half dozen elementary errors were pointed out by everyone in the Museum and by many scholars outside when the building was projected 44 It was not until the 1980s that the installation of a lighting scheme removed his greatest criticism of the building The Cairo Museum has 200 000 artefacts with leading collections reposited at the Egyptian Museum of Berlin 100 000 Musee du Louvre 60 000 Petrie Museum 80 000 The Metropolitan Museum of art 26 000 University of Pennsylvania 42 000 Ashmolean Museum 40 000 Museum of Fine Arts Boston 40 000 Museo Egizio Turin 32 500 objects References Edit Collection size British Museum Association of Leading Visitor Attractions ALVA 22 March 2022 a b About us British Museum Retrieved 26 March 2013 History of the British Museum The British Museum Retrieved 12 July 2018 The Life and Curiosity of Hans Sloane The British Library Retrieved 21 October 2017 The Big Question What is the Rosetta Stone and should Britain return The Independent 9 December 2009 Retrieved 2 April 2020 a b Tharoor Kanishk 29 June 2015 Museums and looted art the ethical dilemma of preserving world cultures The Guardian Retrieved 18 April 2018 British Library Act 1972 legislation gov uk 1972 Admission and opening times British Museum 14 June 2010 Retrieved 4 July 2010 BBC History British History in depth Slavery and the Building of Britain www bbc co uk Retrieved 12 November 2019 Creating a Great Museum Early Collectors and The British Museum Fathom Archived from the original on 2 January 2010 Retrieved 4 July 2010 General history British Museum 14 June 2010 Retrieved 4 July 2010 Gavin R de Beer Sir Hans Sloane and the British Museum London 1953 The question of the use of the term British at this period has recently received some attention e g Colley 1992 85ff There never has been a serious attempt to change the museum s name Letter to Charles Long 1823 BMCE115 3 10 Scrapbooks and illustrations of the Museum Wilson David M 2002 The British Museum A History London The British Museum Press pg 346 The British Museum Images Bmimages Retrieved 4 July 2010 a b Dunton Larkin 1896 The World and Its People Silver Burdett p 38 Wilson David M 2002 The British Museum A History London The British Museum Press p 25 Cavendish Richard January 2009 The British Museum opened on January 15th 1759 History Today Vol 59 no 1 Rose ED 15 April 2018 Specimens slips and systems Daniel Solander and the classification of nature at the world s first public museum 1753 1768 PDF British Journal for the History of Science 51 2 205 237 doi 10 1017 S0007087418000249 PMID 29655387 Archived PDF from the original on 9 October 2022 Collection Guides King s Library Retrieved 1 June 2020 Hoock Holger 2010 Empires of the Imagination Politics War and the Arts in the British World 1750 1850 Profile Books p 207 ISBN 9781861978592 Retrieved 21 July 2016 BMCE1 5 1175 13 May 1820 Minutes of General Meeting of the Trustees 1754 63 Wilson David M 2002 The British Museum A History p 78 Wondrous Curiosities Ancient Egypt at the British Museum pp 66 72 Stephanie Moser 2006 ISBN 0 226 54209 2 The Story of the British Museum p 24 Marjorie Caygill 2003 ISBN 0 7141 2772 8 The British Museum The Elgin Marbles p 85 B F Cook 2005 ISBN 0 7141 2134 7 The British Museum Assyrian Sculpture pp 6 7 Julian Reade 2004 ISBN 0 7141 2141 X King s Library Bl Retrieved 22 October 2011 Wilson David M 2002 The British Museum A History London The British Museum Press p 79 The Story of the British Museum p 25 Marjorie Caygill 2003 ISBN 0 7141 2772 8 Reade Julian 2004 Assyrian Sculpture London The British Museum Press p 16 Dickens Charles Jr 1879 Museum British Dickens s Dictionary of London Retrieved 22 August 2007 Beyond the new Lycian room is the READING ROOM circular structure original suggestion of Thomas Watts improved by A Sir A Panizzi carried out by Mr Sidney Smirke South from Ephesus An Escape From The Tyranny of Western Art pp 33 34 Brian Sewell 2002 ISBN 1 903933 16 1 The Electric Light in the British Museum PDF The New York Times 18 December 1879 Archived PDF from the original on 9 October 2022 Retrieved 15 January 2016 Caygill Marjorie 2006 The British Museum 250 Years London The British Museum Press p 5 a b Caygill Marjorie Creating a Great Museum Early Collectors and The British Museum Fathom Archived from the original on 6 October 2007 Retrieved 13 November 2007 British Museum Collection search You searched for British Museum Permanent establishment of the Research Laboratory now the oldest such establishment in continuous existence History British Museum Quoted Ashmole 1994 125 a b Shenton Caroline 2021 National Treasures Saving the Nation s Art in World War II Hardback London John Murray pp 60 64 233 238 ISBN 978 1 529 38743 8 Cook B F 2005 The Elgin Marbles London The British Museum Press pg 92 Aronsfeld C C April 1984 Judaica and Hebraica in German libraries a review article Journal of Librarianship and Information Science 16 2 129 132 doi 10 1177 096100068401600204 S2CID 60789240 The Nazis in fact went to great lengths in exploiting Jewish as well as general literature For instance they arranged for a German researcher to spend several years at the British Museum for the purpose of compiling an anti Semitic history of Anglo Jewry which at the time with its 562 pages and a bibliography of some 600 items was an effort more ambitious than hitherto attempted Wilson David M 2002 The British Museum A History London The British Museum Press p 270 Ashmole 1994 126 Wilson David M 2002 The British Museum A History London The British Museum Press p 327 Room 25 Africa British Museum 14 June 2010 Retrieved 4 July 2010 Search the collection database British Museum Retrieved 15 January 2014 Highlights British Museum online research catalogues British Museum and online journals British Museum a b British Museum gets record 6 7m visitors for 2013 BBC News 14 January 2014 Retrieved 20 March 2014 Smithers Rebecca 5 March 2014 Sunny weather drew record numbers to UK s outdoor tourist hotspots in 2013 The Guardian Miller Joe 22 September 2014 British Museum to be digitally 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