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Jain literature

Jain literature (Sanskrit: जैन साहित्य) refers to the literature of the Jain religion. It is a vast and ancient literary tradition, which was initially transmitted orally. The oldest surviving material is contained in the canonical Jain Agamas, which are written in Ardhamagadhi, a Prakrit (Middle-Indo Aryan) language. Various commentaries were written on these canonical texts by later Jain monks. Later works were also written in other languages, like Sanskrit and Maharashtri Prakrit.

Jain literature is primarily divided between the canons of the Digambara and Śvētāmbara orders. These two main sects of Jainism do not always agree on which texts should be considered authoritative.

More recent Jain literature has also been written in other languages, like Marathi, Tamil, Rajasthani, Dhundari, Marwari, Hindi, Gujarati, Kannada, Malayalam and more recently in English.

Beliefs

The Jain tradition believes that their religion is eternal, and the teachings of the first Tirthankara Rishabhanatha existed millions of years ago.[1] It states that the tirthankaras taught in divine preaching halls called samavasarana, which were heard by gods, ascetics and laypersons. These divine discourses were called Śhrut Jnāna (or heard knowledge) and always comprises eleven angas and fourteen purvas.[2] The discourses are remembered and transmitted by the Ganadharas (chief disciples), and is composed of twelve angas (parts, limbs). It is symbolically represented by a tree with twelve branches.[3] The spoken scriptural language is believed to be Ardhamagadhi by the Śvētāmbara Jains, and a form of divine sound or sonic resonance by the Digambara Jains.[4]

According to the Jain tradition, the divine Śhrut Jnāna of a tirthankara is then converted into sutta (scripture) by his disciples, and from such suttas emerge the formal canons.[5] The suttas are grouped into duvala samgagani pidaga (twelve limbed baskets), which are transmitted orally by the disciples.[4] In every universal cycle of Jain cosmology, twenty-four tirthankaras appear and so do the Jain scriptures for that cycle.[1][4]

History

 
Stela depicting Śhrut Jnāna, "the knowledge which is heard" (directly from the omniscient fordmakers)
 
Statues depicting Bhadrabahu (the last leader of a unified Jain community) and the mauryan emperor Chandragupta (who became a Jain monk late in life).

Initially, the canonical scriptures were transmitted through an oral tradition and consisted of teachings of historical Jain leaders like Mahavira codified into various collections.[6] Gautama and other Gandhars (the chief disciples of Mahavira) are said to have compiled the original sacred scriptures which were divided into twelve Angas or parts. They are referred to as the eleven Angas and the fourteen Pūrvas, since the twelfth Anga comprises fourteen Pūrvas. These scriptures are said to have contained the most comprehensive and accurate description of every branch of Jain learning.[7] The Jain Agamas and their commentaries were composed mainly in Ardhamagadhi Prakrit as well as in Maharashtri Prakrit.[8]

While some authors date the composition of the Jain Agamas starting from the 6th century BCE,[9] some western scholars, such as Ian Whicher and David Carpenter, argue that the earliest portions of Jain canonical works were composed around the 4th or 3rd century BCE.[10][11] According to Johannes Bronkhorst it is extremely difficult to determine the age of the Jain Agamas, however:

Mainly on linguistic grounds, it has been argued that the Ācārāṅga Sūtra, the Sūtrakṛtāṅga Sūtra, and the Uttarādhyayana Sūtra are among the oldest texts in the canon. This does not guarantee that they actually date from the time of Mahāvīra, nor even from the centuries immediately following his death, nor does it guarantee that all parts of these texts were composed simultaneously.[12]

Elsewhere, Bronkhorst states that the Sūtrakṛtāṅga "dates from the 2nd century BCE at the very earliest," based on how it references the Buddhist theory of momentariness, which is a later scholastic development.[12]

During the reign of Chandragupta Maurya (c. 324 or 321 – c. 297 BCE), Āchārya Bhadrabahu (c. 367 - c. 298 BCE), said to have been the last knower of the complete Jain agamas, was the head of Jain community. At this time, a long famine caused a crisis in the community, who found it difficult to keep the entire Jain canon committed to memory. Bhadrabahu decided to travel south to Karnataka with his adherents[13] and Sthulabhadra, another Jain leader remained behind. The famine decimated the Jain community, leading to the loss of many canonical texts. According to Śvētāmbara ("white-clad") tradition, the agamas were collected on the basis of the collective memory of the ascetics in the first council of Pataliputra under the stewardship of Sthulibhadra in around to 463–367 BCE. During the council, eleven scriptures called Angas were compiled and the remnant of fourteen purvas were written down in a 12th Anga.[14] Another council was later organised in 2nd-century BCE in Udayagiri and Khandagiri Caves, Kalinga (now in Odisha) during the reign of Kharavela.[15]

The Śvētāmbara order considers these Jain Agamas as canonical works and sees them as being based on an authentic oral tradition.[4][16] They consider their collection to represent a continuous tradition, though they accept that their collection is also incomplete because of a lost Anga text and four lost Purva texts.[16]

However, these texts were rejected by the Digambara (lit. "sky-clad", i.e. naked) order, which hold that Āchārya Bhutabali (1st Century CE) was the last ascetic who had partial knowledge of the original canon. According to Digambaras, the Purvas and the original Agamas of Gautama were lost during the Mauryan period crisis and famine.[17] This Digambara stance on the loss of the Agamas is one of the disagreements that led to the main schism in Jainism. Digambara masters proceeded to create new scriptures which contained the knowledge of the doctrine that had survived in their community.[18][19][20] As such, Digambaras have a different set of canonical scriptures. According to von Glasenapp, the Digambara texts partially agree with the enumerations and works of older Śvētāmbara texts, but in many cases there are also major differences between the texts of the two major Jain traditions.[21]

The Śvētāmbara Siddhāntha

 
[Top illustration] Mahavira attains kevala jñāna (complete knowledge); [Bottom] a samosarana (divine preaching hall). Folio 60 from Kalpasutra series, loose leaf manuscript, Patan, Gujarat. c. 1472.
 
The Suryaprajnaptisūtra, a 4th or 3rd century BCE Śvētāmbara astronomical and mathematical text.[22] The top illustration depicts Mahavira, while the bottom one illustrates his great disciple Gautama.

In 453 or 466 CE, the Śvētāmbara order held another council at Vallabhi. The Śvētāmbaras recompiled the Agamas and recorded them as written manuscripts under the leadership of Acharya Shraman Devardhigani along with other 500 Jain scholars. The existing Śvētāmbara canons are based on the Vallabhi council texts.[23][15][24]

From the 15th century onwards, various Śvetāmbara subsects began to disagree on the composition of the canon. Mūrtipūjaks ("idol-worshippers") accept 45 texts, while the Sthānakavāsins and Terāpanthins only accept 32.[25]

List of works

The canons (Siddhāntha) of the Śvētāmbaras are generally composed of the following texts:[23][26]

  • Twelve Angās (limbs)
  • Twelve Upāṅgas (auxiliary limbs)
    • Uvavāiya-sutta (Sanskrit: Aupapātika-sūtra,‘Places of rebirth’)
    • Rāya-paseṇaijja or Rāyapaseṇiya (Rāja-praśnīya, ‘Questions of the king’)
    • Jīvājīvābhigama (Jīvājīvābhigama, ‘Classification of animate and inanimate entities’)
    • Pannavaṇā (Prajñāpanā, ‘Enunciation on topics of philosophy and ethics’)
    • Sūriya-pannatti (Sūrya-prajñapti, ‘Exposition on the sun’)
    • Jambūdvīpa-pannatti (Jambūdvīpa-prajñapti, ‘Exposition on the Jambū continent and the Jain universe’)
    • Canda-pannatti (Candra-prajñapti, ‘Exposition on the moon and the Jain universe’)
    • Nirayāvaliyāo or Kappiya (Narakāvalikā, ‘Series of stories on characters reborn in hells’)
    • Kappāvaḍaṃsiāo (Kalpāvataṃsikāḥ, ‘Series of stories on characters reborn in the kalpa heavens’)
    • Pupphiāo (Puṣpikāḥ, ‘Flowers’ refers to one of the stories’)
    • Puppha-cūliāo (Puṣpa-cūlikāḥ, ‘The nun Puṣpacūlā’)
    • Vaṇhi-dasāo (Vṛṣṇi-daśāh, ‘Stories on characters from the legendary dynasty known as Andhaka-Vṛṣṇi’)
  • Six Chedasūtras (Texts relating to the conduct and behaviour of monks and nuns)
    • Āyāra-dasāo (Sanskrit: Ācāradaśāh, ‘Ten [chapters] about monastic conduct’, chapter 8 is the famed Kalpa-sūtra.)
    • Bihā Kappa (Bṛhat Kalpa, ‘[Great] Religious code’)
    • Vavahāra (Vyavahāra, ‘Procedure’)
    • Nisīha (Niśītha, ‘Interdictions’)
    • Jīya-kappa (Jīta-kalpa, Customary rules), only accepted as canonical by Mūrti-pūjaks
    • Mahā-nisīha (Mahā-niśītha, Large Niśītha), only accepted as canonical by Mūrti-pūjaks
  • Four Mūlasūtras (‘Fundamental texts’ which are foundational works studied by new monastics)
    • Dasaveyāliya-sutta (Sanskrit: Daśavaikālika-sūtra), this is memorized by all new Jain mendicants
    • Uttarajjhayaṇa-sutta (Uttarādhyayana-sūtra)
    • Āvassaya-sutta (Āvaśyaka-sūtra)
    • Piṇḍa-nijjutti and Ogha-nijjutti (Piṇḍa-niryukti and Ogha-niryukti), only accepted as canonical by Mūrti-pūjaks
  • Two Cūlikasūtras ("appendixes")
    • Nandī-sūtra - discusses the five types of knowledge
    • Anuyogadvāra-sūtra - a technical treatise on analytical methods, discusses Anekantavada

Miscellaneous collections

To reach the number 45, Mūrtipūjak Śvētāmbara canons contain a "Miscellaneous" collection of supplementary texts, called the Paiṇṇaya suttas (Sanskrit: Prakīrnaka sūtras, "Miscellaneous"). This section varies in number depending on the individual sub-sect (from 10 texts to over 20). They also often included extra works (often of disputed authorship) named "supernumerary Prakīrṇakas".[27] The Paiṇṇaya texts are generally not considered to have the same kind of authority as the other works in the canon. Most of these works are in Jaina Māhārāṣṭrī Prakrit, unlike the other Śvetāmbara scriptures which tend to be in Ardhamāgadhī. They are therefore most likely later works than the Aṅgas and Upāṅgas.[27]

Mūrtipūjak Jain canons will generally accept 10 Paiṇṇayas as canonical, but there is widespread disagreement on which 10 scriptures are given canonical status. The most widely accepted list of ten scriptures are the following:[27]

  • Cau-saraṇa (Sanskrit: Catuḥśaraṇa, The ‘four refuges’)
  • Āura-paccakkhāṇa (Ātura-pratyākhyāna, ‘Sick man’s renunciation’)
  • Bhatta-parinnā (Bhakta-parijñā,‘Renunciation of food’)
  • Saṃthāraga (Saṃstāraka, ‘Straw bed’)
  • Tandula-veyāliya (Taṇḍula-vaicārika,‘Reflection on rice grains’)
  • Canda-vejjhaya (Candravedhyaka, ‘Hitting the mark’)
  • Devinda-tthaya (Devendra-stava, ‘Praise of the kings of gods’)
  • Gaṇi-vijjā (Gaṇi-vidyā,‘A Gaṇi’s knowledge’)
  • Mahā-paccakkhāṇa (Mahā-pratyākhyāna,‘Great renunciation’)
  • Vīra-tthava (Vīra-stava,‘Great renunciation’)

The Digambara Siddhāntha

 
Āchārya Pushpadanta, depicted writing down the Ṣaṭkhaṅḍāgama
 
Āchārya Kundakunda, one of the most important Digambara philosophers

According to the Digambara tradition, the original scriptures had been lost by about the 2nd century CE.[28] Āchārya Bhutabali is considered the last ascetic who had some partial knowledge of the original canon.[29] Digambara tradition holds that Āchārya Dharasena (1st century CE), guided Āchārya Pushpadanta and Āchārya Bhutabali to write what remained of the lost teachings down into palm-leaf scriptures. These two Āchāryas wrote the Ṣaṭkhaṅḍāgama (Six Part Scripture), which is held to be one of the oldest Digambara texts. They are dated to between the 2nd to 3rd century CE.[28] Around the same time, Āchārya Gunadhar wrote Kaşāyapāhuda (Treatise on the Passions).[29][30] These two texts are the two main Digambara Agamas.[30]

The Digambara canon of scriptures includes these two main texts, three commentaries on the main texts, and four (later) Anuyogas (expositions), consisting of more than 20 texts.[31][32]

The great commentator Virasena wrote two commentary texts on the Ṣaṭkhaṅḍāgama, the Dhaval‑tika on the first five volumes and Maha‑dhaval‑tika on the sixth volume of the Ṣaṭkhaṅḍāgama, around 780 CE. Virasena and his disciple, Jinasena, also wrote a commentary on the Kaşāyapāhuda, known as Jaya‑dhavala‑tika.[30]

There is no agreement on the canonical Anuyogas ("Expositions"). The Anuyogas were written between the 2nd and the 11th centuries CE, either in Jaina Śaurasenī Prakrit or in Sanskrit.[28]

The expositions (Anuyogas) are divided into four literary categories:[31]

  • The 'first' (Prathamānuyoga) category contains various works such as Jain versions of the Rāmāyaṇa (like the 7th-century Padma-purāṇa by Raviṣeṇa) and Mahābhārata (like Jinasena's 8th century Harivaṃśa-purāṇa), as well as ‘Jain universal histories’ (like Jinasena's 8th-century Ādi-purāṇa).
  • The 'calculation' (Karaṇānuyoga) expositions are mainly works on Jain cosmology (such as Tiloya-paṇṇatti of Yati Vṛṣabha, dating from the 6th to 7th century) and karma (for example, Nemicandra's Gommaṭa-sāra). The Gommatsāra of Nemichandra (fl. 10th century) is one of the most important Digambara works and provides a detailed summary of Digambara doctrine.[33]
  • The 'behaviour' (Caraṇānuyoga) expositions are texts about proper behaviour, such as Vaṭṭakera's Mūlācāra (on monastic conduct, 2nd century) and the Ratnakaraṇḍaka-Śrāvakācāra by Samantabhadra (5th-century) which focuses on the ethics of a layperson.[34] Works in this category also treat the purity of the soul, such as the work of Kundakunda like the Samaya-sāra, the Pancastikayasara, and Niyamasara. These works by Kundakunda (2nd century CE or later) are highly revered and have been historically influential.[35][36][37]
  • The 'substance' (Dravyānuyoga) exposition includes texts about ontology of the universe and self. Umāsvāmin's comprehensive Tattvārtha-sūtra is the standard work on ontology and Pūjyapāda's (464–524 CE) Sarvārthasiddhi is one of the most influential Digambara commentaries on the Tattvārtha. This collection also includes various works on epistemology and reasoning, such as Samantabhadra's Āpta-mīmāṃsā and the works of Akalaṅka (720-780 CE), such as his commentary on the Apta-mīmāṃsā and his Nyāya-viniścaya.

Post-Canonical literature

 
The Tattvārthsūtra is regarded as the most authoritative book on Jainism, and the only text authoritative in both the Svetambara and Digambara sects

Doctrinal and philosophical works

There are various later Jain works that are considered post-canonical, that is to say, they were written after the closure of the Jain canons, though the different canons were closed at different historical eras, and so this category is ambiguous.

Thus, Umaswati's (c. between 2nd-century and 5th-century CE) Tattvarthasūtra ("On the Nature of Reality") is included in the Digambara canon, but not in the Śvētāmbara canons (though they do consider the work authoritative). Indeed, the Tattvarthasūtra is considered the authoritative Jain philosophy text by all traditions of Jainism.[38][39][40] It has the same importance in Jainism as Vedanta Sūtras and Yogasūtras have in Hinduism.[41][38][42]

Other non-canonical works include various texts attributed to Bhadrabahu (c. 300 BCE) which are called the Niryuktis and Samhitas.

According to Winternitz, after the 8th century or so, Svetambara Jain writers, who had previously worked in Prakrit, began to use Sanskrit. The Digambaras also adopted Sanskrit somewhat earlier.[8] The earliest Jain works in Sanskrit include the writings of Siddhasēna Divākara (c. 650 CE), who wrote the Sanmatitarka (‘The Logic of the True Doctrine’) is the first major Jain work on logic written in Sanskrit.[43]

Other later works and writers include:

  • Jinabhadra (6th–7th century) – author of Avasyaksutra (Jain tenets) Visesanavati and Visesavasyakabhasya (Commentary on Jain essentials).
  • Mallavadin (8th century) – author of Nayacakra and Dvadasaranayacakra (Encyclopedia of Philosophy) which discusses the schools of Indian philosophy.[44]
  • Haribhadra-sūri (c 8th century) is an important Svetambara scholar who wrote commentaries on the Agamas. He also wrote the Yogadṛṣṭisamuccaya, a key Jain text on Yoga which compares the Yoga systems of Buddhists, Hindus and Jains. Gunaratna (c. 1400 CE) wrote a commentary on Haribhadra's work.
  • Prabhacandra (8th–9th century) – Jain philosopher, composed a 106-Sutra Tattvarthasutra and exhaustive commentaries on two key works on Jain Nyaya, Prameyakamalamartanda, based on Manikyanandi's Parikshamukham and Nyayakumudacandra on Akalanka's Laghiyastraya.
  • Abhayadeva (1057–1135 CE) – author of Vadamahrnava (Ocean of Discussions) which is a 2,500 verse tika (Commentary) of Sanmartika and a great treatise on logic.[44]
  • Hemachandra (c. 1088-1172 CE) wrote the Yogaśāstra, a textbook on yoga and Adhatma Upanishad. His minor work Vitragastuti gives outlines of the Jaina doctrine in form of hymns. This was later detailed by Mallisena (c. 1292 CE) in his work Syadavadamanjari.
  • Vadideva (11th century) – He was a senior contemporary of Hemacandra and is said to have authored Paramananayatattavalokalankara and its voluminous commentary syadvadaratnakara that establishes the supremacy of doctrine of Syādvāda.
  • There are also other important commentators on the Agamas, including Abhayadeva-sūri (c. 11th century) and Malayagiri (c. the 12th century).
  • Vidyanandi (11th century) – Jain philosopher, composed the brilliant commentary on Acarya Umasvami's Tattvarthasutra, known as Tattvarthashlokavartika.
  • Devendrasuri wrote the Karmagrantha which is an exposition of the Jain theory of Karma.
  • Yaśovijaya (1624–1688) was a Jain scholar of Navya-Nyāya and wrote Vrttis (commentaries) on most of the earlier Jain Nyāya works by Samantabhadra, Akalanka, Manikyanandi, Vidyānandi, Prabhācandra and others in the then-prevalent Navya-Nyāya style. Yaśovijaya has to his credit a prolific literary output – more than 100 books in Sanskrit, Prakrit, Gujarati and Rajasthani. He is also famous for Jnanasara (essence of knowledge) and Adhayatmasara (essence of spirituality).
  • The Lokaprakasa of Vinayavijaya was written in the 17th century CE.
  • Srivarddhaeva (aka Tumbuluracarya) wrote a Kannada commentary on Tattvarthadigama-sutra.
  • Atmasiddhi Shastra is a spiritual treatise in verse, composed in Gujarati by the nineteenth century Jain saint, philosopher poet Shrimad Rajchandraji (1867-1901) which comprises 142 verses explaining the fundamental philosophical truths about the soul and its liberation. It propounds six fundamental truth on soul which are also known as Satapada (six steps).
  • The Saman Suttam is a compilation of ancient texts and doctrines recognised by all Jain sects, assembled primarily by Jinendra Varni and then examined and approved by monks of different sects and other scholars in 1974.

Grammar

Jainendra-vyakarana of Acharya Pujyapada and Sakatayana-vyakarana of Sakatayana are both works on grammar written in c. 9th century CE.

Siddha-Hem-Shabdanushasana" by Acharya Hemachandra (c. 12th century CE) is considered by F. Kielhorn as the best grammar work of the Indian middle age. Hemacandra's book Kumarapalacaritra is also noteworthy.[citation needed]

Narrative literature and poetry

Jaina narrative literature mainly contains stories about sixty-three prominent figures known as Salakapurusa, and people who were related to them. Some of the important works are Harivamshapurana of Jinasena (c. 8th century CE), Vikramarjuna-Vijaya (also known as Pampa-Bharata) of Kannada poet named Adi Pampa (c. 10th century CE), Pandavapurana of Shubhachandra (c. 16th century CE).

Mathematics

Jain literature covered multiple topics of mathematics around 150 AD including the theory of numbers, arithmetical operations, geometry, operations with fractions, simple equations, cubic equations, bi-quadric equations, permutations, combinations and logarithms.[45]

Languages

Jains literature exists mainly in Jain Prakrit, Sanskrit, Marathi, Tamil, Rajasthani, Dhundari, Marwari, Hindi, Gujarati, Kannada, Malayalam,[46] and more recently in English.[citation needed]

Jains have contributed to India's classical and popular literature. For example, almost all early Kannada literature and many Tamil works were written by Jains. Some of the oldest known books in Hindi and Gujarati were written by Jain scholars.[citation needed]

The first autobiography in the ancestor of Hindi, Braj Bhasha, is called Ardhakathānaka and was written by a Jain, Banarasidasa, an ardent follower of Acarya Kundakunda who lived in Agra. Many Tamil classics are written by Jains or with Jain beliefs and values as the core subject. Practically all the known texts in the Apabhramsha language are Jain works.[citation needed]

The oldest Jain literature is in Shauraseni and the Jain Prakrit (the Jain Agamas, Agama-Tulya, the Siddhanta texts, etc.). Many classical texts are in Sanskrit (Tattvartha Sutra, Puranas, Kosh, Sravakacara, mathematics, Nighantus etc.). "Abhidhana Rajendra Kosha" written by Acharya Rajendrasuri, is only one available Jain encyclopedia or Jain dictionary to understand the Jain Prakrit, Ardha-Magadhi and other languages, words, their use and references within oldest Jain literature.[citation needed]

Jain literature was written in Apabhraṃśa (Kahas, rasas, and grammars), Standard Hindi (Chhahadhala, Moksh Marg Prakashak, and others), Tamil (Nālaṭiyār, Civaka Cintamani, Valayapathi, and others), and Kannada (Vaddaradhane and various other texts). Jain versions of the Ramayana and Mahabharata are found in Sanskrit, the Prakrits, Apabhraṃśa and Kannada.[citation needed]

Jain Prakrit is a term loosely used for the language of the Jain Agamas (canonical texts). The books of Jainism were written in the popular vernacular dialects (as opposed to Sanskrit which was the classical standard of Brahmanism), and therefore encompass a number of related dialects. Chief among these is Ardha Magadhi, which due to its extensive use has also come to be identified as the definitive form of Prakrit. Other dialects include versions of Maharashtri and Sauraseni.[23]

Influence on Indian literature

 
Mangulam inscription dated 2nd century BCE

Parts of the Sangam literature in Tamil are attributed to Jains. The authenticity and interpolations are controversial because it presents Hindu ideas.[47] Some scholars state that the Jain portions were added about or after the 8th century CE, and are not ancient.[48] Tamil Jain texts such as the Cīvaka Cintāmaṇi and Nālaṭiyār are credited to Digambara Jain authors.[49][50] These texts have seen interpolations and revisions. For example, it is generally accepted now that the Jain nun Kanti inserted a 445-verse poem into Cīvaka Cintāmaṇi in the 12th century.[51][52] The Tamil Jain literature, according to Dundas, has been "lovingly studied and commented upon for centuries by Hindus as well as Jains".[50] The themes of two of the Tamil epics, including the Silapadikkaram, have an embedded influence of Jainism.[50]

Jain scholars also contributed to Kannada literature.[53] The Digambara Jain texts in Karnataka are unusual in having been written under the patronage of kings and regional aristocrats. They describe warrior violence and martial valor as equivalent to a "fully committed Jain ascetic", setting aside Jainism's absolute non-violence.[54]

Jain manuscript libraries called bhandaras inside Jain temples are the oldest surviving in India.[55] Jain libraries, including the Śvētāmbara collections at Patan, Gujarat and Jaiselmer, Rajasthan, and the Digambara collections in Karnataka temples, have a large number of well-preserved manuscripts.[55][56] These include Jain literature and Hindu and Buddhist texts. Almost all have been dated to about, or after, the 11th century CE.[57] The largest and most valuable libraries are found in the Thar Desert, hidden in the underground vaults of Jain temples. These collections have witnessed insect damage, and only a small portion have been published and studied by scholars.[57]

See also

Notes

References

Citations

  1. ^ a b von Glasenapp 1925, pp. 109–110.
  2. ^ Champat Rai Jain 1929b, p. 135.
  3. ^ Champat Rai Jain 1929b, p. 136.
  4. ^ a b c d Dundas 2002, pp. 60–61.
  5. ^ Dundas 2002, p. 61.
  6. ^ Natubhai Shah 2004, pp. 39–40.
  7. ^ Vijay K. Jain 2012, p. xi.
  8. ^ a b Winternitz 1972, p. 427.
  9. ^ Nagendra Kr. Singh. (2001). Encyclopedia of Jainism (Edited by Nagendra Kr. Singh). New Delhi: Anmol Publications. ISBN 81-261-0691-3 page 4308
  10. ^ Yoga: The Indian Tradition. Edited by Ian Whicher and David Carpenter. London: Routledgecurzon, 2003. ISBN 0-7007-1288-7 page 64
  11. ^ C. Chappie (1993) Nonviolence to Animals, Earth and Self in Asian Traditions. Albany: State University of New York Press. ISBN 0-7914-1497-3 page 5
  12. ^ a b Bronkhorst, Johannes. "The Formative Period of Jainism (c. 500 BCE – 200 CE)". Brill's Encyclopedia of Jainism Online. Denison University University of Edinburgh University of Bergen University of California, Berkeley John E. Cort, Paul Dundas, Knut A. Jacobsen, Kristi L. Wiley. doi:10.1163/2590-2768_BEJO_COM_047082.
  13. ^ Melton & Baumann 2010, p. 1553.
  14. ^ Jacobi, Hermann (1884). F. Max Müller (ed.). The Ācāranga Sūtra. Sacred Books of the East vol.22, Part 1. Oxford: The Clarendon Press. ISBN 0-7007-1538-X. p. xlii
  15. ^ a b Natubhai Shah 2004, p. 40.
  16. ^ a b von Glasenapp 1925, pp. 112–113.
  17. ^ Upinder Singh 2016, p. 444.
  18. ^ Vijay K. Jain 2016, p. xii.
  19. ^ Jaini 1998, p. 78–81.
  20. ^ von Glasenapp 1925, p. 124.
  21. ^ von Glasenapp 1925, pp. 121–122.
  22. ^ "Suryaprajnapti Sūtra". The Schoyen Collection. from the original on 15 June 2017.
  23. ^ a b c Upinder Singh 2016, p. 26.
  24. ^ von Glasenapp 1925, pp. 110–111.
  25. ^ Balbir, Nalini. "Śvetāmbara canon". JAINpedia.{{cite web}}: CS1 maint: url-status (link)
  26. ^ Winternitz 1972, pp. 428–430.
  27. ^ a b c Balbir, Nalini. "Prakīrṇaka-sūtras". JAINpedia.{{cite web}}: CS1 maint: url-status (link)
  28. ^ a b c Balbir, Nalini. "Digambara canon". JAINpedia.{{cite web}}: CS1 maint: url-status (link)
  29. ^ a b Vijay K. Jain 2012, p. xii.
  30. ^ a b c Sagarmal Jain, Shreeprakash Pandey (1998) Jainism in a Global Perspective p. 239. Collection of Jain papers of 1993 Parliament of World Religions, Chicago. Parshwanath Vidyapith Pubs.
  31. ^ a b Dundas 2002, p. 80.
  32. ^ Vijay K. Jain 2012, p. xi-xii.
  33. ^ Jaini 1927, p. 5.
  34. ^ Jaini 1991, p. 32–33.
  35. ^ Finegan 1989, p. 221.
  36. ^ Balcerowicz 2003, pp. 25–34.
  37. ^ Chatterjee 2000, p. 282–283.
  38. ^ a b Jones & Ryan 2007, pp. 439–440.
  39. ^ Umāsvāti 1994, p. xi–xiii, Quote: "That Which Is, known as the Tattvartha Sūtra to Jains, is recognized by all four Jain traditions as the earliest, most authoritative and comprehensive summary of their religion.".
  40. ^ Dundas 2006, pp. 395–396.
  41. ^ Umāsvāti 1994, p. xiii.
  42. ^ Johnson 1995, pp. 46–51, 91–96.
  43. ^ Qvarnström, Olle; Jainism and Early Buddhism: Essays in Honor of Padmanabh S. Jaini, page 154.
  44. ^ a b Jaini 1998, p. 85
  45. ^ Gheverghese 2016, p. 23.
  46. ^ Banerjee, Satya Ranjan (2005). Prolegomena to Prakritica et Jainica. The Asiatic Society. p. 61.
  47. ^ Cush, Robinson & York 2012, pp. 515, 839.
  48. ^ Zvelebil 1992, pp. 13–16.
  49. ^ Cort 1998, p. 163.
  50. ^ a b c Dundas 2002, p. 116–117.
  51. ^ Zvelebil 1992, pp. 37–38.
  52. ^ Spuler 1952, pp. 24–25, context: 22–27.
  53. ^ Cort 1998, p. 164.
  54. ^ Dundas 2002, pp. 118–120.
  55. ^ a b Dundas 2002, p. 83.
  56. ^ Guy, John (January 2012), "Jain Manuscript Painting", The Metropolitan Museum of Art, Heilburnn Timeline of Art History, from the original on 2 April 2013, retrieved 25 April 2013
  57. ^ a b Dundas 2002, pp. 83–84.

Sources

Further reading

  • Rishabhanatha, in Encyclopaedia Britannica, Editors of the Encyclopaedia Britannica, 2010
  • Dalal, Roshen (2010), Hinduism: An Alphabetical Guide, Penguin Books, ISBN 978-0-14-341421-6
  • Dalal, Roshen (2010), The Religions of India: A Concise Guide to Nine Major Faiths, Penguin books, ISBN 978-0-14-341517-6
  • Stevenson, John (1848), The Kalpa Sutra and Nava Tatva (tr. from Magadhi), Bernard Quaritch, London
  • Thomas, Edward (1877), Jainism, London, Trübner & co.
  • Jacobi, Hermann (1884), Jaina Sutras Part I (Akaranga Sutra & Kalpa Sutra), Oxford, The Clarendon press
  • Jacobi, Hermann (1884), Jaina Sutras Part II (Uttarâdhyayana Sutra & Sutrakritanga Sutra), Oxford, The Clarendon press
  • Stevenson, Sinclair (1915), The Heart of Jainism, H. Milford: Oxford University Press
  • M. S. Ramaswami Ayyangar; B. Seshagiri Rao (1922), Studies in South Indian Jainism, Premier Press, Madras

External links

  • Jain Shastras.
  • "Jain Agams". JainWorld.com. from the original on 14 February 2015.
  • Clay Sanskrit Library
  • "Sacred texts (Jainism)". The British Library.{{cite web}}: CS1 maint: url-status (link)

jain, literature, sanskrit, refers, literature, jain, religion, vast, ancient, literary, tradition, which, initially, transmitted, orally, oldest, surviving, material, contained, canonical, jain, agamas, which, written, ardhamagadhi, prakrit, middle, indo, ary. Jain literature Sanskrit ज न स ह त य refers to the literature of the Jain religion It is a vast and ancient literary tradition which was initially transmitted orally The oldest surviving material is contained in the canonical Jain Agamas which are written in Ardhamagadhi a Prakrit Middle Indo Aryan language Various commentaries were written on these canonical texts by later Jain monks Later works were also written in other languages like Sanskrit and Maharashtri Prakrit Jain literature is primarily divided between the canons of the Digambara and Svetambara orders These two main sects of Jainism do not always agree on which texts should be considered authoritative More recent Jain literature has also been written in other languages like Marathi Tamil Rajasthani Dhundari Marwari Hindi Gujarati Kannada Malayalam and more recently in English Contents 1 Beliefs 2 History 3 The Svetambara Siddhantha 3 1 List of works 3 1 1 Miscellaneous collections 4 The Digambara Siddhantha 5 Post Canonical literature 5 1 Doctrinal and philosophical works 5 2 Grammar 5 3 Narrative literature and poetry 6 Mathematics 7 Languages 8 Influence on Indian literature 9 See also 10 Notes 11 References 11 1 Citations 11 2 Sources 12 Further reading 13 External linksBeliefs EditThe Jain tradition believes that their religion is eternal and the teachings of the first Tirthankara Rishabhanatha existed millions of years ago 1 It states that the tirthankaras taught in divine preaching halls called samavasarana which were heard by gods ascetics and laypersons These divine discourses were called Shrut Jnana or heard knowledge and always comprises eleven angas and fourteen purvas 2 The discourses are remembered and transmitted by the Ganadharas chief disciples and is composed of twelve angas parts limbs It is symbolically represented by a tree with twelve branches 3 The spoken scriptural language is believed to be Ardhamagadhi by the Svetambara Jains and a form of divine sound or sonic resonance by the Digambara Jains 4 According to the Jain tradition the divine Shrut Jnana of a tirthankara is then converted into sutta scripture by his disciples and from such suttas emerge the formal canons 5 The suttas are grouped into duvala samgagani pidaga twelve limbed baskets which are transmitted orally by the disciples 4 In every universal cycle of Jain cosmology twenty four tirthankaras appear and so do the Jain scriptures for that cycle 1 4 History Edit Stela depicting Shrut Jnana the knowledge which is heard directly from the omniscient fordmakers Statues depicting Bhadrabahu the last leader of a unified Jain community and the mauryan emperor Chandragupta who became a Jain monk late in life Initially the canonical scriptures were transmitted through an oral tradition and consisted of teachings of historical Jain leaders like Mahavira codified into various collections 6 Gautama and other Gandhars the chief disciples of Mahavira are said to have compiled the original sacred scriptures which were divided into twelve Angas or parts They are referred to as the eleven Angas and the fourteen Purvas since the twelfth Anga comprises fourteen Purvas These scriptures are said to have contained the most comprehensive and accurate description of every branch of Jain learning 7 The Jain Agamas and their commentaries were composed mainly in Ardhamagadhi Prakrit as well as in Maharashtri Prakrit 8 While some authors date the composition of the Jain Agamas starting from the 6th century BCE 9 some western scholars such as Ian Whicher and David Carpenter argue that the earliest portions of Jain canonical works were composed around the 4th or 3rd century BCE 10 11 According to Johannes Bronkhorst it is extremely difficult to determine the age of the Jain Agamas however Mainly on linguistic grounds it has been argued that the Acaraṅga Sutra the Sutrakṛtaṅga Sutra and the Uttaradhyayana Sutra are among the oldest texts in the canon This does not guarantee that they actually date from the time of Mahavira nor even from the centuries immediately following his death nor does it guarantee that all parts of these texts were composed simultaneously 12 Elsewhere Bronkhorst states that the Sutrakṛtaṅga dates from the 2nd century BCE at the very earliest based on how it references the Buddhist theory of momentariness which is a later scholastic development 12 During the reign of Chandragupta Maurya c 324 or 321 c 297 BCE Acharya Bhadrabahu c 367 c 298 BCE said to have been the last knower of the complete Jain agamas was the head of Jain community At this time a long famine caused a crisis in the community who found it difficult to keep the entire Jain canon committed to memory Bhadrabahu decided to travel south to Karnataka with his adherents 13 and Sthulabhadra another Jain leader remained behind The famine decimated the Jain community leading to the loss of many canonical texts According to Svetambara white clad tradition the agamas were collected on the basis of the collective memory of the ascetics in the first council of Pataliputra under the stewardship of Sthulibhadra in around to 463 367 BCE During the council eleven scriptures called Angas were compiled and the remnant of fourteen purvas were written down in a 12th Anga 14 Another council was later organised in 2nd century BCE in Udayagiri and Khandagiri Caves Kalinga now in Odisha during the reign of Kharavela 15 The Svetambara order considers these Jain Agamas as canonical works and sees them as being based on an authentic oral tradition 4 16 They consider their collection to represent a continuous tradition though they accept that their collection is also incomplete because of a lost Anga text and four lost Purva texts 16 However these texts were rejected by the Digambara lit sky clad i e naked order which hold that Acharya Bhutabali 1st Century CE was the last ascetic who had partial knowledge of the original canon According to Digambaras the Purvas and the original Agamas of Gautama were lost during the Mauryan period crisis and famine 17 This Digambara stance on the loss of the Agamas is one of the disagreements that led to the main schism in Jainism Digambara masters proceeded to create new scriptures which contained the knowledge of the doctrine that had survived in their community 18 19 20 As such Digambaras have a different set of canonical scriptures According to von Glasenapp the Digambara texts partially agree with the enumerations and works of older Svetambara texts but in many cases there are also major differences between the texts of the two major Jain traditions 21 The Svetambara Siddhantha Edit Top illustration Mahavira attains kevala jnana complete knowledge Bottom a samosarana divine preaching hall Folio 60 from Kalpasutra series loose leaf manuscript Patan Gujarat c 1472 The Suryaprajnaptisutra a 4th or 3rd century BCE Svetambara astronomical and mathematical text 22 The top illustration depicts Mahavira while the bottom one illustrates his great disciple Gautama In 453 or 466 CE the Svetambara order held another council at Vallabhi The Svetambaras recompiled the Agamas and recorded them as written manuscripts under the leadership of Acharya Shraman Devardhigani along with other 500 Jain scholars The existing Svetambara canons are based on the Vallabhi council texts 23 15 24 From the 15th century onwards various Svetambara subsects began to disagree on the composition of the canon Murtipujaks idol worshippers accept 45 texts while the Sthanakavasins and Terapanthins only accept 32 25 List of works Edit The canons Siddhantha of the Svetambaras are generally composed of the following texts 23 26 Twelve Angas limbs Ayaraṃga Sanskrit Acaranga meaning On monastic conduct Suyagaḍa Sutrakṛtaṅga On heretical systems and views Ṭhaṇaṃga Sthanaṅga On different points of the teaching Samavayaṃga Samavayaṅga On rising numerical groups Viyaha pannatti Bhagavai Vyakhya prajnapti or Bhagavati Exposition of explanations or the holy one Naya dhamma kahao Jnata dharmakathanga Parables and religious stories Uvasaga dasao Upasaka dasaḥ Ten chapters on the Jain lay follower Aṇuttarovavaiya dasao Antakṛd dasaḥ Ten chapters on those who put an end to rebirth in this very life Anuttaraupapatikadasah Anuttaropapatika dasaḥ Ten chapters on those who were reborn in the uppermost heavens Paṇha vagaraṇa Prasna vyakaraṇa Questions and explanations Vivaga suya Vipakasruta Bad or good results of deeds performed Twelve Upaṅgas auxiliary limbs Uvavaiya sutta Sanskrit Aupapatika sutra Places of rebirth Raya paseṇaijja or Rayapaseṇiya Raja prasniya Questions of the king Jivajivabhigama Jivajivabhigama Classification of animate and inanimate entities Pannavaṇa Prajnapana Enunciation on topics of philosophy and ethics Suriya pannatti Surya prajnapti Exposition on the sun Jambudvipa pannatti Jambudvipa prajnapti Exposition on the Jambu continent and the Jain universe Canda pannatti Candra prajnapti Exposition on the moon and the Jain universe Nirayavaliyao or Kappiya Narakavalika Series of stories on characters reborn in hells Kappavaḍaṃsiao Kalpavataṃsikaḥ Series of stories on characters reborn in the kalpa heavens Pupphiao Puṣpikaḥ Flowers refers to one of the stories Puppha culiao Puṣpa culikaḥ The nun Puṣpacula Vaṇhi dasao Vṛṣṇi dasah Stories on characters from the legendary dynasty known as Andhaka Vṛṣṇi Six Chedasutras Texts relating to the conduct and behaviour of monks and nuns Ayara dasao Sanskrit Acaradasah Ten chapters about monastic conduct chapter 8 is the famed Kalpa sutra Biha Kappa Bṛhat Kalpa Great Religious code Vavahara Vyavahara Procedure Nisiha Nisitha Interdictions Jiya kappa Jita kalpa Customary rules only accepted as canonical by Murti pujaks Maha nisiha Maha nisitha Large Nisitha only accepted as canonical by Murti pujaks Four Mulasutras Fundamental texts which are foundational works studied by new monastics Dasaveyaliya sutta Sanskrit Dasavaikalika sutra this is memorized by all new Jain mendicants Uttarajjhayaṇa sutta Uttaradhyayana sutra Avassaya sutta Avasyaka sutra Piṇḍa nijjutti and Ogha nijjutti Piṇḍa niryukti and Ogha niryukti only accepted as canonical by Murti pujaks Two Culikasutras appendixes Nandi sutra discusses the five types of knowledge Anuyogadvara sutra a technical treatise on analytical methods discusses AnekantavadaMiscellaneous collections Edit To reach the number 45 Murtipujak Svetambara canons contain a Miscellaneous collection of supplementary texts called the Paiṇṇaya suttas Sanskrit Prakirnaka sutras Miscellaneous This section varies in number depending on the individual sub sect from 10 texts to over 20 They also often included extra works often of disputed authorship named supernumerary Prakirṇakas 27 The Paiṇṇaya texts are generally not considered to have the same kind of authority as the other works in the canon Most of these works are in Jaina Maharaṣṭri Prakrit unlike the other Svetambara scriptures which tend to be in Ardhamagadhi They are therefore most likely later works than the Aṅgas and Upaṅgas 27 Murtipujak Jain canons will generally accept 10 Paiṇṇayas as canonical but there is widespread disagreement on which 10 scriptures are given canonical status The most widely accepted list of ten scriptures are the following 27 Cau saraṇa Sanskrit Catuḥsaraṇa The four refuges Aura paccakkhaṇa Atura pratyakhyana Sick man s renunciation Bhatta parinna Bhakta parijna Renunciation of food Saṃtharaga Saṃstaraka Straw bed Tandula veyaliya Taṇḍula vaicarika Reflection on rice grains Canda vejjhaya Candravedhyaka Hitting the mark Devinda tthaya Devendra stava Praise of the kings of gods Gaṇi vijja Gaṇi vidya A Gaṇi s knowledge Maha paccakkhaṇa Maha pratyakhyana Great renunciation Vira tthava Vira stava Great renunciation The Digambara Siddhantha Edit Acharya Pushpadanta depicted writing down the Ṣaṭkhaṅḍagama Acharya Kundakunda one of the most important Digambara philosophers According to the Digambara tradition the original scriptures had been lost by about the 2nd century CE 28 Acharya Bhutabali is considered the last ascetic who had some partial knowledge of the original canon 29 Digambara tradition holds that Acharya Dharasena 1st century CE guided Acharya Pushpadanta and Acharya Bhutabali to write what remained of the lost teachings down into palm leaf scriptures These two Acharyas wrote the Ṣaṭkhaṅḍagama Six Part Scripture which is held to be one of the oldest Digambara texts They are dated to between the 2nd to 3rd century CE 28 Around the same time Acharya Gunadhar wrote Kasayapahuda Treatise on the Passions 29 30 These two texts are the two main Digambara Agamas 30 The Digambara canon of scriptures includes these two main texts three commentaries on the main texts and four later Anuyogas expositions consisting of more than 20 texts 31 32 The great commentator Virasena wrote two commentary texts on the Ṣaṭkhaṅḍagama the Dhaval tika on the first five volumes and Maha dhaval tika on the sixth volume of the Ṣaṭkhaṅḍagama around 780 CE Virasena and his disciple Jinasena also wrote a commentary on the Kasayapahuda known as Jaya dhavala tika 30 There is no agreement on the canonical Anuyogas Expositions The Anuyogas were written between the 2nd and the 11th centuries CE either in Jaina Sauraseni Prakrit or in Sanskrit 28 The expositions Anuyogas are divided into four literary categories 31 The first Prathamanuyoga category contains various works such as Jain versions of the Ramayaṇa like the 7th century Padma puraṇa by Raviṣeṇa and Mahabharata like Jinasena s 8th century Harivaṃsa puraṇa as well as Jain universal histories like Jinasena s 8th century Adi puraṇa The calculation Karaṇanuyoga expositions are mainly works on Jain cosmology such as Tiloya paṇṇatti of Yati Vṛṣabha dating from the 6th to 7th century and karma for example Nemicandra s Gommaṭa sara The Gommatsara of Nemichandra fl 10th century is one of the most important Digambara works and provides a detailed summary of Digambara doctrine 33 The behaviour Caraṇanuyoga expositions are texts about proper behaviour such as Vaṭṭakera s Mulacara on monastic conduct 2nd century and the Ratnakaraṇḍaka Sravakacara by Samantabhadra 5th century which focuses on the ethics of a layperson 34 Works in this category also treat the purity of the soul such as the work of Kundakunda like the Samaya sara the Pancastikayasara and Niyamasara These works by Kundakunda 2nd century CE or later are highly revered and have been historically influential 35 36 37 The substance Dravyanuyoga exposition includes texts about ontology of the universe and self Umasvamin s comprehensive Tattvartha sutra is the standard work on ontology and Pujyapada s 464 524 CE Sarvarthasiddhi is one of the most influential Digambara commentaries on the Tattvartha This collection also includes various works on epistemology and reasoning such as Samantabhadra s Apta mimaṃsa and the works of Akalaṅka 720 780 CE such as his commentary on the Apta mimaṃsa and his Nyaya viniscaya Post Canonical literature Edit The Tattvarthsutra is regarded as the most authoritative book on Jainism and the only text authoritative in both the Svetambara and Digambara sects Bust of Hemachandra at Hemchandracharya North Gujarat University Doctrinal and philosophical works Edit There are various later Jain works that are considered post canonical that is to say they were written after the closure of the Jain canons though the different canons were closed at different historical eras and so this category is ambiguous Thus Umaswati s c between 2nd century and 5th century CE Tattvarthasutra On the Nature of Reality is included in the Digambara canon but not in the Svetambara canons though they do consider the work authoritative Indeed the Tattvarthasutra is considered the authoritative Jain philosophy text by all traditions of Jainism 38 39 40 It has the same importance in Jainism as Vedanta Sutras and Yogasutras have in Hinduism 41 38 42 Other non canonical works include various texts attributed to Bhadrabahu c 300 BCE which are called the Niryuktis and Samhitas According to Winternitz after the 8th century or so Svetambara Jain writers who had previously worked in Prakrit began to use Sanskrit The Digambaras also adopted Sanskrit somewhat earlier 8 The earliest Jain works in Sanskrit include the writings of Siddhasena Divakara c 650 CE who wrote the Sanmatitarka The Logic of the True Doctrine is the first major Jain work on logic written in Sanskrit 43 Other later works and writers include Jinabhadra 6th 7th century author of Avasyaksutra Jain tenets Visesanavati and Visesavasyakabhasya Commentary on Jain essentials Mallavadin 8th century author of Nayacakra and Dvadasaranayacakra Encyclopedia of Philosophy which discusses the schools of Indian philosophy 44 Haribhadra suri c 8th century is an important Svetambara scholar who wrote commentaries on the Agamas He also wrote the Yogadṛṣṭisamuccaya a key Jain text on Yoga which compares the Yoga systems of Buddhists Hindus and Jains Gunaratna c 1400 CE wrote a commentary on Haribhadra s work Prabhacandra 8th 9th century Jain philosopher composed a 106 Sutra Tattvarthasutra and exhaustive commentaries on two key works on Jain Nyaya Prameyakamalamartanda based on Manikyanandi s Parikshamukham and Nyayakumudacandra on Akalanka s Laghiyastraya Abhayadeva 1057 1135 CE author of Vadamahrnava Ocean of Discussions which is a 2 500 verse tika Commentary of Sanmartika and a great treatise on logic 44 Hemachandra c 1088 1172 CE wrote the Yogasastra a textbook on yoga and Adhatma Upanishad His minor work Vitragastuti gives outlines of the Jaina doctrine in form of hymns This was later detailed by Mallisena c 1292 CE in his work Syadavadamanjari Vadideva 11th century He was a senior contemporary of Hemacandra and is said to have authored Paramananayatattavalokalankara and its voluminous commentary syadvadaratnakara that establishes the supremacy of doctrine of Syadvada There are also other important commentators on the Agamas including Abhayadeva suri c 11th century and Malayagiri c the 12th century Vidyanandi 11th century Jain philosopher composed the brilliant commentary on Acarya Umasvami s Tattvarthasutra known as Tattvarthashlokavartika Devendrasuri wrote the Karmagrantha which is an exposition of the Jain theory of Karma Yasovijaya 1624 1688 was a Jain scholar of Navya Nyaya and wrote Vrttis commentaries on most of the earlier Jain Nyaya works by Samantabhadra Akalanka Manikyanandi Vidyanandi Prabhacandra and others in the then prevalent Navya Nyaya style Yasovijaya has to his credit a prolific literary output more than 100 books in Sanskrit Prakrit Gujarati and Rajasthani He is also famous for Jnanasara essence of knowledge and Adhayatmasara essence of spirituality The Lokaprakasa of Vinayavijaya was written in the 17th century CE Srivarddhaeva aka Tumbuluracarya wrote a Kannada commentary on Tattvarthadigama sutra Atmasiddhi Shastra is a spiritual treatise in verse composed in Gujarati by the nineteenth century Jain saint philosopher poet Shrimad Rajchandraji 1867 1901 which comprises 142 verses explaining the fundamental philosophical truths about the soul and its liberation It propounds six fundamental truth on soul which are also known as Satapada six steps The Saman Suttam is a compilation of ancient texts and doctrines recognised by all Jain sects assembled primarily by Jinendra Varni and then examined and approved by monks of different sects and other scholars in 1974 Grammar Edit Jainendra vyakarana of Acharya Pujyapada and Sakatayana vyakarana of Sakatayana are both works on grammar written in c 9th century CE Siddha Hem Shabdanushasana by Acharya Hemachandra c 12th century CE is considered by F Kielhorn as the best grammar work of the Indian middle age Hemacandra s book Kumarapalacaritra is also noteworthy citation needed Narrative literature and poetry Edit Jaina narrative literature mainly contains stories about sixty three prominent figures known as Salakapurusa and people who were related to them Some of the important works are Harivamshapurana of Jinasena c 8th century CE Vikramarjuna Vijaya also known as Pampa Bharata of Kannada poet named Adi Pampa c 10th century CE Pandavapurana of Shubhachandra c 16th century CE Mathematics EditJain literature covered multiple topics of mathematics around 150 AD including the theory of numbers arithmetical operations geometry operations with fractions simple equations cubic equations bi quadric equations permutations combinations and logarithms 45 Languages EditJains literature exists mainly in Jain Prakrit Sanskrit Marathi Tamil Rajasthani Dhundari Marwari Hindi Gujarati Kannada Malayalam 46 and more recently in English citation needed Jains have contributed to India s classical and popular literature For example almost all early Kannada literature and many Tamil works were written by Jains Some of the oldest known books in Hindi and Gujarati were written by Jain scholars citation needed The first autobiography in the ancestor of Hindi Braj Bhasha is called Ardhakathanaka and was written by a Jain Banarasidasa an ardent follower of Acarya Kundakunda who lived in Agra Many Tamil classics are written by Jains or with Jain beliefs and values as the core subject Practically all the known texts in the Apabhramsha language are Jain works citation needed The oldest Jain literature is in Shauraseni and the Jain Prakrit the Jain Agamas Agama Tulya the Siddhanta texts etc Many classical texts are in Sanskrit Tattvartha Sutra Puranas Kosh Sravakacara mathematics Nighantus etc Abhidhana Rajendra Kosha written by Acharya Rajendrasuri is only one available Jain encyclopedia or Jain dictionary to understand the Jain Prakrit Ardha Magadhi and other languages words their use and references within oldest Jain literature citation needed Jain literature was written in Apabhraṃsa Kahas rasas and grammars Standard Hindi Chhahadhala Moksh Marg Prakashak and others Tamil Nalaṭiyar Civaka Cintamani Valayapathi and others and Kannada Vaddaradhane and various other texts Jain versions of the Ramayana and Mahabharata are found in Sanskrit the Prakrits Apabhraṃsa and Kannada citation needed Jain Prakrit is a term loosely used for the language of the Jain Agamas canonical texts The books of Jainism were written in the popular vernacular dialects as opposed to Sanskrit which was the classical standard of Brahmanism and therefore encompass a number of related dialects Chief among these is Ardha Magadhi which due to its extensive use has also come to be identified as the definitive form of Prakrit Other dialects include versions of Maharashtri and Sauraseni 23 Influence on Indian literature Edit Mangulam inscription dated 2nd century BCE Parts of the Sangam literature in Tamil are attributed to Jains The authenticity and interpolations are controversial because it presents Hindu ideas 47 Some scholars state that the Jain portions were added about or after the 8th century CE and are not ancient 48 Tamil Jain texts such as the Civaka Cintamaṇi and Nalaṭiyar are credited to Digambara Jain authors 49 50 These texts have seen interpolations and revisions For example it is generally accepted now that the Jain nun Kanti inserted a 445 verse poem into Civaka Cintamaṇi in the 12th century 51 52 The Tamil Jain literature according to Dundas has been lovingly studied and commented upon for centuries by Hindus as well as Jains 50 The themes of two of the Tamil epics including the Silapadikkaram have an embedded influence of Jainism 50 Jain scholars also contributed to Kannada literature 53 The Digambara Jain texts in Karnataka are unusual in having been written under the patronage of kings and regional aristocrats They describe warrior violence and martial valor as equivalent to a fully committed Jain ascetic setting aside Jainism s absolute non violence 54 Jain manuscript libraries called bhandaras inside Jain temples are the oldest surviving in India 55 Jain libraries including the Svetambara collections at Patan Gujarat and Jaiselmer Rajasthan and the Digambara collections in Karnataka temples have a large number of well preserved manuscripts 55 56 These include Jain literature and Hindu and Buddhist texts Almost all have been dated to about or after the 11th century CE 57 The largest and most valuable libraries are found in the Thar Desert hidden in the underground vaults of Jain temples These collections have witnessed insect damage and only a small portion have been published and studied by scholars 57 See also Edit Literature portalChampat Rai Jain A N Upadhye Bal Patil Agama Hinduism Agama Buddhism Notes EditReferences EditCitations Edit a b von Glasenapp 1925 pp 109 110 Champat Rai Jain 1929b p 135 Champat Rai Jain 1929b p 136 a b c d Dundas 2002 pp 60 61 Dundas 2002 p 61 Natubhai Shah 2004 pp 39 40 Vijay K Jain 2012 p xi a b Winternitz 1972 p 427 Nagendra Kr Singh 2001 Encyclopedia of Jainism Edited by Nagendra Kr Singh New Delhi Anmol Publications ISBN 81 261 0691 3 page 4308 Yoga The Indian Tradition Edited by Ian Whicher and David Carpenter London Routledgecurzon 2003 ISBN 0 7007 1288 7 page 64 C Chappie 1993 Nonviolence to Animals Earth and Self in Asian Traditions Albany State University of New York Press ISBN 0 7914 1497 3 page 5 a b Bronkhorst Johannes The Formative Period of Jainism c 500 BCE 200 CE Brill s Encyclopedia of Jainism Online Denison University University of Edinburgh University of Bergen University of California Berkeley John E Cort Paul Dundas Knut A Jacobsen Kristi L Wiley doi 10 1163 2590 2768 BEJO COM 047082 Melton amp Baumann 2010 p 1553 Jacobi Hermann 1884 F Max Muller ed The Acaranga Sutra Sacred Books of the East vol 22 Part 1 Oxford The Clarendon Press ISBN 0 7007 1538 X p xlii a b Natubhai Shah 2004 p 40 a b von Glasenapp 1925 pp 112 113 Upinder Singh 2016 p 444 Vijay K Jain 2016 p xii Jaini 1998 p 78 81 von Glasenapp 1925 p 124 von Glasenapp 1925 pp 121 122 Suryaprajnapti Sutra The Schoyen Collection Archived from the original on 15 June 2017 a b c Upinder Singh 2016 p 26 von Glasenapp 1925 pp 110 111 Balbir Nalini Svetambara canon JAINpedia a href Template Cite web html title Template Cite web cite web a CS1 maint url status link Winternitz 1972 pp 428 430 a b c Balbir Nalini Prakirṇaka sutras JAINpedia a href Template Cite web html title Template Cite web cite web a CS1 maint url status link a b c Balbir Nalini Digambara canon JAINpedia a href Template Cite web html title Template Cite web cite web a CS1 maint url status link a b Vijay K Jain 2012 p xii a b c Sagarmal Jain Shreeprakash Pandey 1998 Jainism in a Global Perspective p 239 Collection of Jain papers of 1993 Parliament of World Religions Chicago Parshwanath Vidyapith Pubs a b Dundas 2002 p 80 Vijay K Jain 2012 p xi xii Jaini 1927 p 5 Jaini 1991 p 32 33 Finegan 1989 p 221 Balcerowicz 2003 pp 25 34 Chatterjee 2000 p 282 283 a b Jones amp Ryan 2007 pp 439 440 Umasvati 1994 p xi xiii Quote That Which Is known as the Tattvartha Sutra to Jains is recognized by all four Jain traditions as the earliest most authoritative and comprehensive summary of their religion Dundas 2006 pp 395 396 Umasvati 1994 p xiii Johnson 1995 pp 46 51 91 96 Qvarnstrom Olle Jainism and Early Buddhism Essays in Honor of Padmanabh S Jaini page 154 a b Jaini 1998 p 85 Gheverghese 2016 p 23 Banerjee Satya Ranjan 2005 Prolegomena to Prakritica et Jainica The Asiatic Society p 61 Cush Robinson amp York 2012 pp 515 839 Zvelebil 1992 pp 13 16 Cort 1998 p 163 a b c Dundas 2002 p 116 117 Zvelebil 1992 pp 37 38 Spuler 1952 pp 24 25 context 22 27 Cort 1998 p 164 Dundas 2002 pp 118 120 a b Dundas 2002 p 83 Guy John January 2012 Jain Manuscript Painting The Metropolitan Museum of Art Heilburnn Timeline of Art History archived from the original on 2 April 2013 retrieved 25 April 2013 a b Dundas 2002 pp 83 84 Sources Edit Balcerowicz Piotr 2003 Essays in Jaina Philosophy and Religion Motilal Banarsidass ISBN 978 81 208 1977 1 Chatterjee Asim Kumar 2000 A Comprehensive History of Jainism From the Earliest Beginnings to AD 1000 Munshiram Manoharlal ISBN 978 81 215 0931 2 Cort John E ed 1998 Open Boundaries Jain Communities and Cultures in Indian History SUNY Press ISBN 978 0 7914 3785 8 Cort John E 2010 1953 Framing the Jina Narratives of Icons and Idols in Jain History Oxford University Press ISBN 978 0 19 538502 1 Cush Denise Robinson Catherine York Michael 2012 Encyclopedia of Hinduism Routledge ISBN 978 1 135 18978 5 Dalal Roshen 2010 2006 The Religions of India A Concise Guide to Nine Major Faiths Penguin books ISBN 978 0 14 341517 6 Dundas Paul 2002 1992 The Jains 2nd ed London and New York Routledge ISBN 978 0 415 26605 5 Dundas Paul 2006 Olivelle Patrick ed Between the Empires Society in India 300 BCE to 400 CE Oxford University Press ISBN 978 0 19 977507 1 Finegan Jack 1989 An Archaeological History of Religions of Indian Asia Paragon House ISBN 978 0 913729 43 4 Gheverghese Joseph George 2016 Indian Mathematics Engaging With The World From Ancient To Modern Times World Scientific ISBN 9781786340603 Jain Champat Rai 1929 Risabha Deva The Founder of Jainism Allahabad The Indian Press Limited This article incorporates text from this source which is in the public domain Jain Champat Rai 1929 The Practical Dharma The Indian Press Ltd This article incorporates text from this source which is in the public domain Jain Vijay K 2011 Acharya Umasvami s Tattvarthsutra 1st ed Uttarakhand Vikalp Printers ISBN 978 81 903639 2 1 This article incorporates text from this source which is in the public domain Jain Vijay K 2012 Acharya Amritchandra s Purushartha Siddhyupaya Realization of the Pure Self With Hindi and English Translation Vikalp Printers ISBN 978 81 903639 4 5 This article incorporates text from this source which is in the public domain Jain Vijay K 2016 Acarya Samantabhadra s Ratnakarandaka sravakacara The Jewel casket of Householder s Conduct Vikalp Printers ISBN 978 81 903639 9 0 This article incorporates text from this source which is in the public domain Jaini Jagmandar lal 1927 Gommatsara Jiva kanda Alt URL Jaini Padmanabh S 1991 Gender and Salvation Jaina Debates on the Spiritual Liberation of Women University of California Press ISBN 978 0 520 06820 9 Jaini Padmanabh S 1998 1979 The Jaina Path of Purification Delhi Motilal Banarsidass ISBN 978 81 208 1578 0 Johnson W J 1995 Harmless Souls Karmic Bondage and Religious Change in Early Jainism with Special Reference to Umasvati and Kundakunda Motilal Banarsidass ISBN 978 81 208 1309 0 Jones Constance Ryan James D 2007 Encyclopedia of Hinduism Infobase Publishing ISBN 978 0 8160 5458 9 Melton J Gordon Baumann Martin eds 2010 Religions of the World A Comprehensive Encyclopedia of Beliefs and Practices Vol One A B 2nd ed ABC CLIO ISBN 978 1 59884 204 3 Shah Natubhai 2004 First published in 1998 Jainism The World of Conquerors vol I Motilal Banarsidass ISBN 978 81 208 1938 2 Singh Upinder 2016 A History of Ancient and Early Medieval India From the Stone Age to the 12th Century Pearson Education ISBN 978 93 325 6996 6 Spuler Bertold 1952 Handbook of Oriental Studies Brill ISBN 978 90 04 04190 5 Umasvati Umaswami 1994 That which is Translator Nathmal Tatia Rowman amp Littlefield ISBN 978 0 06 068985 8 von Glasenapp Helmuth 1925 Jainism An Indian Religion of Salvation Der Jainismus Eine Indische Erlosungsreligion Shridhar B Shrotri trans Delhi Motilal Banarsidass Reprint 1999 ISBN 978 81 208 1376 2 Winternitz Maurice 1972 A History of Indian Literature Vol II Buddhist Literature and Jaina Literature 2nd ed University of Calcutta Zvelebil Kamil 1992 Companion Studies to the History of Tamil Literature Brill Academic ISBN 978 90 04 09365 2Further reading EditRishabhanatha inEncyclopaedia Britannica Editors of the Encyclopaedia Britannica 2010 Dalal Roshen 2010 Hinduism An Alphabetical Guide Penguin Books ISBN 978 0 14 341421 6 Dalal Roshen 2010 The Religions of India A Concise Guide to Nine Major Faiths Penguin books ISBN 978 0 14 341517 6 Stevenson John 1848 The Kalpa Sutra and Nava Tatva tr from Magadhi Bernard Quaritch London Thomas Edward 1877 Jainism London Trubner amp co Jacobi Hermann 1884 Jaina Sutras Part I Akaranga Sutra amp Kalpa Sutra Oxford The Clarendon press Jacobi Hermann 1884 Jaina Sutras Part II Uttaradhyayana Sutra amp Sutrakritanga Sutra Oxford The Clarendon press Stevenson Sinclair 1915 The Heart of Jainism H Milford Oxford University Press M S Ramaswami Ayyangar B Seshagiri Rao 1922 Studies in South Indian Jainism Premier Press MadrasExternal links EditJain Shastras Jain Agams JainWorld com Archived from the original on 14 February 2015 Clay Sanskrit Library Sacred texts Jainism The British Library a href Template Cite web html title Template Cite web cite web a CS1 maint url status link Retrieved from https en wikipedia org w index php title Jain literature amp oldid 1129579880, wikipedia, wiki, book, books, library,

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