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Odia script

The Odia script (Odia: ଓଡ଼ିଆ ଅକ୍ଷର, romanized: Odiā akṣara) is a Brahmic script used to write primarily Odia language and others including Sanskrit and other regional languages. The script has developed over more than 1000 years from a variant of Siddhaṃ script which was used in Eastern India, where the characteristic top line transformed into a distinct round umbrella shape due to the influence of palm leaf manuscripts and also being influenced by the neighbouring scripts from the Western and Southern regions.

Odia script
ଓଡ଼ିଆ ଅକ୍ଷର
Odiā akṣara
‘Odiā akṣara’ written in Odia script
Script type
Time period
c. 14th century – present[1]
Directionleft-to-right 
LanguagesOdia, Sanskrit, Kui, Sora, Kuvi, Santali, Chhattisgarhi, Halbi, Sambalpuri
Related scripts
Parent systems
Sister systems
Bengali–Assamese, Tirhuta, Nāgarī, Nepalese[2][5][6]
ISO 15924
ISO 15924Orya (327), ​Oriya (Odia)
Unicode
Unicode alias
Oriya
U+0B00–U+0B7F
[a] The Semitic origin of the Brahmic scripts is not universally agreed upon.
 This article contains phonetic transcriptions in the International Phonetic Alphabet (IPA). For an introductory guide on IPA symbols, see Help:IPA. For the distinction between [ ], / / and ⟨ ⟩, see IPA § Brackets and transcription delimiters.

Odia is a syllabic alphabet or an abugida wherein all consonants have an inherent vowel embedded within. Diacritics (which can appear above, below, before, or after the consonant they belong to) are used to change the form of the inherent vowel. When vowels appear at the beginning of a syllable, they are written as independent letters. Also, when certain consonants occur together, special conjunct symbols combine the essential parts of each consonant symbol.

An important feature of the Odia language seen in the script is the retention of inherent vowel in consonants, also known as schwa, at both medial and final positions. This absence of schwa deletion, which is also seen in Sanskrit, marks it from the rest of modern Indo-Aryan languages and their equivalent usage in related Brahmic scripts. The absence of the inherent vowel in the consonant is marked by a virama or halanta sign below the consonant.

History

In Eastern India, a derivative of Siddhaṃ script yielded a group of scripts that eventually became Bengali-Assamese scripts, Tirhuta script and the Odia script, with the latter turning the hook into a characteristic umbrella.[2] The earliest known example of Odia language, in the Kalinga script, dates from 1051.[7][8]

 
Sample of the Odia alphabet from a Buddhist text from around 1060 AD, written by Sarahapada
 
Temple inscription showing 13th century Siddhaṃ script variant ancestor of modern Odia script at Ananta Vasudeva Temple
 
15th century copper plate grant of Gajapati emperor Purushottama Deva, showing the distinct formation of the shape of the modern Odia script

The curved appearance of the Odia script is a result of the practice of writing on palm leaves, which have a tendency to tear with the use of too many straight lines.[9]

As with all the Brahmic scripts in the region, the Odia script developed through four stages which can be seen from the stone inscriptions, copper-plates and the manuscripts. The periods of development are in the following order,

  1. Proto-Odia: ca 7th- 9th CE
  2. Medieval Odia: ca 10th- 12th CE
  3. Transitional Odia: ca 12th- 14th CE
  4. Modern(current) Odia: ca 14th- 16th CE

The archaic and medieval forms of Odia are more influenced by the calligraphy of the scripts of neighbouring regions, such as,

  1. In Northern Odisha-where the letters are written in Odia, mixed in with Siddham-derived Gaudi style(that is the right vertical part of the letter is slightly bent inwards).
  2. In southern Odisha-where it is mixed with Telugu-Kannada round, cursive form.
  3. In Western Odisha. Where it is mixed with Nagari and Siddham(squarish shape in upper-part).

With regards to the epigraphical sources, the antiquities which display the various historical forms of writing in Odia script include rock-edicts, temple inscriptions, stone-slabs, pillar inscriptions, sculptures, copper-plates, coins and palm-leaf manuscripts, illustrated manuscripts, ivory plates and allied materials. Numerous instances of the items depicting all the respective stages of the development of the Odia script during the illustrious dynasties of Eastern Ganga, Somavanshi, Bhanja, Bhauma-kara, Sailodbhava dynasties.

Some of them belonging to different centuries are as follows-

  1. One of the earliest specimens of the Odia script is that of the Urjam inscription dating from the 11th CE (1051 CE). The language used in the inscriptions is a dialect spoken on the border regions of Odisha and Madhya Pradesh. The same applies to a bilingual and biscriptual stone inscription (Odia and Tamil) from the reign of Narasimhadeva (13th CE), found at Bhubaneswar. Odia language in old Odia script is seen on the right side while Tamil in Grantha on the left side.
  2. The Gumsur copper-plate grant of Netribhanjadeva (11th CE) depicts the medieval phase of this script in square and round variety.
  3. The stone inscription of the Pottesvara temple, Ganjam district (137 CE), is a notable example of Odia script influenced by Telugu-Kannada variety.
  4. The Antirigam plate of Yashabhanjadeva (12th CE) depicts Odia calligraphy influenced by northern Nagari. The differences in letters script seems to indicate of the script being in a transitional phase.
  5. Khilor inscription of Anantavarman (12th CE) shows the Gaudi or Proto-Oriya script[4] round shape on the upper part, almost developed like the modern ones.
  6. The early epigraphical records of the Puri inscriptions of Anangabhima III(1211-1238 CE), which is considered to be as one of the earliest Odia inscriptions showing the Gaudi characters, not only shows the stage of the proto, early and medieval phase if the evolution of the Odia script, but also the numericals in early proto-Oriya type while others to be that of the Telugu-Kannada type. The earlier inscription of Chodagangadeva (1114-1115 CE) shows the Late Siddhaṃ variety where the pristhamatra style of vowel diacritics is quite prominent.
  7. In the records of Kenduapatna copper-plates in Sanskrit of the Eastern Ganga King Narasimhadeva II(1278-1305 CE), a transitional variety is seen depicting the development of Odia from Gaudi (showing squarish with round headlines in a ductus that is quite commonly seen on copper-plates and stone inscriptions).
  8. The copper-plate land-grant record of the Gajapati King Purushottamadeva (15th CE), inscribed on a copper axe-head, shows the distinct early version of the modern Odia script which are also seen on the palm-leaves manuscripts belonging to the 15th CE.

With regards to the manuscript sources, the full-fledged script of Odia acquires its classical umbrella hook shape through the development, modification as well as simplification between the 14th and 15th CE, when the palm-leaf manuscript culture becomes dominant in this region. Since the palm-leaves are perishable in nature, no manuscripts are currently available pre-15th CE. Hence, recent works are also important as they show the rare and ancient text as well as artistic illustrations. One of the earliest dated palm-leaf manuscripts is that of Abhinava Gita-Govinda kept in Odisha State Museum. The date of completion of the manuscript is estimated to be that of 1494 CE. Among other manuscripts present at the museum, includes historical works like manuscripts of Jayadeva’s Gita-Govinda (16th CE) to the relatively recent works of 18th,19th and 20th century.[3]

Overwhelmingly, the Odia script was used to write the Odia language. However, it has been used as a regional writing-system for Sanskrit. Furthermore, Grierson[10] in his famed Linguistic Survey of India mentioned that the Odia script is sometimes used for Chhattisgarhi, an Eastern Hindi language, in the eastern border regions of Chhattisgarh. However it appears to have been replaced with the Devanagari script.

Alphabet

 
Development of Odia scripts

Odia is a alphasyllabic alphabet or an abugida wherein all consonants have an inherent vowel embedded within. Diacritics (which can appear above, below, before or after the consonant they belong to) are used to change the form of the inherent vowel. When vowels appear at the beginning of a syllable, they are written as independent letters. Also, when certain consonants occur together, special conjunct symbols are used to combine the essential parts of each consonant symbol. The list of vowels and consonants(both structured and unstructured) are as follows:[3][11]

Independent vowels

The following are the list of Odia vowels.

Odia vowels
(ସ୍ୱର ବର୍ଣ୍ଣ swara barṇṇa)
ହ୍ରସ୍ୱ Hraswa (Short vowel) ଦୀର୍ଘ Dirgha (Long vowel)
ସ୍ୱର
Vowel, Phoneme
କାର(ମାତ୍ରା)
Diacritic, with କ୍(k)
ସ୍ୱର
Vowel, Phoneme
କାର(ମାତ୍ରା)
Diacritic, with କ୍(k)
କଣ୍ଠ୍ୟ
(Guttural)
a(ɔ) - ā(a) କା
ତାଲବ୍ୟ
(Palatal)
i(i) ି କି ī(i) କୀ
ଓଷ୍ଠ୍ୟ
(Labial)
u(u) କୁ ū(u) କୂ
ମୂର୍ଦ୍ଧନ୍ୟ
(Retroflex)
r̥(ru) କୃ r̥̄(ru) କୄ
ଦନ୍ତ୍ୟ
(Retroflex)
l̥(lu) କୢ l̥̄(lu) କୣ
Other Vowels
କଣ୍ଠ୍ୟତାଲବ୍ୟ
(Palatoguttural)
e(e) କେ ai(ɔi) କୈ
କଣ୍ଠୌଷ୍ଠ୍ୟ
(Labioguttural)
o(o) କୋ au(ɔu) କୌ

There is no significant difference in the pronunciation of both short and long vowels (, & , ). Also, the vowels , , and their diacritics are only required while writing Sanskrit in Odia script and not used significantly in modern Odia, hence they are not always mentioned in the Odia alphabet.

Other forms of vowel diacritics
Vowel Letter Diacritic forms
For the vowel (i), there exists another diacritic form for these consonants- (kha), (tha), (dha).
This diacritic is a remnant from the Odia cursive style variant Karani script (କରଣୀ ଅକ୍ଷର).

(Not to be confused with ତ୍କ,ତ୍ନ,ତ୍ପ,ତ୍ମ,ତ୍ସ, where this underside hook represents the ତ୍(t) ligature preceding the consonants କ,ନ,ପ,ମ,ସ)

ଖି (khi)
ଥି (thi)
ଧି (dhi)

Consonants

 
A detailed chart depicting evolution of the Odia script as displayed in a museum at Ratnagiri, Odisha

Two categories of consonant letters (ବ୍ୟଞ୍ଜନ byan̄jana) are defined in Odia: the structured consonants (ବର୍ଗ୍ୟ ବ୍ୟଞ୍ଜନ bargya byan̄jana) and the unstructured consonants (ଅବର୍ଗ୍ୟ ବ୍ୟଞ୍ଜନ abargya byan̄jana).

The first standardised Odia alphabet book was compiled by Madhusudan Rao named Barnabodha in 1895. As seen from the alphabet list, the phonemes Ba, Va and Wa were represented by the same letter ବ, with the sound Va & Wa being represented by the name abargya ba (ଅବର୍ଗ୍ୟ ବ). This can be seen in Barnabodha in 1896. This was because the phonemes Ba and Va merged in the Eastern Indo-Aryan languages and was represented by the same letter, in case of Odia- ବ. While the phoneme Wa existed through the consonant ligature symbol, which it shared with Ba- ୍ୱ (ସ୍ୱାଧୀନ- swādhīna). Gopala Chandra Praharaj, who compiled and published the first comprehensive Odia dictionary, Purnachandra Odia Bhashakosha(1931-40), introduced a new letter ୱ to the script inventory to represent the phonetic sound of Wa in order to distinguish it from the same symbol which it earlier shared with Ba. While an alternate letter for Wa was represented by ଵ, but has not gained full acceptance and instead Praharaj's letter has remained the widely used and recognised letter.[12][13][14]

Structured consonants

The structured consonants(ବର୍ଗ୍ୟ ବ୍ୟଞ୍ଜନ) are classified according to where the tongue touches the palate of the mouth and are classified accordingly into five structured groups. These consonants are shown here with their ISO transliteration.

Odia structured consonants
(ବର୍ଗ୍ୟ ବ୍ୟଞ୍ଜନ ବର୍ଣ୍ଣ bargya byañjana barṇṇa)
Phonetics Plosive
ସ୍ପର୍ଶ sparśa
Nasal
ଅନୁନାସିକ anunāsika
Voicing Voiceless
ଅଘୋଷ aghoṣa
Voiced
ଘୋଷ ghoṣa
Aspiration Unaspirated
ଅଳ୍ପପ୍ରାଣ aḻpaprāṇa
Aspirated
ମହାପ୍ରାଣ mahāprāṇa
Unaspirated
ଅଳ୍ପପ୍ରାଣ aḻpaprāṇa
Aspirated
ମହାପ୍ରାଣ mahāprāṇa
Unaspirated
ଅଳ୍ପପ୍ରାଣ aḻpaprāṇa
କଣ୍ଠ୍ୟ
Velar
ka (kɔ) kha (kʰɔ) ga (ɡɔ) gha (ɡʱɔ) ṅa (ŋɔ)
ତାଲବ୍ୟ
Palatal
ca (tʃɔ) cha (tʃʰɔ) ja (dʒɔ) jha (dʒʱɔ) ña (ɲɔ)
ମୂର୍ଦ୍ଧନ୍ୟ
Retroflex
ṭa (ʈɔ) ṭha (ʈʰɔ) ḍa (ɖɔ) ḍha (ɖʱɔ) ṇa (ɳɔ)
ଦନ୍ତ୍ୟ
Dental
ta (tɔ) tha (tʰɔ) da (dɔ) dha (dʱɔ) na (nɔ)
ଓଷ୍ଠ୍ୟ
Labial
pa (pɔ) pha (pʰɔ) ba (bɔ) bha (bʱɔ) ma (mɔ)

Unstructured consonants

The unstructured consonants (ଅବର୍ଗ୍ୟ ବ୍ୟଞ୍ଜନ) are consonants that do not fall into any of the above structures:

Odia unstructured consonants
(ଅବର୍ଗ୍ୟ ବ୍ୟଞ୍ଜନ ବର୍ଣ୍ଣ abargya byañjana barṇṇa)
Characteristics Consonants Phonetics
Voiced unaspirated Palatal
used as Voiced postalveolar affricate
Approximant (ଅନ୍ତଃସ୍ଥ antaḥstha)
ẏa (dʒɔ) antaḥstha ja
Voiced unaspirated Palatal
Approximant (ଅନ୍ତଃସ୍ଥ antaḥstha)
ya (jɔ) ya
Voiced unaspirated Retroflex
Approximant (ଅନ୍ତଃସ୍ଥ antaḥstha)
ra (ɾɔ) ra
Voiced retroflex lateral approximant ḷa (ɭɔ) ḷa
Voiced unaspirated Dental
Approximant (ଅନ୍ତଃସ୍ଥ antaḥstha)
la (lɔ) la
Voiced unaspirated Labial
Approximant (ଅନ୍ତଃସ୍ଥ antaḥstha)
wa (wɔ) wa
(also ଅବର୍ଗ୍ୟ ବ abargya ba)[nc 1]
Voiced unaspirated Palatal Sibilant
Fricative (ଊଷ୍ମ ūṣma)
śa (sɔ) talabya sa
(ତାଲବ୍ୟ)
Voiced unaspirated Retroflex Sibilant
Fricative (ଊଷ୍ମ ūṣma)
ṣa (sɔ) murddhanya sa
(ମୂର୍ଦ୍ଧନ୍ୟ)
Voiced unaspirated Dental Sibilant
Fricative (ଊଷ୍ମ ūṣma)
sa (sɔ) dantya sa
(ଦନ୍ତ୍ୟ)
Voiced aspirated Guttural
Fricative (ଊଷ୍ମ ūṣma)
ha (ɦɔ) ha
Voiced retroflex flap ଡ଼ ṛa (ɽɔ) ḍa
Voiced retroflex flap ଢ଼ ṛha (ɽʰɔ) ḍha
Conjunct of କ & ଷ କ୍ଷ kṣa kha/khya

Although the sibilants , , have their independent orthography, in modern spoken Odia all three of them are pronounced the same as (sa).

- This letter is used sporadically for the phonetic Va/Wa as an alternative for the officially recognised letter , but has not gained widespread acceptance.

Notes

  1. ^ Introduced by G.C. Praharaj, while working on the first comprehensive Odia dictionary, Purnachandra Odia Bhasakosha(1931-40)

Vowel diacritics

The following table shows the list of vowel diacritics on consonants.

Vowel diacritics on Consonants

a

ā

i

ī

u

ū


r̥̄


l̥̄

e

ai

o

au
କ୍ k କା କି କୀ କୁ କୂ କୃ କୄ କୢ କୣ କେ କୈ କୋ କୌ
ଖ୍ kh ଖା ଖି ଖୀ ଖୁ ଖୂ ଖୃ ଖୄ ଖୢ ଖୣ ଖେ ଖୈ ଖୋ ଖୌ
ଗ୍ g ଗା ଗି ଗୀ ଗୁ ଗୂ ଗୃ ଗୄ ଗୢ ଗୣ ଗେ ଗୈ ଗୋ ଗୌ
ଘ୍ gh ଘା ଘି ଘୀ ଘୁ ଘୂ ଘୃ ଘୄ ଘୢ ଘୣ ଘେ ଘୈ ଘୋ ଘୌ
ଙ୍ ଙା ଙି ଙୀ ଙୁ ଙୂ ଙୃ ଙୄ ଙୢ ଙୣ ଙେ ଙୈ ଙୋ ଙୌ
ଚ୍ c ଚା ଚି ଚୀ ଚୁ ଚୂ ଚୃ ଚୄ ଚୢ ଚୣ ଚେ ଚୈ ଚୋ ଚୌ
ଛ୍ ch ଛା ଛି ଛୀ ଛୁ ଛୂ ଛୃ ଛୄ ଛୢ ଛୣ ଛେ ଛୈ ଛୋ ଛୌ
ଜ୍ j ଜା ଜି ଜୀ ଜୁ ଜୂ ଜୃ ଜୄ ଜୢ ଜୣ ଜେ ଜୈ ଜୋ ଜୌ
ଝ୍ jh ଝା ଝି ଝୀ ଝୁ ଝୂ ଝୃ ଝୄ ଝୢ ଝୣ ଝେ ଝୈ ଝୋ ଝୌ
ଞ୍ ñ ଞା ଞି ଞୀ ଞୁ ଞୂ ଞୃ ଞୄ ଞୢ ଞୣ ଞେ ଞୈ ଞୋ ଞୌ
ଟ୍ ଟା ଟି ଟୀ ଟୁ ଟୂ ଟୃ ଟୄ ଟୢ ଟୣ ଟେ ଟୈ ଟୋ ଟୌ
ଠ୍ ṭh ଠା ଠି ଠୀ ଠୁ ଠୂ ଠୃ ଠୄ ଠୢ ଠୣ ଠେ ଠୈ ଠୋ ଠୌ
ଡ୍ ଡା ଡି ଡୀ ଡୁ ଡୂ ଡୃ ଡୄ ଡୢ ଡୣ ଡେ ଡୈ ଡୋ ଡୌ
ଢ୍ ḍh ଢା ଢି ଢୀ ଢୁ ଢୂ ଢୃ ଢୄ ଢୢ ଢୣ ଢେ ଢୈ ଢୋ ଢୌ
ଣ୍ ଣା ଣି ଣୀ ଣୁ ଣୂ ଣୃ ଣୄ ଣୢ ଣୣ ଣେ ଣୈ ଣୋ ଣୌ
ତ୍ t ତା ତି ତୀ ତୁ ତୂ ତୃ ତୄ ତୢ ତୣ ତେ ତୈ ତୋ ତୌ
ଥ୍ th ଥା ଥି ଥୀ ଥୁ ଥୂ ଥୃ ଥୄ ଥୢ ଥୣ ଥେ ଥୈ ଥୋ ଥୌ
ଦ୍ d ଦା ଦି ଦୀ ଦୁ ଦୂ ଦୃ ଦୄ ଦୢ ଦୣ ଦେ ଦୈ ଦୋ ଦୌ
ଧ୍ dh ଧା ଧି ଧୀ ଧୁ ଧୂ ଧୃ ଧୄ ଧୢ ଧୣ ଧେ ଧୈ ଧୋ ଧୌ
ନ୍ n ନା ନି ନୀ ନୁ ନୂ ନୃ ନୄ ନୢ ନୣ ନେ ନୈ ନୋ ନୌ
ପ୍ p ପା ପି ପୀ ପୁ ପୂ ପୃ ପୄ ପୢ ପୣ ପେ ପୈ ପୋ ପୌ
ଫ୍ ph ଫା ଫି ଫୀ ଫୁ ଫୂ ଫୃ ଫୄ ଫୢ ଫୣ ଫେ ଫୈ ଫୋ ଫୌ
ବ୍ b ବା ବି ବୀ ବୁ ବୂ ବୃ ବୄ ବୢ ବୣ ବେ ବୈ ବୋ ବୌ
ଭ୍ bh ଭା ଭି ଭୀ ଭୁ ଭୂ ଭୃ ଭୄ ଭୢ ଭୣ ଭେ ଭୈ ଭୋ ଭୌ
ମ୍ m ମା ମି ମୀ ମୁ ମୂ ମୃ ମୄ ମୢ ମୣ ମେ ମୈ ମୋ ମୌ
ଯ୍ ẏ(j) ଯା ଯି ଯୀ ଯୁ ଯୂ ଯୃ ଯୄ ଯୢ ଯୣ ଯେ ଯୈ ଯୋ ଯୌ
ୟ୍ y ୟା ୟି ୟୀ ୟୁ ୟୂ ୟୃ ୟୄ ୟୢ ୟୣ ୟେ ୟୈ ୟୋ ୟୌ
ର୍ r ରା ରି ରୀ ରୁ ରୂ ରୃ ରୄ ରୢ ରୣ ରେ ରୈ ରୋ ରୌ
ଳ୍ ଳା ଳି ଳୀ ଳୁ ଳୂ ଳୃ ଳୄ ଳୢ ଳୣ ଳେ ଳୈ ଳୋ ଳୌ
ଲ୍ l ଲା ଲି ଲୀ ଲୁ ଲୂ ଲୃ ଲୄ ଲୢ ଲୣ ଲେ ଲୈ ଲୋ ଲୌ
ୱ୍ w ୱା ୱି ୱୀ ୱୁ ୱୂ ୱୃ ୱୄ ୱୢ ୱୣ ୱେ ୱୈ ୱୋ ୱୌ
ଶ୍ ś ଶା ଶି ଶୀ ଶୁ ଶୂ ଶୃ ଶୄ ଶୢ ଶୣ ଶେ ଶୈ ଶୋ ଶୌ
ଷ୍ ଷା ଷି ଷୀ ଷୁ ଷୂ ଷୃ ଷୄ ଷୢ ଷୣ ଷେ ଷୈ ଷୋ ଷୌ
ସ୍ s ସା ସି ସୀ ସୁ ସୂ ସୃ ସୄ ସୢ ସୣ ସେ ସୈ ସୋ ସୌ
ହ୍ h ହା ହି ହୀ ହୁ ହୂ ହୃ ହୄ ହୢ ହୣ ହେ ହୈ ହୋ ହୌ

Signs and punctuation

 
Om symbol [a]
 
Om symbol (joint variant) [b]

List of diacritic signs and punctuation marks present in languages with Brahmi-derived scripts.[11][15]

Signs and punctuation
Symbol Name Function Romanization
IPA
ଅନୁସ୍ୱାର
Anusvara
Nasal Diacritic. E.g.- ଅଂ aṃ, କଂ kaṃ, ହଂସ haṃsa
Also occurs as Final velar nasal [ŋ]. E.g.- ଏବଂ ebaṅ (ebɔŋ)
ṃ, /ɔ̃/
ṅ, /ŋ/
ବିସର୍ଗ
Visarga
Represents post-vocalic voiceless glottal fricative [h].
Doubles the next consonant sound without the vowel,"h" sound at end.
E.g.- ଅଃ aḥ, କଃ kaḥ, ଦୁଃଖ duḥkha
ḥ, /hɔ̆/
‍ଁ ଚନ୍ଦ୍ରବିନ୍ଦୁ
Chandrabindu
Nasal Diacritic.
E.g.- ଅଁ ã, କଁ , ନିଆଁ niā̃
ã, /ɔ̃/
‍୍ ହଳନ୍ତ
Halanta
Suppresses the inherent vowel a[ɔ].
E.g.- କ୍ k, ହଠାତ୍ haṭhāt
-
‍଼ ବିନ୍ଦୁ (bindu)
Nukta
Dot used below the letter to extend to new alphabets -
‍। ପୂର୍ଣ୍ଣଛେଦ
Purnachheda
Full stop -
‍॥ Double Purnachheda End of Full Stanza -
‍ଽ ଅବଗ୍ରହ
Avagraha
Symbol used to indicate prodelision of ଅ (a) vowel in sandhi and also for prolonging vowel sounds
E.g.- ଦ୍ୱିତୀୟୋ‍ଽଧ୍ୟାୟଃ dwitīyo'dhyāyaḥ
-
‍ଓ‍ଁ
Om
Om sign -
‍୰ ଈଶ୍ୱର
Iswara
Symbol written before the name of a deceased person(late) -

Consonant ligatures

 
Consonant ligatures

Clusters of two or more consonants form a ligature. Basically Odia has two types of such consonant ligatures. The "northern" type is formed by fusion of two or more consonants as in northern scripts like Devanāgarī (but to a lesser extent also in the Malayalam script in the south). In some instances the components can be easily identified, but sometimes completely new glyphs are formed. With the "southern" type the second component is reduced in size and put under the first as in the southern scripts used for Kannaḍa and Telugu (and to some extent also for Malayalam script).

List of diacritic signs and punctuation marks present in languages with Brahmi-derived scripts.[11]

Consonant Ligatures
Symbol Name Function Romanization
IPA
୍ୟ ୟ ଫଳା
ya phaḷā
Ligature [y] pronounced following a consonant phoneme. E.g.- କ୍ୟ- kya, ସଭ୍ୟ- sabhya -ya
/-jɔ/
୍ର ର ଫଳା
ra phaḷā
Ligature [r] pronounced following a consonant phoneme. E.g.- କ୍ର- kra, ଗ୍ରାମ- grama -ra
/-ɾɔ/
ର୍କ ରେଫ୍
reph
Ligature [r] pronounced preceding a consonant phoneme. E.g.- ର୍କ- rka, ଗର୍ବ- garba r-
/ɾ-/
୍ଳ ଳ ଫଳା
ḷa phaḷā
Ligature [ḷ] pronounced following a consonant phoneme. E.g- କ୍ଳ- kḷa, ଶୁକ୍ଳ- śukḷa -ḷa
/-ɭɔ/
୍ଲ ଲ ଫଳା
la phaḷā
Ligature [l] pronounced following a consonant phoneme. E.g.- କ୍ଲ- kla, ପଲ୍ଲବ- pallaba -la
/-lɔ/
୍ୱ ୱ ଫଳା/ବ ଫଳା
wa phaḷā/ba phaḷā
1. Ligature [w] pronounced following a consonant phoneme. E.g.- କ୍ୱ- kwa, ଦ୍ୱାର- dwāra
2. For ମ୍(m) consonant, the ligature takes the form of [b]. E.g.- ମ୍ବ- mba, ଆମ୍ବ= āmba
-wa, -ba
/-wɔ/, /-bɔ/
୍ମ ମ ଫଳା
ma phaḷā
Ligature [m] pronounced following a consonant phoneme. E.g.- କ୍ମ- kma, ପଦ୍ମ- padma -ma
/-mɔ/
୍ନ ନ ଫଳା
na phaḷā
Ligature [n] pronounced following a consonant phoneme. E.g.- କ୍ନ- kna, ପ୍ରଶ୍ନ- praśna -na
/-nɔ/

The following table lists all conjunct forms. (Different fonts may use different ligatures.)[11]

Conjunct Consonants ଯୁକ୍ତାକ୍ଷର (yuktākṣara)
କ୍କ କ୍ଖ କ୍ଗ କ୍ଘ କ୍ଙ କ୍ଚ କ୍ଛ କ୍ଜ କ୍ଝ କ୍ଞ କ୍ଟ କ୍ଠ କ୍ଡ କ୍ଢ କ୍ଣ କ୍ତ କ୍ଥ କ୍ଦ କ୍ଧ କ୍ନ କ୍ପ କ୍ଫ କ୍ବ କ୍ଭ କ୍ମ କ୍ଯ କ୍ୟ କ୍ର କ୍ଲ କ୍ଳ କ୍ୱ କ୍ଶ କ୍ଷ କ୍ସ କ୍ହ
ଖ୍କ ଖ୍ଖ ଖ୍ଗ ଖ୍ଘ ଖ୍ଙ ଖ୍ଚ ଖ୍ଛ ଖ୍ଜ ଖ୍ଝ ଖ୍ଞ ଖ୍ଟ ଖ୍ଠ ଖ୍ଡ ଖ୍ଢ ଖ୍ଣ ଖ୍ତ ଖ୍ଥ ଖ୍ଦ ଖ୍ଧ ଖ୍ନ ଖ୍ପ ଖ୍ଫ ଖ୍ବ ଖ୍ଭ ଖ୍ମ ଖ୍ଯ ଖ୍ୟ ଖ୍ର ଖ୍ଲ ଖ୍ଳ ଖ୍ୱ ଖ୍ଶ ଖ୍ଷ ଖ୍ସ ଖ୍ହ
ଗ୍କ ଗ୍ଖ ଗ୍ଗ ଗ୍ଘ ଗ୍ଙ ଗ୍ଚ ଗ୍ଛ ଗ୍ଜ ଗ୍ଝ ଗ୍ଞ ଗ୍ଟ ଗ୍ଠ ଗ୍ଡ ଗ୍ଢ ଗ୍ଣ ଗ୍ତ ଗ୍ଥ ଗ୍ଦ ଗ୍ଧ ଗ୍ନ ଗ୍ପ ଗ୍ଫ ଗ୍ବ ଗ୍ଭ ଗ୍ମ ଗ୍ଯ ଗ୍ୟ ଗ୍ର ଗ୍ଲ ଗ୍ଳ ଗ୍ୱ ଗ୍ଶ ଗ୍ଷ ଗ୍ସ ଗ୍ହ
ଘ୍କ ଘ୍ଖ ଘ୍ଗ ଘ୍ଘ ଘ୍ଙ ଘ୍ଚ ଘ୍ଛ ଘ୍ଜ ଘ୍ଝ ଘ୍ଞ ଘ୍ଟ ଘ୍ଠ ଘ୍ଡ ଘ୍ଢ ଘ୍ଣ ଘ୍ତ ଘ୍ଥ ଘ୍ଦ ଘ୍ଧ ଘ୍ନ ଘ୍ପ ଘ୍ଫ ଘ୍ବ ଘ୍ଭ ଘ୍ମ ଘ୍ଯ ଘ୍ୟ ଘ୍ର ଘ୍ଲ ଘ୍ଳ ଘ୍ୱ ଘ୍ଶ ଘ୍ଷ ଘ୍ସ ଘ୍ହ
ଙ୍କ ଙ୍ଖ ଙ୍ଗ ଙ୍ଘ ଙ୍ଙ ଙ୍ଚ ଙ୍ଛ ଙ୍ଜ ଙ୍ଝ ଙ୍ଞ ଙ୍ଟ ଙ୍ଠ ଙ୍ଡ ଙ୍ଢ ଙ୍ଣ ଙ୍ତ ଙ୍ଥ ଙ୍ଦ ଙ୍ଧ ଙ୍ନ ଙ୍ପ ଙ୍ଫ ଙ୍ବ ଙ୍ଭ ଙ୍ମ ଙ୍ଯ ଙ୍ୟ ଙ୍ର ଙ୍ଲ ଙ୍ଳ ଙ୍ୱ ଙ୍ଶ ଙ୍ଷ ଙ୍ସ ଙ୍ହ
ଚ୍କ ଚ୍ଖ ଚ୍ଗ ଚ୍ଘ ଚ୍ଙ ଚ୍ଚ ଚ୍ଛ ଚ୍ଜ ଚ୍ଝ ଚ୍ଞ ଚ୍ଟ ଚ୍ଠ ଚ୍ଡ ଚ୍ଢ ଚ୍ଣ ଚ୍ତ ଚ୍ଥ ଚ୍ଦ ଚ୍ଧ ଚ୍ନ ଚ୍ପ ଚ୍ଫ ଚ୍ବ ଚ୍ଭ ଚ୍ମ ଚ୍ଯ ଚ୍ୟ ଚ୍ର ଚ୍ଲ ଚ୍ଳ ଚ୍ୱ ଚ୍ଶ ଚ୍ଷ ଚ୍ସ ଚ୍ହ
ଛ୍କ ଛ୍ଖ ଛ୍ଗ ଛ୍ଘ ଛ୍ଙ ଛ୍ଚ ଛ୍ଛ ଛ୍ଜ ଛ୍ଝ ଛ୍ଞ ଛ୍ଟ ଛ୍ଠ ଛ୍ଡ ଛ୍ଢ ଛ୍ଣ ଛ୍ତ ଛ୍ଥ ଛ୍ଦ ଛ୍ଧ ଛ୍ନ ଛ୍ପ ଛ୍ଫ ଛ୍ବ ଛ୍ଭ ଛ୍ମ ଛ୍ଯ ଛ୍ୟ ଛ୍ର ଛ୍ଲ ଛ୍ଳ ଛ୍ୱ ଛ୍ଶ ଛ୍ଷ ଛ୍ସ ଛ୍ହ
ଜ୍କ ଜ୍ଖ ଜ୍ଗ ଜ୍ଘ ଜ୍ଙ ଜ୍ଚ ଜ୍ଛ ଜ୍ଜ ଜ୍ଝ ଜ୍ଞ ଜ୍ଟ ଜ୍ଠ ଜ୍ଡ ଜ୍ଢ ଜ୍ଣ ଜ୍ତ ଜ୍ଥ ଜ୍ଦ ଜ୍ଧ ଜ୍ନ ଜ୍ପ ଜ୍ଫ ଜ୍ବ ଜ୍ଭ ଜ୍ମ ଜ୍ଯ ଜ୍ୟ ଜ୍ର ଜ୍ଲ ଜ୍ଳ ଜ୍ୱ ଜ୍ଶ ଜ୍ଷ ଜ୍ସ ଜ୍ହ
ଝ୍କ ଝ୍ଖ ଝ୍ଗ ଝ୍ଘ ଝ୍ଙ ଝ୍ଚ ଝ୍ଛ ଝ୍ଜ ଝ୍ଝ ଝ୍ଞ ଝ୍ଟ ଝ୍ଠ ଝ୍ଡ ଝ୍ଢ ଝ୍ଣ ଝ୍ତ ଝ୍ଥ ଝ୍ଦ ଝ୍ଧ ଝ୍ନ ଝ୍ପ ଝ୍ଫ ଝ୍ବ ଝ୍ଭ ଝ୍ମ ଝ୍ଯ ଝ୍ୟ ଝ୍ର ଝ୍ଲ ଝ୍ଳ ଝ୍ୱ ଝ୍ଶ ଝ୍ଷ ଝ୍ସ ଝ୍ହ
ଞ୍କ ଞ୍ଖ ଞ୍ଗ ଞ୍ଘ ଞ୍ଙ ଞ୍ଚ ଞ୍ଛ ଞ୍ଜ ଞ୍ଝ ଞ୍ଞ ଞ୍ଟ ଞ୍ଠ ଞ୍ଡ ଞ୍ଢ ଞ୍ଣ ଞ୍ତ ଞ୍ଥ ଞ୍ଦ ଞ୍ଧ ଞ୍ନ ଞ୍ପ ଞ୍ଫ ଞ୍ବ ଞ୍ଭ ଞ୍ମ ଞ୍ଯ ଞ୍ୟ ଞ୍ର ଞ୍ଲ ଞ୍ଳ ଞ୍ୱ ଞ୍ଶ ଞ୍ଷ ଞ୍ସ ଞ୍ହ
ଟ୍କ ଟ୍ଖ ଟ୍ଗ ଟ୍ଘ ଟ୍ଙ ଟ୍ଚ ଟ୍ଛ ଟ୍ଜ ଟ୍ଝ ଟ୍ଞ ଟ୍ଟ ଟ୍ଠ ଟ୍ଡ ଟ୍ଢ ଟ୍ଣ ଟ୍ତ ଟ୍ଥ ଟ୍ଦ ଟ୍ଧ ଟ୍ନ ଟ୍ପ ଟ୍ଫ ଟ୍ବ ଟ୍ଭ ଟ୍ମ ଟ୍ଯ ଟ୍ୟ ଟ୍ର ଟ୍ଲ ଟ୍ଳ ଟ୍ୱ ଟ୍ଶ ଟ୍ଷ ଟ୍ସ ଟ୍ହ
ଠ୍କ ଠ୍ଖ ଠ୍ଗ ଠ୍ଘ ଠ୍ଙ ଠ୍ଚ ଠ୍ଛ ଠ୍ଜ ଠ୍ଝ ଠ୍ଞ ଠ୍ଟ ଠ୍ଠ ଠ୍ଡ ଠ୍ଢ ଠ୍ଣ ଠ୍ତ ଠ୍ଥ ଠ୍ଦ ଠ୍ଧ ଠ୍ନ ଠ୍ପ ଠ୍ଫ ଠ୍ବ ଠ୍ଭ ଠ୍ମ ଠ୍ଯ ଠ୍ୟ ଠ୍ର ଠ୍ଲ ଠ୍ଳ ଠ୍ୱ ଠ୍ଶ ଠ୍ଷ ଠ୍ସ ଠ୍ହ
ଡ୍କ ଡ୍ଖ ଡ୍ଗ ଡ୍ଘ ଡ୍ଙ ଡ୍ଚ ଡ୍ଛ ଡ୍ଜ ଡ୍ଝ ଡ୍ଞ ଡ୍ଟ ଡ୍ଠ ଡ୍ଡ ଡ୍ଢ ଡ୍ଣ ଡ୍ତ ଡ୍ଥ ଡ୍ଦ ଡ୍ଧ ଡ୍ନ ଡ୍ପ ଡ୍ଫ ଡ୍ବ ଡ୍ଭ ଡ୍ମ ଡ୍ଯ ଡ୍ୟ ଡ୍ର ଡ୍ଲ ଡ୍ଳ ଡ୍ୱ ଡ୍ଶ ଡ୍ଷ ଡ୍ସ ଡ୍ହ
ଢ୍କ ଢ୍ଖ ଢ୍ଗ ଢ୍ଘ ଢ୍ଙ ଢ୍ଚ ଢ୍ଛ ଢ୍ଜ ଢ୍ଝ ଢ୍ଞ ଢ୍ଟ ଢ୍ଠ ଢ୍ଡ ଢ୍ଢ ଢ୍ଣ ଢ୍ତ ଢ୍ଥ ଢ୍ଦ ଢ୍ଧ ଢ୍ନ ଢ୍ପ ଢ୍ଫ ଢ୍ବ ଢ୍ଭ ଢ୍ମ ଢ୍ଯ ଢ୍ୟ ଢ୍ର ଢ୍ଲ ଢ୍ଳ ଢ୍ୱ ଢ୍ଶ ଢ୍ଷ ଢ୍ସ ଢ୍ହ
ଣ୍କ ଣ୍ଖ ଣ୍ଗ ଣ୍ଘ ଣ୍ଙ ଣ୍ଚ ଣ୍ଛ ଣ୍ଜ ଣ୍ଝ ଣ୍ଞ ଣ୍ଟ ଣ୍ଠ ଣ୍ଡ ଣ୍ଢ ଣ୍ଣ ଣ୍ତ ଣ୍ଥ ଣ୍ଦ ଣ୍ଧ ଣ୍ନ ଣ୍ପ ଣ୍ଫ ଣ୍ବ ଣ୍ଭ ଣ୍ମ ଣ୍ଯ ଣ୍ୟ ଣ୍ର ଣ୍ଲ ଣ୍ଳ ଣ୍ୱ ଣ୍ଶ ଣ୍ଷ ଣ୍ସ ଣ୍ହ
ତ୍କ ତ୍ଖ ତ୍ଗ ତ୍ଘ ତ୍ଙ ତ୍ଚ ତ୍ଛ ତ୍ଜ ତ୍ଝ ତ୍ଞ ତ୍ଟ ତ୍ଠ ତ୍ଡ ତ୍ଢ ତ୍ଣ ତ୍ତ ତ୍ଥ ତ୍ଦ ତ୍ଧ ତ୍ନ ତ୍ପ ତ୍ଫ ତ୍ବ ତ୍ଭ ତ୍ମ ତ୍ଯ ତ୍ୟ ତ୍ର ତ୍ଲ ତ୍ଳ ତ୍ୱ ତ୍ଶ ତ୍ଷ ତ୍ସ ତ୍ହ
ଥ୍କ ଥ୍ଖ ଥ୍ଗ ଥ୍ଘ ଥ୍ଙ ଥ୍ଚ ଥ୍ଛ ଥ୍ଜ ଥ୍ଝ ଥ୍ଞ ଥ୍ଟ ଥ୍ଠ ଥ୍ଡ ଥ୍ଢ ଥ୍ଣ ଥ୍ତ ଥ୍ଥ ଥ୍ଦ ଥ୍ଧ ଥ୍ନ ଥ୍ପ ଥ୍ଫ ଥ୍ବ ଥ୍ଭ ଥ୍ମ ଥ୍ଯ ଥ୍ୟ ଥ୍ର ଥ୍ଲ ଥ୍ଳ ଥ୍ୱ ଥ୍ଶ ଥ୍ଷ ଥ୍ସ ଥ୍ହ
ଦ୍କ ଦ୍ଖ ଦ୍ଗ ଦ୍ଘ ଦ୍ଙ ଦ୍ଚ ଦ୍ଛ ଦ୍ଜ ଦ୍ଝ ଦ୍ଞ ଦ୍ଟ ଦ୍ଠ ଦ୍ଡ ଦ୍ଢ ଦ୍ଣ ଦ୍ତ ଦ୍ଥ ଦ୍ଦ ଦ୍ଧ ଦ୍ନ ଦ୍ପ ଦ୍ଫ ଦ୍ବ ଦ୍ଭ ଦ୍ମ ଦ୍ଯ ଦ୍ୟ ଦ୍ର ଦ୍ଲ ଦ୍ଳ ଦ୍ୱ ଦ୍ଶ ଦ୍ଷ ଦ୍ସ ଦ୍ହ
ଧ୍କ ଧ୍ଖ ଧ୍ଗ ଧ୍ଘ ଧ୍ଙ ଧ୍ଚ ଧ୍ଛ ଧ୍ଜ ଧ୍ଝ ଧ୍ଞ ଧ୍ଟ ଧ୍ଠ ଧ୍ଡ ଧ୍ଢ ଧ୍ଣ ଧ୍ତ ଧ୍ଥ ଧ୍ଦ ଧ୍ଧ ଧ୍ନ ଧ୍ପ ଧ୍ଫ ଧ୍ବ ଧ୍ଭ ଧ୍ମ ଧ୍ଯ ଧ୍ୟ ଧ୍ର ଧ୍ଲ ଧ୍ଳ ଧ୍ୱ ଧ୍ଶ ଧ୍ଷ ଧ୍ସ ଧ୍ହ
ନ୍କ ନ୍ଖ ନ୍ଗ ନ୍ଘ ନ୍ଙ ନ୍ଚ ନ୍ଛ ନ୍ଜ ନ୍ଝ ନ୍ଞ ନ୍ଟ ନ୍ଠ ନ୍ଡ ନ୍ଢ ନ୍ଣ ନ୍ତ ନ୍ଥ ନ୍ଦ ନ୍ଧ ନ୍ନ ନ୍ପ ନ୍ଫ ନ୍ବ ନ୍ଭ ନ୍ମ ନ୍ଯ ନ୍ୟ ନ୍ର ନ୍ଲ ନ୍ଳ ନ୍ୱ ନ୍ଶ ନ୍ଷ ନ୍ସ ନ୍ହ
ପ୍କ ପ୍ଖ ପ୍ଗ ପ୍ଘ ପ୍ଙ ପ୍ଚ ପ୍ଛ ପ୍ଜ ପ୍ଝ ପ୍ଞ ପ୍ଟ ପ୍ଠ ପ୍ଡ ପ୍ଢ ପ୍ଣ ପ୍ତ ପ୍ଥ ପ୍ଦ ପ୍ଧ ପ୍ନ ପ୍ପ ପ୍ଫ ପ୍ବ ପ୍ଭ ପ୍ମ ପ୍ଯ ପ୍ୟ ପ୍ର ପ୍ଲ ପ୍ଳ ପ୍ୱ ପ୍ଶ ପ୍ଷ ପ୍ସ ପ୍ହ
ଫ୍କ ଫ୍ଖ ଫ୍ଗ ଫ୍ଘ ଫ୍ଙ ଫ୍ଚ ଫ୍ଛ ଫ୍ଜ ଫ୍ଝ ଫ୍ଞ ଫ୍ଟ ଫ୍ଠ ଫ୍ଡ ଫ୍ଢ ଫ୍ଣ ଫ୍ତ ଫ୍ଥ ଫ୍ଦ ଫ୍ଧ ଫ୍ନ ଫ୍ପ ଫ୍ଫ ଫ୍ବ ଫ୍ଭ ଫ୍ମ ଫ୍ଯ ଫ୍ୟ ଫ୍ର ଫ୍ଲ ଫ୍ଳ ଫ୍ୱ ଫ୍ଶ ଫ୍ଷ ଫ୍ସ ଫ୍ହ
ବ୍କ ବ୍ଖ ବ୍ଗ ବ୍ଘ ବ୍ଙ ବ୍ଚ ବ୍ଛ ବ୍ଜ ବ୍ଝ ବ୍ଞ ବ୍ଟ ବ୍ଠ ବ୍ଡ ବ୍ଢ ବ୍ଣ ବ୍ତ ବ୍ଥ ବ୍ଦ ବ୍ଧ ବ୍ନ ବ୍ପ ବ୍ଫ ବ୍ବ ବ୍ଭ ବ୍ମ ବ୍ଯ ବ୍ୟ ବ୍ର ବ୍ଲ ବ୍ଳ ବ୍ୱ ବ୍ଶ ବ୍ଷ ବ୍ସ ବ୍ହ
ଭ୍କ ଭ୍ଖ ଭ୍ଗ ଭ୍ଘ ଭ୍ଙ ଭ୍ଚ ଭ୍ଛ ଭ୍ଜ ଭ୍ଝ ଭ୍ଞ ଭ୍ଟ ଭ୍ଠ ଭ୍ଡ ଭ୍ଢ ଭ୍ଣ ଭ୍ତ ଭ୍ଥ ଭ୍ଦ ଭ୍ଧ ଭ୍ନ ଭ୍ପ ଭ୍ଫ ଭ୍ବ ଭ୍ଭ ଭ୍ମ ଭ୍ଯ ଭ୍ୟ ଭ୍ର ଭ୍ଲ ଭ୍ଳ ଭ୍ୱ ଭ୍ଶ ଭ୍ଷ ଭ୍ସ ଭ୍ହ
ମ୍କ ମ୍ଖ ମ୍ଗ ମ୍ଘ ମ୍ଙ ମ୍ଚ ମ୍ଛ ମ୍ଜ ମ୍ଝ ମ୍ଞ ମ୍ଟ ମ୍ଠ ମ୍ଡ ମ୍ଢ ମ୍ଣ ମ୍ତ ମ୍ଥ ମ୍ଦ ମ୍ଧ ମ୍ନ ମ୍ପ ମ୍ଫ ମ୍ବ ମ୍ଭ ମ୍ମ ମ୍ଯ ମ୍ୟ ମ୍ର ମ୍ଲ ମ୍ଳ ମ୍ୱ ମ୍ଶ ମ୍ଷ ମ୍ସ ମ୍ହ
ଯ୍କ ଯ୍ଖ ଯ୍ଗ ଯ୍ଘ ଯ୍ଙ ଯ୍ଚ ଯ୍ଛ ଯ୍ଜ ଯ୍ଝ ଯ୍ଞ ଯ୍ଟ ଯ୍ଠ ଯ୍ଡ ଯ୍ଢ ଯ୍ଣ ଯ୍ତ ଯ୍ଥ ଯ୍ଦ ଯ୍ଧ ଯ୍ନ ଯ୍ପ ଯ୍ଫ ଯ୍ବ ଯ୍ଭ ଯ୍ମ ଯ୍ଯ ଯ୍ୟ ଯ୍ର ଯ୍ଲ ଯ୍ଳ ଯ୍ୱ ଯ୍ଶ ଯ୍ଷ ଯ୍ସ ଯ୍ହ
ୟ୍କ ୟ୍ଖ ୟ୍ଗ ୟ୍ଘ ୟ୍ଙ ୟ୍ଚ ୟ୍ଛ ୟ୍ଜ ୟ୍ଝ ୟ୍ଞ ୟ୍ଟ ୟ୍ଠ ୟ୍ଡ ୟ୍ଢ ୟ୍ଣ ୟ୍ତ ୟ୍ଥ ୟ୍ଦ ୟ୍ଧ ୟ୍ନ ୟ୍ପ ୟ୍ଫ ୟ୍ବ ୟ୍ଭ ୟ୍ମ ୟ୍ଯ ୟ୍ୟ ୟ୍ର ୟ୍ଲ ୟ୍ଳ ୟ୍ୱ ୟ୍ଶ ୟ୍ଷ ୟ୍ସ ୟ୍ହ
ର୍କ ର୍ଖ ର୍ଗ ର୍ଘ ର୍ଙ ର୍ଚ ର୍ଛ ର୍ଜ ର୍ଝ ର୍ଞ ର୍ଟ ର୍ଠ ର୍ଡ ର୍ଢ ର୍ଣ ର୍ତ ର୍ଥ ର୍ଦ ର୍ଧ ର୍ନ ର୍ପ ର୍ଫ ର୍ବ ର୍ଭ ର୍ମ ର୍ଯ ର୍ୟ ର୍ର ର୍ଲ ର୍ଳ ର୍ୱ ର୍ଶ ର୍ଷ ର୍ସ ର୍ହ
ଲ୍କ ଲ୍ଖ ଲ୍ଗ ଲ୍ଘ ଲ୍ଙ ଲ୍ଚ ଲ୍ଛ ଲ୍ଜ ଲ୍ଝ ଲ୍ଞ ଲ୍ଟ ଲ୍ଠ ଲ୍ଡ ଲ୍ଢ ଲ୍ଣ ଲ୍ତ ଲ୍ଥ ଲ୍ଦ ଲ୍ଧ ଲ୍ନ ଲ୍ପ ଲ୍ଫ ଲ୍ବ ଲ୍ଭ ଲ୍ମ ଲ୍ଯ ଲ୍ୟ ଲ୍ର ଲ୍ଲ ଲ୍ଳ ଲ୍ୱ ଲ୍ଶ ଲ୍ଷ ଲ୍ସ ଲ୍ହ
ଳ୍କ ଳ୍ଖ ଳ୍ଗ ଳ୍ଘ ଳ୍ଙ ଳ୍ଚ ଳ୍ଛ ଳ୍ଜ ଳ୍ଝ ଳ୍ଞ ଳ୍ଟ ଳ୍ଠ ଳ୍ଡ ଳ୍ଢ ଳ୍ଣ ଳ୍ତ ଳ୍ଥ ଳ୍ଦ ଳ୍ଧ ଳ୍ନ ଳ୍ପ ଳ୍ଫ ଳ୍ବ ଳ୍ଭ ଳ୍ମ ଳ୍ଯ ଳ୍ୟ ଳ୍ର ଳ୍ଲ ଳ୍ଳ ଳ୍ୱ ଳ୍ଶ ଳ୍ଷ ଳ୍ସ ଳ୍ହ
ୱ୍କ ୱ୍ଖ ୱ୍ଗ ୱ୍ଘ ୱ୍ଙ ୱ୍ଚ ୱ୍ଛ ୱ୍ଜ ୱ୍ଝ ୱ୍ଞ ୱ୍ଟ ୱ୍ଠ ୱ୍ଡ ୱ୍ଢ ୱ୍ଣ ୱ୍ତ ୱ୍ଥ ୱ୍ଦ ୱ୍ଧ ୱ୍ନ ୱ୍ପ ୱ୍ଫ ୱ୍ବ ୱ୍ଭ ୱ୍ମ ୱ୍ଯ ୱ୍ୟ ୱ୍ର ୱ୍ଲ ୱ୍ଳ ୱ୍ୱ ୱ୍ଶ ୱ୍ଷ ୱ୍ସ ୱ୍ହ
ଶ୍କ ଶ୍ଖ ଶ୍ଗ ଶ୍ଘ ଶ୍ଙ ଶ୍ଚ ଶ୍ଛ ଶ୍ଜ ଶ୍ଝ ଶ୍ଞ ଶ୍ଟ ଶ୍ଠ ଶ୍ଡ ଶ୍ଢ ଶ୍ଣ ଶ୍ତ ଶ୍ଥ ଶ୍ଦ ଶ୍ଧ ଶ୍ନ ଶ୍ପ ଶ୍ଫ ଶ୍ବ ଶ୍ଭ ଶ୍ମ ଶ୍ଯ ଶ୍ୟ ଶ୍ର ଶ୍ଲ ଶ୍ଳ ଶ୍ୱ ଶ୍ଶ ଶ୍ଷ ଶ୍ସ ଶ୍ହ
ଷ୍କ ଷ୍ଖ ଷ୍ଗ ଷ୍ଘ ଷ୍ଙ ଷ୍ଚ ଷ୍ଛ ଷ୍ଜ ଷ୍ଝ ଷ୍ଞ ଷ୍ଟ ଷ୍ଠ ଷ୍ଡ ଷ୍ଢ ଷ୍ଣ ଷ୍ତ ଷ୍ଥ ଷ୍ଦ ଷ୍ଧ ଷ୍ନ ଷ୍ପ ଷ୍ଫ ଷ୍ବ ଷ୍ଭ ଷ୍ମ ଷ୍ଯ ଷ୍ୟ ଷ୍ର ଷ୍ଲ ଷ୍ଳ ଷ୍ୱ ଷ୍ଶ ଷ୍ଷ ଷ୍ସ ଷ୍ହ
ସ୍କ ସ୍ଖ ସ୍ଗ ସ୍ଘ ସ୍ଙ ସ୍ଚ ସ୍ଛ ସ୍ଜ ସ୍ଝ ସ୍ଞ ସ୍ଟ ସ୍ଠ ସ୍ଡ ସ୍ଢ ସ୍ଣ ସ୍ତ ସ୍ଥ ସ୍ଦ ସ୍ଧ ସ୍ନ ସ୍ପ ସ୍ଫ ସ୍ବ ସ୍ଭ ସ୍ମ ସ୍ଯ ସ୍ୟ ସ୍ର ସ୍ଲ ସ୍ଳ ସ୍ୱ ସ୍ଶ ସ୍ଷ ସ୍ସ ସ୍ହ
ହ୍କ ହ୍ଖ ହ୍ଗ ହ୍ଘ ହ୍ଙ ହ୍ଚ ହ୍ଛ ହ୍ଜ ହ୍ଝ ହ୍ଞ ହ୍ଟ ହ୍ଠ ହ୍ଡ ହ୍ଢ ହ୍ଣ ହ୍ତ ହ୍ଥ ହ୍ଦ ହ୍ଧ ହ୍ନ ହ୍ପ ହ୍ଫ ହ୍ବ ହ୍ଭ ହ୍ମ ହ୍ଯ ହ୍ୟ ହ୍ର ହ୍ଲ ହ୍ଳ ହ୍ୱ ହ୍ଶ ହ୍ଷ ହ୍ସ ହ୍ହ

Ambiguities

The subjoined form of ଛ cha is also used for subjoined ଥ tha:

  • for ଛ cha: ଚ୍ଛ ccha, ଞ୍ଛ ñcha, ଶ୍ଛ ścha
  • for ଥ tha: ନ୍ଥ ntha, ସ୍ଥ stha

The sign for the nasal ଂ looks similar to the right side of the glyph used for ଫ pha and ଙ ṅa:

  • pha (versus ପଂ paṃ)
  • ṅa (versus ଡଂ ḍaṃ or ଉଂ uṃ)
  • ମ୍ଫ mpha (versus ମ୍ପଂ mpaṃ)

Karani script or Odia cursive/calligraphic style

 
Karani script sample from Purnachandra Odia Bhashakosha

Karani script (କରଣୀ ଅକ୍ଷର) (also Chata script ଛଟା ଅକ୍ଷର) was a cursive/calligraphic style variant of the Odia script[16] developed by the Karana (କରଣ) community, the scribes (professional writer-class) of the Odia royal courts. It was used in the pre-Independence Orissa (Odisha) region in South Asia and was primarily used by the Karana community who were working for administrative purposes, documentation and keeping records in the royal courts of the Odia princely states (Orissa Tributary States). The name Karani is derived from the metal stylus, Karani that was used for writing on palm leaf.[3][17]

Numerals

 
Development of ancient numerals in Odia
Digits ସଂଖ୍ୟା
Hindu-Arabic numerals 0 1 2 3 4 5 6 7 8 9
Odia numerals
Names ଶୂନ ଏକ ଦୁଇ ତିନି ଚାରି ପାଞ୍ଚ ଛଅ ସାତ ଆଠ ନଅ
IPA [sunɔ]/[sunjɔ] [ek] [dui] [tini] [tʃaɾi] [pantʃ] [tʃʰɔː] [satɔ] [aʈʰɔ] [nɔː]
Fraction symbols ଭଗ୍ନାଂଶ ଚିହ୍ନ
Fraction symbols
Fractions ¹⁄₁₆ ³⁄₁₆ ¼ ½ ¾

Fraction symbols are obsolete post decimalisation on 1 April 1957.

Comparison of Odia script with ancestral and related scripts

Odia letters are mostly round shaped whereas Devanagari and Bengali have horizontal lines. So in most cases the reader of Odia will find the related distinctive parts of the letter only below the curved hoop.

Vowels

a ā i ī u ū e ai o au
Odia
Bengali
Siddham                            
Devanagari

Consonants

k kh g gh c ch j jh ñ ṭh ḍh t th d dh n p ph b bh m ẏ,y r l,ḷ w ś s h
Odia ଯ,ୟ ଲ,ଳ
Bengali য,য় -
Siddham                                                                  
Devanagari ल,ळ

Vowel diacritics

ka ki ku kṛ kṝ kḷ kḹ ke kai ko kau
Odia କା କି କୀ କୁ କୂ କୃ କୄ କୢ କୣ କେ କୈ କୋ କୌ
Bengali কা কি কী কু কূ কৃ কৄ কৢ কৣ কে কৈ কো কৌ
Devanagari का कि की कु कू कृ कॄ कॢ कॣ के कै को कौ

The vowel diacritics observed in Odia is similar to that of Bengali-Assamese as inherited from the Siddham pristhmatra style, differing from the diacritic symbols inherited by the scripts related to Devanagari line.

Sample text

Universal Declaration of Human Rights

The following is a sample text in Odia of Article 1 of the Universal Declaration of Human Rights (ମାନବିକ ଅଧିକାରର ସାର୍ବଜନୀନ ଘୋଷଣା):

Odia in the Odia script

ଅନୁଚ୍ଛେଦ ୧: ସମସ୍ତ ମନୁଷ୍ୟ ଜନ୍ମକାଳରୁ ସ୍ୱାଧୀନ ଏବଂ ମର୍ଯ୍ୟାଦା ଓ ଅଧିକାରରେ ସମାନ । ସେମାନଙ୍କଠାରେ ବୁଦ୍ଧି ଆଉ ବିବେକ ନିହିତ ଅଛି ଏବଂ ସେମାନଙ୍କୁ ପରସ୍ପର ପ୍ରତି ଭ୍ରାତୃତ୍ୱ ମନୋଭାବରେ ବ୍ୟବହାର କରିବା ଉଚିତ୍ ।

Odia in ISO 15919

Anucchēda 1: Samasta manuṣya janmakāḷaru swādhīna ēbaṁ maryẏādā o adhikārarē samāna. Sēmānaṅkaṭhārē buddhi o bibēka nihita achi ēbaṁ sēmānaṅku paraspara prati bhrātr̥twa manōbhābarē bẏabahāra karibā ucit.

Odia in the IPA

ɔnut͡ːʃʰed̪ɔ ekɔ: sɔmɔst̪ɔ mɔnuʂjɔ d͡ʒɔnmɔkaɭɔɾu swad̪ʱinɔ ebɔŋ mɔɾd͡ʒjaːd̪a o ɔd̪ʱikaɾɔɾe sɔmanɔ. seman̪ɔŋkɔʈʰaɾe bud̪ːʱi o bibekɔ n̪iɦit̪ɔ ɔt͡ʃʰi ebɔŋ semanɔŋku pɔɾɔspɔɾɔ pɾɔt̪i bʱɾat̪ɾut̪wɔ mɔnobʱabɔɾe bjɔbɔɦaɾɔ kɔɾiba ut͡ʃit̪

Gloss

Article 1: All human beings from birth are free and dignity and rights are equal. Their reason and intelligence endowed with and they towards one another in a brotherhood spirit behaviour to do should.

Translation

Article 1: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.

Gayatri Mantra

The following is a sample text in Sanskrit of Gayatri Mantra in Odia Script.

ଓଁ ଭୂର୍ଭୁବଃ ସ୍ଵଃ ତତ୍ସବିତୁର୍ବରେଣ୍ୟଂ ଭର୍ଗୋ ଦେବସ୍ୟ ଧୀମହି ଧିୟୋ ୟୋ ନଃ ପ୍ରଚୋଦୟାତ୍।

Unicode

Odia script was added to the Unicode Standard in October 1991 with the release of version 1.0.

The Unicode block for Odia is U+0B00–U+0B7F:

Oriya[1][2]
Official Unicode Consortium code chart (PDF)
  0 1 2 3 4 5 6 7 8 9 A B C D E F
U+0B0x
U+0B1x
U+0B2x
U+0B3x ି
U+0B4x
U+0B5x
U+0B6x
U+0B7x
Notes
1.^ As of Unicode version 15.0
2.^ Grey areas indicate non-assigned code points

Gallery

Notes

  1. ^ ଓଁ (U+0B13 & U+0B01)
  2. ^ ଓ‍ଁ (U+0B13 & U+200D & U+0B01)

See also

References

  1. ^ Salomon, Richard (1998). Indian Epigraphy. Oxford University Press. p. 41. ISBN 978-0-19-535666-3.
  2. ^ a b c McBride, Catherine; Joshi, R. Malatesha (2019). Handbook of Literacy in Akshara Orthography. Springer. p. 27. ISBN 9783030059774.
  3. ^ a b c d Rath, Saraju (2012). "The Oriya Script: Origin, Development and Sources". {{cite journal}}: Cite journal requires |journal= (help)
  4. ^ a b Cardona, George; Jain, Dhanesh (2003). The Indo-Aryan Languages. Routledge language family series. London: Routledge. p. 487. ISBN 0-7007-1130-9.
  5. ^ a b Salomon, Richard (1998). Indian Epigraphy. p. 101.
  6. ^ Masica, Colin (1993). The Indo-Aryan languages. Cambridge University Press. p. 143. ISBN 9780521299442.
  7. ^ Linguistic Society of India (2014). Indian Linguistics (in Estonian). Linguistic Society of India. p. 96. Retrieved 27 March 2020.
  8. ^ Tripāṭhī, Kunjabihari (1962). The Evolution of Oriya Language and Script. Utkal University. Retrieved 27 March 2020.
  9. ^ "Odia alphabet, pronunciation and language". Omniglot.com. Retrieved 14 June 2012.
  10. ^ "LSI Vol-6". dsal. p. 33.
  11. ^ a b c d "Chabila Madhu Barnobodha".
  12. ^ "Purnachandra Odia Bhasakosha". The Utkal Sahitya Press, Cuttack. p. 725.
  13. ^ "Praharaj, Purnachandra Odia Bhasakosha". dsal.
  14. ^ "Purnachandra Odia Bhasakosha". Srujanika.
  15. ^ Oriya(Odia) (PDF), Unicode
  16. ^ Chitararijan Behera (2012). "ପ୍ରାଚୀନ ସାହିତ୍ୟଗ୍ରନ୍ଥ ସଂପାଦନା-୧" (PDF). Shodhganga. Utkal University. Retrieved 25 December 2020.
  17. ^ "CHAPTER - IV: DEVELOPMENT OF ORIYA SCRIPT, LANGUAGE AND LITERATURE" (PDF). Shodhganga. 27 September 2016. Retrieved 30 September 2020.

External links

  • The Unicode Standard: Chapter 9 – South and Southeast Asian Scripts (PDF)
  • Odia alphabet – From Omniglot

odia, script, odia, ଓଡ, ଅକ, ଷର, romanized, odiā, akṣara, brahmic, script, used, write, primarily, odia, language, others, including, sanskrit, other, regional, languages, script, developed, over, more, than, 1000, years, from, variant, siddhaṃ, script, which, . The Odia script Odia ଓଡ ଆ ଅକ ଷର romanized Odia akṣara is a Brahmic script used to write primarily Odia language and others including Sanskrit and other regional languages The script has developed over more than 1000 years from a variant of Siddhaṃ script which was used in Eastern India where the characteristic top line transformed into a distinct round umbrella shape due to the influence of palm leaf manuscripts and also being influenced by the neighbouring scripts from the Western and Southern regions Odia scriptଓଡ ଆ ଅକ ଷର Odia akṣara Odia akṣara written in Odia scriptScript typeAbugidaTime periodc 14th century present 1 Directionleft to right LanguagesOdia Sanskrit Kui Sora Kuvi Santali Chhattisgarhi Halbi SambalpuriRelated scriptsParent systemsProto Sinaitic script a Phoenician alphabet a Aramaic alphabet a Brahmi scriptGupta scriptSiddhaṃ script 2 3 Gaudi script 4 5 Odia scriptSister systemsBengali Assamese Tirhuta Nagari Nepalese 2 5 6 ISO 15924ISO 15924Orya 327 Oriya Odia UnicodeUnicode aliasOriyaUnicode rangeU 0B00 U 0B7F a The Semitic origin of the Brahmic scripts is not universally agreed upon This article contains phonetic transcriptions in the International Phonetic Alphabet IPA For an introductory guide on IPA symbols see Help IPA For the distinction between and see IPA Brackets and transcription delimiters Part of a series onOfficially used writing systems in IndiaCategoryIndic scriptsBengali Assamese script Devanagari script Gujarati script Gurmukhi script Kannada script Malayalam script Meitei script Odia script Tamil script Telugu scriptArabic derived scriptsPerso Arabic script Urdu scriptAlphabetical scriptsOl Chiki Latin scriptRelatedOfficial script Writing systems of India Languages of India Asia portal India portal Language portal Writing portalThis article contains Odia text Without proper rendering support you may see question marks boxes or other symbols instead of Odia script Odia is a syllabic alphabet or an abugida wherein all consonants have an inherent vowel embedded within Diacritics which can appear above below before or after the consonant they belong to are used to change the form of the inherent vowel When vowels appear at the beginning of a syllable they are written as independent letters Also when certain consonants occur together special conjunct symbols combine the essential parts of each consonant symbol An important feature of the Odia language seen in the script is the retention of inherent vowel in consonants also known as schwa at both medial and final positions This absence of schwa deletion which is also seen in Sanskrit marks it from the rest of modern Indo Aryan languages and their equivalent usage in related Brahmic scripts The absence of the inherent vowel in the consonant is marked by a virama or halanta sign below the consonant Contents 1 History 2 Alphabet 2 1 Independent vowels 2 2 Consonants 2 3 Structured consonants 2 4 Unstructured consonants 2 4 1 Notes 3 Vowel diacritics 4 Signs and punctuation 5 Consonant ligatures 5 1 Ambiguities 6 Karani script or Odia cursive calligraphic style 7 Numerals 8 Comparison of Odia script with ancestral and related scripts 8 1 Vowels 8 2 Consonants 8 3 Vowel diacritics 9 Sample text 9 1 Universal Declaration of Human Rights 9 2 Gayatri Mantra 10 Unicode 11 Gallery 12 Notes 13 See also 14 References 15 External linksHistory EditIn Eastern India a derivative of Siddhaṃ script yielded a group of scripts that eventually became Bengali Assamese scripts Tirhuta script and the Odia script with the latter turning the hook into a characteristic umbrella 2 The earliest known example of Odia language in the Kalinga script dates from 1051 7 8 Sample of the Odia alphabet from a Buddhist text from around 1060 AD written by Sarahapada Temple inscription showing 13th century Siddhaṃ script variant ancestor of modern Odia script at Ananta Vasudeva Temple 15th century copper plate grant of Gajapati emperor Purushottama Deva showing the distinct formation of the shape of the modern Odia script The curved appearance of the Odia script is a result of the practice of writing on palm leaves which have a tendency to tear with the use of too many straight lines 9 As with all the Brahmic scripts in the region the Odia script developed through four stages which can be seen from the stone inscriptions copper plates and the manuscripts The periods of development are in the following order Proto Odia ca 7th 9th CE Medieval Odia ca 10th 12th CE Transitional Odia ca 12th 14th CE Modern current Odia ca 14th 16th CEThe archaic and medieval forms of Odia are more influenced by the calligraphy of the scripts of neighbouring regions such as In Northern Odisha where the letters are written in Odia mixed in with Siddham derived Gaudi style that is the right vertical part of the letter is slightly bent inwards In southern Odisha where it is mixed with Telugu Kannada round cursive form In Western Odisha Where it is mixed with Nagari and Siddham squarish shape in upper part With regards to the epigraphical sources the antiquities which display the various historical forms of writing in Odia script include rock edicts temple inscriptions stone slabs pillar inscriptions sculptures copper plates coins and palm leaf manuscripts illustrated manuscripts ivory plates and allied materials Numerous instances of the items depicting all the respective stages of the development of the Odia script during the illustrious dynasties of Eastern Ganga Somavanshi Bhanja Bhauma kara Sailodbhava dynasties Some of them belonging to different centuries are as follows One of the earliest specimens of the Odia script is that of the Urjam inscription dating from the 11th CE 1051 CE The language used in the inscriptions is a dialect spoken on the border regions of Odisha and Madhya Pradesh The same applies to a bilingual and biscriptual stone inscription Odia and Tamil from the reign of Narasimhadeva 13th CE found at Bhubaneswar Odia language in old Odia script is seen on the right side while Tamil in Grantha on the left side The Gumsur copper plate grant of Netribhanjadeva 11th CE depicts the medieval phase of this script in square and round variety The stone inscription of the Pottesvara temple Ganjam district 137 CE is a notable example of Odia script influenced by Telugu Kannada variety The Antirigam plate of Yashabhanjadeva 12th CE depicts Odia calligraphy influenced by northern Nagari The differences in letters script seems to indicate of the script being in a transitional phase Khilor inscription of Anantavarman 12th CE shows the Gaudi or Proto Oriya script 4 round shape on the upper part almost developed like the modern ones The early epigraphical records of the Puri inscriptions of Anangabhima III 1211 1238 CE which is considered to be as one of the earliest Odia inscriptions showing the Gaudi characters not only shows the stage of the proto early and medieval phase if the evolution of the Odia script but also the numericals in early proto Oriya type while others to be that of the Telugu Kannada type The earlier inscription of Chodagangadeva 1114 1115 CE shows the Late Siddhaṃ variety where the pristhamatra style of vowel diacritics is quite prominent In the records of Kenduapatna copper plates in Sanskrit of the Eastern Ganga King Narasimhadeva II 1278 1305 CE a transitional variety is seen depicting the development of Odia from Gaudi showing squarish with round headlines in a ductus that is quite commonly seen on copper plates and stone inscriptions The copper plate land grant record of the Gajapati King Purushottamadeva 15th CE inscribed on a copper axe head shows the distinct early version of the modern Odia script which are also seen on the palm leaves manuscripts belonging to the 15th CE With regards to the manuscript sources the full fledged script of Odia acquires its classical umbrella hook shape through the development modification as well as simplification between the 14th and 15th CE when the palm leaf manuscript culture becomes dominant in this region Since the palm leaves are perishable in nature no manuscripts are currently available pre 15th CE Hence recent works are also important as they show the rare and ancient text as well as artistic illustrations One of the earliest dated palm leaf manuscripts is that of Abhinava Gita Govinda kept in Odisha State Museum The date of completion of the manuscript is estimated to be that of 1494 CE Among other manuscripts present at the museum includes historical works like manuscripts of Jayadeva s Gita Govinda 16th CE to the relatively recent works of 18th 19th and 20th century 3 Overwhelmingly the Odia script was used to write the Odia language However it has been used as a regional writing system for Sanskrit Furthermore Grierson 10 in his famed Linguistic Survey of India mentioned that the Odia script is sometimes used for Chhattisgarhi an Eastern Hindi language in the eastern border regions of Chhattisgarh However it appears to have been replaced with the Devanagari script Alphabet Edit Development of Odia scripts Odia alphabet source source source source source source source source source source track track The names of the letters and numericals in spoken Standard Modern Odia Problems playing this file See media help Odia is a alphasyllabic alphabet or an abugida wherein all consonants have an inherent vowel embedded within Diacritics which can appear above below before or after the consonant they belong to are used to change the form of the inherent vowel When vowels appear at the beginning of a syllable they are written as independent letters Also when certain consonants occur together special conjunct symbols are used to combine the essential parts of each consonant symbol The list of vowels and consonants both structured and unstructured are as follows 3 11 Independent vowels Edit The following are the list of Odia vowels Odia vowels ସ ୱର ବର ଣ ଣ swara barṇṇa ହ ରସ ୱ Hraswa Short vowel ଦ ର ଘ Dirgha Long vowel ସ ୱର Vowel Phoneme କ ର ମ ତ ର Diacritic with କ k ସ ୱର Vowel Phoneme କ ର ମ ତ ର Diacritic with କ k କଣ ଠ ୟ Guttural ଅ a ɔ କ ଆ a a କ ତ ଲବ ୟ Palatal ଇ i i କ ଈ i i କ ଓଷ ଠ ୟ Labial ଉ u u କ ଊ u u କ ମ ର ଦ ଧନ ୟ Retroflex ଋ r ru କ ୠ r ru କ ଦନ ତ ୟ Retroflex ଌ l lu କ ୡ l lu କ Other Vowelsକଣ ଠ ୟତ ଲବ ୟ Palatoguttural ଏ e e କ ଐ ai ɔi କ କଣ ଠ ଷ ଠ ୟ Labioguttural ଓ o o କ ଔ au ɔu କ There is no significant difference in the pronunciation of both short and long vowels ଇ ଈ amp ଉ ଊ Also the vowels ୠ ଌ ୡ and their diacritics are only required while writing Sanskrit in Odia script and not used significantly in modern Odia hence they are not always mentioned in the Odia alphabet Other forms of vowel diacritics Vowel Letter Diacritic formsFor the vowel ଇ i there exists another diacritic form for these consonants ଖ kha ଥ tha ଧ dha This diacritic is a remnant from the Odia cursive style variant Karani script କରଣ ଅକ ଷର Not to be confused with ତ କ ତ ନ ତ ପ ତ ମ ତ ସ where this underside hook represents the ତ t ligature preceding the consonants କ ନ ପ ମ ସ ଖ khi ଥ thi ଧ dhi Consonants Edit A detailed chart depicting evolution of the Odia script as displayed in a museum at Ratnagiri Odisha Two categories of consonant letters ବ ୟଞ ଜନ byan jana are defined in Odia the structured consonants ବର ଗ ୟ ବ ୟଞ ଜନ bargya byan jana and the unstructured consonants ଅବର ଗ ୟ ବ ୟଞ ଜନ abargya byan jana The first standardised Odia alphabet book was compiled by Madhusudan Rao named Barnabodha in 1895 As seen from the alphabet list the phonemes Ba Va and Wa were represented by the same letter ବ with the sound Va amp Wa being represented by the name abargya ba ଅବର ଗ ୟ ବ This can be seen in Barnabodha in 1896 This was because the phonemes Ba and Va merged in the Eastern Indo Aryan languages and was represented by the same letter in case of Odia ବ While the phoneme Wa existed through the consonant ligature symbol which it shared with Ba ୱ ସ ୱ ଧ ନ swadhina Gopala Chandra Praharaj who compiled and published the first comprehensive Odia dictionary Purnachandra Odia Bhashakosha 1931 40 introduced a new letter ୱ to the script inventory to represent the phonetic sound of Wa in order to distinguish it from the same symbol which it earlier shared with Ba While an alternate letter for Wa was represented by ଵ but has not gained full acceptance and instead Praharaj s letter has remained the widely used and recognised letter 12 13 14 Structured consonants Edit The structured consonants ବର ଗ ୟ ବ ୟଞ ଜନ are classified according to where the tongue touches the palate of the mouth and are classified accordingly into five structured groups These consonants are shown here with their ISO transliteration Odia structured consonants ବର ଗ ୟ ବ ୟଞ ଜନ ବର ଣ ଣ bargya byanjana barṇṇa Phonetics Plosiveସ ପର ଶ sparsa Nasalଅନ ନ ସ କ anunasikaVoicing Voicelessଅଘ ଷ aghoṣa Voicedଘ ଷ ghoṣaAspiration Unaspiratedଅଳ ପପ ର ଣ aḻpapraṇa Aspiratedମହ ପ ର ଣ mahapraṇa Unaspiratedଅଳ ପପ ର ଣ aḻpapraṇa Aspiratedମହ ପ ର ଣ mahapraṇa Unaspiratedଅଳ ପପ ର ଣ aḻpapraṇaକଣ ଠ ୟ Velar କ ka kɔ ଖ kha kʰɔ ଗ ga ɡɔ ଘ gha ɡʱɔ ଙ ṅa ŋɔ ତ ଲବ ୟ Palatal ଚ ca tʃɔ ଛ cha tʃʰɔ ଜ ja dʒɔ ଝ jha dʒʱɔ ଞ na ɲɔ ମ ର ଦ ଧନ ୟ Retroflex ଟ ṭa ʈɔ ଠ ṭha ʈʰɔ ଡ ḍa ɖɔ ଢ ḍha ɖʱɔ ଣ ṇa ɳɔ ଦନ ତ ୟ Dental ତ ta tɔ ଥ tha tʰɔ ଦ da dɔ ଧ dha dʱɔ ନ na nɔ ଓଷ ଠ ୟ Labial ପ pa pɔ ଫ pha pʰɔ ବ ba bɔ ଭ bha bʱɔ ମ ma mɔ Unstructured consonants Edit The unstructured consonants ଅବର ଗ ୟ ବ ୟଞ ଜନ are consonants that do not fall into any of the above structures Odia unstructured consonants ଅବର ଗ ୟ ବ ୟଞ ଜନ ବର ଣ ଣ abargya byanjana barṇṇa Characteristics Consonants PhoneticsVoiced unaspirated Palatalused as Voiced postalveolar affricateApproximant ଅନ ତ ସ ଥ antaḥstha ଯ ẏa dʒɔ antaḥstha jaVoiced unaspirated PalatalApproximant ଅନ ତ ସ ଥ antaḥstha ୟ ya jɔ yaVoiced unaspirated RetroflexApproximant ଅନ ତ ସ ଥ antaḥstha ର ra ɾɔ raVoiced retroflex lateral approximant ଳ ḷa ɭɔ ḷaVoiced unaspirated DentalApproximant ଅନ ତ ସ ଥ antaḥstha ଲ la lɔ laVoiced unaspirated LabialApproximant ଅନ ତ ସ ଥ antaḥstha ୱ wa wɔ wa also ଅବର ଗ ୟ ବ abargya ba nc 1 Voiced unaspirated Palatal SibilantFricative ଊଷ ମ uṣma ଶ sa sɔ talabya sa ତ ଲବ ୟ Voiced unaspirated Retroflex SibilantFricative ଊଷ ମ uṣma ଷ ṣa sɔ murddhanya sa ମ ର ଦ ଧନ ୟ Voiced unaspirated Dental SibilantFricative ଊଷ ମ uṣma ସ sa sɔ dantya sa ଦନ ତ ୟ Voiced aspirated GutturalFricative ଊଷ ମ uṣma ହ ha ɦɔ haVoiced retroflex flap ଡ ṛa ɽɔ ḍaVoiced retroflex flap ଢ ṛha ɽʰɔ ḍhaConjunct of କ amp ଷ କ ଷ kṣa kha khyaAlthough the sibilants ଶ ଷ ସ have their independent orthography in modern spoken Odia all three of them are pronounced the same as ସ sa ଵ This letter is used sporadically for the phonetic Va Wa as an alternative for the officially recognised letter ୱ but has not gained widespread acceptance Notes Edit Introduced by G C Praharaj while working on the first comprehensive Odia dictionary Purnachandra Odia Bhasakosha 1931 40 Vowel diacritics EditThe following table shows the list of vowel diacritics on consonants Vowel diacritics on Consonants ଅ a ଆ a ଇ i ଈ i ଉ u ଊ u ଋ r ୠ r ଌ l ୡ l ଏ e ଐ ai ଓ o ଔ auକ k କ କ କ କ କ କ କ କ କ କ କ କ କ କ ଖ kh ଖ ଖ ଖ ଖ ଖ ଖ ଖ ଖ ଖ ଖ ଖ ଖ ଖ ଖ ଗ g ଗ ଗ ଗ ଗ ଗ ଗ ଗ ଗ ଗ ଗ ଗ ଗ ଗ ଗ ଘ gh ଘ ଘ ଘ ଘ ଘ ଘ ଘ ଘ ଘ ଘ ଘ ଘ ଘ ଘ ଙ ṅ ଙ ଙ ଙ ଙ ଙ ଙ ଙ ଙ ଙ ଙ ଙ ଙ ଙ ଙ ଚ c ଚ ଚ ଚ ଚ ଚ ଚ ଚ ଚ ଚ ଚ ଚ ଚ ଚ ଚ ଛ ch ଛ ଛ ଛ ଛ ଛ ଛ ଛ ଛ ଛ ଛ ଛ ଛ ଛ ଛ ଜ j ଜ ଜ ଜ ଜ ଜ ଜ ଜ ଜ ଜ ଜ ଜ ଜ ଜ ଜ ଝ jh ଝ ଝ ଝ ଝ ଝ ଝ ଝ ଝ ଝ ଝ ଝ ଝ ଝ ଝ ଞ n ଞ ଞ ଞ ଞ ଞ ଞ ଞ ଞ ଞ ଞ ଞ ଞ ଞ ଞ ଟ ṭ ଟ ଟ ଟ ଟ ଟ ଟ ଟ ଟ ଟ ଟ ଟ ଟ ଟ ଟ ଠ ṭh ଠ ଠ ଠ ଠ ଠ ଠ ଠ ଠ ଠ ଠ ଠ ଠ ଠ ଠ ଡ ḍ ଡ ଡ ଡ ଡ ଡ ଡ ଡ ଡ ଡ ଡ ଡ ଡ ଡ ଡ ଢ ḍh ଢ ଢ ଢ ଢ ଢ ଢ ଢ ଢ ଢ ଢ ଢ ଢ ଢ ଢ ଣ ṇ ଣ ଣ ଣ ଣ ଣ ଣ ଣ ଣ ଣ ଣ ଣ ଣ ଣ ଣ ତ t ତ ତ ତ ତ ତ ତ ତ ତ ତ ତ ତ ତ ତ ତ ଥ th ଥ ଥ ଥ ଥ ଥ ଥ ଥ ଥ ଥ ଥ ଥ ଥ ଥ ଥ ଦ d ଦ ଦ ଦ ଦ ଦ ଦ ଦ ଦ ଦ ଦ ଦ ଦ ଦ ଦ ଧ dh ଧ ଧ ଧ ଧ ଧ ଧ ଧ ଧ ଧ ଧ ଧ ଧ ଧ ଧ ନ n ନ ନ ନ ନ ନ ନ ନ ନ ନ ନ ନ ନ ନ ନ ପ p ପ ପ ପ ପ ପ ପ ପ ପ ପ ପ ପ ପ ପ ପ ଫ ph ଫ ଫ ଫ ଫ ଫ ଫ ଫ ଫ ଫ ଫ ଫ ଫ ଫ ଫ ବ b ବ ବ ବ ବ ବ ବ ବ ବ ବ ବ ବ ବ ବ ବ ଭ bh ଭ ଭ ଭ ଭ ଭ ଭ ଭ ଭ ଭ ଭ ଭ ଭ ଭ ଭ ମ m ମ ମ ମ ମ ମ ମ ମ ମ ମ ମ ମ ମ ମ ମ ଯ ẏ j ଯ ଯ ଯ ଯ ଯ ଯ ଯ ଯ ଯ ଯ ଯ ଯ ଯ ଯ ୟ y ୟ ୟ ୟ ୟ ୟ ୟ ୟ ୟ ୟ ୟ ୟ ୟ ୟ ୟ ର r ର ର ର ର ର ର ର ର ର ର ର ର ର ର ଳ ḷ ଳ ଳ ଳ ଳ ଳ ଳ ଳ ଳ ଳ ଳ ଳ ଳ ଳ ଳ ଲ l ଲ ଲ ଲ ଲ ଲ ଲ ଲ ଲ ଲ ଲ ଲ ଲ ଲ ଲ ୱ w ୱ ୱ ୱ ୱ ୱ ୱ ୱ ୱ ୱ ୱ ୱ ୱ ୱ ୱ ଶ s ଶ ଶ ଶ ଶ ଶ ଶ ଶ ଶ ଶ ଶ ଶ ଶ ଶ ଶ ଷ ṣ ଷ ଷ ଷ ଷ ଷ ଷ ଷ ଷ ଷ ଷ ଷ ଷ ଷ ଷ ସ s ସ ସ ସ ସ ସ ସ ସ ସ ସ ସ ସ ସ ସ ସ ହ h ହ ହ ହ ହ ହ ହ ହ ହ ହ ହ ହ ହ ହ ହ Signs and punctuation Edit Om symbol a Om symbol joint variant b List of diacritic signs and punctuation marks present in languages with Brahmi derived scripts 11 15 Signs and punctuation Symbol Name Function RomanizationIPA ଅନ ସ ୱ ର Anusvara Nasal Diacritic E g ଅ aṃ କ kaṃ ହ ସ haṃsaAlso occurs as Final velar nasal ŋ E g ଏବ ebaṅ ebɔŋ ṃ ɔ ṅ ŋ ବ ସର ଗ Visarga Represents post vocalic voiceless glottal fricative h Doubles the next consonant sound without the vowel h sound at end E g ଅ aḥ କ kaḥ ଦ ଖ duḥkha ḥ hɔ ଚନ ଦ ରବ ନ ଦ Chandrabindu Nasal Diacritic E g ଅ a କ ka ନ ଆ nia a ɔ ହଳନ ତ Halanta Suppresses the inherent vowel a ɔ E g କ k ହଠ ତ haṭhat ବ ନ ଦ bindu Nukta Dot used below the letter to extend to new alphabets ପ ର ଣ ଣଛ ଦ Purnachheda Full stop Double Purnachheda End of Full Stanza ଽ ଅବଗ ରହ Avagraha Symbol used to indicate prodelision of ଅ a vowel in sandhi and also for prolonging vowel soundsE g ଦ ୱ ତ ୟ ଽଧ ୟ ୟ dwitiyo dhyayaḥ ଓ ॐ Om Om sign ଈଶ ୱର Iswara Symbol written before the name of a deceased person late Consonant ligatures Edit Consonant ligatures Clusters of two or more consonants form a ligature Basically Odia has two types of such consonant ligatures The northern type is formed by fusion of two or more consonants as in northern scripts like Devanagari but to a lesser extent also in the Malayalam script in the south In some instances the components can be easily identified but sometimes completely new glyphs are formed With the southern type the second component is reduced in size and put under the first as in the southern scripts used for Kannaḍa and Telugu and to some extent also for Malayalam script List of diacritic signs and punctuation marks present in languages with Brahmi derived scripts 11 Consonant Ligatures Symbol Name Function RomanizationIPA ୟ ୟ ଫଳ ya phaḷa Ligature y pronounced following a consonant phoneme E g କ ୟ kya ସଭ ୟ sabhya ya jɔ ର ର ଫଳ ra phaḷa Ligature r pronounced following a consonant phoneme E g କ ର kra ଗ ର ମ grama ra ɾɔ ର କ ର ଫ reph Ligature r pronounced preceding a consonant phoneme E g ର କ rka ଗର ବ garba r ɾ ଳ ଳ ଫଳ ḷa phaḷa Ligature ḷ pronounced following a consonant phoneme E g କ ଳ kḷa ଶ କ ଳ sukḷa ḷa ɭɔ ଲ ଲ ଫଳ la phaḷa Ligature l pronounced following a consonant phoneme E g କ ଲ kla ପଲ ଲବ pallaba la lɔ ୱ ୱ ଫଳ ବ ଫଳ wa phaḷa ba phaḷa 1 Ligature w pronounced following a consonant phoneme E g କ ୱ kwa ଦ ୱ ର dwara2 For ମ m consonant the ligature takes the form of b E g ମ ବ mba ଆମ ବ amba wa ba wɔ bɔ ମ ମ ଫଳ ma phaḷa Ligature m pronounced following a consonant phoneme E g କ ମ kma ପଦ ମ padma ma mɔ ନ ନ ଫଳ na phaḷa Ligature n pronounced following a consonant phoneme E g କ ନ kna ପ ରଶ ନ prasna na nɔ The following table lists all conjunct forms Different fonts may use different ligatures 11 Conjunct Consonants ଯ କ ତ କ ଷର yuktakṣara କ ଖ ଗ ଘ ଙ ଚ ଛ ଜ ଝ ଞ ଟ ଠ ଡ ଢ ଣ ତ ଥ ଦ ଧ ନ ପ ଫ ବ ଭ ମ ଯ ୟ ର ଲ ଳ ୱ ଶ ଷ ସ ହକ କ କ କ ଖ କ ଗ କ ଘ କ ଙ କ ଚ କ ଛ କ ଜ କ ଝ କ ଞ କ ଟ କ ଠ କ ଡ କ ଢ କ ଣ କ ତ କ ଥ କ ଦ କ ଧ କ ନ କ ପ କ ଫ କ ବ କ ଭ କ ମ କ ଯ କ ୟ କ ର କ ଲ କ ଳ କ ୱ କ ଶ କ ଷ କ ସ କ ହଖ ଖ କ ଖ ଖ ଖ ଗ ଖ ଘ ଖ ଙ ଖ ଚ ଖ ଛ ଖ ଜ ଖ ଝ ଖ ଞ ଖ ଟ ଖ ଠ ଖ ଡ ଖ ଢ ଖ ଣ ଖ ତ ଖ ଥ ଖ ଦ ଖ ଧ ଖ ନ ଖ ପ ଖ ଫ ଖ ବ ଖ ଭ ଖ ମ ଖ ଯ ଖ ୟ ଖ ର ଖ ଲ ଖ ଳ ଖ ୱ ଖ ଶ ଖ ଷ ଖ ସ ଖ ହଗ ଗ କ ଗ ଖ ଗ ଗ ଗ ଘ ଗ ଙ ଗ ଚ ଗ ଛ ଗ ଜ ଗ ଝ ଗ ଞ ଗ ଟ ଗ ଠ ଗ ଡ ଗ ଢ ଗ ଣ ଗ ତ ଗ ଥ ଗ ଦ ଗ ଧ ଗ ନ ଗ ପ ଗ ଫ ଗ ବ ଗ ଭ ଗ ମ ଗ ଯ ଗ ୟ ଗ ର ଗ ଲ ଗ ଳ ଗ ୱ ଗ ଶ ଗ ଷ ଗ ସ ଗ ହଘ ଘ କ ଘ ଖ ଘ ଗ ଘ ଘ ଘ ଙ ଘ ଚ ଘ ଛ ଘ ଜ ଘ ଝ ଘ ଞ ଘ ଟ ଘ ଠ ଘ ଡ ଘ ଢ ଘ ଣ ଘ ତ ଘ ଥ ଘ ଦ ଘ ଧ ଘ ନ ଘ ପ ଘ ଫ ଘ ବ ଘ ଭ ଘ ମ ଘ ଯ ଘ ୟ ଘ ର ଘ ଲ ଘ ଳ ଘ ୱ ଘ ଶ ଘ ଷ ଘ ସ ଘ ହଙ ଙ କ ଙ ଖ ଙ ଗ ଙ ଘ ଙ ଙ ଙ ଚ ଙ ଛ ଙ ଜ ଙ ଝ ଙ ଞ ଙ ଟ ଙ ଠ ଙ ଡ ଙ ଢ ଙ ଣ ଙ ତ ଙ ଥ ଙ ଦ ଙ ଧ ଙ ନ ଙ ପ ଙ ଫ ଙ ବ ଙ ଭ ଙ ମ ଙ ଯ ଙ ୟ ଙ ର ଙ ଲ ଙ ଳ ଙ ୱ ଙ ଶ ଙ ଷ ଙ ସ ଙ ହଚ ଚ କ ଚ ଖ ଚ ଗ ଚ ଘ ଚ ଙ ଚ ଚ ଚ ଛ ଚ ଜ ଚ ଝ ଚ ଞ ଚ ଟ ଚ ଠ ଚ ଡ ଚ ଢ ଚ ଣ ଚ ତ ଚ ଥ ଚ ଦ ଚ ଧ ଚ ନ ଚ ପ ଚ ଫ ଚ ବ ଚ ଭ ଚ ମ ଚ ଯ ଚ ୟ ଚ ର ଚ ଲ ଚ ଳ ଚ ୱ ଚ ଶ ଚ ଷ ଚ ସ ଚ ହଛ ଛ କ ଛ ଖ ଛ ଗ ଛ ଘ ଛ ଙ ଛ ଚ ଛ ଛ ଛ ଜ ଛ ଝ ଛ ଞ ଛ ଟ ଛ ଠ ଛ ଡ ଛ ଢ ଛ ଣ ଛ ତ ଛ ଥ ଛ ଦ ଛ ଧ ଛ ନ ଛ ପ ଛ ଫ ଛ ବ ଛ ଭ ଛ ମ ଛ ଯ ଛ ୟ ଛ ର ଛ ଲ ଛ ଳ ଛ ୱ ଛ ଶ ଛ ଷ ଛ ସ ଛ ହଜ ଜ କ ଜ ଖ ଜ ଗ ଜ ଘ ଜ ଙ ଜ ଚ ଜ ଛ ଜ ଜ ଜ ଝ ଜ ଞ ଜ ଟ ଜ ଠ ଜ ଡ ଜ ଢ ଜ ଣ ଜ ତ ଜ ଥ ଜ ଦ ଜ ଧ ଜ ନ ଜ ପ ଜ ଫ ଜ ବ ଜ ଭ ଜ ମ ଜ ଯ ଜ ୟ ଜ ର ଜ ଲ ଜ ଳ ଜ ୱ ଜ ଶ ଜ ଷ ଜ ସ ଜ ହଝ ଝ କ ଝ ଖ ଝ ଗ ଝ ଘ ଝ ଙ ଝ ଚ ଝ ଛ ଝ ଜ ଝ ଝ ଝ ଞ ଝ ଟ ଝ ଠ ଝ ଡ ଝ ଢ ଝ ଣ ଝ ତ ଝ ଥ ଝ ଦ ଝ ଧ ଝ ନ ଝ ପ ଝ ଫ ଝ ବ ଝ ଭ ଝ ମ ଝ ଯ ଝ ୟ ଝ ର ଝ ଲ ଝ ଳ ଝ ୱ ଝ ଶ ଝ ଷ ଝ ସ ଝ ହଞ ଞ କ ଞ ଖ ଞ ଗ ଞ ଘ ଞ ଙ ଞ ଚ ଞ ଛ ଞ ଜ ଞ ଝ ଞ ଞ ଞ ଟ ଞ ଠ ଞ ଡ ଞ ଢ ଞ ଣ ଞ ତ ଞ ଥ ଞ ଦ ଞ ଧ ଞ ନ ଞ ପ ଞ ଫ ଞ ବ ଞ ଭ ଞ ମ ଞ ଯ ଞ ୟ ଞ ର ଞ ଲ ଞ ଳ ଞ ୱ ଞ ଶ ଞ ଷ ଞ ସ ଞ ହଟ ଟ କ ଟ ଖ ଟ ଗ ଟ ଘ ଟ ଙ ଟ ଚ ଟ ଛ ଟ ଜ ଟ ଝ ଟ ଞ ଟ ଟ ଟ ଠ ଟ ଡ ଟ ଢ ଟ ଣ ଟ ତ ଟ ଥ ଟ ଦ ଟ ଧ ଟ ନ ଟ ପ ଟ ଫ ଟ ବ ଟ ଭ ଟ ମ ଟ ଯ ଟ ୟ ଟ ର ଟ ଲ ଟ ଳ ଟ ୱ ଟ ଶ ଟ ଷ ଟ ସ ଟ ହଠ ଠ କ ଠ ଖ ଠ ଗ ଠ ଘ ଠ ଙ ଠ ଚ ଠ ଛ ଠ ଜ ଠ ଝ ଠ ଞ ଠ ଟ ଠ ଠ ଠ ଡ ଠ ଢ ଠ ଣ ଠ ତ ଠ ଥ ଠ ଦ ଠ ଧ ଠ ନ ଠ ପ ଠ ଫ ଠ ବ ଠ ଭ ଠ ମ ଠ ଯ ଠ ୟ ଠ ର ଠ ଲ ଠ ଳ ଠ ୱ ଠ ଶ ଠ ଷ ଠ ସ ଠ ହଡ ଡ କ ଡ ଖ ଡ ଗ ଡ ଘ ଡ ଙ ଡ ଚ ଡ ଛ ଡ ଜ ଡ ଝ ଡ ଞ ଡ ଟ ଡ ଠ ଡ ଡ ଡ ଢ ଡ ଣ ଡ ତ ଡ ଥ ଡ ଦ ଡ ଧ ଡ ନ ଡ ପ ଡ ଫ ଡ ବ ଡ ଭ ଡ ମ ଡ ଯ ଡ ୟ ଡ ର ଡ ଲ ଡ ଳ ଡ ୱ ଡ ଶ ଡ ଷ ଡ ସ ଡ ହଢ ଢ କ ଢ ଖ ଢ ଗ ଢ ଘ ଢ ଙ ଢ ଚ ଢ ଛ ଢ ଜ ଢ ଝ ଢ ଞ ଢ ଟ ଢ ଠ ଢ ଡ ଢ ଢ ଢ ଣ ଢ ତ ଢ ଥ ଢ ଦ ଢ ଧ ଢ ନ ଢ ପ ଢ ଫ ଢ ବ ଢ ଭ ଢ ମ ଢ ଯ ଢ ୟ ଢ ର ଢ ଲ ଢ ଳ ଢ ୱ ଢ ଶ ଢ ଷ ଢ ସ ଢ ହଣ ଣ କ ଣ ଖ ଣ ଗ ଣ ଘ ଣ ଙ ଣ ଚ ଣ ଛ ଣ ଜ ଣ ଝ ଣ ଞ ଣ ଟ ଣ ଠ ଣ ଡ ଣ ଢ ଣ ଣ ଣ ତ ଣ ଥ ଣ ଦ ଣ ଧ ଣ ନ ଣ ପ ଣ ଫ ଣ ବ ଣ ଭ ଣ ମ ଣ ଯ ଣ ୟ ଣ ର ଣ ଲ ଣ ଳ ଣ ୱ ଣ ଶ ଣ ଷ ଣ ସ ଣ ହତ ତ କ ତ ଖ ତ ଗ ତ ଘ ତ ଙ ତ ଚ ତ ଛ ତ ଜ ତ ଝ ତ ଞ ତ ଟ ତ ଠ ତ ଡ ତ ଢ ତ ଣ ତ ତ ତ ଥ ତ ଦ ତ ଧ ତ ନ ତ ପ ତ ଫ ତ ବ ତ ଭ ତ ମ ତ ଯ ତ ୟ ତ ର ତ ଲ ତ ଳ ତ ୱ ତ ଶ ତ ଷ ତ ସ ତ ହଥ ଥ କ ଥ ଖ ଥ ଗ ଥ ଘ ଥ ଙ ଥ ଚ ଥ ଛ ଥ ଜ ଥ ଝ ଥ ଞ ଥ ଟ ଥ ଠ ଥ ଡ ଥ ଢ ଥ ଣ ଥ ତ ଥ ଥ ଥ ଦ ଥ ଧ ଥ ନ ଥ ପ ଥ ଫ ଥ ବ ଥ ଭ ଥ ମ ଥ ଯ ଥ ୟ ଥ ର ଥ ଲ ଥ ଳ ଥ ୱ ଥ ଶ ଥ ଷ ଥ ସ ଥ ହଦ ଦ କ ଦ ଖ ଦ ଗ ଦ ଘ ଦ ଙ ଦ ଚ ଦ ଛ ଦ ଜ ଦ ଝ ଦ ଞ ଦ ଟ ଦ ଠ ଦ ଡ ଦ ଢ ଦ ଣ ଦ ତ ଦ ଥ ଦ ଦ ଦ ଧ ଦ ନ ଦ ପ ଦ ଫ ଦ ବ ଦ ଭ ଦ ମ ଦ ଯ ଦ ୟ ଦ ର ଦ ଲ ଦ ଳ ଦ ୱ ଦ ଶ ଦ ଷ ଦ ସ ଦ ହଧ ଧ କ ଧ ଖ ଧ ଗ ଧ ଘ ଧ ଙ ଧ ଚ ଧ ଛ ଧ ଜ ଧ ଝ ଧ ଞ ଧ ଟ ଧ ଠ ଧ ଡ ଧ ଢ ଧ ଣ ଧ ତ ଧ ଥ ଧ ଦ ଧ ଧ ଧ ନ ଧ ପ ଧ ଫ ଧ ବ ଧ ଭ ଧ ମ ଧ ଯ ଧ ୟ ଧ ର ଧ ଲ ଧ ଳ ଧ ୱ ଧ ଶ ଧ ଷ ଧ ସ ଧ ହନ ନ କ ନ ଖ ନ ଗ ନ ଘ ନ ଙ ନ ଚ ନ ଛ ନ ଜ ନ ଝ ନ ଞ ନ ଟ ନ ଠ ନ ଡ ନ ଢ ନ ଣ ନ ତ ନ ଥ ନ ଦ ନ ଧ ନ ନ ନ ପ ନ ଫ ନ ବ ନ ଭ ନ ମ ନ ଯ ନ ୟ ନ ର ନ ଲ ନ ଳ ନ ୱ ନ ଶ ନ ଷ ନ ସ ନ ହପ ପ କ ପ ଖ ପ ଗ ପ ଘ ପ ଙ ପ ଚ ପ ଛ ପ ଜ ପ ଝ ପ ଞ ପ ଟ ପ ଠ ପ ଡ ପ ଢ ପ ଣ ପ ତ ପ ଥ ପ ଦ ପ ଧ ପ ନ ପ ପ ପ ଫ ପ ବ ପ ଭ ପ ମ ପ ଯ ପ ୟ ପ ର ପ ଲ ପ ଳ ପ ୱ ପ ଶ ପ ଷ ପ ସ ପ ହଫ ଫ କ ଫ ଖ ଫ ଗ ଫ ଘ ଫ ଙ ଫ ଚ ଫ ଛ ଫ ଜ ଫ ଝ ଫ ଞ ଫ ଟ ଫ ଠ ଫ ଡ ଫ ଢ ଫ ଣ ଫ ତ ଫ ଥ ଫ ଦ ଫ ଧ ଫ ନ ଫ ପ ଫ ଫ ଫ ବ ଫ ଭ ଫ ମ ଫ ଯ ଫ ୟ ଫ ର ଫ ଲ ଫ ଳ ଫ ୱ ଫ ଶ ଫ ଷ ଫ ସ ଫ ହବ ବ କ ବ ଖ ବ ଗ ବ ଘ ବ ଙ ବ ଚ ବ ଛ ବ ଜ ବ ଝ ବ ଞ ବ ଟ ବ ଠ ବ ଡ ବ ଢ ବ ଣ ବ ତ ବ ଥ ବ ଦ ବ ଧ ବ ନ ବ ପ ବ ଫ ବ ବ ବ ଭ ବ ମ ବ ଯ ବ ୟ ବ ର ବ ଲ ବ ଳ ବ ୱ ବ ଶ ବ ଷ ବ ସ ବ ହଭ ଭ କ ଭ ଖ ଭ ଗ ଭ ଘ ଭ ଙ ଭ ଚ ଭ ଛ ଭ ଜ ଭ ଝ ଭ ଞ ଭ ଟ ଭ ଠ ଭ ଡ ଭ ଢ ଭ ଣ ଭ ତ ଭ ଥ ଭ ଦ ଭ ଧ ଭ ନ ଭ ପ ଭ ଫ ଭ ବ ଭ ଭ ଭ ମ ଭ ଯ ଭ ୟ ଭ ର ଭ ଲ ଭ ଳ ଭ ୱ ଭ ଶ ଭ ଷ ଭ ସ ଭ ହମ ମ କ ମ ଖ ମ ଗ ମ ଘ ମ ଙ ମ ଚ ମ ଛ ମ ଜ ମ ଝ ମ ଞ ମ ଟ ମ ଠ ମ ଡ ମ ଢ ମ ଣ ମ ତ ମ ଥ ମ ଦ ମ ଧ ମ ନ ମ ପ ମ ଫ ମ ବ ମ ଭ ମ ମ ମ ଯ ମ ୟ ମ ର ମ ଲ ମ ଳ ମ ୱ ମ ଶ ମ ଷ ମ ସ ମ ହଯ ଯ କ ଯ ଖ ଯ ଗ ଯ ଘ ଯ ଙ ଯ ଚ ଯ ଛ ଯ ଜ ଯ ଝ ଯ ଞ ଯ ଟ ଯ ଠ ଯ ଡ ଯ ଢ ଯ ଣ ଯ ତ ଯ ଥ ଯ ଦ ଯ ଧ ଯ ନ ଯ ପ ଯ ଫ ଯ ବ ଯ ଭ ଯ ମ ଯ ଯ ଯ ୟ ଯ ର ଯ ଲ ଯ ଳ ଯ ୱ ଯ ଶ ଯ ଷ ଯ ସ ଯ ହୟ ୟ କ ୟ ଖ ୟ ଗ ୟ ଘ ୟ ଙ ୟ ଚ ୟ ଛ ୟ ଜ ୟ ଝ ୟ ଞ ୟ ଟ ୟ ଠ ୟ ଡ ୟ ଢ ୟ ଣ ୟ ତ ୟ ଥ ୟ ଦ ୟ ଧ ୟ ନ ୟ ପ ୟ ଫ ୟ ବ ୟ ଭ ୟ ମ ୟ ଯ ୟ ୟ ୟ ର ୟ ଲ ୟ ଳ ୟ ୱ ୟ ଶ ୟ ଷ ୟ ସ ୟ ହର ର କ ର ଖ ର ଗ ର ଘ ର ଙ ର ଚ ର ଛ ର ଜ ର ଝ ର ଞ ର ଟ ର ଠ ର ଡ ର ଢ ର ଣ ର ତ ର ଥ ର ଦ ର ଧ ର ନ ର ପ ର ଫ ର ବ ର ଭ ର ମ ର ଯ ର ୟ ର ର ର ଲ ର ଳ ର ୱ ର ଶ ର ଷ ର ସ ର ହଲ ଲ କ ଲ ଖ ଲ ଗ ଲ ଘ ଲ ଙ ଲ ଚ ଲ ଛ ଲ ଜ ଲ ଝ ଲ ଞ ଲ ଟ ଲ ଠ ଲ ଡ ଲ ଢ ଲ ଣ ଲ ତ ଲ ଥ ଲ ଦ ଲ ଧ ଲ ନ ଲ ପ ଲ ଫ ଲ ବ ଲ ଭ ଲ ମ ଲ ଯ ଲ ୟ ଲ ର ଲ ଲ ଲ ଳ ଲ ୱ ଲ ଶ ଲ ଷ ଲ ସ ଲ ହଳ ଳ କ ଳ ଖ ଳ ଗ ଳ ଘ ଳ ଙ ଳ ଚ ଳ ଛ ଳ ଜ ଳ ଝ ଳ ଞ ଳ ଟ ଳ ଠ ଳ ଡ ଳ ଢ ଳ ଣ ଳ ତ ଳ ଥ ଳ ଦ ଳ ଧ ଳ ନ ଳ ପ ଳ ଫ ଳ ବ ଳ ଭ ଳ ମ ଳ ଯ ଳ ୟ ଳ ର ଳ ଲ ଳ ଳ ଳ ୱ ଳ ଶ ଳ ଷ ଳ ସ ଳ ହୱ ୱ କ ୱ ଖ ୱ ଗ ୱ ଘ ୱ ଙ ୱ ଚ ୱ ଛ ୱ ଜ ୱ ଝ ୱ ଞ ୱ ଟ ୱ ଠ ୱ ଡ ୱ ଢ ୱ ଣ ୱ ତ ୱ ଥ ୱ ଦ ୱ ଧ ୱ ନ ୱ ପ ୱ ଫ ୱ ବ ୱ ଭ ୱ ମ ୱ ଯ ୱ ୟ ୱ ର ୱ ଲ ୱ ଳ ୱ ୱ ୱ ଶ ୱ ଷ ୱ ସ ୱ ହଶ ଶ କ ଶ ଖ ଶ ଗ ଶ ଘ ଶ ଙ ଶ ଚ ଶ ଛ ଶ ଜ ଶ ଝ ଶ ଞ ଶ ଟ ଶ ଠ ଶ ଡ ଶ ଢ ଶ ଣ ଶ ତ ଶ ଥ ଶ ଦ ଶ ଧ ଶ ନ ଶ ପ ଶ ଫ ଶ ବ ଶ ଭ ଶ ମ ଶ ଯ ଶ ୟ ଶ ର ଶ ଲ ଶ ଳ ଶ ୱ ଶ ଶ ଶ ଷ ଶ ସ ଶ ହଷ ଷ କ ଷ ଖ ଷ ଗ ଷ ଘ ଷ ଙ ଷ ଚ ଷ ଛ ଷ ଜ ଷ ଝ ଷ ଞ ଷ ଟ ଷ ଠ ଷ ଡ ଷ ଢ ଷ ଣ ଷ ତ ଷ ଥ ଷ ଦ ଷ ଧ ଷ ନ ଷ ପ ଷ ଫ ଷ ବ ଷ ଭ ଷ ମ ଷ ଯ ଷ ୟ ଷ ର ଷ ଲ ଷ ଳ ଷ ୱ ଷ ଶ ଷ ଷ ଷ ସ ଷ ହସ ସ କ ସ ଖ ସ ଗ ସ ଘ ସ ଙ ସ ଚ ସ ଛ ସ ଜ ସ ଝ ସ ଞ ସ ଟ ସ ଠ ସ ଡ ସ ଢ ସ ଣ ସ ତ ସ ଥ ସ ଦ ସ ଧ ସ ନ ସ ପ ସ ଫ ସ ବ ସ ଭ ସ ମ ସ ଯ ସ ୟ ସ ର ସ ଲ ସ ଳ ସ ୱ ସ ଶ ସ ଷ ସ ସ ସ ହହ ହ କ ହ ଖ ହ ଗ ହ ଘ ହ ଙ ହ ଚ ହ ଛ ହ ଜ ହ ଝ ହ ଞ ହ ଟ ହ ଠ ହ ଡ ହ ଢ ହ ଣ ହ ତ ହ ଥ ହ ଦ ହ ଧ ହ ନ ହ ପ ହ ଫ ହ ବ ହ ଭ ହ ମ ହ ଯ ହ ୟ ହ ର ହ ଲ ହ ଳ ହ ୱ ହ ଶ ହ ଷ ହ ସ ହ ହ Ambiguities Edit The subjoined form of ଛ cha is also used for subjoined ଥ tha for ଛ cha ଚ ଛ ccha ଞ ଛ ncha ଶ ଛ scha for ଥ tha ନ ଥ ntha ସ ଥ sthaThe sign for the nasal ṃ looks similar to the right side of the glyph used for ଫ pha and ଙ ṅa ଫ pha versus ପ paṃ ଙ ṅa versus ଡ ḍaṃ or ଉ uṃ ମ ଫ mpha versus ମ ପ mpaṃ Karani script or Odia cursive calligraphic style EditMain article Karani script Karani script sample from Purnachandra Odia Bhashakosha Karani script କରଣ ଅକ ଷର also Chata script ଛଟ ଅକ ଷର was a cursive calligraphic style variant of the Odia script 16 developed by the Karana କରଣ community the scribes professional writer class of the Odia royal courts It was used in the pre Independence Orissa Odisha region in South Asia and was primarily used by the Karana community who were working for administrative purposes documentation and keeping records in the royal courts of the Odia princely states Orissa Tributary States The name Karani is derived from the metal stylus Karani that was used for writing on palm leaf 3 17 Numerals EditMain article Odia numerals Development of ancient numerals in Odia Digits ସ ଖ ୟ Hindu Arabic numerals 0 1 2 3 4 5 6 7 8 9Odia numerals ୦ ୧ ୨ ୩ ୪ ୫ ୬ ୭ ୮ ୯Names ଶ ନ ଏକ ଦ ଇ ତ ନ ଚ ର ପ ଞ ଚ ଛଅ ସ ତ ଆଠ ନଅIPA sunɔ sunjɔ ek dui tini tʃaɾi pantʃ tʃʰɔː satɔ aʈʰɔ nɔː Fraction symbols ଭଗ ନ ଶ ଚ ହ ନ Fraction symbols Fractions Fraction symbols are obsolete post decimalisation on 1 April 1957 Comparison of Odia script with ancestral and related scripts EditOdia letters are mostly round shaped whereas Devanagari and Bengali have horizontal lines So in most cases the reader of Odia will find the related distinctive parts of the letter only below the curved hoop Vowels Edit a a i i u u ṛ ṝ ḷ ḹ e ai o auOdia ଅ ଆ ଇ ଈ ଉ ଊ ଋ ୠ ଌ ୡ ଏ ଐ ଓ ଔBengali অ আ ই ঈ উ ঊ ঋ ৠ ঌ ৡ এ ঐ ও ঔSiddham Devanagari अ आ इ ई उ ऊ ऋ ॠ ऌ ॡ ए ऐ ओ औConsonants Edit k kh g gh ṅ c ch j jh n ṭ ṭh ḍ ḍh ṇ t th d dh n p ph b bh m ẏ y r l ḷ w s ṣ s hOdia କ ଖ ଗ ଘ ଙ ଚ ଛ ଜ ଝ ଞ ଟ ଠ ଡ ଢ ଣ ତ ଥ ଦ ଧ ନ ପ ଫ ବ ଭ ମ ଯ ୟ ର ଲ ଳ ୱ ଶ ଷ ସ ହBengali ক খ গ ঘ ঙ চ ছ জ ঝ ঞ ট ঠ ড ঢ ণ ত থ দ ধ ন প ফ ব ভ ম য য র ল শ ষ স হSiddham Devanagari क ख ग घ ङ च छ ज झ ञ ट ठ ड ढ ण त थ द ध न प फ ब भ म य र ल ळ व श ष स हVowel diacritics Edit ka ka ki ki ku ku kṛ kṝ kḷ kḹ ke kai ko kauOdia କ କ କ କ କ କ କ କ କ କ କ କ କ କ Bengali ক ক ক ক ক ক ক ক ক ক ক ক ক ক Devanagari क क क क क क क क क क क क क क The vowel diacritics observed in Odia is similar to that of Bengali Assamese as inherited from the Siddham pristhmatra style differing from the diacritic symbols inherited by the scripts related to Devanagari line Sample text EditUniversal Declaration of Human Rights Edit The following is a sample text in Odia of Article 1 of the Universal Declaration of Human Rights ମ ନବ କ ଅଧ କ ରର ସ ର ବଜନ ନ ଘ ଷଣ Odia in the Odia script ଅନ ଚ ଛ ଦ ୧ ସମସ ତ ମନ ଷ ୟ ଜନ ମକ ଳର ସ ୱ ଧ ନ ଏବ ମର ଯ ୟ ଦ ଓ ଅଧ କ ରର ସମ ନ ସ ମ ନଙ କଠ ର ବ ଦ ଧ ଆଉ ବ ବ କ ନ ହ ତ ଅଛ ଏବ ସ ମ ନଙ କ ପରସ ପର ପ ରତ ଭ ର ତ ତ ୱ ମନ ଭ ବର ବ ୟବହ ର କର ବ ଉଚ ତ Odia in ISO 15919 Anuccheda 1 Samasta manuṣya janmakaḷaru swadhina ebaṁ maryẏada o adhikarare samana Semanaṅkaṭhare buddhi o bibeka nihita achi ebaṁ semanaṅku paraspara prati bhratr twa manōbhabare bẏabahara kariba ucit Odia in the IPA ɔnut ːʃʰed ɔ ekɔ sɔmɔst ɔ mɔnuʂjɔ d ʒɔnmɔkaɭɔɾu swad ʱinɔ ebɔŋ mɔɾd ʒjaːd a o ɔd ʱikaɾɔɾe sɔmanɔ seman ɔŋkɔʈʰaɾe bud ːʱi o bibekɔ n iɦit ɔ ɔt ʃʰi ebɔŋ semanɔŋku pɔɾɔspɔɾɔ pɾɔt i bʱɾat ɾut wɔ mɔnobʱabɔɾe bjɔbɔɦaɾɔ kɔɾiba ut ʃit Gloss Article 1 All human beings from birth are free and dignity and rights are equal Their reason and intelligence endowed with and they towards one another in a brotherhood spirit behaviour to do should Translation Article 1 All human beings are born free and equal in dignity and rights They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood Gayatri Mantra Edit The following is a sample text in Sanskrit of Gayatri Mantra in Odia Script ଓ ଭ ର ଭ ବ ସ ଵ ତତ ସବ ତ ର ବର ଣ ୟ ଭର ଗ ଦ ବସ ୟ ଧ ମହ ଧ ୟ ୟ ନ ପ ରଚ ଦୟ ତ Unicode EditMain article Oriya Unicode block Odia script was added to the Unicode Standard in October 1991 with the release of version 1 0 The Unicode block for Odia is U 0B00 U 0B7F Oriya 1 2 Official Unicode Consortium code chart PDF 0 1 2 3 4 5 6 7 8 9 A B C D E FU 0B0x ଅ ଆ ଇ ଈ ଉ ଊ ଋ ଌ ଏU 0B1x ଐ ଓ ଔ କ ଖ ଗ ଘ ଙ ଚ ଛ ଜ ଝ ଞ ଟU 0B2x ଠ ଡ ଢ ଣ ତ ଥ ଦ ଧ ନ ପ ଫ ବ ଭ ମ ଯU 0B3x ର ଲ ଳ ଵ ଶ ଷ ସ ହ ଽ U 0B4x U 0B5x ଡ଼ ଢ଼ ୟU 0B6x ୠ ୡ ୦ ୧ ୨ ୩ ୪ ୫ ୬ ୭ ୮ ୯U 0B7x ୱ Notes 1 As of Unicode version 15 0 2 Grey areas indicate non assigned code pointsGallery Edit Palm leaf manuscript written in Odia language Palm leaf manuscript written in Odia language Palm leaf jatak manuscript Jataka or Horoscope Palm leaf manuscript of Draupadi Lakhabindha in Odia 14th century Adhyatma Ramayana manuscript written in Sanskrit Odia script Dahuka boli Guru Gita Skanda Purana Sanskrit Odia script Odia manuscript Odia manuscript Odia manuscript Odia calligraphy Barnabodha by Madhusudan Rao 1896Notes Edit ଓ U 0B13 amp U 0B01 ଓ U 0B13 amp U 200D amp U 0B01 See also EditKarani script Odia BrailleReferences Edit Salomon Richard 1998 Indian Epigraphy Oxford University Press p 41 ISBN 978 0 19 535666 3 a b c McBride Catherine Joshi R Malatesha 2019 Handbook of Literacy in Akshara Orthography Springer p 27 ISBN 9783030059774 a b c d Rath Saraju 2012 The Oriya Script Origin Development and Sources a href Template Cite journal html title Template Cite journal cite journal a Cite journal requires journal help a b Cardona George Jain Dhanesh 2003 The Indo Aryan Languages Routledge language family series London Routledge p 487 ISBN 0 7007 1130 9 a b Salomon Richard 1998 Indian Epigraphy p 101 Masica Colin 1993 The Indo Aryan languages Cambridge University Press p 143 ISBN 9780521299442 Linguistic Society of India 2014 Indian Linguistics in Estonian Linguistic Society of India p 96 Retrieved 27 March 2020 Tripaṭhi Kunjabihari 1962 The Evolution of Oriya Language and Script Utkal University Retrieved 27 March 2020 Odia alphabet pronunciation and language Omniglot com Retrieved 14 June 2012 LSI Vol 6 dsal p 33 a b c d Chabila Madhu Barnobodha Purnachandra Odia Bhasakosha The Utkal Sahitya Press Cuttack p 725 Praharaj Purnachandra Odia Bhasakosha dsal Purnachandra Odia Bhasakosha Srujanika Oriya Odia PDF Unicode Chitararijan Behera 2012 ପ ର ଚ ନ ସ ହ ତ ୟଗ ରନ ଥ ସ ପ ଦନ ୧ PDF Shodhganga Utkal University Retrieved 25 December 2020 CHAPTER IV DEVELOPMENT OF ORIYA SCRIPT LANGUAGE AND LITERATURE PDF Shodhganga 27 September 2016 Retrieved 30 September 2020 External links EditThe Unicode Standard Chapter 9 South and Southeast Asian Scripts PDF Odia alphabet From Omniglot Retrieved from https en wikipedia org w index php title Odia script amp oldid 1116613456, wikipedia, wiki, book, books, library,

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