Wikipedia
List of chorale harmonisations by Johann Sebastian Bach
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
- four-part harmony
- SATB vocal forces
- pre-existing hymn tune allotted to the soprano part
- text treatment:
- homophonic
- no repetitions (i.e., each syllable of the hymn text is sung one time)
Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant:
- Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. A large part of these chorales are extant as autographs by the composer, and for nearly all of them a colla parte instrumental and/or continuo accompaniment are known.
- All other four-part chorales exclusively survived in collections of short works, which include manuscripts and 18th-century prints. Apart from the Three Wedding Chorales collection (BWV 250–252), these are copies by other scribes and prints only published after the composer's death, lacking context information, such as instrumental accompaniment, for the individual harmonisations.
Apart from homophonic choral settings, Bach's Lutheran hymn harmonisations also appear as:
- sung chorale fantasias in some of Bach's larger vocal works
- hymn melodies for which Bach composed or improved a thorough bass accompaniment, for instance as included in Georg Christian Schemelli's Musicalisches Gesang-Buch
- harmonisations included in purely instrumental compositions, most typically organ compositions such as chorale preludes or chorale partitas.
History edit
The compositions by Johann Sebastian Bach that had been printed during his lifetime were nearly exclusively instrumental works. Moreover, by the time Bach died in 1750 it was forgotten that a few of his vocal works (BWV 71, BWV 439–507,...) had indeed been printed in the first half of the 18th century.[1] In the period between the publication of The Art of Fugue in the early 1750s, and the publication of further works from 1900, only one group of Bach's works was published: his four-part chorales.
The most complete 18th century publication of chorales by J. S. Bach is Carl Philipp Emanuel Bach's edition in four volumes, published by Breitkopf from 1784 to 1787. About half of the chorale harmonisations in this collection have their origin in other extant works by Bach. This collection went through four more editions and countless reprintings until 1897. Several other collections of chorales by J. S. Bach were published, some of these using the original C-clefs or different texts.
The loss of musical material from Bach's death to the first printings of chorale collections may have been substantial. Not only are many works the chorales were extracted from no longer extant but there is no way of knowing how much of all the harmonisations that were once compiled the current collections include. For example, there is no way of knowing how many of the 150 harmonisations first proposed for sale in 1764 also appear in Princess Anna Amalia's manuscript which ultimately forms the basis of the Breitkopf edition. As to the chorale melodies with figured bass, current collections include less than one hundred of them whereas those proposed for sale in 1764 numbered 240.
The chorale harmonisations BWV 250–438 were probably all extracted from lost larger vocal works. For six of them the work they have been derived from has been identified. Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Some harmonisations exist in different keys, i.e. pitches, in 18th-century sources: for instance a Bach cantata autograph gives the four-part chorale in one key, and the same harmonisation is found in one or more of the early chorale compilations in a different key.
Manuscripts edit
The first record of the existence and sale of groups of collected chorale harmonisations and chorale melodies with figured bass extracted from larger works by J.S. Bach is from 1764, fourteen years after Bach's death. In that year the firm Breitkopf und Sohn announced for sale manuscript copies of 150 chorale harmonisations and 240 chorale melodies with figured bass by J.S. Bach.
In 1777 Johann Kirnberger started an active letter campaign to induce Breitkopf to publish a complete set of chorale harmonisations. Kirnberger's letters emphasize his motivation to have the chorales printed in order to preserve them for the benefit of future generations. The manuscript to be used once belonged to C. P. E. Bach, who sold it through Kirnberger to Princess Anna Amalia of Prussia (for twelve louis d'or). It is presumed that this manuscript contained neither the text of the chorales nor any reference to the larger works from which the harmonisations had been taken. The manuscript's harmonisations extracted only the vocal parts and ignored the instrumental parts and the continuo, even though all of Bach's chorale settings included both instrumental parts and continuo. The instrumental parts were either independent, so called obbligato instrumental parts, or mostly doubled the vocal parts sometimes separating from it for a very few beats, and the continuo had its bass mostly double the vocal bass at the lower octave, but could also separate from it for a very few beats. Finally in some cases, for reasons unknown, whoever extracted the chorale from the larger work, changed the key of the setting.
- "Y" manuscript hypothesis
- Hypothetical early autograph collection of chorale harmonisations from which Bach would have selected settings he later integrated into his larger vocal works.
- Larger vocal works manuscripts
- Mostly extant as autograph score and/or as parts written out under Bach's supervision: many of these works, such as cantatas and Passions, include four-part chorales
- Three Wedding Chorales autograph
- Bach's autograph of the wedding chorales BWV 250–252, written between 1734 and 1738.[2]
- Dietel manuscript, a.k.a. Dietel Collection and, in German, Choralsammlung Dietel
- Earliest of the extant larger collection of chorale harmonisations manuscripts. It contains 149 chorale harmonisations (not 150 as is written on its title page) and originated around 1735. The music in the manuscript was copied by Johann Ludwig Dietel, one of Bach's pupils from the Thomasschule.[3][4][5][6][7][8][9]
Printed editions edit
A few chorale harmonisations had been published before Bach adopted them into his larger vocal works, and are therefore listed as spurious in the third annex of the BWV catalogue:[10][11]
- "Welt, ade! ich bin dein müde", BWV Anh. 170, also known as closing movement of cantata BWV 27: five-part harmonisation published, for instance, in Vopelius' 1682 Neu Leipziger Gesangbuch, p. 947.[12]
- Cantata BWV 43, movement 11: harmonisation by Christoph Peter published in 1652, later adopted in Vopelius' Neu Leipziger Gesangbuch: "Ermuntre dich, mein schwacher Geist", p. 70.[13]
- Cantata BWV 8, movement 6 (BWV 8/6): Daniel Vetter's four-part setting of "Liebster Gott, wann werd ich sterben", published in 1713.[14][15]
Several more harmonisations stay close to the version published by Vopelius: for example "Christus, der ist mein Leben", BWV 281, is a variant of the harmonisation found in the Neu Leipziger Gesangbuch, with added embellishments and the harmonic structure altered for one of the tune's four phrases.[16]
Printed collections of Bach's harmonisations usually provide an alphabetical collation of the chorales, that is, ranged alphabetically by text incipit of the hymn. Some editions contain an alphabetical index at the end of the compilation, for instance at the end of the final volume of C. P. E. Bach's 18th-century collection. Other editions, such as the Breitkopf compilations of 1892 and 1899, present the chorales themselves in alphabetical order. However, not all of these alphabetical collations result in analogous chorale sequences. Some major differences in this respect result from chorales that are known by different names: in that case it depends on the editor which name is used for the collation. For example, the melody of "Ach, lieben Christen, seid getrost" also being known as "Wo Gott der Herr nicht bei uns hält" it is an editor's discretion whether BWV 256 is found early on[17] or near the end[18] of an alphabetically sorted collection.
18th century edit
Some of Bach's voice and thoroughbass settings published in Georg Christian Schemelli's 1736 Musicalisches Gesang-Buch are better known in their four-part realisation included in the chorale harmonisation collections.
- Chorales published by Birnstiel (200)
- In 1765 F. W. Birnstiel published 100 chorales in Berlin. The edition had been initiated by F. W. Marpurg and completed, edited and supplemented with a preface and a list of errata by C. P. E. Bach. A second volume of 100 was issued by the same publisher in 1769, edited by J. F. Agricola. C. P. E. Bach criticised this publication as being full of mistakes in an article which was published in Hamburg in the Staats- und Gelehrte Zeitung des Hamburgischen unpartheyeschen Correspondenten on 30 May 1769, in which he also claimed that some of the chorale harmonisations included in the volume had not been composed by his father.
- C. P. E. Bach's edition for Breitkopf (371)
- After Kirnberger died in 1783, C. P. E. Bach became Breitkopf's editor for the chorales, which he then published in four parts:
- Vol. I (1784): Nos. 1–96
- Vol. II (1785): Nos. 97–194
- Vol. III (1786): Nos. 195–283
- Vol. IV (1787): Nos. 283–370
- Since the number 283 was used twice (last number of Vol. III and first number of Vol. IV), the collection actually contained 371 items. The collection also contained several doubles (e.g. No. 156 is identical to No. 307): it totalled 348 independent harmonisations.[19]
19th century edit
C. P. E. Bach's selection of 371 chorale harmonisations was republished a few times in the 19th century, for instance by Carl Ferdinand Becker in 1832 (third edition),[20] and by Alfred Dörffel in 1870.
- Bach Gesellschaft (larger vocal works + 3 + 185)
- The Bach-Gesellschaft Ausgabe (BGA, Bach Gesellschaft edition) kept the chorale settings that were part of a larger vocal work (cantata, motet, Passion or oratorio) together with these larger vocal works and added the Three Wedding Chorales to its 13th volume containing wedding cantatas. The remaining separate four-part chorales, purged from doubles, were ordered alphabetically and numbered from 1 to 185 in the 39th volume which was published in 1892.[17]
- Richter's edition for Breitkopf (389)
- In the late 19th century Bernhard Friedrich Richter collected all straightforward chorale harmonisations that had appeared in the BGA edition —including as well the separate ones as those from larger vocal works—, added a "Herr Gott, dich loben alle wir" harmonisation from a variant version of Cantata 130, and numbered all of these chorales in alphabetical order. The set contained a few doubtful and spurious settings (e.g. from Telemann cantatas which at the time were still attributed to Bach), but four-part settings which were part of a more complex texture (e.g. the fifth movement of Cantata 22 where the vocal homophony is supplemented by instrumental figuration) were not always included by Richter. The set was published by Breitkopf as Joh. Seb. Bach: 389 Choral-Gesänge für gemischten Chor in 1899.[18]
20th century edit
The Bach-Werke-Verzeichnis, published in 1950, did not assign a separate BWV number to harmonisations contained in extant larger vocal works such as cantatas and Passions. The Three Wedding Chorales were assigned the numbers 250 to 252, and the 185 (+1: see below) four-part chorales contained in Vol. 39 of the BGA edition were given, in the same order, the numbers 253 to 438.[21]
- Terry (405)
- Published in 1929, Charles Sanford Terry's J. S. Bach's Four-Part Chorales contains 405 chorale harmonisations and 95 melodies with figured bass. The collection was reprinted 1964, with a foreword by Walter Emery.[22]
- Riemenschneider (371)
- Albert Riemenschneider's collection of 371 chorales was published in 1941. It contained the same 371 settings as the C. P. E. Bach edition for Breitkopf, but with a few differences in the collation. In some cases Riemenschneider restored some information about obbligato instrumental parts based on extant larger works, e.g. his No. 270 from cantata BWV 161, or about the continuo bass line if this does not exactly coincide with the vocal bass, e.g. his No. 29 from cantata BWV 32 and his No. 35 from the Christmas Oratorio. Riemenschneider did however not restore original keys to the extant larger works, but instead kept the chorales in the keys as they had been published in the Breitkopf collection, e.g. his No. 22, in E-flat major, comes from cantata BWV 180 where it is in F major. At times the key signature in Riemenschneider's edition does not correspond to the key,[clarification needed] for instance No. 19, in G minor but written with a "Dorian" G key signature. This too is presumably[speculation?] reproduced from the Breitkopf edition, which would have followed a common 17th- and 18th-century practice.[23]
- Editio Musica Budapest (388)
- Editio Musica Budapest (EMB) published Imre Sulyok's edition of 388 chorale harmonisations in 1982. With a few differences (e.g. a de-doubling of the near-identical BWV 253 and 414, and some differences in the collation) the collection is largely comparable to the Richter edition.[24]
- Kalmus (389)
- Kalmus republished the 389 chorales of Richter's collection.[25]
- NBA
- The New Bach Edition published the Three Wedding Chorales and the four-part chorales contained in the Dietel collection in 1991 (Series III, Vol. 2/1). The chorales from C. P. E. Bach's collection were published in 1996 (Series III, Vol. 2/2). Vol. 3 of the same series, published in 2002, contains a few chorales of doubtful authenticity found in other manuscripts and early editions. Vol. 9 of the second series, published in 2000, contains a few doubtful chorales found in various Passions. Better known chorale harmonisations are also contained in other volumes of series I (cantatas), II (Passions and oratorios) and V (e.g. BWV 299 as contained in the Notebook for Anna Magdalena Bach).
21st century edit
- Czarnecki (413)
- Christopher Czarnecki (editor). J.S. Bach 413 Chorales. SeeZar Publications, 2014. ISBN 0989087913
- Dahn (420)
- Luke Dahn (editor). J.S. Bach Chorales: a new critical and complete edition arranged by BWV catalogue number with text and historical contextual information included for each chorale with numerous indices included in the appendix. LuxSitPress, 2017.
Chorale harmonisations in various collections edit
Most of Bach's known chorale harmonisations are movements in his extant cantatas, motets, Passions and oratorios. These are compositions which have a BWV number ranging from 1 to 249. BWV 250 to 438 is the range of the separate four-part chorales. Chorale harmonisations with a number above 438 are mostly later additions to the BWV catalogue. The 5th chapter of the 1998 edition of the Bach-Werke-Verzeichnis (BWV2a) contains the chorales BWV 250–438, and some later additions (BWV 500a, 1084, 1089 and 1122–1126).[26]
Numbering conventions edit
All BWV numbers used in the listings below are according to the latest version of the Bach-Werke-Verzeichnis and further updates of these numbers found at the Bach Digital website. When a BWV number is followed by a slash ("/"), the number or letter after that slash indicates the movement in the composition.
Settings from Schemellis Gesangbuch are indicated by their BWV number (BWV 439–507), by the number of the hymn in the original publication (Nos. 1–954),[27] and, between brackets, the number of the setting in Vol. 39 of the BGA edition (1–69).[28]
A cross-reference between Lutheran hymns, their Zahn number,[29] and their appearance in compositions by Bach (including, but not limited to, the chorale harmonisations) can be found pp. 471–481 of BWV2a.[30]
| column | content | |
|---|---|---|
| 1 | Chorale text | Text incipit of the harmonised hymn. Information regarding which part of the hymn Bach used is given in parentheses, typically verse numbers indicated by "v." Hymn titles without such information as in (untexted) chorale harmonisation collections. |
| 2 | Zahn | Zahn number of the chorale melody. When the data in the Zahn column starts with N that refers to "Nachtrag von vier Melodien" (supplement of four melodies), pp. 566–568 in Zahn's 1893 last volume: the number after the slash refers to the place of the melody in this sequence of four.[29] |
| 3 | BWV | Sorted by BWV number, the table has these subdivisions:
|
| 4 | 389 | Number of the chorale setting in Richter's 19th-century compilation of chorale harmonisations. These are also known as Kalmus numbers while that publisher reissued Richter's compilation of 389 chorales. Richter/Kalmus Nos. 130, 219 and 387 are not included in the table: see "In church cantatas" section below. |
| 5 | CPE | Numbers as in C. P. E. Bach's 18th-century publication of his father's chorales. The two No. 283 chorales are distinguished as "283" for the one included in Vol. III, and "283bis" for the one included in Vol. IV. |
| 6 | Rie. | Numbers as in Riemenschneider's 1941 publication of the chorales. |
| 7 | Notes | External links in this column go to chorale pages at Luke Dahn's bach-chorales |
| 8 | BC F | Bach Compendium (BC) series F; external links in this column go to the Bach Digital Work page about the chorale |
| Chorale text | Zahn | BWV | 389 | CPE | Rie. | Notes | BC F |
|---|---|---|---|---|---|---|---|
| From church cantatas, Ascension Oratorio | (Zahn) | 1–197a | (389) | (CPE) | (Rie.) | (↑ Go to top of table ↑) | (BC F) |
| Wie schön leuchtet der Morgenstern (v. 7) | 8359 | 1/6 | 378 | 0001_6 | — | ||
| Ach Gott, vom Himmel sieh darein (v. 6) | 4431 | 2/6 | 7 | 262 | 262 | 0002_6 | 3.2a/b |
| Ach Gott, wie manches Herzeleid (v. 18) | 553a | 3/6 | 8 | 156 | 156 | 0003_6 | 87.2a/b |
| 307 | 308 | ||||||
| Christ lag in Todesbanden (v. 7) | 7012a | 4/8 | 41 | 184 | 184 | 0004_8 | 26.3b |
| Wo soll ich fliehen hin (v. 11) | 2164 | 5/7 | 28 | 303 | 304 | 0005_7 | 20.2b |
| Erhalt uns, Herr, bei deinem Wort (v. 2) | 350 | 6/6 | 79 | 72 | 72 | 0006_6 | 56.1a/b |
| Christ unser Herr zum Jordan kam (v. 7) | 7246 | 7/7 | 44 | 0007_7 | — | ||
| Liebster Gott, wenn werd ich sterben (v. 5) | 6634 | 8/6 | 227 | 43 | 43 | 0008_6; Spurious[15] | 131.1a/b |
| Liebster Gott, wenn werd ich sterben | 6634 | 8/6* | ≈BWV 8/6; ≈BWV 483 | 131.1c | |||
| Es ist das Heil uns kommen her (vv. 7–8) | 4430 | 9/7 | 87 | 289 | 290 | 0009_7 | 59.2a/b |
| Meine Seele erhebt den Herren (doxology) | 7372~ | 10/7 | 122 | 357 | 358 | 0010_7; Tune: German Magnificat (metric) | 140.3a/b |
| Du Lebensfürst, Herr Jesu Christ (v. 4) | 5741 | 11/6 | 82 | 342 | 343 | 0011_6; (BWV 11 = Ascension Oratorio) | 57.3 |
| Was Gott tut, das ist wohlgetan (v. 6) | 5629 | 12/7 | 340 | 0012_7; ≈BWV 69a/6 | — | ||
| In allen meinen Taten (v. 15) | 2293b | 13/6 | 295 | 103 | 103 | 0013_6 | 166.3; — |
| Wär Gott nicht mit uns diese Zeit (v. 3) | 4434 | 14/5 | 330 | 182 | 182 | 0014_5 | 188.1a/b |
| Helft mir Gotts Güte preisen (v. 5) | 5267 | 16/6 | 125 | 99 | 99 | 0016_6 | 80.2a/b |
| Nun lob, mein Seel, den Herren (v. 3) | 8244 | 17/7 | 271 | 6 | 7 | 0017_7 | 153.3a/b |
| Durch Adams Fall ist ganz verderbt (v. 8) | 7549 | 18/5 | 73 | 100 | 100 | 0018_5 | 52.1b/c |
| 126 | 126 | ||||||
| Freu dich sehr, o meine Seele (v. 9) | 6543 | 19/7 | 99 | 297 | 298 | 0019_7 | 208.7b |
| O Ewigkeit, du Donnerwort (vv. 11, 16) | 5820 | 20/7, /11 | 276 | 26 | 26 | 0020_7_11 | 156.2 |
| Herr Christ, der einge Gottessohn (v. 5) | 4297a | 22/5 | 0022_5 | — | |||
| O Gott, du frommer Gott (v. 1) | 5148 | 24/6 | 336 | 337 | 0024_6 | 157; — | |
| Treuer Gott, ich muss dir klagen (v. 12) | 6543 | 25/6 | 101 | 254 | 254 | 0025_6 | 208.1b; — |
| 282 | 282 | ||||||
| Ach wie flüchtig, ach wie nichtig (v. 8) | 1887 | 26/6 | 11 | 48 | 48 | 0026_6 | 6.1 |
| Helft mir Gotts Güte preisen (v. 6) | 5267 | 28/6 | 124 | 23 | 23 | 0028_6 | 80.1a/b; — |
| 88 | 88 | ||||||
| Nun lob, mein Seel, den Herren (v. 5) | 8244 | 29/8 | 272 | 116 | 116 | 0029_8 | 153.4b |
| Tröstet, tröstet meine Lieben (v. 3) | 6543 | 30/6 | 103 | 76 | 76 | 0030_6 | 208.6b |
| Wenn mein Stündlein vorhanden ist (v. 5) | 4482a,b | 31/9 | 357 | 0031_9 | 201.5 | ||
| Weg, mein Herz, mit den Gedanken (v. 12) | 6543 | 32/6 | 102 | 29 | 29 | 0032_6 | 208.4b |
| Allein zu dir, Herr Jesu Christ (v. 4) | 7292b | 33/6 | 16 | 13 | 13 | 0033_6 | 11.2a/b |
| Wie schön leuchtet der Morgenstern (v. 7) | 8359 | 36.4/5 | 209.2a | ||||
| Wie schön leuchtet der Morgenstern (v. 6) | 8359 | 36/4 | 377 | 85 | 86 | 0036_4 | 209.2b |
| 195 | 195 | ||||||
| 304 | 305 | ||||||
| Nun komm, der Heiden Heiland (v. 8) | 1174 | 36/8 | 264 | 28 | 28 | 0036_8 | 151.2a/b |
| Ich dank dir, lieber Herre (v. 4) | 5354b | 37/6 | 178 | 340 | 341 | 0037_6 | 101.3a/b |
| Aus tiefer Not schrei ich zu dir (v. 5) | 4437 | 38/6 | 31 | 10 | 10 | 0038_6 | 22.1a/b |
| Kommt, laßt euch den Herren lehren (v. 6) | 6543 | 39/7 | 104 | 67 | 67 | 0039_7 | 208.5b/c |
| Wir Christenleut habn jetzund Freud (v. 3) | 2072 | 40/3 | 379 | 320 | 321 | 0040_3 | 210.2a/b |
| Schwing dich auf zu deinem Gott (v. 2) | 4870 | 40/6 | 305 | 142 | 142 | 0040_6 | 172.1a/b |
| Freuet euch, ihr Christen alle (v. 4) | 7880a | 40/8 | 105 | 8 | 8 | 0040_8 | 67.1a/b |
| Jesu, nun sei gepreiset (v. 3) | 8477a | 41/6 | 11 | 11 | 0041_6; ≈BWV 171/6 | 118.3a; — | |
| Verleih uns Frieden gnädlich (complete) | 1945 | 42/7 | 322 | 91 | 91 | 0042_7; Text version: Walter 1566 | 182.2 |
| 259 | 259 | ||||||
| Du Lebensfürst, Herr Jesu Christ (vv. 1, 13) | 5741 | 43/11 | 81 | 102 | 102 | 0043_11; Spurious[11] | 57.1a |
| In allen meinen Taten (v. 9) | 2293b | 44/7 | 296 | 354 | 355 | 0044_7 | 166.4b |
| O Gott, du frommer Gott (v. 2) | 5206b | 45/7 | 278 | 84 | 85 | 0045_7 | 45.4a/b |
| O großer Gott von Macht (v. 9) | 5101a | 46/6 | 81 | 82 | 0046_6 | 158.1b | |
| Warum betrübst du dich, mein Herz (v. 11) | 1689 | 47/5 | 333 | 94 | 94 | 0047_5 | 189.3a/b |
| Ach Gott und Herr (v. 4) | 2051 | 48/3 | 4 | 279 | 279 | 0048_3 | 2.2a/b |
| Herr Jesu Christ, ich schrei zu dir (v. 12) | 4486 | 48/7 | 144 | 266 | 266 | 0048_7 | 202.4b |
| Herr Jesu Christ, du höchstes Gut | |||||||
| In dich hab ich gehoffet, Herr (v. 1) | 2461 | 52/6 | 212 | 0052_6 | — | ||
| Werde munter, mein Gemüte (v. 6) | 6551 | 55/5 | 362 | 95 | 95 | 0055_5 | 206.5a/b |
| Du, o schönes Weltgebäude (v. 6) | 6773 | 56/5 | 72 | 86 | 87 | 0056_5 | 50.2a/b |
| Hast du denn, Jesu, dein Angesicht (v. 6) | 1912a | 57/8 | 231 | 90 | 90 | 0057_8 | 78.1a/b; — |
| Komm, Heiliger Geist, Herre Gott (v. 1) | 7445a | 59/3 | 220 | 0059_3; ≈BWV 175/7 | — | ||
| Es ist genug (v. 5) | 7173 | 60/5 | 91 | 216 | 216 | 0060_5 | 60.1 |
| Nun komm, der Heiden Heiland (v. 8) | 1174 | 62/6 | 265 | 170 | 170 | 0062_6 | 151.1a/b/c |
| Gelobet seist du, Jesu Christ (v. 7) | 1947 | 64/2 | 108 | 160 | 160 | 0064_2 | 69.3a/b |
| Was frag ich nach der Welt (v. 1) | 5206b | 64/4 | 280 | 255 | 255 | 0064_4 | 45.3 |
| Jesu, meine Freude (v. 5) | 8032 | 64/8 | 200 | 138 | 138 | 0064_8 | 116.2a/b |
| Ein Kind geborn zu Bethlehem (v. 4) | 192b | 65/2 | 302 | 12 | 12 | 0065_2 | 169.1b |
| Ich hab in Gottes Herz und Sinn (v. 10) | 7568 | 65/7 | 346 | 41 | 41 | 0065_7 | 194.1b |
| Christ ist erstanden (v. 3) | 8584 | 66/6 | 37 | 0066_6 | 25.2 | ||
| Erschienen ist der herrlich Tag (v. 1) | 1743 | 67/4 | 83 | 0067_4 | — | ||
| Du Friedefürst, Herr Jesu Christ (v. 1) | 4373 | 67/7 | 68 | 42 | 42 | 0067_7 | 49.2; — |
| Es woll uns Gott genädig sein (v. 3) | 7247 | 69/6 | 97 | 332 | 333 | 0069_6 | 66.4b |
| Was Gott tut, das ist wohlgetan (v. 6) | 5629 | 69a/6 | 292 | 293 | 0069a_6; ≈BWV 12/7 | 193.4c | |
| Freu dich sehr, o meine Seele (v. 10) | 6543 | 70/7 | 98 | 0070_7 | — | ||
| Meinen Jesum laß ich nicht, weil ... (v. 5) | 3449 | 70/11 | 243 | 347 | 348 | 0070_11 | 141.4b |
| Was mein Gott will, das g'scheh allzeit (v. 1) | 7568 | 72/6 | 344 | 0072_6 | — | ||
| Von Gott will ich nicht lassen (v. 9) | 5264b | 73/5 | 328 | 191 | 191 | 0073_5 | 185.4b |
| Gott Vater, sende deinen Geist (v. 2) | 2496c | 74/8 | 223 | 369 | 370 | 0074_8 | 128.2b |
| Was Gott tut, das ist wohlgetan (vv. 5–6) | 5629 | 75/7, /14 | 0075_7_14; =BWV 100/6 | — | |||
| Es woll uns Gott genädig sein (vv. 1, 3) | 7247 | 76/7, /14 | 0076_7_14 | — | |||
| Wenn einer alle Ding verstünd (v. 8)? | 4431 | 77/6 | 6 | 253 | 253 | 0077_6; No autograph text: added later | 3.3b |
| O Gottes Sohn, Herr Jesu Christ (v. 5)? | |||||||
| Ach Gott, vom Himmel sieh darein | |||||||
| Jesu, der du meine Seele (v. 12) | 6804 | 78/7 | 188 | 296 | 297 | 0078_7 | 187.4a/b |
| Nun danket alle Gott (v. 1) | 5142 | 79/3 | 259 | 0079_3 | — | ||
| Nun laßt uns Gott dem Herren (v. 8) | 159 | 79/6 | 267 | 0079_6 | — | ||
| Ein feste Burg ist unser Gott (v. 1) | 7377 | 80.2/1 | — | ||||
| Ein feste Burg ist unser Gott (v. 4) | 7377 | 80/8 | 76 | 273 | 273 | 0080_8 | 53.4a/b |
| Jesu, meine Freude (v. 2) | 8032 | 81/7 | 197 | 323 | 324 | 0081_7 | 116.3a/b |
| Mit Fried und Freud ich fahr dahin (v. 4) | 3986 | 83/5 | 250 | 324 | 325 | 0083_5 | 144.2a/b |
| Wer weiß, wie nahe mir mein Ende (v. 12) | 2778 | 84/5 | 373 | 112 | 112 | 0084_5 | 205.2a/b/c |
| Ist Gott mein Schild und Helfersmann (v. 4) | 2542 | 85/6 | 216 | 122 | 122 | 0085_6 | 111.1a/b |
| Es ist das Heil uns kommen her (v. 11) | 4430 | 86/6 | 86 | 4 | 4 | 0086_6 | 59.1a/b |
| Selig ist die Seele (v. 9) | 8032 | 87/7 | 201 | 96 | 96 | 0087_7 | 116.4b |
| Wer nur den lieben Gott läßt walten (v. 8) | 2778 | 88/7 | 368 | 104 | 104 | 0088_7 | 205.5a/b |
| Wo soll ich fliehen hin (v. 7) | 2164 | 89/6 | 26 | 281 | 281 | 0089_6 | 20.4a/b |
| Nimm von uns, Herr, du treuer Gott (v. 7) | 2561 | 90/5 | 319 | 267 | 267 | 0090_5 | 181.3b |
| Gelobet seist du, Jesu Christ (v. 7) | 1947 | 91/6 | 109 | 53 | 51 | 0091_6 | 69.2a/b |
| Ich hab in Gottes Herz und Sinn (v. 12) | 7568 | 92/9 | 347 | 0092_9 | — | ||
| Wer nur den lieben Gott läßt walten (v. 7) | 2778 | 93/7 | 369 | 0093_7 | — | ||
| Was frag ich nach der Welt (vv. 7–8) | 5206b | 94/8 | 281 | 290 | 291 | 0094_8 | 45.5 |
| Wenn mein Stündlein vorhanden ist (v. 4) | 4482a,b | 95/7 | 356 | 0095_7 | 201.6b | ||
| Herr Christ, der einge Gottessohn (v. 5) | 4297a | 96/6 | 128 | 302 | 303 | 0096_6 | 81.2a/b |
| In allen meinen Taten (v. 9) | 2293b | 97/9 | 297 | 0097_9; ≈BWV 392 | 166.9b/c | ||
| Was Gott tut, das ist wohlgetan (v. 6) | 5629 | 99/6 | 341 | 0099_6 | — | ||
| Was Gott tut, das ist wohlgetan (v. 6) | 5629 | 100/6 | 0100_6; =BWV 75/7, /14 | 193; — | |||
| Nimm von uns, Herr, du treuer Gott (v. 7) | 2561 | 101/7 | 318 | 291 | 292 | 0101_7 | 181.1a/b |
| So wahr ich lebe, spricht dein Gott (v. 6) | 2561 | 102/7 | 320 | 110 | 110 | 0102_7 | 181.2b |
| Barmherzger Vater, höchster Gott (v. 9) | 7568 | 103/6 | 348 | 120 | 120 | 0103_6 | 194.6b/c |
| 348 | 349 | ||||||
| Der Herr ist mein getreuer Hirt (v. 1) | 4457 | 104/6 | 13 | 125 | 125 | 0104_6 | 10.2; — |
| 325 | 326 | 10.2b | |||||
| Jesu, der du meine Seele (v. 11) | 6804 | 105/6 | 0105_6 | 187.6b | |||
| Was willst du dich betrüben (v. 7) | 5264b | 107/7 | 327 | 0107_7 | — | ||
| Gott Vater, sende deinen Geist (v. 10) | 2496c | 108/6 | 224 | 46 | 45 | 0108_6 | 128.1b |
| Wir Christenleut habn jetzund Freud (v. 5) | 2072 | 110/7 | 380 | 57 | 55 | 0110_7 | 210.1a/b |
| Was mein Gott will, das g'scheh allzeit (v. 4) | 7568 | 111/6 | 345 | 0111_6 | — | ||
| Der Herr ist mein getreuer Hirt (v. 5) | 4457 | 112/5 | 14 | 312 | 313 | 0112_5 | 10.3a/b |
| 352 | 353 | ||||||
| Herr Jesu Christ, du höchstes Gut (v. 1) | 4486 | 113/1 | 0113_1 | — | |||
| Herr Jesu Christ, du höchstes Gut (v. 8) | 4486 | 113/8 | 142 | 293 | 294 | 0113_8 | 202.3a/b |
| Ach lieben Christen, seid getrost (v. 6) | 4441a | 114/7 | 386 | 300 | 301 | 0114_7 | 212.4a/b |
| Mache dich, mein Geist, bereit (v. 10) | 6274a | 115/6 | 312 | 38 | 38 | 0115_6 | 179.1b/c |
| Du Friedefürst, Herr Jesu Christ (v. 7) | 4373 | 116/6 | 69 | 0116_6 | — | ||
| Sei Lob und Ehr dem höchsten Gut (vv. 4, 9) | 4430 | 117/4, /9 | 90 | 248 | 248 | 0117_4_9 | 59.3b |
| 353 | 354 | 59.3a/c | |||||
| Herr Gott, dich loben wir (vv. 38–41) | 8652 | 119/9 | 134 | 0119_9 | — | ||
| Herr Gott, dich loben wir (vv. 34–41) | 8652 | 120/6 | 135 | 0120_6 | — | ||
| Lobe den Herren, den mächtigen ... (vv. 4–5) | 1912a | 120a/8 | 230 | 0120a_8; ≈BWV 137/5 | — | ||
| Christum wir sollen loben schon (v. 8) | 297 | 121/6 | 42 | 55 | 56 | 0121_6 | 29.1a/b |
| Das neugeborne Kindelein (v. 4) | 491 | 122/6 | 57 | 52 | 53 | 0122_6 | 37.1a/b |
| 178 | 178 | ||||||
| Liebster Immanuel, Herzog ... (v. 6) | 4932c | 123/6 | 229 | 194 | 194 | 0123_6 | 132.1a/b |
| Meinen Jesum laß ich nicht, weil ... (v. 6) | 3449 | 124/6 | 246 | 0124_6 | — | ||
| Mit Fried und Freud ich fahr dahin (v. 4) | 3986 | 125/6 | 251 | 0125_6 | — | ||
| Verleih uns Frieden gnädlich (complete) | 1945 | 126/6 | 321 | 215 | 215 | 0126_6; Text version: Walter 1566 | 182.1b |
| Herr Jesu Christ, wahr Mensch und Gott (v. 8) | 2570 | 127/5 | 147 | 283bis | 384 | 0127_5 | 199.1a/b |
| O Jesu, meine Lust (v. 4) | 5206b | 128/5 | 279 | 0128_5 | — | ||
| Gelobet sei der Herr, mein Gott (v. 5) | 5206b | 129/5 | 0129_5 | 45; — | |||
| Herr Gott, dich loben alle wir (v. 11) | 368 | 130/6 | 131 | 0130_6; Bach struck v. 12 in cantata[31] | 105.3b | ||
| Ich freue mich in dir (v. 4) | 5187 | 133/6 | 181 | 61 | 60 | 0133_6 | 164.1a/b |
| Ach Herr, mich armen Sünder (v. 6) | 5385a | 135/6 | 156 | 0135_6 | — | ||
| Wo soll ich fliehen hin (v. 9) | 2164 | 136/6 | 27 | 330 | 331 | 0136_6 | 20.5b |
| Lobe den Herren, den mächtigen ... (v. 5) | 1912a | 137/5 | 230 | 0137_5; ≈BWV 120a/8 | 78.2c | ||
| Wohl dem, der sich auf seinen Gott (v. 5) | 2383 | 139/6 | 238 | 0139_6 | — | ||
| Wachet auf, ruft uns die Stimme (v. 3) | 8405 | 140/7 | 329 | 179 | 179 | 0140_7 | 186.1a/b/c |
| Was Gott tut, das ist wohlgetan (v. 1) | 5629 | 144/3 | 338 | 64 | 65 | 0144_3 | 193.1 |
| Was mein Gott will, das g'scheh allzeit (v. 1) | 7568 | 144/6 | 343 | 265 | 265 | 0144_6 | 194.4 |
| Auf, mein Herz, des Herren Tag (v. 1) | 3432b | 145/a | 209 | 337 | 338 | 0145a | 123.2a |
| Erschienen ist der herrlich Tag (v. 4) | 1743 | 145/5 | 84 | 17 | 17 | 0145_5 | 16.1a/b |
| Freu dich sehr, o meine Seele (v. 1)? | 6551 | 146/8 | 360 | 0146_8; Text: proposal Martin Petzold[32] | — | ||
| Jesu, meiner Seelen Wonne (vv. 6, 16) | 6551 | 147/6, /10 | 0147_6_10; aka Jesu, Joy of Man's Desiring | — | |||
| Wo soll ich fliehen hin | 2164 | 148/6 | 29 | 25 | 25 | 0148_6; Textless in cantata | 20.1b |
| Herzlich lieb hab ich dich, o Herr (v. 3) | 8326 | 149/7 | 155 | 0149_7 | — | ||
| Lobt Gott, ihr Christen, allzugleich (v. 8) | 198 | 151/5 | 235 | 54 | 54 | 0151_5 | 127.3a/b |
| Schau, lieber Gott, wie meine Feind (v. 1) | 4431 | 153/1 | 5 | 3 | 3 | 0153_1 | 3.1b |
| Befiehl du deine Wege (v. 5) | 5385a | 153/5 | 160 | 21 | 21 | 0153_5 | 92.3b |
| Ach Gott, wie manches Herzeleid (vv. 16–18) | 553a | 153/9 | 9 | 217 | 217 | 0153_9 | 87.1a/b |
| Jesu, meiner Seelen Wonne (v. 2) | 6551 | 154/3 | 365 | 233 | 233 | 0154_3; ≈BWV 359 | 206.1a/b/3b |
| Meinen Jesum laß ich nicht, weil ... (v. 6) | 3449 | 154/8 | 244 | 152 | 152 | 0154_8 | 141.2 |
| Es ist das Heil uns kommen her (v. 12) | 4430 | 155/5 | 88 | 334 | 335 | 0155_5 | 59.2a/b |
| Herr, wie du willst, so schicks ... (v. 1) | 4438 | 156/6 | 150 | 316 | 317 | 0156_6 | 23.2 |
| Meinen Jesum laß ich nicht, weil ... (v. 6) | 3449 | 157/5 | 245 | 0157_5 | — | ||
| Christ lag in Todesbanden (v. 5) | 7012a | 158/4 | 40 | 0158_4; ≈BWV 279 | 26.4b | ||
| Jesu Leiden, Pein und Tod (v. 33) | 6288b | 159/5 | 194 | 59 | 61 | 0159_5 | 115.1a/b |
| Herzlich tut mich verlangen (v. 4) | 5385a | 161/6 | 161 | 270 | 270 | 0161_6 | 92.13b/c |
| Alle Menschen müssen sterben (v. 7) | 6783 | 162/6 | 18 | 0162_6 | — | ||
| Herr Christ, der einge Gottessohn (v. 5) | 4297a | 164/6 | 127 | 101 | 101 | 0164_6 | 81.1a/b |
| Nun laßt uns Gott dem Herren (v. 5) | 159 | 165/6 | 266 | 0165_6 | — | ||
| Wer weiß, wie nahe mir mein Ende (v. 1) | 2778 | 166/6 | 372 | 204 | 204 | 0166_6 | 205.3 |
| Nun lob, mein Seel, den Herren (v. 5) | 8244 | 167/5 | 0167_5 | — | |||
| Herr Jesu Christ, du höchstes Gut (v. 8) | 4486 | 168/6 | 143 | 92 | 92 | 0168_6 | 202.2a/b |
| Nun bitten wir den Heiligen Geist (v. 3) | 2029 | 169/7 | 256 | 97 | 97 | 0169_7 | 147.2a/b |
| Jesu, nun sei gepreiset (v. 2) | 8477a | 171/6 | 204 | 0171_6; ≈BWV 141/6; BGA: v. 3 per P 94 | — | ||
| Wie schön leuchtet der Morgenstern (v. 4) | 8359 | 172/6 | 376 | 322 | 323 | 0172_6 | 209.4b |
| Herzlich lieb hab ich dich, o Herr (v. 1) | 8326 | 174/5 | 153 | 56 | 58 | 0174_5 | 91.2 |
| O Gottes Geist, mein Trost und Rat (v. 9) | 7445a | 175/7 | 220 | 0175_7; ≈BWV 59/3 | 126.1b | ||
| Was alle Weisheit in der Welt (v. 8) | 7246 | 176/6 | 45 | 119 | 119 | 0176_6 | 65.2 |
| Ich ruf zu dir, Herr Jesu Christ (v. 5) | 7400 | 177/5 | 183 | 71 | 71 | 0177_5 | 103.2a/b/c |
| Wo Gott der Herr nicht bei uns hält (vv. 7–8) | 4441a | 178/7 | 384 | 0178_7 | — | ||
| Ich armer Mensch, ich armer Sünder (v. 1) | 2778 | 179/6 | 371 | 338 | 339 | 0179_6 | 205.6a/b |
| Schmücke dich, o liebe Seele (v. 9) | 6923 | 180/7 | 304 | 22 | 22 | 0180_7 | 171.1a/b/c |
| Zeuch ein zu deinen Toren (v. 5) | 5267 | 183/5 | 126 | 123 | 123 | 0183_5 | 80.3b |
| O Herre Gott, dein göttlich Wort (v. 8) | 5690 | 184/5 | 283 | 14 | 14 | 0184_5 | 159.1a/b/c |
| Ich ruf zu dir, Herr Jesu Christ (v. 1) | 7400 | 185/6 | 184 | 0185_6 | 103.3b | ||
| Singen wir aus Herzensgrund (v. 4) | 4816 | 187/7 | 308 | 109 | 109 | 0187_7 | 33.1 |
| Auf meinen lieben Gott (v. 1) | 2164 | 188/6 | 25 | 0188_6 | — | ||
| Jesu, nun sei gepreiset (v. 2) | 8477a | 190/7 | 205 | 326 | 327 | 0190_7 | 118.2 |
| Treuer Gott, ich muss dir klagen (v. 6) | 6543 | 194/6 | 100 | 63 | 64 | 0194_6 | 208.2b |
| 256 | 256 | ||||||
| Wach auf, mein Herz, und singe (vv. 9–10) | 159 | 194/12 | 268 | 93 | 93 | 0194_12 | 152.2a/b/c |
| 257 | 257 | ||||||
| Nun danket all und bringet Ehr (v. 1) | 198 | 195/6 | 236 | 0195_6 | — | ||
| Nun bitten wir den Heiligen Geist (v. 3) | 2029 | 197/5 | 255 | 83 | 84 | 0197_5 | 147.3a/b |
| Wer nur den lieben Gott läßt walten (v. 7) | 2778 | 197/10 | 370 | 66 | 62 | 0197_10 | 205.7a/b |
| Ich freue mich in dir (v. 4) | 5206b | 197a/7 | 0197a_7; ≈BWV 398 | 45.2b | |||
| From motets | (Zahn) | 226–229 | (389) | (CPE) | (Rie.) | (↑ Go to top of table ↑) | (BC F) |
| Komm, Heiliger Geist, Herre Gott (v. 3) | 7445a | 226/2 | 221 | 69 | 69 | 0226_2 | 126.2a/b/c |
| Jesu, meine Freude (vv. 1, 6) | 8032 | 227/1, 11 | 196 | 263 | 263 | 0227_1_11 | 116.5 |
| Jesu, meine Freude (v. 2) | 8032 | 227/3 | 198 | 0227_3; SSATB | 116.6a/b | ||
| Jesu, meine Freude (v. 4) | 8032 | 227/7 | 199 | 283 | 283 | 0227_7 | 116.7a/b |
| Komm, Jesu, komm (v. 11) | 229/2 | 222 | 0229_2; Not on a pre-existing tune[33] | — | |||
| From St Matthew Passion | (Zahn) | 244–244b | (389) | (CPE) | (Rie.) | (↑ Go to top of table ↑) | (BC F) |
| Herzliebster Jesu (v. 1) | 983 | 244/3 | 166 | 78 | 78 | 0244_3 | 93.3 |
| O Welt, sieh hier dein Leben (v. 5) | 2293b | 244/10 | 294 | 117 | 117 | 0244_10 | 166.6b |
| O Haupt voll Blut und Wunden (v. 5) | 5385a | 244/15 | 163 | 98 | 98 | 0244_15; ≈BWV 244/17 | 92.5c |
| O Haupt voll Blut und Wunden (v. 6) | 244/17 | 0244_17; ≈BWV 244/15 | |||||
| Was mein Gott will, das g'scheh allzeit (v. 1) | 7568 | 244/25 | 342 | 115 | 115 | 0244_25 | 194.7 |
| Meinen Jesum laß ich nicht, weil ... (v. 6) | 3449 | 244b/29 | 247 | 0244b_29 | — | ||
| In dich hab ich gehoffet, Herr (v. 5) | 2461 | 244/32 | 213 | 118 | 118 | 0244_32 | 108.2a/b |
| O Welt, sieh hier dein Leben (v. 3) | 2293b | 244/37 | 292 | 50 | 50 | 0244_37 | 166.7b |
| Werde munter, mein Gemüte (v. 6) | 6551 | 244/40 | 361 | 121 | 121 | 0244_40 | 206.6a/b/c |
| Befiehl du deine Wege (v. 1) | 5385a | 244/44 | 159 | 87 | 80 | 0244_44 | 92.6b |
| Herzliebster Jesu (v. 4) | 983 | 244/46 | 167 | 105 | 105 | 0244_46 | 93.4a/b |
| O Haupt voll Blut und Wunden (vv. 1–2) | 5385a | 244/54 | 162 | 74 | 74 | 0244_54 | 92.7 |
| O Haupt voll Blut und Wunden (v. 9) | 5385a | 244/62 | 164 | 89 | 89 | 0244_62 | 92.8a/b |
| From St John Passion | (Zahn) | 245 | (389) | (CPE) | (Rie.) | (↑ Go to top of table ↑) | (BC F) |
| Herzliebster Jesu (v. 7) | 983 | 245/3 | 168 | 58 | 59 | 0245_3; Two versions (2nd in CPE, Rie.,...) | 93.1a/b/c |
| Vater unser im Himmelreich (v. 4) | 2561 | 245/5 | 317 | 47 | 47 | 0245_5; Two versions (1st =BWV 416) | 181.4a/c |
| O Welt, sieh hier dein Leben (vv. 3–4) | 2293b | 245/11 | 293 | 62 | 63 | 0245_11; ≈BWV 395 | 166.5a/b/c; — |
| Jesu Leiden, Pein und Tod (v. 10) | 6288b | 245/14 | 192 | 82 | 83 | 0245_14 | 115.2a/b |
| Christus, der uns selig macht (v. 1) | 6283b | 245/15 | 49 | 80 | 81 | 0245_15 | 31.2 |
| Herzliebster Jesu (vv. 8–9) | 983 | 245/17 | 169 | 111 | 111 | 0245_17 | 93.2a/b |
| Durch dein Gefängnis, Gottes Sohn (1 v.) | 2383 | 245/22 | 239 | 309 | 310 | 0245_22 | 137.3b |
| Valet will ich dir geben (v. 3) | 5404a | 245/26 | 315 | 108 | 108 | 0245_26 | 180.2a/b |
| Jesu Leiden, Pein und Tod (v. 20) | 6288b | 245/28 | 193 | 106 | 106 | 0245_28 | 115.3a/b |
| Christus, der uns selig macht (v. 8) | 6283b | 245/37 | 50 | 113 | 113 | 0245_37 | 31.3a/b |
| Herzlich lieb hab ich dich, o Herr (v. 3) | 8326 | 245/40 | 154 | 107 | 107 | 0245_40 | 91.3a/b |
| From Christmas Oratorio | (Zahn) | 248 | (389) | (CPE) | (Rie.) | (↑ Go to top of table ↑) | (BC F) |
| Wie soll ich dich empfangen (v. 1) | 5385a | 248/5 | 165 | 344 | 345 | 0248_5 | 92.9b |
| Vom Himmel hoch, da komm ich her (v. 13) | 346 | 248/9 | 45 | 46 | 0248_9 | 184.2b | |
| Ermuntre dich, mein schwacher Geist (v. 9) | 5741 | 248/12 | 80 | 9 | 9 | 0248_12 | 57.2a/b |
| 360 | 361 | ||||||
| Schaut, schaut, was ist für Wunder dar (v. 8) | 346 | 248/17 | 323 | 0248_17 | 184.3b | ||
| Wir singen dir, Immanuel (v. 2) | 346 | 248/23 | 343 | 344 | 0248_23 | 184.3b | |
| Gelobet seist du, Jesu Christ (v. 7) | 1947 | 248/28 | 110 | 0248_28 | 69.4a/b | ||
| Fröhlich soll mein Herze springen (v. 15) | 6461 | 248/33 | 335 | 139 | 139 | 0248_33 | 190.2b |
| Lasst Furcht und Pein (v. 4) | 2072 | 248/35 | 381 | 359 | 360 | 0248_35 | 210.3b |
| Hilf, Herr Jesu, laß gelingen (v. 5) | N/1 | 248/42 | 367 | 368 | 0248_42 | 98.1c | |
| Nun, liebe Seel, nun ist es Zeit (v. 5) | 2461 | 248/46 | 214 | 77 | 77 | 0248_46 | 108.3b |
| Ihr Gestirn, ihr hohlen Lüfte (v. 9) | 3614 | 248/53 | 114 | 34 | 35 | 0248_53 | 73.1b |
| Ich steh an deiner Krippen hier (v. 1) | 4429a | 248/59 | 263 | 361 | 362 | 0248_59 | 150.2b |
| Ihr Christen, auserkoren (v. 4) | 5385a | 248/64 | 0248_64 | 92.14b | |||
| Three Wedding Chorales | (Zahn) | 250–252 | (389) | (CPE) | (Rie.) | (↑ Go to top of table ↑) | (BC F) |
| Was Gott tut, das ist wohlgetan | 5629 | 250 | 339 | 346 | 347 | 0250; Three Wedding Chorales No. 1 | 193.3 |
| Sei Lob und Ehr dem höchsten Gut | 4430 | 251 | 89 | 328 | 329 | 0251; Three Wedding Chorales No. 2 | 59.4 |
| Nun danket alle Gott | 5142 | 252 | 258 | 329 | 330 | 0252; Three Wedding Chorales No. 3 | 148.2 |
| 186 four-part chorales in BGA Vol. 39 | (Zahn) | 253–438 | (389) | (CPE) | (Rie.) | (↑ Go to top of table ↑) | (BC F) |
| Ach bleib bei uns, Herr Jesu Christ | 493 | 253 | 1 | 177 | 177 | 0253; ≈BWV 414 | 35.1 |
| Ach Gott, erhör mein Seufzen | 1831a | 254 | 2 | 186 | 186 | 0254 | 1.1 |
| Ach Gott und Herr | 2051 | 255 | 3 | 40 | 40 | 0255 | 2.1 |
| Ach lieben Christen, seid getrost | 4441a | 256 | 385 | 31 | 31 | 0256 | 212.3 |
| Wär Gott nicht mit uns diese Zeit | 4441a | 257 | 388 | 284 | 285 | 0257 | 212.1 |
| Wo Gott der Herr nicht bei uns hält | 4441a | 258 | 383 | 335 | 336 | 0258; ≈BWV 488: Schemelli No. 881 (63) | 212.2 |
| Ach, was soll ich Sünder machen | 3573b | 259 | 10 | 39 | 39 | 0259 | 5.1 |
| Allein Gott in der Höh sei Ehr | 4457 | 260 | 12 | 249 | 249 | 0260 | 10.1 |
| Allein zu dir, Herr Jesu Christ | 7292b | 261 | 15 | 358 | 359 | 0261 | 11.1 |
| Alle Menschen müssen sterben | 6778 | 262 | 17 | 153 | 153 | 0262 | 8.1 |
| Alles ist an Gottes Segen | 3842f | 263 | 19 | 128 | 128 | 0263 | 12.1 |
| Als der gütige Gott | 1645 | 264 | 20 | 159 | 159 | 0264 | 13.1 |
| Als Jesus Christus in der Nacht | 258 | 265 | 21 | 180 | 180 | 0265 | 14.1 |
| Als vierzig Tag nach Ostern warn | 1743 | 266 | 22 | 208 | 208 | 0266 | 15.1 |
| An Wasserflüssen Babylon | 7663 | 267 | 23 | 5 | 5 | 0267 | 17.1a/b/c |
| Ein Lämmlein geht und trägt die Schuld | 308 | 309 | |||||
| Auf, auf, mein Herz, und du mein ganzer ... | 824 | 268 | 24 | 124 | 124 | 0268 | 19.1 |
| Aus meines Herzens Grunde | 5269 | 269 | 30 | 1 | 1 | 0269 | 21.1 |
| Befiehl du deine Wege | 5385a | 270 | 157 | 285 | 286 | 0270 | 92.1 |
| Befiehl du deine Wege | 5385a | 271 | 158 | 366 | 367 | 0271 | 92.2 |
| Befiehl du deine Wege | 5393 | 272 | 32 | 339 | 340 | 0272; Setting likely by C. P. E. Bach[34] | 136.2 |
| Christ, der du bist der helle Tag | 384 | 273 | 33 | 230 | 230 | 0273 | 24.1 |
| Christe, der du bist Tag und Licht | 343 | 274 | 34 | 245 | 245 | 0274 | 27.1 |
| Christe, du Beistand deiner Kreuzgemeine | 993 | 275 | 35 | 210 | 210 | 0275 | 28.1 |
| Christ ist erstanden | 8584 | 276 | 36 | 197 | 197 | 0276 | 25.1 |
| Christ lag in Todesbanden | 7012a | 277 | 38 | 15 | 15 | 0277 | 26.2 |
| Christ lag in Todesbanden | 7012a | 278 | 39 | 370 | 371 | 0278 | 26.1 |
| Christ lag in Todesbanden | 7012a | 279 | 40 | 261 | 261 | 0279; ≈BWV 158/4 | 26.4b |
| Christ unser Herr zum Jordan kam | 7246 | 280 | 43 | 65 | 66 | 0280 | 65.1 |
| Christus, der ist mein Leben | 132 | 281 | 46 | 7 | 6 | 0281 | 30.1 |
| Christus, der ist mein Leben | 132 | 282 | 47 | 315 | 316 | 0282; Included in BWV 95/1 | 30.2 |
| Christus, der uns selig macht | 6283b | 283 | 48 | 198 | 198 | 0283 | 31.1 |
| 306 | 307 | ||||||
| Christus ist erstanden, hat überwunden | 6240c | 284 | 51 | 200 | 200 | 0284 | 32.1 |
| Da der Herr Christ zu Tische saß | 2503 | 285 | 52 | 196 | 196 | 0285 | 34.1 |
| Danket dem Herrn, denn er ist sehr... | 12 | 286 | 53 | 228 | 228 | 0286 | 183.1 |
| Dank sei Gott in der Höhe | 5391 | 287 | 54 | 310 | 311 | 0287 | 119.1 |
| Das alte Jahr vergangen ist | 381c | 288 | 55 | 162 | 162 | 0288 | 36.1 |
| Das alte Jahr vergangen ist | 381c | 289 | 56 | 313 | 314 | 0289 | 36.2 |
| Das walt Gott Vater und Gott Sohn | 673 | 290 | 58 | 224 | 224 | 0290 | 38.1 |
| Das walt mein Gott | 4217 | 291 | 59 | 75 | 75 | 0291 | 39.1 |
| Den Vater dort oben | 4795 | 292 | 60 | 239 | 239 | 0292 | 40.1 |
| Der du bist drei in Einigkeit | 335 | 293 | 61 | 154 | 154 | 0293 | 42.1 |
| Der Tag, der ist so freudenreich | 7870 | 294 | 62 | 158 | 158 | 0294 | 43.1 |
| Des Heilgen Geistes reiche Gnad | 3706 | 295 | 63 | 207 | 207 | 0295 | 178.1 |
| Die Nacht ist kommen | 5001 | 296 | 64 | 231 | 231 | 0296 | 44.1 |
| Die Sonn hat sich mit ihrem Glanz | 923 | 297 | 65 | 232 | 232 | 0297; ≈BWV 447: Schemelli No. 40 (3) | 161.1 |
| Dies sind die heilgen zehn Gebot | 1951 | 298 | 66 | 127 | 127 | 0298 | 46.1 |
| Dir, dir, Jehova, will ich singen | 3068 | 299 | 67 | 209 | 209 | 0299; =AMBII 39; ≈BWV 452: S 397 (32) | 47.1 |
| Du großer Schmerzensmann | 5159 | 300 | 70 | 164 | 167 | 0300 | 51.1 |
| Du, o schönes Weltgebäude | 6773 | 301 | 71 | 137 | 134 | 0301 | 50.1 |
| Ein feste Burg ist unser Gott | 7377 | 302 | 74 | 20 | 20 | 0302 | 53.1b |
| Ein feste Burg ist unser Gott | 7377 | 303 | 75 | 250 | 250 | 0303 | 53.2b |
| Eins ist not, ach Herr, dies Eine | 7127 | 304 | 77 | 280 | 280 | 0304 | 54.1 |
| Erbarm dich mein, o Herre Gott | 5851 | 305 | 78 | 33 | 34 | 0305 | 55.1 |
| Erstanden ist der heilge Christ | 1746 | 306 | 85 | 176 | 176 | 0306 | 58.1 |
| Es ist gewißlich an der Zeit | 4429a | 307 | 262 | 260 | 260 | 0307 | 150.1 |
| Es spricht der Unweisen Mund wohl | 4436 | 308 | 92 | 27 | 27 | 0308 | 62.1 |
| Es stehn vor Gottes Throne | 4298 | 309 | 93 | 166 | 166 | 0309 | 63.1 |
| Es wird schier der letzte Tag herkommen | 1423 | 310 | 94 | 238 | 238 | 0310 | 64.1 |
| Es woll uns Gott genädig sein | 7247 | 311 | 95 | 16 | 16 | 0311 | 66.2 |
| Es woll uns Gott genädig sein | 7247 | 312 | 96 | 351 | 352 | 0312 | 66.1 |
| Für Freuden laßt uns springen | 2339 | 313 | 106 | 163 | 163 | 0313 | 68.1 |
| Gelobet seist du, Jesu Christ | 1947 | 314 | 107 | 287 | 288 | 0314 | 69.1 |
| Gib dich zufrieden und sei stille | 7417a | 315 | 111 | 271 | 271 | 0315 | 70.1 |
| Gott, der du selber bist das Licht | 5814 | 316 | 112 | 225 | 225 | 0316 | 71.1 |
| Gott der Vater wohn uns bei | 8507 | 317 | 113 | 134 | 135 | 0317 | 72.1 |
| Gottes Sohn ist kommen | 3294 | 318 | 115 | 18 | 18 | 0318 | 143.1a/b |
| Gott hat das Evangelium | 1788 | 319 | 116 | 181 | 181 | 0319 | 74.1 |
| Gott lebet noch | 7951 | 320 | 117 | 234 | 234 | 0320; ≈BWV 461: Schemelli No. 488 (37) | 75.1 |
| Gottlob, es geht nunmehr zu Ende | 2855 | 321 | 118 | 192 | 192 | 0321 | 77.1 |
| Gott sei gelobet und gebenedeiet | 8078 | 322 | 119 | 70 | 70 | 0322 | 76.1 |
| Gott sei uns gnädig und barmherzig | 7372 | 323 | 120 | 319 | 320 | 0323; Tune: German Magnificat (metric) | 140.2 |
| Meine Seele erhebet den Herren | 7372~ | 324 | 121 | 130 | 130 | 0324; Tune: German Magnificat (chant) | 140.1 |
| Heilig, heilig (or) Sanctus, Sanctus Dominus Deus Sabaoth | 8633 | 325 | 123 | 235 | 235 | 0325 | 79.1 |
| 318 | 319 | ||||||
| Herr Gott, dich loben alle wir | 368 | 326 | 129 | 167 | 164 | 0326 | 105.1 |
| Vor deinen Thron tret ich hiermit | 368 | 327 | 132 | 333 | 334 | 0327 | 105.2 |
| Herr Gott, dich loben wir | 8652 | 328 | 133 | 205 | 205 | 0328 | 83.1 |
| Herr, ich denk an jene Zeit | 4840 | 329 | 136 | 212 | 212 | 0329 | 134.1 |
| Herr, ich habe mißgehandelt | 3695 | 330 | 137 | 35 | 33 | 0330 | 84.2 |
| Herr, ich habe mißgehandelt | 3695 | 331 | 138 | 286 | 287 | 0331 | 84.1b |
| Herr Jesu Christ, dich zu uns wend | 625 | 332 | 139 | 136 | 136 | 0332 | 85.1 |
| Herr Jesu Christ, du hast bereit't | 4711 | 333 | 140 | 226 | 226 | 0333 | 86.1 |
| Herr Jesu Christ, du höchstes Gut | 4486 | 334 | 141 | 73 | 73 | 0334 | 202.1 |
| Herr Jesu Christ, meins Lebens Licht | 314 | 335 | 145 | 294 | 295 | 0335 | 170.1a/b |
| O Jesu, du mein Bräutigam | 236 | 236 | |||||
| Herr Jesu Christ, wahr Mensch und Gott | 423 | 336 | 146 | 189 | 189 | 0336 | 88.1 |
| Herr, nun laß in Friede | 3302 | 337 | 148 | 190 | 190 | 0337 | 89.1 |
| Herr, straf mich nicht in deinem Zorn | 4606a | 338 | 149 | 221 | 221 | 0338 | 90.1 |
| Wer in dem Schutz des Höchsten ist | 4438 | 339 | 151 | 144 | 144 | 0339 | 23.1a/b |
| Herr, wie du willst, so schick's mit mir | 317 | 318 | |||||
| Herzlich lieb hab ich dich, o Herr | 8326 | 340 | 152 | 277 | 277 | 0340 | 91.1 |
| Heut ist, o Mensch, ein großer Trauertag | 8569(A) | 341 | 170 | 168 | 168 | 0341 | 94.1A |
| Heut triumphieret Gottes Sohn | 2585 | 342 | 171 | 79 | 79 | 0342 | 95.1 |
| Hilf, Gott, daß mirs gelinge | 4329 | 343 | 172 | 199 | 199 | 0343 | 96.1 |
| 301 | 302 | ||||||
| Hilf, Herr Jesu, laß gelingen | 3687a | 344 | 173 | 155 | 155 | 0344 | 97.1 |
| Ich bin ja, Herr, in deiner Macht | 5878 | 345 | 174 | 251 | 251 | 0345 | 99.1 |
| Ich dank dir, Gott, für all Wohltat | 8090b | 346 | 175 | 223 | 223 | 0346 | 100.1 |
| Ich dank dir, lieber Herre | 5354b | 347 | 176 | 2 | 2 | 0347 | 101.2 |
| Ich dank dir, lieber Herre | 5354b | 348 | 177 | 272 | 272 | 0348 | 101.1 |
| Ich dank dir schon durch deinen Sohn | 247b | 349 | 179 | 188 | 188 | 0349 | 4.1 |
| Ich danke dir, o Gott, in deinem Throne | 3199 | 350 | 180 | 229 | 229 | 0350 | 139.1 |
| Ich hab mein Sach Gott heimgestellt | 1679 | 351 | 182 | 19 | 19 | 0351 | 102.1 |
| Jesu, der du meine Seele | 6804 | 352 | 185 | 37 | 37 | 0352 | 187.3 |
| Jesu, der du meine Seele | 6804 | 353 | 186 | 269 | 269 | 0353 | 187.1 |
| Jesu, der du meine Seele | 6804 | 354 | 187 | 368 | 369 | 0354 | 187.2 |
| Jesu, der du selbsten wohl | 6335 | 355 | 189 | 169 | 169 | 0355 | 112.1 |
| Jesu, du mein liebstes Leben | 7891 | 356 | 190 | 243 | 243 | 0356 | 113.1 |
| Jesu, Jesu, du bist mein | 6446 | 357 | 191 | 244 | 244 | 0357; ≈BWV 470: Schemelli No. 741 (53) | 114.1 |
| Jesu, meine Freude | 8032 | 358 | 195 | 355 | 356 | 0358 | 116.1 |
| Jesu meiner Seelen Wonne | 6551 | 359 | 363 | 364 | 365 | 0359 | 206.1b |
| Jesu, meiner Seelen Wonne | 6551 | 360 | 364 | 349 | 350 | 0360 | 206.2 |
| Jesu, meines Herzens Freud | 4798d | 361 | 202 | 264 | 264 | 0361 | 117.1 |
| Jesu, nun sei gepreiset | 8477a | 362 | 203 | 252 | 252 | 0362 | 118.1 |
| Jesus Christus, unser Heiland, der von uns ... | 1576 | 363 | 206 | 30 | 30 | 0363 | 121.1 |
| Jesus Christus, unser Heiland, der den Tod ... | 1978 | 364 | 207 | 174 | 174 | 0364 | 120.1 |
| Jesus, meine Zuversicht | 3432b | 365 | 208 | 175 | 175 | 0365 | 123.1 |
| Ihr Gestirn, ihr hohlen Lüfte | 3703 | 366 | 210 | 161 | 161 | 0366 | 104.1 |
| In allen meinen Taten | 2276 | 367 | 211 | 140 | 140 | 0367 | 107.1 |
| In dulci jubilo | 4947 | 368 | 215 | 143 | 143 | 0368 | 110.1 |
| Keinen hat Gott verlassen | 5395 | 369 | 217 | 129 | 129 | 0369 | 124.1 |
| Komm, Gott Schöpfer, Heiliger Geist | 295 | 370 | 218 | 187 | 187 | 0370 | 125.1 |
| Kyrie, Gott Vater in Ewigkeit | 8600 | 371 | 225 | 132 | 132 | 0371 | 129.1 |
| Lass, o Herr, dein Ohr sich neigen | 6863 | 372 | 226 | 218 | 218 | 0372 | 82.1 |
| Liebster Jesu, wir sind hier | 3498b | 373 | 228 | 131 | 131 | 0373 | 133.1 |
| 327 | 328 | ||||||
| Lobet den Herren, denn er ist sehr ... | 975 | 374 | 232 | 227 | 227 | 0374 | 135.1 |
| Lobt Gott, ihr Christen, allzugleich | 198 | 375 | 233 | 276 | 276 | 0375 | 127.1b |
| Lobt Gott, ihr Christen, allzugleich | 198 | 376 | 234 | 341 | 342 | 0376 | 127.2 |
| Machs mit mir, Gott, nach deiner Güt | 2383 | 377 | 237 | 44 | 44 | 0377 | 137.1 |
| Mein Augen schließ ich jetzt | 1067 | 378 | 240 | 258 | 258 | 0378 | 138.1 |
| Meinen Jesum laß ich nicht, Jesus ... | 3448a | 379 | 241 | 151 | 151 | 0379 | 122.1 |
| Meinen Jesum laß ich nicht, weil ... | 3449 | 380 | 242 | 298 | 299 | 0380 | 141.1b |
| Meines Lebens letzte Zeit | 6380 | 381 | 248 | 345 | 346 | 0381 | 142.1 |
| Mit Fried und Freud ich fahr dahin | 3986 | 382 | 249 | 49 | 49 | 0382 | 144.1 |
| Mitten wir im Leben sind | 8502 | 383 | 252 | 214 | 214 | 0383 | 145.1 |
| Nicht so traurig, nicht so sehr | 3355 | 384 | 253 | 149 | 149 | 0384 | 146.1 |
| Nun bitten wir den Heiligen Geist | 2029 | 385 | 254 | 36 | 36 | 0385 | 147.1 |
| Nun danket alle Gott | 5142 | 386 | 257 | 32 | 32 | 0386; Leuthen Chorale | 148.1 |
| Nun freut euch, Gottes Kinder all | 364 | 387 | 260 | 185 | 185 | 0387 | 106.1 |
| Nun freut euch, lieben Christen g'mein | 4427 | 388 | 261 | 183 | 183 | 0388 | 149.1 |
| Nun lob, mein Seel, den Herren | 8244 | 389 | 269 | 268 | 268 | 0389 | 153.1 |
| Nun lob, mein Seel, den Herren | 8244 | 390 | 270 | 295 | 296 | 0390 | 153.2 |
| Nun preiset alle Gottes Barmherzigkeit | 4089a | 391 | 273 | 222 | 222 | 0391 | 154.1 |
| Nun ruhen alle Wälder | 2293b | 392 | 298 | 288 | 289 | 0392; ≈BWV 97/9 | 166.9c |
| O Welt, sieh hier dein Leben | 2293b | 393 | 289 | 275 | 275 | 0393 | 166.1a/b |
| O Welt, sieh hier dein Leben | 2293b | 394 | 290 | 365 | 366 | 0394 | 166.2 |
| O Welt, sieh hier dein Leben | 2293b | 395 | 291 | 362 | 363 | 0395 | 166.5c |
| Nun sich der Tag geendet hat | 212b | 396 | 274 | 240 | 240 | 0396 | 155.1 |
| O Ewigkeit, du Donnerwort | 5820 | 397 | 275 | 274 | 274 | 0397; ≈BWV 513: Notebook AMB II No. 42 | 156.1 |
| O Gott, du frommer Gott | 5206b | 398 | 277 | 311 | 312 | 0398; ≈BWV 197a/7 | 45.2b |
| O Gott, du frommer Gott | 5148 | 399 | 282 | 314 | 315 | 0399 | 157.1 |
| O Herzensangst, o Bangigkeit | 1003 | 400 | 284 | 173 | 173 | 0400 | 160.1 |
| O Lamm Gottes, unschuldig | 4361a | 401 | 285 | 165 | 165 | 0401 | 162.1 |
| O Mensch, bewein dein Sünde groß | 8303 | 402 | 286 | 201 | 201 | 0402 | 61.1 |
| 305 | 306 | ||||||
| O Mensch, schau Jesum Christum an | 3994c | 403 | 287 | 203 | 203 | 0403 | 163.1 |
| O Traurigkeit, o Herzeleid | 1915 | 404 | 288 | 60 | 57 | 0404 | 165.1b |
| O wie selig seid ihr doch, ihr Frommen | 1583 | 405 | 299 | 213 | 213 | 0405; ≈BWV 495: Schemelli No. 894 (65) | 167.1 |
| O wie selig seid ihr doch, ihr Frommen | 1581 | 406 | 300 | 219 | 219 | 0406 | 7.1 |
| O wir armen Sünder | 8187h | 407 | 301 | 202 | 202 | 0407 | 168.1 |
| Schaut, ihr Sünder | 8569(B) | 408 | 303 | 171 | 171 | 0408 | 94.1B |
| Seelenbräutigam | 3255b | 409 | 306 | 141 | 141 | 0409 | 173.1 |
| Sei gegrüßet, Jesu gütig | 3889b | 410 | 307 | 172 | 172 | 0410; ≈BWV 499: Schemelli No. 293 (22) | 174.1 |
| Singt dem Herrn ein neues Lied | 6424 | 411 | 309 | 246 | 246 | 0411 | 175.1 |
| So gibst du nun, mein Jesu, gute Nacht | 849 | 412 | 310 | 206 | 206 | 0412; ≈BWV 501: Schemelli No. 315 (26) | 177.1 |
| Sollt ich meinem Gott nicht singen | 7886b | 413 | 311 | 220 | 220 | 0413; ≈BWV 481: Schemelli No. 281 (18) | 130.1 |
| Uns ist ein Kindlein heut geborn | 493 | 414 | 313 | 148 | 148 | 0414; ≈BWV 253 | 35.2 |
| Valet will ich dir geben | 5404a | 415 | 314 | 24 | 24 | 0415 | 180.1 |
| Vater unser im Himmelreich | 2561 | 416 | 316 | 47 | 47 | 0416; =BWV 245/5 (first version) | 181.4a |
| Von Gott will ich nicht lassen | 5264b | 417 | 324 | 363 | 364 | 0417 | 185.1 |
| Von Gott will ich nicht lassen | 5264b | 418 | 325 | 331 | 332 | 0418 | 185.2 |
| Von Gott will ich nicht lassen | 5264b | 419 | 326 | 114 | 114 | 0419 | 185.3 |
| Warum betrübst du dich, mein Herz | 1689 | 420 | 331 | 145 | 145 | 0420 | 189.2 |
| Warum betrübst du dich, mein Herz | 1689 | 421 | 332 | 299 | 300 | 0421 | 189.1a/b |
| Warum sollt ich mich denn grämen | 6461 | 422 | 334 | 356 | 357 | 0422 | 190.1a/b |
| Was betrübst du dich, mein Herze | 6830 | 423 | 336 | 237 | 237 | 0423 | 191.1 |
| Was bist du doch, o Seele, so betrübet | 1837 | 424 | 337 | 193 | 193 | 0424; ≈BWV 506: Schemelli No. 779 (55) | 192.1 |
| Was willst du dich, o meine Seele, kränken | 7844 | 425 | 349 | 241 | 241 | 0425 | 195.1 |
| Weltlich Ehr und zeitlich Gut | 4975 | 426 | 351 | 211 | 211 | 0426 | 197.1 |
| Wenn ich in Angst und Not | 4233 | 427 | 352 | 147 | 147 | 0427 | 200.1 |
| Wenn mein Stündlein vorhanden ist | 4482a,b | 428 | 353 | 321 | 322 | 0428 | 201.3 |
| Wenn mein Stündlein vorhanden ist | 4482a,b | 429 | 354 | 51 | 52 | 0429 | 201.1 |
| Wenn mein Stündlein vorhanden ist | 4482a,b | 430 | 355 | 350 | 351 | 0430 | 201.2 |
| Wenn wir in höchsten Nöten sein | 394 | 431 | 358 | 68 | 68 | 0431 | 203.1 |
| Wenn wir in höchsten Nöten sein | 394 | 432 | 359 | 247 | 247 | 0432 | 203.2 |
| Wer Gott vertraut, hat wohl gebaut | 8207b | 433 | 366 | 135 | 137 | 0433 | 204.1 |
| Wer nur den lieben Gott läßt walten | 2778 | 434 | 367 | 146 | 146 | 0434 | 205.1 |
| Wie bist du, Seele, in mir so gar betrübt | 4092 | 435 | 374 | 242 | 242 | 0435 | 207.1 |
| Wie schön leuchtet der Morgenstern | 8359 | 436 | 375 | 278 | 278 | 0436 | 209.1 |
| Wir glauben all an einen Gott, Schöpfer ... | 7971 | 437 | 382 | 133 | 133 | 0437 | 211.1 |
| Wo Gott zum Haus nicht gibt sein Gunst | 305 | 438 | 389 | 157 | 157 | 0438 | 213.1 |
| Other chorale harmonisations | (Zahn) | 441*–deest | (389) | (CPE) | (Rie.) | (↑ Go to top of table ↑) | (BC F) |
| Auf, auf, mein Herz, mit Freuden | 5243 | 441* | 0441; ≈BWV 441, Schemelli No. 320 (27) | 18.1 | |||
| Beschränkt, ihr Weisen dieser Welt | 7765 | 443* | ≈BWV 443, Schemelli No. 689 (47) | 265 | |||
| Brunnquell aller Güter | 6252b | 445* | ≈BWV 445, Schemelli No. 335 (29) | 247 | |||
| Der Tag mit seinem Lichte | 7512b | 448* | ≈BWV 448, Schemelli No. 43 (4) | 222 | |||
| Dich bet ich an, mein höchster Gott | 2437 | 449* | ≈BWV 449, Schemelli No. 396 (31) | 249 | |||
| Ich bin ja, Herr, in deiner Macht | 5869a | 464* | ≈BWV 464, Schemelli No. 861 (58) | 276 | |||
| Jesu, deine Liebeswunden | 1302 | 471* | ≈BWV 471, Schemelli No. 139 (10) | 228 | |||
| Kommt, Seelen, dieser Tag | 5185 | 479* | ≈BWV 479, Schemelli No. 936 (67) | 285 | |||
| Kommt wieder aus der finstern ... | 4709 | 480* | ≈BWV 480, Schemelli No. 938 (68) | 286 | |||
| Mein Jesu! was vor Seelenweh | 8383 | 487* | ≈BWV 487, Schemelli No. 283 (19) | 237 | |||
| Selig, wer an Jesum denkt | 4846 | 498* | ≈BWV 498, Schemelli No. 292 (21) | 239 | |||
| So gehst du nun, mein Jesu, hin | 7631b | 500* | ≈BWV 500, Schemelli No. 296 (23) | 241 | |||
| So gehst du nun, mein Jesu, hin (1 v.) | 7631b | 500a | 0500a; Fr. St Mark Pass. past.; ≈BWV 500 | ||||
| Steh ich bei meinem Gott | 5207 | 503* | ≈BWV 503, Schemelli No. 945 (69) | 287 | |||
| Christus, der uns selig macht (1 v.) | 6283b | 1084 | 1084; From St Mark Passion pasticcio | (D 5b/6) | |||
| Da Jesus an dem Kreuze stund | 1706 | 1089 | 1089 | 109.1 | |||
| Denket doch, ihr Menschenkinder | 1122 | 1122 | 41.1 | ||||
| Wo Gott zum Haus nicht gibt sein Gunst | 305 | 1123 | 1123 | 213.2 | |||
| Ich ruf zu dir, Herr Jesu Christ | 7400 | 1124 | 1124 | 103.1 | |||
| O Gott, du frommer Gott | 5206b | 1125 | 1125 | 45.1 | |||
| Lobet Gott, unsern Herren | 5393 | 1126 | 1126 | 136.1 | |||
| Welt, ade! Ich bin dein müde (v. 1) | 6531 | Anh. 170 | 350 | 150 | 150 | 0027_6; =BWV 27/6; SSATB; Spurious[12] | 196; — |
| O Traurigkeit, o Herzeleid (1 v.) | 1915 | deest | deest; From St Mark Passion pasticcio | — | |||
| Welt, tobe wie du willst | — | deest | 198.1 |
In larger vocal works edit
More than 200 of Bach's over 400 homophonic chorale harmonisations survived in his larger vocal works.
In church cantatas edit
Four-part chorales also appearing as cantata movements composed by Johann Sebastian Bach (verse incipits, and their translations by Pamela Dellal, from the Emmanuel Music website unless otherwise indicated):[35] BWV 1/6: "Wie bin ich doch so herzlich froh" ("How happy I am", v. 7 of "Wie schön leuchtet der Morgenstern") • 2/6: "Das wollst du, Gott, bewahren rein" ("This, God, you would keep pure", v. 6 of Ach Gott, vom Himmel sieh darein") • 3/6: "Erhalt mein Herz im Glauben rein" ("If my heart remains pure in faith", v. 18 of "Ach Gott, wie manches Herzeleid") • 4/8 • 5/7 • 6/6 • 7/7 • 9/7 • 10/7 • 12/7 • 13/6 • 14/5 • 16/6 • 17/7 • 18/5 • 19/7 • 20/7=/11 • 22/5 • 24/6 • 25/6 • 26/6 • 28/6 • 29/8 • 30/6 • 31/9 • 32/6 • 33/6 • 36/4 and /8 • 37/6 • 38/6 • 39/7 • 40/3, /6 and /8 • 41/6 • 42/7 • 44/7 • 45/7 • 46/6 • 47/5 • 48/3 and /7 • 52/6 • 55/5 • 56/5 • 57/8 • 59/3 • 60/5 • 62/6 64. • 64/2, /4 and /8 • 65/2 and /7 • 66/6 • 67/4 and /7 • 69/6 • 69a/6 • 70/7 and /11 • 72/6 • 73/5 • 74/8 • 75/7=/14 • 76/7=/14 • 77/6 • 78/7 79. • 79/3 and /6 • 80/8 • 81/7 • 83/5 • 84/5 • 85/6 • 86/6 • 87/7 • 88/7 • 89/6 • 90/5 • 91/6 • 92/9 • 93/7 • 94/8 • 95/1 (extract: 282) and /7 • 96/6 • 97/9 • 99/6 • 100/6 • 101/7 • 102/7 • 103/6 • 104/6 • 105/6 • 107/7 • 108/6 • 110/7 • 111/6 • 112/5 • 113/1 and /8 • 114/7 • 115/6 • 116/6 • 117/4=/9 • 119/9 • 120/6 • 120a/8 • 121/6 • 122/6 • 123/6 • 124/6 • 125/6 • 126/6 • 127/5 • 128/5 • 129/5 • 130/6 • 133/6 • 135/6 • 136/6 • 137/5 • 139/6 • 140/7 • 144/3 and /6 • 145/a and /5 • 146/8 • 147/6=/10 • 148/6 • 149/7 • 151/5 153. • 153/1, /5 and /9 • 154/3 and /8 • 155/5 • 156/6 • 157/5 • 158/4 • 159/5 • 161/6 • 162/6 • 164/6 • 165/6 • 166/6 • 167/5 • 168/6 • 169/7 • 171/6 • 172/6 • 174/5 • 175/7 • 176/6 • 177/5 • 178/7 • 179/6 • 180/7 • 183/5 • 184/5 • 185/6 • 187/7 • 188/6 • 190/7 • 194/6 and /12 • 195/6 • 197/5 and /10 • 197a/7 (≈398)
Spurious chorale harmonisations in Bach's autographs: BWV 8/6 • 27/6 (=Anh. 170) • 43/11
Chorale harmonisations from spurious or doubtful cantatas (or: cantata versions) in the Richter/Kalmus collection of 389 chorale harmonisations: No. 130: BWV Anh. 31: "Herr Gott, dich loben alle wir" from a doubtful version of BWV 130[36] • No. 219: BWV 218/5 = TWV 1:634/5: "Komm, Gott Schöpfer, Heiliger Geist", by Telemann • No. 387: BWV 219/5 = TWV 1:1328/5: "Wo Gott der Herr nicht bei uns hält", by Telemann
In motets edit
Chorale harmonisations appearing in Bach's motets: BWV 226/2 • 227/1=/11, /3 (SSATB) and /7 • 229/2
In Passions edit
In St Matthew Passion edit
Four-part chorales appearing in the St Matthew Passion: BWV 244/3, /10, /15≈/17, /25, /32, /37, /40, /44, /46, /54 and /62 • 244b/29
In St John Passion edit
Four-part chorales appearing in the St John Passion: BWV 245/3, /5 (=BWV 416), /11, /14, /15, /17, /22, /26, /28, /37 and /40
In St Mark Passion pasticcio edit
For his own performances of the Jesus Christus ist um unsrer Missetat willen verwundet Passion Bach composed and/or reworked a few of its chorales: No. 9b: "So gehst du nun, mein Jesu" (BWV 500a)[37] • No. 14: "O hilf Christe, Gottes Sohn" (BWV 1084)[38] • No. 29: "O Traurigkeit, o Herzeleid" (BWV deest)[39]
In oratorios edit
Ascension Oratorio edit
Four-part chorale appearing in the Ascension Oratorio: BWV 11/6
Christmas Oratorio edit
Four-part chorales in Bach's Christmas Oratorio, BWV 248: Part I/5 and /9 • II/3, /8 and /14 • III/5, /10 and /12 • IV/7 • V/4 and /11 • VI/6 and /11
In chorale collections edit
Somewhat less than 200 of Bach's chorale harmonisations only survived in early collections containing multiple, usually short, works.
Three Wedding Chorales, BWV 250–252 edit
Three wedding chorales grouped in an autograph manuscript by Bach:
- BWV 250: "Was Gott tut, das ist wohlgetan"
- BWV 251: "Sei Lob und Ehr dem höchsten Gut"
- BWV 252: "Nun danket alle Gott"
186 four-part chorales in BGA Vol. 39, BWV 253–438 edit
The Bach Gesellschaft published 185 four-part chorales in the 39th volume of its complete Bach-edition. The BWV 253–438 range, which, in its original collation, was based on the BGA publication does however contain 186 chorales. The difference is that BWV 279, (near-)identical to BWV 158/4, was not retained in the BGA set:
- BGA No. 26 → "Christ lag in Todesbanden", BWV 278
- not in BGA Vol. 39: "Christ lag in Todesbanden", BWV 279 (≈BWV 158/4, in BGA Vol. 32)
- BGA No. 27 → "Christ unser Herr zum Jordan kam", BWV 280
| column | content | |
|---|---|---|
| 1 | BWV | Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows: |
| 2 | 2a | Section in which the composition appears in BWV2a:
|
| 3 | Date | Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. |
| 4 | Name | Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...) |
| 5 | Key | Key of the composition |
| 6 | Scoring | See scoring table below for the abbreviations used in this column |
| 7 | BG | Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[40] |
| 8 | NBE | New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[41]
|
| 9 | Additional info | may include:
Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. |
| 10 | BD | Bach Digital Work page |
| Voices (see also SATB) | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| a | A | b | B | s | S | t | T | v | V | |||
| alto (solo part) | alto (choir part) | bass (solo part) | bass (choir part) | soprano (solo part) | soprano (choir part) | tenor (solo part) | tenor (choir part) | voice (includes parts for unspecified voices or instruments as in some canons) | vocal music for unspecified voice type | |||
| Winds and battery (bold = soloist) | ||||||||||||
| Bas | Bel | Cnt | Fl | Hn | Ob | Oba | Odc | Tai | Tbn | Tdt | Tmp | Tr |
| bassoon (can be part of Bc, see below) | bell(s) (musical bells) | cornett, cornettino | flute (traverso, flauto dolce, piccolo, flauto basso) | natural horn, corno da caccia, corno da tirarsi, lituo | oboe | oboe d'amore | oboe da caccia | taille | trombone | tromba da tirarsi | timpani | tromba (natural trumpet, clarino trumpet) |
| Strings and keyboard (bold = soloist) | ||||||||||||
| Bc | Hc | Kb | Lu | Lw | Org | Str | Va | Vc | Vdg | Vl | Vne | |
| basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu | harpsichord | keyboard (Hc, Lw, Org or clavichord) | lute, theorbo | Lautenwerck (lute-harpsichord) | organ (/man. = manualiter, without pedals) | strings: Vl I, Vl II and Va | viola(s), viola d'amore, violetta | violoncello, violoncello piccolo | viola da gamba | violin(s), violino piccolo | violone, violone grosso | |
| BWV | 2a | Date | Name | Key | Scoring | BG | NBE | Additional info | BD |
|---|---|---|---|---|---|---|---|---|---|
| 253 | 5. | 1750 or earlier | chorale setting "Ach bleib bei uns, Herr Jesu Christ" | A maj. | SATB | 39: 177 | III/2.2: 101 | after Z 439; text by Calvisius; ↔ BWV 414 | 00323 |
| 254 | 5. | 1750 or earlier | chorale setting "Ach Gott, erhör mein Seufzen" | D Dor. | SATB | 39: 177 | III/2.2: 105 | after Z 1831a; text by Schechs | 00324 |
| 255 | 5. | 1750 or earlier | chorale setting "Ach Gott und Herr" | C maj. | SATB | 39: 178 | III/2.2: 24 | after Z 4441a; text by Rutilius | 00325 |
| 256 | 5. | 1750 or earlier | chorale setting "Ach lieben Christen, seid getrost" | A min. | SATB | 39: 178 | III/2.2: 19 | after Z 4441a; text by Gigas | 00326 |
| 259 | 5. | 1750 or earlier | chorale setting "Ach, was soll ich Sünder machen" | E min. | SATB | 39: 179 | III/2.2: 23 | after Z 3573b; text by Flittner | 00329 |
| 260 | 5. | c. 1735 or earlier | chorale setting "Allein Gott in der Höh sei Ehr" | G maj. | SATB | 39: 180 | III/2.1: 9 III/2.2: 147 | after Z 4457; text by Decius after Gloria | 00330 |
| 261 | 5. | 1750 or earlier | chorale setting "Allein zu dir, Herr Jesu Christ" | B min. | SATB | 39: 180 | III/2.2: 206 | after Z 7292b; text by Hubert | 00331 |
| 262 | 5. | 1750 or earlier | chorale setting "Alle Menschen müssen sterben" | D maj. | SATB | 39: 181 | III/2.2: 88 | after Pachelbel; text by Albinus, Rosenmüller | 00332 |
| 263 | 5. | 1750 or earlier | chorale setting "Alles ist an Gottes Segen" | G maj. | SATB | 39: 181 | III/2.2: 72 | after Z 3842f | 00333 |
| 264 | 5. | 1750 or earlier | chorale setting "Als der gütige Gott" | G maj. | SATB | 39: 182 | III/2.2: 91 | after Z 1646; text by Weiße | 00334 |
| 265 | 5. | 1750 or earlier | chorale setting "Als Jesus Christus in der Nacht" | D Dor. | SATB | 39: 182 | III/2.2: 102 | after Z 258; text by Heermann | 00335 |
| 266 | 5. | 1750 or earlier | chorale setting "Als vierzig Tag nach Ostern warn" | E min. | SATB | 39: 182 | III/2.2: 120 | after Z 1743; text by Herman | 00336 |
| 267 | 5. | c. 1735 or earlier | chorale setting "An Wasserflüssen Babylon" | G maj. | SATB | 39: 183 | III/2.2: 4 | after Z 7663; text by Dachstein | 00337 |
| A♭ Maj. | III/2.1: 98 | ||||||||
| chorale setting "Ein Lämmlein geht und trägt | G maj. | 39: 183 | after Z 7663; text by Gerhardt | ||||||
| A♭ Maj. | III/2.2: 180 | ||||||||
| 268 | 5. | 1750 or earlier | chorale setting "Auf, auf, mein Herz" | G maj. | SATB | 39: 184 | III/2.2: 70 | after Z 824; text by Birken | 00338 |
| 269 | 5. | 1750 or earlier | chorale setting "Aus meines Herzens Grunde" | G maj. | SATB | 39: 184 | III/2.2: 2 | after Z 5269; text by Niege | 00339 |
| 270 | 5. | c. 1735 or earlier | chorale setting "Befiehl du deine Wege" | B min. | SATB | 39: 185 | III/2.1: 47 III/2.2: 170 | after Z 5385a; text by Gerhardt | 00340 |
| 271 | 5. | c. 1735 or earlier | chorale setting "Befiehl du deine Wege" | B min. | SATB | 39: 185 | III/2.1: 97 III/2.2: 210 | after Z 5385a; text by Gerhardt | 00341 |
| 272 | 5. | 1730–1761 | chorale setting "Befiehl du deine Wege" | D min. | SATB | 39: 186 | III/2.2: 196 | by Bach, C. P. E.?; after Z 5393; text by Gerhardt | 00342 |
| 273 | 5. | 1750 or earlier | chorale setting "Christ, der du bist der helle Tag" | G min. | SATB | 39: 186 | III/2.2: 136 | after Z 384; text by Alberus | 00343 |
| 274 | 5. | 1750 or earlier | chorale setting "Christe, der du bist Tag und Licht" | G min. | SATB | 39: 187 | III/2.2: 145 | after Z 343; text by Musculus after "Christe qui lux es" | 00344 |
| 275 | 5. | 1750 or earlier | chorale setting "Christe, du Beistand" | D Dor. | SATB | 39: 187 | III/2.2: 122 | after Z 993; text by Löwenstern | 00345 |
| 276 | 5. | 1750 or earlier | chorale setting "Christ ist erstanden" | D Dor. | SATB | 39: 188 | III/2.2: 110 | after Z 8584; text: "Christ ist erstanden" | 00346 |
| 277 | 5. | 1750 or earlier | chorale setting "Christ lag in Todesbanden" | D Dor. | SATB | 39: 189 | III/2.2: 11 | after Z 7012a; text by Luther | 00347 |
| 278 | 5. | c. 1735 or earlier | chorale setting "Christ lag in Todesbanden" | E min. | SATB | 39: 190 | III/2.1: 92 III/2.2: 212 | after Z 7012a; text by Luther | 00348 |
| 279 | 5. | c. 1725–1735 | chorale setting "Christ lag in Todesbanden" | E min. | SATB | 32: 154 | III/2.1: 24 III/2.2: 155 | after Z 7012a; text by Luther; ↔ BWV 158/4 | 00349 |
| 280 | 5. | 1750 or earlier | chorale setting "Christ unser Herr zum Jordan kam" | D Dor. | SATB | 39: 190 | III/2.2: 36 | after Z 7246; text by Luther | 00350 |
| 281 | 5. | 1750 or earlier | chorale setting "Christus, der ist mein Leben" | F maj. | SATB | 39: 191 | III/2.2: 6 | after Z 132, Neu Leipziger GB, p 942[42] | 00351 |
| 282 | 5. | 1750 or earlier | chorale setting "Christus, der ist mein Leben" | G maj. | SATB | 39: 191 | III/2.2: 184 | after BWV 95/1 | 00352 |
| 283 | 5. | 1750 or earlier | chorale setting "Christus, der uns selig macht" | A min. | SATB | 39: 192 | III/2.2: 112 | after Z 6283a; text by Weiße after "Patris sapientia" | 00353 |
| 284 | 5. | 1750 or earlier | chorale setting "Christus ist erstanden, hat überwunden" | C maj. | SATB | 39: 192 | III/2.2: 113 | after Z 6240b; text by Weiße | 00354 |
| 285 | 5. | 1750 or earlier | chorale setting "Da der Herr Christ zu Tische saß" | C min. | SATB | 39: 193 | III/2.2: 110 | after Z 2503; text by Herman | 00355 |
| 286 | 5. | 1750 or earlier | chorale setting "Danket dem Herrn, denn er ist" | A min. | SATB | 39: 193 | III/2.2: 134 | after Z 12; text by Horn | 00356 |
| 287 | 5. | 1750 or earlier | chorale setting "Dank sei Gott in der Höhe" | F maj. | SATB | 39: 194 | III/2.2: 182 | after Z 5391; text by Mühlmann | 00357 |
| 288 | 5. | c. 1735 or earlier | chorale setting "Das alte Jahr vergangen ist" | D Dor. | SATB | 39: 194 | III/2.1: 11 III/2.2: 93 | after Z 381; text by Steuerlein | 00358 |
| 289 | 5. | 1750 or earlier | chorale setting "Das alte Jahr vergangen ist" | E min. | SATB | 39: 194 | III/2.2: 183 | after Z 381; text by Steuerlein | 00359 |
| 290 | 5. | 1750 or earlier | chorale setting "Das walt Gott Vater und Gott Sohn" | F maj. | SATB | 39: 195 | III/2.2: 132 | after Z 673; text by Behm | 00360 |
| 291 | 5. | 1750 or earlier | chorale setting "Das walt mein Gott" | D min. | SATB | 39: 195 | III/2.2: 42 | after Z 4217; text by Förtsch? | 00361 |
| 292 | 5. | 1750 or earlier | chorale setting "Den Vater dort oben" | C maj. | SATB | 39: 196 | III/2.2: 141 | after Z 4795; text by Weiße | 00362 |
| 293 | 5. | 1750 or earlier | chorale setting "Der du bist drei in Einigkeit" | D Dor. | SATB | 39: 196 | III/2.2: 89 | after Z 335e; text by Luther after "O lux beata Trinitas" | 00363 |
| 294 | 5. | 1750 or earlier | chorale setting "Der Tag, der ist so freudenreich" | G maj. | SATB | 39: 197 | III/2.2: 90 | after Z 7870; text after "Dies est laetitiae" | 00364 |
| 295 | 5. | 1750 or earlier | chorale setting "Des Heilgen Geistes reiche Gnad" | D min. | SATB | 39: 197 | III/2.2: 120 | after Z 370b; text by Gesius after "Spiritus Sancti gratia" | 00365 |
| 296 | 5. | 1750 or earlier | chorale setting "Die Nacht ist kommen" | G Mix. | SATB | 39: 198 | III/2.2: 136 | after Z 5001; text by Herbert | 00366 |
| 297 | 5. | 1750 or earlier | chorale setting "Die Sonn hat sich mit ihrem Glanz gewendet" | D Dor. | SATB | 39: 198 | III/2.2: 137 | after Z 923; text by Stegmann; ↔ BWV 447 | 00367 |
| 298 | 5. | 1750 or earlier | chorale setting "Dies sind die heilgen zehn Gebot" | C maj. | SATB | 39: 198 | III/2.2: 72 | after Z 1951; text by Luther | 00368 |
| 299 [2] | 5. | 1725–1735 | chorale setting "Dir, dir, Jehova, will ich singen" | B♭ maj. | SATB | 39: 199 | III/2.1: 11 III/2.2: 121 | ↔ Z 3068; text by Crasselius; → BWV 452 | 00369 |
| 299 [1] | Notebook A. M. Bach (1725) No. 39: chorale setting "Dir, dir, Jehova, will ich singen" | S(AT)B (V Bc) | 432: 50 | V/4: 126 | 11543 | ||||
| 300 | 5. | 1750 or earlier | chorale setting "Du großer Schmerzensmann" | E min. | SATB | 39: 199 | III/2.2: 94 | after Z 5159a; text by Thebesius | 00370 |
| 301 | 5. | 1750 or earlier | chorale setting "Du, o schönes Weltgebäude" | D min. | SATB | 39: 200 | III/2.2: 80 | after Z 6773; text by Franck, J. | 00371 |
| 302 | 5. | c. 1735 or earlier | chorale setting "Ein feste Burg ist unser Gott" | D maj. | SATB | 39: 200 | III/2.1: 48 III/2.2: 14 | after Z 7377; text by Luther after Ps. 46 | 00372 |
| 303 | 5. | c. 1735 or earlier | chorale setting "Ein feste Burg ist unser Gott" | D maj. | SATB | 39: 201 | III/2.1: 10 III/2.2: 148 | after Z 7377; text by Luther after Ps. 46 | 00373 |
| 304 | 5. | c. 1735 or earlier | chorale setting "Eins ist not, ach Herr, dies Eine" | D maj. | SATB | 39: 201 | III/2.1: 36 III/2.2: 166 | after Z 7127; text by Schröder | 00374 |
| 305 | 5. | 1750 or earlier | chorale setting "Erbarm dich mein, o Herre Gott" | A min. | SATB | 39: 202 | III/2.2: 20 | after Z 5851; text by Hegenwald after Ps. 51 | 00375 |
| 306 | 5. | 1750 or earlier | chorale setting "Erstanden ist der heilig Christ" | F maj. | SATB | 39: 202 | III/2.2: 100 | after Z 288; text after "Surrexit Christus hodie" | 00376 |
| 307 | 5. | c. 1735 or earlier | chorale setting "Es ist gewisslich an der Zeit" | B♭ maj. | SATB | 39: 203 | III/2.1: 22 III/2.2: 155 | after Z 4429a; text by Ringwaldt | 00377 |
| 308 | 5. | 1750 or earlier | chorale setting "Es spricht der Unweisen Mund wohl" | B♭ maj. | SATB | 39: 204 | III/2.2: 17 | after Z 4436; text by Luther after Ps. 14 | 00378 |
| 309 | 5. | 1750 or earlier | chorale setting "Es stehn vor Gottes Throne" | G Dor. | SATB | 39: 204 | III/2.2: 95 | after Z 4298; text by Helmbold | 00379 |
| 310 | 5. | 1750 or earlier | chorale setting "Es wird schier der letzte Tag herkommen" | E min. | SATB | 39: 205 | III/2.2: 140 | after Z 1423; text by Weiße | 00380 |
| 311 | 5. | 1750 or earlier | chorale setting "Es woll uns Gott gnädig sein" | B min. | SATB | 39: 205 | III/2.2: 12 | after Z 7247; text by Luther after Ps. 67 | 00381 |
| 312 | 5. | c. 1735 or earlier | chorale setting "Es woll uns Gott gnädig sein" | A min. | SATB | 39: 206 | III/2.1: 70 III/2.2: 202 | after Z 7247; text by Luther after Ps. 67 | 00382 |
| 327 | 5. | 1750 or earlier | chorale setting "Vor deinen Thron tret ich hiermit" | D maj. | SATB | 39: 213 | III/2.2: 193 | after Z 368; text by Hodenberg? | 00397 |
| 313 | 5. | 1750 or earlier | chorale setting "Für Freuden lasst uns springen" | G min. | SATB | 39: 206 | III/2.2: 93 | after Z 2339; text by Peltsch | 00383 |
| 314 | 5. | c. 1735 or earlier | chorale setting "Gelobt seist du, Jesu Christ" | D maj. | SATB | 39: 207 | III/2.1: 48 III/2.2: 171 | after Z 1947; text by Luther | 00384 |
| 315 | 5. | c. 1735 or earlier | chorale setting "Gib dich zufrieden und sei stille" | E min. | SATB | 39: 207 | III/2.1: 38 III/2.2: 161 | after BWV 511; text by Gerhardt; ↔ BWV 512, Z 7417a | 00385 |
| 316 | 5. | 1750 or earlier | chorale setting "Gott, der du selber bist das Licht" | G min. | SATB | 39: 208 | III/2.2: 133 | after Z 5814; text by Rist | 00386 |
| 317 | 5. | 1750 or earlier | chorale setting "Gott der Vater wohn uns bei" | D maj. | SATB | 39: 208 | III/2.2: 78 | after Z 8507; text by Luther | 00387 |
| 318 | 5. | 1750 or earlier | chorale setting "Gottes Sohn ist kommen" | G maj. | SATB | 39: 209 | III/2.2: 13 | after Z 3294; text by Horn | 00388 |
| F maj. | III/2.2: 214 | ||||||||
| 319 | 5. | 1750 or earlier | chorale setting "Gott hat das Evangelium" | E min. | SATB | 39: 209 | III/2.2: 102 | after Z 1788; text by Alberus | 00389 |
| 320 | 5. | 1750 or earlier | chorale setting "Gott lebet noch" | F maj. | SATB | 39: 210 | III/2.2: 138 | after Z 7951; text by Zihn; ↔ BWV 461 | 00390 |
| 321 | 5. | 1750 or earlier | chorale setting "Gottlob, es geht nunmehr zum Ende" | B♭ maj. | SATB | 39: 210 | III/2.2: 108 | after Z 2853; → Z 2855; text by Luther | 00391 |
| 322 | 5. | 1750 or earlier | chorale setting "Gott sei gelobet und gebenedeiet" | C maj. | SATB | 39: 211 | III/2.2: 39 | after Z 8078; text by Luther | 00392 |
| 323 | 5. | 1750 or earlier | chorale setting "Gott sei uns gnädig und barmherzig" | F♯ min. | SATB | 39: 212 | III/2.2: 186 | after German Magnificat; text after Ps. 67 | 00393 |
| 325 | 5. | 1750 or earlier | chorale setting "Heilig, heilig, heilig" | F maj. | SATB | 39: 212 | III/2.2: 138 | after Z 8633a; text after Sanctus; ↔ Z 8634 | 00395 |
| chorale setting "Sanctus, Sanctus Dominus Deus" | after Z 8633a; text: Sanctus; ↔ Z 8634 | ||||||||
| 326 | 5. | 1750 or earlier | chorale setting "Herr Gott, dich loben alle wir" | B♭ maj. | SATB | 39: 213 | III/2.2: 96 | after Z 368; text by Eber | 00396 |
| 328 | 5. | 1750 or earlier | chorale setting "Herr Gott, dich loben wir" | A min. | SATB | 39: 214 | III/2.2: 117 | after Z 8652; text by Luther after Te Deum | 00398 |
| 329 | 5. | 1750 or earlier | chorale setting "Herr, ich denk an jene Zeit" | B♭ maj. | SATB | 39: 216 | III/2.2: 123 | after Z 4840; text by Mylius | 00399 |
| 330 | 5. | 1750 or earlier | chorale setting "Herr, ich habe missgehandelt" | A min. | SATB | 39: 216 | III/2.2: 21 | after Z 3695; text by Franck, J. | 00400 |
| 331 | 5. | c. 1735 or earlier | chorale setting "Herr, ich habe missgehandelt" | A min. | SATB | 39: 217 | III/2.1: 47 III/2.2: 171 | after Z 3695; text by Franck, J. | 00401 |
| 332 | 5. | 1750 or earlier | chorale setting "Herr Jesu Christ, dich zu uns wend" | G maj. | SATB | 39: 217 | III/2.2: 79 | after Z 624; text by William of Saxe-Weimar | 00402 |
| 333 | 5. | 1750 or earlier | chorale setting "Herr Jesu Christ, du hast bereit'" | G min. | SATB | 39: 218 | III/2.2: 133 | after Z 4711; text by Kinner | 00403 |
| 334 | 5. | c. 1735 or earlier | chorale setting "Herr Jesu Christ, ich schrei zu dir" | G min. | SATB | III/2.1: 43 | after Z 4486 | 00404 | |
| chorale setting "Herr Jesu Christ, du höchstes Gut" | 39: 218 | III/2.2: 41 | after Z 4486; text by Ringwaldt | ||||||
| 335 | 5. | c. 1735 or earlier | chorale setting "Herr Jesu Christ, meins Lebens Licht" | E min. | SATB | 39: 218 | III/2.1: 60 III/2.2: 175 | after Z 423; text by Behm | 00405 |
| chorale setting "O Jesu, du mein Bräutigam" | III/2.2: 139 | after Z 423; text by Hermann | |||||||
| 336 | 5. | 1750 or earlier | chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" | A maj. | SATB | 39: 219 | III/2.2: 106 | after Z 423; text by Eber | 00406 |
| 337 | 5. | 1750 or earlier | chorale setting "Herr, nun lass in Friede" | A min. | SATB | 39: 219 | III/2.2: 107 | after Z 3302; text by Behme | 00407 |
| 338 | 5. | 1750 or earlier | chorale setting "Herr, straf mich nicht in deinem Zorn, das bitt" | A min. | SATB | 39: 220 | III/2.2: 131 | after Z 4606a; text after Ps. 6[43] | 00408 |
| 339 | 5. | 1750 or earlier | chorale setting "Wer in dem Schutz des Höchsten ist" | A maj. | SATB | 39: 220 | III/2.2: 84 | after Z 4438; text by Heyden | 00409 |
| chorale setting "Herr, wie du willt, so schicks mit mir" | after Z 4438; text by Bienemann | ||||||||
| 340 | 5. | c. 1735 or earlier | chorale setting "Herzlich lieb hab ich dich, o Herr" | C maj. | SATB | 39: 221 | III/2.1: 42 III/2.2: 164 | after Z 8326; text by Schalling | 00410 |
| 341 | 5. | 1750 or earlier | chorale setting "Heut ist, o Mensch, ein großer Trauertag" | G Dor. | SATB | 39: 221 | III/2.2: 96 | after Z 8569/A; text by Löwenstern | 00411 |
| 342 | 5. | 1750 or earlier | chorale setting "Heut triumphieret Gottes Sohn" | A min. | SATB | 39: 222 | III/2.2: 44 | after Z 2585; text by Stolzhagen | 00412 |
| 343 | 5. | 1750 or earlier | chorale setting "Hilf, Gott, dass mirs gelinge" | G Dor. | SATB | 39: 222 | III/2.2: 112 | after Z 4329f; text by Müller, H.[44] | 00413 |
| 344 | 5. | 1750 or earlier | chorale setting "Hilf, Herr Jesu, lass gelingen" | G Dor. | SATB | 39: 223 | III/2.2: 89 | after Z 3687a; text by Rist | 00414 |
| 345 | 5. | c. 1735 or earlier | chorale setting "Ich bin ja, Herr, in deiner Macht" | G min. | SATB | 39: 223 | III/2.1: 13 III/2.2: 148 | ↔ Z 5878a; text by Dach | 00415 |
| 346 | 5. | 1750 or earlier | chorale setting "Ich dank dir, Gott, für deine Wohltat" | C maj. | SATB | 39: 224 | III/2.2: 132 | after Z 8090; text by Freder | 00416 |
| 347 | 5. | 1750 or earlier | chorale setting "Ich dank dir, lieber Herre" | A maj. | SATB | 39: 224 | III/2.2: 2 | after Z 5354a–b; text by Kolross | 00417 |
| 348 | 5. | c. 1735 or earlier | chorale setting "Ich dank dir, lieber Herre" | B♭ maj. | SATB | 39: 225 | III/2.1: 39 III/2.2: 162 | after Z 5354a–b; text by Kolross | 00418 |
| 349 | 5. | 1750 or earlier | chorale setting "Ich dank dir schon durch deinen Sohn" | F maj. | SATB | 39: 225 | III/2.2: 106 | after Z 247b; text by Burchart | 00419 |
| 350 | 5. | 1750 or earlier | chorale setting "Ich danke dir, Herr Gott, in deinem Throne" | G min. | SATB | 39: 226 | III/2.2: 135 | after Z 3199; text by Fabricius | 00420 |
| 351 | 5. | 1750 or earlier | chorale setting "Ich hab mein Sach Gott heimgestellt" | G Dor. | SATB | 39: 226 | III/2.2: 13 | after Z 1679; text by Leon | 00421 |
| 366 | 5. | 1750 or earlier | chorale setting "Ihr Gestirn, ihr hohlen Lüfte" | D min. | SATB | 39: 236 | III/2.2: 92 | after Z 3703; text by Franck, J. | 00436 |
| 367 | 5. | 1750 or earlier | chorale setting "In allen meinen Taten" | C maj. | SATB | 39: 236 | III/2.2: 81 | after Z 2276; text by Fleming[45] | 00437 |
| 368 | 5. | 1750 or earlier | chorale setting "In dulci jubilo" | F maj. | SATB | 39: 236 | III/2.2: 83 | after Z 4947 | 00438 |
| 352 | 5. | 1750 or earlier | chorale setting "Jesu, der du meine Seele" | A min. | SATB | 39: 227 | III/2.2: 22 | after Z 6804; text by Rist | 00422 |
| 353 | 5. | c. 1735 or earlier | chorale setting "Jesu, der du meine Seele" | G min. | SATB | 39: 228 | III/2.1: 26 III/2.2: 160 | after Z 6804; text by Rist | 00423 |
| 354 | 5. | c. 1735 or earlier | chorale setting "Jesu, der du meine Seele" | B♭ Dor. | SATB | 39: 228 | III/2.1: 99 III/2.2: 211 | after Z 6804; text by Rist | 00424 |
| 355 | 5. | 1750 or earlier | chorale setting "Jesu, der du selbsten wohl" | A maj. | SATB | 39: 229 | III/2.2: 97 | after Z 6335; text by Bapzien | 00425 |
| 356 | 5. | 1750 or earlier | chorale setting "Jesu, du mein liebstes Leben" | G min. | SATB | 39: 230 | III/2.2: 144 | after Z 7891; text by Rist | 00426 |
| 357 | 5. | 1750 or earlier | chorale setting "Jesu, Jesu, du bist mein" | C Dor. | SATB | 39: 230 | III/2.2: 144 | ↔ BWV 470, Z 6446 | 00427 |
| 358 | 5. | c. 1735 or earlier | chorale setting "Jesu, meine Freude" | D min. | SATB | 39: 231 | III/2.1: 80 III/2.2: 204 | after Z 8032; text by Franck, J. | 00428 |
| 360 | 5. | c. 1735 or earlier | chorale setting "Jesu, meiner Seelen Wonne" | B♭ maj. | SATB | 39: 232 | III/2.1: 73 III/2.2: 201 | after Z 6551a; text by Janus | 00430 |
| 359 | 5. | 1750 or earlier | chorale setting "Jesu, meiner Seelen Wonne" | A maj. | SATB | 39: 232 | III/2.2: 209 | after BWV 154/3; text by Janus | 00429 |
| 361 | 5. | c. 1735 or earlier | chorale setting "Jesu, meines Herzens Freud" | B♭ maj. | SATB | 39: 233 | III/2.1: 34 III/2.2: 157 | after Z 4797–4798; text by Flittner | 00431 |
| 362 | 5. | c. 1735 or earlier | chorale setting "Jesu, nun sei gepreiset" | B♭ maj. | SATB | 39: 234 | III/2.1: 12 III/2.2: 149 | after Z 8477a; text by Hermann | 00432 |
| 364 | 5. | 1750 or earlier | chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" | G Dor. | SATB | 39: 235 | III/2.2: 99 | after Z 1978; text by Luther | 00434 |
| list, chorale, harmonisations, johann, sebastian, bach, johann, sebastian, bach, chorale, harmonisations, alternatively, named, four, part, chorales, lutheran, hymn, settings, that, characteristically, conform, following, four, part, harmony, satb, vocal, forc. Johann Sebastian Bach s chorale harmonisations alternatively named four part chorales are Lutheran hymn settings that characteristically conform to the following four part harmony SATB vocal forces pre existing hymn tune allotted to the soprano part text treatment homophonic no repetitions i e each syllable of the hymn text is sung one time BWV 364 Johann Sebastian Bach s chorale harmonisation of the hymn Jesus Christus unser Heiland der den Tod uberwand Around 400 of such chorale settings by Bach mostly composed in the first four decades of the 18th century are extant Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas motets Passions and oratorios A large part of these chorales are extant as autographs by the composer and for nearly all of them a colla parte instrumental and or continuo accompaniment are known All other four part chorales exclusively survived in collections of short works which include manuscripts and 18th century prints Apart from the Three Wedding Chorales collection BWV 250 252 these are copies by other scribes and prints only published after the composer s death lacking context information such as instrumental accompaniment for the individual harmonisations Apart from homophonic choral settings Bach s Lutheran hymn harmonisations also appear as sung chorale fantasias in some of Bach s larger vocal works hymn melodies for which Bach composed or improved a thorough bass accompaniment for instance as included in Georg Christian Schemelli s Musicalisches Gesang Buch harmonisations included in purely instrumental compositions most typically organ compositions such as chorale preludes or chorale partitas Contents 1 History 1 1 Manuscripts 1 2 Printed editions 1 2 1 18th century 1 2 2 19th century 1 2 3 20th century 1 2 4 21st century 2 Chorale harmonisations in various collections 2 1 Numbering conventions 2 2 In larger vocal works 2 2 1 In church cantatas 2 2 2 In motets 2 2 3 In Passions 2 2 3 1 In St Matthew Passion 2 2 3 2 In St John Passion 2 2 3 3 In St Mark Passion pasticcio 2 2 4 In oratorios 2 2 4 1 Ascension Oratorio 2 2 4 2 Christmas Oratorio 2 3 In chorale collections 2 3 1 Three Wedding Chorales BWV 250 252 2 3 2 186 four part chorales in BGA Vol 39 BWV 253 438 2 3 3 In the 1725 Notebook for Anna Magdalena Bach 2 3 4 With a voice and bass variant in Schemellis Gesangbuch 2 3 5 Other four part chorales in early manuscripts 3 See also 4 References 5 Sources 6 Further reading 7 External linksHistory editThe compositions by Johann Sebastian Bach that had been printed during his lifetime were nearly exclusively instrumental works Moreover by the time Bach died in 1750 it was forgotten that a few of his vocal works BWV 71 BWV 439 507 had indeed been printed in the first half of the 18th century 1 In the period between the publication of The Art of Fugue in the early 1750s and the publication of further works from 1900 only one group of Bach s works was published his four part chorales The most complete 18th century publication of chorales by J S Bach is Carl Philipp Emanuel Bach s edition in four volumes published by Breitkopf from 1784 to 1787 About half of the chorale harmonisations in this collection have their origin in other extant works by Bach This collection went through four more editions and countless reprintings until 1897 Several other collections of chorales by J S Bach were published some of these using the original C clefs or different texts The loss of musical material from Bach s death to the first printings of chorale collections may have been substantial Not only are many works the chorales were extracted from no longer extant but there is no way of knowing how much of all the harmonisations that were once compiled the current collections include For example there is no way of knowing how many of the 150 harmonisations first proposed for sale in 1764 also appear in Princess Anna Amalia s manuscript which ultimately forms the basis of the Breitkopf edition As to the chorale melodies with figured bass current collections include less than one hundred of them whereas those proposed for sale in 1764 numbered 240 The chorale harmonisations BWV 250 438 were probably all extracted from lost larger vocal works For six of them the work they have been derived from has been identified Bach s chorale harmonisations are all for a four part choir SATB but Riemenschneider s and Terry s collections contain one 5 part SSATB choral harmonisation Welt ade ich bin dein mude Riemenscheider No 150 Terry No 365 not actually by Bach but used by Bach as the concluding chorale to cantata Wer weiss wie nahe mir mein Ende BWV 27 Some harmonisations exist in different keys i e pitches in 18th century sources for instance a Bach cantata autograph gives the four part chorale in one key and the same harmonisation is found in one or more of the early chorale compilations in a different key Manuscripts edit The first record of the existence and sale of groups of collected chorale harmonisations and chorale melodies with figured bass extracted from larger works by J S Bach is from 1764 fourteen years after Bach s death In that year the firm Breitkopf und Sohn announced for sale manuscript copies of 150 chorale harmonisations and 240 chorale melodies with figured bass by J S Bach In 1777 Johann Kirnberger started an active letter campaign to induce Breitkopf to publish a complete set of chorale harmonisations Kirnberger s letters emphasize his motivation to have the chorales printed in order to preserve them for the benefit of future generations The manuscript to be used once belonged to C P E Bach who sold it through Kirnberger to Princess Anna Amalia of Prussia for twelve louis d or It is presumed that this manuscript contained neither the text of the chorales nor any reference to the larger works from which the harmonisations had been taken The manuscript s harmonisations extracted only the vocal parts and ignored the instrumental parts and the continuo even though all of Bach s chorale settings included both instrumental parts and continuo The instrumental parts were either independent so called obbligato instrumental parts or mostly doubled the vocal parts sometimes separating from it for a very few beats and the continuo had its bass mostly double the vocal bass at the lower octave but could also separate from it for a very few beats Finally in some cases for reasons unknown whoever extracted the chorale from the larger work changed the key of the setting Y manuscript hypothesis Hypothetical early autograph collection of chorale harmonisations from which Bach would have selected settings he later integrated into his larger vocal works Larger vocal works manuscripts Mostly extant as autograph score and or as parts written out under Bach s supervision many of these works such as cantatas and Passions include four part choralesThree Wedding Chorales autograph Bach s autograph of the wedding chorales BWV 250 252 written between 1734 and 1738 2 Dietel manuscript a k a Dietel Collection and in German Choralsammlung Dietel Main article Dietel manuscript Earliest of the extant larger collection of chorale harmonisations manuscripts It contains 149 chorale harmonisations not 150 as is written on its title page and originated around 1735 The music in the manuscript was copied by Johann Ludwig Dietel one of Bach s pupils from the Thomasschule 3 4 5 6 7 8 9 Printed editions edit A few chorale harmonisations had been published before Bach adopted them into his larger vocal works and are therefore listed as spurious in the third annex of the BWV catalogue 10 11 Welt ade ich bin dein mude BWV Anh 170 scores also known as closing movement of cantata BWV 27 five part harmonisation published for instance in Vopelius 1682 Neu Leipziger Gesangbuch p 947 12 Cantata BWV 43 movement 11 harmonisation by Christoph Peter de published in 1652 later adopted in Vopelius Neu Leipziger Gesangbuch Ermuntre dich mein schwacher Geist p 70 13 Cantata BWV 8 movement 6 BWV 8 6 Daniel Vetter s four part setting of Liebster Gott wann werd ich sterben published in 1713 14 15 Several more harmonisations stay close to the version published by Vopelius for example Christus der ist mein Leben BWV 281 is a variant of the harmonisation found in the Neu Leipziger Gesangbuch with added embellishments and the harmonic structure altered for one of the tune s four phrases 16 Printed collections of Bach s harmonisations usually provide an alphabetical collation of the chorales that is ranged alphabetically by text incipit of the hymn Some editions contain an alphabetical index at the end of the compilation for instance at the end of the final volume of C P E Bach s 18th century collection Other editions such as the Breitkopf compilations of 1892 and 1899 present the chorales themselves in alphabetical order However not all of these alphabetical collations result in analogous chorale sequences Some major differences in this respect result from chorales that are known by different names in that case it depends on the editor which name is used for the collation For example the melody of Ach lieben Christen seid getrost also being known as Wo Gott der Herr nicht bei uns halt it is an editor s discretion whether BWV 256 is found early on 17 or near the end 18 of an alphabetically sorted collection 18th century edit Main article 18th century prints of Bach s four part chorales Some of Bach s voice and thoroughbass settings published in Georg Christian Schemelli s 1736 Musicalisches Gesang Buch are better known in their four part realisation included in the chorale harmonisation collections Chorales published by Birnstiel 200 In 1765 F W Birnstiel published 100 chorales in Berlin The edition had been initiated by F W Marpurg and completed edited and supplemented with a preface and a list of errata by C P E Bach A second volume of 100 was issued by the same publisher in 1769 edited by J F Agricola C P E Bach criticised this publication as being full of mistakes in an article which was published in Hamburg in the Staats und Gelehrte Zeitung des Hamburgischen unpartheyeschen Correspondenten on 30 May 1769 in which he also claimed that some of the chorale harmonisations included in the volume had not been composed by his father C P E Bach s edition for Breitkopf 371 After Kirnberger died in 1783 C P E Bach became Breitkopf s editor for the chorales which he then published in four parts Vol I 1784 Nos 1 96 Vol II 1785 Nos 97 194 Vol III 1786 Nos 195 283 Vol IV 1787 Nos 283 370 Since the number 283 was used twice last number of Vol III and first number of Vol IV the collection actually contained 371 items The collection also contained several doubles e g No 156 is identical to No 307 it totalled 348 independent harmonisations 19 19th century edit C P E Bach s selection of 371 chorale harmonisations was republished a few times in the 19th century for instance by Carl Ferdinand Becker in 1832 third edition 20 and by Alfred Dorffel in 1870 Bach Gesellschaft larger vocal works 3 185 The Bach Gesellschaft Ausgabe BGA Bach Gesellschaft edition kept the chorale settings that were part of a larger vocal work cantata motet Passion or oratorio together with these larger vocal works and added the Three Wedding Chorales to its 13th volume containing wedding cantatas The remaining separate four part chorales purged from doubles were ordered alphabetically and numbered from 1 to 185 in the 39th volume which was published in 1892 17 Richter s edition for Breitkopf 389 In the late 19th century Bernhard Friedrich Richter collected all straightforward chorale harmonisations that had appeared in the BGA edition including as well the separate ones as those from larger vocal works added a Herr Gott dich loben alle wir harmonisation from a variant version of Cantata 130 and numbered all of these chorales in alphabetical order The set contained a few doubtful and spurious settings e g from Telemann cantatas which at the time were still attributed to Bach but four part settings which were part of a more complex texture e g the fifth movement of Cantata 22 where the vocal homophony is supplemented by instrumental figuration were not always included by Richter The set was published by Breitkopf as Joh Seb Bach 389 Choral Gesange fur gemischten Chor in 1899 18 20th century edit The Bach Werke Verzeichnis published in 1950 did not assign a separate BWV number to harmonisations contained in extant larger vocal works such as cantatas and Passions The Three Wedding Chorales were assigned the numbers 250 to 252 and the 185 1 see below four part chorales contained in Vol 39 of the BGA edition were given in the same order the numbers 253 to 438 21 Terry 405 Published in 1929 Charles Sanford Terry s J S Bach s Four Part Chorales contains 405 chorale harmonisations and 95 melodies with figured bass The collection was reprinted 1964 with a foreword by Walter Emery 22 Riemenschneider 371 Albert Riemenschneider s collection of 371 chorales was published in 1941 It contained the same 371 settings as the C P E Bach edition for Breitkopf but with a few differences in the collation In some cases Riemenschneider restored some information about obbligato instrumental parts based on extant larger works e g his No 270 from cantata BWV 161 or about the continuo bass line if this does not exactly coincide with the vocal bass e g his No 29 from cantata BWV 32 and his No 35 from the Christmas Oratorio Riemenschneider did however not restore original keys to the extant larger works but instead kept the chorales in the keys as they had been published in the Breitkopf collection e g his No 22 in E flat major comes from cantata BWV 180 where it is in F major At times the key signature in Riemenschneider s edition does not correspond to the key clarification needed for instance No 19 in G minor but written with a Dorian G key signature This too is presumably speculation reproduced from the Breitkopf edition which would have followed a common 17th and 18th century practice 23 Editio Musica Budapest 388 Editio Musica Budapest EMB published Imre Sulyok s edition of 388 chorale harmonisations in 1982 With a few differences e g a de doubling of the near identical BWV 253 and 414 and some differences in the collation the collection is largely comparable to the Richter edition 24 Kalmus 389 Kalmus republished the 389 chorales of Richter s collection 25 NBA The New Bach Edition published the Three Wedding Chorales and the four part chorales contained in the Dietel collection in 1991 Series III Vol 2 1 The chorales from C P E Bach s collection were published in 1996 Series III Vol 2 2 Vol 3 of the same series published in 2002 contains a few chorales of doubtful authenticity found in other manuscripts and early editions Vol 9 of the second series published in 2000 contains a few doubtful chorales found in various Passions Better known chorale harmonisations are also contained in other volumes of series I cantatas II Passions and oratorios and V e g BWV 299 as contained in the Notebook for Anna Magdalena Bach 21st century edit Czarnecki 413 Christopher Czarnecki editor J S Bach 413 Chorales SeeZar Publications 2014 ISBN 0989087913Dahn 420 Luke Dahn editor J S Bach Chorales a new critical and complete edition arranged by BWV catalogue number with text and historical contextual information included for each chorale with numerous indices included in the appendix LuxSitPress 2017 Chorale harmonisations in various collections editMost of Bach s known chorale harmonisations are movements in his extant cantatas motets Passions and oratorios These are compositions which have a BWV number ranging from 1 to 249 BWV 250 to 438 is the range of the separate four part chorales Chorale harmonisations with a number above 438 are mostly later additions to the BWV catalogue The 5th chapter of the 1998 edition of the Bach Werke Verzeichnis BWV2a contains the chorales BWV 250 438 and some later additions BWV 500a 1084 1089 and 1122 1126 26 Numbering conventions edit See also List of compositions by Johann Sebastian Bach BWV All BWV numbers used in the listings below are according to the latest version of the Bach Werke Verzeichnis and further updates of these numbers found at the Bach Digital website When a BWV number is followed by a slash the number or letter after that slash indicates the movement in the composition Settings from Schemellis Gesangbuch are indicated by their BWV number BWV 439 507 by the number of the hymn in the original publication Nos 1 954 27 and between brackets the number of the setting in Vol 39 of the BGA edition 1 69 28 A cross reference between Lutheran hymns their Zahn number 29 and their appearance in compositions by Bach including but not limited to the chorale harmonisations can be found pp 471 481 of BWV2a 30 Legend to the table column content1 Chorale text Text incipit of the harmonised hymn Information regarding which part of the hymn Bach used is given in parentheses typically verse numbers indicated by v Hymn titles without such information as in untexted chorale harmonisation collections 2 Zahn Zahn number of the chorale melody When the data in the Zahn column starts with N that refers to Nachtrag von vier Melodien supplement of four melodies pp 566 568 in Zahn s 1893 last volume the number after the slash refers to the place of the melody in this sequence of four 29 3 BWV Sorted by BWV number the table has these subdivisions BWV 1 197a from church cantatas Ascension Oratorio BWV 226 229 from motets BWV 244 244b from St Matthew Passion BWV 245 from St John Passion BWV 248 from Christmas Oratorio BWV 250 252 Three Wedding Chorales BWV 253 438 186 four part chorales in BGA Vol 39 BWV 441 deest Other chorale harmonisations4 389 Number of the chorale setting in Richter s 19th century compilation of chorale harmonisations These are also known as Kalmus numbers while that publisher reissued Richter s compilation of 389 chorales Richter Kalmus Nos 130 219 and 387 are not included in the table see In church cantatas section below 5 CPE Numbers as in C P E Bach s 18th century publication of his father s chorales The two No 283 chorales are distinguished as 283 for the one included in Vol III and 283bis for the one included in Vol IV 6 Rie Numbers as in Riemenschneider s 1941 publication of the chorales 7 Notes External links in this column go to chorale pages at Luke Dahn s bach chorales wbr com website 8 BC F Bach Compendium BC series F external links in this column go to the Bach Digital Work page about the choraleBach s chorale harmonisations Chorale text Zahn BWV 389 CPE Rie Notes BC FFrom church cantatas Ascension Oratorio Zahn 1 197a 389 CPE Rie Go to top of table BC F Wie schon leuchtet der Morgenstern v 7 8359 000 1 6 378 0001 6 Ach Gott vom Himmel sieh darein v 6 4431 000 2 6 00 7 262 262 0002 6 00 3 2a bAch Gott wie manches Herzeleid v 18 0 553a 000 3 6 00 8 156 156 0003 6 0 87 2a b307 308Christ lag in Todesbanden v 7 7012a 000 4 8 0 41 184 184 0004 8 0 26 3bWo soll ich fliehen hin v 11 2164 000 5 7 0 28 303 304 0005 7 0 20 2bErhalt uns Herr bei deinem Wort v 2 0 350 000 6 6 0 79 0 72 0 72 0006 6 0 56 1a bChrist unser Herr zum Jordan kam v 7 7246 000 7 7 0 44 0007 7 Liebster Gott wenn werd ich sterben v 5 6634 000 8 6 227 0 43 0 43 0008 6 Spurious 15 131 1a bLiebster Gott wenn werd ich sterben 6634 000 8 6 BWV 8 6 BWV 483 131 1cEs ist das Heil uns kommen her vv 7 8 4430 000 9 7 0 87 289 290 0009 7 0 59 2a bMeine Seele erhebt den Herren doxology 7372 00 10 7 122 357 358 0010 7 Tune German Magnificat metric 140 3a bDu Lebensfurst Herr Jesu Christ v 4 5741 00 11 6 0 82 342 343 0011 6 BWV 11 Ascension Oratorio 0 57 3Was Gott tut das ist wohlgetan v 6 5629 00 12 7 340 0012 7 BWV 69a 6 In allen meinen Taten v 15 2293b 00 13 6 295 103 103 0013 6 166 3 War Gott nicht mit uns diese Zeit v 3 4434 00 14 5 330 182 182 0014 5 188 1a bHelft mir Gotts Gute preisen v 5 5267 00 16 6 125 0 99 0 99 0016 6 0 80 2a bNun lob mein Seel den Herren v 3 8244 00 17 7 271 00 6 00 7 0017 7 153 3a bDurch Adams Fall ist ganz verderbt de v 8 7549 00 18 5 0 73 100 100 0018 5 0 52 1b c126 126Freu dich sehr o meine Seele v 9 6543 00 19 7 0 99 297 298 0019 7 208 7bO Ewigkeit du Donnerwort vv 11 16 5820 00 20 7 11 276 0 26 0 26 0020 7 11 156 2Herr Christ der einge Gottessohn v 5 4297a 00 22 5 0022 5 O Gott du frommer Gott v 1 5148 00 24 6 336 337 0024 6 157 Treuer Gott ich muss dir klagen v 12 6543 00 25 6 101 254 254 0025 6 208 1b 282 282Ach wie fluchtig ach wie nichtig v 8 1887 00 26 6 0 11 0 48 0 48 0026 6 00 6 1Helft mir Gotts Gute preisen v 6 5267 00 28 6 124 0 23 0 23 0028 6 0 80 1a b 0 88 0 88Nun lob mein Seel den Herren v 5 8244 00 29 8 272 116 116 0029 8 153 4bTrostet trostet meine Lieben v 3 6543 00 30 6 103 0 76 0 76 0030 6 208 6bWenn mein Stundlein vorhanden ist v 5 4482a b 00 31 9 357 0031 9 201 5Weg mein Herz mit den Gedanken v 12 6543 00 32 6 102 0 29 0 29 0032 6 208 4bAllein zu dir Herr Jesu Christ v 4 7292b 00 33 6 0 16 0 13 0 13 0033 6 0 11 2a bWie schon leuchtet der Morgenstern v 7 8359 00 36 4 5 209 2aWie schon leuchtet der Morgenstern v 6 8359 00 36 4 377 0 85 0 86 0036 4 209 2b195 195304 305Nun komm der Heiden Heiland v 8 1174 00 36 8 264 0 28 0 28 0036 8 151 2a bIch dank dir lieber Herre v 4 5354b 00 37 6 178 340 341 0037 6 101 3a bAus tiefer Not schrei ich zu dir v 5 4437 00 38 6 0 31 0 10 0 10 0038 6 0 22 1a bKommt lasst euch den Herren lehren v 6 6543 00 39 7 104 0 67 0 67 0039 7 208 5b cWir Christenleut habn jetzund Freud v 3 2072 00 40 3 379 320 321 0040 3 210 2a bSchwing dich auf zu deinem Gott v 2 4870 00 40 6 305 142 142 0040 6 172 1a bFreuet euch ihr Christen alle v 4 7880a 00 40 8 105 00 8 00 8 0040 8 0 67 1a bJesu nun sei gepreiset v 3 8477a 00 41 6 0 11 0 11 0041 6 BWV 171 6 118 3a Verleih uns Frieden gnadlich complete 1945 00 42 7 322 0 91 0 91 0042 7 Text version Walter 1566 de 182 2259 259Du Lebensfurst Herr Jesu Christ vv 1 13 5741 00 43 11 0 81 102 102 0043 11 Spurious 11 0 57 1aIn allen meinen Taten v 9 2293b 00 44 7 296 354 355 0044 7 166 4bO Gott du frommer Gott v 2 5206b 00 45 7 278 0 84 0 85 0045 7 0 45 4a bO grosser Gott von Macht v 9 5101a 00 46 6 0 81 0 82 0046 6 158 1bWarum betrubst du dich mein Herz v 11 1689 00 47 5 333 0 94 0 94 0047 5 189 3a bAch Gott und Herr v 4 2051 00 48 3 00 4 279 279 0048 3 00 2 2a bHerr Jesu Christ ich schrei zu dir v 12 4486 00 48 7 144 266 266 0048 7 202 4bHerr Jesu Christ du hochstes GutIn dich hab ich gehoffet Herr v 1 2461 00 52 6 212 0052 6 Werde munter mein Gemute v 6 6551 00 55 5 362 0 95 0 95 0055 5 206 5a bDu o schones Weltgebaude v 6 6773 00 56 5 0 72 0 86 0 87 0056 5 0 50 2a bHast du denn Jesu dein Angesicht v 6 1912a 00 57 8 231 0 90 0 90 0057 8 0 78 1a b Komm Heiliger Geist Herre Gott v 1 7445a 00 59 3 220 0059 3 BWV 175 7 Es ist genug v 5 7173 00 60 5 0 91 216 216 0060 5 0 60 1Nun komm der Heiden Heiland v 8 1174 00 62 6 265 170 170 0062 6 151 1a b cGelobet seist du Jesu Christ v 7 1947 00 64 2 108 160 160 0064 2 0 69 3a bWas frag ich nach der Welt v 1 5206b 00 64 4 280 255 255 0064 4 0 45 3Jesu meine Freude v 5 8032 00 64 8 200 138 138 0064 8 116 2a bEin Kind geborn zu Bethlehem v 4 0 192b 00 65 2 302 0 12 0 12 0065 2 169 1bIch hab in Gottes Herz und Sinn v 10 7568 00 65 7 346 0 41 0 41 0065 7 194 1bChrist ist erstanden v 3 8584 00 66 6 0 37 0066 6 0 25 2Erschienen ist der herrlich Tag v 1 1743 00 67 4 0 83 0067 4 Du Friedefurst Herr Jesu Christ v 1 4373 00 67 7 0 68 0 42 0 42 0067 7 0 49 2 Es woll uns Gott genadig sein v 3 7247 00 69 6 0 97 332 333 0069 6 0 66 4bWas Gott tut das ist wohlgetan v 6 5629 00 69a 6 292 293 0069a 6 BWV 12 7 193 4cFreu dich sehr o meine Seele v 10 6543 00 70 7 0 98 0070 7 Meinen Jesum lass ich nicht weil v 5 3449 00 70 11 243 347 348 0070 11 141 4bWas mein Gott will das g scheh allzeit v 1 7568 00 72 6 344 0072 6 Von Gott will ich nicht lassen v 9 5264b 00 73 5 328 191 191 0073 5 185 4bGott Vater sende deinen Geist v 2 2496c 00 74 8 223 369 370 0074 8 128 2bWas Gott tut das ist wohlgetan vv 5 6 5629 00 75 7 14 0075 7 14 BWV 100 6 Es woll uns Gott genadig sein vv 1 3 7247 00 76 7 14 0076 7 14 Wenn einer alle Ding verstund v 8 4431 00 77 6 00 6 253 253 0077 6 No autograph text added later 00 3 3bO Gottes Sohn Herr Jesu Christ v 5 Ach Gott vom Himmel sieh dareinJesu der du meine Seele v 12 6804 00 78 7 188 296 297 0078 7 187 4a bNun danket alle Gott v 1 5142 00 79 3 259 0079 3 Nun lasst uns Gott dem Herren v 8 0 159 00 79 6 267 0079 6 Ein feste Burg ist unser Gott v 1 7377 00 80 2 1 Ein feste Burg ist unser Gott v 4 7377 00 80 8 0 76 273 273 0080 8 0 53 4a bJesu meine Freude v 2 8032 00 81 7 197 323 324 0081 7 116 3a bMit Fried und Freud ich fahr dahin v 4 3986 00 83 5 250 324 325 0083 5 144 2a bWer weiss wie nahe mir mein Ende v 12 2778 00 84 5 373 112 112 0084 5 205 2a b cIst Gott mein Schild und Helfersmann v 4 2542 00 85 6 216 122 122 0085 6 111 1a bEs ist das Heil uns kommen her v 11 4430 00 86 6 0 86 00 4 00 4 0086 6 0 59 1a bSelig ist die Seele v 9 8032 00 87 7 201 0 96 0 96 0087 7 116 4bWer nur den lieben Gott lasst walten v 8 2778 00 88 7 368 104 104 0088 7 205 5a bWo soll ich fliehen hin v 7 2164 00 89 6 0 26 281 281 0089 6 0 20 4a bNimm von uns Herr du treuer Gott v 7 2561 00 90 5 319 267 267 0090 5 181 3bGelobet seist du Jesu Christ v 7 1947 00 91 6 109 0 53 0 51 0091 6 0 69 2a bIch hab in Gottes Herz und Sinn v 12 7568 00 92 9 347 0092 9 Wer nur den lieben Gott lasst walten v 7 2778 00 93 7 369 0093 7 Was frag ich nach der Welt vv 7 8 5206b 00 94 8 281 290 291 0094 8 0 45 5Wenn mein Stundlein vorhanden ist v 4 4482a b 00 95 7 356 0095 7 201 6bHerr Christ der einge Gottessohn v 5 4297a 00 96 6 128 302 303 0096 6 0 81 2a bIn allen meinen Taten v 9 2293b 00 97 9 297 0097 9 BWV 392 166 9b cWas Gott tut das ist wohlgetan v 6 5629 00 99 6 341 0099 6 Was Gott tut das ist wohlgetan v 6 5629 0 100 6 0100 6 BWV 75 7 14 193 Nimm von uns Herr du treuer Gott v 7 2561 0 101 7 318 291 292 0101 7 181 1a bSo wahr ich lebe spricht dein Gott v 6 2561 0 102 7 320 110 110 0102 7 181 2bBarmherzger Vater hochster Gott v 9 7568 0 103 6 348 120 120 0103 6 194 6b c348 349Der Herr ist mein getreuer Hirt v 1 4457 0 104 6 0 13 125 125 0104 6 0 10 2 325 326 0 10 2bJesu der du meine Seele v 11 6804 0 105 6 0105 6 187 6bWas willst du dich betruben v 7 5264b 0 107 7 327 0107 7 Gott Vater sende deinen Geist v 10 2496c 0 108 6 224 0 46 0 45 0108 6 128 1bWir Christenleut habn jetzund Freud v 5 2072 0 110 7 380 0 57 0 55 0110 7 210 1a bWas mein Gott will das g scheh allzeit v 4 7568 0 111 6 345 0111 6 Der Herr ist mein getreuer Hirt v 5 4457 0 112 5 0 14 312 313 0112 5 0 10 3a b352 353Herr Jesu Christ du hochstes Gut v 1 4486 0 113 1 0113 1 Herr Jesu Christ du hochstes Gut v 8 4486 0 113 8 142 293 294 0113 8 202 3a bAch lieben Christen seid getrost v 6 4441a 0 114 7 386 300 301 0114 7 212 4a bMache dich mein Geist bereit v 10 6274a 0 115 6 312 0 38 0 38 0115 6 179 1b cDu Friedefurst Herr Jesu Christ v 7 4373 0 116 6 0 69 0116 6 Sei Lob und Ehr dem hochsten Gut vv 4 9 4430 0 117 4 9 0 90 248 248 0117 4 9 0 59 3b353 354 0 59 3a cHerr Gott dich loben wir vv 38 41 8652 0 119 9 134 0119 9 Herr Gott dich loben wir vv 34 41 8652 0 120 6 135 0120 6 Lobe den Herren den machtigen vv 4 5 1912a 0 120a 8 230 0120a 8 BWV 137 5 Christum wir sollen loben schon v 8 0 297 0 121 6 0 42 0 55 0 56 0121 6 0 29 1a bDas neugeborne Kindelein v 4 0 491 0 122 6 0 57 0 52 0 53 0122 6 0 37 1a b178 178Liebster Immanuel Herzog v 6 4932c 0 123 6 229 194 194 0123 6 132 1a bMeinen Jesum lass ich nicht weil v 6 3449 0 124 6 246 0124 6 Mit Fried und Freud ich fahr dahin v 4 3986 0 125 6 251 0125 6 Verleih uns Frieden gnadlich complete 1945 0 126 6 321 215 215 0126 6 Text version Walter 1566 de 182 1bHerr Jesu Christ wahr Mensch und Gott v 8 2570 0 127 5 147 283bis 384 0127 5 199 1a bO Jesu meine Lust wikisource de v 4 5206b 0 128 5 279 0128 5 Gelobet sei der Herr mein Gott v 5 5206b 0 129 5 0129 5 0 45 Herr Gott dich loben alle wir v 11 0 368 0 130 6 131 0130 6 Bach struck v 12 in cantata 31 105 3bIch freue mich in dir v 4 5187 0 133 6 181 0 61 0 60 0133 6 164 1a bAch Herr mich armen Sunder v 6 5385a 0 135 6 156 0135 6 Wo soll ich fliehen hin v 9 2164 0 136 6 0 27 330 331 0136 6 0 20 5bLobe den Herren den machtigen v 5 1912a 0 137 5 230 0137 5 BWV 120a 8 0 78 2cWohl dem der sich auf seinen Gott v 5 2383 0 139 6 238 0139 6 Wachet auf ruft uns die Stimme v 3 8405 0 140 7 329 179 179 0140 7 186 1a b cWas Gott tut das ist wohlgetan v 1 5629 0 144 3 338 0 64 0 65 0144 3 193 1Was mein Gott will das g scheh allzeit v 1 7568 0 144 6 343 265 265 0144 6 194 4Auf mein Herz des Herren Tag v 1 3432b 0 145 a 209 337 338 0145a 123 2aErschienen ist der herrlich Tag v 4 1743 0 145 5 0 84 0 17 0 17 0145 5 0 16 1a bFreu dich sehr o meine Seele v 1 6551 0 146 8 360 0146 8 Text proposal Martin Petzold 32 Jesu meiner Seelen Wonne vv 6 16 6551 0 147 6 10 0147 6 10 aka Jesu Joy of Man s Desiring Wo soll ich fliehen hin 2164 0 148 6 0 29 0 25 0 25 0148 6 Textless in cantata 0 20 1bHerzlich lieb hab ich dich o Herr v 3 8326 0 149 7 155 0149 7 Lobt Gott ihr Christen allzugleich v 8 0 198 0 151 5 235 0 54 0 54 0151 5 127 3a bSchau lieber Gott wie meine Feind v 1 4431 0 153 1 00 5 00 3 00 3 0153 1 00 3 1bBefiehl du deine Wege v 5 5385a 0 153 5 160 0 21 0 21 0153 5 0 92 3bAch Gott wie manches Herzeleid vv 16 18 0 553a 0 153 9 00 9 217 217 0153 9 0 87 1a bJesu meiner Seelen Wonne v 2 6551 0 154 3 365 233 233 0154 3 BWV 359 206 1a b 3bMeinen Jesum lass ich nicht weil v 6 3449 0 154 8 244 152 152 0154 8 141 2Es ist das Heil uns kommen her v 12 4430 0 155 5 0 88 334 335 0155 5 0 59 2a bHerr wie du willst so schicks de v 1 4438 0 156 6 150 316 317 0156 6 0 23 2Meinen Jesum lass ich nicht weil v 6 3449 0 157 5 245 0157 5 Christ lag in Todesbanden v 5 7012a 0 158 4 0 40 0158 4 BWV 279 0 26 4bJesu Leiden Pein und Tod v 33 6288b 0 159 5 194 0 59 0 61 0159 5 115 1a bHerzlich tut mich verlangen v 4 5385a 0 161 6 161 270 270 0161 6 0 92 13b cAlle Menschen mussen sterben v 7 6783 0 162 6 0 18 0162 6 Herr Christ der einge Gottessohn v 5 4297a 0 164 6 127 101 101 0164 6 0 81 1a bNun lasst uns Gott dem Herren v 5 0 159 0 165 6 266 0165 6 Wer weiss wie nahe mir mein Ende v 1 2778 0 166 6 372 204 204 0166 6 205 3Nun lob mein Seel den Herren v 5 8244 0 167 5 0167 5 Herr Jesu Christ du hochstes Gut v 8 4486 0 168 6 143 0 92 0 92 0168 6 202 2a bNun bitten wir den Heiligen Geist v 3 2029 0 169 7 256 0 97 0 97 0169 7 147 2a bJesu nun sei gepreiset v 2 8477a 0 171 6 204 0171 6 BWV 141 6 BGA v 3 per P 94 Wie schon leuchtet der Morgenstern v 4 8359 0 172 6 376 322 323 0172 6 209 4bHerzlich lieb hab ich dich o Herr v 1 8326 0 174 5 153 0 56 0 58 0174 5 0 91 2O Gottes Geist mein Trost und Rat v 9 7445a 0 175 7 220 0175 7 BWV 59 3 126 1bWas alle Weisheit in der Welt v 8 7246 0 176 6 0 45 119 119 0176 6 0 65 2Ich ruf zu dir Herr Jesu Christ v 5 7400 0 177 5 183 0 71 0 71 0177 5 103 2a b cWo Gott der Herr nicht bei uns halt vv 7 8 4441a 0 178 7 384 0178 7 Ich armer Mensch ich armer Sunder v 1 2778 0 179 6 371 338 339 0179 6 205 6a bSchmucke dich o liebe Seele v 9 6923 0 180 7 304 0 22 0 22 0180 7 171 1a b cZeuch ein zu deinen Toren v 5 5267 0 183 5 126 123 123 0183 5 0 80 3bO Herre Gott dein gottlich Wort v 8 5690 0 184 5 283 0 14 0 14 0184 5 159 1a b cIch ruf zu dir Herr Jesu Christ v 1 7400 0 185 6 184 0185 6 103 3bSingen wir aus Herzensgrund v 4 4816 0 187 7 308 109 109 0187 7 0 33 1Auf meinen lieben Gott v 1 2164 0 188 6 0 25 0188 6 Jesu nun sei gepreiset v 2 8477a 0 190 7 205 326 327 0190 7 118 2Treuer Gott ich muss dir klagen v 6 6543 0 194 6 100 0 63 0 64 0194 6 208 2b256 256Wach auf mein Herz und singe vv 9 10 0 159 0 194 12 268 0 93 0 93 0194 12 152 2a b c257 257Nun danket all und bringet Ehr v 1 0 198 0 195 6 236 0195 6 Nun bitten wir den Heiligen Geist v 3 2029 0 197 5 255 0 83 0 84 0197 5 147 3a bWer nur den lieben Gott lasst walten v 7 2778 0 197 10 370 0 66 0 62 0197 10 205 7a bIch freue mich in dir v 4 5206b 0 197a 7 0197a 7 BWV 398 0 45 2bFrom motets Zahn 226 229 389 CPE Rie Go to top of table BC F Komm Heiliger Geist Herre Gott v 3 7445a 0 226 2 221 0 69 0 69 0226 2 126 2a b cJesu meine Freude vv 1 6 8032 0 227 1 11 196 263 263 0227 1 11 116 5Jesu meine Freude v 2 8032 0 227 3 198 0227 3 SSATB 116 6a bJesu meine Freude v 4 8032 0 227 7 199 283 283 0227 7 116 7a bKomm Jesu komm v 11 0 229 2 222 0229 2 Not on a pre existing tune 33 From St Matthew Passion Zahn 244 244b 389 CPE Rie Go to top of table BC F Herzliebster Jesu v 1 0 983 0 244 3 166 0 78 0 78 0244 3 0 93 3O Welt sieh hier dein Leben v 5 2293b 0 244 10 294 117 117 0244 10 166 6bO Haupt voll Blut und Wunden v 5 5385a 0 244 15 163 0 98 0 98 0244 15 BWV 244 17 0 92 5cO Haupt voll Blut und Wunden v 6 0 244 17 0244 17 BWV 244 15Was mein Gott will das g scheh allzeit v 1 7568 0 244 25 342 115 115 0244 25 194 7Meinen Jesum lass ich nicht weil v 6 3449 0 244b 29 247 0244b 29 In dich hab ich gehoffet Herr v 5 2461 0 244 32 213 118 118 0244 32 108 2a bO Welt sieh hier dein Leben v 3 2293b 0 244 37 292 0 50 0 50 0244 37 166 7bWerde munter mein Gemute v 6 6551 0 244 40 361 121 121 0244 40 206 6a b cBefiehl du deine Wege v 1 5385a 0 244 44 159 0 87 0 80 0244 44 0 92 6bHerzliebster Jesu v 4 0 983 0 244 46 167 105 105 0244 46 0 93 4a bO Haupt voll Blut und Wunden vv 1 2 5385a 0 244 54 162 0 74 0 74 0244 54 0 92 7O Haupt voll Blut und Wunden v 9 5385a 0 244 62 164 0 89 0 89 0244 62 0 92 8a bFrom St John Passion Zahn 245 389 CPE Rie Go to top of table BC F Herzliebster Jesu v 7 0 983 0 245 3 168 0 58 0 59 0245 3 Two versions 2nd in CPE Rie 0 93 1a b cVater unser im Himmelreich v 4 2561 0 245 5 317 0 47 0 47 0245 5 Two versions 1st BWV 416 181 4a cO Welt sieh hier dein Leben vv 3 4 2293b 0 245 11 293 0 62 0 63 0245 11 BWV 395 166 5a b c Jesu Leiden Pein und Tod v 10 6288b 0 245 14 192 0 82 0 83 0245 14 115 2a bChristus der uns selig macht v 1 6283b 0 245 15 0 49 0 80 0 81 0245 15 0 31 2Herzliebster Jesu vv 8 9 0 983 0 245 17 169 111 111 0245 17 0 93 2a bDurch dein Gefangnis Gottes Sohn 1 v 2383 0 245 22 239 309 310 0245 22 137 3bValet will ich dir geben v 3 5404a 0 245 26 315 108 108 0245 26 180 2a bJesu Leiden Pein und Tod v 20 6288b 0 245 28 193 106 106 0245 28 115 3a bChristus der uns selig macht v 8 6283b 0 245 37 0 50 113 113 0245 37 0 31 3a bHerzlich lieb hab ich dich o Herr v 3 8326 0 245 40 154 107 107 0245 40 0 91 3a bFrom Christmas Oratorio Zahn 248 389 CPE Rie Go to top of table BC F Wie soll ich dich empfangen v 1 5385a 0 248 5 165 344 345 0248 5 0 92 9bVom Himmel hoch da komm ich her v 13 0 346 0 248 9 0 45 0 46 0248 9 184 2bErmuntre dich mein schwacher Geist v 9 5741 0 248 12 0 80 00 9 00 9 0248 12 0 57 2a b360 361Schaut schaut was ist fur Wunder dar v 8 0 346 0 248 17 323 0248 17 184 3bWir singen dir Immanuel v 2 0 346 0 248 23 343 344 0248 23 184 3bGelobet seist du Jesu Christ v 7 1947 0 248 28 110 0248 28 0 69 4a bFrohlich soll mein Herze springen v 15 6461 0 248 33 335 139 139 0248 33 190 2bLasst Furcht und Pein v 4 2072 0 248 35 381 359 360 0248 35 210 3bHilf Herr Jesu lass gelingen v 5 N 1 0 248 42 367 368 0248 42 0 98 1cNun liebe Seel nun ist es Zeit v 5 2461 0 248 46 214 0 77 0 77 0248 46 108 3bIhr Gestirn ihr hohlen Lufte v 9 3614 0 248 53 114 0 34 0 35 0248 53 0 73 1bIch steh an deiner Krippen hier v 1 4429a 0 248 59 263 361 362 0248 59 150 2bIhr Christen auserkoren v 4 5385a 0 248 64 0248 64 0 92 14bThree Wedding Chorales Zahn 250 252 389 CPE Rie Go to top of table BC F Was Gott tut das ist wohlgetan 5629 0 250 339 346 347 0250 Three Wedding Chorales No 1 193 3Sei Lob und Ehr dem hochsten Gut 4430 0 251 0 89 328 329 0251 Three Wedding Chorales No 2 0 59 4Nun danket alle Gott 5142 0 252 258 329 330 0252 Three Wedding Chorales No 3 148 2186 four part chorales in BGA Vol 39 Zahn 253 438 389 CPE Rie Go to top of table BC F Ach bleib bei uns Herr Jesu Christ 0 493 0 253 00 1 177 177 0253 BWV 414 0 35 1Ach Gott erhor mein Seufzen 1831a 0 254 00 2 186 186 0254 00 1 1Ach Gott und Herr 2051 0 255 00 3 0 40 0 40 0255 00 2 1Ach lieben Christen seid getrost 4441a 0 256 385 0 31 0 31 0256 212 3War Gott nicht mit uns diese Zeit 4441a 0 257 388 284 285 0257 212 1Wo Gott der Herr nicht bei uns halt 4441a 0 258 383 335 336 0258 BWV 488 Schemelli No 881 63 212 2Ach was soll ich Sunder machen 3573b 0 259 0 10 0 39 0 39 0259 00 5 1Allein Gott in der Hoh sei Ehr 4457 0 260 0 12 249 249 0260 0 10 1Allein zu dir Herr Jesu Christ 7292b 0 261 0 15 358 359 0261 0 11 1Alle Menschen mussen sterben 6778 0 262 0 17 153 153 0262 00 8 1Alles ist an Gottes Segen 3842f 0 263 0 19 128 128 0263 0 12 1Als der gutige Gott 1645 0 264 0 20 159 159 0264 0 13 1Als Jesus Christus in der Nacht 0 258 0 265 0 21 180 180 0265 0 14 1Als vierzig Tag nach Ostern warn 1743 0 266 0 22 208 208 0266 0 15 1An Wasserflussen Babylon 7663 0 267 0 23 00 5 00 5 0267 0 17 1a b cEin Lammlein geht und tragt die Schuld 308 309Auf auf mein Herz und du mein ganzer 0 824 0 268 0 24 124 124 0268 0 19 1Aus meines Herzens Grunde 5269 0 269 0 30 00 1 00 1 0269 0 21 1Befiehl du deine Wege 5385a 0 270 157 285 286 0270 0 92 1Befiehl du deine Wege 5385a 0 271 158 366 367 0271 0 92 2Befiehl du deine Wege 5393 0 272 0 32 339 340 0272 Setting likely by C P E Bach 34 136 2Christ der du bist der helle Tag 0 384 0 273 0 33 230 230 0273 0 24 1Christe der du bist Tag und Licht 0 343 0 274 0 34 245 245 0274 0 27 1Christe du Beistand deiner Kreuzgemeine 0 993 0 275 0 35 210 210 0275 0 28 1Christ ist erstanden 8584 0 276 0 36 197 197 0276 0 25 1Christ lag in Todesbanden 7012a 0 277 0 38 0 15 0 15 0277 0 26 2Christ lag in Todesbanden 7012a 0 278 0 39 370 371 0278 0 26 1Christ lag in Todesbanden 7012a 0 279 0 40 261 261 0279 BWV 158 4 0 26 4bChrist unser Herr zum Jordan kam 7246 0 280 0 43 0 65 0 66 0280 0 65 1Christus der ist mein Leben 0 132 0 281 0 46 00 7 00 6 0281 0 30 1Christus der ist mein Leben 0 132 0 282 0 47 315 316 0282 Included in BWV 95 1 0 30 2Christus der uns selig macht 6283b 0 283 0 48 198 198 0283 0 31 1306 307Christus ist erstanden hat uberwunden 6240c 0 284 0 51 200 200 0284 0 32 1Da der Herr Christ zu Tische sass 2503 0 285 0 52 196 196 0285 0 34 1Danket dem Herrn denn er ist sehr 00 12 0 286 0 53 228 228 0286 183 1Dank sei Gott in der Hohe 5391 0 287 0 54 310 311 0287 119 1Das alte Jahr vergangen ist 0 381c 0 288 0 55 162 162 0288 0 36 1Das alte Jahr vergangen ist 0 381c 0 289 0 56 313 314 0289 0 36 2Das walt Gott Vater und Gott Sohn 0 673 0 290 0 58 224 224 0290 0 38 1Das walt mein Gott 4217 0 291 0 59 0 75 0 75 0291 0 39 1Den Vater dort oben 4795 0 292 0 60 239 239 0292 0 40 1Der du bist drei in Einigkeit 0 335 0 293 0 61 154 154 0293 0 42 1Der Tag der ist so freudenreich 7870 0 294 0 62 158 158 0294 0 43 1Des Heilgen Geistes reiche Gnad 3706 0 295 0 63 207 207 0295 178 1Die Nacht ist kommen 5001 0 296 0 64 231 231 0296 0 44 1Die Sonn hat sich mit ihrem Glanz 0 923 0 297 0 65 232 232 0297 BWV 447 Schemelli No 40 3 161 1Dies sind die heilgen zehn Gebot 1951 0 298 0 66 127 127 0298 0 46 1Dir dir Jehova will ich singen 3068 0 299 0 67 209 209 0299 AMBII 39 BWV 452 S 397 32 0 47 1Du grosser Schmerzensmann 5159 0 300 0 70 164 167 0300 0 51 1Du o schones Weltgebaude 6773 0 301 0 71 137 134 0301 0 50 1Ein feste Burg ist unser Gott 7377 0 302 0 74 0 20 0 20 0302 0 53 1bEin feste Burg ist unser Gott 7377 0 303 0 75 250 250 0303 0 53 2bEins ist not ach Herr dies Eine 7127 0 304 0 77 280 280 0304 0 54 1Erbarm dich mein o Herre Gott 5851 0 305 0 78 0 33 0 34 0305 0 55 1Erstanden ist der heilge Christ 1746 0 306 0 85 176 176 0306 0 58 1Es ist gewisslich an der Zeit 4429a 0 307 262 260 260 0307 150 1Es spricht der Unweisen Mund wohl 4436 0 308 0 92 0 27 0 27 0308 0 62 1Es stehn vor Gottes Throne 4298 0 309 0 93 166 166 0309 0 63 1Es wird schier der letzte Tag herkommen 1423 0 310 0 94 238 238 0310 0 64 1Es woll uns Gott genadig sein 7247 0 311 0 95 0 16 0 16 0311 0 66 2Es woll uns Gott genadig sein 7247 0 312 0 96 351 352 0312 0 66 1Fur Freuden lasst uns springen 2339 0 313 106 163 163 0313 0 68 1Gelobet seist du Jesu Christ 1947 0 314 107 287 288 0314 0 69 1Gib dich zufrieden und sei stille 7417a 0 315 111 271 271 0315 0 70 1Gott der du selber bist das Licht 5814 0 316 112 225 225 0316 0 71 1Gott der Vater wohn uns bei 8507 0 317 113 134 135 0317 0 72 1Gottes Sohn ist kommen 3294 0 318 115 0 18 0 18 0318 143 1a bGott hat das Evangelium 1788 0 319 116 181 181 0319 0 74 1Gott lebet noch 7951 0 320 117 234 234 0320 BWV 461 Schemelli No 488 37 0 75 1Gottlob es geht nunmehr zu Ende 2855 0 321 118 192 192 0321 0 77 1Gott sei gelobet und gebenedeiet 8078 0 322 119 0 70 0 70 0322 0 76 1Gott sei uns gnadig und barmherzig 7372 0 323 120 319 320 0323 Tune German Magnificat metric 140 2Meine Seele erhebet den Herren 7372 0 324 121 130 130 0324 Tune German Magnificat chant 140 1Heilig heilig or Sanctus Sanctus Dominus Deus Sabaoth 8633 0 325 123 235 235 0325 0 79 1318 319Herr Gott dich loben alle wir 0 368 0 326 129 167 164 0326 105 1Vor deinen Thron tret ich hiermit 0 368 0 327 132 333 334 0327 105 2Herr Gott dich loben wir 8652 0 328 133 205 205 0328 0 83 1Herr ich denk an jene Zeit 4840 0 329 136 212 212 0329 134 1Herr ich habe missgehandelt 3695 0 330 137 0 35 0 33 0330 0 84 2Herr ich habe missgehandelt 3695 0 331 138 286 287 0331 0 84 1bHerr Jesu Christ dich zu uns wend 0 625 0 332 139 136 136 0332 0 85 1Herr Jesu Christ du hast bereit t 4711 0 333 140 226 226 0333 0 86 1Herr Jesu Christ du hochstes Gut 4486 0 334 141 0 73 0 73 0334 202 1Herr Jesu Christ meins Lebens Licht 0 314 0 335 145 294 295 0335 170 1a bO Jesu du mein Brautigam 236 236Herr Jesu Christ wahr Mensch und Gott 0 423 0 336 146 189 189 0336 0 88 1Herr nun lass in Friede 3302 0 337 148 190 190 0337 0 89 1Herr straf mich nicht in deinem Zorn 4606a 0 338 149 221 221 0338 0 90 1Wer in dem Schutz des Hochsten ist 4438 0 339 151 144 144 0339 0 23 1a bHerr wie du willst so schick s mit mir de 317 318Herzlich lieb hab ich dich o Herr 8326 0 340 152 277 277 0340 0 91 1Heut ist o Mensch ein grosser Trauertag 8569 A 0 341 170 168 168 0341 0 94 1AHeut triumphieret Gottes Sohn 2585 0 342 171 0 79 0 79 0342 0 95 1Hilf Gott dass mirs gelinge 4329 0 343 172 199 199 0343 0 96 1301 302Hilf Herr Jesu lass gelingen 3687a 0 344 173 155 155 0344 0 97 1Ich bin ja Herr in deiner Macht 5878 0 345 174 251 251 0345 0 99 1Ich dank dir Gott fur all Wohltat 8090b 0 346 175 223 223 0346 100 1Ich dank dir lieber Herre 5354b 0 347 176 00 2 00 2 0347 101 2Ich dank dir lieber Herre 5354b 0 348 177 272 272 0348 101 1Ich dank dir schon durch deinen Sohn 0 247b 0 349 179 188 188 0349 00 4 1Ich danke dir o Gott in deinem Throne 3199 0 350 180 229 229 0350 139 1Ich hab mein Sach Gott heimgestellt 1679 0 351 182 0 19 0 19 0351 102 1Jesu der du meine Seele 6804 0 352 185 0 37 0 37 0352 187 3Jesu der du meine Seele 6804 0 353 186 269 269 0353 187 1Jesu der du meine Seele 6804 0 354 187 368 369 0354 187 2Jesu der du selbsten wohl 6335 0 355 189 169 169 0355 112 1Jesu du mein liebstes Leben 7891 0 356 190 243 243 0356 113 1Jesu Jesu du bist mein 6446 0 357 191 244 244 0357 BWV 470 Schemelli No 741 53 114 1Jesu meine Freude 8032 0 358 195 355 356 0358 116 1Jesu meiner Seelen Wonne 6551 0 359 363 364 365 0359 206 1bJesu meiner Seelen Wonne 6551 0 360 364 349 350 0360 206 2Jesu meines Herzens Freud 4798d 0 361 202 264 264 0361 117 1Jesu nun sei gepreiset 8477a 0 362 203 252 252 0362 118 1Jesus Christus unser Heiland der von uns 1576 0 363 206 0 30 0 30 0363 121 1Jesus Christus unser Heiland der den Tod 1978 0 364 207 174 174 0364 120 1Jesus meine Zuversicht 3432b 0 365 208 175 175 0365 123 1Ihr Gestirn ihr hohlen Lufte 3703 0 366 210 161 161 0366 104 1In allen meinen Taten 2276 0 367 211 140 140 0367 107 1In dulci jubilo 4947 0 368 215 143 143 0368 110 1Keinen hat Gott verlassen 5395 0 369 217 129 129 0369 124 1Komm Gott Schopfer Heiliger Geist 0 295 0 370 218 187 187 0370 125 1Kyrie Gott Vater in Ewigkeit 8600 0 371 225 132 132 0371 129 1Lass o Herr dein Ohr sich neigen 6863 0 372 226 218 218 0372 0 82 1Liebster Jesu wir sind hier 3498b 0 373 228 131 131 0373 133 1327 328Lobet den Herren denn er ist sehr 0 975 0 374 232 227 227 0374 135 1Lobt Gott ihr Christen allzugleich 0 198 0 375 233 276 276 0375 127 1bLobt Gott ihr Christen allzugleich 0 198 0 376 234 341 342 0376 127 2Machs mit mir Gott nach deiner Gut 2383 0 377 237 0 44 0 44 0377 137 1Mein Augen schliess ich jetzt 1067 0 378 240 258 258 0378 138 1Meinen Jesum lass ich nicht Jesus 3448a 0 379 241 151 151 0379 122 1Meinen Jesum lass ich nicht weil 3449 0 380 242 298 299 0380 141 1bMeines Lebens letzte Zeit 6380 0 381 248 345 346 0381 142 1Mit Fried und Freud ich fahr dahin 3986 0 382 249 0 49 0 49 0382 144 1Mitten wir im Leben sind 8502 0 383 252 214 214 0383 145 1Nicht so traurig nicht so sehr 3355 0 384 253 149 149 0384 146 1Nun bitten wir den Heiligen Geist 2029 0 385 254 0 36 0 36 0385 147 1Nun danket alle Gott 5142 0 386 257 0 32 0 32 0386 Leuthen Chorale 148 1Nun freut euch Gottes Kinder all 0 364 0 387 260 185 185 0387 106 1Nun freut euch lieben Christen g mein 4427 0 388 261 183 183 0388 149 1Nun lob mein Seel den Herren 8244 0 389 269 268 268 0389 153 1Nun lob mein Seel den Herren 8244 0 390 270 295 296 0390 153 2Nun preiset alle Gottes Barmherzigkeit 4089a 0 391 273 222 222 0391 154 1Nun ruhen alle Walder 2293b 0 392 298 288 289 0392 BWV 97 9 166 9cO Welt sieh hier dein Leben 2293b 0 393 289 275 275 0393 166 1a bO Welt sieh hier dein Leben 2293b 0 394 290 365 366 0394 166 2O Welt sieh hier dein Leben 2293b 0 395 291 362 363 0395 166 5cNun sich der Tag geendet hat choralwiki 0 212b 0 396 274 240 240 0396 155 1O Ewigkeit du Donnerwort 5820 0 397 275 274 274 0397 BWV 513 Notebook AMB II No 42 156 1O Gott du frommer Gott 5206b 0 398 277 311 312 0398 BWV 197a 7 0 45 2bO Gott du frommer Gott 5148 0 399 282 314 315 0399 157 1O Herzensangst o Bangigkeit 1003 0 400 284 173 173 0400 160 1O Lamm Gottes unschuldig 4361a 0 401 285 165 165 0401 162 1O Mensch bewein dein Sunde gross 8303 0 402 286 201 201 0402 0 61 1305 306O Mensch schau Jesum Christum an 3994c 0 403 287 203 203 0403 163 1O Traurigkeit o Herzeleid 1915 0 404 288 0 60 0 57 0404 165 1bO wie selig seid ihr doch ihr Frommen 1583 0 405 299 213 213 0405 BWV 495 Schemelli No 894 65 167 1O wie selig seid ihr doch ihr Frommen 1581 0 406 300 219 219 0406 00 7 1O wir armen Sunder 8187h 0 407 301 202 202 0407 168 1Schaut ihr Sunder 8569 B 0 408 303 171 171 0408 0 94 1BSeelenbrautigam 3255b 0 409 306 141 141 0409 173 1Sei gegrusset Jesu gutig 3889b 0 410 307 172 172 0410 BWV 499 Schemelli No 293 22 174 1Singt dem Herrn ein neues Lied 6424 0 411 309 246 246 0411 175 1So gibst du nun mein Jesu gute Nacht 0 849 0 412 310 206 206 0412 BWV 501 Schemelli No 315 26 177 1Sollt ich meinem Gott nicht singen 7886b 0 413 311 220 220 0413 BWV 481 Schemelli No 281 18 130 1Uns ist ein Kindlein heut geborn 0 493 0 414 313 148 148 0414 BWV 253 0 35 2Valet will ich dir geben 5404a 0 415 314 0 24 0 24 0415 180 1Vater unser im Himmelreich 2561 0 416 316 0 47 0 47 0416 BWV 245 5 first version 181 4aVon Gott will ich nicht lassen 5264b 0 417 324 363 364 0417 185 1Von Gott will ich nicht lassen 5264b 0 418 325 331 332 0418 185 2Von Gott will ich nicht lassen 5264b 0 419 326 114 114 0419 185 3Warum betrubst du dich mein Herz 1689 0 420 331 145 145 0420 189 2Warum betrubst du dich mein Herz 1689 0 421 332 299 300 0421 189 1a bWarum sollt ich mich denn gramen 6461 0 422 334 356 357 0422 190 1a bWas betrubst du dich mein Herze 6830 0 423 336 237 237 0423 191 1Was bist du doch o Seele so betrubet 1837 0 424 337 193 193 0424 BWV 506 Schemelli No 779 55 192 1Was willst du dich o meine Seele kranken 7844 0 425 349 241 241 0425 195 1Weltlich Ehr und zeitlich Gut 4975 0 426 351 211 211 0426 197 1Wenn ich in Angst und Not 4233 0 427 352 147 147 0427 200 1Wenn mein Stundlein vorhanden ist 4482a b 0 428 353 321 322 0428 201 3Wenn mein Stundlein vorhanden ist 4482a b 0 429 354 0 51 0 52 0429 201 1Wenn mein Stundlein vorhanden ist 4482a b 0 430 355 350 351 0430 201 2Wenn wir in hochsten Noten sein 0 394 0 431 358 0 68 0 68 0431 203 1Wenn wir in hochsten Noten sein 0 394 0 432 359 247 247 0432 203 2Wer Gott vertraut hat wohl gebaut 8207b 0 433 366 135 137 0433 204 1Wer nur den lieben Gott lasst walten 2778 0 434 367 146 146 0434 205 1Wie bist du Seele in mir so gar betrubt 4092 0 435 374 242 242 0435 207 1Wie schon leuchtet der Morgenstern 8359 0 436 375 278 278 0436 209 1Wir glauben all an einen Gott Schopfer 7971 0 437 382 133 133 0437 211 1Wo Gott zum Haus nicht gibt sein Gunst 0 305 0 438 389 157 157 0438 213 1Other chorale harmonisations Zahn 441 deest 389 CPE Rie Go to top of table BC F Auf auf mein Herz mit Freuden 5243 0 441 0441 BWV 441 Schemelli No 320 27 0 18 1Beschrankt ihr Weisen dieser Welt 7765 0 443 BWV 443 Schemelli No 689 47 265Brunnquell aller Guter 6252b 0 445 BWV 445 Schemelli No 335 29 247Der Tag mit seinem Lichte 7512b 0 448 BWV 448 Schemelli No 43 4 222Dich bet ich an mein hochster Gott 2437 0 449 BWV 449 Schemelli No 396 31 249Ich bin ja Herr in deiner Macht 5869a 0 464 BWV 464 Schemelli No 861 58 276Jesu deine Liebeswunden 1302 0 471 BWV 471 Schemelli No 139 10 228Kommt Seelen dieser Tag 5185 0 479 BWV 479 Schemelli No 936 67 285Kommt wieder aus der finstern 4709 0 480 BWV 480 Schemelli No 938 68 286Mein Jesu was vor Seelenweh 8383 0 487 BWV 487 Schemelli No 283 19 237Selig wer an Jesum denkt 4846 0 498 BWV 498 Schemelli No 292 21 239So gehst du nun mein Jesu hin 7631b 0 500 BWV 500 Schemelli No 296 23 241So gehst du nun mein Jesu hin 1 v 7631b 0 500a 0500a Fr St Mark Pass past BWV 500Steh ich bei meinem Gott 5207 0 503 BWV 503 Schemelli No 945 69 287Christus der uns selig macht 1 v 6283b 1084 1084 From St Mark Passion pasticcio D 5b 6 Da Jesus an dem Kreuze stund 1706 1089 1089 109 1Denket doch ihr Menschenkinder 1122 1122 0 41 1Wo Gott zum Haus nicht gibt sein Gunst 0 305 1123 1123 213 2Ich ruf zu dir Herr Jesu Christ 7400 1124 1124 103 1O Gott du frommer Gott 5206b 1125 1125 0 45 1Lobet Gott unsern Herren 5393 1126 1126 136 1Welt ade Ich bin dein mude v 1 6531 Anh 170 350 150 150 0027 6 BWV 27 6 SSATB Spurious 12 196 O Traurigkeit o Herzeleid 1 v 1915 deest deest From St Mark Passion pasticcio Welt tobe wie du willst deest 198 1In larger vocal works edit More than 200 of Bach s over 400 homophonic chorale harmonisations survived in his larger vocal works In church cantatas edit See also BWV 1 197a BWV 282 BWV 398 and BWV Anh 170 Four part chorales also appearing as cantata movements composed by Johann Sebastian Bach verse incipits and their translations by Pamela Dellal from the Emmanuel Music website unless otherwise indicated 35 BWV 1 6 Wie bin ich doch so herzlich froh How happy I am v 7 of Wie schon leuchtet der Morgenstern 2 6 Das wollst du Gott bewahren rein This God you would keep pure v 6 of Ach Gott vom Himmel sieh darein 3 6 Erhalt mein Herz im Glauben rein If my heart remains pure in faith v 18 of Ach Gott wie manches Herzeleid 4 8 5 7 6 6 7 7 9 7 10 7 12 7 13 6 14 5 16 6 17 7 18 5 19 7 20 7 11 22 5 24 6 25 6 26 6 28 6 29 8 30 6 31 9 32 6 33 6 36 4 and 8 37 6 38 6 39 7 40 3 6 and 8 41 6 42 7 44 7 45 7 46 6 47 5 48 3 and 7 52 6 55 5 56 5 57 8 59 3 60 5 62 6 64 64 2 4 and 8 65 2 and 7 66 6 67 4 and 7 69 6 69a 6 70 7 and 11 72 6 73 5 74 8 75 7 14 76 7 14 77 6 78 7 79 79 3 and 6 80 8 81 7 83 5 84 5 85 6 86 6 87 7 88 7 89 6 90 5 91 6 92 9 93 7 94 8 95 1 extract 282 and 7 96 6 97 9 99 6 100 6 101 7 102 7 103 6 104 6 105 6 107 7 108 6 110 7 111 6 112 5 113 1 and 8 114 7 115 6 116 6 117 4 9 119 9 120 6 120a 8 121 6 122 6 123 6 124 6 125 6 126 6 127 5 128 5 129 5 130 6 133 6 135 6 136 6 137 5 139 6 140 7 144 3 and 6 145 a and 5 146 8 147 6 10 148 6 149 7 151 5 153 153 1 5 and 9 154 3 and 8 155 5 156 6 157 5 158 4 159 5 161 6 162 6 164 6 165 6 166 6 167 5 168 6 169 7 171 6 172 6 174 5 175 7 176 6 177 5 178 7 179 6 180 7 183 5 184 5 185 6 187 7 188 6 190 7 194 6 and 12 195 6 197 5 and 10 197a 7 398 Spurious chorale harmonisations in Bach s autographs BWV 8 6 27 6 Anh 170 43 11Chorale harmonisations from spurious or doubtful cantatas or cantata versions in the Richter Kalmus collection of 389 chorale harmonisations No 130 BWV Anh 31 Herr Gott dich loben alle wir scores from a doubtful version of BWV 130 36 No 219 BWV 218 5 TWV 1 634 5 Komm Gott Schopfer Heiliger Geist by Telemann No 387 BWV 219 5 TWV 1 1328 5 Wo Gott der Herr nicht bei uns halt by Telemann In motets edit See also BWV 226 229 Chorale harmonisations appearing in Bach s motets BWV 226 2 227 1 11 3 SSATB and 7 229 2 In Passions edit In St Matthew Passion edit See also BWV 244 244b and St Matthew Passion Chorales Four part chorales appearing in the St Matthew Passion BWV 244 3 10 15 17 25 32 37 40 44 46 54 and 62 244b 29 In St John Passion edit See also BWV 245 and BWV 416 Four part chorales appearing in the St John Passion BWV 245 3 5 BWV 416 11 14 15 17 22 26 28 37 and 40 In St Mark Passion pasticcio edit See also BWV 441 deest and St Mark Passion attributed to Keiser Leipzig 1726 BC D 5b For his own performances of the Jesus Christus ist um unsrer Missetat willen verwundet Passion Bach composed and or reworked a few of its chorales No 9b So gehst du nun mein Jesu BWV 500a 37 No 14 O hilf Christe Gottes Sohn BWV 1084 38 No 29 O Traurigkeit o Herzeleid BWV deest 39 In oratorios edit Ascension Oratorio edit See also BWV 11 Four part chorale appearing in the Ascension Oratorio BWV 11 6 Christmas Oratorio edit See also BWV 248 and Christmas Oratorio Chorales Four part chorales in Bach s Christmas Oratorio BWV 248 Part I 5 and 9 II 3 8 and 14 III 5 10 and 12 IV 7 V 4 and 11 VI 6 and 11 In chorale collections edit See also List of compositions by Johann Sebastian Bach BWV Chapter 5 Somewhat less than 200 of Bach s chorale harmonisations only survived in early collections containing multiple usually short works Three Wedding Chorales BWV 250 252 edit See also BWV 250 252 Three wedding chorales grouped in an autograph manuscript by Bach BWV 250 Was Gott tut das ist wohlgetan BWV 251 Sei Lob und Ehr dem hochsten Gut BWV 252 Nun danket alle Gott 186 four part chorales in BGA Vol 39 BWV 253 438 edit See also BWV 253 438 The Bach Gesellschaft published 185 four part chorales in the 39th volume of its complete Bach edition The BWV 253 438 range which in its original collation was based on the BGA publication does however contain 186 chorales The difference is that BWV 279 near identical to BWV 158 4 was not retained in the BGA set BGA No 26 Christ lag in Todesbanden BWV 278 not in BGA Vol 39 Christ lag in Todesbanden BWV 279 BWV 158 4 in BGA Vol 32 BGA No 27 Christ unser Herr zum Jordan kam BWV 280Legend to the table column content0 1 BWV Bach Werke Verzeichnis lit Bach works catalogue BWV numbers Anhang Annex Anh numbers are indicated as follows preceded by I in Anh I lost works of BWV1 1950 first edition of the BWV preceded by II in Anh II doubtful works of BWV1 preceded by III in Anh III spurious works of BWV1 preceded by N new Anh numbers in BWV2 1990 and or BWV2a 1998 0 2 2a Section in which the composition appears in BWV2a Chapters of the main catalogue indicated by Arabic numerals 1 13 Anh sections indicated by Roman numerals I III Reconstructions published in the NBE indicated by R 0 3 Date Date associated with the completion of the listed version of the composition Exact dates e g for most cantatas usually indicate the assumed date of first public performance When the date is followed by an abbreviation in brackets e g JSB for Johann Sebastian Bach it indicates the date of that person s involvement with the composition as composer scribe or publisher 0 4 Name Name of the composition if the composition is known by a German incipit that German name is preceded by the composition type e g cantata chorale prelude motet 0 5 Key Key of the composition0 6 Scoring See scoring table below for the abbreviations used in this column0 7 BG Bach Gesellschaft Ausgabe BG edition BGA numbers before the colon indicate the volume in that edition After the colon an Arabic numeral indicates the page number where the score of the composition begins while a Roman numeral indicates a description of the composition in the Vorwort Preface of the volume 40 0 8 NBE New Bach Edition German Neue Bach Ausgabe NBA Roman numerals for the series followed by a slash and the volume number in Arabic numerals A page number after a colon refers to the Score part of the volume Without such page number the composition is only described in the Critical Commentary part of the volume The volumes group Bach s compositions by genre 41 Cantatas Vol 1 34 church cantatas grouped by occasion Vol 35 40 secular cantatas Vol 41 Varia Masses Passions Oratorios 12 volumes Motets Chorales Lieder 4 volumes Organ Works 11 volumes Keyboard and Lute Works 14 volumes Chamber Music 5 volumes Orchestral Works 7 volumes Canons Musical Offering Art of Fugue 3 volumes Addenda approximately 7 volumes 0 9 Additional info may include after indicating a model for the composition by indicating the composer of the composition if different from Johann Sebastian Bach in indicating the oldest known source for the composition pasticcio indicating a composition with parts of different origin see composition renumbered in a later edition of the BWV text by text author or in sourceProvenance of standard texts and tunes such as Lutheran hymns and their chorale melodies Latin liturgical texts e g Magnificat and common tunes e g Folia are not usually indicated in this column For an overview of such resources used by Bach see individual composition articles and overviews in e g Chorale cantata Bach Bach s chorale cantatas List of chorale harmonisations by Johann Sebastian Bach Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach Chorale Preludes 10 BD Bach Digital Work pageLegend for abbreviations in Scoring column Voices see also SATB a A b B s S t T v Valto solo part alto choir part bass solo part bass choir part soprano solo part soprano choir part tenor solo part tenor choir part voice includes parts for unspecified voices or instruments as in some canons vocal music for unspecified voice typeWinds and battery bold soloist Bas Bel Cnt Fl Hn Ob Oba Odc Tai Tbn Tdt Tmp Trbassoon can be part of Bc see below bell s musical bells cornett cornettino flute traverso flauto dolce piccolo flauto basso natural horn corno da caccia corno da tirarsi lituo oboe oboe d amore oboe da caccia taille trombone tromba da tirarsi timpani tromba natural trumpet clarino trumpet Strings and keyboard bold soloist Bc Hc Kb Lu Lw Org Str Va Vc Vdg Vl Vnebasso continuo Vdg Hc Vc Bas Org Vne and or Lu harpsichord keyboard Hc Lw Org or clavichord lute theorbo Lautenwerck lute harpsichord organ man manualiter without pedals strings Vl I Vl II and Va viola s viola d amore violetta violoncello violoncello piccolo viola da gamba violin s violino piccolo violone violone grosso186 four part chorales in BGA Vol 39 BWV 253 438 BWV 2a Date Name Key Scoring BG NBE Additional info BD253 5 1750 or earlier chorale setting Ach bleib bei uns Herr Jesu Christ A maj SATB 39 177 III 2 2 101 after Z 439 text by Calvisius BWV 414 00323254 5 1750 or earlier chorale setting Ach Gott erhor mein Seufzen D Dor SATB 39 177 III 2 2 105 after Z 1831a text by Schechs wikisource de 00324255 5 1750 or earlier chorale setting Ach Gott und Herr C maj SATB 39 178 III 2 2 24 after Z 4441a text by Rutilius de 00325256 5 1750 or earlier chorale setting Ach lieben Christen seid getrost A min SATB 39 178 III 2 2 19 after Z 4441a text by Gigas 00326259 5 1750 or earlier chorale setting Ach was soll ich Sunder machen E min SATB 39 179 III 2 2 23 after Z 3573b text by Flittner de 00329260 5 c 1735 or earlier chorale setting Allein Gott in der Hoh sei Ehr G maj SATB 39 180 III 2 1 9III 2 2 147 after Z 4457 text by Decius after Gloria 00330261 5 1750 or earlier chorale setting Allein zu dir Herr Jesu Christ B min SATB 39 180 III 2 2 206 after Z 7292b text by Hubert 00331262 5 1750 or earlier chorale setting Alle Menschen mussen sterben D maj SATB 39 181 III 2 2 88 after Pachelbel text by Albinus Rosenmuller 00332263 5 1750 or earlier chorale setting Alles ist an Gottes Segen G maj SATB 39 181 III 2 2 72 after Z 3842f 00333264 5 1750 or earlier chorale setting Als der gutige Gott G maj SATB 39 182 III 2 2 91 after Z 1646 text by Weisse 00334265 5 1750 or earlier chorale setting Als Jesus Christus in der Nacht D Dor SATB 39 182 III 2 2 102 after Z 258 text by Heermann 00335266 5 1750 or earlier chorale setting Als vierzig Tag nach Ostern warn E min SATB 39 182 III 2 2 120 after Z 1743 text by Herman 00336267 5 c 1735 or earlier chorale setting An Wasserflussen Babylon G maj SATB 39 183 III 2 2 4 after Z 7663 text by Dachstein 00337A Maj III 2 1 98chorale setting Ein Lammlein geht und tragt G maj 39 183 after Z 7663 text by GerhardtA Maj III 2 2 180268 5 1750 or earlier chorale setting Auf auf mein Herz G maj SATB 39 184 III 2 2 70 after Z 824 text by Birken 00338269 5 1750 or earlier chorale setting Aus meines Herzens Grunde G maj SATB 39 184 III 2 2 2 after Z 5269 text by Niege de 00339270 5 c 1735 or earlier chorale setting Befiehl du deine Wege B min SATB 39 185 III 2 1 47III 2 2 170 after Z 5385a text by Gerhardt 00340271 5 c 1735 or earlier chorale setting Befiehl du deine Wege B min SATB 39 185 III 2 1 97III 2 2 210 after Z 5385a text by Gerhardt 00341272 5 1730 1761 chorale setting Befiehl du deine Wege D min SATB 39 186 III 2 2 196 by Bach C P E after Z 5393 text by Gerhardt 00342273 5 1750 or earlier chorale setting Christ der du bist der helle Tag G min SATB 39 186 III 2 2 136 after Z 384 text by Alberus 00343274 5 1750 or earlier chorale setting Christe der du bist Tag und Licht G min SATB 39 187 III 2 2 145 after Z 343 text by Musculus after Christe qui lux es 00344275 5 1750 or earlier chorale setting Christe du Beistand D Dor SATB 39 187 III 2 2 122 after Z 993 text by Lowenstern 00345276 5 1750 or earlier chorale setting Christ ist erstanden D Dor SATB 39 188 III 2 2 110 after Z 8584 text Christ ist erstanden 00346277 5 1750 or earlier chorale setting Christ lag in Todesbanden D Dor SATB 39 189 III 2 2 11 after Z 7012a text by Luther 00347278 5 c 1735 or earlier chorale setting Christ lag in Todesbanden E min SATB 39 190 III 2 1 92III 2 2 212 after Z 7012a text by Luther 00348279 5 c 1725 1735 chorale setting Christ lag in Todesbanden E min SATB 32 154 III 2 1 24III 2 2 155 after Z 7012a text by Luther BWV 158 4 00349280 5 1750 or earlier chorale setting Christ unser Herr zum Jordan kam D Dor SATB 39 190 III 2 2 36 after Z 7246 text by Luther 00350281 5 1750 or earlier chorale setting Christus der ist mein Leben F maj SATB 39 191 III 2 2 6 after Z 132 Neu Leipziger GB p 942 42 00351282 5 1750 or earlier chorale setting Christus der ist mein Leben G maj SATB 39 191 III 2 2 184 after BWV 95 1 00352283 5 1750 or earlier chorale setting Christus der uns selig macht A min SATB 39 192 III 2 2 112 after Z 6283a text by Weisse after Patris sapientia 00353284 5 1750 or earlier chorale setting Christus ist erstanden hat uberwunden C maj SATB 39 192 III 2 2 113 after Z 6240b text by Weisse 00354285 5 1750 or earlier chorale setting Da der Herr Christ zu Tische sass C min SATB 39 193 III 2 2 110 after Z 2503 text by Herman 00355286 5 1750 or earlier chorale setting Danket dem Herrn denn er ist A min SATB 39 193 III 2 2 134 after Z 12 text by Horn de 00356287 5 1750 or earlier chorale setting Dank sei Gott in der Hohe F maj SATB 39 194 III 2 2 182 after Z 5391 text by Muhlmann de 00357288 5 c 1735 or earlier chorale setting Das alte Jahr vergangen ist D Dor SATB 39 194 III 2 1 11III 2 2 93 after Z 381 text by Steuerlein de 00358289 5 1750 or earlier chorale setting Das alte Jahr vergangen ist E min SATB 39 194 III 2 2 183 after Z 381 text by Steuerlein de 00359290 5 1750 or earlier chorale setting Das walt Gott Vater und Gott Sohn F maj SATB 39 195 III 2 2 132 after Z 673 text by Behm 00360291 5 1750 or earlier chorale setting Das walt mein Gott D min SATB 39 195 III 2 2 42 after Z 4217 text by Fortsch wikisource de 00361292 5 1750 or earlier chorale setting Den Vater dort oben C maj SATB 39 196 III 2 2 141 after Z 4795 text by Weisse 00362293 5 1750 or earlier chorale setting Der du bist drei in Einigkeit D Dor SATB 39 196 III 2 2 89 after Z 335e text by Luther after O lux beata Trinitas 00363294 5 1750 or earlier chorale setting Der Tag der ist so freudenreich G maj SATB 39 197 III 2 2 90 after Z 7870 text after Dies est laetitiae 00364295 5 1750 or earlier chorale setting Des Heilgen Geistes reiche Gnad D min SATB 39 197 III 2 2 120 after Z 370b text by Gesius after Spiritus Sancti gratia 00365296 5 1750 or earlier chorale setting Die Nacht ist kommen G Mix SATB 39 198 III 2 2 136 after Z 5001 text by Herbert de 00366297 5 1750 or earlier chorale setting Die Sonn hat sich mit ihrem Glanz gewendet D Dor SATB 39 198 III 2 2 137 after Z 923 text by Stegmann de BWV 447 00367298 5 1750 or earlier chorale setting Dies sind die heilgen zehn Gebot C maj SATB 39 198 III 2 2 72 after Z 1951 text by Luther 00368299 2 5 1725 1735 chorale setting Dir dir Jehova will ich singen B maj SATB 39 199 III 2 1 11III 2 2 121 Z 3068 text by Crasselius BWV 452 00369299 1 Notebook A M Bach 1725 No 39 chorale setting Dir dir Jehova will ich singen S AT B V Bc 432 50 V 4 126 11543300 5 1750 or earlier chorale setting Du grosser Schmerzensmann E min SATB 39 199 III 2 2 94 after Z 5159a text by Thebesius de 00370301 5 1750 or earlier chorale setting Du o schones Weltgebaude D min SATB 39 200 III 2 2 80 after Z 6773 text by Franck J 00371302 5 c 1735 or earlier chorale setting Ein feste Burg ist unser Gott D maj SATB 39 200 III 2 1 48III 2 2 14 after Z 7377 text by Luther after Ps 46 00372303 5 c 1735 or earlier chorale setting Ein feste Burg ist unser Gott D maj SATB 39 201 III 2 1 10III 2 2 148 after Z 7377 text by Luther after Ps 46 00373304 5 c 1735 or earlier chorale setting Eins ist not ach Herr dies Eine D maj SATB 39 201 III 2 1 36III 2 2 166 after Z 7127 text by Schroder 00374305 5 1750 or earlier chorale setting Erbarm dich mein o Herre Gott A min SATB 39 202 III 2 2 20 after Z 5851 text by Hegenwald after Ps 51 00375306 5 1750 or earlier chorale setting Erstanden ist der heilig Christ F maj SATB 39 202 III 2 2 100 after Z 288 text after Surrexit Christus hodie 00376307 5 c 1735 or earlier chorale setting Es ist gewisslich an der Zeit B maj SATB 39 203 III 2 1 22III 2 2 155 after Z 4429a text by Ringwaldt 00377308 5 1750 or earlier chorale setting Es spricht der Unweisen Mund wohl B maj SATB 39 204 III 2 2 17 after Z 4436 text by Luther after Ps 14 00378309 5 1750 or earlier chorale setting Es stehn vor Gottes Throne G Dor SATB 39 204 III 2 2 95 after Z 4298 text by Helmbold 00379310 5 1750 or earlier chorale setting Es wird schier der letzte Tag herkommen E min SATB 39 205 III 2 2 140 after Z 1423 text by Weisse 00380311 5 1750 or earlier chorale setting Es woll uns Gott gnadig sein B min SATB 39 205 III 2 2 12 after Z 7247 text by Luther after Ps 67 00381312 5 c 1735 or earlier chorale setting Es woll uns Gott gnadig sein A min SATB 39 206 III 2 1 70III 2 2 202 after Z 7247 text by Luther after Ps 67 00382327 5 1750 or earlier chorale setting Vor deinen Thron tret ich hiermit D maj SATB 39 213 III 2 2 193 after Z 368 text by Hodenberg 00397313 5 1750 or earlier chorale setting Fur Freuden lasst uns springen G min SATB 39 206 III 2 2 93 after Z 2339 text by Peltsch fr 00383314 5 c 1735 or earlier chorale setting Gelobt seist du Jesu Christ D maj SATB 39 207 III 2 1 48III 2 2 171 after Z 1947 text by Luther 00384315 5 c 1735 or earlier chorale setting Gib dich zufrieden und sei stille E min SATB 39 207 III 2 1 38III 2 2 161 after BWV 511 text by Gerhardt BWV 512 Z 7417a 00385316 5 1750 or earlier chorale setting Gott der du selber bist das Licht G min SATB 39 208 III 2 2 133 after Z 5814 text by Rist 00386317 5 1750 or earlier chorale setting Gott der Vater wohn uns bei D maj SATB 39 208 III 2 2 78 after Z 8507 text by Luther 00387318 5 1750 or earlier chorale setting Gottes Sohn ist kommen G maj SATB 39 209 III 2 2 13 after Z 3294 text by Horn de 00388F maj III 2 2 214319 5 1750 or earlier chorale setting Gott hat das Evangelium E min SATB 39 209 III 2 2 102 after Z 1788 text by Alberus 00389320 5 1750 or earlier chorale setting Gott lebet noch F maj SATB 39 210 III 2 2 138 after Z 7951 text by Zihn de BWV 461 00390321 5 1750 or earlier chorale setting Gottlob es geht nunmehr zum Ende B maj SATB 39 210 III 2 2 108 after Z 2853 Z 2855 text by Luther 00391322 5 1750 or earlier chorale setting Gott sei gelobet und gebenedeiet C maj SATB 39 211 III 2 2 39 after Z 8078 text by Luther 00392323 5 1750 or earlier chorale setting Gott sei uns gnadig und barmherzig F min SATB 39 212 III 2 2 186 after German Magnificat text after Ps 67 00393325 5 1750 or earlier chorale setting Heilig heilig heilig F maj SATB 39 212 III 2 2 138 after Z 8633a text after Sanctus Z 8634 00395chorale setting Sanctus Sanctus Dominus Deus after Z 8633a text Sanctus Z 8634326 5 1750 or earlier chorale setting Herr Gott dich loben alle wir B maj SATB 39 213 III 2 2 96 after Z 368 text by Eber 00396328 5 1750 or earlier chorale setting Herr Gott dich loben wir A min SATB 39 214 III 2 2 117 after Z 8652 text by Luther after Te Deum 00398329 5 1750 or earlier chorale setting Herr ich denk an jene Zeit B maj SATB 39 216 III 2 2 123 after Z 4840 text by Mylius de 00399330 5 1750 or earlier chorale setting Herr ich habe missgehandelt A min SATB 39 216 III 2 2 21 after Z 3695 text by Franck J 00400331 5 c 1735 or earlier chorale setting Herr ich habe missgehandelt A min SATB 39 217 III 2 1 47III 2 2 171 after Z 3695 text by Franck J 00401332 5 1750 or earlier chorale setting Herr Jesu Christ dich zu uns wend G maj SATB 39 217 III 2 2 79 after Z 624 text by William of Saxe Weimar 00402333 5 1750 or earlier chorale setting Herr Jesu Christ du hast bereit G min SATB 39 218 III 2 2 133 after Z 4711 text by Kinner de 00403334 5 c 1735 or earlier chorale setting Herr Jesu Christ ich schrei zu dir G min SATB III 2 1 43 after Z 4486 00404chorale setting Herr Jesu Christ du hochstes Gut 39 218 III 2 2 41 after Z 4486 text by Ringwaldt335 5 c 1735 or earlier chorale setting Herr Jesu Christ meins Lebens Licht E min SATB 39 218 III 2 1 60III 2 2 175 after Z 423 text by Behm 00405chorale setting O Jesu du mein Brautigam III 2 2 139 after Z 423 text by Hermann336 5 1750 or earlier chorale setting Herr Jesu Christ wahr Mensch und Gott A maj SATB 39 219 III 2 2 106 after Z 423 text by Eber 00406337 5 1750 or earlier chorale setting Herr nun lass in Friede A min SATB 39 219 III 2 2 107 after Z 3302 text by Behme de 00407338 5 1750 or earlier chorale setting Herr straf mich nicht in deinem Zorn das bitt A min SATB 39 220 III 2 2 131 after Z 4606a text after Ps 6 43 00408339 5 1750 or earlier chorale setting Wer in dem Schutz des Hochsten ist A maj SATB 39 220 III 2 2 84 after Z 4438 text by Heyden 00409chorale setting Herr wie du willt so schicks mit mir after Z 4438 text by Bienemann de 340 5 c 1735 or earlier chorale setting Herzlich lieb hab ich dich o Herr C maj SATB 39 221 III 2 1 42III 2 2 164 after Z 8326 text by Schalling 00410341 5 1750 or earlier chorale setting Heut ist o Mensch ein grosser Trauertag G Dor SATB 39 221 III 2 2 96 after Z 8569 A text by Lowenstern 00411342 5 1750 or earlier chorale setting Heut triumphieret Gottes Sohn A min SATB 39 222 III 2 2 44 after Z 2585 text by Stolzhagen de 00412343 5 1750 or earlier chorale setting Hilf Gott dass mirs gelinge G Dor SATB 39 222 III 2 2 112 after Z 4329f text by Muller H 44 00413344 5 1750 or earlier chorale setting Hilf Herr Jesu lass gelingen G Dor SATB 39 223 III 2 2 89 after Z 3687a text by Rist 00414345 5 c 1735 or earlier chorale setting Ich bin ja Herr in deiner Macht G min SATB 39 223 III 2 1 13III 2 2 148 Z 5878a text by Dach 00415346 5 1750 or earlier chorale setting Ich dank dir Gott fur deine Wohltat C maj SATB 39 224 III 2 2 132 after Z 8090 text by Freder de 00416347 5 1750 or earlier chorale setting Ich dank dir lieber Herre A maj SATB 39 224 III 2 2 2 after Z 5354a b text by Kolross 00417348 5 c 1735 or earlier chorale setting Ich dank dir lieber Herre B maj SATB 39 225 III 2 1 39III 2 2 162 after Z 5354a b text by Kolross 00418349 5 1750 or earlier chorale setting Ich dank dir schon durch deinen Sohn F maj SATB 39 225 III 2 2 106 after Z 247b text by Burchart de 00419350 5 1750 or earlier chorale setting Ich danke dir Herr Gott in deinem Throne G min SATB 39 226 III 2 2 135 after Z 3199 text by Fabricius de 00420351 5 1750 or earlier chorale setting Ich hab mein Sach Gott heimgestellt G Dor SATB 39 226 III 2 2 13 after Z 1679 text by Leon de 00421366 5 1750 or earlier chorale setting Ihr Gestirn ihr hohlen Lufte D min SATB 39 236 III 2 2 92 after Z 3703 text by Franck J 00436367 5 1750 or earlier chorale setting In allen meinen Taten C maj SATB 39 236 III 2 2 81 after Z 2276 text by Fleming 45 00437368 5 1750 or earlier chorale setting In dulci jubilo F maj SATB 39 236 III 2 2 83 after Z 4947 00438352 5 1750 or earlier chorale setting Jesu der du meine Seele A min SATB 39 227 III 2 2 22 after Z 6804 text by Rist 00422353 5 c 1735 or earlier chorale setting Jesu der du meine Seele G min SATB 39 228 III 2 1 26III 2 2 160 after Z 6804 text by Rist 00423354 5 c 1735 or earlier chorale setting Jesu der du meine Seele B Dor SATB 39 228 III 2 1 99III 2 2 211 after Z 6804 text by Rist 00424355 5 1750 or earlier chorale setting Jesu der du selbsten wohl A maj SATB 39 229 III 2 2 97 after Z 6335 text by Bapzien de 00425356 5 1750 or earlier chorale setting Jesu du mein liebstes Leben G min SATB 39 230 III 2 2 144 after Z 7891 text by Rist 00426357 5 1750 or earlier chorale setting Jesu Jesu du bist mein C Dor SATB 39 230 III 2 2 144 BWV 470 Z 6446 00427358 5 c 1735 or earlier chorale setting Jesu meine Freude D min SATB 39 231 III 2 1 80III 2 2 204 after Z 8032 text by Franck J 00428360 5 c 1735 or earlier chorale setting Jesu meiner Seelen Wonne B maj SATB 39 232 III 2 1 73III 2 2 201 after Z 6551a text by Janus 00430359 5 1750 or earlier chorale setting Jesu meiner Seelen Wonne A maj SATB 39 232 III 2 2 209 after BWV 154 3 text by Janus 00429361 5 c 1735 or earlier chorale setting Jesu meines Herzens Freud B maj SATB 39 233 III 2 1 34III 2 2 157 after Z 4797 4798 text by Flittner de 00431362 5 c 1735 or earlier chorale setting Jesu nun sei gepreiset B maj SATB 39 234 III 2 1 12III 2 2 149 after Z 8477a text by Hermann 00432364 5 1750 or earlier chorale setting Jesus Christus unser Heiland der den Tod uberwand G Dor SATB 39 235 III 2 2 99 after Z 1978 text by Luther 00434 td data sort, wikipedia, wiki, book, books, library, article, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games. |