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Allophone

In phonology, an allophone (/ˈæləfn/; from the Greek ἄλλος, állos, 'other' and φωνή, phōnē, 'voice, sound') is a set of multiple possible spoken sounds – or phones – or signs used to pronounce a single phoneme in a particular language.[1] For example, in English, [t] (as in stop [ˈstɒp]) and the aspirated form [] (as in top [ˈtʰɒp]) are allophones for the phoneme /t/, while these two are considered to be different phonemes in some languages such as Thai. On the other hand, in Spanish, [d] (as in dolor [doˈloɾ]) and [ð] (as in nada [ˈnaða]) are allophones for the phoneme /d/, while these two are considered to be different phonemes in English.

A simplified procedure to determine whether two sounds represent the same or different phonemes. The cases on the extreme left and the extreme right are those in which the sounds are allophones.

The specific allophone selected in a given situation is often predictable from the phonetic context, with such allophones being called positional variants, but some allophones occur in free variation. Replacing a sound by another allophone of the same phoneme usually does not change the meaning of a word, but the result may sound non-native or even unintelligible.

Native speakers of a given language perceive one phoneme in the language as a single distinctive sound and are "both unaware of and even shocked by" the allophone variations that are used to pronounce single phonemes.[2][3]

History of concept

The term "allophone" was coined by Benjamin Lee Whorf circa 1929. In doing so, he is thought to have placed a cornerstone in consolidating early phoneme theory.[4] The term was popularized by George L. Trager and Bernard Bloch in a 1941 paper on English phonology[5] and went on to become part of standard usage within the American structuralist tradition.[6]

Complementary and free-variant allophones and assimilation

Whenever a user's speech is vocalized for a given phoneme, it is slightly different from other utterances, even for the same speaker. That has led to some debate over how real and how universal phonemes really are (see phoneme for details). Only some of the variation is significant, by being detectable or perceivable, to speakers.

There are two types of allophones, based on whether a phoneme must be pronounced using a specific allophone in a specific situation or whether the speaker has the unconscious freedom to choose the allophone that is used.

If a specific allophone from a set of allophones that correspond to a phoneme must be selected in a given context, and using a different allophone for a phoneme would cause confusion or make the speaker sound non-native, the allophones are said to be complementary. The allophones then complement each other, and one of them is not used in a situation in which the usage of another is standard. For complementary allophones, each allophone is used in a specific phonetic context and may be involved in a phonological process.[7]

In other cases, the speaker can freely select from free-variant allophones on personal habit or preference, but free-variant allophones are still selected in the specific context, not the other way around.

Another example of an allophone is assimilation, in which a phoneme is to sound more like another phoneme. One example of assimilation is consonant voicing and devoicing, in which voiceless consonants are voiced before and after voiced consonants, and voiced consonants are devoiced before and after voiceless consonants.

Allotone

An allotone is a tonic allophone, such as the neutral tone in Standard Mandarin.

Examples

English

There are many allophonic processes in English: lack of plosion, nasal plosion, partial devoicing of sonorants, complete devoicing of sonorants, partial devoicing of obstruents, lengthening and shortening vowels, and retraction.

  • Aspiration: In English, a voiceless plosive /p, t, k/ is aspirated (has a strong explosion of breath) if it is at the beginning of the first or a stressed syllable in a word. For example, [pʰ] as in pin and [p] as in spin are allophones for the phoneme /p/ because they cannot distinguish words (in fact, they occur in complementary distribution). English-speakers treat them as the same sound, but they are different: the first is aspirated and the second is unaspirated (plain). Many languages treat the two phones differently.
  • Nasal plosion: In English, a plosive (/p, t, k, b, d, ɡ/) has nasal plosion if it is followed by a nasal, whether within a word or across a word boundary.
  • Partial devoicing of sonorants: In English, sonorants (/j, w, l, r, m, n, ŋ/) are partially devoiced after a voiceless sound in the same syllable.
  • Complete devoicing of sonorants: In English, a sonorant is completely devoiced after an aspirated plosive (/p, t, k/).
  • Partial devoicing of obstruents: In English, a voiced obstruent is partially devoiced next to a pause or next to a voiceless sound within a word or across a word boundary.
  • Retraction: In English, /t, d, n, l/ are retracted before /r/.

Because the choice among allophones is seldom under conscious control, few people realize their existence. English-speakers may be unaware of differences between a number of (dialect-dependent) allophones of the phoneme /t/:

  • post-aspirated [tʰ] as in top,
  • unaspirated [t] as in stop.
  • glottalized (or rather substituted by the glottal stop) [ʔ] as in button, but many speakers preserve at least an unreleased coronal stop [ t̚].

In addition, the following allophones of /t/ are found in (at least) some dialects of American(ised) English;

However, speakers may become aware of the differences if – for example – they contrast the pronunciations of the following words:

  • Night rate: unreleased [ˈnʌɪt̚.ɹʷeɪt̚] (without a word space between [ . ] and [ɹ])
  • Nitrate: aspirated [ˈnaɪ.tʰɹ̥eɪt̚] or retracted [ˈnaɪ.t̠ɹ̠̊˔ʷeɪt̚]

A flame that is held in front of the lips while those words are spoken flickers more for the aspirated nitrate than for the unaspirated night rate. The difference can also be felt by holding the hand in front of the lips. For a Mandarin-speaker, for whom /t/ and /tʰ/ are separate phonemes, the English distinction is much more obvious than for an English-speaker, who has learned since childhood to ignore the distinction.

One may notice the (dialect-dependent) allophones of English /l/ such as the (palatal) alveolar "light" [l] of leaf [ˈliːf] as opposed to the velar alveolar "dark" [ɫ] in feel [ˈfiːɫ] found in the U.S. and Southern England. The difference is much more obvious to a Turkish-speaker, for whom /l/ and /ɫ/ are separate phonemes, than to an English speaker, for whom they are allophones of a single phoneme.

These descriptions are more sequentially broken down in the next section.

Rules for English consonant allophones

Peter Ladefoged, a renowned phonetician, clearly explains the consonant allophones of English in a precise list of statements to illustrate the language behavior. Some of these rules apply to all the consonants of English; the first item on the list deals with consonant length, items 2 through 18 apply to only selected groups of consonants, and the last item deals with the quality of a consonant. These descriptive rules are as follows:[8]

  1. Consonants are longer when at the end of a phrase. This can be easily tested by recording a speaker saying a sound like “bib”, then comparing the forward and backward playback of the recording. One will find that the backward playback does not sound like the forward playback because the production of what is expected to be the same sound is not identical.
  2. Voiceless stops /p, t, k/ are aspirated when they come at the beginning of a syllable, such as in words like "pip, test, kick" [pʰɪp, tʰɛst, kʰɪk]. You can compare this with voiceless stops that are not syllable initial like "stop" [stɑp]. The /t/ voiceless stop follows the /s/ (fricative) here.
  3. Voiced obstruents, which include stops and fricatives, such as /b, d, ɡ, v, ð, z, ʒ/, that come at the end of an utterance like /v/ in "improve" or before a voiceless sound like /d/ in "add two") are only briefly voiced during the articulation.
  4. Voiced stops and affricates /b, d, ɡ, dʒ/ in fact occur as voiceless at the beginning of a syllable unless immediately preceded by a voiced sound, in which the voiced sound carries over.
  5. Approximants (in English, these include /w, r, j, l/) are partially voiceless when they occur after syllable-initial /p, t, k/ like in "play, twin, cue" [pl̥eɪ, tw̥ɪn, kj̥u].
  6. Voiceless stops /p, t, k/ are not aspirated when following after a syllable initial fricative, such as in the words "spew, stew, skew."
  7. Voiceless stops and affricates /p, t, k, tʃ/ are longer than their voiced counterparts /b, d, ɡ, dʒ/ when situated at the end of a syllable. Try comparing "cap" to "cab" or "back" to "bag".
  8. When a stop comes before another stop, the explosion of air only follows after the second stop, illustrated in words like "apt" [æp̚t] and "rubbed" [rʌb̚d].
  9. Many English accents produce a glottal stop in syllables that end with voiceless stops. Some examples include pronunciations of "tip, pit, kick" [tɪʔp, pɪʔt, kɪʔk].
  10. Some accents of English use a glottal stop in place of a /t/ when it comes before an alveolar nasal in the same word (as opposed to in the next word), such as in the word "beaten" [ˈbiːʔn̩].
  11. Nasals become syllabic, or their own syllable, only when immediately following an obstruent (as opposed to just any consonant), such as in the words "leaden, chasm" [ˈlɛdn̩, ˈkæzm̩]. Take in comparison "kiln, film"; in most accents of English, the nasals are not syllabic.
  12. The lateral /l/, however, is syllabic at the end of the word when immediately following any consonant, like in "paddle, whistle" [ˈpædl̩, ˈwɪsl̩].
    1. When considering /r, l/ as liquids, /r/ is included in this rule as well as present in the words "sabre, razor, hammer, tailor" [ˈseɪbɹ̩, ˈreɪzɹ̩, ˈhæmɹ̩, ˈteɪlɹ̩].
  13. Alveolar stops become voiced taps when they occur between two vowels, as long as the second vowel is unstressed. Take for instance mainly American English pronunciations like "fatty, data, daddy, many" [ˈfæɾi, ˈdæɾə, ˈdæɾi, ˈmɛɾ̃i].
    1. When an alveolar nasal is followed by a stop, the /t/ is lost and a nasal tap occurs, causing "winter" to sound just like "winner" or "panting" to sound just like "panning". In this case, both alveolar stops and alveolar nasal plus stop sequences become voiced taps after two vowels when the second vowel is unstressed. This can vary among speakers, where the rule does not apply to certain words or when speaking at a slower pace.
  14. All alveolar consonants assimilate to dentals when occurring before a dental. Take the words "eighth, tenth, wealth". This also applies across word boundaries, for example "at this" [ˈæt̪ ðɪs].
  15. Alveolar stops are reduced or omitted when between two consonants. Some examples include "most people" (can be written either as [ˈmoʊs ˈpipl̩] or [ˈmoʊst ˈpipl̩] with the IPA, where the [t] is inaudible, and "sand paper, grand master", where the [d] is inaudible.
  16. A consonant is shortened when it is before an identical consonant, such as in "big game" or "top post".
  17. A homorganic voiceless stop may be inserted after a nasal before a voiceless fricative followed by an unstressed vowel in the same word. For example, a bilabial voiceless plosive /p/ can be detected in the word "something" [ˈsʌmpθɪŋ] even though it is orthographically not indicated. This is known as epenthesis. However, the following vowel must be unstressed.
  18. Velar stops /k, ɡ/ become more front when the following vowel sound in the same syllable becomes more front. Compare for instance "cap" [kæp] vs. "key" [kʲi] and "gap" [ɡæp] vs. "geese" [ɡʲiːs].
  19. The lateral /l/ is velarized at the end of a word when it comes after a vowel as well as before a consonant. Compare for example "life" [laɪf] vs. "file" [faɪɫ] or "feeling" [fiːlɪŋ] vs. "feel" [fiːɫ].

Other languages

There are many examples for allophones in languages other than English. Typically, languages with a small phoneme inventory allow for quite a lot of allophonic variation: examples are Hawaiian and Pirahã. Here are some examples (the links of language names go to the specific article or subsection on the phenomenon):

Representing a phoneme with an allophone

Since phonemes are abstractions of speech sounds, not the sounds themselves, they have no direct phonetic transcription. When they are realized without much allophonic variation, a simple broad transcription is used. However, when there are complementary allophones of a phoneme, the allophony becomes significant and things then become more complicated. Often, if only one of the allophones is simple to transcribe, in the sense of not requiring diacritics, that representation is chosen for the phoneme.

However, there may be several such allophones, or the linguist may prefer greater precision than that allows. In such cases, a common convention is to use the "elsewhere condition" to decide the allophone that stands for the phoneme. The "elsewhere" allophone is the one that remains once the conditions for the others are described by phonological rules.

For example, English has both oral and nasal allophones of its vowels. The pattern is that vowels are nasal only before a nasal consonant in the same syllable; elsewhere, they are oral. Therefore, by the "elsewhere" convention, the oral allophones are considered basic, and nasal vowels in English are considered to be allophones of oral phonemes.

In other cases, an allophone may be chosen to represent its phoneme because it is more common in the languages of the world than the other allophones, because it reflects the historical origin of the phoneme, or because it gives a more balanced look to a chart of the phonemic inventory.

An alternative, which is commonly used for archiphonemes, is to use a capital letter, such as /N/ for [m], [n], [ŋ].

In rare cases, a linguist may represent phonemes with abstract symbols, such as dingbats, to avoid privileging any particular allophone.[9]

See also

References

  1. ^ R. Jakobson (1961), Structure of Language and Its Mathematical Aspects: Proceedings of symposia in applied mathematics, AMS Bookstore, 1980, ISBN 978-0-8218-1312-6, ...An allophone is the set of phones contained in the intersection of a maximal set of phonetically similar phones and a primary phonetically related set of phones....
  2. ^ B.D. Sharma (January 2005), Linguistics and Phonetics, Anmol Publications Pvt. Ltd., 2005, ISBN 978-81-261-2120-5, ... The ordinary native speaker is, in fact, often unaware of the allophonic variations of his phonemes ...
  3. ^ Y. Tobin (1997), Phonology as human behavior: theoretical implications and clinical applications, Duke University Press, 1997, ISBN 978-0-8223-1822-4, ...always found that native speakers are clearly aware of the phonemes of their language but are both unaware of and even shocked by the plethora of allophones and the minutiae needed to distinguish between them....
  4. ^ Lee, Penny (1996). The Whorf Theory Complex — A Critical Reconstruction. John Benjamins. pp. 46, 88.
  5. ^ Trager, George L. (1959). "The Systematization of the Whorf Hypothesis". Anthropological Linguistics. Operational Models in Synchronic Linguistics: A Symposium Presented at the 1958 Meetings of the American Anthropological Association. 1 (1): 31–35. JSTOR 30022173.
  6. ^ Hymes, Dell H.; Fought, John G. (1981). American Structuralism. Walter de Gruyter. p. 99.
  7. ^ Barbara M. Birch (2002), English L2 reading: getting to the bottom, Psychology Press, 2002, ISBN 978-0-8058-3899-2, ...When the occurrence of one allophone is predictable when compared to the other, as in this case, we call this complementary distribution. Complementary distribution means that the allophones are 'distributed' as complements....
  8. ^ Ladefoged, Peter (2001). A Course in Phonetics (4th ed.). Orlando: Harcourt. ISBN 0-15-507319-2. p. 56-60.
  9. ^ Hale, Mark (2000). "Marshallese phonology, the phonetics-phonology interface and historical linguistics". The Linguistic Review. 17 (2–4): 241–258. doi:10.1515/tlir.2000.17.2-4.241. S2CID 143601901.

External links

    allophone, term, someone, whose, native, language, french, english, typically, used, canada, canada, phonology, allophone, from, greek, ἄλλος, állos, other, φωνή, phōnē, voice, sound, multiple, possible, spoken, sounds, phones, signs, used, pronounce, single, . For the term for someone whose native language is not French or English typically used in Canada see Allophone Canada In phonology an allophone ˈ ae l e f oʊ n from the Greek ἄllos allos other and fwnh phōne voice sound is a set of multiple possible spoken sounds or phones or signs used to pronounce a single phoneme in a particular language 1 For example in English t as in stop ˈstɒp and the aspirated form tʰ as in top ˈtʰɒp are allophones for the phoneme t while these two are considered to be different phonemes in some languages such as Thai On the other hand in Spanish d as in dolor doˈloɾ and d as in nada ˈnada are allophones for the phoneme d while these two are considered to be different phonemes in English A simplified procedure to determine whether two sounds represent the same or different phonemes The cases on the extreme left and the extreme right are those in which the sounds are allophones This article contains phonetic transcriptions in the International Phonetic Alphabet IPA For an introductory guide on IPA symbols see Help IPA For the distinction between and see IPA Brackets and transcription delimiters The specific allophone selected in a given situation is often predictable from the phonetic context with such allophones being called positional variants but some allophones occur in free variation Replacing a sound by another allophone of the same phoneme usually does not change the meaning of a word but the result may sound non native or even unintelligible Native speakers of a given language perceive one phoneme in the language as a single distinctive sound and are both unaware of and even shocked by the allophone variations that are used to pronounce single phonemes 2 3 Contents 1 History of concept 2 Complementary and free variant allophones and assimilation 3 Allotone 4 Examples 4 1 English 4 1 1 Rules for English consonant allophones 4 2 Other languages 5 Representing a phoneme with an allophone 6 See also 7 References 8 External linksHistory of concept EditThe term allophone was coined by Benjamin Lee Whorf circa 1929 In doing so he is thought to have placed a cornerstone in consolidating early phoneme theory 4 The term was popularized by George L Trager and Bernard Bloch in a 1941 paper on English phonology 5 and went on to become part of standard usage within the American structuralist tradition 6 Complementary and free variant allophones and assimilation EditWhenever a user s speech is vocalized for a given phoneme it is slightly different from other utterances even for the same speaker That has led to some debate over how real and how universal phonemes really are see phoneme for details Only some of the variation is significant by being detectable or perceivable to speakers There are two types of allophones based on whether a phoneme must be pronounced using a specific allophone in a specific situation or whether the speaker has the unconscious freedom to choose the allophone that is used If a specific allophone from a set of allophones that correspond to a phoneme must be selected in a given context and using a different allophone for a phoneme would cause confusion or make the speaker sound non native the allophones are said to be complementary The allophones then complement each other and one of them is not used in a situation in which the usage of another is standard For complementary allophones each allophone is used in a specific phonetic context and may be involved in a phonological process 7 In other cases the speaker can freely select from free variant allophones on personal habit or preference but free variant allophones are still selected in the specific context not the other way around Another example of an allophone is assimilation in which a phoneme is to sound more like another phoneme One example of assimilation is consonant voicing and devoicing in which voiceless consonants are voiced before and after voiced consonants and voiced consonants are devoiced before and after voiceless consonants Allotone EditAn allotone is a tonic allophone such as the neutral tone in Standard Mandarin Examples EditEnglish Edit Main articles English phonology Allophones of consonants and English phonology Allophones of vowels There are many allophonic processes in English lack of plosion nasal plosion partial devoicing of sonorants complete devoicing of sonorants partial devoicing of obstruents lengthening and shortening vowels and retraction Aspiration In English a voiceless plosive p t k is aspirated has a strong explosion of breath if it is at the beginning of the first or a stressed syllable in a word For example pʰ as in pin and p as in spin are allophones for the phoneme p because they cannot distinguish words in fact they occur in complementary distribution English speakers treat them as the same sound but they are different the first is aspirated and the second is unaspirated plain Many languages treat the two phones differently Nasal plosion In English a plosive p t k b d ɡ has nasal plosion if it is followed by a nasal whether within a word or across a word boundary Partial devoicing of sonorants In English sonorants j w l r m n ŋ are partially devoiced after a voiceless sound in the same syllable Complete devoicing of sonorants In English a sonorant is completely devoiced after an aspirated plosive p t k Partial devoicing of obstruents In English a voiced obstruent is partially devoiced next to a pause or next to a voiceless sound within a word or across a word boundary Retraction In English t d n l are retracted before r Because the choice among allophones is seldom under conscious control few people realize their existence English speakers may be unaware of differences between a number of dialect dependent allophones of the phoneme t post aspirated tʰ as in top unaspirated t as in stop glottalized or rather substituted by the glottal stop ʔ as in button but many speakers preserve at least an unreleased coronal stop t In addition the following allophones of t are found in at least some dialects of American ised English flapped ɾ as in American English water nasal ized flapped ɾ as in American English winter unreleased t as in American English cat but other dialects preserve the released t or substitute the glottal stop ʔ However speakers may become aware of the differences if for example they contrast the pronunciations of the following words Night rate unreleased ˈnʌɪt ɹʷeɪt without a word space between and ɹ Nitrate aspirated ˈnaɪ tʰɹ eɪt or retracted ˈnaɪ t ɹ ʷeɪt A flame that is held in front of the lips while those words are spoken flickers more for the aspirated nitrate than for the unaspirated night rate The difference can also be felt by holding the hand in front of the lips For a Mandarin speaker for whom t and tʰ are separate phonemes the English distinction is much more obvious than for an English speaker who has learned since childhood to ignore the distinction One may notice the dialect dependent allophones of English l such as the palatal alveolar light l of leaf ˈliːf as opposed to the velar alveolar dark ɫ in feel ˈfiːɫ found in the U S and Southern England The difference is much more obvious to a Turkish speaker for whom l and ɫ are separate phonemes than to an English speaker for whom they are allophones of a single phoneme These descriptions are more sequentially broken down in the next section Rules for English consonant allophones Edit Peter Ladefoged a renowned phonetician clearly explains the consonant allophones of English in a precise list of statements to illustrate the language behavior Some of these rules apply to all the consonants of English the first item on the list deals with consonant length items 2 through 18 apply to only selected groups of consonants and the last item deals with the quality of a consonant These descriptive rules are as follows 8 Consonants are longer when at the end of a phrase This can be easily tested by recording a speaker saying a sound like bib then comparing the forward and backward playback of the recording One will find that the backward playback does not sound like the forward playback because the production of what is expected to be the same sound is not identical Voiceless stops p t k are aspirated when they come at the beginning of a syllable such as in words like pip test kick pʰɪp tʰɛst kʰɪk You can compare this with voiceless stops that are not syllable initial like stop stɑp The t voiceless stop follows the s fricative here Voiced obstruents which include stops and fricatives such as b d ɡ v d z ʒ that come at the end of an utterance like v in improve or before a voiceless sound like d in add two are only briefly voiced during the articulation Voiced stops and affricates b d ɡ dʒ in fact occur as voiceless at the beginning of a syllable unless immediately preceded by a voiced sound in which the voiced sound carries over Approximants in English these include w r j l are partially voiceless when they occur after syllable initial p t k like in play twin cue pl eɪ tw ɪn kj u Voiceless stops p t k are not aspirated when following after a syllable initial fricative such as in the words spew stew skew Voiceless stops and affricates p t k tʃ are longer than their voiced counterparts b d ɡ dʒ when situated at the end of a syllable Try comparing cap to cab or back to bag When a stop comes before another stop the explosion of air only follows after the second stop illustrated in words like apt aep t and rubbed rʌb d Many English accents produce a glottal stop in syllables that end with voiceless stops Some examples include pronunciations of tip pit kick tɪʔp pɪʔt kɪʔk Some accents of English use a glottal stop in place of a t when it comes before an alveolar nasal in the same word as opposed to in the next word such as in the word beaten ˈbiːʔn Nasals become syllabic or their own syllable only when immediately following an obstruent as opposed to just any consonant such as in the words leaden chasm ˈlɛdn ˈkaezm Take in comparison kiln film in most accents of English the nasals are not syllabic The lateral l however is syllabic at the end of the word when immediately following any consonant like in paddle whistle ˈpaedl ˈwɪsl When considering r l as liquids r is included in this rule as well as present in the words sabre razor hammer tailor ˈseɪbɹ ˈreɪzɹ ˈhaemɹ ˈteɪlɹ Alveolar stops become voiced taps when they occur between two vowels as long as the second vowel is unstressed Take for instance mainly American English pronunciations like fatty data daddy many ˈfaeɾi ˈdaeɾe ˈdaeɾi ˈmɛɾ i When an alveolar nasal is followed by a stop the t is lost and a nasal tap occurs causing winter to sound just like winner or panting to sound just like panning In this case both alveolar stops and alveolar nasal plus stop sequences become voiced taps after two vowels when the second vowel is unstressed This can vary among speakers where the rule does not apply to certain words or when speaking at a slower pace All alveolar consonants assimilate to dentals when occurring before a dental Take the words eighth tenth wealth This also applies across word boundaries for example at this ˈaet dɪs Alveolar stops are reduced or omitted when between two consonants Some examples include most people can be written either as ˈmoʊs ˈpipl or ˈmoʊst ˈpipl with the IPA where the t is inaudible and sand paper grand master where the d is inaudible A consonant is shortened when it is before an identical consonant such as in big game or top post A homorganic voiceless stop may be inserted after a nasal before a voiceless fricative followed by an unstressed vowel in the same word For example a bilabial voiceless plosive p can be detected in the word something ˈsʌmp8ɪŋ even though it is orthographically not indicated This is known as epenthesis However the following vowel must be unstressed Velar stops k ɡ become more front when the following vowel sound in the same syllable becomes more front Compare for instance cap kaep vs key kʲi and gap ɡaep vs geese ɡʲiːs The lateral l is velarized at the end of a word when it comes after a vowel as well as before a consonant Compare for example life laɪf vs file faɪɫ or feeling fiːlɪŋ vs feel fiːɫ Other languages Edit There are many examples for allophones in languages other than English Typically languages with a small phoneme inventory allow for quite a lot of allophonic variation examples are Hawaiian and Piraha Here are some examples the links of language names go to the specific article or subsection on the phenomenon Consonant allophones Final devoicing particularly final obstruent devoicing Arapaho English Nahuatl Catalan and many others Voicing of initial consonant Anticipatory assimilation Aspiration changes Algonquin Frication between vowels Dahalo Lenition Manx Corsican Voicing of clicks Dahalo Allophones for b Arapaho Xavante Allophones for d Xavante Allophones for f Bengali Allophones for j Xavante Allophones for k Manam Allophones for pʰ Garhwali ɡ and q as allophones a number of Arabic dialects l and n as allophones Some dialects of Hawaiian and some of Mandarin e g Southwestern and Lower Yangtze Allophones for n ŋ Finnish Spanish and many more wide range of variation in Japanese as archiphoneme N Allophones for r Xavante Allophones for ɽ Bengali Allophones for s Bengali Taos t and k as allophones Hawaiian Allophones for w v and w Hindustani Hawaiian fricative b before unrounded vowels O odham Allophones for z Bengali Vowel allophones e and o are allophones of i and u in closed final syllables in Malay and Portuguese while ɪ and ʊ are allophones of i and u in Indonesian ʉ ʊ o o as allophones for short u and ɨ ɪ e e as allophones for short i in various Arabic dialects long uː oː iː eː are separate phonemes in most Arabic dialects Polish Russian Allophones for i a and u Nuxalk Vowel consonant allophones Vowels become glides in diphthongs ManamRepresenting a phoneme with an allophone EditSince phonemes are abstractions of speech sounds not the sounds themselves they have no direct phonetic transcription When they are realized without much allophonic variation a simple broad transcription is used However when there are complementary allophones of a phoneme the allophony becomes significant and things then become more complicated Often if only one of the allophones is simple to transcribe in the sense of not requiring diacritics that representation is chosen for the phoneme However there may be several such allophones or the linguist may prefer greater precision than that allows In such cases a common convention is to use the elsewhere condition to decide the allophone that stands for the phoneme The elsewhere allophone is the one that remains once the conditions for the others are described by phonological rules For example English has both oral and nasal allophones of its vowels The pattern is that vowels are nasal only before a nasal consonant in the same syllable elsewhere they are oral Therefore by the elsewhere convention the oral allophones are considered basic and nasal vowels in English are considered to be allophones of oral phonemes In other cases an allophone may be chosen to represent its phoneme because it is more common in the languages of the world than the other allophones because it reflects the historical origin of the phoneme or because it gives a more balanced look to a chart of the phonemic inventory An alternative which is commonly used for archiphonemes is to use a capital letter such as N for m n ŋ In rare cases a linguist may represent phonemes with abstract symbols such as dingbats to avoid privileging any particular allophone 9 See also EditAllo Allophonic rule Allomorph Alternation linguistics Diaphoneme List of phonetics topicsReferences Edit R Jakobson 1961 Structure of Language and Its Mathematical Aspects Proceedings of symposia in applied mathematics AMS Bookstore 1980 ISBN 978 0 8218 1312 6 An allophone is the set of phones contained in the intersection of a maximal set of phonetically similar phones and a primary phonetically related set of phones B D Sharma January 2005 Linguistics and Phonetics Anmol Publications Pvt Ltd 2005 ISBN 978 81 261 2120 5 The ordinary native speaker is in fact often unaware of the allophonic variations of his phonemes Y Tobin 1997 Phonology as human behavior theoretical implications and clinical applications Duke University Press 1997 ISBN 978 0 8223 1822 4 always found that native speakers are clearly aware of the phonemes of their language but are both unaware of and even shocked by the plethora of allophones and the minutiae needed to distinguish between them Lee Penny 1996 The Whorf Theory Complex A Critical Reconstruction John Benjamins pp 46 88 Trager George L 1959 The Systematization of the Whorf Hypothesis Anthropological Linguistics Operational Models in Synchronic Linguistics A Symposium Presented at the 1958 Meetings of the American Anthropological Association 1 1 31 35 JSTOR 30022173 Hymes Dell H Fought John G 1981 American Structuralism Walter de Gruyter p 99 Barbara M Birch 2002 English L2 reading getting to the bottom Psychology Press 2002 ISBN 978 0 8058 3899 2 When the occurrence of one allophone is predictable when compared to the other as in this case we call this complementary distribution Complementary distribution means that the allophones are distributed as complements Ladefoged Peter 2001 A Course in Phonetics 4th ed Orlando Harcourt ISBN 0 15 507319 2 p 56 60 Hale Mark 2000 Marshallese phonology the phonetics phonology interface and historical linguistics The Linguistic Review 17 2 4 241 258 doi 10 1515 tlir 2000 17 2 4 241 S2CID 143601901 External links EditPhonemes and allophones Retrieved from https en wikipedia org w index php title Allophone amp oldid 1128606512, wikipedia, wiki, book, books, library,

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