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Kākāpō

The kākāpō (Māori: [kaːkaːpɔː];[3] pl.: kākāpō; Strigops habroptila), sometimes known as the owl parrot or moss chicken[4], is a species of large, nocturnal, ground-dwelling parrot of the superfamily Strigopoidea. It is endemic to New Zealand.[5]

Kākāpō
Celebrity kākāpō Sirocco on Maud Island

Nationally Critical (NZ TCS)[2]
Scientific classification
Domain: Eukaryota
Kingdom: Animalia
Phylum: Chordata
Class: Aves
Order: Psittaciformes
Superfamily: Strigopoidea
Family: Strigopidae
Bonaparte, 1849
Genus: Strigops
G.R. Gray, 1845
Species:
S. habroptila
Binomial name
Strigops habroptila
G.R. Gray, 1845
Synonyms

Strigops habroptilus

Kākāpō can be up to 64 cm (25 in) long. They have a combination of unique traits among parrots: finely blotched yellow-green plumage, a distinct facial disc, owl-style forward-facing eyes with surrounding discs of specially-textured feathers, a large grey beak, short legs, large blue feet, relatively short wings and a short tail. It is the world's only flightless parrot, the world's heaviest parrot, and also is nocturnal, herbivorous, visibly sexually dimorphic in body size, has a low basal metabolic rate, and does not have male parental care. It is the only parrot to have a polygynous lek breeding system. It is also possibly one of the world's longest-living birds, with a reported lifespan of up to 100 years.[6] Adult males weigh around 1.5–3 kilograms (3.3–6.6 lb); the equivalent figure for females is 0.950–1.6 kilograms (2.09–3.53 lb).

The anatomy of the kākāpō typifies the tendency of bird-evolution on oceanic islands. With few predators and abundant food, kākāpō exhibit island syndrome development, having a generally-robust torso physique at the expense of flight abilities, resulting in reduced shoulder- and wing-muscles, along with a diminished keel on the sternum. Like many other New Zealand bird species, the kākāpō was historically important to Māori, the indigenous people of New Zealand. It appears in Māori mythology. Heavily hunted in the past, it was used by the Māori both for its meat and for its feathers.

The kākāpō is critically endangered; the total known population of living individuals is 247 as of 2023.[7] Known individuals are named, tagged and confined to four small New Zealand islands, all of which are clear of predators;[8] however, in 2023, a reintroduction to mainland New Zealand (Sanctuary Mountain Maungatautari) was accomplished.[9] Introduced mammalian predators, such as cats, rats, ferrets, and stoats almost wiped out the kākāpō. All conservation efforts were unsuccessful until the Kākāpō Recovery Programme began in 1995.

Taxonomy edit

 
Lithograph by David Mitchell that accompanied Gray's original 1845 description

The kākāpō was formally described and illustrated in 1845 by the English ornithologist George Robert Gray. He created a new genus and coined the binomial name Strigops habroptilus. Gray was uncertain about the origin of his specimen and wrote, "This remarkable bird is found in one of the islands of the South Pacific Ocean."[10] The type location has been designated as Dusky Sound on the southwest corner of New Zealand's South Island.[11][12] The generic name Strigops is derived from the Ancient Greek strix, genitive strigos ("owl"), and ops ("face"), while its specific epithet habroptilus comes from habros ("soft"), and ptilon ("feather").[13]

In 1955 the International Commission on Zoological Nomenclature (ICZN) ruled that the genus name Strigops was feminine.[14] The epithet habroptilus is an adjective, and under the rules of the ICZN the feminine form habroptila should be used when combined with the feminine genus name Strigops.[15] The spelling of the binomial name therefore differs from that proposed by Gray and becomes Strigops habroptila.[16][17][18] The species is monotypic, as no subspecies are recognised.[16]

The name kākāpō is Māori, from kākā ("parrot") + ("night");[19] the name is both singular and plural.[20] "Kākāpō" is increasingly written in New Zealand English with the macrons that indicate long vowels.[21][22][23] The correct pronunciation in Māori is [kaːkaːpɔː]; other colloquial pronunciations exist, however. These include the British English /ˈkɑːkəp/ (KAH-kə-poh),[24] as defined in the Chambers Dictionary in 2003.[25]

The kākāpō is placed in the family Strigopidae together with the two species in the genus Nestor, the kea (Nestor notabilis) and the kākā (Nestor meridionalis). The birds are endemic to New Zealand.[16] Molecular phylogenetic studies have shown that the family Strigopidae is basal to the other three parrot families in the order Psittaciformes and diverged from them 33–44 million years ago. The common ancestor of the kākāpō and the two Nestor species diverged 27–40 million years ago.[26]

Earlier ornithologists felt that the kākāpō might be related to the ground parrots and night parrot of Australia due to their similar colouration, but this is contradicted by molecular studies;[27] rather, the cryptic colour seems to be adaptation to terrestrial habits that evolved twice convergently.[28]

Description edit

 
A year-old kākāpō on Codfish Island / Whenua Hou.

The kākāpō is a large, rotund parrot. Adults can measure from 58 to 64 cm (23 to 25 in) in length with a wingspan of 82 cm (32 in). Males are significantly heavier than females with an average weight of 2 kg (4.4 lb) compared with just 1.5 kg (3.3 lb) for females.[29] Kākāpō are the heaviest living species of parrot and on average weigh about 400 g (14 oz) more than the largest flying parrot, the hyacinth macaw.[30]

The kākāpō cannot fly, having relatively short wings for its size and lacking the keel on the sternum (breastbone), where the flight muscles of other birds attach.[6] It uses its wings for balance and to break its fall when leaping from trees. Unlike many other land birds, the kākāpō can accumulate large amounts of body fat.[6]

The upper parts of the kākāpō have yellowish moss-green feathers barred or mottled with black or dark brownish grey, blending well with native vegetation. Individuals may have strongly varying degrees of mottling and colour tone and intensity – museum specimens show that some birds had completely yellow colouring. The breast and flank are yellowish-green streaked with yellow. The belly, undertail, neck, and face are predominantly yellowish streaked with pale green and weakly mottled with brownish-grey. Because the feathers do not need the strength and stiffness required for flight, they are exceptionally soft, giving rise to the specific epithet habroptila. The kākāpō has a conspicuous facial disc of fine feathers resembling the face of an owl; thus, early European settlers called it the "owl parrot". The beak is surrounded by delicate feathers which resemble vibrissae or "whiskers"; it is possible kākāpō use these to sense the ground as they walk with its head lowered, but there is no evidence for this. The mandible is variable in colour, mostly ivory, with the upper part often bluish-grey. The eyes are dark brown. Kākāpō feet are large, scaly, and, as in all parrots, zygodactyl (two toes face forward and two backward). The pronounced claws are particularly useful for climbing. The ends of the tail feathers often become worn from being continually dragged on the ground.[6]

 
The "whiskers" around the beak

Females are easily distinguished from males as they have a narrower and less domed head, narrower and proportionally longer beak, smaller cere and nostrils, more slender and pinkish grey legs and feet, and proportionally longer tail. While their plumage colour is not very different from that of the male, the toning is more subtle, with less yellow and mottling. Nesting females also have a brood patch of bare skin on the belly.[6]

The kākāpō's altricial young are first covered with greyish white down, through which their pink skin can be easily seen. They become fully feathered at approximately 70 days old. Juvenile individuals tend to have duller green colouration, more uniform black barring, and less yellow present in their feathers. They are additionally distinguishable because of their shorter tails, wings, and beaks. At this stage, they have a ring of short feathers surrounding their irises that resembles eyelashes.[6]

Like many other parrots, kākāpō have a variety of calls. As well as the booms (see below for a recording) and chings of their mating calls, they will often loudly skraark.[31]

The kākāpō has a well-developed sense of smell, which complements its nocturnal lifestyle.[32] It can distinguish between odours while foraging, a behaviour reported in only one other parrot species.[32] The kākāpō has a large olfactory bulb ratio (longest diameter of the olfactory bulb/longest diameter of the brain) indicating that it does, indeed, have a more developed sense of smell than other parrots.[32] One of the most striking characteristics of the kākāpō is its distinct musty-sweet odour.[31] The smell often alerts predators to the presence of kākāpō.[33]

As a nocturnal species, the kākāpō has adapted its senses to living in darkness. Its optic tectum, nucleus rotundus, and entopallium are smaller in relation to its overall brain size than those of diurnal parrots. Its retina shares some qualities with that of other nocturnal birds but also has some qualities typical of diurnal birds, lending to best function around twilight. These modifications allow the kākāpō to have enhanced light sensitivity but with poor visual acuity.[34]

Internal anatomy edit

 
Skeleton

The skeleton of the kākāpō differs from other parrots in several features associated with flightlessness. Firstly, it has the smallest relative wing size of any parrot. Its wing feathers are shorter, more rounded, less asymmetrical, and have fewer distal barbules to lock the feathers together. The sternum is small and has a low, vestigial keel and a shortened spina externa. As in other flightless birds and some flighted parrots, the furcula is not fused but consists of a pair of clavicles lying in contact with each coracoid. As in other flightless birds, the angle between the coracoid and sternum is enlarged. The kākāpō has a larger pelvis than other parrots. The proximal bones of the leg and wing are disproportionately long and the distal elements are disproportionately short.[35]

The pectoral musculature of the kākāpō is also modified by flightlessness. The pectoralis and supracoracoideus muscles are greatly reduced. The propatagialis tendo longus has no distinct muscle belly. The sternocoracoideus is tendinous. There is an extensive cucularis capitis clavicularis muscle that is associated with the large crop.[35]

Genetics edit

Because kākāpō passed through a genetic bottleneck, in which their world population was reduced to 49 birds, they are extremely inbred and have low genetic diversity. This manifests in lower disease resistance and fertility problems: 61% of kākāpō eggs fail to hatch.[36] Beginning in 2015, the Kākāpō 125+ project has sequenced the genome of all living kākāpō, as well as some museum specimens.[37] The project is a collaboration led by Genomics Aotearoa and a collaboration with a team of international collaborators.[38][39]

A DNA sequence analysis was performed on 35 kākāpō genomes of the surviving descendants of an isolated island population, and on 14 genomes mainly from museum specimens of the now extinct mainland population.[40] An analysis of the long-term genetic impact of small population size indicated that the small island kakapo population had a reduced number of harmful mutations compared to the number in mainland individuals.[40] It was hypothesized that the reduced mutational load of the island population was due to a combination of genetic drift and the purging of deleterious mutations through increased inbreeding and purifying selection that occurred since the isolation of this population from the mainland about 10,000 years ago.[40] Purging of deleterious mutations occurs when there is selection against recessive or partially recessive detrimental alleles as they are expressed in the homozygous state.[40]

Habitat edit

Before the arrival of humans, the kākāpō was distributed throughout both main islands of New Zealand. Although it may have inhabited Stewart Island / Rakiura before human arrival, it has so far not been found in the extensive fossil collections from there.[41] Kākāpō lived in a variety of habitats, including tussocklands, scrublands and coastal areas. It also inhabited forests dominated by podocarps (rimu, mataī, kahikatea, tōtara), beeches, tawa, and rātā. In Fiordland, areas of avalanche and slip debris with regenerating and heavily fruiting vegetation – such as five finger, wineberry, bush lawyer, tutu, hebes, and coprosmas – became known as "kākāpō gardens".[42]

The kākāpō is considered to be a "habitat generalist".[6] Though they are now confined to islands free of predation, they were once able to live in nearly any climate present on the islands of New Zealand. They survived dry, hot summers on the North Island as well as cold winter temperatures in the sub-alpine areas of Fiordland. Kākāpō seem to have preferred broadleaf or mountain beech and Hall's tōtara forest with mild winters and high rainfall, but the species was not exclusively forest-dwelling.[43]

Ecology and behaviour edit

 
Historic distribution of the kākāpō:
  Maximum distribution since 1840
  Fossil evidence

The kākāpō is primarily nocturnal; it roosts under cover in trees or on the ground during the day and moves around its territories at night.[5]

Though the kākāpō cannot fly, it is an excellent climber, ascending to the crowns of the tallest trees. It can also "parachute" – descending by leaping and spreading its wings. In this way it may travel a few metres at an angle of less than 45 degrees.[6] With only 3.3% of its mass made up of pectoral muscle, it is no surprise that the kākāpō cannot use its wings to lift its heavy body off the ground. Because of its flightlessness, it has very low metabolic demands in comparison to flighted birds. It is able to survive easily on very little or on very low quality food sources. Unlike most other bird species, the kākāpō is entirely herbivorous, feeding on fruits, seeds, leaves, stems, and rhizomes. When foraging, kākāpō tend to leave crescent-shaped wads of fiber in the vegetation behind them, called "browse signs".[44]

Having lost the ability to fly, it has developed strong legs. Locomotion is often by way of a rapid "jog-like" gait by which it can move several kilometres.[45] A female has been observed making two return trips each night during nesting from her nest to a food source up to 1 km (0.6 mi) away[46] and the male may walk from its home range to a mating arena up to 5 km (3 mi) away during the mating season (October–January).[47]

 
Individual nicknamed Trevor feeding on poroporo fruits, Maud Island

Young birds indulge in play fighting, and one bird will often lock the neck of another under its chin.[48] The kākāpō is curious by nature and has been known to interact with humans. Conservation staff and volunteers have engaged extensively with some kākāpō, which have distinct personalities.[49] Despite this, kākāpō are solitary birds.[50]

The kākāpō was a very successful species in pre-human New Zealand, and was well adapted to avoid the birds of prey which were their only predators. As well as the New Zealand falcon, there were two other birds of prey in pre-human New Zealand: Haast's eagle and Eyles' harrier.[51] All these raptors soared overhead searching for prey in daylight, and to avoid them the kākāpō evolved camouflaged plumage and became nocturnal. When a kākāpō feels threatened, it freezes, so that it is more effectively camouflaged in the vegetation its plumage resembles. Kākāpō were not entirely safe at night, when the laughing owl was active, and it is apparent from owl nest deposits on Canterbury limestone cliffs that kākāpō were among their prey.[52]

Kākāpō defensive adaptations were no use, however, against the mammalian predators introduced to New Zealand by humans. Birds hunt very differently from mammals, relying on their powerful vision to find prey, and thus they usually hunt by day.[51] Mammalian predators, in contrast to birds, often hunt by night, and rely on their sense of smell and hearing to find prey; a common way for humans to hunt kākāpō was by releasing trained dogs.[53][51] The kākāpō's adaptations to avoid avian predation have thus been useless against its new enemies, and the reason for its massive decline since the introduction of dogs, cats and mustelids (see Conservation: Human impact).[citation needed]

Breeding edit

 
Hatching kākāpō egg

Kākāpō are the only flightless bird that has a lek breeding system.[54] Males loosely gather in an arena and compete with each other to attract females. Females listen to the males as they display, or "lek".[55] They choose a mate based on the quality of his display; they are not pursued by the males in any overt way. No pair bond is formed; males and females meet only to mate.[56]

During the courting season, males leave their home ranges for hilltops and ridges where they establish their own mating courts. These leks can be up to 5 kilometres (3 mi) from a kākāpō's usual territory and are an average of 50 metres (160 ft) apart within the lek arena. Males remain in the region of their court throughout the courting season. At the start of the breeding season, males will fight to try to secure the best courts. They confront each other with raised feathers, spread wings, open beaks, raised claws and loud screeching and growling. Fighting may leave birds with injuries or even kill them. Mating occurs only approximately every five years, with the ripening of the rimu fruit. In mating years, males may make "booming" calls for 6–8 hours every night for more than four months.[57]

The sound of a kākāpō booming

Each court consists of one or more saucer-shaped depressions or "bowls" dug in the ground by the male, up to 10 centimetres (4 in) deep and long enough to fit the half-metre length of the bird. The kākāpō is one of only a handful of birds in the world which actually constructs its leks.[54] Bowls are often created next to rock faces, banks, or tree trunks to help reflect sound:[58] the bowls themselves function as amplifiers to enhance the projection of the males' booming mating calls.[54] Each male's bowls are connected by a network of trails or tracks which may extend 50 metres (160 ft) along a ridge or 20 metres (70 ft) in diameter around a hilltop. Males meticulously clear their bowls and tracks of debris.[58]

To attract females, males make loud, low-frequency (below 100 Hz) booming calls from their bowls by inflating a thoracic sac.[59][60] They start with low grunts, which increase in volume as the sac inflates. After a sequence of about 20 loud booms, the male kākāpō emits a high-frequency, metallic "ching" sound.[61] He stands for a short while before again lowering his head, inflating his chest and starting another sequence of booms. The booms can be heard at least 1 kilometre (0.62 mi) away on a still night; wind can carry the sound at least 5 kilometres (3.1 mi).[58] Males boom for an average of eight hours a night; each male may produce thousands of booms in this time. This may continue every night for three or four months during which time the male may lose half his body weight. Each male moves around the bowls in his court so that the booms are sent out in different directions. These booms are also notorious for attracting predators, because of the long range at which they can be heard.[citation needed]

Females are attracted by the booms of the competing males; they too may need to walk several kilometres from their territories to the arena. Once a female enters the court of one of the males, the male performs a display in which he rocks from side to side and makes clicking noises with his beak.[6] He turns his back to the female, spreads his wings in display and walks backwards towards her. He will then attempt copulation for 40 minutes or more.[62] Once the birds have mated, the female returns to her home territory to lay eggs and raise the chicks. The male continues booming in the hope of attracting another female.[63]

 
Hatchlings

The female kākāpō lays 1–4 eggs per breeding cycle, with several days between eggs.[60][62] The nest is placed on the ground under the cover of plants or in cavities such as hollow tree trunks. The female incubates the eggs beginning after the first egg is laid, but is forced to leave the nest every night in search of food. Predators are known to eat the eggs, and the embryos inside can also die of cold in the mother's absence. Kākāpō eggs usually hatch within 30 days,[64] bearing fluffy grey chicks that are quite helpless. The female feeds the chicks for three months, and the chicks remain with the female for some months after fledging.[60] The young chicks are just as vulnerable to predators as the eggs, and young have been killed by many of the same predators that attack adults. Chicks leave the nest at approximately 10 to 12 weeks of age. As they gain greater independence, their mothers may feed the chicks sporadically for up to 3 months.[6][65]

The kākāpō is long-lived, with an average life expectancy of 60 (plus or minus 20) years, and tends to reach adolescence before it starts breeding.[62] Males start booming at about 5 years of age.[66] It was thought that females reached sexual maturity at 9 years of age, but four five-year-old females have now been recorded reproducing.[64][62] The kākāpō does not breed every year and has one of the lowest rates of reproduction among birds. Breeding occurs only in years when trees mast (fruit heavily), providing a plentiful food supply. Rimu mast occurs only every three to five years, so in rimu-dominant forests, such as those on Whenua Hou, kākāpō breeding occurs as infrequently.[67]

Another aspect of the kākāpō's breeding system is that a female can alter the sex ratio of her offspring depending on her condition. A female in good condition produces more male offspring (males have 30%–40% more body weight than females).[6] Females produce offspring biased towards the dispersive sex when competition for resources (such as food) is high and towards the non-dispersive sex when food is plentiful. A female kākāpō will likely be able to produce eggs even when there are few resources, while a male kākāpō will be more capable of perpetuating the species when there are plenty, by mating with several females.[68] This supports the Trivers–Willard hypothesis. The relationship between clutch sex ratio and maternal diet has conservation implications, because a captive population maintained on a high quality diet will produce fewer females and therefore fewer individuals valuable to the recovery of the species.[69]

Feeding edit

The beak of the kākāpō is adapted for grinding food finely. For this reason, the kākāpō has a very small gizzard compared to other birds of their size. It is entirely herbivorous, eating native plants, seeds, fruits, pollen and even the sapwood of trees. A study in 1984 identified 25 plant species as kākāpō food.[5] It is specifically fond of the fruit of the rimu tree, and will feed on it exclusively during seasons when it is abundant. The kākāpō strips out the nutritious parts of the plant out with its beak, leaving a ball of indigestible fibre. These little clumps of plant fibres are a distinctive sign of the presence of the bird.[44] The kākāpō is believed to employ bacteria in the fore-gut to ferment and help digest plant matter.[70]

Kākāpō diet changes according to the season. The plants eaten most frequently during the year include some species of Lycopodium ramulosum, Lycopodium fastigium, Schizaea fistulosa, Blechnum minus, Blechnum procerum, Cyathodes juniperina, Dracophyllum longifolium, Olearia colensoi and Thelymitra venosa. Individual plants of the same species are often treated differently. Kākāpō may forage heavily in certain areas, leaving, on occasion, more than 30 droppings and conspicuous evidence of herbivory.[5] These areas, which are mostly dominated by mānuka and yellow silver pine, range from 100 – 5,000 sq. metres (1,076 – 53,820 sq. feet) per individual.[5]

Preserved coprolites of kākāpō have been studied to obtain information on the historic diet of the bird. This research has identified 67 native plant genera previously unrecorded as food sources for kāpāpō including native mistletoes as well as Dactylanthus taylorii.[71]

Conservation edit

Fossil records indicate that in pre-Polynesian times, the kākāpō was New Zealand's third most common bird[51] and it was widespread on all three main islands. However, the kākāpō population in New Zealand has declined massively since human settlement of the country, and its conservation status as ranked by the Department of Conservation continues to be "Nationally Critical".[2] Since the 1890s, conservation efforts have been made to prevent extinction. The most successful scheme has been the Kākāpō Recovery Programme; this was implemented in 1995 and continues to this day.[72] Kākāpō are absolutely protected under New Zealand's Wildlife Act 1953.[73] The species is also listed under Appendix I of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) meaning international export/import (including parts and derivatives) is regulated.[74]

Human impact edit

 
Specimens at the Vienna Museum of Natural History: thousands of kākāpō were collected for museums across the world.

The first factor in the decline of the kākāpō was the arrival of humans. Māori folklore suggests that the kākāpō was found throughout the country when the Polynesians first arrived in Aotearoa 700 years ago.[75] Subfossil and midden deposits show that the bird was present throughout the North and South Island before and during early Māori times.[76] Māori hunted the kākāpō for food and for their skins and feathers, which were made into cloaks.[75]

Due to its inability to fly, strong scent and habit of freezing when threatened, the kākāpō was easy prey for the Māori and their dogs. Its eggs and chicks were also preyed upon by the Polynesian rat or kiore, which the Māori brought to New Zealand as a stowaway.[55] Furthermore, the deliberate clearing of vegetation by Māori reduced the habitable range for kākāpō. Although the kākāpō was extinct in many parts of the islands by the time Europeans arrived,[77] including the Tararua and Aorangi Ranges,[78] it was locally abundant in parts of New Zealand, such as the central North Island and forested parts of the South Island.[76]

Although kākāpō numbers were reduced by Māori settlement, they declined much more rapidly after European colonisation.[79] Beginning in the 1840s, Pākehā settlers cleared vast tracts of land for farming and grazing, further reducing kākāpō habitat. They brought more dogs and other mammalian predators, including domestic cats, black rats and stoats.[80] Europeans knew little of the kākāpō until Gray described it from a skin in 1845. As the Māori had done, early European explorers and their dogs ate kākāpō. In the late 19th century, the kākāpō became well known as a scientific curiosity, and thousands were captured or killed for zoos, museums and collectors. Most captured specimens died within months. From at least the 1870s, collectors knew the kākāpō population was declining; their prime concern was to collect as many as possible before the bird became extinct.[citation needed]

In the 1880s, large numbers of mustelids (stoats, ferrets and weasels) were released in New Zealand to reduce rabbit numbers,[81] but they also preyed heavily on many native species including the kākāpō. Other browsing animals, such as introduced deer, competed with the kākāpō for food, and caused the extinction of some of its preferred plant species. The kākāpō was reportedly still present near the head of the Whanganui River as late as 1894, with one of the last records of a kākāpō in the North Island being a single bird caught in the Kaimanawa Ranges by Te Kepa Puawheawhe in 1895.[78]

Early protection efforts edit

In 1891, the New Zealand government set aside Resolution Island in Fiordland as a nature reserve. In 1894, the government appointed Richard Henry as caretaker. A keen naturalist, Henry was aware that native birds were declining, and began catching and moving kākāpō and kiwi from the mainland to the predator-free Resolution Island. In six years, he moved more than 200 kākāpō to Resolution Island. By 1900, however, stoats had swum to Resolution Island and colonised it; they wiped out the nascent kākāpō population within 6 years.[82]

In 1903, three kākāpō were moved from Resolution Island to the nature reserve of Little Barrier Island (Hauturu-o-Toi) north-east of Auckland, but feral cats were present and the kākāpō were never seen again. In 1912, three kākāpō were moved to another reserve, Kapiti Island, north-west of Wellington. One of them survived until at least 1936, despite the presence of feral cats for part of the intervening period.[82]

By the 1920s, the kākāpō was extinct in the North Island and its range and numbers in the South Island were declining.[77] One of its last refuges was rugged Fiordland. There, during the 1930s, it was often seen or heard, and occasionally eaten, by hunters or roadworkers. By the 1940s, reports of kākāpō were becoming scarce.[citation needed]

1950–1989 conservation efforts edit

 
Sinbad Gully in Fiordland, seen between the mountains on the far side of a fiord, was one of the last strongholds of the kākāpō on mainland New Zealand.[83]

In the 1950s, the New Zealand Wildlife Service was established and began making regular expeditions to search for the kākāpō, mostly in Fiordland and what is now the Kahurangi National Park in the northwest of the South Island. Seven Fiordland expeditions between 1951 and 1956 found only a few recent signs. Finally, in 1958 a kākāpō was caught and released in the Milford Sound / Piopiotahi catchment area in Fiordland. Six more kākāpō were captured in 1961; one was released and the other five were transferred to the aviaries of the Mount Bruce Bird Reserve near Masterton in the North Island. Within months, four of the birds had died and the fifth died after about four years. In the next 12 years, regular expeditions found few signs of the kākāpō, indicating that numbers were continuing to decline. Only one bird was captured in 1967; it died the following year.[84]

By the early 1970s, it was uncertain whether the kākāpō was still an extant species. At the end of 1974, scientists located several more male kākāpō and made the first scientific observations of kākāpō booming. These observations led Don Merton to speculate for the first time that the kākāpō had a lek breeding system.[55] From 1974 to 1978 a total of 18 kākāpō were discovered in Fiordland, but all were males. This raised the possibility that the species would become extinct, because there might be no surviving females. One male bird was captured in the Milford area in 1975, christened "Richard Henry", and transferred to Maud Island. All the birds the Wildlife Service discovered from 1951 to 1976 were in U-shaped glaciated valleys flanked by almost-vertical cliffs and surrounded by high mountains. Such extreme terrain had slowed colonisation by browsing mammals, leaving islands of virtually unmodified native vegetation. However, even here, stoats were present and by 1976 the kākāpō was gone from the valley floors and only a few males survived high on the most inaccessible parts of the cliffs.[6]

Before 1977, no expedition had been to Stewart Island to search for the bird. In 1977, sightings of kākāpō were reported on the island.[6] An expedition to Rakiura found a track and bowl system on its first day; soon after, it located several dozen kākāpō. The finding in an eight-thousand-hectare (twenty-thousand-acre) area of fire-modified scrubland and forest raised hope that the population would include females. The total population was estimated at 100 to 200 birds.[85]

Mustelids have never colonised Stewart Island, but feral cats were present. During a survey, it was apparent that cats killed kākāpō at a rate of 56% per year.[86] At this rate, the birds could not survive on the island and therefore an intensive cat control was introduced in 1982, after which no cat-killed kākāpō were found.[6] However, to ensure the survival of the remaining birds, scientists decided later that this population should be transferred to predator-free islands; this operation was carried out between 1982 and 1997.[87]

Kākāpō Recovery programme edit

Kākāpō translocations 1974–1992[87]
Translocated to Number of kākāpō Deaths < 6 months Survived as of November 1992
Maud Island (1974–81) 9 (6♂, 3♀) 3 (2♂, 1♀) 4 (2♂, 2♀)
Little Barrier Island (1982) 22 (13♂, 9♀) 2 (1♂, 1♀) 15–19 (10–12♂, 5–7♀)
Codfish Island / Whenua Hou (1987–92) 30 (20♂, 10♀) 0 20–30 (13–20♂, 7–10♀)
Maud Island (1989–91) 6 (4♂, 2♀) 0 5 (3♂, 2♀)
Mana Island (1992) 2 (2♀) 1 (1♀) 1 (1♀)
Total 65 (43♂, 22♀) 6 (3♂, 3♀) 41–55 (27–36♂, 14–19♀)
Note: ♂ = males, ♀ = females.

In the 1980s the kākāpō were translocated to islands with no predators to maintain their genetic diversity, to avoid spreading harmful diseases, and to reduce interbreeding.[40]

In 1989, a Kākāpō Recovery plan was developed, and a Kākāpō Recovery programme was established in 1995.[88] The New Zealand Department of Conservation replaced the Wildlife Service for this task.

The first action of the plan was to relocate all the remaining kākāpō to suitable islands for them to breed. None of the New Zealand islands were ideal to establish kākāpō without rehabilitation by extensive re-vegetation and the eradication of introduced mammalian predators and competitors. Four islands were finally chosen: Maud, Little Barrier, Codfish and Mana.[87] Sixty-five kākāpō (43 males, 22 females) were successfully transferred onto the four islands in five translocations.[87] Some islands had to be rehabilitated several times when feral cats, stoats and weka kept appearing. Little Barrier Island was eventually viewed as unsuitable due to the rugged landscape, the thick forest and the continued presence of rats, and its birds were evacuated in 1998.[89] Along with Mana Island, it was replaced with two new kākāpō sanctuaries: Chalky Island (Te Kākahu-o-Tamatea) and Anchor Island.[6] The entire kākāpō population of Codfish Island was temporarily relocated in 1999 to Pearl Island in Port Pegasus while rats were being eliminated from Codfish.[90] All kākāpō on Pearl and Chalky Islands were moved to Anchor Island in 2005.[91]

Supplementary feeding edit

A key part of the Recovery Programme is the supplementary feeding of females. Kākāpō breed only once every two to five years, when certain plant species, primarily Dacrydium cupressinum (rimu), produce protein-rich fruit and seeds. During breeding years when rimu masts supplementary food is provided to kākāpō to increase the likelihood of individuals successfully breeding.[92] In 1989, six preferred foods (apples, sweet potatoes, almonds, Brazil nuts, sunflower seeds and walnuts) were supplied ad libitum each night to 12 feeding stations. Males and females ate the supplied foods, and females nested on Little Barrier Island in the summers of 1989–1991 for the first time since 1982, although nesting success was low.[93]

Supplementary feeding affects the sex ratio of kākāpō offspring, and can be used to increase the number of female chicks by deliberately manipulating maternal condition.[94] During the winter of 1981, only females lighter than 1.5 kg (3.3 lb) were given supplementary feeding to avoid raising their body condition, and the sex ratio results in 1982 were close to parity, eliminating the male-biased sex ratios in the unrestricted feeding.[citation needed]

Today commercial parrot food is supplied to all individuals of breeding age on Whenua Hou and Anchor. The amount eaten and individual weights are carefully monitored to ensure that optimum body condition is maintained.[62]

Nest management edit

 
Department of Conservation worker with chicks

Kākāpō nests are intensively managed by wildlife conservation staff. Before Polynesian rats were removed from Whenua Hou, the rats were a threat to the survival of young kākāpō. Of 21 chicks that hatched between 1981 and 1994, nine were either killed by rats or died and were subsequently eaten by rats.[92] Kākāpō nest protection was intensified after 1995 by using rat traps and rat poison stations as soon as a kākāpō nest was detected. A small video camera and infra-red light source would watch the nest continuously and scare approaching rats with flashing lights and loud popping sounds.[citation needed]

All kākāpō islands are now rat-free, but infrared cameras still allow rangers to remotely monitor the behaviour of females and chicks in nests. Data loggers record when mother kākāpō come and go, allowing rangers to pick a time to check on the health of chicks, and also indicate how hard females are having to work to find food. Because mother kākāpō often struggle to successfully rear multiple chicks, Kākāpō Recovery rangers will move chicks between nests as needed.[62]

Eggs are often removed from nests for incubation to reduce the likelihood of accidents, such as lost eggs or crushing. If chicks become ill, are not putting on weight, or there are too many chicks in the nest (and no available nest to move them to) they will be hand-reared by the Kākāpō Recovery team.[62] In the 2019 season, eggs were also removed from nests to encourage females to re-nest. By hand-raising the first group of chicks in captivity and encouraging females to lay more eggs, the Kākāpō Recovery Team hoped that overall chick production would be increased.[95] By the end of February 2020, the bird's summer breeding season, these efforts led to the production of 80 chicks, "a record number."[96]

Monitoring edit

To monitor the kākāpō population continuously, each bird is equipped with a radio transmitter.[92] Every known kākāpō, barring some young chicks, has been given a name by Kākāpō Recovery Programme officials, and detailed data is gathered about every individual.[38] GPS transmitters are also being trialled to provide more detailed data about the movement of individual birds and their habitat use.[62] The signals also provide behavioural data, letting rangers gather information about mating and nesting remotely.[38] Every individual kākāpō receives an annual health check and has their transmitter replaced.[citation needed]

Reintroduction edit

The Kākāpō Recovery programme has been successful, with the numbers of kākāpō increasing steadily. Adult survival rate and productivity have both improved significantly since the programme's inception. However, the main goal is to establish at least one viable, self-sustaining, unmanaged population of kākāpō as a functional component of the ecosystem in a protected habitat.[97] To help meet this conservation challenge, Resolution Island (20,860 ha (51,500 acres)) in Fiordland has been prepared for kākāpō re-introduction with ecological restoration including the eradication of stoats.[98][6] Ultimately, the Kākāpō Recovery vision for the species is to restore the mauri (Māori for "life-force") of the kākāpō by breeding 150 adult females.[99]

Four males were re-introduced to Sanctuary Mountain Maungatautari in the North Island on 21 July 2023, becoming the first kākāpō living in mainland New Zealand in almost 40 years.[9] Despite extensive improvements to the perimeter fence, in October 2023, one of the kākāpō escaped by using a downed tree to climb out. The bird was located using the signal from its GPS transmitter and returned to the sanctuary.[100] A second group of six birds was introduced to the sanctuary in September. However, two further kākāpō found a way over the fence, and in November the Department of Conservation temporarily removed three birds from the sanctuary to a southern predator-free island, leaving the kākāpō population in the sanctuary at seven. The Department commented that "Kākāpō are flightless but are excellent climbers who can use their wings to parachute from treetops".[101]

Fatal fungal infection edit

In 2019 an outbreak of the fungal disease aspergillosis among kākāpō on the island of Whenua Hou infected 21 individuals and led to 9 deaths: two adults, five chicks and two juveniles. Over 50 birds were transported to veterinary centres for diagnostics and treatment.[102]

Population timeline edit

 
Cat control in 1982 slowed a sharp decline in kākāpō numbers, and they have recently increased under the Kākāpō Recovery plan. Red arrows indicate breeding years. Numbers become less precise before 1995, with the 1977 figure perhaps out by 50 birds.[103]
  • 1977: Kākāpō rediscovered on Stewart Island / Rakiura
  • 1989: Most kākāpō are removed from Rakiura to Whenua Hou and Hauturu-O-Toi
  • 1995: Kākāpō population consists of 51 individuals; beginning of the Kakapo Recovery Programme
  • 1999: Kākāpō removed from Hauturu
  • 2002: A significant breeding season led to 24 chicks being hatched
  • 2005: 41 females and 45 males, including four fledglings (3 females and 1 male); kākāpō established on Anchor Island[6]
  • 2009: The total kākāpō population rose to over 100 for the first time since monitoring began.[104] Twenty-two of the 34 chicks had to be hand-reared because of a shortage of food on Codfish Island.[105]
  • December 2010: Death of the oldest known kākāpō, "Richard Henry", possibly 80 years old.[106]
  • 2012: Seven kākāpō transferred to Hauturu, in an attempt to establish a successful breeding programme. Kākāpō were last on the island in 1999.[107]
  • March 2014: With the kākāpō population having increased to 126, the bird's recovery was used by Melbourne artist Sayraphim Lothian as a metaphor for the recovery of Christchurch, parallelling the "indomitable spirit of these two communities and their determination to rebuild".[108][109]
  • 2016: First breeding on Anchor; a significant breeding season, with 32 chicks; kākāpō population grows to over 150
  • 2018: After the death of 3 birds, the population reduced to 149 birds.[110]
  • 2019: An abundance of rimu fruit and the introduction of several new technologies (including artificial insemination and 'smart eggs') helped make 2019 the best breeding season on record, with over 200 eggs laid and 72 chicks fledged. According to the Kākāpō Recovery Team at the New Zealand Department of Conservation, this was the earliest and longest breeding season yet.[111][112] Population reached 200 juvenile or older birds on 17 August 2019.[113]
  • 2022: The population increased to 252 birds after a productive breeding season and successful artificial insemination.[114]
  • 2023: Birds are reintroduced to the mainland for the first time.[9][115]

In Māori culture edit

The kākāpō is associated with a rich tradition of Māori folklore and beliefs. The bird's irregular breeding cycle was understood to be associated with heavy fruiting or "masting" events of particular plant species such as the rimu, which led Māori to credit the bird with the ability to tell the future.[116] Used to substantiate this claim were reported observations of these birds dropping the berries of the hinau and tawa trees (when they were in season) into secluded pools of water to preserve them as a food supply for the summer ahead; in legend this became the origin of the Māori practice of immersing food in water for the same purpose.[116]

Use for food and clothing edit

 
Feathers

The Māori considered the meat of the kākāpō a delicacy and, when the bird was widespread, hunted it for food.[75] One source states that its flesh "resembles lamb in taste and texture",[116] although European settlers have described the bird as having a "strong and slightly stringent [sic] flavour".[75]

In breeding years, the loud booming calls of the males at their mating arenas made it easy for Māori hunting parties to track the kākāpō down, and it was also hunted while feeding or when dust-bathing in dry weather. The bird was caught, generally at night, using snares, pitfall traps, or by groups of domesticated Polynesian dogs which accompanied hunting parties – sometimes they would use fire sticks of various sorts to dazzle a bird in the darkness, stopping it in their tracks and making the capture easier.[116] Cooking was done in a hāngī or in gourds of boiling oil.[117] The flesh of the bird could be preserved in its own fat and stored in containers for later consumption – hunters of the Ngāi Tahu iwi would pack the flesh in baskets made from the inner bark of tōtara tree or in containers constructed from kelp.[118] Bundles of kākāpō tail feathers were attached to the sides of these containers to provide decoration and a way to identify their contents.[75][118] The Māori also used the bird's eggs for food.[116]

As well as eating the meat of the kākāpō, Māori would use kākāpō skins with the feathers still attached or individually weave in kākāpō feathers with flax fibre to create cloaks and capes.[117][118][119] Each one required up to 11,000 feathers to make.[120] Not only were these garments considered very beautiful, they also kept the wearer very warm.[117][120] They were highly valued, and the few still in existence today are considered taonga (treasures), so much so that the old Māori adage "You have a kākāpō cape and you still complain of the cold" was used to describe someone who is never satisfied.[117] Kākāpō feathers were also used to decorate the heads of taiaha, but were removed before use in combat.[75][118][120]

Despite this, the kākāpō was also regarded as an affectionate pet by the Māori. This was corroborated by European settlers in New Zealand in the 19th century, among them George Edward Grey, who once wrote in a letter to an associate that his pet kākāpō's behaviour towards him and his friends was "more like that of a dog than a bird".[116]

In the media edit

The conservation of the kākāpō has made the species well known. Many books and documentaries detailing the plight of the kākāpō have been produced in recent years, one of the earliest being Two in the Bush, made by Gerald Durrell for the BBC in 1962.[121]

A feature-length documentary, The Unnatural History of the Kakapo[122] won two major awards at the Reel Earth Environmental Film Festival. Two of the most significant documentaries, both made by NHNZ, are Kakapo – Night Parrot (1982) and To Save the Kakapo (1997).

 
Sirocco on Maud Island

The BBC's Natural History Unit featured the kākāpō, including a sequence with Sir David Attenborough in The Life of Birds. It was one of the endangered animals Douglas Adams and Mark Carwardine set out to find for the radio series and book Last Chance to See. An updated version of the series has been produced for BBC TV, in which Stephen Fry and Carwardine revisit the animals to see how they are getting on almost 20 years later, and in January 2009, they spent time filming the kākāpō on Codfish Island / Whenua Hou.[83][123] Footage of a kākāpō named Sirocco attempting to mate with Carwardine's head was viewed by millions worldwide, leading to Sirocco becoming "spokes-bird" for New Zealand wildlife conservation in 2010.[124] Sirocco became the inspiration for the party parrot, a popular animated emoji frequently associated with the workflow application Slack.[125]

The kākāpō was featured in the episode "Strange Islands" of the documentary series South Pacific, originally aired on 13 June 2009,[126] in the episode "Worlds Apart" of the series The Living Planet,[127] and in episode 3 of the BBC's New Zealand Earth's Mythical Islands.[128]

In a 2019 kākāpō awareness campaign, the Kākāpō Recovery Programme New Zealand National Partner, Meridian Energy, ran a Search for a Saxophonist to provide suitable mood music for encouraging mating to coincide with the 2019 kākāpō breeding season. The search and footage from the islands where breeding was taking place were featured on the One News Breakfast programme.[129]

The bird was voted New Zealand's bird of the year in 2008 and 2020.[130][131]

See also edit

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Sources edit

  • Higgins, P.J., ed. (1999). "Strigops habroptilus Kakapo" (PDF). Handbook of Australian, New Zealand & Antarctic Birds. Vol. 4: Parrots to Dollarbird. Melbourne, Victoria: Oxford University Press. pp. 633–646. ISBN 978-0-19-553071-1.

Further reading edit

  • Butler, David (1989). Quest for the kakapo. Auckland: Heinemann Reed. ISBN 978-0-7900-0065-7.
  • Climo, Gideon; Ballance, Alison (1997). Hoki: The story of a kakapo. Auckland: Godwit. ISBN 978-1-86962-009-7.
  • Jones, Jenny (2003). The kakapo. Auckland: Reed. ISBN 978-1-86948-662-4.
  • Williams, Murray; Merton, Don (2006). "Saving kakapo: An illustrated history" (PDF). Notornis. 53 (1).
  • Steinig, Günther, ed. (February 1963). "Eulenpapagei oder Kakapo (Strigops habroptilus)". Brehms Exotische Vogelwelt. Berlin: Safari. pp. 62–71. Die Darstellung folgt vor allem Beobachtungen frühen Erforschern Neuseelands, wie Julius Haast, Georg Grey und Lyall.
  • Rearden, Jim (February 1978). "Die letzten Tage des Kakapo". Geo-Magazin. Hamburg. pp. 88–102. ISSN 0342-8311. über die Erhaltungsbemühungen in Fiordland
  • "Vom Leben eines totgesagten Vogels". Geo-Magazin. Hamburg. October 2006. pp. 176–180. ISSN 0342-8311.
  • Schreiber, R.L.; Diamond, A.W.; Stern, H.; Thielcke, G., eds. (1987). "Eulenpapagei. Brummend balzt das letzte Männchen". Rettet die Vogelwelt. Ravensburg: O. Maier. pp. 198–201. ISBN 3-473-46160-1.
  • Adams, Douglas; Carwardine, Mark (1990). Last Chance to See. Pan Books. ISBN 978-0-345-37198-0.
  • Cemmick, David; Veitch, Dick (1987). Kakapo Country: The story of the world's most unusual bird. Foreword by David Bellamy. Photos by D. Cemmick. Auckland: Hodder & Stoughton. ISBN 0-340-41647-5.
  • Temple, Philip; Gaskin, Chris (1988). The Story of the kakapo. Parrot of the Night. Auckland: Hodder & Stoughton. ISBN 0-340-51967-3. Prizewinner: Children's Picture Book of the Year Award 1990
  • Powlesland, R.G.; Roberts, A.; Lloyd, B.D.; Merton, D. (1995). (PDF). New Zealand Journal of Zoology. 22 (3): 239–248. doi:10.1080/03014223.1995.9518039. ISSN 0301-4223. Archived from the original (PDF) on 22 September 2004 – via rsnz.org.
  • Cresswell, Mary (1996). (PDF). Kakapo Management Group. Threatened Species Recovery Plan. Wellington: Department of Conservation (DoC). ISBN 0-478-01773-1. No. 21. Archived from the original (PDF) on 10 November 2007 – via kakaporecovery.org.nz.
  • Higham, Tim (July–September 1992). "The kakapo of Codfish Island". New Zealand Geographic. Vol. 15. pp. 30–38. ISSN 0113-9967.
  • Grzelewski, Derek (March–April 2002). . New Zealand Geographic Magazine. Vol. 56. Ohakune. ISSN 0113-9967. Archived from the original on 20 July 2006.
  • Hutching, Gerard (2004). Back from the Brink: The fight to save our endangered birds. Auckland: Penguin Books. ISBN 0-14-301948-1.
  • Clout, Mick N. (2006). "A celebration of kakapo: progress in the conservation of an enigmatic parrot" (PDF). Notornis. 53: 1–2.

External links edit

kākāpō, kākāpō, māori, kaːkaːpɔː, kākāpō, strigops, habroptila, sometimes, known, parrot, moss, chicken, species, large, nocturnal, ground, dwelling, parrot, superfamily, strigopoidea, endemic, zealand, celebrity, kākāpō, sirocco, maud, island, conservation, s. The kakapō Maori kaːkaːpɔː 3 pl kakapō Strigops habroptila sometimes known as the owl parrot or moss chicken 4 is a species of large nocturnal ground dwelling parrot of the superfamily Strigopoidea It is endemic to New Zealand 5 Kakapō Celebrity kakapō Sirocco on Maud Island Conservation status Critically Endangered IUCN 3 1 1 Nationally Critical NZ TCS 2 Scientific classification Domain Eukaryota Kingdom Animalia Phylum Chordata Class Aves Order Psittaciformes Superfamily Strigopoidea Family StrigopidaeBonaparte 1849 Genus StrigopsG R Gray 1845 Species S habroptila Binomial name Strigops habroptilaG R Gray 1845 Synonyms Strigops habroptilus Kakapō can be up to 64 cm 25 in long They have a combination of unique traits among parrots finely blotched yellow green plumage a distinct facial disc owl style forward facing eyes with surrounding discs of specially textured feathers a large grey beak short legs large blue feet relatively short wings and a short tail It is the world s only flightless parrot the world s heaviest parrot and also is nocturnal herbivorous visibly sexually dimorphic in body size has a low basal metabolic rate and does not have male parental care It is the only parrot to have a polygynous lek breeding system It is also possibly one of the world s longest living birds with a reported lifespan of up to 100 years 6 Adult males weigh around 1 5 3 kilograms 3 3 6 6 lb the equivalent figure for females is 0 950 1 6 kilograms 2 09 3 53 lb The anatomy of the kakapō typifies the tendency of bird evolution on oceanic islands With few predators and abundant food kakapō exhibit island syndrome development having a generally robust torso physique at the expense of flight abilities resulting in reduced shoulder and wing muscles along with a diminished keel on the sternum Like many other New Zealand bird species the kakapō was historically important to Maori the indigenous people of New Zealand It appears in Maori mythology Heavily hunted in the past it was used by the Maori both for its meat and for its feathers The kakapō is critically endangered the total known population of living individuals is 247 as of 2023 7 Known individuals are named tagged and confined to four small New Zealand islands all of which are clear of predators 8 however in 2023 a reintroduction to mainland New Zealand Sanctuary Mountain Maungatautari was accomplished 9 Introduced mammalian predators such as cats rats ferrets and stoats almost wiped out the kakapō All conservation efforts were unsuccessful until the Kakapō Recovery Programme began in 1995 Contents 1 Taxonomy 2 Description 2 1 Internal anatomy 2 2 Genetics 3 Habitat 4 Ecology and behaviour 4 1 Breeding 4 2 Feeding 5 Conservation 5 1 Human impact 5 2 Early protection efforts 5 3 1950 1989 conservation efforts 5 4 Kakapō Recovery programme 5 4 1 Supplementary feeding 5 4 2 Nest management 5 4 3 Monitoring 5 4 4 Reintroduction 5 4 5 Fatal fungal infection 6 Population timeline 7 In Maori culture 7 1 Use for food and clothing 8 In the media 9 See also 10 References 11 Sources 12 Further reading 13 External linksTaxonomy edit nbsp Lithograph by David Mitchell that accompanied Gray s original 1845 description The kakapō was formally described and illustrated in 1845 by the English ornithologist George Robert Gray He created a new genus and coined the binomial name Strigops habroptilus Gray was uncertain about the origin of his specimen and wrote This remarkable bird is found in one of the islands of the South Pacific Ocean 10 The type location has been designated as Dusky Sound on the southwest corner of New Zealand s South Island 11 12 The generic name Strigops is derived from the Ancient Greek strix genitive strigos owl and ops face while its specific epithet habroptilus comes from habros soft and ptilon feather 13 In 1955 the International Commission on Zoological Nomenclature ICZN ruled that the genus name Strigops was feminine 14 The epithet habroptilus is an adjective and under the rules of the ICZN the feminine form habroptila should be used when combined with the feminine genus name Strigops 15 The spelling of the binomial name therefore differs from that proposed by Gray and becomes Strigops habroptila 16 17 18 The species is monotypic as no subspecies are recognised 16 The name kakapō is Maori from kaka parrot pō night 19 the name is both singular and plural 20 Kakapō is increasingly written in New Zealand English with the macrons that indicate long vowels 21 22 23 The correct pronunciation in Maori is kaːkaːpɔː other colloquial pronunciations exist however These include the British English ˈ k ɑː k e p oʊ KAH ke poh 24 as defined in the Chambers Dictionary in 2003 25 The kakapō is placed in the family Strigopidae together with the two species in the genus Nestor the kea Nestor notabilis and the kaka Nestor meridionalis The birds are endemic to New Zealand 16 Molecular phylogenetic studies have shown that the family Strigopidae is basal to the other three parrot families in the order Psittaciformes and diverged from them 33 44 million years ago The common ancestor of the kakapō and the two Nestor species diverged 27 40 million years ago 26 Earlier ornithologists felt that the kakapō might be related to the ground parrots and night parrot of Australia due to their similar colouration but this is contradicted by molecular studies 27 rather the cryptic colour seems to be adaptation to terrestrial habits that evolved twice convergently 28 Description edit nbsp A year old kakapō on Codfish Island Whenua Hou The kakapō is a large rotund parrot Adults can measure from 58 to 64 cm 23 to 25 in in length with a wingspan of 82 cm 32 in Males are significantly heavier than females with an average weight of 2 kg 4 4 lb compared with just 1 5 kg 3 3 lb for females 29 Kakapō are the heaviest living species of parrot and on average weigh about 400 g 14 oz more than the largest flying parrot the hyacinth macaw 30 The kakapō cannot fly having relatively short wings for its size and lacking the keel on the sternum breastbone where the flight muscles of other birds attach 6 It uses its wings for balance and to break its fall when leaping from trees Unlike many other land birds the kakapō can accumulate large amounts of body fat 6 The upper parts of the kakapō have yellowish moss green feathers barred or mottled with black or dark brownish grey blending well with native vegetation Individuals may have strongly varying degrees of mottling and colour tone and intensity museum specimens show that some birds had completely yellow colouring The breast and flank are yellowish green streaked with yellow The belly undertail neck and face are predominantly yellowish streaked with pale green and weakly mottled with brownish grey Because the feathers do not need the strength and stiffness required for flight they are exceptionally soft giving rise to the specific epithet habroptila The kakapō has a conspicuous facial disc of fine feathers resembling the face of an owl thus early European settlers called it the owl parrot The beak is surrounded by delicate feathers which resemble vibrissae or whiskers it is possible kakapō use these to sense the ground as they walk with its head lowered but there is no evidence for this The mandible is variable in colour mostly ivory with the upper part often bluish grey The eyes are dark brown Kakapō feet are large scaly and as in all parrots zygodactyl two toes face forward and two backward The pronounced claws are particularly useful for climbing The ends of the tail feathers often become worn from being continually dragged on the ground 6 nbsp The whiskers around the beak Females are easily distinguished from males as they have a narrower and less domed head narrower and proportionally longer beak smaller cere and nostrils more slender and pinkish grey legs and feet and proportionally longer tail While their plumage colour is not very different from that of the male the toning is more subtle with less yellow and mottling Nesting females also have a brood patch of bare skin on the belly 6 The kakapō s altricial young are first covered with greyish white down through which their pink skin can be easily seen They become fully feathered at approximately 70 days old Juvenile individuals tend to have duller green colouration more uniform black barring and less yellow present in their feathers They are additionally distinguishable because of their shorter tails wings and beaks At this stage they have a ring of short feathers surrounding their irises that resembles eyelashes 6 Like many other parrots kakapō have a variety of calls As well as the booms see below for a recording and chings of their mating calls they will often loudly skraark 31 The kakapō has a well developed sense of smell which complements its nocturnal lifestyle 32 It can distinguish between odours while foraging a behaviour reported in only one other parrot species 32 The kakapō has a large olfactory bulb ratio longest diameter of the olfactory bulb longest diameter of the brain indicating that it does indeed have a more developed sense of smell than other parrots 32 One of the most striking characteristics of the kakapō is its distinct musty sweet odour 31 The smell often alerts predators to the presence of kakapō 33 As a nocturnal species the kakapō has adapted its senses to living in darkness Its optic tectum nucleus rotundus and entopallium are smaller in relation to its overall brain size than those of diurnal parrots Its retina shares some qualities with that of other nocturnal birds but also has some qualities typical of diurnal birds lending to best function around twilight These modifications allow the kakapō to have enhanced light sensitivity but with poor visual acuity 34 Internal anatomy edit nbsp Skeleton The skeleton of the kakapō differs from other parrots in several features associated with flightlessness Firstly it has the smallest relative wing size of any parrot Its wing feathers are shorter more rounded less asymmetrical and have fewer distal barbules to lock the feathers together The sternum is small and has a low vestigial keel and a shortened spina externa As in other flightless birds and some flighted parrots the furcula is not fused but consists of a pair of clavicles lying in contact with each coracoid As in other flightless birds the angle between the coracoid and sternum is enlarged The kakapō has a larger pelvis than other parrots The proximal bones of the leg and wing are disproportionately long and the distal elements are disproportionately short 35 The pectoral musculature of the kakapō is also modified by flightlessness The pectoralis and supracoracoideus muscles are greatly reduced The propatagialis tendo longus has no distinct muscle belly The sternocoracoideus is tendinous There is an extensive cucularis capitis clavicularis muscle that is associated with the large crop 35 Genetics edit Because kakapō passed through a genetic bottleneck in which their world population was reduced to 49 birds they are extremely inbred and have low genetic diversity This manifests in lower disease resistance and fertility problems 61 of kakapō eggs fail to hatch 36 Beginning in 2015 the Kakapō 125 project has sequenced the genome of all living kakapō as well as some museum specimens 37 The project is a collaboration led by Genomics Aotearoa and a collaboration with a team of international collaborators 38 39 A DNA sequence analysis was performed on 35 kakapō genomes of the surviving descendants of an isolated island population and on 14 genomes mainly from museum specimens of the now extinct mainland population 40 An analysis of the long term genetic impact of small population size indicated that the small island kakapo population had a reduced number of harmful mutations compared to the number in mainland individuals 40 It was hypothesized that the reduced mutational load of the island population was due to a combination of genetic drift and the purging of deleterious mutations through increased inbreeding and purifying selection that occurred since the isolation of this population from the mainland about 10 000 years ago 40 Purging of deleterious mutations occurs when there is selection against recessive or partially recessive detrimental alleles as they are expressed in the homozygous state 40 Habitat editBefore the arrival of humans the kakapō was distributed throughout both main islands of New Zealand Although it may have inhabited Stewart Island Rakiura before human arrival it has so far not been found in the extensive fossil collections from there 41 Kakapō lived in a variety of habitats including tussocklands scrublands and coastal areas It also inhabited forests dominated by podocarps rimu matai kahikatea tōtara beeches tawa and rata In Fiordland areas of avalanche and slip debris with regenerating and heavily fruiting vegetation such as five finger wineberry bush lawyer tutu hebes and coprosmas became known as kakapō gardens 42 The kakapō is considered to be a habitat generalist 6 Though they are now confined to islands free of predation they were once able to live in nearly any climate present on the islands of New Zealand They survived dry hot summers on the North Island as well as cold winter temperatures in the sub alpine areas of Fiordland Kakapō seem to have preferred broadleaf or mountain beech and Hall s tōtara forest with mild winters and high rainfall but the species was not exclusively forest dwelling 43 Ecology and behaviour edit nbsp Historic distribution of the kakapō Maximum distribution since 1840 Fossil evidence The kakapō is primarily nocturnal it roosts under cover in trees or on the ground during the day and moves around its territories at night 5 Though the kakapō cannot fly it is an excellent climber ascending to the crowns of the tallest trees It can also parachute descending by leaping and spreading its wings In this way it may travel a few metres at an angle of less than 45 degrees 6 With only 3 3 of its mass made up of pectoral muscle it is no surprise that the kakapō cannot use its wings to lift its heavy body off the ground Because of its flightlessness it has very low metabolic demands in comparison to flighted birds It is able to survive easily on very little or on very low quality food sources Unlike most other bird species the kakapō is entirely herbivorous feeding on fruits seeds leaves stems and rhizomes When foraging kakapō tend to leave crescent shaped wads of fiber in the vegetation behind them called browse signs 44 Having lost the ability to fly it has developed strong legs Locomotion is often by way of a rapid jog like gait by which it can move several kilometres 45 A female has been observed making two return trips each night during nesting from her nest to a food source up to 1 km 0 6 mi away 46 and the male may walk from its home range to a mating arena up to 5 km 3 mi away during the mating season October January 47 nbsp Individual nicknamed Trevor feeding on poroporo fruits Maud Island Young birds indulge in play fighting and one bird will often lock the neck of another under its chin 48 The kakapō is curious by nature and has been known to interact with humans Conservation staff and volunteers have engaged extensively with some kakapō which have distinct personalities 49 Despite this kakapō are solitary birds 50 The kakapō was a very successful species in pre human New Zealand and was well adapted to avoid the birds of prey which were their only predators As well as the New Zealand falcon there were two other birds of prey in pre human New Zealand Haast s eagle and Eyles harrier 51 All these raptors soared overhead searching for prey in daylight and to avoid them the kakapō evolved camouflaged plumage and became nocturnal When a kakapō feels threatened it freezes so that it is more effectively camouflaged in the vegetation its plumage resembles Kakapō were not entirely safe at night when the laughing owl was active and it is apparent from owl nest deposits on Canterbury limestone cliffs that kakapō were among their prey 52 Kakapō defensive adaptations were no use however against the mammalian predators introduced to New Zealand by humans Birds hunt very differently from mammals relying on their powerful vision to find prey and thus they usually hunt by day 51 Mammalian predators in contrast to birds often hunt by night and rely on their sense of smell and hearing to find prey a common way for humans to hunt kakapō was by releasing trained dogs 53 51 The kakapō s adaptations to avoid avian predation have thus been useless against its new enemies and the reason for its massive decline since the introduction of dogs cats and mustelids see Conservation Human impact citation needed Breeding edit nbsp Hatching kakapō egg Kakapō are the only flightless bird that has a lek breeding system 54 Males loosely gather in an arena and compete with each other to attract females Females listen to the males as they display or lek 55 They choose a mate based on the quality of his display they are not pursued by the males in any overt way No pair bond is formed males and females meet only to mate 56 During the courting season males leave their home ranges for hilltops and ridges where they establish their own mating courts These leks can be up to 5 kilometres 3 mi from a kakapō s usual territory and are an average of 50 metres 160 ft apart within the lek arena Males remain in the region of their court throughout the courting season At the start of the breeding season males will fight to try to secure the best courts They confront each other with raised feathers spread wings open beaks raised claws and loud screeching and growling Fighting may leave birds with injuries or even kill them Mating occurs only approximately every five years with the ripening of the rimu fruit In mating years males may make booming calls for 6 8 hours every night for more than four months 57 source source The sound of a kakapō booming Each court consists of one or more saucer shaped depressions or bowls dug in the ground by the male up to 10 centimetres 4 in deep and long enough to fit the half metre length of the bird The kakapō is one of only a handful of birds in the world which actually constructs its leks 54 Bowls are often created next to rock faces banks or tree trunks to help reflect sound 58 the bowls themselves function as amplifiers to enhance the projection of the males booming mating calls 54 Each male s bowls are connected by a network of trails or tracks which may extend 50 metres 160 ft along a ridge or 20 metres 70 ft in diameter around a hilltop Males meticulously clear their bowls and tracks of debris 58 To attract females males make loud low frequency below 100 Hz booming calls from their bowls by inflating a thoracic sac 59 60 They start with low grunts which increase in volume as the sac inflates After a sequence of about 20 loud booms the male kakapō emits a high frequency metallic ching sound 61 He stands for a short while before again lowering his head inflating his chest and starting another sequence of booms The booms can be heard at least 1 kilometre 0 62 mi away on a still night wind can carry the sound at least 5 kilometres 3 1 mi 58 Males boom for an average of eight hours a night each male may produce thousands of booms in this time This may continue every night for three or four months during which time the male may lose half his body weight Each male moves around the bowls in his court so that the booms are sent out in different directions These booms are also notorious for attracting predators because of the long range at which they can be heard citation needed Females are attracted by the booms of the competing males they too may need to walk several kilometres from their territories to the arena Once a female enters the court of one of the males the male performs a display in which he rocks from side to side and makes clicking noises with his beak 6 He turns his back to the female spreads his wings in display and walks backwards towards her He will then attempt copulation for 40 minutes or more 62 Once the birds have mated the female returns to her home territory to lay eggs and raise the chicks The male continues booming in the hope of attracting another female 63 nbsp Hatchlings The female kakapō lays 1 4 eggs per breeding cycle with several days between eggs 60 62 The nest is placed on the ground under the cover of plants or in cavities such as hollow tree trunks The female incubates the eggs beginning after the first egg is laid but is forced to leave the nest every night in search of food Predators are known to eat the eggs and the embryos inside can also die of cold in the mother s absence Kakapō eggs usually hatch within 30 days 64 bearing fluffy grey chicks that are quite helpless The female feeds the chicks for three months and the chicks remain with the female for some months after fledging 60 The young chicks are just as vulnerable to predators as the eggs and young have been killed by many of the same predators that attack adults Chicks leave the nest at approximately 10 to 12 weeks of age As they gain greater independence their mothers may feed the chicks sporadically for up to 3 months 6 65 The kakapō is long lived with an average life expectancy of 60 plus or minus 20 years and tends to reach adolescence before it starts breeding 62 Males start booming at about 5 years of age 66 It was thought that females reached sexual maturity at 9 years of age but four five year old females have now been recorded reproducing 64 62 The kakapō does not breed every year and has one of the lowest rates of reproduction among birds Breeding occurs only in years when trees mast fruit heavily providing a plentiful food supply Rimu mast occurs only every three to five years so in rimu dominant forests such as those on Whenua Hou kakapō breeding occurs as infrequently 67 Another aspect of the kakapō s breeding system is that a female can alter the sex ratio of her offspring depending on her condition A female in good condition produces more male offspring males have 30 40 more body weight than females 6 Females produce offspring biased towards the dispersive sex when competition for resources such as food is high and towards the non dispersive sex when food is plentiful A female kakapō will likely be able to produce eggs even when there are few resources while a male kakapō will be more capable of perpetuating the species when there are plenty by mating with several females 68 This supports the Trivers Willard hypothesis The relationship between clutch sex ratio and maternal diet has conservation implications because a captive population maintained on a high quality diet will produce fewer females and therefore fewer individuals valuable to the recovery of the species 69 Feeding edit The beak of the kakapō is adapted for grinding food finely For this reason the kakapō has a very small gizzard compared to other birds of their size It is entirely herbivorous eating native plants seeds fruits pollen and even the sapwood of trees A study in 1984 identified 25 plant species as kakapō food 5 It is specifically fond of the fruit of the rimu tree and will feed on it exclusively during seasons when it is abundant The kakapō strips out the nutritious parts of the plant out with its beak leaving a ball of indigestible fibre These little clumps of plant fibres are a distinctive sign of the presence of the bird 44 The kakapō is believed to employ bacteria in the fore gut to ferment and help digest plant matter 70 Kakapō diet changes according to the season The plants eaten most frequently during the year include some species of Lycopodium ramulosum Lycopodium fastigium Schizaea fistulosa Blechnum minus Blechnum procerum Cyathodes juniperina Dracophyllum longifolium Olearia colensoi and Thelymitra venosa Individual plants of the same species are often treated differently Kakapō may forage heavily in certain areas leaving on occasion more than 30 droppings and conspicuous evidence of herbivory 5 These areas which are mostly dominated by manuka and yellow silver pine range from 100 5 000 sq metres 1 076 53 820 sq feet per individual 5 Preserved coprolites of kakapō have been studied to obtain information on the historic diet of the bird This research has identified 67 native plant genera previously unrecorded as food sources for kapapō including native mistletoes as well as Dactylanthus taylorii 71 Conservation editFossil records indicate that in pre Polynesian times the kakapō was New Zealand s third most common bird 51 and it was widespread on all three main islands However the kakapō population in New Zealand has declined massively since human settlement of the country and its conservation status as ranked by the Department of Conservation continues to be Nationally Critical 2 Since the 1890s conservation efforts have been made to prevent extinction The most successful scheme has been the Kakapō Recovery Programme this was implemented in 1995 and continues to this day 72 Kakapō are absolutely protected under New Zealand s Wildlife Act 1953 73 The species is also listed under Appendix I of the Convention on International Trade in Endangered Species of Wild Fauna and Flora CITES meaning international export import including parts and derivatives is regulated 74 Human impact edit nbsp Specimens at the Vienna Museum of Natural History thousands of kakapō were collected for museums across the world The first factor in the decline of the kakapō was the arrival of humans Maori folklore suggests that the kakapō was found throughout the country when the Polynesians first arrived in Aotearoa 700 years ago 75 Subfossil and midden deposits show that the bird was present throughout the North and South Island before and during early Maori times 76 Maori hunted the kakapō for food and for their skins and feathers which were made into cloaks 75 Due to its inability to fly strong scent and habit of freezing when threatened the kakapō was easy prey for the Maori and their dogs Its eggs and chicks were also preyed upon by the Polynesian rat or kiore which the Maori brought to New Zealand as a stowaway 55 Furthermore the deliberate clearing of vegetation by Maori reduced the habitable range for kakapō Although the kakapō was extinct in many parts of the islands by the time Europeans arrived 77 including the Tararua and Aorangi Ranges 78 it was locally abundant in parts of New Zealand such as the central North Island and forested parts of the South Island 76 Although kakapō numbers were reduced by Maori settlement they declined much more rapidly after European colonisation 79 Beginning in the 1840s Pakeha settlers cleared vast tracts of land for farming and grazing further reducing kakapō habitat They brought more dogs and other mammalian predators including domestic cats black rats and stoats 80 Europeans knew little of the kakapō until Gray described it from a skin in 1845 As the Maori had done early European explorers and their dogs ate kakapō In the late 19th century the kakapō became well known as a scientific curiosity and thousands were captured or killed for zoos museums and collectors Most captured specimens died within months From at least the 1870s collectors knew the kakapō population was declining their prime concern was to collect as many as possible before the bird became extinct citation needed In the 1880s large numbers of mustelids stoats ferrets and weasels were released in New Zealand to reduce rabbit numbers 81 but they also preyed heavily on many native species including the kakapō Other browsing animals such as introduced deer competed with the kakapō for food and caused the extinction of some of its preferred plant species The kakapō was reportedly still present near the head of the Whanganui River as late as 1894 with one of the last records of a kakapō in the North Island being a single bird caught in the Kaimanawa Ranges by Te Kepa Puawheawhe in 1895 78 Early protection efforts edit In 1891 the New Zealand government set aside Resolution Island in Fiordland as a nature reserve In 1894 the government appointed Richard Henry as caretaker A keen naturalist Henry was aware that native birds were declining and began catching and moving kakapō and kiwi from the mainland to the predator free Resolution Island In six years he moved more than 200 kakapō to Resolution Island By 1900 however stoats had swum to Resolution Island and colonised it they wiped out the nascent kakapō population within 6 years 82 In 1903 three kakapō were moved from Resolution Island to the nature reserve of Little Barrier Island Hauturu o Toi north east of Auckland but feral cats were present and the kakapō were never seen again In 1912 three kakapō were moved to another reserve Kapiti Island north west of Wellington One of them survived until at least 1936 despite the presence of feral cats for part of the intervening period 82 By the 1920s the kakapō was extinct in the North Island and its range and numbers in the South Island were declining 77 One of its last refuges was rugged Fiordland There during the 1930s it was often seen or heard and occasionally eaten by hunters or roadworkers By the 1940s reports of kakapō were becoming scarce citation needed 1950 1989 conservation efforts edit nbsp Sinbad Gully in Fiordland seen between the mountains on the far side of a fiord was one of the last strongholds of the kakapō on mainland New Zealand 83 In the 1950s the New Zealand Wildlife Service was established and began making regular expeditions to search for the kakapō mostly in Fiordland and what is now the Kahurangi National Park in the northwest of the South Island Seven Fiordland expeditions between 1951 and 1956 found only a few recent signs Finally in 1958 a kakapō was caught and released in the Milford Sound Piopiotahi catchment area in Fiordland Six more kakapō were captured in 1961 one was released and the other five were transferred to the aviaries of the Mount Bruce Bird Reserve near Masterton in the North Island Within months four of the birds had died and the fifth died after about four years In the next 12 years regular expeditions found few signs of the kakapō indicating that numbers were continuing to decline Only one bird was captured in 1967 it died the following year 84 By the early 1970s it was uncertain whether the kakapō was still an extant species At the end of 1974 scientists located several more male kakapō and made the first scientific observations of kakapō booming These observations led Don Merton to speculate for the first time that the kakapō had a lek breeding system 55 From 1974 to 1978 a total of 18 kakapō were discovered in Fiordland but all were males This raised the possibility that the species would become extinct because there might be no surviving females One male bird was captured in the Milford area in 1975 christened Richard Henry and transferred to Maud Island All the birds the Wildlife Service discovered from 1951 to 1976 were in U shaped glaciated valleys flanked by almost vertical cliffs and surrounded by high mountains Such extreme terrain had slowed colonisation by browsing mammals leaving islands of virtually unmodified native vegetation However even here stoats were present and by 1976 the kakapō was gone from the valley floors and only a few males survived high on the most inaccessible parts of the cliffs 6 Before 1977 no expedition had been to Stewart Island to search for the bird In 1977 sightings of kakapō were reported on the island 6 An expedition to Rakiura found a track and bowl system on its first day soon after it located several dozen kakapō The finding in an eight thousand hectare twenty thousand acre area of fire modified scrubland and forest raised hope that the population would include females The total population was estimated at 100 to 200 birds 85 Mustelids have never colonised Stewart Island but feral cats were present During a survey it was apparent that cats killed kakapō at a rate of 56 per year 86 At this rate the birds could not survive on the island and therefore an intensive cat control was introduced in 1982 after which no cat killed kakapō were found 6 However to ensure the survival of the remaining birds scientists decided later that this population should be transferred to predator free islands this operation was carried out between 1982 and 1997 87 Kakapō Recovery programme edit Kakapō translocations 1974 1992 87 Translocated to Number of kakapō Deaths lt 6 months Survived as of November 1992 Maud Island 1974 81 9 6 3 3 2 1 4 2 2 Little Barrier Island 1982 22 13 9 2 1 1 15 19 10 12 5 7 Codfish Island Whenua Hou 1987 92 30 20 10 0 20 30 13 20 7 10 Maud Island 1989 91 6 4 2 0 5 3 2 Mana Island 1992 2 2 1 1 1 1 Total 65 43 22 6 3 3 41 55 27 36 14 19 Note males females In the 1980s the kakapō were translocated to islands with no predators to maintain their genetic diversity to avoid spreading harmful diseases and to reduce interbreeding 40 In 1989 a Kakapō Recovery plan was developed and a Kakapō Recovery programme was established in 1995 88 The New Zealand Department of Conservation replaced the Wildlife Service for this task The first action of the plan was to relocate all the remaining kakapō to suitable islands for them to breed None of the New Zealand islands were ideal to establish kakapō without rehabilitation by extensive re vegetation and the eradication of introduced mammalian predators and competitors Four islands were finally chosen Maud Little Barrier Codfish and Mana 87 Sixty five kakapō 43 males 22 females were successfully transferred onto the four islands in five translocations 87 Some islands had to be rehabilitated several times when feral cats stoats and weka kept appearing Little Barrier Island was eventually viewed as unsuitable due to the rugged landscape the thick forest and the continued presence of rats and its birds were evacuated in 1998 89 Along with Mana Island it was replaced with two new kakapō sanctuaries Chalky Island Te Kakahu o Tamatea and Anchor Island 6 The entire kakapō population of Codfish Island was temporarily relocated in 1999 to Pearl Island in Port Pegasus while rats were being eliminated from Codfish 90 All kakapō on Pearl and Chalky Islands were moved to Anchor Island in 2005 91 Supplementary feeding edit A key part of the Recovery Programme is the supplementary feeding of females Kakapō breed only once every two to five years when certain plant species primarily Dacrydium cupressinum rimu produce protein rich fruit and seeds During breeding years when rimu masts supplementary food is provided to kakapō to increase the likelihood of individuals successfully breeding 92 In 1989 six preferred foods apples sweet potatoes almonds Brazil nuts sunflower seeds and walnuts were supplied ad libitum each night to 12 feeding stations Males and females ate the supplied foods and females nested on Little Barrier Island in the summers of 1989 1991 for the first time since 1982 although nesting success was low 93 Supplementary feeding affects the sex ratio of kakapō offspring and can be used to increase the number of female chicks by deliberately manipulating maternal condition 94 During the winter of 1981 only females lighter than 1 5 kg 3 3 lb were given supplementary feeding to avoid raising their body condition and the sex ratio results in 1982 were close to parity eliminating the male biased sex ratios in the unrestricted feeding citation needed Today commercial parrot food is supplied to all individuals of breeding age on Whenua Hou and Anchor The amount eaten and individual weights are carefully monitored to ensure that optimum body condition is maintained 62 Nest management edit nbsp Department of Conservation worker with chicksKakapō nests are intensively managed by wildlife conservation staff Before Polynesian rats were removed from Whenua Hou the rats were a threat to the survival of young kakapō Of 21 chicks that hatched between 1981 and 1994 nine were either killed by rats or died and were subsequently eaten by rats 92 Kakapō nest protection was intensified after 1995 by using rat traps and rat poison stations as soon as a kakapō nest was detected A small video camera and infra red light source would watch the nest continuously and scare approaching rats with flashing lights and loud popping sounds citation needed All kakapō islands are now rat free but infrared cameras still allow rangers to remotely monitor the behaviour of females and chicks in nests Data loggers record when mother kakapō come and go allowing rangers to pick a time to check on the health of chicks and also indicate how hard females are having to work to find food Because mother kakapō often struggle to successfully rear multiple chicks Kakapō Recovery rangers will move chicks between nests as needed 62 Eggs are often removed from nests for incubation to reduce the likelihood of accidents such as lost eggs or crushing If chicks become ill are not putting on weight or there are too many chicks in the nest and no available nest to move them to they will be hand reared by the Kakapō Recovery team 62 In the 2019 season eggs were also removed from nests to encourage females to re nest By hand raising the first group of chicks in captivity and encouraging females to lay more eggs the Kakapō Recovery Team hoped that overall chick production would be increased 95 By the end of February 2020 the bird s summer breeding season these efforts led to the production of 80 chicks a record number 96 Monitoring edit To monitor the kakapō population continuously each bird is equipped with a radio transmitter 92 Every known kakapō barring some young chicks has been given a name by Kakapō Recovery Programme officials and detailed data is gathered about every individual 38 GPS transmitters are also being trialled to provide more detailed data about the movement of individual birds and their habitat use 62 The signals also provide behavioural data letting rangers gather information about mating and nesting remotely 38 Every individual kakapō receives an annual health check and has their transmitter replaced citation needed Reintroduction edit The Kakapō Recovery programme has been successful with the numbers of kakapō increasing steadily Adult survival rate and productivity have both improved significantly since the programme s inception However the main goal is to establish at least one viable self sustaining unmanaged population of kakapō as a functional component of the ecosystem in a protected habitat 97 To help meet this conservation challenge Resolution Island 20 860 ha 51 500 acres in Fiordland has been prepared for kakapō re introduction with ecological restoration including the eradication of stoats 98 6 Ultimately the Kakapō Recovery vision for the species is to restore the mauri Maori for life force of the kakapō by breeding 150 adult females 99 Four males were re introduced to Sanctuary Mountain Maungatautari in the North Island on 21 July 2023 becoming the first kakapō living in mainland New Zealand in almost 40 years 9 Despite extensive improvements to the perimeter fence in October 2023 one of the kakapō escaped by using a downed tree to climb out The bird was located using the signal from its GPS transmitter and returned to the sanctuary 100 A second group of six birds was introduced to the sanctuary in September However two further kakapō found a way over the fence and in November the Department of Conservation temporarily removed three birds from the sanctuary to a southern predator free island leaving the kakapō population in the sanctuary at seven The Department commented that Kakapō are flightless but are excellent climbers who can use their wings to parachute from treetops 101 Fatal fungal infection edit In 2019 an outbreak of the fungal disease aspergillosis among kakapō on the island of Whenua Hou infected 21 individuals and led to 9 deaths two adults five chicks and two juveniles Over 50 birds were transported to veterinary centres for diagnostics and treatment 102 Population timeline edit nbsp Cat control in 1982 slowed a sharp decline in kakapō numbers and they have recently increased under the Kakapō Recovery plan Red arrows indicate breeding years Numbers become less precise before 1995 with the 1977 figure perhaps out by 50 birds 103 1977 Kakapō rediscovered on Stewart Island Rakiura 1989 Most kakapō are removed from Rakiura to Whenua Hou and Hauturu O Toi 1995 Kakapō population consists of 51 individuals beginning of the Kakapo Recovery Programme 1999 Kakapō removed from Hauturu 2002 A significant breeding season led to 24 chicks being hatched 2005 41 females and 45 males including four fledglings 3 females and 1 male kakapō established on Anchor Island 6 2009 The total kakapō population rose to over 100 for the first time since monitoring began 104 Twenty two of the 34 chicks had to be hand reared because of a shortage of food on Codfish Island 105 December 2010 Death of the oldest known kakapō Richard Henry possibly 80 years old 106 2012 Seven kakapō transferred to Hauturu in an attempt to establish a successful breeding programme Kakapō were last on the island in 1999 107 March 2014 With the kakapō population having increased to 126 the bird s recovery was used by Melbourne artist Sayraphim Lothian as a metaphor for the recovery of Christchurch parallelling the indomitable spirit of these two communities and their determination to rebuild 108 109 2016 First breeding on Anchor a significant breeding season with 32 chicks kakapō population grows to over 150 2018 After the death of 3 birds the population reduced to 149 birds 110 2019 An abundance of rimu fruit and the introduction of several new technologies including artificial insemination and smart eggs helped make 2019 the best breeding season on record with over 200 eggs laid and 72 chicks fledged According to the Kakapō Recovery Team at the New Zealand Department of Conservation this was the earliest and longest breeding season yet 111 112 Population reached 200 juvenile or older birds on 17 August 2019 113 2022 The population increased to 252 birds after a productive breeding season and successful artificial insemination 114 2023 Birds are reintroduced to the mainland for the first time 9 115 In Maori culture editThe kakapō is associated with a rich tradition of Maori folklore and beliefs The bird s irregular breeding cycle was understood to be associated with heavy fruiting or masting events of particular plant species such as the rimu which led Maori to credit the bird with the ability to tell the future 116 Used to substantiate this claim were reported observations of these birds dropping the berries of the hinau and tawa trees when they were in season into secluded pools of water to preserve them as a food supply for the summer ahead in legend this became the origin of the Maori practice of immersing food in water for the same purpose 116 Use for food and clothing edit nbsp Feathers The Maori considered the meat of the kakapō a delicacy and when the bird was widespread hunted it for food 75 One source states that its flesh resembles lamb in taste and texture 116 although European settlers have described the bird as having a strong and slightly stringent sic flavour 75 In breeding years the loud booming calls of the males at their mating arenas made it easy for Maori hunting parties to track the kakapō down and it was also hunted while feeding or when dust bathing in dry weather The bird was caught generally at night using snares pitfall traps or by groups of domesticated Polynesian dogs which accompanied hunting parties sometimes they would use fire sticks of various sorts to dazzle a bird in the darkness stopping it in their tracks and making the capture easier 116 Cooking was done in a hangi or in gourds of boiling oil 117 The flesh of the bird could be preserved in its own fat and stored in containers for later consumption hunters of the Ngai Tahu iwi would pack the flesh in baskets made from the inner bark of tōtara tree or in containers constructed from kelp 118 Bundles of kakapō tail feathers were attached to the sides of these containers to provide decoration and a way to identify their contents 75 118 The Maori also used the bird s eggs for food 116 As well as eating the meat of the kakapō Maori would use kakapō skins with the feathers still attached or individually weave in kakapō feathers with flax fibre to create cloaks and capes 117 118 119 Each one required up to 11 000 feathers to make 120 Not only were these garments considered very beautiful they also kept the wearer very warm 117 120 They were highly valued and the few still in existence today are considered taonga treasures so much so that the old Maori adage You have a kakapō cape and you still complain of the cold was used to describe someone who is never satisfied 117 Kakapō feathers were also used to decorate the heads of taiaha but were removed before use in combat 75 118 120 Despite this the kakapō was also regarded as an affectionate pet by the Maori This was corroborated by European settlers in New Zealand in the 19th century among them George Edward Grey who once wrote in a letter to an associate that his pet kakapō s behaviour towards him and his friends was more like that of a dog than a bird 116 In the media editThe conservation of the kakapō has made the species well known Many books and documentaries detailing the plight of the kakapō have been produced in recent years one of the earliest being Two in the Bush made by Gerald Durrell for the BBC in 1962 121 A feature length documentary The Unnatural History of the Kakapo 122 won two major awards at the Reel Earth Environmental Film Festival Two of the most significant documentaries both made by NHNZ are Kakapo Night Parrot 1982 and To Save the Kakapo 1997 nbsp Sirocco on Maud Island The BBC s Natural History Unit featured the kakapō including a sequence with Sir David Attenborough in The Life of Birds It was one of the endangered animals Douglas Adams and Mark Carwardine set out to find for the radio series and book Last Chance to See An updated version of the series has been produced for BBC TV in which Stephen Fry and Carwardine revisit the animals to see how they are getting on almost 20 years later and in January 2009 they spent time filming the kakapō on Codfish Island Whenua Hou 83 123 Footage of a kakapō named Sirocco attempting to mate with Carwardine s head was viewed by millions worldwide leading to Sirocco becoming spokes bird for New Zealand wildlife conservation in 2010 124 Sirocco became the inspiration for the party parrot a popular animated emoji frequently associated with the workflow application Slack 125 The kakapō was featured in the episode Strange Islands of the documentary series South Pacific originally aired on 13 June 2009 126 in the episode Worlds Apart of the series The Living Planet 127 and in episode 3 of the BBC s New Zealand Earth s Mythical Islands 128 In a 2019 kakapō awareness campaign the Kakapō Recovery Programme New Zealand National Partner Meridian Energy ran a Search for a Saxophonist to provide suitable mood music for encouraging mating to coincide with the 2019 kakapō breeding season The search and footage from the islands where breeding was taking place were featured on the One News Breakfast programme 129 The bird was voted New Zealand s bird of the year in 2008 and 2020 130 131 See also editCats in New Zealand Conservation in New Zealand Island syndromeReferences edit BirdLife International 2013 Strigops habroptila IUCN Red List of Threatened Species 2013 Retrieved 26 November 2013 old form url a b Assessment Details nztcs org nz Retrieved 6 October 2021 kakapo Maori Dictionary maoridictionary co nz Retrieved 24 October 2021 Taylor Phil 16 November 2020 Kakapō the world s fattest parrot named New Zealand s bird of the year for 2020 Mighty moss chicken brought back from brink of extinction is the first two time winner The Guardian Retrieved 16 November 2020 a b c d e Best H A 1984 The foods of kakapo on Stewart Island as determined from their feeding sign PDF New Zealand Journal of Ecology 7 71 83 Archived PDF from the original on 9 October 2022 Retrieved 15 January 2016 a b c d e f g h i j k l m n o p q Powlesland Ralph G Merton Don V Cockrem John F 2006 A parrot apart the natural history of the kakapo Strigops habroptilus and the context of its conservation management PDF Notornis 53 1 3 26 Kakapō Recovery Department of Conservation New Zealand Retrieved 28 August 2023 Lazarus Sarah 26 December 2019 Can tech save New Zealand s gorgeous hilarious parrot CNN Retrieved 26 December 2019 a b c Kakapō return to mainland in historic translocation www doc govt nz Retrieved 21 July 2023 Gray George Robert 1845 The Genera of Birds comprising their generic characters a notice of the habits of each genus and an extensive list of species referred to their several genera Vol 2 London Longman Brown Green and Longmans p 427 Plate CV The title page has the year 1849 For the publication date see Bruce Murray D 2023 The Genera of Birds 1844 1849 by George Robert Gray A review of its part publication dates new nominal taxa suppressed content and other details Sherbornia 8 1 1 93 18 Peters James Lee ed 1937 Check List of Birds of the World Vol 3 Cambridge Massachusetts Harvard University Press p 142 Mathews Gregory M Iredale Tom 1913 A reference list of birds of New Zealand Part II Ibis 10th Series 1 3 402 452 426 427 doi 10 1111 j 1474 919X 1913 tb06561 x Liddell Henry George Scott Robert 1980 A Greek English Lexicon Abridged ed United Kingdom Oxford University Press ISBN 978 0 19 910207 5 Hemming Francis ed 1955 Direction 26 Determination of the gender to be attributed to the names of ninety 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unexpected cause of a mass aspergillosis outbreak in the world s largest and only flightless parrot iScience 25 12 105470 Bibcode 2022iSci 25j5470W doi 10 1016 j isci 2022 105470 PMC 9668684 PMID 36404926 Source Trends in the abundance and distribution of kakapō 2021 2022 NZPA 11 March 2009 Kakapo population over 100 mark stuff co nz NZPA 11 April 2009 Keeping kakapo alive stuff co nz Kakapō males boom on as legendary bird dies DOC 13 January 2011 Retrieved 4 December 2018 Kakapo relocated to raise chicks stuff co nz 15 April 2012 Retrieved 16 April 2012 Harvie Will 17 March 2014 Kakapo sculptures hidden in Christchurch Stuff co nz Archived from the original on 17 March 2014 Retrieved 17 March 2014 Journey A new work by Sayraphim Lothian with support from Gap Filler Archived from the original on 17 March 2014 Retrieved 17 March 2014 News and updates from the Kakapō Recovery Team createsend com Archived from the original on 22 August 2018 Retrieved 2 October 2018 Breaking news from one of the world s favourite birds New Zealand s rare flightless parrot the kakapō radionz co nz March 2019 Retrieved 2 March 2019 News and updates from the Kakapō Recovery Team govt nz Retrieved 2 March 2019 Digby Andrew takapodigs 17 August 2019 200 kakapo The population has reached 200 today with the latest chick Esperance 3 B 19 becoming a juvenile when we add birds to the official tally There are probably more kakapō alive now than at any time for 70 years kakapo2019 conservation pic deidre vercoe Tweet via Twitter Craymer Lucy 9 August 2022 New Zealand s endangered kakapo parrot gets a big population boost Reuters Retrieved 10 August 2022 Caballar Rina Diane 29 November 2023 New Zealand s quest to save its rotund flightless parrots Knowable Magazine doi 10 1146 knowable 112823 2 Retrieved 19 December 2023 a b c d e f Riley Murdoch 2001 Maori Bird Lore An introduction Viking Sevenseas NZ LTD a b c d Morris Rod Smith Hal 1995 Wild South Saving New Zealand s endangered birds New Zealand Random House a b c d New Zealand Maōri and the kakapō Kakapo Recovery 2015 Retrieved 18 May 2016 Kakapo feather cloak Search the collection database British Museum Retrieved 1 August 2010 a b c Crowe Andrew 2001 Which New Zealand Bird Penguin Gerald Durrell s career durrellwildlife org Archived from the original on 25 July 2007 Retrieved 8 August 2007 The Unnatural History of the Kakapo Elwin co nz Retrieved 15 January 2012 McNeilly Hamish 10 January 2009 Fry making kakapo doco Otago Daily Times Retrieved 9 January 2009 Starmer Smith Charles 1 February 2010 Parrot that tried to mate with Mark Carwardine is given a government role The Telegraph Archived from the original on 12 January 2022 Retrieved 9 December 2018 Beckman Brittany Levine 13 July 2017 Cult of the party parrot How a ridiculous bird became an emoji hero Mashable Retrieved 9 April 2020 Wild Pacific Strange Evolutions IMDb Retrieved 29 March 2011 The Living Planet episode 10 Top Documentary Films New Zealand Earth s Mythical Islands video BBC One News New Zealand 28 January 2019 Saxophonist wanted by DOC to get endangered kakapō in breeding mood with romantic music 1 NEWS NOW video Archived from the original on 26 April 2020 Retrieved 27 June 2019 via YouTube Taylor Phil 16 November 2020 Kakapō the world s fattest parrot named New Zealand s bird of the year for 2020 The Guardian ISSN 0261 3077 Retrieved 17 November 2020 Grantham Philips Wyatte Kakapō victorious World s fattest parrot wins New Zealand Bird of the Year 2020 USA TODAY Retrieved 17 November 2020 Sources editHiggins P J ed 1999 Strigops habroptilus Kakapo PDF Handbook of Australian New Zealand amp Antarctic Birds Vol 4 Parrots to Dollarbird Melbourne Victoria Oxford University Press pp 633 646 ISBN 978 0 19 553071 1 Further reading editButler David 1989 Quest for the kakapo Auckland Heinemann Reed ISBN 978 0 7900 0065 7 Climo Gideon Ballance Alison 1997 Hoki The story of a kakapo Auckland Godwit ISBN 978 1 86962 009 7 Jones Jenny 2003 The kakapo Auckland Reed ISBN 978 1 86948 662 4 Williams Murray Merton Don 2006 Saving kakapo An illustrated history PDF Notornis 53 1 Steinig Gunther ed February 1963 Eulenpapagei oder Kakapo Strigops habroptilus Brehms Exotische Vogelwelt Berlin Safari pp 62 71 Die Darstellung folgt vor allem Beobachtungen fruhen Erforschern Neuseelands wie Julius Haast Georg Grey und Lyall Rearden Jim February 1978 Die letzten Tage des Kakapo Geo Magazin Hamburg pp 88 102 ISSN 0342 8311 uber die Erhaltungsbemuhungen in Fiordland Vom Leben eines totgesagten Vogels Geo Magazin Hamburg October 2006 pp 176 180 ISSN 0342 8311 Schreiber R L Diamond A W Stern H Thielcke G eds 1987 Eulenpapagei Brummend balzt das letzte Mannchen Rettet die Vogelwelt Ravensburg O Maier pp 198 201 ISBN 3 473 46160 1 Adams Douglas Carwardine Mark 1990 Last Chance to See Pan Books ISBN 978 0 345 37198 0 Cemmick David Veitch Dick 1987 Kakapo Country The story of the world s most unusual bird Foreword by David Bellamy Photos by D Cemmick Auckland Hodder amp Stoughton ISBN 0 340 41647 5 Temple Philip Gaskin Chris 1988 The Story of the kakapo Parrot of the Night Auckland Hodder amp Stoughton ISBN 0 340 51967 3 Prizewinner Children s Picture Book of the Year Award 1990 Powlesland R G Roberts A Lloyd B D Merton D 1995 Number fate and distribution of Kakapo Strigops habroptilus found on Stewart Island New Zealand 1979 1992 PDF New Zealand Journal of Zoology 22 3 239 248 doi 10 1080 03014223 1995 9518039 ISSN 0301 4223 Archived from the original PDF on 22 September 2004 via rsnz org Cresswell Mary 1996 Kakapo Recovery Plan 1996 2005 PDF Kakapo Management Group Threatened Species Recovery Plan Wellington Department of Conservation DoC ISBN 0 478 01773 1 No 21 Archived from the original PDF on 10 November 2007 via kakaporecovery org nz Higham Tim July September 1992 The kakapo of Codfish Island New Zealand Geographic Vol 15 pp 30 38 ISSN 0113 9967 Grzelewski Derek March April 2002 Kakapo Bird on the brink New Zealand Geographic Magazine Vol 56 Ohakune ISSN 0113 9967 Archived from the original on 20 July 2006 Hutching Gerard 2004 Back from the Brink The fight to save our endangered birds Auckland Penguin Books ISBN 0 14 301948 1 Clout Mick N 2006 A celebration of kakapo progress in the conservation of an enigmatic parrot PDF Notornis 53 1 2 External links edit nbsp Wikimedia Commons has media related to Strigops habroptila category nbsp Wikispecies has information related to Kakapo Interview with NZ conservationists Alison Ballance and the late Don Merton Video footage from the BBC including Last Chance to See and Wild Down Under Portals nbsp Birds nbsp Animals nbsp Biology nbsp New Zealand Retrieved from https en wikipedia org w index php title Kakapō amp oldid 1221328087 Kakapō Recovery programme, wikipedia, wiki, book, books, library,

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