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Transformers: Dark of the Moon

November 02, 2023

This article is about the film. For other uses, see Transformers: Dark of the Moon (disambiguation).
"The Dark of the Moon" redirects here. For other uses, see Dark of the Moon (disambiguation).

Transformers: Dark of the Moon is a 2011 American science fiction action film based on Hasbro's Transformers toy line. The film is the third installment in the Transformers film series and the sequel to Transformers: Revenge of the Fallen (2009). The film is directed by Michael Bay and written by Ehren Kruger. It stars Shia LaBeouf, Josh Duhamel, John Turturro, Tyrese Gibson, Rosie Huntington-Whiteley, Patrick Dempsey, Kevin Dunn, Julie White, John Malkovich, and Frances McDormand. Optimus Prime, Bumblebee, and Sam Witwicky must lead the Autobots against Megatron and the Decepticons as they battle to possess powerful technology abandoned on the Moon, in order to restore Cybertron on Earth.

Transformers: Dark of the Moon
Theatrical release poster
Directed byMichael Bay
Written byEhren Kruger
Based onTransformers
by Hasbro
Produced by
Starring
CinematographyAmir Mokri
Edited by
Music bySteve Jablonsky
Production
companies
Distributed byParamount Pictures
Release dates
  • June 23, 2011 (2011-06-23) (MIFF[1])
  • June 29, 2011 (2011-06-29) (United States[2][3])
Running time
154 minutes[4]
CountryUnited States
LanguageEnglish
Budget$195 million[5][6]
Box office$1.124 billion[7]

The film employed both regular 35 mm film cameras and specially-developed 3-D cameras, with filming locations in Chicago, Florida, Indiana, Milwaukee, Moscow, and Washington, D.C. The film was 3-D rendered specifically for 3-D, and the visual effects involved more complex robots which took longer to render. Dark of the Moon's release date was moved from July 1 to June 29, in order to monitor an early response to footage.

Exclusive early premieres took place on June 28, 2011, one night before worldwide release. Though the film was considered a slight improvement over its predecessor among critics and was praised for the score, visual effects, cast and voice performances, and use of 3D, it was criticized for its screenplay and runtime.[8] Dark of the Moon grossed $1.124 billion worldwide, and it was the fifth highest-grossing film of all time and the second highest-grossing film of 2011 and the highest-grossing film in the franchise to date. Like the first film, it was nominated for Best Sound Editing, Best Sound Mixing, and Best Visual Effects at the 84th Academy Awards. It was followed by Transformers: Age of Extinction in 2014.

Plot edit

In 1960, the Ark, a Cybertronian spacecraft carrying an invention capable of ending the war between Autobots and Decepticons, crash lands on the dark side of Earth's Moon and is detected by NASA. President John F. Kennedy authorizes a mission to put a man on the Moon as a cover for investigating the spacecraft. In 1969, the crew of Apollo 11 lands on the Moon and secretly inspects the Ark before returning to Earth.

In the present day, four years after Egypt,[a] the Autobots assist humanity in preventing major conflicts. During a mission to the site of the 1986 Chernobyl nuclear disaster to investigate suspected alien technology, the Autobots are attacked by Decepticon scientist Shockwave and his giant worm Driller. After the two escape, Optimus Prime discovers that the technology is a fuel cell from the Ark, thought to have been lost after escaping Cybertron. The Autobots travel to the Moon and discover Sentinel Prime, the Autobots' leader before Optimus, in a comatose state along with five Pillars he created as a means of establishing a "Space Bridge", a wormhole able to teleport matter between two points. On Earth, Optimus uses the energy of the Matrix of Leadership to revive Sentinel.

Meanwhile, Sam Witwicky lives with his new girlfriend, Carly Spencer but is unable to work with the Autobots. At his new job, co-worker Jerry Wang gives him information about the Ark, before being assassinated by the Decepticon Laserbeak. It is revealed that the Decepticons are murdering people connected to the American and Soviet space missions to the Ark. Sam contacts Seymour Simmons, and they locate two surviving cosmonauts, who reveal photos of hundreds of Pillars being stockpiled on the Moon. The Decepticons raided the Ark long before the Apollo 11 mission and intentionally left Sentinel and the five Pillars for the Autobots to find, knowing that Sentinel is the key to activating the Pillars. Meanwhile, Sam and the Autobots fight off three pursuing Decepticons and return Sentinel to their base. However, he betrays them by revealing that he made a deal with Megatron to ensure Cybertron's survival before killing Ironhide.

Sentinel uses the Pillars to transport hundreds of concealed Decepticons from the Moon to Earth. Dylan Gould, Carly's boss, is revealed to be working with them. With the help of Soundwave, he captures Carly. At the demand of the Decepticons, the Autobots are exiled from Earth. However, as their ship leaves Earth, it is destroyed by Starscream, seemingly killing them. The Decepticons invade Chicago while placing Pillars around the world to begin transporting their homeworld Cybertron to the Solar System. They want to use Earth's resources to rebuild their world, enslaving humanity in the process. Sam teams up with former NEST soldier Robert Epps to go into Chicago to save Carly and arrest Dylan. However, they are nearly killed by the Decepticons before the Autobots intervene. It turns out that the Autobots faked their death to gain an advantage over the Decepticons. Sam, along with NEST teams led by Lennox, and Navy SEALs, rescue Carly and begin fighting off the Decepticons. During the battle, Que is executed, and Bumblebee kills Soundwave while Optimus fights Sentinel. Laserbeak, Starscream, the Driller, and Shockwave are also killed in the ensuing battle.

Sam fights Dylan and knocks him into the Pillar, electrocuting and killing him. Bumblebee destroys the Control Pillar, permanently disabling the Bridge and causing the partially transported Cybertron to implode. Meanwhile, Carly convinces Megatron that he will be replaced by Sentinel as the leader of the Decepticons. While fighting, Sentinel is about to kill Optimus before he is incapacitated by Megatron, who is determined to regain his leadership. Megatron then offers a truce, but Optimus refuses and kills Megatron by decapitating him. Sentinel tries to reason his actions to Optimus but is executed by him for his betrayal. Sam and Carly are reunited, and the Autobots remain on Earth as their permanent home.

Cast edit

Main article: List of Transformers film series cast and characters

Humans edit

Transformers edit

 
A Peterbilt 379 used for the alternate mode of Optimus Prime
 
The Bumblebee Camaro from Transformers 3 at BotCon in 2011.

Non-speaking characters edit

Production edit

Development edit

You just learn a lot more about the hierarchy, and there's more about the history of what they had in Cybertron. Leonard Nimoy plays a great role.

— Michael Bay, on developing Sentinel Prime's character[10]

As a preemptive measure before the release of Transformers: Revenge of the Fallen, Michael Lucchi and Paramount Pictures announced on March 16, 2009, that a third film would be released in IMAX 3D on July 1, 2011, which earned a surprised response from director Michael Bay: "I said I was taking off a year from Transformers. Paramount made a mistake in dating Transformers 3—they asked me on the phone—I said yes to July 1—but for 2012—whoops! Not 2011! That would mean I would have to start prep in September. No way. My brain needs a break from fighting robots."[11] Screenwriters Roberto Orci and Alex Kurtzman, who had worked on the two previous Transformers films, declined to return for the third film, with Kurtzman declaring that "the franchise is so wonderful that it deserves to be fresh, all the time. We just felt like we'd given it a lot and didn't have an insight for where to go with it next".[12] Revenge of the Fallen's co-writer Ehren Kruger became the sole screenwriter for Dark of the Moon. Kruger had frequent meetings with Industrial Light & Magic's (ILM) visual effects producers, who suggested plot points such as the scenes in Chernobyl.[13]

On October 1, 2009, Bay revealed that Transformers: Dark of the Moon had already gone into pre-production, and its planned release was back to its originally intended date of July 1, 2011, rather than 2012.[14] Due to the revived interest in 3-D filming technology brought on by the success of Avatar,[15] talks between Paramount, ILM, and Bay had considered the possibility of the next Transformers film being filmed in 3-D, and testing was performed to bring the technology into Bay's work.[16] Bay originally was not much interested in the format as he felt it did not fit his "aggressive style" of filmmaking, but he was convinced after talks with Avatar director James Cameron,[17] who even offered the technical crew from that film. Cameron reportedly told Bay about 3-D, "You gotta look at it as a toy, it's another fun tool to help get emotion and character and create an experience."[18] Bay was reluctant to film with 3-D cameras since in test he found them to be too cumbersome for his filming style, but he did not want to implement the technology in post-production either since he was not pleased with the results.[19] In addition to using the 3-D Fusion camera rigs developed by Cameron's team,[18] Bay and the team spent nine months developing a more portable 3-D camera that could be brought into location.[17]

In a hidden extra for the Blu-ray version of Revenge of the Fallen, Bay expressed his intention to make Transformers 3 not necessarily larger than Revenge of the Fallen, but instead deeper into the mythology, to give it more character development, and to make it darker and more emotional. Unicron is briefly shown in a secret Transformers 3 preview feature in the Revenge of the Fallen Blu-ray disc. Ultimately, the producers decided to forgo a plot involving the planet-eating Transformer, and no further comments were ever made on the subject.[20] Having been called Transformers 3 up to that point, the film's final title was revealed to be Dark of the Moon in October 2010.[21] After Revenge of the Fallen was almost universally panned by critics and audiences despite being a box office success, Bay acknowledged the general flaws of the script, having blamed the 2007–2008 Writers Guild of America strike prior to the film for many problems. Bay also promised the film to not have the "dorky comedy" from the last film.[22] On March 19, 2010, the script was said to be finished.[23]

Casting edit

 
Dempsey on the set of Transformers: Dark of the Moon in 2010

Megan Fox was originally attached to the film, and Patrick Dempsey's role as Dylan Gould was to be the employer of Fox's character, Mikaela Banes.[24] According to various published sources, Fox's absence from the film was due to executive producer Steven Spielberg ultimately choosing not to renew her role in light of her comparing Bay and his work ethic to Adolf Hitler,[25][26] although representatives for the actress said that it was her decision to leave the film franchise.[27] Bay later claimed that executive producer Steven Spielberg told him to fire Fox,[28] a claim that Spielberg denied.[29] "I wasn't hurt", Bay stated, "because I know that's just Megan. Megan loves to get a response. And she does it in kind of the wrong way. I'm sorry, Megan. I'm sorry I made you work twelve hours. I'm sorry that I'm making you show up on time. Movies are not always warm and fuzzy."[28]

With Fox not reprising her role, Rosie Huntington-Whiteley was chosen to play Sam's new love interest.[30] Ramón Rodríguez was initially planned to be in the film, in a role bigger than the one he had in Revenge of the Fallen, but he was dropped during early production.[31] A few well-known actors such as John Malkovich and Frances McDormand also gained selected roles for the film. Malkovich explains: "I play a guy called Bruce Brazos, who's just a loudmouth, kind of business man who's Shia's character's boss. Who's just a jerk, and a kind of a loud one. But a fun character. Nice. It was fun. Very, very enjoyable, just with Shia, Rosie a little bit, and with John Turturro. So, for me, it was a blast."[32] Another well-known actor, Ken Jeong, was cast as an eccentric co-worker and stalker. Jeong described the film, "Yeah, it's a small role in Transformers, but yeah. I had an out-of-body experience working on that one because I just couldn't believe I was there. Still, that was not a thing where oh, I'm going to be a part of a blockbuster franchise like Transformers 3 or even now Hangover 2 for that matter. So I can't believe I'm a part of these franchises in any way. It was amazing. Michael Bay is brilliant and it'll blow your mind."[33]

For the role of Decepticon scientist Shockwave, veteran Transformers voice actor Corey Burton was originally approached to voice the character after previously doing so in the original television series and Transformers: Animated. Burton declined the offer, citing his work schedule and disinterest in being involved in a blockbuster franchise. David Warner (Burton's influence on his Shockwave voice) was briefly considered, but the role was ultimately given to Frank Welker, adding to his already long list of Transformers characters.[34][35]

Themes and inspirations edit

Due to the critically panned Transformers: Revenge of the Fallen, Bay decided to remove the characters called the Twins entirely from Dark of the Moon: "This one really builds to a final crescendo. It's not three multiple endings. One thing we're getting rid of is what I call the dorky comedy. [The twins are] basically gone."[36] Due to fan rumors that the Twins would actually be in the film, the director made a public $25,000 "bet" that the Twins would not be seen in Dark of the Moon.[36] They were briefly shown in the N.E.S.T headquarters in their vehicle modes in the film.

Bay acknowledged that Revenge of the Fallen was "disappointing to the fans" and stated that he "doesn't want the third one to suck".[37] Bay stated that he wanted Dark of the Moon's final battle to be more geographic and feature a "small group of heroes" like Ridley Scott's war–drama Black Hawk Down, Joe Dante's science fiction Small Soldiers and Hasbro's G.I. Joe: The Rise of Cobra.[37] Bay also decided to include Shockwave because he considers the character "bad" and "He's got a much bigger gun [than Megatron and is] a little bit more vicious."[37] According to The A.V. Club, the film had several minor story inspirations from the 1980s cartoon The Transformers, including the usage of a Space Bridge, and the "kicking the Autobots out".[38][better source needed]

Similar to the previous two installments, the film was told in the human point-of-view to engage the audience. Bay wanted Sam to have a girlfriend like in the first two films. Actor Shia LaBeouf said that Sam and Mikaela had become "one character" and, although he would "miss" Megan Fox, with this change "you have discovery again from a new perspective."[39] LaBeouf also stated that the additions of Huntington-Whiteley and new characters allows Dark of the Moon to keep the "magic" of the first film.[40]

Dark of the Moon also had numerous Star Trek references, partly because scriptwriter Ehren Kruger was a "big Star Trek geek",[41] but also as a nod to the fact that new character Sentinel Prime was voiced by Leonard Nimoy, who originated the iconic role of Spock on Star Trek and voiced Galvatron in The Transformers: The Movie. The first Star Trek reference is when refugee robots Brains and Wheelie, who live in Sam and Carly's apartment complex, are watching TOS episode "Amok Time"; Wheelie comments "I've seen this one. It's the one where Spock goes nuts."[41] The second reference is when Sam meets his girlfriend, Carly Spencer at work, and is being introduced to Carly's employer, Dylan Gould, Sam marvels at their workplace: "It's a beautiful building you guys have. Like the Starship Enterprise in here."[41] The third reference is when Bumblebee says goodbye to Sam at Cape Canaveral: the words "my friend" are sampled from Spock in Star Trek II: The Wrath of Khan ("You are ... my friend. I am and always shall be yours.").[41] The fourth and final reference is when Sentinel Prime activates the Control Pillar, quoting Spock's maxim in Star Trek II and Star Trek III: The Search for Spock, "The needs of the many outweigh the needs of the few".[41]

Filming edit

Explosions on Wacker Drive in Chicago for Transformers: Dark of the Moon filming on location
 
The shooting of Transformers   3 in Chicago in July 2010, in the foreground the Autobot wrecker Topspin as a heavily armed Chevrolet Impala.
 
Vehicles used on the set of Transformers: Dark of the Moon

Transformers: Dark of the Moon's production cost was reported $195 million, with the cost of the 3-D filming accounting at $30 million of the budget.[5] Preparation for filming began on April 7, 2010, in Northwest Indiana, specifically around Gary, which portrayed Ukraine in the film.[42][43][44] Principal photography commenced on May 18, 2010, with shooting locations including Chicago, Florida, and Moscow.[45][46] The first six weeks were spent in Los Angeles: locations included Sherman Oaks, Fourth Avenue, and 5. Main. The next four weeks were spent in Chicago. Locations filmed in Chicago included LaSalle Street, Michigan Avenue, Bacino's of Lincoln Park at 2204 North Lincoln Avenue, and areas surrounding the Willis Tower.[47] The scenes set in Michigan Ave featured a substantial amount of pyrotechnics and stunt work.[48] Filming in Detroit was planned to take place in August but the Chicago shoot was extended until September 1.[49] In late September, the production moved to NASA's Kennedy Space Center in Florida, just before the launch of Space Shuttle mission STS-133.[50] Scenes were filmed at Launch Pad 39A, the Vehicle Assembly Building and the Orbiter Processing Facility.[51]

 
Actors on a Transformers: Dark of the Moon set in July 2010

While filming in Washington, D.C., the crew shot on the National Mall, and Bay stated that there would be a car race on the location. Two further locations announced were the Milwaukee Art Museum and the former Tower Automotive complex on Milwaukee's north side, then under redevelopment for mixed use as well as the city's equipment yard. Filming was scheduled to take place there after work was done in Chicago.[52] On September 23, scenes were filmed at the former city hall in Detroit. On October 16, a flashback scene that takes place in the later 1960s was shot at the Johnson Space Center in Houston, using extras with period fashion and hairstyles.[53] One day of shooting was also spent at the Angkor Wat temple complex in Cambodia.[54] Other planned filming locations included Africa and China.[55] Though about 70% of the film's live-action footage was shot in 3-D [56] using Arri Alexa and Sony F35 cameras,[57] more than half of the film still had to be converted into 3-D in post production to fix technical flaws that 3-D filming produces.[58] Other footage that needed to be converted into 3-D in post production was either entirely computer-generated imagery or shot in the anamorphic format on 35 mm film.[56] 35 mm film was used for scenes filmed in slow motion and scenes such as closeups of faces or shots of the sky that required higher image quality than the HD digital 3-D cameras could provide.[56] 35 mm cameras were also used for scenes where the 3-D cameras proved to be too heavy, or were subject to strobing or electrical damage from dust.[56] Principal photography officially concluded on November 9, 2010.[59]

Dark of the Moon has been found to contain recycled footage from an earlier film directed by Michael Bay—The Island (2005).[60] Bay similarly recycled footage from his film Pearl Harbor (2001) in the 2007 film Transformers.[61]

Accidents edit

 
Shooting of the duel between Sam Witwicky (Shia LaBeouf) and Dylan Gould (Patrick Dempsey) in Chicago.

Filming was delayed on September 2, 2010, when an extra was seriously injured during a stunt in Hammond, Indiana. Due to a failed weld, a steel cable snapped from a car being towed and hit the extra's car, damaging her skull. The extra, identified as Gabriela Cedillo, had to undergo brain surgery.[62] The injury has left her permanently brain-damaged, paralyzed on her left side and her left eye stitched shut.[63][64] Paramount admitted responsibility for the accident and covered all of Cedillo's medical costs.[65] Nevertheless, Cedillo's family filed a lawsuit on October 5, citing seven counts of negligence against Paramount, and several other defendants (not including Bay), with total damages sought in excess of $350,000.[66] Cedillo's attorney, Todd Smith, said, "This was an attractive 24-year-old girl who had dreams and aspirations involving acting, and this kind of injury may well have a serious impact on her dreams."[67] The filed complaint reads that "Cedillo has endured and will in the future endure pain and suffering; has become disfigured and disabled; has suffered a loss of the enjoyment of a normal life; has been damaged in her capacity to earn a living; has incurred and will in the future incur expenses for medical services, all of which are permanent in nature."[67] In response to the suit, Paramount released the following statement: "We are all terribly sorry that this accident occurred. Our thoughts, prayers and best wishes are with Gabriela, her family and loved ones. The production will continue to provide all the help we can to Gabriela and her family during this difficult time."[67] In May 2012, it was revealed that an $18 million settlement had been reached between Paramount and the Cedillo family.[68]

A second accident occurred on October 11, 2010, in Washington, D.C. While filming a chase scene at 3rd Street and Maryland Avenue, SW, a Metropolitan Police K9 Unit SUV accidentally rammed the Camaro that portrays Bumblebee in the film. The area had been closed off by the Washington, D.C., police, and it is unclear why the SUV was there. Both drivers were uninjured,[69] but the Camaro was severely damaged.[70] Reports indicate that the K9 Unit was heading to a report of a bomb threat as part of a Bomb Squad response, but was not using the same radio frequency as the units guarding the filming and did not realize it had gone the wrong way until it collided with the Bumblebee Camaro. Many fans who witnessed the crash were horrified at the damage the Bumblebee Camaro suffered, and cast and crew members reacted quickly to cover up the damaged Camaro and secure the scene.[71]

Visual effects edit

As with the previous Transformers installments, Industrial Light & Magic (ILM) was the main CGI visual effects company for Dark of the Moon. ILM had been working on the pre-visualization for six months before principal photography started, resulting in 20 minutes' worth of footage.[72] Digital Domain also rendered 350 CGI shots, including the characters Laserbeak, Brains, Wheelie, and the Decepticon protoforms concealed on the Moon, the space bridge, and a skydiving sequence.[73][74]

External audio
Industrial Light & Magic's interview for the effects of the film.
  Listen to the Interview

ILM's visual effects supervisor Scott Farrar said that "not only were the film's effects ambitious, they also had to be designed for 3-D", and explained the company's solutions for the new perspective: "We did make sure things are as bright as possible; Michael called up theatre owners to make sure they keep the lamps bright in the theatres ... make everything a little sharper, because we know that through the steps, no matter what, when you get to the final screening things tend to go less sharp."[75] On the last weekend of ILM's work on Dark of the Moon, the company's entire render farm was being used for the film, giving ILM more than 200,000 hours of rendering power a day—or equivalent to 22.8 years of rendering time in a 24-hour period.[13] Farrar embraced the detail in creating giant robots for 3-D, making sure that in close-ups of the Transformers' faces "you see all the details in the nooks and crannies of these pieces. It's totally unlike a plain surface subject like a human head or an animated head." The supervisor said that Bay's style of cinematography helped integrate the robots into the scenes, as "Michael is keen on having foreground/midground/background depth in his shots, even in normal live-action shots. He'll say, 'Put some stuff hanging here!' It could be women's stockings or forks and knives dangling from a string out of focus—it doesn't matter, but it gives you depth, and focus depth, and makes it more interesting."[76]

 
Considerable digital animation was required for the elaborate Driller as it comprised over 70,000 parts, significantly more than Optimus Prime's 10,000 parts.

The most complicated effects involved the "Driller", a giant snake-like creature with an eel-like body and spinning rotator blades, knives and teeth. In Revenge of the Fallen, it took 72 hours per frame to fully render Devastator for the IMAX format, which is approximately a frame amount of 4,000. For the Driller, which required the entire render farm, it was up to 122 hours per frame.[72] The most complex scene involved the Driller destroying a computer-generated skyscraper, which took 288 hours per frame.[75] For said sequence, ILM relied on its internal proprietary physics simulation engine to depict the destruction of the building, which included breaking concrete floors and walls, windows, columns and pieces of office furnishings. ILM digital production supervisor Nigel Sumner explained: "We did a lot of tests early on to figure out how to break the building apart, exploring a lot of the procedural options. A building that's 70 feet tall—to go in and hand-score the geometry so when it fractures or falls apart—would be a time-consuming, laborious process. The floor of a building may be made of concrete. How does concrete fracture when it tears apart? The pillars would be made of a similar material but made of rebar or other engineering components. We'd look at how a building would blow apart and then choose the best tool to help achieve the properties of that during a simulation."[76]

 
 
Sentinel Prime (left) was modelled after Actor Sean Connery (right).[13]

The scenes in Chicago were mostly shot on location, as Bay believed the plates had to really be shot in the actual city. Farrar was always fascinated with the idea of shooting on location and then blending the film with computer-generated imagery. He said: "We try and shoot everything real. You may have seen some films recently where the entire city has been destroyed and it's entirely CGI. Well, for a Transformers film, it's different because we actually went to Chicago. If you start with the real thing, you have a lot more to work with to make it look real. So for a couple of months there, I was in a helicopter shooting aerial plates of the real buildings. And we'd add destruction to all the backgrounds – smoke, fire, debris, fighter planes, war, battles, torn up streets – to real cityscapes."[76] Four ILM employees also traveled to Chicago and photographed buildings from top to bottom at six different times of the day in order to create a digital model of the city to be used in certain scenes.[13] ILM's crew designed many major action scenes,[13] with many of the Chicago battle concepts coming from the helicopter shooting of the aerial plates.[72]

Animator Scott Benza said Sentinel Prime had a face "more human-like than any of the other robots", with a more complex frame and "a greater number of plates" so it could be more expressive.[13] ILM had based most of Sentinel Prime's features on Sean Connery, and after Leonard Nimoy was cast to voice the role, the effects were altered to incorporate Nimoy's acting as well. Every robot would take approximately 30 weeks to build visually. Originally, the fight between Sentinel Prime, Optimus Prime, and Megatron was considered to be on water in the Chicago River, but the budget was cut and ILM realized that they would not want to present that version of the final battle to Bay, so they decided to have the battle take place on the bridge over the river.[72] For a sequence where Bumblebee catches Sam and Lennox while transforming in mid-air, a digital double of Shia LaBeouf was combined with footage of the actor in high speed so that the effects team could time it for slow-motion.[76]

Since Bay shoots all his films in anamorphic format, Dark of the Moon's representation would be "squeezed in" to distort the image, and ILM would add in the robots and "un-distort" the image.[72] The ample variety of filming formats used—single camera, 3-D stereo rigs with two cameras, anamorphic and spherical lenses—proved a challenge, especially as ILM had a deadline to deliver the 3-D plates to the companies responsible for the 3-D conversion.[13] ILM made 600 3-D shots, and Digital Domain had under 200,[72] while Legend3-D, the lead 3-D conversion company of the film, completed 78 minutes of work on the film and finalized the work of approximately 40 minutes of challenging non-visual effects and 38 minutes of visual effects shots.[77]

Music edit

See also: Transformers: Dark of the Moon – The Album and Transformers: Dark of the Moon – The Score
 
Steve Jablonsky – "It's Our Fight"
A 27 second sample of Steve Jablonsky's "It's Our Fight". The climax is played, and a unique bass drum is used in the process.
Problems playing this file? See media help.

Composer Steve Jablonsky, who had before collaborated with Bay on The Island and the first two Transformers films, returned to compose the Dark of the Moon score. Jablonsky's musical score was lauded by critics and fans. The score was released on June 24, 2011, five days before the actual release of the film.[78]

Although a bit more score-heavy this time around, the soundtrack is certainly featured and we not only rejoin characters we have come to know, but some familiar artists who are back again as well.

— Allison Loring, reviewing the film's soundtrack[79]

The album was originally set for release on June 28, 2011, but Amazon.com listed the album as unavailable while the album was still being listed for release during the week of the film's global release.[80] It was available for download on Amazon on June 30, 2011,[80] and the score currently features 17 pre-recorded tracks that are featured in the final film. The score's length is approximately 59:47.[81] The album for the film was released on June 14, 2011. It consists of singles produced by different artists and bands, and rock tracks. American rock band Linkin Park composed the lead single for the film, "Iridescent", as they did with the first two films: "What I've Done" was used in the 2007 film and "New Divide" for the 2009 film. The music video for "Iridescent" was directed by Joe Hahn.[82] Two other singles were released specifically for the soundtrack, "Monster" by Paramore[citation needed] and "All That You Are" by the Goo Goo Dolls. Several other unreleased songs make their debut on the album, including "The Pessimist" by Stone Sour and "The Bottom" by Staind. My Chemical Romance's song "The Only Hope for Me Is You" also appeared and can also be found on their fourth studio album Danger Days: The True Lives of the Fabulous Killjoys and on the soundtrack. The song was not exclusively for the movie and was featured in the credits.[83] The Black Veil Brides' song "Set the World on Fire" is also included.[citation needed]

Marketing edit

 
An advertisement for the film on a bus in Hong Kong

Most of the characters returned for Hasbro's new toyline, which was released on May 16, 2011.[84] In October 2010, Entertainment Tonight previewed the behind-the-scenes filming in Chicago.[85][86] A two-minute teaser trailer was announced on November 27,[87] and was posted to the Internet on December 9, 2010.[88] A 30-second television advertisement for the film aired during Super Bowl XLV on Fox TV channel on February 6, 2011.[89] The first full theatrical trailer was released on April 28, 2011.[90] The very first video clip was released on May 18.[91] A second clip was released the next day on May 19.[92] The North American promotional costs came to approximately $75 million.[5][93]

Novelizations edit

In May 2011, the novelization, junior novel, and graphic novel of Transformers: Dark of the Moon were released. Both the novel and the graphic novel featured Skids and Mudflap as supporting characters, but the characters were missing from the junior novel. The graphic novel made reference to several Autobots from the IDW Publishing tie-in comics who died in the stories between Revenge of the Fallen and Dark of the Moon.[94] Another novel, written by Peter David, was published on May 24, 2011, and was released only paperback. Though it is slightly different from the film, the novel still pertains to the topic and synopsis of the film it is based on in the outcome of the final battle. The novel features about 400 pages and is published by Del Rey Books. Its synopsis is:

All humankind was watching that day in 1969. And yet only a handful knew the real mission behind America's triumph in the space race: to explore the alien ship that has crashed on the far side of the moon. Decades later, scientists are still struggling to understand the technology found on board—though with the treacherous Decepticons after it, a powerful force must be at stake. The only hope of averting a crisis is to reawaken Sentinel Prime, the long-lost leader of the Autobots—but who knows what else remains in the shadows, hidden from man and machine?[95]

Video game edit

Main article: Transformers: Dark of the Moon (video game)

On June 14, 2011, Activision published a video game based on the film for Xbox 360, PlayStation 3, Wii, Nintendo 3DS and Nintendo DS. The versions for Nintendo's consoles were developed by Behaviour Interactive,[96] while the versions for the rest of the consoles were developed by High Moon Studios, who had previously developed Transformers: War for Cybertron. Electronic Arts released the game Transformers: Dark of the Moon on June 28, 2011, for Nokia Symbian smartphones, Apple products iPod Touch, iPhones, and iPad[97][98] and Research In Motion's BlackBerry devices.[99]

Release edit

 
Rosie Huntington-Whiteley at the film's premiere

Theatrical edit

Transformers: Dark of the Moon first premiered at the Moscow International Film Festival on June 23, 2011. Linkin Park performed a special outdoor concert in Red Square in Moscow on the same night in celebration of the event.[1] Initially scheduled to be released on July 1, 2011, the release was brought forward to June 29, 2011.[3] It was announced in November 2010 that unlike Transformers: Revenge of the Fallen, no scenes in the film were shot with IMAX 3-D cameras.[100]

Home media edit

During Hasbro Investor Day, it was announced that the DVD and Blu-ray Disc would be released in the fourth quarter of 2011.[101] The NTSC home release for the film was released on September 30, 2011,[102] with a Blu-ray 3D version of the film slated for release in "the coming months".[103][104] However, the first home release was criticized for the lack of bonus features.[105]

A Walmart exclusive edition of Transformers: Dark of the Moon also was released on September 30, 2011.[106] The PAL DVD and Blu-ray Discs of Transformers: Dark of the Moon was released on November 28, 2011.[107]

In North America, it sold 716,218 DVD units (equivalent of $13,565,169) in its first week, topping the weekly DVD chart.[108] As of February 26, 2012, it has sold 2,829,285 DVD units (equivalent of $48,058,979).[109] It also topped the Blu-ray charts on the same week and it has sold 2,381,657 Blu-ray units (earning $50,934,911) by October 23, 2011.[110] The Blu-ray 3D release of the film was released on January 31, 2012, in NTSC regions and on February 13, 2012, in PAL regions.[111]

Transformers: Dark of the Moon was released on 4K UHD Blu-ray on October 30, 2017, in PAL regions and December 5, 2017, in NTSC regions.[112]

The film grossed $113.8 million in home sales.[113]

Reception edit

Box office edit

Worldwide edit

Transformers: Dark of the Moon had grossed $352.3 million in North America, and $771.4 million in other territories, for a worldwide total of $1.123 billion.[114] It was the fifth highest-grossing film of all time and the second-highest-grossing film of 2011.[115] On August 3, 2011, the film crossed the $1 billion mark,[116] making it the second Paramount Pictures film to do so, along with Titanic. Its worldwide opening weekend ($382.4 million) is the fourth-largest ever and the largest for Paramount[117] It set an IMAX worldwide opening-weekend record with $23.1 million (first surpassed by Deathly Hallows – Part 2).[118] It reached $400 million (6 days), $500 million (9 days), $600 million (12 days) and $700 million (16 days) in record time, but lost all records to Deathly Hallows – Part 2.[119]

North America edit

The film opened in 4,088 theaters including a then-record total of 2,789 3-D locations. It made $5.5 million during Tuesday 9 p.m. showings, $8 million during midnight showings[120] and $37.7 million on its opening day (Wednesday)—including Tuesday showings. This was the sixth-best opening Wednesday.[121] However, all these figures were lower than Revenge of the Fallen.[122] On Thursday, it earned $21.5 million, falling 43%, an improvement from its predecessor's Wednesday-to-Thursday decline. It grossed $33.0 million on Friday totaling $97.8 million. Its 3-D share accounted for 60% of its gross, which was atypical due to the downturn in 3D attendance in North America. For its three-day opening weekend (Friday-to-Sunday), it grossed $97.9 million, topping the box office ahead of Cars 2.[123] It achieved the third-largest opening weekend of 2011,[124] the fourth-largest opening weekend in July,[125] the fifth-largest opening weekend for a film not released on Friday[126] and the second-largest five-day gross for a film opening on Wednesday.[114] It set records for the 3-day ($97.9 million)[127] and 4-day ($115.9 million) Independence Day weekend, surpassing Spider-Man 2's record in both cases ($88.2 million and $115.8 million, respectively) until both records were broken with the release of Minions: The Rise of Gru in 2022.[128][129] It retained first place on its second weekend, dropping 52% to $47.1 million.[130] Closing on October 13, 2011, with $352.4 million, it is the second-highest-grossing film of 2011[131] and the second-highest-grossing film in the franchise.[132][133]

Outside North America edit

The film grossed $32.5 million on its opening day, pacing 38% ahead of its predecessor. Including some early Tuesday previews, it earned $36.6 million in one-and-a-half days,[134] and by Thursday its international total reached $66 million.[135] By the end of its first weekend, it had earned $219.8 million, which stands as the fifth-largest opening weekend of all time overseas and the largest for Paramount.[136] Its foreign launch was 57% ahead of that of Revenge of the Fallen ($139.6 million). 70% of its grosses came from 3-D (a higher 3-D share than Pirates 4's 66%).[137] Don Harris, general manager of distribution for Paramount, commented on the results of Dark of the Moon: "If we hadn't chosen to debut the movie later in Japan and China, we probably would have had the all-time record."[138] The film topped the box office outside North America for two weekends in a row.[139]

In China, its highest-grossing market after North America, the film set records for an opening day with $15.9 million, a single day with $17.4 million (overtaken by Journey to the West: Conquering the Demons)[140] and an opening weekend with $46.8 million ($62.7 million with previews).[141] The latter was taken from Avatar ($42.0 million).[142] The opening weekend record, when including previews, was surpassed by Titanic 3D ($74.2 million).[143] Dark of the Moon ended its run with $167.95 million, marking the second-highest-grossing film of 2011 (after Harry Potter and the Deathly Hallows – Part 2).[144] Besides China, it broke the opening-day record in Russia and South Korea;[134] the single-day record in Hong Kong;[145] and the opening-weekend record in South Korea,[146] Hong Kong, Malaysia, Taiwan, Thailand, Singapore, the UAE, the Philippines and Peru (the last three records were surpassed by The Avengers).[137][147][148] Following China in total earnings were South Korea ($69.1 million) and Japan ($54.2 million).[149]

Critical response edit

On Rotten Tomatoes, the film has an approval rating of 35% based on reviews from 263 critics and an average rating of 5/10. The site's critical consensus reads, "Its special effects—and 3D shots—are undeniably impressive, but they aren't enough to fill up its loud, bloated running time, or mask its thin, indifferent script."[8] On Metacritic, the film has a score of 42 out of 100 based on 37 critics, indicating "mixed or average reviews".[150] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[151][152]

Roger Ebert gave the film one out of four stars, criticizing its visuals, plot, characters, and dialogue.[153] Richard Roeper likewise panned the film, giving it a D and responded that "rarely has a movie had less of a soul and less interesting characters."[154] A.O. Scott in The New York Times wrote "I can't decide if this movie is so spectacularly, breathtakingly dumb as to induce stupidity in anyone who watches, or so brutally brilliant that it disarms all reason. What's the difference?"[155]

Several critics felt that Shia LaBeouf and Rosie Huntington-Whiteley's performances were ineffective. Peter Travers of Rolling Stone gave the film 0 stars, the same rating that he had given to Revenge of the Fallen, and stated the two actors "couldn't be duller".[156] Tirdad Derakhshani of The Philadelphia Inquirer stated that LaBeouf "plays Witwicky as if he had a ferocious case of attention deficit disorder. After two films, his fidgeting isn't cute anymore."[157] James Berardinelli of ReelViews wrote that LaBeouf "has sunk to greater levels of incompetence here. It's hard to call his posturing and screaming 'acting'."[158] Jason Solomons of The Observer wrote "[W]e're first introduced to [Huntington-Whiteley] via a close-up of her bum, segueing straight from the film's opening sequence and titles on to the pert buttocks and underwear of our heroine", and that her English posh girl accent "renders her practically unintelligible when surrounded by American accents and falling masonry."[159] Much of the criticism towards Rosie Huntington-Whiteley compared her in an unfavorable light to Megan Fox. Lou Lumenick of the New York Post wrote that her "'acting' makes ... Megan Fox look like Meryl Streep in comparison."[160] Huntington-Whitely was later nominated for the Golden Raspberry Award for Worst Supporting Actress for her performance, but lost to David Spade for Jack and Jill.[161]

For good or ill, Bay is the soul of a new machine, the poet of post-human cinema, the CEO of Hollywood's military-entertainment complex.

— Richard Corliss, in his review of the film for Time magazine[162]

Steve Prokopy of Ain't It Cool News found the film to be better than the first two.[163] Jim Vejvoda of IGN gave the film a score of seven out of ten, also stating that it was the best of the franchise.[164] E! Online graded the film a B+ while noting if this film is truly the end of a trilogy, its main antagonists should have played more of a part.[165] Website Daily Bhaskar also praised the film, rating it three and a half out of five stars, citing it as an improvement on the previous film, and writing that it "gives fans something to cheer about."[166]

Many reviews praised the film's special effects and aggressive use of 3-D. After previewing a partial, unfinished cut of the film, Kofi Outlaw of Screen Rant declared that Bay had created the best 3-D experience since James Cameron's Avatar.[167] Neil Schneider of Meant to be Seen, a website focused on stereoscopic 3-D gaming and entertainment, remarked that "while Transformers: Dark of the Moon had the scrapings of a really good story, this 3-D movie was shot with a 2-D script." On the topic of 3-D, Schneider said "Transformers 3 was a mix of native stereoscopic 3-D camera capturing and 2-D/3-D conversion (as a 3-D tool), and most was done very well." He added, "At a minimum, Transformers 3 demonstrates that fast cutting sequences are indeed possible and practical in stereoscopic 3-D. More than that, it was a comfortable experience and helped exemplify great use of stereoscopic 3-D with CGI live-action and CGI digital characters. That said, I think they still could have taken it much further."[168]

Charlie Jane Anders of Jezebel believed that some elements of the film were deliberate self-references to Michael Bay's own sense of under-appreciation after the backlash to the second film: "After a few hours of seeing Shia get dissed, overlooked and mistreated, the message becomes clear: Shia, as always, is a stand-in for Michael Bay. And Bay is showing us just what it felt like to deal with the ocean of Haterade—the snarking, the Razzie Award, the mean reviews—that Revenge of the Fallen unleashed." She went on to say that the film's frequent, often jarring shifts in tone were an intentional endorsement of Michael Bay's own filmmaking style. "Tone is for single-purpose machines. Consistency is for Decepticons. Michael Bay's ideal movie shifts from action movie to teen comedy to political drama with the same well-lubricated ease that his cars become men. By the time you've finished watching, you will speak Michael Bay's cinematic language."[169]

Accolades edit

Accolades received by Transformers: Dark of the Moon
Award Date of ceremony Category Recipient(s) Result Ref.
Academy Awards February 26, 2012 Best Sound Editing Ethan Van der Ryn and Erik Aadahl Nominated [170]
[171]
Best Sound Mixing Greg P. Russell, Gary Summers, Jeffrey J. Haboush, and Peter J. Devlin Nominated
Best Visual Effects Scott Farrar, Scott Benza, Matthew Butler, and John Frazier Nominated
Alliance of Women Film Journalists Awards January 10, 2012 Sequel or Remake That Shouldn't Have Been Made Transformers: Dark of the Moon Nominated [172]
[173]
Annie Awards February 4, 2012 Animated Effects in a Live Action Production Florent Andarra Won [174]
British Academy Children's Awards November 27, 2011 Kid's Vote — Film Transformers: Dark of the Moon Nominated [175]
Empire Awards March 25, 2012 Best 3D Transformers: Dark of the Moon Nominated [176]
Golden Raspberry Awards April 1, 2012 Worst Picture Transformers: Dark of the Moon Nominated [177]
Worst Director Michael Bay Nominated
Worst Supporting Actor Patrick Dempsey Nominated
Worst Supporting Actor Ken Jeong Nominated
Worst Supporting Actress Rosie Huntington-Whiteley Nominated
Worst Screenplay Ehren Kruger Nominated
Worst Screen Couple Shia LaBeouf and Rosie Huntington-Whiteley Nominated
Worst Screen Ensemble Transformers: Dark of the Moon Nominated
Golden Reel Awards February 19, 2012 Outstanding Achievement in Sound Editing – Feature Underscore Transformers: Dark of the Moon Nominated [178]
[179]
Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film Transformers: Dark of the Moon Nominated
Golden Trailer Awards June 29, 2011 Summer 2011 Blockbuster "Alien Secret" (Wild Card) Won [180]
Best Sound Editing "Alien Secret" (Wild Card) Nominated
Best Summer Blockbuster 2011 TV Spot "Dark" (Ignition Creative) Nominated
Hollywood Film Awards October 24, 2011 Hollywood Movie Award Transformers: Dark of the Moon Nominated [181]
[182]
Hollywood Visual Effects Award Scott Farrar Won
Hollywood Post Alliance Awards November 10, 2011 Outstanding Color Grading – Feature Film Stefan Sonnenfeld Nominated [183]
[184]
Outstanding Compositing – Feature Film Jeff Sutherland, Jason Billington, Chris Balog, and Ben O'Brien Won
People's Choice Awards January 11, 2012 Favorite Movie Transformers: Dark of the Moon Nominated [185]
Favorite Action Movie Transformers: Dark of the Moon Nominated
Favorite Action Movie Star Shia LaBeouf Nominated
Satellite Awards December 18, 2011 Best Visual Effects Scott Benza, John Frazier, Matthew Butler, and Scott Farrar Nominated [186]
[187]
Best Sound Peter J. Devlin, Ethan Van der Ryn, Erik Aadahl, Gary Summers, Greg P. Russell, and Jeffrey J. Haboush Nominated
Saturn Awards July 26, 2012 Best Special Effects Scott Benza, John Frazier, Matthew Butler, and Scott Farar Nominated [188]
[189]
Scream Awards October 15, 2011 Best Science Fiction Movie Transformers: Dark of the Moon Nominated [190]
[191]
Best Cameo Buzz Aldrin Nominated [190]
[192]
Holy Sh*t Scene of the Year "Escape From Collapsing Building" Nominated [190]
[193]
Best 3D Movie Transformers: Dark of the Moon Won [190]
Best F/X Transformers: Dark of the Moon Nominated [190]
[194]
Screen Actors Guild Awards January 29, 2012 Outstanding Performance by a Stunt Ensemble in a Motion Picture Transformers: Dark of the Moon Nominated [195]
Teen Choice Awards August 7, 2011 Choice Summer Movie Transformers: Dark of the Moon Nominated [196]
[197]
Choice Summer Movie Actor Shia LaBeouf Nominated
Choice Summer Movie Actress Rosie Huntington-Whiteley Nominated
Visual Effects Society Awards February 7, 2012 Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture Scott Benza, Wayne Billheimer, Matthew E. Butler, and Scott Farrar Nominated [198]
[199]
Outstanding Compositing in a Feature Motion Picture Chris Balog, Ben O'Brien, Amy Shepard, and Jeff Sutherland Nominated
Outstanding Created Environment in a Live Action Feature Motion Picture Giles Hancock, John Hansen, Tom Martinek, and Scott Younkin for "155 Wacker Drive" Won
Outstanding Models in a Feature Motion Picture Tim Brakensiek, Kelvin Chu, David Fogler, and Rene Garcia for "Driller" Won
Outstanding Virtual Cinematography in a Live Action Feature Motion Picture Michael Balog, Richard Bluff, Shawn Kelly, and Jeff White Nominated

Sequels edit

See also: Transformers: Age of Extinction, Transformers: The Last Knight, Bumblebee (film), and Transformers: Rise of the Beasts

The fourth film in the Transformers film series, Age of Extinction, was released June 27, 2014. A fifth film, The Last Knight, was released on June 21, 2017, followed by a spin-off titled Bumblebee, released on December 21, 2018. Transformers: Rise of the Beasts was released on June 9, 2023.

Notes edit

  1. ^ As depicted in Transformers: Revenge of the Fallen (2009)

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November 02, 2023
transformers, dark, moon, this, article, about, film, other, uses, disambiguation, dark, moon, redirects, here, other, uses, dark, moon, disambiguation, 2011, american, science, fiction, action, film, based, hasbro, transformers, line, film, third, installment. This article is about the film For other uses see Transformers Dark of the Moon disambiguation The Dark of the Moon redirects here For other uses see Dark of the Moon disambiguation Transformers Dark of the Moon is a 2011 American science fiction action film based on Hasbro s Transformers toy line The film is the third installment in the Transformers film series and the sequel to Transformers Revenge of the Fallen 2009 The film is directed by Michael Bay and written by Ehren Kruger It stars Shia LaBeouf Josh Duhamel John Turturro Tyrese Gibson Rosie Huntington Whiteley Patrick Dempsey Kevin Dunn Julie White John Malkovich and Frances McDormand Optimus Prime Bumblebee and Sam Witwicky must lead the Autobots against Megatron and the Decepticons as they battle to possess powerful technology abandoned on the Moon in order to restore Cybertron on Earth Transformers Dark of the MoonTheatrical release posterDirected byMichael BayWritten byEhren KrugerBased onTransformersby HasbroProduced byLorenzo di Bonaventura Tom DeSanto Don Murphy Ian BryceStarringShia LaBeouf Josh Duhamel John Turturro Tyrese Gibson Rosie Huntington Whiteley Patrick Dempsey Kevin Dunn Julie White John Malkovich Frances McDormandCinematographyAmir MokriEdited byRoger Barton William Goldenberg Joel NegronMusic bySteve JablonskyProductioncompaniesHasbro Studios Di Bonaventura PicturesDistributed byParamount PicturesRelease datesJune 23 2011 2011 06 23 MIFF 1 June 29 2011 2011 06 29 United States 2 3 Running time154 minutes 4 CountryUnited StatesLanguageEnglishBudget 195 million 5 6 Box office 1 124 billion 7 The film employed both regular 35 mm film cameras and specially developed 3 D cameras with filming locations in Chicago Florida Indiana Milwaukee Moscow and Washington D C The film was 3 D rendered specifically for 3 D and the visual effects involved more complex robots which took longer to render Dark of the Moon s release date was moved from July 1 to June 29 in order to monitor an early response to footage Exclusive early premieres took place on June 28 2011 one night before worldwide release Though the film was considered a slight improvement over its predecessor among critics and was praised for the score visual effects cast and voice performances and use of 3D it was criticized for its screenplay and runtime 8 Dark of the Moon grossed 1 124 billion worldwide and it was the fifth highest grossing film of all time and the second highest grossing film of 2011 and the highest grossing film in the franchise to date Like the first film it was nominated for Best Sound Editing Best Sound Mixing and Best Visual Effects at the 84th Academy Awards It was followed by Transformers Age of Extinction in 2014 Contents 1 Plot 2 Cast 2 1 Humans 2 2 Transformers 2 3 Non speaking characters 3 Production 3 1 Development 3 2 Casting 3 3 Themes and inspirations 3 4 Filming 3 5 Accidents 3 6 Visual effects 4 Music 5 Marketing 5 1 Novelizations 5 2 Video game 6 Release 6 1 Theatrical 6 2 Home media 7 Reception 7 1 Box office 7 1 1 Worldwide 7 1 2 North America 7 1 3 Outside North America 7 2 Critical response 7 3 Accolades 8 Sequels 9 Notes 10 References 11 External linksPlot editIn 1960 the Ark a Cybertronian spacecraft carrying an invention capable of ending the war between Autobots and Decepticons crash lands on the dark side of Earth s Moon and is detected by NASA President John F Kennedy authorizes a mission to put a man on the Moon as a cover for investigating the spacecraft In 1969 the crew of Apollo 11 lands on the Moon and secretly inspects the Ark before returning to Earth In the present day four years after Egypt a the Autobots assist humanity in preventing major conflicts During a mission to the site of the 1986 Chernobyl nuclear disaster to investigate suspected alien technology the Autobots are attacked by Decepticon scientist Shockwave and his giant worm Driller After the two escape Optimus Prime discovers that the technology is a fuel cell from the Ark thought to have been lost after escaping Cybertron The Autobots travel to the Moon and discover Sentinel Prime the Autobots leader before Optimus in a comatose state along with five Pillars he created as a means of establishing a Space Bridge a wormhole able to teleport matter between two points On Earth Optimus uses the energy of the Matrix of Leadership to revive Sentinel Meanwhile Sam Witwicky lives with his new girlfriend Carly Spencer but is unable to work with the Autobots At his new job co worker Jerry Wang gives him information about the Ark before being assassinated by the Decepticon Laserbeak It is revealed that the Decepticons are murdering people connected to the American and Soviet space missions to the Ark Sam contacts Seymour Simmons and they locate two surviving cosmonauts who reveal photos of hundreds of Pillars being stockpiled on the Moon The Decepticons raided the Ark long before the Apollo 11 mission and intentionally left Sentinel and the five Pillars for the Autobots to find knowing that Sentinel is the key to activating the Pillars Meanwhile Sam and the Autobots fight off three pursuing Decepticons and return Sentinel to their base However he betrays them by revealing that he made a deal with Megatron to ensure Cybertron s survival before killing Ironhide Sentinel uses the Pillars to transport hundreds of concealed Decepticons from the Moon to Earth Dylan Gould Carly s boss is revealed to be working with them With the help of Soundwave he captures Carly At the demand of the Decepticons the Autobots are exiled from Earth However as their ship leaves Earth it is destroyed by Starscream seemingly killing them The Decepticons invade Chicago while placing Pillars around the world to begin transporting their homeworld Cybertron to the Solar System They want to use Earth s resources to rebuild their world enslaving humanity in the process Sam teams up with former NEST soldier Robert Epps to go into Chicago to save Carly and arrest Dylan However they are nearly killed by the Decepticons before the Autobots intervene It turns out that the Autobots faked their death to gain an advantage over the Decepticons Sam along with NEST teams led by Lennox and Navy SEALs rescue Carly and begin fighting off the Decepticons During the battle Que is executed and Bumblebee kills Soundwave while Optimus fights Sentinel Laserbeak Starscream the Driller and Shockwave are also killed in the ensuing battle Sam fights Dylan and knocks him into the Pillar electrocuting and killing him Bumblebee destroys the Control Pillar permanently disabling the Bridge and causing the partially transported Cybertron to implode Meanwhile Carly convinces Megatron that he will be replaced by Sentinel as the leader of the Decepticons While fighting Sentinel is about to kill Optimus before he is incapacitated by Megatron who is determined to regain his leadership Megatron then offers a truce but Optimus refuses and kills Megatron by decapitating him Sentinel tries to reason his actions to Optimus but is executed by him for his betrayal Sam and Carly are reunited and the Autobots remain on Earth as their permanent home Cast editMain article List of Transformers film series cast and characters Humans edit Shia LaBeouf as Sam Witwicky The Autobots human ally whose now a recent college graduate and once again must help stop the Decepticons Josh Duhamel as Colonel William Lennox A U S Army Rangers officer who commands the classified strike team NEST an international joint task force battling Decepticons with the Autobots John Turturro as Seymour Simmons Former agent in charge of the terminated Sector 7 unit and now a successful professional writer Tyrese Gibson as Retired U S Air Force Combat Controller Chief Master Sergeant Robert Epps The former NCO in Charge of the NEST strike team who now works at Kennedy Space Center Rosie Huntington Whiteley as Carly Spencer Sam s new girlfriend and an Autobot ally This character was created in place of Megan Fox s character Mikaela Banes who was let go from this film due to controversial comments towards director Michael Bay in 2010 Patrick Dempsey as Dylan Gould A wealthy car collector and Carly s employer who is secretly working with the Decepticons Kevin Dunn as Ron Witwicky Sam s father Julie White as Judy Witwicky Sam s mother John Malkovich as Bruce Brazos Sam s employer and boss at Accuretta Systems Frances McDormand as Charlotte Mearing The Director of National Intelligence Keiko Agena as the aide and assistant of Charlotte Mearing Lester Speight as Hardcore Eddie A former member of NEST Josh Kelly as Stone a former member of NEST Alan Tudyk as Dutch Gerhardt Simmons personal assistant Tudyk said he played the role as the same character from the film 28 Days 9 Ken Jeong as Jerry Deep Wang Paranoid software programmer at Sam s work Glenn Morshower as General Sharp Morshower The director of NEST who communicates with the squad from the Pentagon Buzz Aldrin as himself Meeting Optimus Prime at the NEST headquarters Bill O Reilly as himself Interviewing Simmons through his television program The O Reilly Factor Elya Baskin as Cosmonaut Dimitri One of the two surviving Russian cosmonauts who gives Sam information on the Moon missions Andy Daly as Donnie A mailroom worker who loathes Wang Iqbal Theba as UN Secretary General Sammy Sheik as Faraj Mindy Sterling as Martha Chris Sheffield as Pimply Corporate KidTransformers edit nbsp A Peterbilt 379 used for the alternate mode of Optimus Prime nbsp The Bumblebee Camaro from Transformers 3 at BotCon in 2011 Peter Cullen as Optimus Prime The leader of the Autobots and keeper of the Matrix of Leadership who transforms into a red yellow orange and blue 1994 Peterbilt 379 semi trailer truck Hugo Weaving as Megatron The leader of the Decepticons and Prime s nemesis who is still badly wounded from the battle in Egypt and transforms into a rusty 10 wheeler 2011 Mack Granite M915 LHRT tank truck Leonard Nimoy as Sentinel Prime Optimus s mentor and predecessor as the leader of the Autobots He s later revealed as a Decepticon double agent who transforms into a red and black Rosenbauer Panther fire truck Nimoy previously voiced Galvatron in the 1986 Transformers animated film Mark Ryan as Bumblebee The Autobot scout who is Sam Witwicky s friend and guardian that transforms into a yellow and black 2011 Chevrolet Camaro Jess Harnell as Ironhide The Autobot weapons specialist and Optimus Prime s second in command who transforms into a black 2009 GMC Topkick C4500 Charlie Adler as Starscream Megatron s second in command who transforms into a Lockheed Martin F 22 Raptor Robert Foxworth as Ratchet The Autobot medical officer who transforms into a white and green 2009 search and rescue Hummer H2 ambulance James Remar as Sideswipe The Autobot combat instructor from Revenge of the Fallen who transforms into a silver 2011 Chevrolet Corvette Stingray convertible who was previously voiced by Andre Sogliuzzo Francesco Quinn as Dino Mirage The Autobot spy who transforms into a red 2011 Ferrari 458 Italia This was Quinn s final role before his death shortly after the film s release George Coe as Que Wheeljack the Autobot engineer who invents gadgets equipment and weapons and transforms into a blue 2009 Mercedes Benz E550 Tom Kenny as Wheelie A former Decepticon drone turned Autobot from Revenge of the Fallen who transforms into a blue radio controlled toy monster truck Reno Wilson as Brains Wheelie s partner and a fellow former Decepticon drone who transforms into a Lenovo ThinkPad Edge laptop computer Frank Welker as Shockwave The Decepticon scientist and assassin Soundwave The Decepticon communications officer who transforms into a silver 2011 Mercedes Benz SLS AMG Barricade uncredited A Decepticon scout who mysteriously disappeared after the final battle in the first film Ron Bottitta as Roadbuster also credited as Amp An Autobot Wrecker who transforms into Dale Earnhardt Jr s Hendrick Motorsports No 88 AMP Energy National Guard 2011 Chevrolet Impala John DiMaggio as Leadfoot also credited as Target The leader of the Autobot Wreckers who transforms into Juan Pablo Montoya s Earnhardt Ganassi Racing No 42 Target 2011 Chevrolet Impala Keith Szarabajka as Laserbeak A condor like Decepticon who is fiercely loyal to Soundwave and frequently changes transformation modes Greg Berg as Igor A deformed Decepticon who serves as a personal servant to Megatron in his exile Non speaking characters edit Crowbar The Leader of the Dreads who transforms into a black Police 2011 Chevrolet Suburban Crankcase A Decepticon Dread who transforms into a black Police 2011 Chevrolet Suburban Hatchet A quadruped Decepticon Dread who transforms into a black Police 2011 Chevrolet Suburban Driller A giant worm like tentacled Decepticon and Shockwave s pet Devcon A quadruped Decepticon who participates in the Battle of Chicago and transforms into a MAZ 543P 8x8 Soviet missile launcher Topspin An Autobot Wrecker who transforms into Jimmie Johnson s Hendrick Motorsports No 48 Lowe s Kobalt 2011 Chevrolet Impala Production editDevelopment edit You just learn a lot more about the hierarchy and there s more about the history of what they had in Cybertron Leonard Nimoy plays a great role Michael Bay on developing Sentinel Prime s character 10 As a preemptive measure before the release of Transformers Revenge of the Fallen Michael Lucchi and Paramount Pictures announced on March 16 2009 that a third film would be released in IMAX 3D on July 1 2011 which earned a surprised response from director Michael Bay I said I was taking off a year from Transformers Paramount made a mistake in dating Transformers 3 they asked me on the phone I said yes to July 1 but for 2012 whoops Not 2011 That would mean I would have to start prep in September No way My brain needs a break from fighting robots 11 Screenwriters Roberto Orci and Alex Kurtzman who had worked on the two previous Transformers films declined to return for the third film with Kurtzman declaring that the franchise is so wonderful that it deserves to be fresh all the time We just felt like we d given it a lot and didn t have an insight for where to go with it next 12 Revenge of the Fallen s co writer Ehren Kruger became the sole screenwriter for Dark of the Moon Kruger had frequent meetings with Industrial Light amp Magic s ILM visual effects producers who suggested plot points such as the scenes in Chernobyl 13 On October 1 2009 Bay revealed that Transformers Dark of the Moon had already gone into pre production and its planned release was back to its originally intended date of July 1 2011 rather than 2012 14 Due to the revived interest in 3 D filming technology brought on by the success of Avatar 15 talks between Paramount ILM and Bay had considered the possibility of the next Transformers film being filmed in 3 D and testing was performed to bring the technology into Bay s work 16 Bay originally was not much interested in the format as he felt it did not fit his aggressive style of filmmaking but he was convinced after talks with Avatar director James Cameron 17 who even offered the technical crew from that film Cameron reportedly told Bay about 3 D You gotta look at it as a toy it s another fun tool to help get emotion and character and create an experience 18 Bay was reluctant to film with 3 D cameras since in test he found them to be too cumbersome for his filming style but he did not want to implement the technology in post production either since he was not pleased with the results 19 In addition to using the 3 D Fusion camera rigs developed by Cameron s team 18 Bay and the team spent nine months developing a more portable 3 D camera that could be brought into location 17 In a hidden extra for the Blu ray version of Revenge of the Fallen Bay expressed his intention to make Transformers 3 not necessarily larger than Revenge of the Fallen but instead deeper into the mythology to give it more character development and to make it darker and more emotional Unicron is briefly shown in a secret Transformers 3 preview feature in the Revenge of the Fallen Blu ray disc Ultimately the producers decided to forgo a plot involving the planet eating Transformer and no further comments were ever made on the subject 20 Having been called Transformers 3 up to that point the film s final title was revealed to be Dark of the Moon in October 2010 21 After Revenge of the Fallen was almost universally panned by critics and audiences despite being a box office success Bay acknowledged the general flaws of the script having blamed the 2007 2008 Writers Guild of America strike prior to the film for many problems Bay also promised the film to not have the dorky comedy from the last film 22 On March 19 2010 the script was said to be finished 23 Casting edit nbsp Dempsey on the set of Transformers Dark of the Moon in 2010Megan Fox was originally attached to the film and Patrick Dempsey s role as Dylan Gould was to be the employer of Fox s character Mikaela Banes 24 According to various published sources Fox s absence from the film was due to executive producer Steven Spielberg ultimately choosing not to renew her role in light of her comparing Bay and his work ethic to Adolf Hitler 25 26 although representatives for the actress said that it was her decision to leave the film franchise 27 Bay later claimed that executive producer Steven Spielberg told him to fire Fox 28 a claim that Spielberg denied 29 I wasn t hurt Bay stated because I know that s just Megan Megan loves to get a response And she does it in kind of the wrong way I m sorry Megan I m sorry I made you work twelve hours I m sorry that I m making you show up on time Movies are not always warm and fuzzy 28 With Fox not reprising her role Rosie Huntington Whiteley was chosen to play Sam s new love interest 30 Ramon Rodriguez was initially planned to be in the film in a role bigger than the one he had in Revenge of the Fallen but he was dropped during early production 31 A few well known actors such as John Malkovich and Frances McDormand also gained selected roles for the film Malkovich explains I play a guy called Bruce Brazos who s just a loudmouth kind of business man who s Shia s character s boss Who s just a jerk and a kind of a loud one But a fun character Nice It was fun Very very enjoyable just with Shia Rosie a little bit and with John Turturro So for me it was a blast 32 Another well known actor Ken Jeong was cast as an eccentric co worker and stalker Jeong described the film Yeah it s a small role in Transformers but yeah I had an out of body experience working on that one because I just couldn t believe I was there Still that was not a thing where oh I m going to be a part of a blockbuster franchise like Transformers 3 or even now Hangover 2 for that matter So I can t believe I m a part of these franchises in any way It was amazing Michael Bay is brilliant and it ll blow your mind 33 For the role of Decepticon scientist Shockwave veteran Transformers voice actor Corey Burton was originally approached to voice the character after previously doing so in the original television series and Transformers Animated Burton declined the offer citing his work schedule and disinterest in being involved in a blockbuster franchise David Warner Burton s influence on his Shockwave voice was briefly considered but the role was ultimately given to Frank Welker adding to his already long list of Transformers characters 34 35 Themes and inspirations edit Due to the critically panned Transformers Revenge of the Fallen Bay decided to remove the characters called the Twins entirely from Dark of the Moon This one really builds to a final crescendo It s not three multiple endings One thing we re getting rid of is what I call the dorky comedy The twins are basically gone 36 Due to fan rumors that the Twins would actually be in the film the director made a public 25 000 bet that the Twins would not be seen in Dark of the Moon 36 They were briefly shown in the N E S T headquarters in their vehicle modes in the film Bay acknowledged that Revenge of the Fallen was disappointing to the fans and stated that he doesn t want the third one to suck 37 Bay stated that he wanted Dark of the Moon s final battle to be more geographic and feature a small group of heroes like Ridley Scott s war drama Black Hawk Down Joe Dante s science fiction Small Soldiers and Hasbro s G I Joe The Rise of Cobra 37 Bay also decided to include Shockwave because he considers the character bad and He s got a much bigger gun than Megatron and is a little bit more vicious 37 According to The A V Club the film had several minor story inspirations from the 1980s cartoon The Transformers including the usage of a Space Bridge and the kicking the Autobots out 38 better source needed Similar to the previous two installments the film was told in the human point of view to engage the audience Bay wanted Sam to have a girlfriend like in the first two films Actor Shia LaBeouf said that Sam and Mikaela had become one character and although he would miss Megan Fox with this change you have discovery again from a new perspective 39 LaBeouf also stated that the additions of Huntington Whiteley and new characters allows Dark of the Moon to keep the magic of the first film 40 Dark of the Moon also had numerous Star Trek references partly because scriptwriter Ehren Kruger was a big Star Trek geek 41 but also as a nod to the fact that new character Sentinel Prime was voiced by Leonard Nimoy who originated the iconic role of Spock on Star Trek and voiced Galvatron in The Transformers The Movie The first Star Trek reference is when refugee robots Brains and Wheelie who live in Sam and Carly s apartment complex are watching TOS episode Amok Time Wheelie comments I ve seen this one It s the one where Spock goes nuts 41 The second reference is when Sam meets his girlfriend Carly Spencer at work and is being introduced to Carly s employer Dylan Gould Sam marvels at their workplace It s a beautiful building you guys have Like the Starship Enterprise in here 41 The third reference is when Bumblebee says goodbye to Sam at Cape Canaveral the words my friend are sampled from Spock in Star Trek II The Wrath of Khan You are my friend I am and always shall be yours 41 The fourth and final reference is when Sentinel Prime activates the Control Pillar quoting Spock s maxim in Star Trek II and Star Trek III The Search for Spock The needs of the many outweigh the needs of the few 41 Filming edit source source source source source source Explosions on Wacker Drive in Chicago for Transformers Dark of the Moon filming on location nbsp The shooting of Transformers 3 in Chicago in July 2010 in the foreground the Autobot wrecker Topspin as a heavily armed Chevrolet Impala nbsp Vehicles used on the set of Transformers Dark of the MoonTransformers Dark of the Moon s production cost was reported 195 million with the cost of the 3 D filming accounting at 30 million of the budget 5 Preparation for filming began on April 7 2010 in Northwest Indiana specifically around Gary which portrayed Ukraine in the film 42 43 44 Principal photography commenced on May 18 2010 with shooting locations including Chicago Florida and Moscow 45 46 The first six weeks were spent in Los Angeles locations included Sherman Oaks Fourth Avenue and 5 Main The next four weeks were spent in Chicago Locations filmed in Chicago included LaSalle Street Michigan Avenue Bacino s of Lincoln Park at 2204 North Lincoln Avenue and areas surrounding the Willis Tower 47 The scenes set in Michigan Ave featured a substantial amount of pyrotechnics and stunt work 48 Filming in Detroit was planned to take place in August but the Chicago shoot was extended until September 1 49 In late September the production moved to NASA s Kennedy Space Center in Florida just before the launch of Space Shuttle mission STS 133 50 Scenes were filmed at Launch Pad 39A the Vehicle Assembly Building and the Orbiter Processing Facility 51 nbsp Actors on a Transformers Dark of the Moon set in July 2010While filming in Washington D C the crew shot on the National Mall and Bay stated that there would be a car race on the location Two further locations announced were the Milwaukee Art Museum and the former Tower Automotive complex on Milwaukee s north side then under redevelopment for mixed use as well as the city s equipment yard Filming was scheduled to take place there after work was done in Chicago 52 On September 23 scenes were filmed at the former city hall in Detroit On October 16 a flashback scene that takes place in the later 1960s was shot at the Johnson Space Center in Houston using extras with period fashion and hairstyles 53 One day of shooting was also spent at the Angkor Wat temple complex in Cambodia 54 Other planned filming locations included Africa and China 55 Though about 70 of the film s live action footage was shot in 3 D 56 using Arri Alexa and Sony F35 cameras 57 more than half of the film still had to be converted into 3 D in post production to fix technical flaws that 3 D filming produces 58 Other footage that needed to be converted into 3 D in post production was either entirely computer generated imagery or shot in the anamorphic format on 35 mm film 56 35 mm film was used for scenes filmed in slow motion and scenes such as closeups of faces or shots of the sky that required higher image quality than the HD digital 3 D cameras could provide 56 35 mm cameras were also used for scenes where the 3 D cameras proved to be too heavy or were subject to strobing or electrical damage from dust 56 Principal photography officially concluded on November 9 2010 59 Dark of the Moon has been found to contain recycled footage from an earlier film directed by Michael Bay The Island 2005 60 Bay similarly recycled footage from his film Pearl Harbor 2001 in the 2007 film Transformers 61 Accidents edit nbsp Shooting of the duel between Sam Witwicky Shia LaBeouf and Dylan Gould Patrick Dempsey in Chicago Filming was delayed on September 2 2010 when an extra was seriously injured during a stunt in Hammond Indiana Due to a failed weld a steel cable snapped from a car being towed and hit the extra s car damaging her skull The extra identified as Gabriela Cedillo had to undergo brain surgery 62 The injury has left her permanently brain damaged paralyzed on her left side and her left eye stitched shut 63 64 Paramount admitted responsibility for the accident and covered all of Cedillo s medical costs 65 Nevertheless Cedillo s family filed a lawsuit on October 5 citing seven counts of negligence against Paramount and several other defendants not including Bay with total damages sought in excess of 350 000 66 Cedillo s attorney Todd Smith said This was an attractive 24 year old girl who had dreams and aspirations involving acting and this kind of injury may well have a serious impact on her dreams 67 The filed complaint reads that Cedillo has endured and will in the future endure pain and suffering has become disfigured and disabled has suffered a loss of the enjoyment of a normal life has been damaged in her capacity to earn a living has incurred and will in the future incur expenses for medical services all of which are permanent in nature 67 In response to the suit Paramount released the following statement We are all terribly sorry that this accident occurred Our thoughts prayers and best wishes are with Gabriela her family and loved ones The production will continue to provide all the help we can to Gabriela and her family during this difficult time 67 In May 2012 it was revealed that an 18 million settlement had been reached between Paramount and the Cedillo family 68 A second accident occurred on October 11 2010 in Washington D C While filming a chase scene at 3rd Street and Maryland Avenue SW a Metropolitan Police K9 Unit SUV accidentally rammed the Camaro that portrays Bumblebee in the film The area had been closed off by the Washington D C police and it is unclear why the SUV was there Both drivers were uninjured 69 but the Camaro was severely damaged 70 Reports indicate that the K9 Unit was heading to a report of a bomb threat as part of a Bomb Squad response but was not using the same radio frequency as the units guarding the filming and did not realize it had gone the wrong way until it collided with the Bumblebee Camaro Many fans who witnessed the crash were horrified at the damage the Bumblebee Camaro suffered and cast and crew members reacted quickly to cover up the damaged Camaro and secure the scene 71 Visual effects edit As with the previous Transformers installments Industrial Light amp Magic ILM was the main CGI visual effects company for Dark of the Moon ILM had been working on the pre visualization for six months before principal photography started resulting in 20 minutes worth of footage 72 Digital Domain also rendered 350 CGI shots including the characters Laserbeak Brains Wheelie and the Decepticon protoforms concealed on the Moon the space bridge and a skydiving sequence 73 74 External audioIndustrial Light amp Magic s interview for the effects of the film nbsp Listen to the InterviewILM s visual effects supervisor Scott Farrar said that not only were the film s effects ambitious they also had to be designed for 3 D and explained the company s solutions for the new perspective We did make sure things are as bright as possible Michael called up theatre owners to make sure they keep the lamps bright in the theatres make everything a little sharper because we know that through the steps no matter what when you get to the final screening things tend to go less sharp 75 On the last weekend of ILM s work on Dark of the Moon the company s entire render farm was being used for the film giving ILM more than 200 000 hours of rendering power a day or equivalent to 22 8 years of rendering time in a 24 hour period 13 Farrar embraced the detail in creating giant robots for 3 D making sure that in close ups of the Transformers faces you see all the details in the nooks and crannies of these pieces It s totally unlike a plain surface subject like a human head or an animated head The supervisor said that Bay s style of cinematography helped integrate the robots into the scenes as Michael is keen on having foreground midground background depth in his shots even in normal live action shots He ll say Put some stuff hanging here It could be women s stockings or forks and knives dangling from a string out of focus it doesn t matter but it gives you depth and focus depth and makes it more interesting 76 nbsp Considerable digital animation was required for the elaborate Driller as it comprised over 70 000 parts significantly more than Optimus Prime s 10 000 parts The most complicated effects involved the Driller a giant snake like creature with an eel like body and spinning rotator blades knives and teeth In Revenge of the Fallen it took 72 hours per frame to fully render Devastator for the IMAX format which is approximately a frame amount of 4 000 For the Driller which required the entire render farm it was up to 122 hours per frame 72 The most complex scene involved the Driller destroying a computer generated skyscraper which took 288 hours per frame 75 For said sequence ILM relied on its internal proprietary physics simulation engine to depict the destruction of the building which included breaking concrete floors and walls windows columns and pieces of office furnishings ILM digital production supervisor Nigel Sumner explained We did a lot of tests early on to figure out how to break the building apart exploring a lot of the procedural options A building that s 70 feet tall to go in and hand score the geometry so when it fractures or falls apart would be a time consuming laborious process The floor of a building may be made of concrete How does concrete fracture when it tears apart The pillars would be made of a similar material but made of rebar or other engineering components We d look at how a building would blow apart and then choose the best tool to help achieve the properties of that during a simulation 76 nbsp nbsp Sentinel Prime left was modelled after Actor Sean Connery right 13 The scenes in Chicago were mostly shot on location as Bay believed the plates had to really be shot in the actual city Farrar was always fascinated with the idea of shooting on location and then blending the film with computer generated imagery He said We try and shoot everything real You may have seen some films recently where the entire city has been destroyed and it s entirely CGI Well for a Transformers film it s different because we actually went to Chicago If you start with the real thing you have a lot more to work with to make it look real So for a couple of months there I was in a helicopter shooting aerial plates of the real buildings And we d add destruction to all the backgrounds smoke fire debris fighter planes war battles torn up streets to real cityscapes 76 Four ILM employees also traveled to Chicago and photographed buildings from top to bottom at six different times of the day in order to create a digital model of the city to be used in certain scenes 13 ILM s crew designed many major action scenes 13 with many of the Chicago battle concepts coming from the helicopter shooting of the aerial plates 72 Animator Scott Benza said Sentinel Prime had a face more human like than any of the other robots with a more complex frame and a greater number of plates so it could be more expressive 13 ILM had based most of Sentinel Prime s features on Sean Connery and after Leonard Nimoy was cast to voice the role the effects were altered to incorporate Nimoy s acting as well Every robot would take approximately 30 weeks to build visually Originally the fight between Sentinel Prime Optimus Prime and Megatron was considered to be on water in the Chicago River but the budget was cut and ILM realized that they would not want to present that version of the final battle to Bay so they decided to have the battle take place on the bridge over the river 72 For a sequence where Bumblebee catches Sam and Lennox while transforming in mid air a digital double of Shia LaBeouf was combined with footage of the actor in high speed so that the effects team could time it for slow motion 76 Since Bay shoots all his films in anamorphic format Dark of the Moon s representation would be squeezed in to distort the image and ILM would add in the robots and un distort the image 72 The ample variety of filming formats used single camera 3 D stereo rigs with two cameras anamorphic and spherical lenses proved a challenge especially as ILM had a deadline to deliver the 3 D plates to the companies responsible for the 3 D conversion 13 ILM made 600 3 D shots and Digital Domain had under 200 72 while Legend3 D the lead 3 D conversion company of the film completed 78 minutes of work on the film and finalized the work of approximately 40 minutes of challenging non visual effects and 38 minutes of visual effects shots 77 Music editSee also Transformers Dark of the Moon The Album and Transformers Dark of the Moon The Score nbsp Steve Jablonsky It s Our Fight source source A 27 second sample of Steve Jablonsky s It s Our Fight The climax is played and a unique bass drum is used in the process Problems playing this file See media help Composer Steve Jablonsky who had before collaborated with Bay on The Island and the first two Transformers films returned to compose the Dark of the Moon score Jablonsky s musical score was lauded by critics and fans The score was released on June 24 2011 five days before the actual release of the film 78 Although a bit more score heavy this time around the soundtrack is certainly featured and we not only rejoin characters we have come to know but some familiar artists who are back again as well Allison Loring reviewing the film s soundtrack 79 The album was originally set for release on June 28 2011 but Amazon com listed the album as unavailable while the album was still being listed for release during the week of the film s global release 80 It was available for download on Amazon on June 30 2011 80 and the score currently features 17 pre recorded tracks that are featured in the final film The score s length is approximately 59 47 81 The album for the film was released on June 14 2011 It consists of singles produced by different artists and bands and rock tracks American rock band Linkin Park composed the lead single for the film Iridescent as they did with the first two films What I ve Done was used in the 2007 film and New Divide for the 2009 film The music video for Iridescent was directed by Joe Hahn 82 Two other singles were released specifically for the soundtrack Monster by Paramore citation needed and All That You Are by the Goo Goo Dolls Several other unreleased songs make their debut on the album including The Pessimist by Stone Sour and The Bottom by Staind My Chemical Romance s song The Only Hope for Me Is You also appeared and can also be found on their fourth studio album Danger Days The True Lives of the Fabulous Killjoys and on the soundtrack The song was not exclusively for the movie and was featured in the credits 83 The Black Veil Brides song Set the World on Fire is also included citation needed Marketing edit nbsp An advertisement for the film on a bus in Hong KongMost of the characters returned for Hasbro s new toyline which was released on May 16 2011 84 In October 2010 Entertainment Tonight previewed the behind the scenes filming in Chicago 85 86 A two minute teaser trailer was announced on November 27 87 and was posted to the Internet on December 9 2010 88 A 30 second television advertisement for the film aired during Super Bowl XLV on Fox TV channel on February 6 2011 89 The first full theatrical trailer was released on April 28 2011 90 The very first video clip was released on May 18 91 A second clip was released the next day on May 19 92 The North American promotional costs came to approximately 75 million 5 93 Novelizations edit In May 2011 the novelization junior novel and graphic novel of Transformers Dark of the Moon were released Both the novel and the graphic novel featured Skids and Mudflap as supporting characters but the characters were missing from the junior novel The graphic novel made reference to several Autobots from the IDW Publishing tie in comics who died in the stories between Revenge of the Fallen and Dark of the Moon 94 Another novel written by Peter David was published on May 24 2011 and was released only paperback Though it is slightly different from the film the novel still pertains to the topic and synopsis of the film it is based on in the outcome of the final battle The novel features about 400 pages and is published by Del Rey Books Its synopsis is All humankind was watching that day in 1969 And yet only a handful knew the real mission behind America s triumph in the space race to explore the alien ship that has crashed on the far side of the moon Decades later scientists are still struggling to understand the technology found on board though with the treacherous Decepticons after it a powerful force must be at stake The only hope of averting a crisis is to reawaken Sentinel Prime the long lost leader of the Autobots but who knows what else remains in the shadows hidden from man and machine 95 Video game edit Main article Transformers Dark of the Moon video game On June 14 2011 Activision published a video game based on the film for Xbox 360 PlayStation 3 Wii Nintendo 3DS and Nintendo DS The versions for Nintendo s consoles were developed by Behaviour Interactive 96 while the versions for the rest of the consoles were developed by High Moon Studios who had previously developed Transformers War for Cybertron Electronic Arts released the game Transformers Dark of the Moon on June 28 2011 for Nokia Symbian smartphones Apple products iPod Touch iPhones and iPad 97 98 and Research In Motion s BlackBerry devices 99 Release edit nbsp Rosie Huntington Whiteley at the film s premiereTheatrical edit Transformers Dark of the Moon first premiered at the Moscow International Film Festival on June 23 2011 Linkin Park performed a special outdoor concert in Red Square in Moscow on the same night in celebration of the event 1 Initially scheduled to be released on July 1 2011 the release was brought forward to June 29 2011 3 It was announced in November 2010 that unlike Transformers Revenge of the Fallen no scenes in the film were shot with IMAX 3 D cameras 100 Home media edit During Hasbro Investor Day it was announced that the DVD and Blu ray Disc would be released in the fourth quarter of 2011 101 The NTSC home release for the film was released on September 30 2011 102 with a Blu ray 3D version of the film slated for release in the coming months 103 104 However the first home release was criticized for the lack of bonus features 105 A Walmart exclusive edition of Transformers Dark of the Moon also was released on September 30 2011 106 The PAL DVD and Blu ray Discs of Transformers Dark of the Moon was released on November 28 2011 107 In North America it sold 716 218 DVD units equivalent of 13 565 169 in its first week topping the weekly DVD chart 108 As of February 26 2012 update it has sold 2 829 285 DVD units equivalent of 48 058 979 109 It also topped the Blu ray charts on the same week and it has sold 2 381 657 Blu ray units earning 50 934 911 by October 23 2011 110 The Blu ray 3D release of the film was released on January 31 2012 in NTSC regions and on February 13 2012 in PAL regions 111 Transformers Dark of the Moon was released on 4K UHD Blu ray on October 30 2017 in PAL regions and December 5 2017 in NTSC regions 112 The film grossed 113 8 million in home sales 113 Reception editBox office edit Worldwide edit Transformers Dark of the Moon had grossed 352 3 million in North America and 771 4 million in other territories for a worldwide total of 1 123 billion 114 It was the fifth highest grossing film of all time and the second highest grossing film of 2011 115 On August 3 2011 the film crossed the 1 billion mark 116 making it the second Paramount Pictures film to do so along with Titanic Its worldwide opening weekend 382 4 million is the fourth largest ever and the largest for Paramount 117 It set an IMAX worldwide opening weekend record with 23 1 million first surpassed by Deathly Hallows Part 2 118 It reached 400 million 6 days 500 million 9 days 600 million 12 days and 700 million 16 days in record time but lost all records to Deathly Hallows Part 2 119 North America edit The film opened in 4 088 theaters including a then record total of 2 789 3 D locations It made 5 5 million during Tuesday 9 p m showings 8 million during midnight showings 120 and 37 7 million on its opening day Wednesday including Tuesday showings This was the sixth best opening Wednesday 121 However all these figures were lower than Revenge of the Fallen 122 On Thursday it earned 21 5 million falling 43 an improvement from its predecessor s Wednesday to Thursday decline It grossed 33 0 million on Friday totaling 97 8 million Its 3 D share accounted for 60 of its gross which was atypical due to the downturn in 3D attendance in North America For its three day opening weekend Friday to Sunday it grossed 97 9 million topping the box office ahead of Cars 2 123 It achieved the third largest opening weekend of 2011 124 the fourth largest opening weekend in July 125 the fifth largest opening weekend for a film not released on Friday 126 and the second largest five day gross for a film opening on Wednesday 114 It set records for the 3 day 97 9 million 127 and 4 day 115 9 million Independence Day weekend surpassing Spider Man 2 s record in both cases 88 2 million and 115 8 million respectively until both records were broken with the release of Minions The Rise of Gru in 2022 128 129 It retained first place on its second weekend dropping 52 to 47 1 million 130 Closing on October 13 2011 with 352 4 million it is the second highest grossing film of 2011 131 and the second highest grossing film in the franchise 132 133 Outside North America edit The film grossed 32 5 million on its opening day pacing 38 ahead of its predecessor Including some early Tuesday previews it earned 36 6 million in one and a half days 134 and by Thursday its international total reached 66 million 135 By the end of its first weekend it had earned 219 8 million which stands as the fifth largest opening weekend of all time overseas and the largest for Paramount 136 Its foreign launch was 57 ahead of that of Revenge of the Fallen 139 6 million 70 of its grosses came from 3 D a higher 3 D share than Pirates 4 s 66 137 Don Harris general manager of distribution for Paramount commented on the results of Dark of the Moon If we hadn t chosen to debut the movie later in Japan and China we probably would have had the all time record 138 The film topped the box office outside North America for two weekends in a row 139 In China its highest grossing market after North America the film set records for an opening day with 15 9 million a single day with 17 4 million overtaken by Journey to the West Conquering the Demons 140 and an opening weekend with 46 8 million 62 7 million with previews 141 The latter was taken from Avatar 42 0 million 142 The opening weekend record when including previews was surpassed by Titanic 3D 74 2 million 143 Dark of the Moon ended its run with 167 95 million marking the second highest grossing film of 2011 after Harry Potter and the Deathly Hallows Part 2 144 Besides China it broke the opening day record in Russia and South Korea 134 the single day record in Hong Kong 145 and the opening weekend record in South Korea 146 Hong Kong Malaysia Taiwan Thailand Singapore the UAE the Philippines and Peru the last three records were surpassed by The Avengers 137 147 148 Following China in total earnings were South Korea 69 1 million and Japan 54 2 million 149 Critical response edit On Rotten Tomatoes the film has an approval rating of 35 based on reviews from 263 critics and an average rating of 5 10 The site s critical consensus reads Its special effects and 3D shots are undeniably impressive but they aren t enough to fill up its loud bloated running time or mask its thin indifferent script 8 On Metacritic the film has a score of 42 out of 100 based on 37 critics indicating mixed or average reviews 150 Audiences polled by CinemaScore gave the film an average grade of A on an A to F scale 151 152 Roger Ebert gave the film one out of four stars criticizing its visuals plot characters and dialogue 153 Richard Roeper likewise panned the film giving it a D and responded that rarely has a movie had less of a soul and less interesting characters 154 A O Scott in The New York Times wrote I can t decide if this movie is so spectacularly breathtakingly dumb as to induce stupidity in anyone who watches or so brutally brilliant that it disarms all reason What s the difference 155 Several critics felt that Shia LaBeouf and Rosie Huntington Whiteley s performances were ineffective Peter Travers of Rolling Stone gave the film 0 stars the same rating that he had given to Revenge of the Fallen and stated the two actors couldn t be duller 156 Tirdad Derakhshani of The Philadelphia Inquirer stated that LaBeouf plays Witwicky as if he had a ferocious case of attention deficit disorder After two films his fidgeting isn t cute anymore 157 James Berardinelli of ReelViews wrote that LaBeouf has sunk to greater levels of incompetence here It s hard to call his posturing and screaming acting 158 Jason Solomons of The Observer wrote W e re first introduced to Huntington Whiteley via a close up of her bum segueing straight from the film s opening sequence and titles on to the pert buttocks and underwear of our heroine and that her English posh girl accent renders her practically unintelligible when surrounded by American accents and falling masonry 159 Much of the criticism towards Rosie Huntington Whiteley compared her in an unfavorable light to Megan Fox Lou Lumenick of the New York Post wrote that her acting makes Megan Fox look like Meryl Streep in comparison 160 Huntington Whitely was later nominated for the Golden Raspberry Award for Worst Supporting Actress for her performance but lost to David Spade for Jack and Jill 161 For good or ill Bay is the soul of a new machine the poet of post human cinema the CEO of Hollywood s military entertainment complex Richard Corliss in his review of the film for Time magazine 162 Steve Prokopy of Ain t It Cool News found the film to be better than the first two 163 Jim Vejvoda of IGN gave the film a score of seven out of ten also stating that it was the best of the franchise 164 E Online graded the film a B while noting if this film is truly the end of a trilogy its main antagonists should have played more of a part 165 Website Daily Bhaskar also praised the film rating it three and a half out of five stars citing it as an improvement on the previous film and writing that it gives fans something to cheer about 166 Many reviews praised the film s special effects and aggressive use of 3 D After previewing a partial unfinished cut of the film Kofi Outlaw of Screen Rant declared that Bay had created the best 3 D experience since James Cameron s Avatar 167 Neil Schneider of Meant to be Seen a website focused on stereoscopic 3 D gaming and entertainment remarked that while Transformers Dark of the Moon had the scrapings of a really good story this 3 D movie was shot with a 2 D script On the topic of 3 D Schneider said Transformers 3 was a mix of native stereoscopic 3 D camera capturing and 2 D 3 D conversion as a 3 D tool and most was done very well He added At a minimum Transformers 3 demonstrates that fast cutting sequences are indeed possible and practical in stereoscopic 3 D More than that it was a comfortable experience and helped exemplify great use of stereoscopic 3 D with CGI live action and CGI digital characters That said I think they still could have taken it much further 168 Charlie Jane Anders of Jezebel believed that some elements of the film were deliberate self references to Michael Bay s own sense of under appreciation after the backlash to the second film After a few hours of seeing Shia get dissed overlooked and mistreated the message becomes clear Shia as always is a stand in for Michael Bay And Bay is showing us just what it felt like to deal with the ocean of Haterade the snarking the Razzie Award the mean reviews that Revenge of the Fallen unleashed She went on to say that the film s frequent often jarring shifts in tone were an intentional endorsement of Michael Bay s own filmmaking style Tone is for single purpose machines Consistency is for Decepticons Michael Bay s ideal movie shifts from action movie to teen comedy to political drama with the same well lubricated ease that his cars become men By the time you ve finished watching you will speak Michael Bay s cinematic language 169 Accolades edit Accolades received by Transformers Dark of the Moon Award Date of ceremony Category Recipient s Result Ref Academy Awards February 26 2012 Best Sound Editing Ethan Van der Ryn and Erik Aadahl Nominated 170 171 Best Sound Mixing Greg P Russell Gary Summers Jeffrey J Haboush and Peter J Devlin NominatedBest Visual Effects Scott Farrar Scott Benza Matthew Butler and John Frazier NominatedAlliance of Women Film Journalists Awards January 10 2012 Sequel or Remake That Shouldn t Have Been Made Transformers Dark of the Moon Nominated 172 173 Annie Awards February 4 2012 Animated Effects in a Live Action Production Florent Andarra Won 174 British Academy Children s Awards November 27 2011 Kid s Vote Film Transformers Dark of the Moon Nominated 175 Empire Awards March 25 2012 Best 3D Transformers Dark of the Moon Nominated 176 Golden Raspberry Awards April 1 2012 Worst Picture Transformers Dark of the Moon Nominated 177 Worst Director Michael Bay NominatedWorst Supporting Actor Patrick Dempsey NominatedWorst Supporting Actor Ken Jeong NominatedWorst Supporting Actress Rosie Huntington Whiteley NominatedWorst Screenplay Ehren Kruger NominatedWorst Screen Couple Shia LaBeouf and Rosie Huntington Whiteley NominatedWorst Screen Ensemble Transformers Dark of the Moon NominatedGolden Reel Awards February 19 2012 Outstanding Achievement in Sound Editing Feature Underscore Transformers Dark of the Moon Nominated 178 179 Outstanding Achievement in Sound Editing Sound Effects and Foley for Feature Film Transformers Dark of the Moon NominatedGolden Trailer Awards June 29 2011 Summer 2011 Blockbuster Alien Secret Wild Card Won 180 Best Sound Editing Alien Secret Wild Card NominatedBest Summer Blockbuster 2011 TV Spot Dark Ignition Creative NominatedHollywood Film Awards October 24 2011 Hollywood Movie Award Transformers Dark of the Moon Nominated 181 182 Hollywood Visual Effects Award Scott Farrar WonHollywood Post Alliance Awards November 10 2011 Outstanding Color Grading Feature Film Stefan Sonnenfeld Nominated 183 184 Outstanding Compositing Feature Film Jeff Sutherland Jason Billington Chris Balog and Ben O Brien WonPeople s Choice Awards January 11 2012 Favorite Movie Transformers Dark of the Moon Nominated 185 Favorite Action Movie Transformers Dark of the Moon NominatedFavorite Action Movie Star Shia LaBeouf NominatedSatellite Awards December 18 2011 Best Visual Effects Scott Benza John Frazier Matthew Butler and Scott Farrar Nominated 186 187 Best Sound Peter J Devlin Ethan Van der Ryn Erik Aadahl Gary Summers Greg P Russell and Jeffrey J Haboush NominatedSaturn Awards July 26 2012 Best Special Effects Scott Benza John Frazier Matthew Butler and Scott Farar Nominated 188 189 Scream Awards October 15 2011 Best Science Fiction Movie Transformers Dark of the Moon Nominated 190 191 Best Cameo Buzz Aldrin Nominated 190 192 Holy Sh t Scene of the Year Escape From Collapsing Building Nominated 190 193 Best 3D Movie Transformers Dark of the Moon Won 190 Best F X Transformers Dark of the Moon Nominated 190 194 Screen Actors Guild Awards January 29 2012 Outstanding Performance by a Stunt Ensemble in a Motion Picture Transformers Dark of the Moon Nominated 195 Teen Choice Awards August 7 2011 Choice Summer Movie Transformers Dark of the Moon Nominated 196 197 Choice Summer Movie Actor Shia LaBeouf NominatedChoice Summer Movie Actress Rosie Huntington Whiteley NominatedVisual Effects Society Awards February 7 2012 Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture Scott Benza Wayne Billheimer Matthew E Butler and Scott Farrar Nominated 198 199 Outstanding Compositing in a Feature Motion Picture Chris Balog Ben O Brien Amy Shepard and Jeff Sutherland NominatedOutstanding Created Environment in a Live Action Feature Motion Picture Giles Hancock John Hansen Tom Martinek and Scott Younkin for 155 Wacker Drive WonOutstanding Models in a Feature Motion Picture Tim Brakensiek Kelvin Chu David Fogler and Rene Garcia for Driller WonOutstanding Virtual Cinematography in a Live Action Feature Motion Picture Michael Balog Richard Bluff Shawn Kelly and Jeff White NominatedSequels editSee also Transformers Age of Extinction Transformers The Last Knight Bumblebee film and Transformers Rise of the Beasts The fourth film in the Transformers film series Age of Extinction was released June 27 2014 A fifth film The Last Knight was released on June 21 2017 followed by a spin off titled Bumblebee released on December 21 2018 Transformers Rise of the Beasts was released on June 9 2023 Notes edit As depicted in Transformers Revenge of the Fallen 2009 References edit a b Transformers Dark Of The Moon Presents Linkin Park Live In Moscow On June 23 In Support Of Movie s World Premiere In Russia Paramount Pictures May 23 2011 Archived from the original on March 20 2012 Retrieved February 12 2016 Global sites amp Release Dates Paramount Pictures Archived from the original on February 21 2011 Retrieved February 12 2016 a b Labrecque Jeff Transformers Dark of the Moon gets new release date Entertainment Weekly Archived from the original on March 15 2022 Retrieved May 20 2011 Transformers Dark Of The Moon BBFC June 21 2011 Archived from the original on January 14 2015 Retrieved June 28 2011 a b c Fernandez Jay A May 25 2011 Michael Bay Reveals James Cameron s Secret Role in the Making of Transformers The Hollywood Reporter Archived from the original on December 6 2019 Retrieved August 14 2011 Transformers Dark of the Moon 2011 Box Office Mojo Retrieved January 18 2014 Transformers Dark of the Moon Box Office Mojo Retrieved August 13 2023 a b Transformers Dark of the Moon 2011 Rotten Tomatoes Fandango Archived from the original on June 27 2018 Retrieved November 29 2022 nbsp Saraiya Sonia July 7 2014 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