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Herr Jesu Christ, du höchstes Gut, BWV 113

January 01, 1970

Johann Sebastian Bach composed the church cantata Herr Jesu Christ, du höchstes Gut (Lord Jesus Christ, O highest good),[1] BWV 113 in Leipzig for the eleventh Sunday after Trinity and first performed it on 20 August 1724. The chorale cantata is based on the hymn "Herr Jesu Christ, du höchstes Gut" by Bartholomäus Ringwaldt (1588).

Herr Jesu Christ, du höchstes Gut
BWV 113
Chorale cantata by Johann Sebastian Bach
OccasionEleventh Sunday after Trinity
Chorale"Herr Jesu Christ, du höchstes Gut"
by Bartholomäus Ringwaldt
Performed20 August 1724 (1724-08-20): Leipzig
Movementseight
VocalSATB choir and solo
Instrumental
  • 2 oboes d'amore
  • flauto traverso
  • 2 violins
  • viola
  • continuo

History and words edit

Bach composed the cantata in Leipzig for the Eleventh Sunday after Trinity as part of his second cantata cycle and first performed it on 20 August 1724. The prescribed readings for the Sunday were from the First Epistle to the Corinthians, on the gospel of Christ and his (Paul's) duty as an apostle (1 Corinthians 15:1–10), and from the Gospel of Luke, the parable of the Pharisee and the Tax Collector (Luke 18:9–14).[2][3]

The text of the cantata is based on the eight stanzas of Bartholomäus Ringwaldt's hymn (1588),[4] a song of penitence related to the tax collector's prayer "Herr, sei mir armem Sünder gnädig" (God be merciful to me a sinner).[2] The melody is also attributed to Ringwaldt.[5] An unknown poet kept the words unchanged in movements 1, 2, 4 and 8, but inserted recitative in the fourth movement. He transcribed the ideas of the remaining stanzas to arias and a recitative, retaining the beginning of stanzas 3 and 7. He treated stanzas 5 and 6 most freely, including ideas from the epistle such as the promise of mercy, which is only asked, not promised, in the chorale. He refers to several verses from different gospels to underscore that thought, Luke 15:2 in both 5 and 6, Matthew 9:2 (parallel Luke 7:48) in 5, and Matthew 11:28 in 6, paraphrased as "Er ruft: Kommt her zu mir, die ihr mühselig und beladen" (He calls: come here to Me, you who are weary and burdened).[2] The last verse also appears in Handel's Messiah, turned in the third person: "Come unto Him, all ye that labour", in the soprano section of He shall feed His flock like a shepherd.

Scoring and structure edit

The cantata in eight movements is for four vocal soloists (soprano, alto, tenor, and bass), a four-part choir, and a Baroque instrumental ensemble of two oboes d'amore, flauto traverso, two violins, viola and basso continuo.[2]

  1. Chorus: Herr Jesu Christ, du höchstes Gut
  2. Chorale (alto): Erbarm dich mein in solcher Last
  3. Aria (bass): Fürwahr, wenn mir das kömmet ein
  4. Recitative + Chorale (bass): Jedoch dein heilsam Wort, das macht
  5. Aria (tenor): Jesus nimmt die Sünder an
  6. Recitative (tenor): Der Heiland nimmt die Sünder an
  7. Aria (soprano, alto): Ach Herr, mein Gott, vergib mirs doch
  8. Chorale: Stärk mich mit deinem Freudengeist

Music edit

The opening chorus is a chorale fantasia in B minor with the cantus firmus in the soprano, the lower voices set in homophony contrasting with an embellished melody in the soprano. The lines of the chorale are separated by an independent ritornello of the orchestra. Its theme is derived from the chorale melody. A solo violin in virtuoso figuration plays throughout, while the oboes and the other strings are silent during the vocal passages. The second movement treats the chorale in the same way as some of the movements which Bach transcribed to the Schübler Chorales, as a trio of the alto, the violins in unison, and the continuo. Here the chorale melody appears unadorned.[2]

The first aria is accompanied by the two oboes d'amore. The theme is related to the chorale melody, but turned to the major mode and in a swinging 12/8-time. The voice picks up the same theme and elaborates the word "gewandelt" (changed) in an extended coloratura. Musicologist Boyd notes a similarity to the aria Et in Spiritum sanctum from Bach's later Mass in B minor, both are for the bass, in a compound time, in A major and with two oboes.[6] The second aria, movement 5, is accompanied by an obbligato flute, as in the cantatas of the two preceding weeks, Was frag ich nach der Welt, BWV 94, and Nimm von uns, Herr, du treuer Gott, BWV 101.[2] The recitative, movement 6, is accompanied by the strings, after four movements without them. They enter in the second measure on the words "wie lieblich klingt das Wort in meinem Ohren!" (how sweetly this word rings in my ears!),[1] called a "magical moment" by Craig Smith.[3] The recitative culminates in the prayer of the tax collector. The last aria is set for two voices and continuo, concentrated on the words without ritornellos like a chorale concerto of the 17th century. The chorale melody in embellished form appears in several lines, even on words other than the original text. The final stanza is set for four parts.[2]

Recordings edit

References edit

  1. ^ a b Dellal, Pamela. "BWV 113 – Herr Jesu Christ, du höchstes Gut". Emmanuel Music. Retrieved 29 August 2022.
  2. ^ a b c d e f g Dürr, Alfred (1981). Die Kantaten von Johann Sebastian Bach (in German). Vol. 1 (4 ed.). Deutscher Taschenbuchverlag. pp. 412–414. ISBN 3-423-04080-7.
  3. ^ a b Smith, Craig. "Bach Cantata Notes / BWV 113". Emmanuel Music. Retrieved 29 August 2022.
  4. ^ "Herr Jesu Christ, du höchstes Gut / Text and Translation of Chorale". Bach Cantatas Website. 200. Retrieved 29 August 2011.
  5. ^ "Chorale Melodies used in Bach's Vocal Works / Herr Jesu Christ, du höchstes Gut". Bach Cantatas Website. 2005. Retrieved 29 August 2011.
  6. ^ Mincham, Julian (2010). "Chapter 12 BWV 113 Herr Jesu Christ, du höchstes Gut". jsbachcantatas.com. Retrieved 29 August 2022.

Sources edit

January 01, 1970
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Johann Sebastian Bach composed the church cantata Herr Jesu Christ du hochstes Gut Lord Jesus Christ O highest good 1 BWV 113 in Leipzig for the eleventh Sunday after Trinity and first performed it on 20 August 1724 The chorale cantata is based on the hymn Herr Jesu Christ du hochstes Gut by Bartholomaus Ringwaldt 1588 Herr Jesu Christ du hochstes GutBWV 113Chorale cantata by Johann Sebastian BachFresco of Pharisee and tax collectorOccasionEleventh Sunday after TrinityChorale Herr Jesu Christ du hochstes Gut by Bartholomaus RingwaldtPerformed20 August 1724 1724 08 20 LeipzigMovementseightVocalSATB choir and soloInstrumental2 oboes d amoreflauto traverso2 violinsviolacontinuo Contents 1 History and words 2 Scoring and structure 3 Music 4 Recordings 5 References 6 SourcesHistory and words editBach composed the cantata in Leipzig for the Eleventh Sunday after Trinity as part of his second cantata cycle and first performed it on 20 August 1724 The prescribed readings for the Sunday were from the First Epistle to the Corinthians on the gospel of Christ and his Paul s duty as an apostle 1 Corinthians 15 1 10 and from the Gospel of Luke the parable of the Pharisee and the Tax Collector Luke 18 9 14 2 3 The text of the cantata is based on the eight stanzas of Bartholomaus Ringwaldt s hymn 1588 4 a song of penitence related to the tax collector s prayer Herr sei mir armem Sunder gnadig God be merciful to me a sinner 2 The melody is also attributed to Ringwaldt 5 An unknown poet kept the words unchanged in movements 1 2 4 and 8 but inserted recitative in the fourth movement He transcribed the ideas of the remaining stanzas to arias and a recitative retaining the beginning of stanzas 3 and 7 He treated stanzas 5 and 6 most freely including ideas from the epistle such as the promise of mercy which is only asked not promised in the chorale He refers to several verses from different gospels to underscore that thought Luke 15 2 in both 5 and 6 Matthew 9 2 parallel Luke 7 48 in 5 and Matthew 11 28 in 6 paraphrased as Er ruft Kommt her zu mir die ihr muhselig und beladen He calls come here to Me you who are weary and burdened 2 The last verse also appears in Handel s Messiah turned in the third person Come unto Him all ye that labour in the soprano section of He shall feed His flock like a shepherd Scoring and structure editThe cantata in eight movements is for four vocal soloists soprano alto tenor and bass a four part choir and a Baroque instrumental ensemble of two oboes d amore flauto traverso two violins viola and basso continuo 2 Chorus Herr Jesu Christ du hochstes Gut Chorale alto Erbarm dich mein in solcher Last Aria bass Furwahr wenn mir das kommet ein Recitative Chorale bass Jedoch dein heilsam Wort das macht Aria tenor Jesus nimmt die Sunder an Recitative tenor Der Heiland nimmt die Sunder an Aria soprano alto Ach Herr mein Gott vergib mirs doch Chorale Stark mich mit deinem FreudengeistMusic editThe opening chorus is a chorale fantasia in B minor with the cantus firmus in the soprano the lower voices set in homophony contrasting with an embellished melody in the soprano The lines of the chorale are separated by an independent ritornello of the orchestra Its theme is derived from the chorale melody A solo violin in virtuoso figuration plays throughout while the oboes and the other strings are silent during the vocal passages The second movement treats the chorale in the same way as some of the movements which Bach transcribed to the Schubler Chorales as a trio of the alto the violins in unison and the continuo Here the chorale melody appears unadorned 2 The first aria is accompanied by the two oboes d amore The theme is related to the chorale melody but turned to the major mode and in a swinging 12 8 time The voice picks up the same theme and elaborates the word gewandelt changed in an extended coloratura Musicologist Boyd notes a similarity to the aria Et in Spiritum sanctum from Bach s later Mass in B minor both are for the bass in a compound time in A major and with two oboes 6 The second aria movement 5 is accompanied by an obbligato flute as in the cantatas of the two preceding weeks Was frag ich nach der Welt BWV 94 and Nimm von uns Herr du treuer Gott BWV 101 2 The recitative movement 6 is accompanied by the strings after four movements without them They enter in the second measure on the words wie lieblich klingt das Wort in meinem Ohren how sweetly this word rings in my ears 1 called a magical moment by Craig Smith 3 The recitative culminates in the prayer of the tax collector The last aria is set for two voices and continuo concentrated on the words without ritornellos like a chorale concerto of the 17th century The chorale melody in embellished form appears in several lines even on words other than the original text The final stanza is set for four parts 2 Recordings editDie Bach Kantate Vol 48 Helmuth Rilling Gachinger Kantorei Bach Collegium Stuttgart Arleen Auger Gabriele Schreckenbach Adalbert Kraus Niklaus Tuller Hanssler 1973 J S Bach Das Kantatenwerk Sacred Cantatas Vol 6 Gustav Leonhardt Knabenchor Hannover Collegium Vocale Gent Leonhardt Consort soloist of the Knabenchor Hannover Rene Jacobs Kurt Equiluz Max van Egmond Teldec 1981 Bach Edition Vol 4 Cantatas Vol 1 conductor Pieter Jan Leusink Holland Boys Choir Netherlands Bach Collegium Ruth Holton Sytse Buwalda Knut Schoch Bas Ramselaar Brilliant Classics 1999 J S Bach Complete Cantatas Vol 11 Ton Koopman Amsterdam Baroque Orchestra amp Choir Sibylla Rubens Annette Markert Christoph Pregardien Klaus Mertens Antoine Marchand 1999 J S Bach Trinity Cantatas II John Eliot Gardiner Monteverdi Choir English Baroque Soloists Magdalena Kozena William Towers Mark Padmore Stephan Loges Soli Deo Gloria 2000 J S Bach Cantatas Vol 24 Cantatas from Leipzig 1724 Masaaki Suzuki Bach Collegium Japan Yukari Nonoshita Robin Blaze Gerd Turk Peter Kooy BIS 2002References edit a b Dellal Pamela BWV 113 Herr Jesu Christ du hochstes Gut Emmanuel Music Retrieved 29 August 2022 a b c d e f g Durr Alfred 1981 Die Kantaten von Johann Sebastian Bach in German Vol 1 4 ed Deutscher Taschenbuchverlag pp 412 414 ISBN 3 423 04080 7 a b Smith Craig Bach Cantata Notes BWV 113 Emmanuel Music Retrieved 29 August 2022 Herr Jesu Christ du hochstes Gut Text and Translation of Chorale Bach Cantatas Website 200 Retrieved 29 August 2011 Chorale Melodies used in Bach s Vocal Works Herr Jesu Christ du hochstes Gut Bach Cantatas Website 2005 Retrieved 29 August 2011 Mincham Julian 2010 Chapter 12 BWV 113 Herr Jesu Christ du hochstes Gut jsbachcantatas com Retrieved 29 August 2022 Sources editHerr Jesu Christ du hochstes Gut BWV 113 Scores at the International Music Score Library Project Herr Jesu Christ du hochstes Gut BWV 113 BC A 122 Chorale cantata 11th Sunday after Trinity Bach Digital Cantata BWV 113 Herr Jesu Christ du hochstes Gut history scoring sources for text and music translations to various languages discography discussion Bach Cantatas Website BWV 113 Herr Jesu Christ du hochstes Gut English translation University of Vermont BWV 113 Herr Jesu Christ du hochstes Gut text scoring University of Alberta Luke Dahn BWV 113 8 bach chorales com Retrieved from https en wikipedia org w index php title Herr Jesu Christ du hochstes Gut BWV 113 amp oldid 1107327642, wikipedia, wiki, book, books, library,

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