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Cuneiform

Cuneiform[note 1] is a logo-syllabic script that was used to write several languages of the Ancient Near East.[4] The script was in active use from the early Bronze Age until the beginning of the Common Era.[5] It is named for the characteristic wedge-shaped impressions (Latin: cuneus) which form its signs. Cuneiform was originally developed to write the Sumerian language of southern Mesopotamia (modern Iraq). Cuneiform is the earliest known writing system.[6][7]

Cuneiform
Trilingual cuneiform inscription of Xerxes I at Van Fortress in Turkey, an Achaemenid royal inscription written in Old Persian, Elamite and Babylonian forms of cuneiform
Script type and syllabary
Createdaround 3500 BC[1]
Time period
c.โ€‰35th century BC to c.โ€‰2nd century AD
Directionleft-to-rightย 
LanguagesSumerian, Akkadian, Eblaite, Elamite, Hittite, Hurrian, Luwian, Urartian, Palaic, Aramaic, Old Persian
Related scripts
Parent systems
(Proto-writing)
  • Cuneiform
Child systems
None; influenced the shape of Ugaritic and Old Persian glyphs
ISO 15924
ISO 15924Xsux (020), โ€‹Cuneiform, Sumero-Akkadian
Unicode
Unicode alias
Cuneiform
  • U+12000 to U+123FF Cuneiform
  • U+12400 to U+1247F Cuneiform Numbers and Punctuation
ย This article contains phonetic transcriptions in the International Phonetic Alphabet (IPA). For an introductory guide on IPA symbols, see Help:IPA. For the distinction between [ย ], /ย / and โŸจย โŸฉ, see IPA ยงย Brackets and transcription delimiters.

Over the course of its history, cuneiform was adapted to write a number of languages in addition to Sumerian. Akkadian texts are attested from the 24th century BC onward and make up the bulk of the cuneiform record.[8][9] Akkadian cuneiform was itself adapted to write the Hittite language in the early second millennium BC.[10][11] The other languages with significant cuneiform corpora are Eblaite, Elamite, Hurrian, Luwian, and Urartian. The Old Persian and Ugaritic alphabets feature cuneiform-style signs; however, they are unrelated to the cuneiform logo-syllabary proper. The latest known cuneiform tablet dates to 75 AD.[12]

Cuneiform was rediscovered in modern times in the early 17th century with the publication of the trilingual Achaemenid royal inscriptions at Persepolis; these were first deciphered in the early 19th century. The modern study of cuneiform belongs to the ambiguously named[13] field of Assyriology, as the earliest excavations of cuneiform libraries โ€“ in the mid-19th century โ€“ were in the area of ancient Assyria.[14] An estimated half a million tablets are held in museums across the world, but comparatively few of these are published. The largest collections belong to the British Museum (approx. 130,000 tablets), the Vorderasiatisches Museum Berlin, the Louvre, the Istanbul Archaeology Museums, the National Museum of Iraq, the Yale Babylonian Collection (approx. 40,000 tablets), and Penn Museum.[15][16]

History

Accounting tokens
ย 
Clay bulla and tokens, 4000โ€“3100 BC, Susa
ย 
Numerical tablet, 3500โ€“3350 BC (Uruk V phase), Khafajah
ย 
Pre-cuneiform tags, with drawing of goat or sheep and number (probably "10"), Al-Hasakah, 3300โ€“3100 BC, Uruk culture[17][18]
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Table illustrating the progressive simplification of cuneiform signs from archaic (vertical) script to Assyrian

Writing began after pottery was invented, during the Neolithic, when clay tokens were used to record specific amounts of livestock or commodities.[19] In recent years a contrarian view has arisen on the tokens being the precursor of writing.[20] These tokens were initially impressed on the surface of round clay envelopes (clay bullae) and then stored in them.[19] The tokens were then progressively replaced by flat tablets, on which signs were recorded with a stylus. Writing is first recorded in Uruk, at the end of the 4th millennium BC, and soon after in various parts of the Near-East.[19]

An ancient Mesopotamian poem gives the first known story of the invention of writing:

Because the messenger's mouth was heavy and he couldn't repeat [the message], the Lord of Kulaba patted some clay and put words on it, like a tablet. Until then, there had been no putting words on clay.

โ€”โ€ŠSumerian epic poem Enmerkar and the Lord of Aratta. Circa 1800 BC.[21][22]

The cuneiform writing system was in use for more than three millennia, through several stages of development, from the 31st century BC down to the second century AD.[23] The latest firmly dateable tablet, from Uruk, dates to 79/80 AD.[24] Ultimately, it was completely replaced by alphabetic writing (in the general sense) in the course of the Roman era, and there are no cuneiform systems in current use. It had to be deciphered as a completely unknown writing system in 19th-century Assyriology. It was successfully deciphered by 1857.

The cuneiform script changed considerably over more than 2000 years. The image below shows the development of the sign SAฤœ "head" (Borger nr. 184, U+12295 ๐’Š•).

ย 

Stages:

  1. shows the pictogram as it was drawn around 3000 BC
  2. shows the rotated pictogram as written from c. 2800โ€“2600 BC
  3. shows the abstracted glyph in archaic monumental inscriptions, from c. 2600 BC
  4. is the sign as written in clay, contemporary with stage 3
  5. represents the late 3rd millennium BC
  6. represents Old Assyrian ductus of the early 2nd millennium BC, as adopted into Hittite
  7. is the simplified sign as written by Assyrian scribes in the early 1st millennium BC and until the script's extinction.

Sumerian pictographs (circa 3300 BC)

ย 
Tablet with proto-cuneiform pictographic characters (end of 4th millennium BC), Uruk III. This is thought to be a list of slaves' names, the hand in the upper left corner representing the owner.[25]

The cuneiform script was developed from pictographic proto-writing in the late 4th millennium BC, stemming from the near eastern token system used for accounting. The meaning and usage of these tokens is still a matter of debate.[26] These tokens were in use from the 9th millennium BC and remained in occasional use even late in the 2nd millennium BC.[27] Early tokens with pictographic shapes of animals, associated with numbers, were discovered in Tell Brak, and date to the mid-4th millennium BC.[28] It has been suggested that the token shapes were the original basis for some of the Sumerian pictographs.[29]

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The Kish tablet, a limestone tablet from Kish with pictographic, early cuneiform, writing, 3500 BC. Possibly the earliest known example of writing. Ashmolean Museum.

Mesopotamia's "proto-literate" period spans roughly the 35th to 32nd centuries BC. The first unequivocal written documents start with the Uruk IV period, from circa 3,300 BC, followed by tablets found in Uruk III, Jemdet Nasr, Early Dynastic I Ur and Susa (in Proto-Elamite) dating to the period until circa 2,900 BC.[30] Originally, pictographs were either drawn on clay tablets in vertical columns with a sharpened reed stylus or incised in stone. This early style lacked the characteristic wedge shape of the strokes.[31] Most Proto-Cuneiform records from this period were of an accounting nature. [32] The proto-cuneiform sign list has grown, as new texts are discovered, and shrunk, as variant signs are combined. The current sign list is 705 elements long with 42 being numeric and four considered pre-proto-Elamite.[33][34][35]

Certain signs to indicate names of gods, countries, cities, vessels, birds, trees, etc., are known as determinatives and were the Sumerian signs of the terms in question, added as a guide for the reader. Proper names continued to be usually written in purely "logographic" fashion.

Archaic cuneiform (circa 2900 BC)

ย 
Early pictographic signs in archaic cuneiform (used vertically before c. 2300 BC).[36]

The first inscribed tablets were purely pictographic, which makes it technically difficult to know in which language they were written. Different languages have been proposed though usually Sumerian is assumed.[37] Later tablets after circa 2,900 BC start to use syllabic elements, which clearly show a language structure typical of the non-Indo-European agglutinative Sumerian language.[38] The first tablets using syllabic elements date to the Early Dynastic Iโ€“II, circa 2,800 BC, and they are agreed to be clearly in Sumerian.[39] This is the time when some pictographic element started to be used for their phonetical value, permitting the recording of abstract ideas or personal names.[39] Many pictographs began to lose their original function, and a given sign could have various meanings depending on context. The sign inventory was reduced from some 1,500 signs to some 600 signs, and writing became increasingly phonological. Determinative signs were re-introduced to avoid ambiguity. Cuneiform writing proper thus arises from the more primitive system of pictographs at about that time (Early Bronze Age II).

The earliest known Sumerian king, whose name appears on contemporary cuneiform tablets, is Enmebaragesi of Kish (fl. c. 2600 BC).[40] Surviving records became less fragmentary for following reigns and by the end of the pre-Sargonic period it had become standard practice for each major city-state to date documents by year-names, commemorating the exploits of its lugal (king).

Cuneiforms and hieroglyphs

Geoffrey Sampson stated that Egyptian hieroglyphs "came into existence a little after Sumerian script, and, probably, [were] invented under the influence of the latter",[42] and that it is "probable that the general idea of expressing words of a language in writing was brought to Egypt from Sumerian Mesopotamia".[43][44] There are many instances of Egypt-Mesopotamia relations at the time of the invention of writing, and standard reconstructions of the development of writing generally place the development of the Sumerian proto-cuneiform script before the development of Egyptian hieroglyphs, with the suggestion the former influenced the latter.[45] but given the lack of direct evidence for the transfer of writing, "no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt".[46] Others have held that "the evidence for such direct influence remains flimsy" and that "a very credible argument can also be made for the independent development of writing in Egypt..."[47]

Early Dynastic cuneiform (circa 2500 BC)

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Sumerian inscription in monumental archaic style, c. 26th century BC

Early cuneiform inscription were made by using a pointed stylus, sometimes called "linear cuneiform".[48] Many of the early dynastic inscriptions, particularly those made on stone, continued to use the linear style as late as circa 2000 BC.[48]

In the mid-3rd millennium BC, a new wedge-tipped stylus was introduced which was pushed into the clay, producing wedge-shaped cuneiform. This development made writing quicker and easier, especially when writing on soft clay.[48] By adjusting the relative position of the stylus to the tablet, the writer could use a single tool to make a variety of impressions.[48] For numbers, a round-tipped stylus was initially used, until the wedge-tipped stylus was generalized.[48] The direction of writing was from top-to-bottom and right-to-left.[48] Cuneiform clay tablets could be fired in kilns to bake them hard, and so provide a permanent record, or they could be left moist and recycled if permanence was not needed, so surviving cuneiform tablets have largely been preserved by accident.[48]

From linear to angular
ย 
Wedge-tipped stylus for clay tablets
ย 
The regnal name "Lugal-dalu" in archaic linear script circa 2500 BC, and the same name stylized with standard Sumero-Akkadian cuneiform (๐’ˆ—๐’•๐’‡ป).

The script was also widely used on commemorative stelae and carved reliefs to record the achievements of the ruler in whose honor the monument had been erected. The spoken language included many homophones and near-homophones, and in the beginning, similar-sounding words such as "life" [til] and "arrow" [ti] were written with the same symbol. With the rise of the Akkadian language some signs gradually changed from being pictograms to syllabograms, most likely to make things clearer in writing. In that way, the sign for the word "arrow" would become the sign for the sound "ti".

ย 
Contract for the sale of a field and a house in the wedge-shaped cuneiform adapted for clay tablets, Shuruppak, circa 2600 BC.

Words that sounded alike would have different signs; for instance, the syllable [ษกu] had fourteen different symbols. When the words had a similar meaning but very different sounds they were written with the same symbol. For instance 'tooth' [zu], 'mouth' [ka] and 'voice' [gu] were all written with the symbol for "voice". To be more accurate, scribes started adding to signs or combining two signs to define the meaning. They used either geometrical patterns or another cuneiform sign.

As time went by, the cuneiform got very complex and the distinction between a pictogram and syllabogram became vague. Several symbols had too many meanings to permit clarity. Therefore, symbols were put together to indicate both the sound and the meaning of a compound. The word 'raven' [UGA] had the same logogram as the word 'soap' [NAGA], the name of a city [EREล ], and the patron goddess of Eresh [NISABA]. Two phonetic complements were used to define the word [u] in front of the symbol and [gu] behind. Finally, the symbol for 'bird' [MUล EN] was added to ensure proper interpretation.[clarification needed]

For unknown reasons, cuneiform pictographs, until then written vertically, were rotated 90ยฐ counterclockwise, in effect putting them on their side. This change first occurred slightly before the Akkadian period, at the time of the Uruk ruler Lugalzagesi (r. c. 2294โ€“2270 BC).[49][48] The vertical style remained for monumental purposes on stone stelas until the middle of the 2nd millennium.[48]

Written Sumerian was used as a scribal language until the first century AD. The spoken language died out between about 2100 and 1700 BC.

Sumero-Akkadian cuneiform

Sumero-Akkadian cuneiform syllabary
(circa 2200 BC)
ย 
ย 
Left: Sumero-Akkadian cuneiform syllabary, used by early Akkadian rulers.[50] Right: Seal of Akkadian Empire ruler Naram-Sin (reversed for readability), c. 2250 BC. The name of Naram-Sin (Akkadian: ๐’€ญ๐’ˆพ๐’Š๐’„ ๐’€ญ๐’‚—๐’ช: DNa-ra-am DSรฎn, Sรฎn being written ๐’‚—๐’ช EN.ZU), appears vertically in the right column.[51] British Museum. These are some of the more important signs: the complete Sumero-Akkadian list of characters actually numbers about 600, with many more "values", or pronunciation possibilities.[52]

The archaic cuneiform script was adopted by the Akkadian Empire from the 23rd century BC (short chronology). The Akkadian language being East Semitic, its structure was completely different from Sumerian.[53] There was no way to use the Sumerian writing system as such, and the Akkadians found a practical solution in writing their language phonetically, using the corresponding Sumerian phonetic signs.[53] Still, some of the Sumerian characters were retained for their pictorial value as well: for example the character for "sheep" was retained, but was now pronounced immerลซ, rather than the Sumerian "udu-meลก".[53]

The East Semitic languages employed equivalents for many signs that were distorted or abbreviated to represent new values because the syllabic nature of the script as refined by the Sumerians was not intuitive to Semitic speakers.[53] From the beginning of the Middle Bronze Age (20th century BC), the script evolved to accommodate the various dialects of Akkadian: Old Akkadian, Babylonian and Assyrian.[53] At this stage, the former pictograms were reduced to a high level of abstraction, and were composed of only five basic wedge shapes: horizontal, vertical, two diagonals and the Winkelhaken impressed vertically by the tip of the stylus. The signs exemplary of these basic wedges are:

  • Aล  (B001, U+12038) ๐’€ธ: horizontal;
  • DIล  (B748, U+12079) ๐’น: vertical;
  • GE23, DIล  tenรป (B575, U+12039) ๐’€น: downward diagonal;
  • GE22 (B647, U+1203A) ๐’€บ: upward diagonal;
  • U (B661, U+1230B) ๐’Œ‹: the Winkelhaken.
2nd millennium BC cuneiforms
ย 
The Babylonian king Hammurabi still used vertical cuneiform circa 1750 BC.
ย 
Babylonian tablets of the time of Hammurabi (circa 1750 BC).
Sumero-Akkadian cuneiform, either in inscriptions or on clay tablets, continued to be in use, mainly as a phonetical syllabary, throughout the 2nd millennium BC.

Except for the Winkelhaken, which has no tail, the length of the wedges' tails could vary as required for sign composition.

Signs tilted by about 45 degrees are called tenรป in Akkadian, thus DIล  is a vertical wedge and DIล  tenรป a diagonal one. If a sign is modified with additional wedges, this is called gunรป or "gunification"; if signs are cross-hatched with additional Winkelhaken, they are called ลกeลกig; if signs are modified by the removal of a wedge or wedges, they are called nutillu.

"Typical" signs have about five to ten wedges, while complex ligatures can consist of twenty or more (although it is not always clear if a ligature should be considered a single sign or two collated, but distinct signs); the ligature KAxGUR7 consists of 31 strokes.

Most later adaptations of Sumerian cuneiform preserved at least some aspects of the Sumerian script. Written Akkadian included phonetic symbols from the Sumerian syllabary, together with logograms that were read as whole words. Many signs in the script were polyvalent, having both a syllabic and logographic meaning. The complexity of the system bears a resemblance to Old Japanese, written in a Chinese-derived script, where some of these Sinograms were used as logograms and others as phonetic characters.

Elamite cuneiform

Elamite cuneiform was a simplified form of the Sumero-Akkadian cuneiform, used to write the Elamite language in the area that corresponds to modern Iran. Elamite cuneiform at times competed with other local scripts, Proto-Elamite and Linear Elamite. The earliest known Elamite cuneiform text is a treaty between Akkadians and the Elamites that dates back to 2200 BC.[54] However, some believe it might have been in use since 2500 BC.[55] The tablets are poorly preserved, so only limited parts can be read, but it is understood that the text is a treaty between the Akkad king Nฤramsรฎn and Elamite ruler Hita, as indicated by frequent references like "Nฤramsรฎn's friend is my friend, Nฤramsรฎn's enemy is my enemy".[54]

The most famous Elamite scriptures and the ones that ultimately led to its decipherment are the ones found in the trilingual Behistun inscriptions, commissioned by the Achaemenid kings.[56] The inscriptions, similar to that of the Rosetta Stone's, were written in three different writing systems. The first was Old Persian, which was deciphered in 1802 by Georg Friedrich Grotefend. The second, Babylonian cuneiform, was deciphered shortly after the Old Persian text. Because Elamite is unlike its neighboring Semitic languages, the script's decipherment was delayed until the 1840s. Even today, lack of sources and comparative materials hinder further research of Elamite.[57]

Assyrian cuneiform

Neo-Assyrian cuneiform syllabary
(circa 650 BC)
ย 
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Left: Simplified cuneiform syllabary, in use during the Neo-Assyrian period.[50] The "C" before and after vowels stands for "Consonant". Right: Mesopotamian palace paving slab, c. 600 BC

This "mixed" method of writing continued through the end of the Babylonian and Assyrian empires, although there were periods when "purism" was in fashion and there was a more marked tendency to spell out the words laboriously, in preference to using signs with a phonetic complement. Yet even in those days, the Babylonian syllabary remained a mixture of logographic and phonemic writing.

Hittite cuneiform is an adaptation of the Old Assyrian cuneiform of c. 1800 BC to the Hittite language. When the cuneiform script was adapted to writing Hittite, a layer of Akkadian logographic spellings was added to the script, thus the pronunciations of many Hittite words which were conventionally written by logograms are now unknown.

In the Iron Age (c. 10th to 6th centuries BC), Assyrian cuneiform was further simplified. The characters remained the same as those of Sumero-Akkadian cuneiforms, but the graphic design of each character relied more heavily on wedges and square angles, making them significantly more abstract. The pronunciation of the characters was replaced by that of the Assyrian dialect of the Akkadian language:

From the 6th century, the Akkadian language was marginalized by Aramaic, written in the Aramaean alphabet, but Neo-Assyrian cuneiform remained in use in the literary tradition well into the times of the Parthian Empire (250 BCโ€“226 AD).[59] The last known cuneiform inscription, an astronomical text, was written in 75 AD.[60] The ability to read cuneiform may have persisted until the third century AD.[61][62]

Derived scripts

Old Persian cuneiform (5th century BC)

Old Persian cuneiform syllabary
(circa 500 BC)
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Old Persian cuneiform syllabary, and the DNa inscription (part II) of Darius the Great (circa 490 BC), in the newly created Old Persian cuneiform.

The complexity of cuneiforms prompted the development of a number of simplified versions of the script. Old Persian cuneiform was developed with an independent and unrelated set of simple cuneiform characters, by Darius the Great in the 5th century BC. Most scholars consider this writing system to be an independent invention because it has no obvious connections with other writing systems at the time, such as Elamite, Akkadian, Hurrian, and Hittite cuneiforms.[63]

It formed a semi-alphabetic syllabary, using far fewer wedge strokes than Assyrian used, together with a handful of logograms for frequently occurring words like "god" (๐Ž), "king" (๐‹) or "country" (๐Œ). This almost purely alphabetical form of the cuneiform script (36 phonetic characters and 8 logograms), was specially designed and used by the early Achaemenid rulers from the 6th century BC down to the 4th century BC.[64]

Because of its simplicity and logical structure, the Old Persian cuneiform script was the first to be deciphered by modern scholars, starting with the accomplishments of Georg Friedrich Grotefend in 1802. Various ancient bilingual or trilingual inscriptions then permitted to decipher the other, much more complicated and more ancient scripts, as far back as to the 3rd millennium Sumerian script.

Ugaritic

Ugaritic was written using the Ugaritic alphabet, a standard Semitic style alphabet (an abjad) written using the cuneiform method.

Archaeology

Between half a million[15] and two million cuneiform tablets are estimated to have been excavated in modern times, of which only approximately 30,000[65]โ€“100,000 have been read or published. The British Museum holds the largest collection (approx. 130,000 tablets), followed by the Vorderasiatisches Museum Berlin, the Louvre, the Istanbul Archaeology Museums, the National Museum of Iraq, the Yale Babylonian Collection (approx. 40,000), and Penn Museum. Most of these have "lain in these collections for a century without being translated, studied or published",[15] as there are only a few hundred qualified cuneiformists in the world.[65]

Decipherment

The first cuneiform inscriptions published in modern times, both copied from Achaemenid royal inscriptions in Persepolis in the early 17th century. Pietro Della Valle's inscription, today known as XPb, is from the Palace of Xerxes.[66]

The decipherment of cuneiform took place between 1802 and 2022, beginning with the decipherment of Old Persian cuneiform in 1836 and ending with Linear Elamite in 2022.

The first cuneiform inscriptions published in modern times were copied from the Achaemenid royal inscriptions in the ruins of Persepolis, with the first complete and accurate copy being published in 1778 by Carsten Niebuhr. Niebuhr's publication was used by Grotefend in 1802 to make the first breakthrough โ€“ the realization that Niebuhr had published three different languages side by side and the recognition of the word "king".[67]

The rediscovery and publication of cuneiform took place in the early 17th century, and early conclusions were drawn such as the writing direction and that the Achaemenid royal inscriptions are three different languages (with two different scripts). In 1620, Garcรญa de Silva Figueroa dated the inscriptions of Persepolis to the Achaemenid period, identified them as Old Persian, and concluded that the ruins were the ancient residence of Persepolis. In 1621, Pietro della Valle specified the direction of writing from left to right. In 1762, Jean-Jacques Barthรฉlemy found that an inscription in Persepolis resembled that found on a brick in Babylon. Carsten Niebuhr made the first copies of the inscriptions of Persepolis in 1778 and settled on three different types of writing, which subsequently became known as Niebuhr I, II and III. He was the first to discover the sign for a word division in one of the scriptures. Oluf Gerhard Tychsen was the first to list 24 phonetic or alphabetic values for the characters in 1798.

Actual decipherment did not take place until the beginning of the 19th century, initiated by Georg Friedrich Grotefend in his study of Old Persian cuneiform. He was followed by Antoine-Jean Saint-Martin in 1822 and Rasmus Christian Rask in 1823, who was the first to decipher the name Achaemenides and the consonants m and n. Eugรจne Burnouf identified the names of various satrapies and the consonants k and z in 1833โ€“1835. Christian Lassen contributed significantly to the grammatical understanding of the Old Persian language and the use of vowels. The decipherers used the short trilingual inscriptions from Persepolis and the inscriptions from Ganjnฤme for their work.

In a final step, the decipherment of the trilingual Behistun inscription was completed by Henry Rawlinson and Edward Hincks. Edward Hincks discovered that Old Persian is partly a syllabary.

Transliteration

ย 
Extract from the Cyrus Cylinder (lines 15โ€“21), giving the genealogy of Cyrus the Great and an account of his capture of Babylon in 539 BC
ย 
Cuneiform sign "EN", for "Lord" or "Master": evolution from the pictograph of a throne circa 3000 BC, followed by simplification and rotation down to circa 600 BC.[71]
Cylinder of Antiochus I
(c.250 BC)
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The Antiochus cylinder, written by Antiochus I Soter as great king of kings of Babylon, restorer of gods E-sagila and E-zida, circa 250 BC. Written in traditional Akkadian (with the same text in Babylonian and Assyrian given here for comparison).[72][73][74][75]
ย 
Antiochus I Soter with titles in Akkadian on the cylinder of Antiochus:
"Antiochus, King, Great King, King of multitudes, King of Babylon, King of countries"

Cuneiform has a specific format for transliteration. Because of the script's polyvalence, transliteration requires certain choices of the transliterating scholar, who must decide in the case of each sign which of its several possible meanings is intended in the original document. For example, the sign dingir in a Hittite text may represent either the Hittite syllable an or may be part of an Akkadian phrase, representing the syllable il, it may be a Sumerogram, representing the original Sumerian meaning, 'god' or the determinative for a deity. In transliteration, a different rendition of the same glyph is chosen depending on its role in the present context.[76]

Therefore, a text containing DINGIR and MU in succession could be construed to represent the words "ana", "ila", god + "a" (the accusative case ending), god + water, or a divine name "A" or Water. Someone transcribing the signs would make the decision how the signs should be read and assemble the signs as "ana", "ila", "Ila" ("god"+accusative case), etc. A transliteration of these signs, however, would separate the signs with dashes "il-a", "an-a", "DINGIR-a" or "Da". This is still easier to read than the original cuneiform, but now the reader is able to trace the sounds back to the original signs and determine if the correct decision was made on how to read them. A transliterated document thus presents the reading preferred by the transliterating scholar as well as an opportunity to reconstruct the original text.

There are differing conventions for transliterating Sumerian, Akkadian (Babylonian), and Hittite (and Luwian) cuneiform texts. One convention that sees wide use across the different fields is the use of acute and grave accents as an abbreviation for homophone disambiguation. Thus, u is equivalent to u1, the first glyph expressing phonetic u. An acute accent, รบ, is equivalent to the second, u2, and a grave accent รน to the third, u3 glyph in the series (while the sequence of numbering is conventional but essentially arbitrary and subject to the history of decipherment). In Sumerian transliteration, a multiplication sign ('ร—') is used to indicate typographic ligatures. As shown above, signs as such are represented in capital letters, while the specific reading selected in the transliteration is represented in small letters. Thus, capital letters can be used to indicate a so-called Diri compound โ€“ a sign sequence that has, in combination, a reading different from the sum of the individual constituent signs (for example, the compound IGI.A โ€“ "eye" + "water" โ€“ has the reading imhur, meaning "foam"). In a Diri compound, the individual signs are separated with dots in transliteration. Capital letters may also be used to indicate a Sumerogram (for example, Kร™.BABBAR โ€“ Sumerian for "silver" โ€“ being used with the intended Akkadian reading kaspum, "silver"), an Akkadogram, or simply a sign sequence of whose reading the editor is uncertain. Naturally, the "real" reading, if it is clear, will be presented in small letters in the transliteration: IGI.A will be rendered as imhur4.

Since the Sumerian language has only been widely known and studied by scholars for approximately a century, changes in the accepted reading of Sumerian names have occurred from time to time. Thus the name of a king of Ur, read Ur-Bau at one time, was later read as Ur-Engur, and is now read as Ur-Nammu or Ur-Namma; for Lugal-zage-si, a king of Uruk, some scholars continued to read Ungal-zaggisi; and so forth. Also, with some names of the older period, there was often uncertainty whether their bearers were Sumerians or Semites. If the former, then their names could be assumed to be read as Sumerian, while, if they were Semites, the signs for writing their names were probably to be read according to their Semitic equivalents, though occasionally Semites might be encountered bearing genuine Sumerian names. There was also doubt whether the signs composing a Semite's name represented a phonetic reading or a logographic compound. Thus, e.g. when inscriptions of a Semitic ruler of Kish, whose name was written Uru-mu-ush, were first deciphered, that name was first taken to be logographic because uru mu-ush could be read as "he founded a city" in Sumerian, and scholars accordingly retranslated it back to the original Semitic as Alu-usharshid. It was later recognized that the URU sign can also be read as rรญ and that the name is that of the Akkadian king Rimush.

Sign inventories

ย 
Cuneiform writing in Ur, southern Iraq

The Sumerian cuneiform script had on the order of 1,000 distinct signs (or about 1,500 if variants are included). This number was reduced to about 600 by the 24th century BC and the beginning of Akkadian records. Not all Sumerian signs are used in Akkadian texts, and not all Akkadian signs are used in Hittite.

A. Falkenstein (1936) lists 939 signs used in the earliest period (late Uruk, 34th to 31st centuries). (See #Bibliography for the works mentioned in this paragraph.) With an emphasis on Sumerian forms, Deimel (1922) lists 870 signs used in the Early Dynastic II period (28th century, Liste der archaischen Keilschriftzeichen or "LAK") and for the Early Dynastic IIIa period (26th century, ล umerisches Lexikon or "ล L"). Rosengarten (1967) lists 468 signs used in Sumerian (pre-Sargonian) Lagash, and Mittermayer and Attinger (2006, Altbabylonische Zeichenliste der Sumerisch-Literarischen Texte or "aBZL") list 480 Sumerian forms, written in Isin-Larsa and Old Babylonian times. Regarding Akkadian forms, the standard handbook for many years was Borger (1981, Assyrisch-Babylonische Zeichenliste or "ABZ") with 598 signs used in Assyrian/Babylonian writing, recently superseded by Borger (2004, Mesopotamisches Zeichenlexikon or "MesZL") with an expansion to 907 signs, an extension of their Sumerian readings and a new numbering scheme.

Signs used in Hittite cuneiform are listed by Forrer (1922), Friedrich (1960) and Rรผster and Neu (1989, Hethitisches Zeichenlexikon or "HZL"). The HZL lists a total of 375 signs, many with variants (for example, 12 variants are given for number 123 EGIR).

Syllabary

The tables below contain the transliteration schemes of Sumero-Akkadian phonograms.

Numerals

The Sumerians used a numerical system based on 1, 10, and 60. The way of writing a number like 70 would be the sign for 60 and the sign for 10 right after.

Usage

An example: King Shulgi foundation tablet
(c. 2094โ€“2047 BC)
ย 
๐’€ญ ๐’๐’‹ฐ๐’€
๐’Ž๐’€€๐’‰Œ
๐’‚„๐’„€
๐’‘๐’†—๐’‚ต
๐’ˆ— ๐’‹€๐’€Š๐’† ๐’ˆ 
๐’ˆ—๐’† ๐’‚—
๐’„€๐’† ๐’Œต๐’†ค
๐’‚๐’€€๐’‰Œ
๐’ˆฌ๐’ˆพ๐’†•
ย 
DNimintabba.............. "For Nimintabba"ย 
NIN-a-ni..................... "his Lady",
SHUL-GI.................... "Shulgi"
NITAH KALAG ga...... "the mighty man"ย 
LUGAL URIM KI ma... "King of Ur"
LUGAL ki en............... "King of Sumer"
gi ki URI ke................. "and Akkad",
E a ni.......................... "her Temple"ย 
mu na DU................... "he built"[80]
Foundation tablet of king Shulgi (c. 2094โ€“2047 BC), for the Temple of Nimintabba in Ur. ME 118560 British Museum.[78][79] Inscription "For his Lady Nimintabba, Shulgi the mighty man, King of Ur and King of Sumer and Akkad, has built her Temple":[80] Traditional cuneiforms were written vertically, but modern transcription is based on the "rotated" script adopted in the 2nd millennium BC.

Cuneiform script was used in many ways in ancient Mesopotamia. Besides the well known clay tablets and stone inscriptions cuneiform was also written on wax boards, which one example from the 8th century BC was found at Nimrud. The wax contained toxic amounts of arsenic.[81] It was used to record laws, like the Code of Hammurabi. It was also used for recording maps, compiling medical manuals, and documenting religious stories and beliefs, among other uses. In particular it is thought to have been used to prepare surveying data and draft inscriptions for Kassite stone kudurru.[82][83] Studies by Assyriologists like Claus Wilcke[84] and Dominique Charpin[85] suggest that cuneiform literacy was not reserved solely for the elite but was common for average citizens.

According to the Oxford Handbook of Cuneiform Culture,[86] cuneiform script was used at a variety of literacy levels: average citizens needed only a basic, functional knowledge of cuneiform script to write personal letters and business documents. More highly literate citizens put the script to more technical use, listing medicines and diagnoses and writing mathematical equations. Scholars held the highest literacy level of cuneiform and mostly focused on writing as a complex skill and an art form.

Modern usage

Cuneiform is occasionally used nowadays as inspiration for logos.

Unicode

As of version 8.0, the following ranges are assigned to the Sumero-Akkadian Cuneiform script in the Unicode Standard:

The final proposal for Unicode encoding of the script was submitted by two cuneiform scholars working with an experienced Unicode proposal writer in June 2004.[88] The base character inventory is derived from the list of Ur III signs compiled by the Cuneiform Digital Library Initiative of UCLA based on the inventories of Miguel Civil, Rykle Borger (2003) and Robert Englund. Rather than opting for a direct ordering by glyph shape and complexity, according to the numbering of an existing catalog, the Unicode order of glyphs was based on the Latin alphabetic order of their "last" Sumerian transliteration as a practical approximation. Once in Unicode, glyphs can be automatically processed into segmented transliterations.[89]

Corpus

ย 
A map showing the locations of all known provenanced cuneiform inscriptions. Cuneiform Inscriptions Geographical Site Index v1.5, November 2022, from Uppsala University.

Numerous efforts have been made since the 19th century to create a corpus of known cuneiform inscriptions. In the 21st century, the Cuneiform Digital Library Initiative and Open Richly Annotated Cuneiform Corpus are two of the most significant projects.

List of major cuneiform tablet discoveries

Location Number of tablets Initial discovery Language
Khorsabad Significant[citation needed][90] 1843
Nineveh 20,000โ€“24,000[91] 1840โ€“1849 Akkadian
Nippur 60,000[91] 1851
Girsu 40,000โ€“50,000[91] 1877
Dลซr-Katlimmu 500[91] 1879
Sippar 60,000-70,000[92][91] 1880 Babylonian
Amarna 382 1887 Canaano-Akkadian
Nuzi 10,000โ€“20,000[91] 1896
Assur 16,000[93] 1898 Akkadian
Hattusa 30,000[94] 1906 Hittite
Drehem 100,000[91] Sumerian
Kanesh 23,000[95] 1925[note 2] Akkadian
Ugarit 1,500 1929 Ugaritic
Persepolis 15,000โ€“18,000[96] 1933 Elamite, Old Persian
Mari 20,000โ€“25,000[91] 1933 Akkadian
Alalakh 300[97] 1937
Abu Salabikh 500[91] 1963
Ebla approx. 5,000[98] 1974 Sumerian and Eblaite
Nimrud 244 1952 Neo-Assyrian and Neo-Bablyonian

See also

Notes

  1. ^ /kjuหหˆniห.ษชfษ”หrm/ kew-NEE-ih-form, /kjuหหˆneษช.ษชfษ”หrm/[2][3] kew-NAY-ih-form, or /หˆkjuหnษชfษ”หrm/[2] KEW-nih-form
  2. ^ Tablets from the site surfaced on the market as early as 1880, when three tablets made their way to European museums. By the early 1920s, the number of tablets sold from the site exceeded 4,000. While the site of Kรผltepe was suspected as the source of the tablets, and the site was visited several times, it was not until 1925 when Bedrich Hrozny corroborated this identification by excavating tablets from the fields next to the tell that were related to tablets already purchased.

References

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  2. ^ a b . Oxford Dictionaries. Archived from the original on September 25, 2016. Retrieved July 30, 2017.
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  4. ^ Jagersma, Abraham Hendrik (2010). A descriptive grammar of Sumerian (PDF) (Thesis). Leiden: Faculty of the Humanities, Leiden University. p.ย 15. In its fully developed form, the Sumerian script is based on a mixture of logographic and phonographic writing. There are basically two types of signs: word signs, or logograms, and sound signs, or phonograms.
  5. ^ Sara E. Kimball; Jonathan Slocum. "Hittite Online". The University of Texas at Austin Linguistics Research Center. Early Indo-European OnLine (EIEOL). University of Texas at Austin. p.ย 2 The Cuneiform Syllabary. Hittite is written in a form of the cuneiform syllabary, a writing system in use in Sumerian city-states in Mesopotamia by roughly 3100 B.C.E. and used to write a number of languages in the ancient Near East until the first century B.C.E.
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  9. ^ Huehnergard, John (2004). "Akkadian and Eblaite". The Cambridge Encyclopedia of the World's Ancient Languages. Cambridge: Cambridge University Press. p.ย 218. ISBNย 978-0-521-56256-0. Connected Akkadian texts appear c. 2350 and continue more or less uninterrupted for the next two and a half millennia...
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  11. ^ Archi, Alfonso (2015). "How the Anitta text reached Hattusa". Saeculum: Gedenkschrift fรผr Heinrich Otten anlรคsslich seines 100. Geburtstags. Wiesbaden: Harrassowitz. ISBNย 978-3-447-10365-7. The existence of the Anitta text demonstrates that there was not a sudden and total interruption in writing but a phase of adaptation to a new writing.
  12. ^ Westenholz, Aage (December 18, 2007). "The Graeco-Babyloniaca Once Again". Zeitschrift fรผr Assyriologie und Vorderasiatische Archรคologie. 97 (2): 294. doi:10.1515/ZA.2007.014. S2CIDย 161908528. The latest datable cuneiform tablet that we have today concerns astronomical events of 75 AD and comes from Babylon. It provides a terminus post quem, at least for Babylon.
  13. ^ Hommel, Fritz (1897). The Ancient Hebrew Tradition as Illustrated by the Monuments. Society for Promoting Christian Knowledge. p.ย 29. It is necessary here to remark, that the application of the term "Assyriology," as it is now generally used, to the study of the cuneiform inscriptions, is not quite correct; indeed it is actually misleading.
    Meade, Carroll Wade (1974). Road to Babylon: Development of U.S. Assyriology. Brill. pp.ย 1โ€“2. ISBNย 978-90-04-03858-5. The term Assyriology is derived from these people, but it is very misleading.
    Daneshmand, Parsa (July 31, 2020). "Chapter 14 Assyriology in Iran?". Perspectives on the History of Ancient Near Eastern Studies. Penn State University Press. p.ย 266. doi:10.1515/9781646020898-015. The term "Assyriology" is itself problematic because it covers a broad range of topics.
    Charpin, Dominique (November 6, 2018). "Comment peut-on รชtre assyriologueย ?". OpenEdition Books. Dรจs lors, le terme assyriologue est devenu ambiguย : dans son acception large, il dรฉsigne toute personne qui รฉtudie des textes notรฉs dans l'รฉcriture cunรฉiforme.
  14. ^ Kramer, Samuel Noah (1963). The Sumerians: Their History, Culture, and Character. His numerous treatises, text editions, and polemics helped to consolidate the new science, now generally becoming known as Assyriologyโ€” based on the fact that the earliest excavations were conducted in northern Iraq, the home of the Assyrian people...
  15. ^ a b c "Cuneiform Tablets: Who's Got What?", Biblical Archaeology Review, 31 (2), 2005, from the original on July 15, 2014
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  19. ^ a b c "Beginning in the pottery-phase of the Neolithic, clay tokens are widely attested as a system of counting and identifying specific amounts of specified livestock or commodities. The tokens, enclosed in clay envelopes after being impressed on their rounded surface, were gradually replaced by impressions on flat or plano-convex tablets, and these in turn by more or less conventionalized pictures of the tokens incised on the clay with a reed stylus. The transition to writing was complete W. Hallo; W. Simpson (1971). The Ancient Near East. New York: Harcourt, Brace, Jovanovich. p.ย 25.
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  23. ^ Adkins 2003, p. 47.
  24. ^ Hunger, Hermann, and Teije de Jong, "Almanac W22340a from Uruk: The latest datable cuneiform tablet.", Zeitschrift fรผr Assyriologie und vorderasiatische Archรคologie 104.2, pp. 182โ€“194, 2014
  25. ^ Cunningham, Lawrence S.; Reich, John J.; Fichner-Rathus, Lois (2014). Culture and Values: A Survey of the Western Humanities, Volume 1. Cengage Learning. p.ย 13. ISBNย 978-1-285-45818-2.
  26. ^ Overmann, Karenleigh A.. "The Neolithic Clay Tokens", in The Material Origin of Numbers: Insights from the Archaeology of the Ancient Near East, Piscataway, New Jersey, US: Gorgias Press, 2019, pp. 157โ€“178
  27. ^ Denise Schmandt-Besserat, "An Archaic Recording System and the Origin of Writing." Syro Mesopotamian Studies, vol. 1, no. 1, pp. 1โ€“32, 1977
  28. ^ Walker, C. (1987). Reading The Past Cuneiform. British Museum. pp.ย 7-6.
  29. ^ Denise Schmandt-Besserat, An Archaic Recording System in the Uruk-Jemdet Nasr Period, American Journal of Archaeology, vol. 83, no. 1, pp. 19โ€“48, (Jan. 1979)
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  65. ^ a b Watkins, Lee; Snyder, Dean (2003), The Digital Hammurabi Project (PDF), The Johns Hopkins University, (PDF) from the original on July 14, 2014, Since the decipherment of Babylonian cuneiform some 150 years ago museums have accumulated perhaps 300,000 tablets written in most of the major languages of the Ancient Near East โ€“ Sumerian, Akkadian (Babylonian and Assyrian), Eblaite, Hittite, Persian, Hurrian, Elamite, and Ugaritic. These texts include genres as variegated as mythology and mathematics, law codes and beer recipes. In most cases these documents are the earliest exemplars of their genres, and cuneiformists have made unique and valuable contributions to the study of such moderns disciplines as history, law, religion, linguistics, mathematics, and science. In spite of continued great interest in mankind's earliest documents it has been estimated that only about 1/10 of the extant cuneiform texts have been read even once in modern times. There are various reasons for this: the complex Sumero/Akkadian script system is inherently difficult to learn; there is, as yet, no standard computer encoding for cuneiform; there are only a few hundred qualified cuneiformists in

cuneiform, other, uses, disambiguation, note, logo, syllabic, script, that, used, write, several, languages, ancient, near, east, script, active, from, early, bronze, until, beginning, common, named, characteristic, wedge, shaped, impressions, latin, cuneus, w. For other uses see Cuneiform disambiguation Cuneiform note 1 is a logo syllabic script that was used to write several languages of the Ancient Near East 4 The script was in active use from the early Bronze Age until the beginning of the Common Era 5 It is named for the characteristic wedge shaped impressions Latin cuneus which form its signs Cuneiform was originally developed to write the Sumerian language of southern Mesopotamia modern Iraq Cuneiform is the earliest known writing system 6 7 CuneiformTrilingual cuneiform inscription of Xerxes I at Van Fortress in Turkey an Achaemenid royal inscription written in Old Persian Elamite and Babylonian forms of cuneiformScript typeLogographic and syllabaryCreatedaround 3500 BC 1 Time periodc 35th century BC to c 2nd century ADDirectionleft to right LanguagesSumerian Akkadian Eblaite Elamite Hittite Hurrian Luwian Urartian Palaic Aramaic Old PersianRelated scriptsParent systems Proto writing CuneiformChild systemsNone influenced the shape of Ugaritic and Old Persian glyphsISO 15924ISO 15924Xsux 020 Cuneiform Sumero AkkadianUnicodeUnicode aliasCuneiformUnicode rangeU 12000 to U 123FF Cuneiform U 12400 to U 1247F Cuneiform Numbers and Punctuation This article contains phonetic transcriptions in the International Phonetic Alphabet IPA For an introductory guide on IPA symbols see Help IPA For the distinction between and see IPA Brackets and transcription delimiters This article contains cuneiform script Without proper rendering support you may see question marks boxes or other symbols instead of cuneiform script Over the course of its history cuneiform was adapted to write a number of languages in addition to Sumerian Akkadian texts are attested from the 24th century BC onward and make up the bulk of the cuneiform record 8 9 Akkadian cuneiform was itself adapted to write the Hittite language in the early second millennium BC 10 11 The other languages with significant cuneiform corpora are Eblaite Elamite Hurrian Luwian and Urartian The Old Persian and Ugaritic alphabets feature cuneiform style signs however they are unrelated to the cuneiform logo syllabary proper The latest known cuneiform tablet dates to 75 AD 12 Cuneiform was rediscovered in modern times in the early 17th century with the publication of the trilingual Achaemenid royal inscriptions at Persepolis these were first deciphered in the early 19th century The modern study of cuneiform belongs to the ambiguously named 13 field of Assyriology as the earliest excavations of cuneiform libraries in the mid 19th century were in the area of ancient Assyria 14 An estimated half a million tablets are held in museums across the world but comparatively few of these are published The largest collections belong to the British Museum approx 130 000 tablets the Vorderasiatisches Museum Berlin the Louvre the Istanbul Archaeology Museums the National Museum of Iraq the Yale Babylonian Collection approx 40 000 tablets and Penn Museum 15 16 Contents 1 History 1 1 Sumerian pictographs circa 3300 BC 1 2 Archaic cuneiform circa 2900 BC 1 2 1 Cuneiforms and hieroglyphs 1 3 Early Dynastic cuneiform circa 2500 BC 1 4 Sumero Akkadian cuneiform 1 5 Elamite cuneiform 1 6 Assyrian cuneiform 1 7 Derived scripts 1 7 1 Old Persian cuneiform 5th century BC 1 7 2 Ugaritic 2 Archaeology 3 Decipherment 4 Transliteration 5 Sign inventories 5 1 Syllabary 5 2 Numerals 6 Usage 6 1 Modern usage 7 Unicode 8 Corpus 8 1 List of major cuneiform tablet discoveries 9 See also 10 Notes 11 References 12 Bibliography 13 External linksHistory EditSee also History of writing Accounting tokens Clay bulla and tokens 4000 3100 BC Susa Numerical tablet 3500 3350 BC Uruk V phase Khafajah Pre cuneiform tags with drawing of goat or sheep and number probably 10 Al Hasakah 3300 3100 BC Uruk culture 17 18 Table illustrating the progressive simplification of cuneiform signs from archaic vertical script to Assyrian Writing began after pottery was invented during the Neolithic when clay tokens were used to record specific amounts of livestock or commodities 19 In recent years a contrarian view has arisen on the tokens being the precursor of writing 20 These tokens were initially impressed on the surface of round clay envelopes clay bullae and then stored in them 19 The tokens were then progressively replaced by flat tablets on which signs were recorded with a stylus Writing is first recorded in Uruk at the end of the 4th millennium BC and soon after in various parts of the Near East 19 An ancient Mesopotamian poem gives the first known story of the invention of writing Because the messenger s mouth was heavy and he couldn t repeat the message the Lord of Kulaba patted some clay and put words on it like a tablet Until then there had been no putting words on clay Sumerian epic poem Enmerkar and the Lord of Aratta Circa 1800 BC 21 22 The cuneiform writing system was in use for more than three millennia through several stages of development from the 31st century BC down to the second century AD 23 The latest firmly dateable tablet from Uruk dates to 79 80 AD 24 Ultimately it was completely replaced by alphabetic writing in the general sense in the course of the Roman era and there are no cuneiform systems in current use It had to be deciphered as a completely unknown writing system in 19th century Assyriology It was successfully deciphered by 1857 The cuneiform script changed considerably over more than 2000 years The image below shows the development of the sign SAฤœ head Borger nr 184 U 12295 ๐’Š• Stages shows the pictogram as it was drawn around 3000 BC shows the rotated pictogram as written from c 2800 2600 BC shows the abstracted glyph in archaic monumental inscriptions from c 2600 BC is the sign as written in clay contemporary with stage 3 represents the late 3rd millennium BC represents Old Assyrian ductus of the early 2nd millennium BC as adopted into Hittite is the simplified sign as written by Assyrian scribes in the early 1st millennium BC and until the script s extinction Sumerian pictographs circa 3300 BC Edit See also Proto cuneiform and Kish tablet Tablet with proto cuneiform pictographic characters end of 4th millennium BC Uruk III This is thought to be a list of slaves names the hand in the upper left corner representing the owner 25 The cuneiform script was developed from pictographic proto writing in the late 4th millennium BC stemming from the near eastern token system used for accounting The meaning and usage of these tokens is still a matter of debate 26 These tokens were in use from the 9th millennium BC and remained in occasional use even late in the 2nd millennium BC 27 Early tokens with pictographic shapes of animals associated with numbers were discovered in Tell Brak and date to the mid 4th millennium BC 28 It has been suggested that the token shapes were the original basis for some of the Sumerian pictographs 29 The Kish tablet a limestone tablet from Kish with pictographic early cuneiform writing 3500 BC Possibly the earliest known example of writing Ashmolean Museum Mesopotamia s proto literate period spans roughly the 35th to 32nd centuries BC The first unequivocal written documents start with the Uruk IV period from circa 3 300 BC followed by tablets found in Uruk III Jemdet Nasr Early Dynastic I Ur and Susa in Proto Elamite dating to the period until circa 2 900 BC 30 Originally pictographs were either drawn on clay tablets in vertical columns with a sharpened reed stylus or incised in stone This early style lacked the characteristic wedge shape of the strokes 31 Most Proto Cuneiform records from this period were of an accounting nature 32 The proto cuneiform sign list has grown as new texts are discovered and shrunk as variant signs are combined The current sign list is 705 elements long with 42 being numeric and four considered pre proto Elamite 33 34 35 Certain signs to indicate names of gods countries cities vessels birds trees etc are known as determinatives and were the Sumerian signs of the terms in question added as a guide for the reader Proper names continued to be usually written in purely logographic fashion Archaic cuneiform circa 2900 BC Edit Further information Liste der archaischen Keilschriftzeichen Early pictographic signs in archaic cuneiform used vertically before c 2300 BC 36 The first inscribed tablets were purely pictographic which makes it technically difficult to know in which language they were written Different languages have been proposed though usually Sumerian is assumed 37 Later tablets after circa 2 900 BC start to use syllabic elements which clearly show a language structure typical of the non Indo European agglutinative Sumerian language 38 The first tablets using syllabic elements date to the Early Dynastic I II circa 2 800 BC and they are agreed to be clearly in Sumerian 39 This is the time when some pictographic element started to be used for their phonetical value permitting the recording of abstract ideas or personal names 39 Many pictographs began to lose their original function and a given sign could have various meanings depending on context The sign inventory was reduced from some 1 500 signs to some 600 signs and writing became increasingly phonological Determinative signs were re introduced to avoid ambiguity Cuneiform writing proper thus arises from the more primitive system of pictographs at about that time Early Bronze Age II The earliest known Sumerian king whose name appears on contemporary cuneiform tablets is Enmebaragesi of Kish fl c 2600 BC 40 Surviving records became less fragmentary for following reigns and by the end of the pre Sargonic period it had become standard practice for each major city state to date documents by year names commemorating the exploits of its lugal king Pre cuneiform tablet end of the 4th millennium BC Proto cuneiform tablet Jemdet Nasr period c 3100 2900 BC Proto cuneiform tablet Jemdet Nasr period c 3100 2900 BC A dog on a leash is visible in the background of the lower panel 41 The Blau Monuments combine proto cuneiform characters and illustrations 3100 2700 BC British Museum Cuneiforms and hieroglyphs Edit Geoffrey Sampson stated that Egyptian hieroglyphs came into existence a little after Sumerian script and probably were invented under the influence of the latter 42 and that it is probable that the general idea of expressing words of a language in writing was brought to Egypt from Sumerian Mesopotamia 43 44 There are many instances of Egypt Mesopotamia relations at the time of the invention of writing and standard reconstructions of the development of writing generally place the development of the Sumerian proto cuneiform script before the development of Egyptian hieroglyphs with the suggestion the former influenced the latter 45 but given the lack of direct evidence for the transfer of writing no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt 46 Others have held that the evidence for such direct influence remains flimsy and that a very credible argument can also be made for the independent development of writing in Egypt 47 Early Dynastic cuneiform circa 2500 BC Edit Further information List of cuneiform signs and Sumerian language Wikibooks has a book on the topic of Alphabetical list of all Unicode cuneiform signs Sumerian inscription in monumental archaic style c 26th century BC Early cuneiform inscription were made by using a pointed stylus sometimes called linear cuneiform 48 Many of the early dynastic inscriptions particularly those made on stone continued to use the linear style as late as circa 2000 BC 48 In the mid 3rd millennium BC a new wedge tipped stylus was introduced which was pushed into the clay producing wedge shaped cuneiform This development made writing quicker and easier especially when writing on soft clay 48 By adjusting the relative position of the stylus to the tablet the writer could use a single tool to make a variety of impressions 48 For numbers a round tipped stylus was initially used until the wedge tipped stylus was generalized 48 The direction of writing was from top to bottom and right to left 48 Cuneiform clay tablets could be fired in kilns to bake them hard and so provide a permanent record or they could be left moist and recycled if permanence was not needed so surviving cuneiform tablets have largely been preserved by accident 48 From linear to angular Wedge tipped stylus for clay tablets The regnal name Lugal dalu in archaic linear script circa 2500 BC and the same name stylized with standard Sumero Akkadian cuneiform ๐’ˆ—๐’•๐’‡ป The script was also widely used on commemorative stelae and carved reliefs to record the achievements of the ruler in whose honor the monument had been erected The spoken language included many homophones and near homophones and in the beginning similar sounding words such as life til and arrow ti were written with the same symbol With the rise of the Akkadian language some signs gradually changed from being pictograms to syllabograms most likely to make things clearer in writing In that way the sign for the word arrow would become the sign for the sound ti Contract for the sale of a field and a house in the wedge shaped cuneiform adapted for clay tablets Shuruppak circa 2600 BC Words that sounded alike would have different signs for instance the syllable ษกu had fourteen different symbols When the words had a similar meaning but very different sounds they were written with the same symbol For instance tooth zu mouth ka and voice gu were all written with the symbol for voice To be more accurate scribes started adding to signs or combining two signs to define the meaning They used either geometrical patterns or another cuneiform sign As time went by the cuneiform got very complex and the distinction between a pictogram and syllabogram became vague Several symbols had too many meanings to permit clarity Therefore symbols were put together to indicate both the sound and the meaning of a compound The word raven UGA had the same logogram as the word soap NAGA the name of a city ERES and the patron goddess of Eresh NISABA Two phonetic complements were used to define the word u in front of the symbol and gu behind Finally the symbol for bird MUSEN was added to ensure proper interpretation clarification needed For unknown reasons cuneiform pictographs until then written vertically were rotated 90 counterclockwise in effect putting them on their side This change first occurred slightly before the Akkadian period at the time of the Uruk ruler Lugalzagesi r c 2294 2270 BC 49 48 The vertical style remained for monumental purposes on stone stelas until the middle of the 2nd millennium 48 Written Sumerian was used as a scribal language until the first century AD The spoken language died out between about 2100 and 1700 BC Sumero Akkadian cuneiform Edit Further information Akkadian language Sumero Akkadian cuneiform syllabary circa 2200 BC Left Sumero Akkadian cuneiform syllabary used by early Akkadian rulers 50 Right Seal of Akkadian Empire ruler Naram Sin reversed for readability c 2250 BC The name of Naram Sin Akkadian ๐’€ญ๐’ˆพ๐’Š๐’„ ๐’€ญ๐’‚—๐’ช DNa ra am DSin Sin being written ๐’‚—๐’ช EN ZU appears vertically in the right column 51 British Museum These are some of the more important signs the complete Sumero Akkadian list of characters actually numbers about 600 with many more values or pronunciation possibilities 52 The archaic cuneiform script was adopted by the Akkadian Empire from the 23rd century BC short chronology The Akkadian language being East Semitic its structure was completely different from Sumerian 53 There was no way to use the Sumerian writing system as such and the Akkadians found a practical solution in writing their language phonetically using the corresponding Sumerian phonetic signs 53 Still some of the Sumerian characters were retained for their pictorial value as well for example the character for sheep was retained but was now pronounced immeru rather than the Sumerian udu mes 53 The East Semitic languages employed equivalents for many signs that were distorted or abbreviated to represent new values because the syllabic nature of the script as refined by the Sumerians was not intuitive to Semitic speakers 53 From the beginning of the Middle Bronze Age 20th century BC the script evolved to accommodate the various dialects of Akkadian Old Akkadian Babylonian and Assyrian 53 At this stage the former pictograms were reduced to a high level of abstraction and were composed of only five basic wedge shapes horizontal vertical two diagonals and the Winkelhaken impressed vertically by the tip of the stylus The signs exemplary of these basic wedges are AS B001 U 12038 ๐’€ธ horizontal DIS B748 U 12079 ๐’น vertical GE23 DIS tenu B575 U 12039 ๐’€น downward diagonal GE22 B647 U 1203A ๐’€บ upward diagonal U B661 U 1230B ๐’Œ‹ the Winkelhaken 2nd millennium BC cuneiforms The Babylonian king Hammurabi still used vertical cuneiform circa 1750 BC Babylonian tablets of the time of Hammurabi circa 1750 BC Sumero Akkadian cuneiform either in inscriptions or on clay tablets continued to be in use mainly as a phonetical syllabary throughout the 2nd millennium BC Except for the Winkelhaken which has no tail the length of the wedges tails could vary as required for sign composition Signs tilted by about 45 degrees are called tenu in Akkadian thus DIS is a vertical wedge and DIS tenu a diagonal one If a sign is modified with additional wedges this is called gunu or gunification if signs are cross hatched with additional Winkelhaken they are called sesig if signs are modified by the removal of a wedge or wedges they are called nutillu Typical signs have about five to ten wedges while complex ligatures can consist of twenty or more although it is not always clear if a ligature should be considered a single sign or two collated but distinct signs the ligature KAxGUR7 consists of 31 strokes Most later adaptations of Sumerian cuneiform preserved at least some aspects of the Sumerian script Written Akkadian included phonetic symbols from the Sumerian syllabary together with logograms that were read as whole words Many signs in the script were polyvalent having both a syllabic and logographic meaning The complexity of the system bears a resemblance to Old Japanese written in a Chinese derived script where some of these Sinograms were used as logograms and others as phonetic characters Elamite cuneiform Edit Main article Elamite cuneiform Elamite cuneiform was a simplified form of the Sumero Akkadian cuneiform used to write the Elamite language in the area that corresponds to modern Iran Elamite cuneiform at times competed with other local scripts Proto Elamite and Linear Elamite The earliest known Elamite cuneiform text is a treaty between Akkadians and the Elamites that dates back to 2200 BC 54 However some believe it might have been in use since 2500 BC 55 The tablets are poorly preserved so only limited parts can be read but it is understood that the text is a treaty between the Akkad king Naramsin and Elamite ruler Hita as indicated by frequent references like Naramsin s friend is my friend Naramsin s enemy is my enemy 54 The most famous Elamite scriptures and the ones that ultimately led to its decipherment are the ones found in the trilingual Behistun inscriptions commissioned by the Achaemenid kings 56 The inscriptions similar to that of the Rosetta Stone s were written in three different writing systems The first was Old Persian which was deciphered in 1802 by Georg Friedrich Grotefend The second Babylonian cuneiform was deciphered shortly after the Old Persian text Because Elamite is unlike its neighboring Semitic languages the script s decipherment was delayed until the 1840s Even today lack of sources and comparative materials hinder further research of Elamite 57 Assyrian cuneiform Edit Neo Assyrian cuneiform syllabary circa 650 BC Left Simplified cuneiform syllabary in use during the Neo Assyrian period 50 The C before and after vowels stands for Consonant Right Mesopotamian palace paving slab c 600 BC This mixed method of writing continued through the end of the Babylonian and Assyrian empires although there were periods when purism was in fashion and there was a more marked tendency to spell out the words laboriously in preference to using signs with a phonetic complement Yet even in those days the Babylonian syllabary remained a mixture of logographic and phonemic writing Hittite cuneiform is an adaptation of the Old Assyrian cuneiform of c 1800 BC to the Hittite language When the cuneiform script was adapted to writing Hittite a layer of Akkadian logographic spellings was added to the script thus the pronunciations of many Hittite words which were conventionally written by logograms are now unknown In the Iron Age c 10th to 6th centuries BC Assyrian cuneiform was further simplified The characters remained the same as those of Sumero Akkadian cuneiforms but the graphic design of each character relied more heavily on wedges and square angles making them significantly more abstract The pronunciation of the characters was replaced by that of the Assyrian dialect of the Akkadian language Assurbanipal King of Assyria Assur bani habal sar mat Assur KISame characters in the classical Sumero Akkadian script of circa 2000 BC top and in the Neo Assyrian script of the Rassam cylinder 643 BC bottom 58 The Rassam cylinder with translation of a segment about the Assyrian conquest of Egypt by Ashurbanipal against Black Pharaoh Taharqa 643 BCFrom the 6th century the Akkadian language was marginalized by Aramaic written in the Aramaean alphabet but Neo Assyrian cuneiform remained in use in the literary tradition well into the times of the Parthian Empire 250 BC 226 AD 59 The last known cuneiform inscription an astronomical text was written in 75 AD 60 The ability to read cuneiform may have persisted until the third century AD 61 62 Derived scripts Edit Old Persian cuneiform 5th century BC Edit Main article Old Persian cuneiform Old Persian cuneiform syllabary circa 500 BC Old Persian cuneiform syllabary and the DNa inscription part II of Darius the Great circa 490 BC in the newly created Old Persian cuneiform The complexity of cuneiforms prompted the development of a number of simplified versions of the script Old Persian cuneiform was developed with an independent and unrelated set of simple cuneiform characters by Darius the Great in the 5th century BC Most scholars consider this writing system to be an independent invention because it has no obvious connections with other writing systems at the time such as Elamite Akkadian Hurrian and Hittite cuneiforms 63 It formed a semi alphabetic syllabary using far fewer wedge strokes than Assyrian used together with a handful of logograms for frequently occurring words like god ๐Ž king ๐‹ or country ๐Œ This almost purely alphabetical form of the cuneiform script 36 phonetic characters and 8 logograms was specially designed and used by the early Achaemenid rulers from the 6th century BC down to the 4th century BC 64 Because of its simplicity and logical structure the Old Persian cuneiform script was the first to be deciphered by modern scholars starting with the accomplishments of Georg Friedrich Grotefend in 1802 Various ancient bilingual or trilingual inscriptions then permitted to decipher the other much more complicated and more ancient scripts as far back as to the 3rd millennium Sumerian script Ugaritic Edit Ugaritic was written using the Ugaritic alphabet a standard Semitic style alphabet an abjad written using the cuneiform method Archaeology EditBetween half a million 15 and two million cuneiform tablets are estimated to have been excavated in modern times of which only approximately 30 000 65 100 000 have been read or published The British Museum holds the largest collection approx 130 000 tablets followed by the Vorderasiatisches Museum Berlin the Louvre the Istanbul Archaeology Museums the National Museum of Iraq the Yale Babylonian Collection approx 40 000 and Penn Museum Most of these have lain in these collections for a century without being translated studied or published 15 as there are only a few hundred qualified cuneiformists in the world 65 Decipherment EditMain article Decipherment of cuneiform Garcia de Silva Figueroa 1620 Pietro Della Valle 1621 The first cuneiform inscriptions published in modern times both copied from Achaemenid royal inscriptions in Persepolis in the early 17th century Pietro Della Valle s inscription today known as XPb is from the Palace of Xerxes 66 The decipherment of cuneiform took place between 1802 and 2022 beginning with the decipherment of Old Persian cuneiform in 1836 and ending with Linear Elamite in 2022 The first cuneiform inscriptions published in modern times were copied from the Achaemenid royal inscriptions in the ruins of Persepolis with the first complete and accurate copy being published in 1778 by Carsten Niebuhr Niebuhr s publication was used by Grotefend in 1802 to make the first breakthrough the realization that Niebuhr had published three different languages side by side and the recognition of the word king 67 The rediscovery and publication of cuneiform took place in the early 17th century and early conclusions were drawn such as the writing direction and that the Achaemenid royal inscriptions are three different languages with two different scripts In 1620 Garcia de Silva Figueroa dated the inscriptions of Persepolis to the Achaemenid period identified them as Old Persian and concluded that the ruins were the ancient residence of Persepolis In 1621 Pietro della Valle specified the direction of writing from left to right In 1762 Jean Jacques Barthelemy found that an inscription in Persepolis resembled that found on a brick in Babylon Carsten Niebuhr made the first copies of the inscriptions of Persepolis in 1778 and settled on three different types of writing which subsequently became known as Niebuhr I II and III He was the first to discover the sign for a word division in one of the scriptures Oluf Gerhard Tychsen was the first to list 24 phonetic or alphabetic values for the characters in 1798 Actual decipherment did not take place until the beginning of the 19th century initiated by Georg Friedrich Grotefend in his study of Old Persian cuneiform He was followed by Antoine Jean Saint Martin in 1822 and Rasmus Christian Rask in 1823 who was the first to decipher the name Achaemenides and the consonants m and n Eugene Burnouf identified the names of various satrapies and the consonants k and z in 1833 1835 Christian Lassen contributed significantly to the grammatical understanding of the Old Persian language and the use of vowels The decipherers used the short trilingual inscriptions from Persepolis and the inscriptions from Ganjname for their work Niebuhr inscription 1 with the suggested words for King ๐Žง๐๐Ž ๐Žน๐Žฐ๐Žก๐Žน highlighted repeated three times Inscription now known to mean Darius the Great King King of Kings King of countries son of Hystaspes an Achaemenian who built this Palace 68 Today known as DPa from the Palace of Darius in Persepolis above figures of the king and attendants 69 Niebuhr inscription 2 with the suggested words for King ๐Žง๐๐Ž ๐Žน๐Žฐ๐Žก๐Žน highlighted repeated four times Inscription now known to mean Xerxes the Great King King of Kings son of Darius the King an Achaemenian 68 Today known as XPe the text of fourteen inscriptions in three languages Old Persian Elamite Babylonian from the Palace of Xerxes in Persepolis 70 In a final step the decipherment of the trilingual Behistun inscription was completed by Henry Rawlinson and Edward Hincks Edward Hincks discovered that Old Persian is partly a syllabary Transliteration Edit Extract from the Cyrus Cylinder lines 15 21 giving the genealogy of Cyrus the Great and an account of his capture of Babylon in 539 BC Cuneiform sign EN for Lord or Master evolution from the pictograph of a throne circa 3000 BC followed by simplification and rotation down to circa 600 BC 71 Cylinder of Antiochus I c 250 BC The Antiochus cylinder written by Antiochus I Soter as great king of kings of Babylon restorer of gods E sagila and E zida circa 250 BC Written in traditional Akkadian with the same text in Babylonian and Assyrian given here for comparison 72 73 74 75 Antiochus I Soter with titles in Akkadian on the cylinder of Antiochus Antiochus King Great King King of multitudes King of Babylon King of countries Cuneiform has a specific format for transliteration Because of the script s polyvalence transliteration requires certain choices of the transliterating scholar who must decide in the case of each sign which of its several possible meanings is intended in the original document For example the sign dingir in a Hittite text may represent either the Hittite syllable an or may be part of an Akkadian phrase representing the syllable il it may be a Sumerogram representing the original Sumerian meaning god or the determinative for a deity In transliteration a different rendition of the same glyph is chosen depending on its role in the present context 76 Therefore a text containing DINGIR and MU in succession could be construed to represent the words ana ila god a the accusative case ending god water or a divine name A or Water Someone transcribing the signs would make the decision how the signs should be read and assemble the signs as ana ila Ila god accusative case etc A transliteration of these signs however would separate the signs with dashes il a an a DINGIR a or Da This is still easier to read than the original cuneiform but now the reader is able to trace the sounds back to the original signs and determine if the correct decision was made on how to read them A transliterated document thus presents the reading preferred by the transliterating scholar as well as an opportunity to reconstruct the original text There are differing conventions for transliterating Sumerian Akkadian Babylonian and Hittite and Luwian cuneiform texts One convention that sees wide use across the different fields is the use of acute and grave accents as an abbreviation for homophone disambiguation Thus u is equivalent to u1 the first glyph expressing phonetic u An acute accent u is equivalent to the second u2 and a grave accent u to the third u3 glyph in the series while the sequence of numbering is conventional but essentially arbitrary and subject to the history of decipherment In Sumerian transliteration a multiplication sign is used to indicate typographic ligatures As shown above signs as such are represented in capital letters while the specific reading selected in the transliteration is represented in small letters Thus capital letters can be used to indicate a so called Diri compound a sign sequence that has in combination a reading different from the sum of the individual constituent signs for example the compound IGI A eye water has the reading imhur meaning foam In a Diri compound the individual signs are separated with dots in transliteration Capital letters may also be used to indicate a Sumerogram for example KU BABBAR Sumerian for silver being used with the intended Akkadian reading kaspum silver an Akkadogram or simply a sign sequence of whose reading the editor is uncertain Naturally the real reading if it is clear will be presented in small letters in the transliteration IGI A will be rendered as imhur4 Since the Sumerian language has only been widely known and studied by scholars for approximately a century changes in the accepted reading of Sumerian names have occurred from time to time Thus the name of a king of Ur read Ur Bau at one time was later read as Ur Engur and is now read as Ur Nammu or Ur Namma for Lugal zage si a king of Uruk some scholars continued to read Ungal zaggisi and so forth Also with some names of the older period there was often uncertainty whether their bearers were Sumerians or Semites If the former then their names could be assumed to be read as Sumerian while if they were Semites the signs for writing their names were probably to be read according to their Semitic equivalents though occasionally Semites might be encountered bearing genuine Sumerian names There was also doubt whether the signs composing a Semite s name represented a phonetic reading or a logographic compound Thus e g when inscriptions of a Semitic ruler of Kish whose name was written Uru mu ush were first deciphered that name was first taken to be logographic because uru mu ush could be read as he founded a city in Sumerian and scholars accordingly retranslated it back to the original Semitic as Alu usharshid It was later recognized that the URU sign can also be read as ri and that the name is that of the Akkadian king Rimush Sign inventories EditSee also List of cuneiform signs and Cuneiform Unicode block Cuneiform writing in Ur southern Iraq The Sumerian cuneiform script had on the order of 1 000 distinct signs or about 1 500 if variants are included This number was reduced to about 600 by the 24th century BC and the beginning of Akkadian records Not all Sumerian signs are used in Akkadian texts and not all Akkadian signs are used in Hittite A Falkenstein 1936 lists 939 signs used in the earliest period late Uruk 34th to 31st centuries See Bibliography for the works mentioned in this paragraph With an emphasis on Sumerian forms Deimel 1922 lists 870 signs used in the Early Dynastic II period 28th century Liste der archaischen Keilschriftzeichen or LAK and for the Early Dynastic IIIa period 26th century Sumerisches Lexikon or SL Rosengarten 1967 lists 468 signs used in Sumerian pre Sargonian Lagash and Mittermayer and Attinger 2006 Altbabylonische Zeichenliste der Sumerisch Literarischen Texte or aBZL list 480 Sumerian forms written in Isin Larsa and Old Babylonian times Regarding Akkadian forms the standard handbook for many years was Borger 1981 Assyrisch Babylonische Zeichenliste or ABZ with 598 signs used in Assyrian Babylonian writing recently superseded by Borger 2004 Mesopotamisches Zeichenlexikon or MesZL with an expansion to 907 signs an extension of their Sumerian readings and a new numbering scheme Signs used in Hittite cuneiform are listed by Forrer 1922 Friedrich 1960 and Ruster and Neu 1989 Hethitisches Zeichenlexikon or HZL The HZL lists a total of 375 signs many with variants for example 12 variants are given for number 123 EGIR Syllabary Edit The tables below contain the transliteration schemes of Sumero Akkadian phonograms Akkadian V and VV syllabic glyphs 77 Va Ve Vi Vu aV eV iV uVa ๐’€€a a ๐’€‰a a ๐’‰ฟa ๐’€€๐’€ญa ๐’€a ๐’Œ‹a ๐’„ฉa ๐’Œจa ๐’†นa ๐’Šทa ๐’€ญa ๐’Œ“a ๐’Œ—a ๐’‚ e ๐’‚Še e ๐’‚e e ๐’Œ“๐’บe ๐’€€e ๐’Šฉ๐’Œ†e ๐’‹ฃe ๐’…—e ๐’Œ“e ๐’‰„e ๐’‡ฏ๐’บe ๐’‡ฏ๐’ฝe ๐’Šฉ๐’†ช i ๐’„ฟi i i i ๐’‰Œi ๐’‰Œ๐’Œ“i ๐’…—i ๐’†ชi ๐’€€๐’‡‰i ๐’‡‰i ๐’‹–๐’„‘๐’†ชi ๐’Œ“๐’บi ๐’„ญi ๐’ˆฌi ๐’‚Ši ๐’‰ฟ u ๐’Œ‹u u ๐’Œ‘u u ๐’…‡u ๐’Œ“u ๐’„ท๐’‹›u ๐’…†๐’‚u ๐’† ๐’ˆซu ๐’‡‡u ๐’‚ฆu ๐’ฑu ๐’„ทu ๐’Œฆu ๐’„ดu ๐’Œ‹๐’‚ตu ๐’Œu ๐’‰ฟu ๐’‡u ๐’Œทu ๐’Šบu ๐’ŠŒu ๐’Œ—u ๐’‰ก a ๐’€€a a ๐’€‰a a ๐’‰ฟa ๐’€€๐’€ญa ๐’€a ๐’Œ‹a ๐’„ฉa ๐’Œจa ๐’†นa ๐’Šทa ๐’€ญa ๐’Œ“a ๐’Œ—a ๐’‚ e ๐’‚Še e ๐’‚e e ๐’Œ“๐’บe ๐’€€e ๐’Šฉ๐’Œ†e ๐’‹ฃe ๐’…—e ๐’Œ“e ๐’‰„e ๐’‡ฏ๐’บe ๐’‡ฏ๐’ฝe ๐’Šฉ๐’†ช i ๐’„ฟi i i i ๐’‰Œi ๐’‰Œ๐’Œ“i ๐’…—i ๐’†ชi ๐’€€๐’‡‰i ๐’‡‰i ๐’‹–๐’„‘๐’†ชi ๐’Œ“๐’บi ๐’„ญi ๐’ˆฌi ๐’‚Ši ๐’‰ฟ u ๐’Œ‹u u ๐’Œ‘u u ๐’…‡u ๐’Œ“u ๐’„ท๐’‹›u ๐’…†๐’‚u ๐’† ๐’ˆซu ๐’‡‡u ๐’‚ฆu ๐’ฑu ๐’„ทu ๐’Œฆu ๐’„ดu ๐’Œ‹๐’‚ตu ๐’Œu ๐’‰ฟu ๐’‡u ๐’Œทu ๐’Šบu ๐’ŠŒu ๐’Œ—u ๐’‰กa ai ๐’€€๐’€€ ea ๐’€€ ia ๐’…€ia ia ia ia ๐’‰Œia ๐’‰Œ๐’Œ“ia ๐’ˆฌia ia ๐’‰ฟia ๐’€ผ๐’‹ฐia ๐’€€ ua ๐’‡‡ua ua ๐’ฑua ๐’ฆ ae ea ๐’€€ ie ๐’…€ ei ia ๐’…€ia ia ia ia ๐’‰Œia ๐’‰Œ๐’Œ“ia ๐’ˆฌia ia ๐’‰ฟia ๐’€ผ๐’‹ฐia ๐’€€ ie ๐’…€ ii ๐’…€ii ii ๐’‚Š iu ๐’…€iu iu ๐’‰ฟ ai ๐’€€๐’€€ ii ๐’…€ iu ua ๐’‡‡ua ua ๐’ฑua ๐’ฆ iu ๐’…€iu iu ๐’‰ฟ uAkkadian CV and VC syllabic glyphs 77 Ca Ce Ci Cu aC eC iC uCสพ สพa ๐’€ชสพa สพa ๐’„ดสพa สพa ๐’‚สพa ๐’„ฉสพa ๐’‰Œ สพe ๐’€ชสพe สพe ๐’„ด สพi ๐’€ชสพi สพi ๐’„ดสพi สพi ๐’„ญ สพu ๐’€ชสพu สพu ๐’„ดสพu สพu ๐’‡‡สพu ๐’€€สพu ๐’„ท aสพ ๐’€ชaสพ aสพ ๐’„ดaสพ aสพ ๐’‚ eสพ ๐’€ชeสพ eสพ ๐’„ดeสพ eสพ ๐’‚ iสพ ๐’€ชiสพ iสพ ๐’„ด uสพ ๐’€ชuสพ uสพ ๐’„ดuสพ uสพ ๐’‡‡u สพ ๐’Œ” สพb ba ๐’€ba ba ๐’‰บba ba ๐’Œba ๐’‚ทba ๐’…ฎba ๐’Œ‘ba ๐’ˆฆba ๐’‚ฆba ๐’ba ๐’‰ผba ๐’…คba ๐’ˆจba ๐’‰ฝba ๐’‡ be ๐’be be ๐’‰be be ๐’‰Œbe ๐’€be ๐’†ชbe ๐’‰ฟbe ๐’‰ˆ bi ๐’‰bi bi ๐’‰ˆbi bi ๐’‰ฟbi ๐’๐’bi ๐’‰‹bi ๐’€bi ๐’†ชbi ๐’„ด bu ๐’bu bu ๐’†œbu bu ๐’…คbu ๐’‡ฅbu ๐’‡ง ๐’‡ฅbu ๐’†ชbu ๐’”bu ๐’‘bu ๐’‰ฝ๐’‰ฝbu ๐’Œ‘bu ๐’Œ‹bu ๐’…ฎbu ๐’‡กbu ๐’‰ปbu ๐’‰Œbu ๐’…— ab ๐’€Šab ab ๐’€–ab ab ๐’€œab ๐’€” eb ๐’…eb eb ๐’Œˆ ib ๐’…ib ib ๐’Œˆ ub ๐’Œ’ub ub ๐’‚ ub ub ๐’€šub ๐’‡ฅub ๐’€› ๐’€šub ๐’€™ bd da ๐’•da da ๐’‹ซda da ๐’†•da ๐’ฎda ๐’da ๐’‹ณda ๐’Œ“da ๐’–da ๐’Œฃda ๐’„ญda ๐’……da ๐’…—da ๐’‹บ de ๐’ฒde de ๐’Œฃde de ๐’‰ˆde ๐’‹ผde ๐’Š‘de ๐’บde ๐’Šนde ๐’‹พ di ๐’ฒdi di ๐’Šนdi di ๐’‹พdi ๐’Œ‰di ๐’Š‘di ๐’บdi ๐’‰ˆdi ๐’Œฃdi ๐’ดdi ๐’‹ผ du ๐’บdu du ๐’Œ…du du ๐’†•du ๐’Œˆdu ๐’‚…du ๐’‡ฏdu ๐’ŒŒdu ๐’ƒฎ ๐’‚ƒdu ๐’”du ๐’„ญdu ๐’…—du ๐’Œ‡du ๐’Œ‰du ๐’‡ฝ๐’‰ˆ ๐’ˆŒdu ๐’„ญ๐’ ๐’„ฐdu ๐’Œšdu ๐’‰ˆdu ๐’Œฃdu ๐’•du ๐’‚„du ๐’€ฒ๐’€ดdu ๐’‹›๐’€€ ad ๐’€œad ad ๐’„‰ad ad ๐’‡ผad ๐’žad ๐’Œ‘๐’„‰ad ๐’‡ฝ๐’ ๐’‡ฟ ๐’ˆ• ed ๐’€‰ed ed ๐’Œ“๐’บed ed ๐’‡ฏ๐’บed ๐’‡ฏ๐’ฝ id ๐’€‰id id ๐’€€๐’‡‰id id ๐’‡‰id ๐’Œ“๐’€ญ๐’‹€๐’† id ๐’€€id ๐’€€๐’‡‰๐’ƒฒid ๐’€€๐’‡‰๐’ฒid ๐’Œ—id ๐’Œ—๐’€ญ๐’‹€๐’†  ud ๐’Œ“ud ud ๐’€พud ๐’‹ธud ๐’šud ๐’Œ‹๐’‚ต dg ga ๐’‚ตga ga ๐’‚ทga ga ๐’ƒทga ๐’ƒปga ๐’‹กga ๐’…ga ๐’……ga ๐’„„ga ๐’„ฏga ๐’ˆชga ๐’…—ga ๐’ƒฎ ge ๐’„€ge ge ๐’†คge ge ๐’นge ๐’„„ge ๐’† ge ๐’ˆชge ๐’‚ ge ๐’‰ˆge ๐’‰‹ge ๐’‚…ge ๐’Šฉ๐’†ณge ๐’บge ๐’Œ‹ge ๐’€ธge ๐’„ƒge ๐’ˆช๐’‰ญge ๐’ถge ๐’‹๐’‹™๐’ท ๐’‰พge ๐’‚ตge ๐’†ณge ๐’ปge ๐’€นge ๐’€ตge ๐’‚ทge ๐’จ gi ๐’„€gi gi ๐’†คgi gi ๐’นgi ๐’„„gi ๐’† gi ๐’ˆชgi ๐’‚ gi ๐’…†gi ๐’‰ˆgi ๐’‰‹gi ๐’‚…gi ๐’Šฉ๐’†ณgi ๐’„ƒgi ๐’ˆช๐’‰ญgi ๐’ถgi ๐’‚‚gi ๐’ gu ๐’„–gu gu ๐’„˜gu gu ๐’…—gu ๐’„žgu ๐’†ชgu ๐’…˜gu ๐’…ฅgu ๐’„ฃgu ๐’†ฐgu ๐’ˆฌgu ๐’‚ตgu ๐’„ฏgu ๐’† gu ๐’ˆgu ๐’† ag ๐’€ag ag ๐’‰˜ag ag ๐’‹ƒ eg ๐’……eg eg ๐’‚Šeb eg ๐’‰˜ ig ๐’……ig ig ๐’‚Šig ig ๐’‰˜ ug ๐’ŠŒug ug ๐’„Š ๐’ŠŠug ug ๐’Œฆug ๐’Œ“ug ๐’‚ฆug ๐’ug ๐’ˆ• gแธซ แธซa ๐’„ฉแธซa แธซa ๐’„ญ๐’€€แธซa แธซa ๐’Œ‹แธซa ๐’„ญแธซa ๐’Œ“แธซa ๐’„ซแธซa ๐’‹–๐’„‘ แธซe ๐’„ญแธซe แธซe ๐’ƒถ แธซi ๐’„ญแธซi แธซi ๐’ƒถ แธซu ๐’„ทแธซu แธซu ๐’†ญแธซu แธซu ๐’Œ‹แธซu ๐’„ฏแธซu ๐’ˆ aแธซ ๐’„ดaแธซ aแธซ ๐’‹€aแธซ aแธซ ๐’Œ“aแธซ ๐’€ชaแธซ ๐’€‰aแธซ ๐’Œ” eแธซ ๐’„ดeแธซ eแธซ ๐’€ชeแธซ eแธซ ๐’†ช๐’†ช iแธซ ๐’„ดiแธซ iแธซ ๐’€ช uแธซ ๐’„ดuแธซ uแธซ ๐’Œ”uแธซ uแธซ ๐’†ตuแธซ ๐’…œuแธซ ๐’€ชuแธซ ๐’…Ž๐’‹™uแธซ ๐’Œ‹๐’†• แธซk ka ๐’…—ka ka ๐’†ka ka ๐’‚ตka ๐’‹กka ๐’ˆœka ๐’‹๐’‹™๐’ท ๐’‰พka ๐’ฝka ๐’‰ka ๐’‹ƒka ๐’ˆœ๐’€€ka ๐’‹ผ๐’€€ka ๐’„ฐ ๐’„ฐka ๐’ชka ๐’†•ka ๐’ƒถ ke ๐’† ke ke ๐’„€ke ke ๐’€ke ๐’†ค ki ๐’† ki ki ๐’„€ki ki ๐’€ki ๐’†คki ๐’ชki ๐’†•ki ๐’„„ ku ๐’†ชku ku ๐’…ฅku ku ๐’†ฌku ๐’†ญku ๐’‹ปku ๐’„ฉku ๐’†ฏku ๐’„–ku ๐’†ฐku ๐’ˆชku ๐’† ku ๐’„ฃku ๐’†ฒku ๐’„žku ๐’‰ˆku ๐’„ซ ak ๐’€ak ak ๐’‹ƒ ek ๐’…… ik ๐’…… uk ๐’ŠŒ kl la ๐’†ทla la ๐’‡ฒla la ๐’‰กla ๐’บ๐’บla ๐’‡ณla ๐’†—la ๐’Œ“la ๐’‚”la ๐’‹ƒla ๐’‡ด le ๐’‡ทle le ๐’‰Œle le ๐’…†le ๐’€ญle ๐’€–le ๐’‰ˆle ๐’• li ๐’‡ทli li ๐’‰Œli li ๐’…†li ๐’Šญli ๐’ƒถli ๐’Œจli ๐’€–li ๐’‰ˆli ๐’‰ฃli ๐’‡บli ๐’‰‹ lu ๐’‡ปlu lu ๐’‡ฝlu lu ๐’ˆ–lu ๐’ˆlu ๐’ˆœlu ๐’Œจlu ๐’‡lu ๐’Œทlu ๐’‰บ al ๐’€ al al ๐’€ฉal al ๐’ƒทal ๐’Œ“al ๐’ˆคal ๐’Œทal ๐’…‹ el ๐’‚–el el ๐’…‹el el ๐’€ญel ๐’…Œ il ๐’…‹il il ๐’…il il ๐’€ญil ๐’นil ๐’‚–il ๐’€งil ๐’…Œil ๐’‡ธil ๐’€  ๐’…‹ ul ๐’ŒŒul ul ๐’‰กul ul ๐’‰ ul ๐’„‰ul ๐’‚ฌul ๐’Œ“ul ๐’‹—๐’ul ๐’ƒท lm ma ๐’ˆ ma ma ๐’ˆฃma ma ๐’‚ทma ๐’Šฌma ๐’…กma ๐’ˆจma ๐’ˆฆma ๐’…ฟma ๐’‰ฟma ๐’Ž™ me ๐’ˆจme me ๐’ˆชme me ๐’…  ๐’€žme ๐’me ๐’€€me ๐’€me ๐’ƒ™me ๐’‰ฟme ๐’‡žme ๐’…Žme ๐’€Ÿ mi ๐’ˆชmi mi ๐’Šฉmi mi ๐’ˆจmi ๐’ƒžmi ๐’‰ฟ mu ๐’ˆฌmu mu ๐’Šฌmu mu ๐’…กmu ๐’Œ†mu ๐’‰Œmu ๐’‰บmu ๐’…ฒmu ๐’ƒปmu ๐’„‘mu ๐’Šฉmu ๐’…ฟmu ๐’„ท๐’„ญmu ๐’†€mu ๐’€€ am ๐’„ am am ๐’‰˜am am ๐’€€๐’€ญam ๐’ƒ˜am ๐’ƒฃam ๐’€ญam ๐’‰ฟ em ๐’…Žem em ๐’‰˜em ๐’…ด im ๐’…Žim im ๐’ฝim im ๐’‰˜im ๐’ผim ๐’บim ๐’…–๐’€€๐’‹ค um ๐’Œum um ๐’Œ“ mn na ๐’ˆพna na ๐’ˆฟna na ๐’€na ๐’‰Œ๐’Œ“na ๐’Šญna ๐’‡ฝna ๐’‰†na ๐’…˜ ne ๐’‰ˆne ne ๐’‰Œne ne ๐’„Š ๐’ŠŠne ๐’‹™๐’‰ˆne ๐’† ๐’‰ˆne ๐’ˆพne ๐’ˆฟne ๐’‰‹ ni ๐’‰Œni ni ๐’…Žni ni ๐’ƒปni ๐’Šฉ๐’Œ†ni ๐’‰ˆni ๐’†ธ๐’†ธni ๐’‰ni ๐’‡ทni ๐’Œ‹๐’Œ“๐’†คni ๐’†ธ nu ๐’‰กnu nu ๐’ˆฟnu nu ๐’‰nu ๐’ˆnu ๐’†ฐnu ๐’‰ฃnu ๐’€•nu ๐’ˆพnu ๐’‡ทnu ๐’†ชnu ๐’‹“nu ๐’‡ป ๐’ณnu ๐’„ด an ๐’€ญan an ๐’„’ en ๐’‚—en en ๐’‹™๐’€ญ ๐’Œ‹๐’€ญen en ๐’‡ทen ๐’…—en ๐’‰บ๐’‹ผen ๐’…”en ๐’ en ๐’Šญ in ๐’…”in ๐’‚—in ๐’Šฉ๐’Œ†in ๐’€ธ un ๐’Œฆun un ๐’Œ‹un un ๐’‚ฆun ๐’‚ฌun ๐’Œ“ np pa ๐’‰บpa pa ๐’€pa pa ๐’…†๐’Š’pa ๐’‰ฝpa ๐’‰ฝ๐’‚Špa ๐’‰ฝ๐’…–pa ๐’„ทpa ๐’‹ƒpa ๐’Šทpa ๐’…†pa ๐’ƒถpa ๐’‰ฟ pe ๐’‰ฟpe pe ๐’‰pe pe ๐’pe ๐’…—pe ๐’‰ˆ pi ๐’‰ฟpi pi ๐’‰pi pi ๐’pi ๐’…—pi ๐’‰ˆpi ๐’‰‹pi ๐’‚บpi ๐’ pu ๐’pu pu ๐’‡ฅpu pu ๐’…คpu ๐’…คpu ๐’‡€pu ๐’Œ‘ ap ๐’€Šap ap ๐’€–ap ap ๐’€œ ep ๐’…ep ep ๐’Œˆ ip ๐’…ip ip ๐’Œˆ up ๐’Œ’up up ๐’‚  pq qa ๐’‹กqa qa ๐’‚ตqa qa ๐’…—qa ๐’‹—๐’ˆซqa ๐’†• qe ๐’†ฅqe qe ๐’† qe qe ๐’„€qe ๐’„„ qi ๐’†ฅqi qi ๐’† qi qi ๐’„€qi ๐’„„qi ๐’†คqi ๐’†• qu ๐’„ฃqu ๐’†ชqu ๐’„–qu ๐’†ฌqu ๐’„˜qu ๐’„ž aq ๐’€ eq ๐’…… iq ๐’…… uq ๐’ŠŒuq ๐’‚ฆ qr ra ๐’Šra ra ๐’บra ra ๐’Œ“ra ๐’‹ฅra ๐’ra ๐’€ re ๐’Š‘re re ๐’Œทre re ๐’†ธre ๐’บre ๐’ปre ๐’†• ri ๐’Š‘ri ri ๐’Œทri ri ๐’†ธri ๐’ฎri ๐’‰ชri ๐’บri ๐’ˆถri ๐’ˆ• ๐’ˆ—๐’†šri ๐’‚”ri ๐’†• ru ๐’Š’ru ru ๐’†•ru ru ๐’€ธru ๐’ru ๐’ŒŒru ๐’‚”ru ๐’Œจru ๐’‹ญru ๐’Œทru ๐’‹ฝru ๐’Œพru ๐’‚—ru ๐’‚˜ ar ๐’…ˆar ar ๐’Œ’ar ar ๐’„ฏar ๐’ƒต er ๐’…•er er ๐’€€๐’…†er er ๐’€ดer ๐’Œทer ๐’€…er ๐’บer ๐’ˆ ir ๐’…•ir ir ๐’€€๐’…†ir ir ๐’€ดir ๐’Œทir ๐’„ฏir ๐’€…ir ๐’†œir ๐’„Šir ๐’บir ๐’€ตir ๐’…•ir ๐’‚† ur ๐’Œจur ur ๐’Œซur ur ๐’ƒกur ๐’Œดur ๐’„ฏur ๐’ŒŒur ๐’‰žur ๐’Œฒur ๐’Œตur ๐’€ณur ๐’‹ฝur ๐’Š๐’ƒฒur ๐’ƒฃ rs sa ๐’Š“sa sa ๐’ฒsa sa ๐’sa ๐’„ท๐’ˆฟ ๐’„ท๐’„ญ๐’ˆฟsa ๐’‹›๐’€€sa ๐’Šทsa ๐’…Šsa ๐’€ญsa ๐’ˆฆsa ๐’‰›sa ๐’‹œsa ๐’Š•sa ๐’…†๐’‚Ÿsa ๐’†—sa ๐’ƒปsa ๐’Œ“sa ๐’‹™๐’‰€sa ๐’‰sa ๐’Šฎsa ๐’Šญsa ๐’Šพ se ๐’‹›se se ๐’ฃse se ๐’‹งse ๐’ˆปse ๐’๐’ˆน๐’ฒse ๐’‹se ๐’…Šse ๐’ขse ๐’ˆบ ๐’€€๐’ˆนse ๐’ˆน๐’ฒse ๐’€€๐’ˆน๐’ฒse ๐’ˆนse ๐’ˆฝ si ๐’‹›si si ๐’ฃsi si ๐’‹งsi ๐’‹œsi ๐’…†๐’‚ si ๐’‡ปsi ๐’Œฃsi ๐’ฒsi ๐’‹si ๐’…Šsi ๐’‰†si ๐’‚si ๐’Šฌsi ๐’‹si ๐’…†si ๐’…ฒ ๐’…si ๐’†‰si ๐’ขsi ๐’†—si ๐’„€ ๐’†ฌsi ๐’„ข su ๐’‹ขsu su ๐’ชsu su ๐’‹คsu ๐’‹œsu ๐’†ชsu ๐’…พsu ๐’‡ญsu ๐’ปsu ๐’‹œ๐’€€su ๐’ˆฝsu ๐’…—su ๐’‹ง ๐’‹›su ๐’su ๐’ฎsu ๐’‰su ๐’”su ๐’‚„su ๐’‚…su ๐’บ๐’บsu ๐’‹† as ๐’Šas as ๐’€พas as ๐’€ธas ๐’†นas ๐’‹“as ๐’„ฑ es ๐’„‘es es ๐’Œes es ๐’€Šes ๐’…– is ๐’„‘is is ๐’…–is is ๐’€Šis ๐’Œ us ๐’Šปus us ๐’‘us us ๐’šus ๐’Šus ๐’‡‡ sแนฃ แนฃa ๐’แนฃa แนฃa ๐’€ญ แนฃe ๐’ขแนฃe แนฃe ๐’ฃ แนฃi ๐’ขแนฃi แนฃi ๐’ฃแนฃi แนฃi ๐’‹›แนฃi ๐’‚  แนฃu ๐’ฎแนฃu แนฃu ๐’ช aแนฃ ๐’Šaแนฃ aแนฃ ๐’€พaแนฃ aแนฃ ๐’€ธ eแนฃ ๐’„‘eแนฃ eแนฃ ๐’€Š iแนฃ ๐’„‘iแนฃ iแนฃ ๐’…–iแนฃ iแนฃ ๐’€Š uแนฃ ๐’Šปuแนฃ uแนฃ ๐’‘uแนฃ ๐’Š แนฃs sa ๐’Š“sa sa ๐’ฒ se ๐’‹›se se ๐’‹ si ๐’‹›si si ๐’‹œsi si ๐’‹ su ๐’‹ขsu su ๐’‹œsu su ๐’‹ค as ๐’€พ is ๐’…–is ๐’€Š us ๐’‘ ss sa ๐’Šญsa sa ๐’ƒปsa sa ๐’Šฎsa ๐’บsa ๐’€sa ๐’Šทsa ๐’Š‘sa ๐’Šฌsa ๐’„ฃsa ๐’Š“sa ๐’‡ฝsa ๐’Šฉsa ๐’Šนsa ๐’‚ทsa ๐’…†๐’‚Ÿsa ๐’‚ sa ๐’…‡sa ๐’‰sa ๐’„ท๐’ˆฟ ๐’„ท๐’„ญ๐’ˆฟsa ๐’ˆsa ๐’Š•sa ๐’Œ‘ se ๐’Šบse se ๐’‹›se se ๐’‚ se ๐’ˆปse ๐’๐’ˆน๐’ฒse ๐’‰ˆse ๐’€€๐’€ญse ๐’‹se ๐’‹™๐’€ญ ๐’Œ‹๐’€ญ ๐’‡๐’€ญse ๐’†ชse ๐’ˆœse ๐’ˆบ ๐’€€๐’ˆนse ๐’บse ๐’‹ƒse ๐’Œse ๐’‹€se ๐’ˆน๐’ฒse ๐’€€๐’ˆน๐’ฒse ๐’‹งse ๐’…† ๐’‚ se ๐’„ท๐’ˆฟse ๐’‚žse ๐’ˆนse ๐’ˆฝse ๐’†‚se ๐’…se ๐’‹žse ๐’…—se ๐’ˆ‚ ๐’‡ฝ๐’ƒธ si ๐’…†si si ๐’‹›si si ๐’‹si ๐’‚ si ๐’†ชsi ๐’‹†si ๐’…Š su ๐’‹—su su ๐’‹™su su ๐’‚ su ๐’Œ‹su ๐’‡Ÿsu ๐’‡ su ๐’ƒปsu ๐’ˆฌsu ๐’‹ขsu ๐’†ƒsu ๐’‰su ๐’‹ณsu ๐’ฎsu ๐’Œ‹๐’Œ“ as ๐’€ธas as ๐’€พas as as as ๐’‹๐’‹ฆas ๐’‹ ๐’€Šas ๐’‹“as ๐’„ฑas as ๐’นas ๐’€น es ๐’Œes es ๐’‚ es es ๐’€Šes ๐’นes es es es ๐’†œes ๐’€€๐’…†es ๐’€€es ๐’Š‘es ๐’‰Šes ๐’‰‰es ๐’…–es es ๐’ˆจ๐’Œes ๐’€นes ๐’„‘es ๐’€ธes es ๐’‡ตes ๐’€ผ is ๐’…–is is ๐’†œis is ๐’Œ๐’Œis ๐’นis ๐’…—is ๐’„‘is ๐’€Šis ๐’€นis ๐’‚ is ๐’‘is ๐’‡ตis ๐’‡ด us ๐’‘us us ๐’us us ๐’ƒฃus ๐’Œ†us ๐’‰ฆus ๐’‰ฅus ๐’…ฒus ๐’€ณus ๐’Šปus ๐’…œus ๐’…œus ๐’‹›๐’€€us ๐’„ฎus ๐’Œus ๐’„‘ st ta ๐’‹ซta ta ๐’•ta ta ๐’‹ณta ๐’ฎta ๐’Œ“ta ๐’‹บta ๐’‰ฟta ๐’„ญ te ๐’‹ผte te ๐’Šนte te ๐’‰te ๐’‰ˆte ๐’Œ†te ๐’‹ƒte ๐’€‰te ๐’‹พte ๐’ฒte ๐’‰ฟ ti ๐’‹พti ti ๐’Šนti ti ๐’ดti ๐’ฒti ๐’ti ๐’‹ผti ๐’€‰ti ๐’‰ˆti ๐’Œ— tu ๐’Œ…tu tu ๐’Œ“tu tu ๐’บtu ๐’Œˆtu ๐’‹—๐’‰€tu ๐’…ฒtu ๐’„ฐ ๐’„ฐtu ๐’‰tu ๐’Œ†tu ๐’„ฝtu ๐’„ธtu ๐’Œ‡tu ๐’‡งtu ๐’‹ƒtu ๐’…Žtu ๐’‚€tu ๐’€€๐’‹—๐’‰€tu ๐’‚…tu ๐’Œ‰tu ๐’†•tu ๐’‡ฏtu ๐’‰€tu ๐’‰‚tu ๐’‚ƒ ๐’ƒฎtu ๐’‰ at ๐’€œat at ๐’„‰at ๐’‡ฝ๐’ ๐’‡ฟ et ๐’€‰ it ๐’€‰it it ๐’€€๐’‡‰it ๐’Œ“๐’€ญ๐’‹€๐’† it ๐’Œ—๐’€ญ๐’‹€๐’†  ut ๐’Œ“ut ut ๐’€พut ๐’‹ธ ๐’‹ณ๐’Œ†ut ๐’šut ๐’Œ‹๐’‚ต tแนญ แนญa ๐’•แนญa แนญa ๐’‹ซแนญa แนญa ๐’„ญแนญa ๐’ฎ แนญe ๐’ฒแนญe แนญe ๐’Šนแนญe แนญe ๐’‰ˆแนญe ๐’‹ผแนญe ๐’Œฃแนญe ๐’‹พ แนญi ๐’ฒแนญi แนญi ๐’Šนแนญi แนญi ๐’‹พแนญi ๐’‹ผแนญi ๐’‰ˆแนญi ๐’‰ฟ แนญu ๐’‚…แนญu แนญu ๐’Œ…แนญu แนญu ๐’บแนญu ๐’Œˆแนญu ๐’‚ƒแนญu ๐’…— aแนญ ๐’€œaแนญ aแนญ ๐’„‰ eแนญ ๐’€‰ iแนญ ๐’€‰ uแนญ ๐’Œ“ แนญw wa ๐’‰ฟwa wa ๐’€wa wa ๐’Œ‘wa ๐’Š€wa ๐’ˆ  we ๐’‰ฟwe we ๐’Š„ wi ๐’‰ฟwi wi ๐’Š…wi ๐’ˆชwi ๐’ƒพ wu ๐’‰ฟwu wu ๐’Š‡wu wu ๐’Šˆwu ๐’ˆฌ aw ๐’‰ฟ ew ๐’‰ฟ iw ๐’‰ฟ uw ๐’‰ฟ wy j ya ja ๐’‰ฟ ye je ๐’‰ฟ yi ji ๐’‰ฟyi ji yi ji ๐’…€yi ji yi ji ๐’‚Š yu ju ๐’‰ฟ ay aj ๐’€€๐’€€ y j z za ๐’za za ๐’‰Œ๐’Œ“za za ๐’ za ๐’‰ฃza ๐’€ญ ze ๐’ฃze ze ๐’ขze ze ๐’‚  zi ๐’ฃzi zi ๐’ขzi zi ๐’‚ zi ๐’€“zi ๐’† ๐’‰ˆzi ๐’†— zu ๐’ชzu zu ๐’…—zu zu ๐’ฎzu ๐’zu ๐’‰™zu ๐’‹คzu ๐’‚„zu ๐’†›zu ๐’†‰ az ๐’Šaz az ๐’€พaz az ๐’€ธ ez ๐’„‘ez ez ๐’Œez ez vez ๐’…– iz ๐’„‘iz iz ๐’…–iz iz ๐’€Š uz ๐’Šปuz uz ๐’‘uz uz ๐’šuz ๐’Šuz ๐’‡‡uz ๐’šuz ๐’Œ zAkkadian VCV syllabic glyphs 77 aCV eCV iCV uCV สพ aสพa ๐’†น uสพa ๐’‡‡๐’€€eสพi ๐’‚๐’€€ uสพi ๐’‡‡๐’€€eสพu ๐’‚๐’€€ uสพu ๐’‡‡๐’€€ b aba ๐’€Šaba aba ๐’€œaba ๐’€” uba uba ๐’‚ uba uba ๐’€šuba ๐’€› ๐’€šubi ๐’ƒดubi ubi ๐’‹ฆubu ๐’€นubu ubu ๐’Œ’ d edi ๐’ƒ„ idi ๐’ƒŸudu ๐’‡ปudu udu ๐’‹—๐’ g aga ๐’‚†aga aga ๐’‰˜aga aga ๐’‚… ega ๐’€€๐’ˆช๐’€€ega ega ๐’‰ง iga ๐’…… uga ๐’Œ‘๐’‰€๐’‚ตuga uga ๐’€€๐’…—ege ๐’‚ ege ege ๐’Šฉ๐’‚ egi ๐’‚ egi egi ๐’Šฉ๐’‚  igi ๐’…†igi igi ๐’…Šigi igi ๐’† ๐’Š•agu ๐’‚† egu ๐’€€๐’†ช igu ๐’…† ugu ๐’Œ‹๐’…—ugu uga ๐’€€๐’…—ugu ug ๐’€€๐’Š•ugu ๐’†ชugu ๐’Šจ แธซ aแธซa ๐’„ดaแธซa aแธซa ๐’‹€aแธซa aแธซa ๐’‰ฝeแธซe ๐’€‰๐’Œ“๐’บaแธซi ๐’‹€aแธซi aแธซi ๐’€‰ eแธซi ๐’€‰๐’Œ“๐’บuแธซu ๐’„ดuแธซu uแธซu ๐’Œ” i aia ๐’€€๐’€€aia aia ๐’€€aia aia ๐’Œจaia ๐’†น uia ๐’Œ‹ k aka ๐’€aka aka ๐’‰˜aka aka ๐’‹ƒaka ๐’†eki ๐’‚Šiku ๐’ƒท uku ๐’‚†uku uku ๐’‡ณ๐’บuku uku ๐’Œฆuku ๐’ŠŒuku ๐’‡ณ๐’บ๐’บ l ala ๐’Œทala ala ๐’Œท๐’ˆจ๐’Œala ala ๐’€  ela ๐’€€๐’†— ila ๐’€ญila ila ๐’… ula ๐’ŒŒula ula ๐’ƒชale ๐’Œท ele ๐’Œ‹๐’…—ele ele ๐’‚–ali ๐’Œท ili ๐’€ญili ili ๐’…ili ๐’‚–ili ๐’นili ๐’€ญ๐’ˆจ๐’Œ uli ๐’…ดalu alu ๐’Œท ilu ๐’€ญ ulu ๐’ŒŒulu ulu ๐’„ด๐’ˆจ๐’Œ‹ulu ulu ๐’‡ulu ๐’Œท m ama ๐’‚ผama ama ๐’„ ama ama ๐’„€๐’‡ปama ๐’ƒ˜ama ๐’ƒฃama ๐’†พ uma ๐’ปame ๐’‚ผame ame ๐’ƒฃ eme ๐’…ดeme eme ๐’Ž˜eme eme ๐’Šฉ๐’€ฒeme ๐’‚ผeme ๐’Šฉ๐’„ธeme ๐’€ฒ๐’Šฉeme ๐’Šฉ๐’€ eme ๐’ƒฃimi ๐’…Žimi imi ๐’‚ผumu ๐’Œ n ana ๐’นana ana ๐’€ญana ana ๐’€ธ ina ๐’€ธina ina ๐’…†eni ๐’‚— ini ๐’…”ini ini ๐’…†ini ๐’…†๐’ˆซanu ๐’€ญ enu ๐’‚—enu ๐’…† inu ๐’…† ๐’…†inuแดตแดต ๐’…† ๐’…†๐’ˆซinu inu ๐’…† unu ๐’€”unu unu ๐’‹ผ๐’€•unu unu ๐’€–๐’†ชunu ๐’Œฆunu ๐’€Šunu ๐’‹ผ๐’€Šunu ๐’‹ฝ๐’€•unu ๐’‘unu ๐’†’๐’‹™ ๐’†“unu ๐’„ƒunu ๐’๐’ˆฝ๐’€•unu ๐’ q aqa ๐’€ r ara ๐’Šญara ara ๐’Œ’ara ara ๐’„ฏara ๐’Œ“๐’บara ๐’„ฏ๐’„ฏara ๐’บara ๐’Œ“ara ๐’…ˆ era ๐’€ด๐’Šera era ๐’€€๐’…†era era ๐’ƒžera ๐’ƒข ira ๐’€€๐’…† ura ๐’‹€๐’€•ura ๐’‹€๐’€Šari ๐’Œตari ari ๐’ari ari ๐’‰บari ๐’‰บ๐’ˆจ๐’Œari ๐’‹ง eri ๐’Œทeri ๐’Œท eri ๐’€”eri ๐’€Šeri ๐’ˆeri ๐’…•eri ๐’ƒžeri ๐’ƒข iri ๐’Œทiri ๐’iri ๐’€•iri ๐’€Širi ๐’…• uri ๐’Œตuri uri ๐’‹€๐’€•uri uri ๐’‹€uri ๐’uri ๐’‹€๐’€Š lt br aru ๐’‰บ eru ๐’€ดeru eru ๐’Š•๐’Šฉeru eru ๐’ŠŸeru ๐’€€๐’‚”eru ๐’‚” uru ๐’Œทuru uru ๐’uru uru ๐’‹€uru ๐’€ณuru ๐’‹ฝuru ๐’‰žuru ๐’Œฒuru ๐’Œซuru ๐’‹ž๐’uru ๐’Š uru ๐’Œพuru ๐’ƒกuru ๐’Œจuru ๐’‹€๐’€•uru ๐’‹€๐’€Šuru ๐’‚—uru ๐’‡uru ๐’Œธuru ๐’Œต s asa ๐’Š usa asi ๐’€€๐’Œ esi ๐’†— isi ๐’…– usi ๐’ƒฅusu ๐’€‰๐’†—usu usu ๐’‘ s asa ๐’€ธasa asa ๐’€พasa asa asa ๐’ƒท esa ๐’€€๐’Œesa esa ๐’Œese ๐’Œese ese ๐’‚ ese ese ese ๐’€€๐’Œisi ๐’…–isi isi ๐’‹™๐’€ฏusu ๐’”usu usu ๐’Œ‹๐’Œ“usu usu ๐’Œ t ita ๐’€ญ๐’€€๐’‡‰ita ๐’€€๐’‡‰ uta ๐’Œ“iti ๐’Œ—iti iti ๐’Œ›iti iti ๐’†œ๐’Œ—iti ๐’€ญ๐’€€๐’‡‰iti ๐’€€๐’‡‰iti ๐’Œ“๐’€ญ๐’‹€๐’† iti ๐’Œ—๐’€ญ๐’‹€๐’† itu ๐’Œ—itu itu ๐’Œ›itu ๐’€ญ๐’€€๐’‡‰itu ๐’€€๐’‡‰ utu ๐’Œ“utu utu ๐’Œ‹๐’‚ตutu utu ๐’Œ‹๐’Œ‹utu ๐’† ๐’† utu ๐’€พ y i j aya ai a aja ๐’€€๐’€€ iya ija ๐’€€๐’€€aye ai e aje ๐’€€๐’€€ iye ije ๐’€€๐’€€ayi ai i aji ๐’€€๐’€€ iyi iji ๐’€€๐’€€ayu ai u aju ๐’€€๐’€€ iyu iju ๐’€€๐’€€ z aza ๐’Š uza uza ๐’šizi ๐’‰ˆizi izi ๐’† ๐’‰ˆazu ๐’‰™ izu ๐’‰ˆ uzu ๐’œuzu uzu ๐’‰™uzu uzu ๐’Šปuzu ๐’Œ‹๐’Œ“Numerals Edit Main article Babylonian cuneiform numerals The Sumerians used a numerical system based on 1 10 and 60 The way of writing a number like 70 would be the sign for 60 and the sign for 10 right after Usage EditAn example King Shulgi foundation tablet c 2094 2047 BC ๐’€ญ ๐’‹ฐ๐’€ ๐’Ž๐’€€๐’‰Œ ๐’‚„๐’„€ ๐’‘๐’†—๐’‚ต ๐’ˆ— ๐’‹€๐’€Š๐’† ๐’ˆ  ๐’ˆ—๐’† ๐’‚— ๐’„€๐’† ๐’Œต๐’†ค ๐’‚๐’€€๐’‰Œ ๐’ˆฌ๐’ˆพ๐’†• DNimintabba For Nimintabba NIN a ni his Lady SHUL GI Shulgi NITAH KALAG ga the mighty man LUGAL URIM KI ma King of Ur LUGAL ki en King of Sumer gi ki URI ke and Akkad E a ni her Temple mu na DU he built 80 Foundation tablet of king Shulgi c 2094 2047 BC for the Temple of Nimintabba in Ur ME 118560 British Museum 78 79 Inscription For his Lady Nimintabba Shulgi the mighty man King of Ur and King of Sumer and Akkad has built her Temple 80 Traditional cuneiforms were written vertically but modern transcription is based on the rotated script adopted in the 2nd millennium BC Cuneiform script was used in many ways in ancient Mesopotamia Besides the well known clay tablets and stone inscriptions cuneiform was also written on wax boards which one example from the 8th century BC was found at Nimrud The wax contained toxic amounts of arsenic 81 It was used to record laws like the Code of Hammurabi It was also used for recording maps compiling medical manuals and documenting religious stories and beliefs among other uses In particular it is thought to have been used to prepare surveying data and draft inscriptions for Kassite stone kudurru 82 83 Studies by Assyriologists like Claus Wilcke 84 and Dominique Charpin 85 suggest that cuneiform literacy was not reserved solely for the elite but was common for average citizens According to the Oxford Handbook of Cuneiform Culture 86 cuneiform script was used at a variety of literacy levels average citizens needed only a basic functional knowledge of cuneiform script to write personal letters and business documents More highly literate citizens put the script to more technical use listing medicines and diagnoses and writing mathematical equations Scholars held the highest literacy level of cuneiform and mostly focused on writing as a complex skill and an art form Modern usage Edit Cuneiform is occasionally used nowadays as inspiration for logos Cuneiform ama gi literally return to the mother loosely translated as liberty is the logo of Liberty Fund 87 The central element of the GigaMesh Software Framework logo is the sign ๐’†œ kaskal meaning street or road junction which symbolizes the intersection of the humanities and computer science The name GigaMesh is an intentional reference to the legendary Gilgamesh from Mesopotamian folklore Unicode EditMain articles Cuneiform Unicode block Cuneiform Numbers and Punctuation Unicode block and Early Dynastic Cuneiform Unicode block As of version 8 0 the following ranges are assigned to the Sumero Akkadian Cuneiform script in the Unicode Standard U 12000 U 123FF 922 assigned characters Cuneiform U 12400 U 1247F 116 assigned characters Cuneiform Numbers and Punctuation U 12480 U 1254F 196 assigned characters Early Dynastic CuneiformThe final proposal for Unicode encoding of the script was submitted by two cuneiform scholars working with an experienced Unicode proposal writer in June 2004 88 The base character inventory is derived from the list of Ur III signs compiled by the Cuneiform Digital Library Initiative of UCLA based on the inventories of Miguel Civil Rykle Borger 2003 and Robert Englund Rather than opting for a direct ordering by glyph shape and complexity according to the numbering of an existing catalog the Unicode order of glyphs was based on the Latin alphabetic order of their last Sumerian transliteration as a practical approximation Once in Unicode glyphs can be automatically processed into segmented transliterations 89 Corpus Edit A map showing the locations of all known provenanced cuneiform inscriptions Cuneiform Inscriptions Geographical Site Index v1 5 November 2022 from Uppsala University Numerous efforts have been made since the 19th century to create a corpus of known cuneiform inscriptions In the 21st century the Cuneiform Digital Library Initiative and Open Richly Annotated Cuneiform Corpus are two of the most significant projects List of major cuneiform tablet discoveries Edit This list is incomplete you can help by adding missing items July 2014 Location Number of tablets Initial discovery LanguageKhorsabad Significant citation needed 90 1843Nineveh 20 000 24 000 91 1840 1849 AkkadianNippur 60 000 91 1851Girsu 40 000 50 000 91 1877Dur Katlimmu 500 91 1879Sippar 60 000 70 000 92 91 1880 BabylonianAmarna 382 1887 Canaano AkkadianNuzi 10 000 20 000 91 1896Assur 16 000 93 1898 AkkadianHattusa 30 000 94 1906 HittiteDrehem 100 000 91 SumerianKanesh 23 000 95 1925 note 2 AkkadianUgarit 1 500 1929 UgariticPersepolis 15 000 18 000 96 1933 Elamite Old PersianMari 20 000 25 000 91 1933 AkkadianAlalakh 300 97 1937Abu Salabikh 500 91 1963Ebla approx 5 000 98 1974 Sumerian and EblaiteNimrud 244 1952 Neo Assyrian and Neo BablyonianSee also Edit Asia portalHieratic Babylonokia a 21st century cuneiform artwork Elamite cuneiform Hittite cuneiform Journal of Cuneiform Studies List of cuneiform signs List of museums of ancient Near Eastern art Old Persian cuneiform Ugaritic alphabet Urartian cuneiform Proto cuneiform numeralsNotes Edit k juห หˆ n iห ษช f ษ”หr m kew NEE ih form k juห หˆ n eษช ษช f ษ”หr m 2 3 kew NAY ih form or หˆ k juห n ษช f ษ”หr m 2 KEW nih form Tablets from the site surfaced on the market as early as 1880 when three tablets made their way to European museums By the early 1920s the number of tablets sold from the site exceeded 4 000 While the site of Kultepe was suspected as the source of the tablets and the site was visited several times it was not until 1925 when Bedrich Hrozny corroborated this identification by excavating tablets from the fields next to the tell that were related to tablets already purchased References Edit Feldherr Andrew Hardy Grant eds February 17 2011 The Oxford History of Historical Writing Volume 1 Beginnings to C E 600 Oxford University Press p 5 doi 10 1093 acprof osobl 9780199218158 001 0001 ISBN 978 0 19 921815 8 a b Definition of cuneiform in English Oxford Dictionaries Archived from the original on September 25 2016 Retrieved July 30 2017 Cuneiform Irving Finkel amp Jonathan Taylor bring ancient inscriptions to life The British Museum June 4 2014 Archived from the original on October 17 2015 Retrieved July 30 2017 Jagersma Abraham Hendrik 2010 A descriptive grammar of Sumerian PDF Thesis Leiden Faculty of the Humanities Leiden University p 15 In its fully developed form the Sumerian script is based on a mixture of logographic and phonographic writing There are basically two types of signs word signs or logograms and sound signs or phonograms Sara E Kimball Jonathan Slocum Hittite Online The University of Texas at Austin Linguistics Research Center Early Indo European OnLine EIEOL University of Texas at Austin p 2 The Cuneiform Syllabary Hittite is written in a form of the cuneiform syllabary a writing system in use in Sumerian city states in Mesopotamia by roughly 3100 B C E and used to write a number of languages in the ancient Near East until the first century B C E Olson David R Torrance Nancy February 16 2009 The Cambridge Handbook of Literacy Cambridge University Press ISBN 978 0 521 86220 2 The origins of writing www bl uk Retrieved May 10 2022 Sara E Kimball Jonathan Slocum Hittite Online The University of Texas at Austin Linguistics Research Center Early Indo European OnLine EIEOL University of Texas at Austin p 2 The Cuneiform Syllabary by approximately 2350 B C E documents were written in cuneiform in Akkadian Sumerian a long extinct language is related to no known language ancient or modern and its structure differed from that of Akkadian which made it necessary to modify the writing system Huehnergard John 2004 Akkadian and Eblaite The Cambridge Encyclopedia of the World s Ancient Languages Cambridge Cambridge University Press p 218 ISBN 978 0 521 56256 0 Connected Akkadian texts appear c 2350 and continue more or less uninterrupted for the next two and a half millennia Sara E Kimball Jonathan Slocum Hittite Online The University of Texas at Austin Linguistics Research Center Early Indo European OnLine EIEOL University of Texas at Austin p 2 The Cuneiform Syllabary These modifications are important because the Hittites borrowed them when they borrowed the writing system probably from a north Syrian source in the early second millennium B C E In borrowing this system the Hittites retained conventions established for writing Sumerian and Akkadian Archi Alfonso 2015 How the Anitta text reached Hattusa Saeculum Gedenkschrift fur Heinrich Otten anlasslich seines 100 Geburtstags Wiesbaden Harrassowitz ISBN 978 3 447 10365 7 The existence of the Anitta text demonstrates that there was not a sudden and total interruption in writing but a phase of adaptation to a new writing Westenholz Aage December 18 2007 The Graeco Babyloniaca Once Again Zeitschrift fur Assyriologie und Vorderasiatische Archaologie 97 2 294 doi 10 1515 ZA 2007 014 S2CID 161908528 The latest datable cuneiform tablet that we have today concerns astronomical events of 75 AD and comes from Babylon It provides a terminus post quem at least for Babylon Hommel Fritz 1897 The Ancient Hebrew Tradition as Illustrated by the Monuments Society for Promoting Christian Knowledge p 29 It is necessary here to remark that the application of the term Assyriology as it is now generally used to the study of the cuneiform inscriptions is not quite correct indeed it is actually misleading Meade Carroll Wade 1974 Road to Babylon Development of U S Assyriology Brill pp 1 2 ISBN 978 90 04 03858 5 The term Assyriology is derived from these people but it is very misleading Daneshmand Parsa July 31 2020 Chapter 14 Assyriology in Iran Perspectives on the History of Ancient Near Eastern Studies Penn State University Press p 266 doi 10 1515 9781646020898 015 The term Assyriology is itself problematic because it covers a broad range of topics Charpin Dominique November 6 2018 Comment peut on etre assyriologue OpenEdition Books Des lors le terme assyriologue est devenu ambigu dans son acception large il designe toute personne qui etudie des textes notes dans l ecriture cuneiforme Kramer Samuel Noah 1963 The Sumerians Their History Culture and Character His numerous treatises text editions and polemics helped to consolidate the new science now generally becoming known as Assyriology based on the fact that the earliest excavations were conducted in northern Iraq the home of the Assyrian people a b c Cuneiform Tablets Who s Got What Biblical Archaeology Review 31 2 2005 archived from the original on July 15 2014 Streck Michael P 2010 Grosses Fach Altorientalistik Der Umfang des keilschriftlichen Textkorpus Mitteilungen der Deutschen Orientgesellschaft 142 PDF pp 57 58 Image gallery tablet cast British Museum Walker C B F 1987 Cuneiform University of California Press p 9 ISBN 978 0 520 06115 6 a b c Beginning in the pottery phase of the Neolithic clay tokens are widely attested as a system of counting and identifying specific amounts of specified livestock or commodities The tokens enclosed in clay envelopes after being impressed on their rounded surface were gradually replaced by impressions on flat or plano convex tablets and these in turn by more or less conventionalized pictures of the tokens incised on the clay with a reed stylus The transition to writing was complete W Hallo W Simpson 1971 The Ancient Near East New York Harcourt Brace Jovanovich p 25 1 Bennison Chapman Lucy E Reconsidering Tokens The Neolithic Origins of Accounting or Multifunctional Utilitarian Tools Cambridge Archaeological Journal 29 2 2019 233 259 Daniels Peter T 1996 The World s Writing Systems Oxford University Press p 45 ISBN 978 0 19 507993 7 Boudreau Vincent 2004 The First Writing Script Invention as History and Process Cambridge University Press p 71 ISBN 978 0 521 83861 0 Adkins 2003 p 47 Hunger Hermann and Teije de Jong Almanac W22340a from Uruk The latest datable cuneiform tablet Zeitschrift fur Assyriologie und vorderasiatische Archaologie 104 2 pp 182 194 2014 Cunningham Lawrence S Reich John J Fichner Rathus Lois 2014 Culture and Values A Survey of the Western Humanities Volume 1 Cengage Learning p 13 ISBN 978 1 285 45818 2 Overmann Karenleigh A The Neolithic Clay Tokens in The Material Origin of Numbers Insights from the Archaeology of the Ancient Near East Piscataway New Jersey US Gorgias Press 2019 pp 157 178 Denise Schmandt Besserat An Archaic Recording System and the Origin of Writing Syro Mesopotamian Studies vol 1 no 1 pp 1 32 1977 Walker C 1987 Reading The Past Cuneiform British Museum pp 7 6 Denise Schmandt Besserat An Archaic Recording System in the Uruk Jemdet Nasr Period American Journal of Archaeology vol 83 no 1 pp 19 48 Jan 1979 Walker C 1987 Reading The Past Cuneiform British Museum p 9 Walker C 1987 Reading The Past Cuneiform British Museum p 7 2 Robert K Englund Proto Cuneiform Account Books and Journals in Michael Hudson and Cornelia Wunsch eds Creating Economic Order Record keeping Standardization and the Development of Accounting in the Ancient Near East CDL Press Bethesda Maryland USA pp 23 46 2004 Green M and H J Nissen 1987 Zeichenliste der Archaischen Texte aus Uruk ATU 2 Berlin Englund R K 1998 Texts from the Late Uruk Period In Mesopotamien Spaturuk Zeit und Fruhdy nastische Zeit Orbis Biblicus et Orientalis 160 1 Ed by P Attinger and M Wafler Fribourg Switzerland Gottingen 15 217 3 Born L amp Kelley K 2021 A Quantitative Analysis of Proto Cuneiform Sign Use in Archaic Tribute Cuneiform Digital Library Bulletin 006 Walker C 1987 Reading The Past Cuneiform British Museum p 14 Monaco Salvatore F PROTO CUNEIFORM AND SUMERIANS Rivista Degli Studi Orientali vol 87 no 1 4 2014 pp 277 82 Walker C 1987 Reading The Past Cuneiform British Museum p 12 a b Walker C 1987 Reading The Past Cuneiform British Museum pp 11 12 Walker C 1987 Reading The Past Cuneiform British Museum p 13 Proto cuneiform tablet www metmuseum org Geoffrey Sampson January 1 1990 Writing Systems A Linguistic Introduction Stanford University Press pp 78 ISBN 978 0 8047 1756 4 Retrieved October 31 2011 Geoffrey W Bromiley June 1995 The international standard Bible encyclopedia Wm B Eerdmans Publishing pp 1150 ISBN 978 0 8028 3784 4 Retrieved October 31 2011 Iorwerth Eiddon Stephen Edwards et al The Cambridge Ancient History 3d ed 1970 pp 43 44 Barraclough Geoffrey Stone Norman 1989 The Times Atlas of World History Hammond Incorporated p 53 ISBN 978 0 7230 0304 5 Robert E Krebs Carolyn A Krebs 2003 Groundbreaking scientific experiments inventions and discoveries of the ancient world Greenwood Publishing Group pp 91 ISBN 978 0 313 31342 4 Retrieved October 31 2011 Simson Najovits Egypt Trunk of the Tree A Modern Survey of an Ancient Land Algora Publishing 2004 pp 55 56 a b c d e f g h i Daniels Peter T Bright William 1996 The World s Writing Systems Oxford University Press p 38 ISBN 978 0 19 507993 7 Walker C 1987 Reading the Past Cuneiform British Museum p 14 a b Krejci Jaroslav 1990 Before the European Challenge The Great Civilizations of Asia and the Middle East SUNY Press p 34 ISBN 978 0 7914 0168 2 Memoires Mission archeologique en Iran 1900 p 53 Walker C Reading The Past Cuneiform pp 16 17 a b c d e Walker C 1987 Reading The Past Cuneiform British Museum p 16 a b Khacikjan Margaret The Elamite language 1998 p 1 Peter Daniels and William Bright 1996 Reiner Erica 2005 Khacikjan Margaret The Elamite language 1998 pp 2 3 For the original inscription Rawlinson H C Cuneiform inscriptions of Western Asia PDF p 3 column 2 line 98 For the transliteration in Sumerian an szar2 du3 a man kur an szar2 ki CDLI Archival View cdli ucla edu For the translation Luckenbill David Ancient Records of Assyria and Babylonia Volume II PDF p 297 For the Assyrian pronunciation Quentin A 1895 Inscription Inedite du Roi Assurbanipal Copiee Au Musee Britannique le 24 Avril 1886 Revue Biblique 1892 1940 4 4 554 ISSN 1240 3032 JSTOR 44100170 Frye Richard N History of Mesopotamia Mesopotamia from c 320 bce to c 620 ce Encyclopaedia Britannica Encyclopaedia Britannica Inc Retrieved December 11 2020 The use of cuneiform in government documents ceased sometime during the Achaemenian period but it continued in religious texts until the 1st century of the Common era Geller Marckham 1997 The Last Wedge Zeitschrift fur Assyriologie und vorderasiatische Archaologie 87 1 43 95 doi 10 1515 zava 1997 87 1 43 S2CID 161968187 Michalowski Piotr 2003 The Libraries of Babel Text Authority and Tradition in Ancient Mesopotamia In Dorleijn Gillis J Vanstiphout Herman L J eds Cultural Repertoires Structure Function and Dynamics Leuven Paris Dudley Peeters Publishers p 108 ISBN 978 90 429 1299 1 Retrieved August 20 2019 Anderson Terence J Twining William 2015 Law and archaeology Modified Wigmorean Analysis In Chapman Robert Wylie Alison eds Material Evidence Learning from Archaeological Practice Abingdon UK New York NY Routledge p 290 ISBN 978 1 317 57622 8 Retrieved August 20 2019 Windfuhr G L Notes on the old Persian signs page 1 Indo Iranian Journal 1970 Schmitt R 2008 Old Persian in Roger D Woodard ed The Ancient Languages of Asia and the Americas illustrated ed Cambridge University Press p 77 ISBN 978 0 521 68494 1 a b Watkins Lee Snyder Dean 2003 The Digital Hammurabi Project PDF The Johns Hopkins University archived PDF from the original on July 14 2014 Since the decipherment of Babylonian cuneiform some 150 years ago museums have accumulated perhaps 300 000 tablets written in most of the major languages of the Ancient Near East Sumerian Akkadian Babylonian and Assyrian Eblaite Hittite Persian Hurrian Elamite and Ugaritic These texts include genres as variegated as mythology and mathematics law codes and beer recipes In most cases these documents are the earliest exemplars of their genres and cuneiformists have made unique and valuable contributions to the study of such moderns disciplines as history law religion linguistics mathematics and science In spite of continued great interest in mankind s earliest documents it has been estimated that only about 1 10 of the extant cuneiform texts have been read even once in modern times There are various reasons for this the complex Sumero Akkadian script system is inherently difficult to learn there is as yet no standard computer encoding for cuneiform there are only a few hundred qualified cuneiformists in, wikipedia, wiki, book, books, library,

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