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Women in punk rock

December 19, 2023


Women have made significant contributions to punk rock music and its subculture since its inception in the 1970s.[1][2] In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid-and-late 1970s encouraged women to participate. This participation played a role in the historical development of punk music, especially in the US and UK at that time, and continues to influence and enable future generations.[3] Women have participated in the punk scene as lead singers, instrumentalists, as all-female bands, zine contributors and fashion designers.[4]

Patti Smith
Chrissie Hynde, 2013
Viv Albertine
Kim Gordon in 2012

Rock historian Helen Reddington wrote that the popular image of young punk women musicians as focused on the fashion aspects of the scene (Fishnet stockings, spiky hair, etc.) was stereotypical. She states that many, if not all women punks were more interested in the ideology and socio-political implications, rather than the fashion.[5][6] Music historian Caroline Coon contends that before punk, women in rock music were virtually invisible; in contrast, in punk, she argues, "It would be possible to write the whole history of punk music without mentioning any male bands at all – and I think a lot of [people] would find that very surprising."[7][8]

Johnny Rotten wrote that "During the Pistols era, women were out there playing with the men, taking us on in equal terms ... It wasn’t combative, but compatible."[9] Chrissie Hynde echoed similar sentiments when discussing her start in the punk scene, "That was the beauty of the punk thing: sexual discrimination didn't exist in that scene."[10] The anti-establishment stance of punk opened the space for women who were treated like outsiders in a male-dominated industry. Sonic Youth's Kim Gordon states, "I think women are natural anarchists, because you're always operating in a male framework."[11] Others take issue with the notion of equal recognition, such as guitarist Viv Albertine, who stated that "the A&R men, the bouncers, the sound mixers, no one took us seriously. So, no, we got no respect anywhere we went. People just didn't want us around."[12][13]

History edit

Context edit

Main article: Women in music

Musicologist Caroline Polk O'Meara has written that female experience, feminism and taking a pro-woman stance empowered women's participation in punk rock beginning in the 1970s.[14] In rock music, there has been a gendered "distinction between public (male) and private (female) participation" in music.[15] "[S]everal scholars have argued that men exclude women from bands or from the bands' rehearsals, recordings, performances, and other social activities."[16] "Women are mainly regarded as passive and private consumers of allegedly slick, prefabricated – hence, inferior – pop music..., excluding them from participating as high status rock musicians."[16] One of the reasons that mixed gender bands were traditionally rare was that "bands operate as tight-knit units in which homosocial solidarity – social bonds between people of the same sex... – plays a crucial role."[16] In the 1960s pop music scene, "[s]inging was sometimes an acceptable pastime for a girl, but playing an instrument...simply wasn't done."[17]

In the UK, the Sex Discrimination Act of 1975 allowed women the same access to jobs as men. Some men thought that this legislation put them at a loss and felt that women were taking away positions that traditionally belonged to them. This, and the election of Margaret Thatcher, led many young women who felt disenfranchised to the punk rock music scene. Artists like Suzi Quatro are considered to be major influences in the early British punk culture. Quatro refused to be sexualized by the media and indirectly dealt with the issue of sexism by embracing a tough, rocker persona while producing music that could thrive in the mainstream. Bands like X-Ray Spex and The Slits took this feminist rock culture and combined it with a more extreme, aggressive style of music.[4] This genre reflected on social, cultural and political changes of the United Kingdom at the time,[5] and continued to do so in other locations.

In the US, women such as Exene Cervenka and Joan Jett made contributions to the Los Angeles punk scene in the late 1970s and early 1980s. Cervenka's aggressive style and her unconventional looks drew more young women to the scene since it was inclusive.[18] Many of these women sought to fight public sexual harassment and encourage body positive attitudes through their music. Leather jackets, short skirts, fishnets and choker necklaces were part of the punk style and culture, and this style made many punk women targets for sexual harassment in the streets. They often spent much time outside waiting for shows, smoking, and meeting with one another, which created a kind of vulnerability. Women punk musicians retaliated by educating the young girls involved in the scene, taking legal action, and writing songs on the matter.[19] While punk in New York City and San Francisco emerged in the 1970s, the Los Angeles scene was at its strongest point in the 1980s, as a response to the conservative policies of Ronald Reagan's administration. Mainstream rock such as Christopher Cross or Hall and Oates did not tend to address political issues, which left a space for rebels like Joan Jett and Blondie within the charts.[4]

The feminist ideologies of punk rock in the 1970s and 1980s[19][5] persevered into the 1990s via the Riot grrrl movement in the Olympia, Washington area. Riot Grrrl addressed more than the sexism of punk culture alone. Rather, the movement applied feminism on a broader scale by taking on issues such as sexual assault, systematic sexism, and the idea that sex is taboo for women. Riot Grrrl began by primarily using homemade magazines, known as zines, and group meetings. Eventually, the movement developed into a genre of music that was more aggressive than the mainstream rock of the decade. This genre reflected the same values as the zines. It was within this era that the LGBT community began to use punk rock as an outlet for advocacy as well. Groups from the early 21st century such as Pussy Riot and Panty Raiders combine feminist and queer values in their music and films.[19]

The constant push for gender equality over three decades has resulted in a more inclusive punk rock culture that is no longer divided by sex. No Doubt is one example of this accepting culture. They are a co-ed musical group with a female singer who addresses feminist issues. One of No Doubt's songs, "Just a Girl", made it to the Billboard Hot 100, peaking at number 23 back in 1995. Sleater-Kinney and Le Tigre are groups known to mix feminist ideologies with other social justice themes. Following George W. Bush's administration's response to the September 11 attacks and Hurricane Katrina, these female-led groups offered political criticism through politicized songs. Sleater-Kenny's song, "Combat Rock," was anti-war in nature and directly criticized the U.S. government's decisions regarding the Middle East.[4]

"The rebellion of rock music was largely a male rebellion; the women—often, in the 1950s and '60s, girls in their teens—in rock usually sang songs as personæ utterly dependent on their macho boyfriends...". Philip Auslander says that "Although there were many women in rock by the late 1960s, most performed only as singers, a traditionally feminine position in popular music". Though some women played instruments in American all-female garage rock bands, none of these bands achieved more than regional success. So they "did not provide viable templates for women's on-going participation in rock".[20]: 2–3  In relation to the gender composition of heavy metal bands, it has been said that "[h]eavy metal performers are almost exclusively male"[21] "...[a]t least until the mid-1980s"[22] apart from "...exceptions such as Girlschool."[21] However, "...now [in the 2010s] maybe more than ever–strong metal women have put up their dukes and got down to it",[23] "carv[ing] out a considerable place for [them]selves."[24]

When Suzi Quatro emerged in 1973, "no other prominent female musician worked in rock simultaneously as a singer, instrumentalist, songwriter, and bandleader".[20]: 2  According to Auslander, she was "kicking down the male door in rock and roll and proving that a female musician ... and this is a point I am extremely concerned about ... could play as well if not better than the boys".[20]: 3 

Social change edit

Main article: Rock Against Sexism
 
Rock Against Sexism badge

Rock Against Sexism (RAS) was a political and cultural movement dedicated to promoting women in music,[25] and challenging sexism and heterosexism in the rock music community, pop culture and in the world at large.[26] It was primarily a part of the punk rock music and arts scene.[27] RAS began in the UK in 1978, and by the mid-1980s also had a presence in North America. It was inspired and influenced by Rock Against Racism; the two movements had many of the same participants.[28][29][30] RAS has been cited as a prototype for, and influence on, the later Riot grrrl movement, "giving women more access to punk subculture."[27]

The Mexico City-based punk rock collective, Hijas de Violencia (the Daughters of Violence) conduct street performances to combat sexual harassment against women.[31] A precursor was Chavas Activas Punks (CHAP)'s, a women's collective that formed in the Mexico City pun community in 1987. The anthropologist, Maritza Urteaga Castro-Prozo writes of their protests against the "hostility and rejection they experienced from male counterparts". She goes on to write that while they had "little acquaintance with feminist theory", their lyrics and fanzine focused on gender discrimination and sexuality.[32]

 
Pussy Riot

Pussy Riot's lyrical themes include feminism, LGBT rights, and government opposition. The collective considers Russian President Vladimir Putin to be a dictator, and opposes his policies.[33][34]

Some women in punk rock have used their music and lyrics as platforms for feminist ideologies, and to oppose the sexualization of female musicians and societal policing of women's bodies and sexual agency.[35] As early as the 1960s, women in rock were often considered as sex objects and their capabilities and talent were often undermined while male producers were credited for their music.[35] Some female punk and Riot grrrl lyrics called for women to challenge the patriarchy and rape culture, such as 7 Year Bitch's song "Dead Men Don't Rape". Bikini Kill expressed the need for a revolution in pursuit of disrupting the patriarchy, for example their song, "Rebel Girl".[36] Some musicians lyrics expressed themes of queer liberation, as in Gossip's "Where the Girls Are".[36] Conventional expectations of women's roles were challenged, for example, in The Slits' "Typical Girls", that sarcastically addressed stereotypes of women as being "too emotional".[37] Riot grrrl artists and their punk predecessors not only fought for women, but for the LGBTQIA+ community, animal rights, and human rights in general.[36] Punk, as non-normative as it has traditionally been, has (in some cases) become a safe haven for many unaccepted individuals, including queer people. Punks and the punk lifestyle are often outside of the realm of normative culture, and the same can be said for queer individuals.[38] The discomfort in this outcast identity may bring feelings of solidarity for people in punk scenes, queer and otherwise.[38]

Fashion edit

 
Vivienne Westwood

A designer associated with early UK punk fashion in the 1970s was Vivienne Westwood, who made clothes for Malcolm McLaren's boutique in the King's Road, which became famous as "SEX". Other designers included Wendy Gawitz and Kate Buck of "Eccentric Clothing" in Collingwood; Melbourne, Australia designers Julie Purvis and Jillian Burt, and fellow Australians Kate Durham and Sara Thorn.[39]

Pamela Rooke, also known as Jordan Mooney or simply Jordan, worked as a model for Vivienne Westwood's Sex boutique to create an iconic image of punk fashion "style" during the 1970s.[40] She later went on to manage the band Adam and the Ants; she was also the bass player for the band.[41]

 
Jordan Mooney

Women in the hardcore punk scene typically wore army pants, band T-shirts, and hooded sweatshirts.[42] The style of the 1980s hardcore scene contrasted with the more provocative fashion styles of late 1970s punk rockers (elaborate hairdos, torn clothes, patches, safety pins, studs, spikes, etc.).

In 2013 the Metropolitan Museum of Art in New York organized the historical exhibition, PUNK: Chaos to Couture, featuring clothing worn and/or fabricated by punk musicians, as well as designers such as Vivenne Westwood, Rodarte, Ann Demeulemeester, Katharine Hamnett and others.[43] A comprehensive exhibition catalog, designed by Pentagram was produced by the museum, and distributed by Yale University Press.[44]

Visual art edit

Linder Sterling, commonly known as Linder, was the former front-woman of the post-punk band, Ludus. She is primarily known for her radical feminist visual artwork, photographs, photomontages, and cover art for the band the Buzzcocks.[45][46]

Significant musical artists edit

1970s edit

Patti Smith edit

Main article: Patti Smith
 
Patti Smith performing at TIM Festival, Marina da Gloria, Rio de Janeiro (4)

Patti Smith (born 1946) is a New York City-based punk rock singer-songwriter, poet and artist, whose first album, Horses (1975), significantly influenced the New York City punk rock genre. Smith's work went on to receive international recognition. In 2007 she was inducted into the Rock and Roll Hall of Fame.[47] She was born Patricia Lee Smith in Chicago, Illinois.[48]

Chrissie Hynde edit

Main article: Chrissie Hynde
 
Chrissie Hynde 2013

Chrissie Hynde (born 1951 in Akron, Ohio) is a singer, songwriter and guitar player and co-founder of the band The Pretenders.[49] They were inducted into the Rock and Roll Hall of Fame in 2005.

Siouxsie Sioux edit

Main article: Siouxsie Sioux
 
Siouxie Sioux

Born Susan Janet Ballion in 1957 in Southwark, London, England, Siouxsie Sioux is best known as the lead singer of Siouxsie and the Banshees, which released 11 studio albums. She continued to tour with The Creatures before embarking on a solo career.[50]

Nina Hagen edit

Main article: Nina Hagen
 
Nina Hagen

Catharina Hagen (born 1955), known as Nina Hagen, is a singer and songwriter born in East Berlin, German Democratic Republic. After she emigrated to West-Berlin in 1976, she joined the band Spliff, and together they named themselves Nina Hagen Band. They released two studio albums, Nina Hagen Band and Unbehagen. She left the band in 1979 and became a solo artist, and released her first solo album, NunSexMonkRock, in 1982.[51] This was followed by the 1983 album, Fearless and in 1985, In Ekstasy.[52]

Exene Cervenka edit

Main article: Exene Cervenka
 
Exene

Exene Cervenka co-founded the band X in 1977, with bassist John Doe, guitarist Billy Zoom and drummer DJ Bonebrake. Their debut album Los Angeles (1980) established her as a presence as one of the most influential vocalists in the punk rock movement.[53]

Joan Jett edit

Main article: Joan Jett
 
Joan Jett

Joan Jett, born Joan Marie Larkin, began her career when she was still in high school as the rhythm guitarist and later lead singer for the all-female band, The Runaways; their work included the 1976 song "Cherry Bomb" and the 1977 album Queens of Noise. In the 1980s she founded her own independent label, Blackheart Records.[54] In 2015 she was inducted into the Rock and Roll Hall of Fame.

Lydia Lunch edit

Main article: Lydia Lunch

Lydia Lunch, began her career as the frontwoman for the band Teenage Jesus and the Jerks, and went on to collaborate with numerous other musicians and bands, including Nick Cave, Sonic Youth, and Brian Eno, among others.[55]

Poly Styrene edit

Main article: Poly Styrene

Poly Styrene (1957–2011), born Marianne Joan Elliott-Said, founded the punk band X-Ray Spex. The band's 1978 album Germ Free Adolescents established her as a front woman, singer-songwriter and musician.[56]

Ari Up edit

Main article: Ari Up
 
Ari up

Ari Up (1962–2010), was born Ariane Daniela Forster in Munich, Germany, and was a vocalist and member of The Slits, a British punk rock band. She was only 14 years old she became The Slits' frontwoman in 1976, and was known as the most flamboyant and eccentric member of the group. She took guitar lessons from Joe Strummer of The Clash.[57][58] Up's mother is the music promoter Nora Forster, a publishing heiress of the newspaper Der Spiegel[59] whose home became a crash pad and meeting place for many rock musicians, and who financially helped support The Slits, the Sex Pistols and The Clash. Ari Up grew up within this creative milieux where she was raised by Forster and John Lydon.[60][61][62]

Gaye Advert edit

Main article: Gaye Advert

British born Gaye Advert, also known as Gaye Black, was the bass player for The Adverts. She has been called "one of punk's first female icons", and the "first fema[le] punk star".[63][64]

Palmolive edit

Main article: Palmolive (musician)

Paloma McLardy (born 1955) is known as the drummer and songwriter for The Slits, as Palmolive. Born in Spain, she moved to London in 1972 to live in the squats with other counter-cultural youths.[65] In London, she befriended Joe Strummer of The Clash, who introduced her to Sid Vicious, bass player for the Sex Pistols. Through these alliances she joined the band The Flowers of Romance with guitarist Viv Albertine. Having met 14-year-old Ari Up at a Patti Smith concert, they formed the all-women punk band, The Slits, playing gigs with The Clash, the Sex Pistols, the Buzzcocks, and others. In 1979, she joined the all female punk band, The Raincoats, who recorded their self-titled debut album for Rough Trade Records.[66]

Poison Ivy edit

Main article: Poison Ivy (musician)
 
Poison Ivy

Poison Ivy (born Kristy Marlana Wallace in 1953) is known for her work as a guitarist and songwriter who co-founded the American punk-rockabilly band The Cramps. Also known as Poison Ivy Rorschach, she also provided vocals, arranged songs and produced many of the band's records. She met Lux Interior (born Erick Lee Purkhiser) at Sacramento State College in 1972, who became the singer for The Cramps, whose work gained a cult following as well a course of European commercial success.[67][68]

Debbie Harry edit

Main article: Debbie Harry
 
Blondie (Debbie Harry)

Debbie Harry is one of the most commercially successful musicians of punk rock/new wave. Her band, Blondie, often performed at CBGB in New York City, and their 1978 album, Parallel Lines, is considered a punk-pop classic. Harry's band, Blondie was inducted into the Rock and Roll Hall of Fame in 2006.[69]

Viv Albertine edit

Main article: Viv Albertine

Viv Albertine (born 1954, in Sydney, Australia) is a guitarist and singer for the British punk band The Slits. Albertine was part of the inner circle of the punk bands The Clash and the Sex Pistols, and joined The Slits in 1977. She has also played with the post-punk band Flying Lizards, the dubstep-influenced New Age Steppers and the punk band The Flowers of Romance.[70]

Belinda Carlisle edit

Main article: Belinda Carlisle

Belinda Carlisle's first venture into punk rock music was in 1977 as drummer for the band the Germs, under the name Dottie Danger.[71] She was recruited into the band by Lorna Doom.[72][73] Soon after leaving the Germs, she co-founded the Go-Go's (originally named the Misfits), with Margot Olavarria, Elissa Bello, and Jane Wiedlin. After Olavarria and Bello's departure from the band the new line-up included bassist-turned-guitarist Charlotte Caffey, guitarist-turned-bassist Kathy Valentine, and drummer Gina Schock.[74]

Other 1970s artists edit

1980s edit

 
Tina Bell

Lene Lovich edit

Main article: Lene Lovich
 
Lene Lovich 1979

Lene Lovich is an American-born English singer, known for her idiosyncratic vocal style. Although active in 1978 and 1979, much of her success was in the 1980s. Her debut studio album Stateless (1978), which produced the single "Lucky Number". She released two more albums, Flex (1979) and No Man's Land (1982), on Stiff Records. In 1989, she independently released the album March, before her 15-year hiatus from music.[75]

Kim Gordon edit

Main article: Kim Gordon

The American bassist and singer, Kim Gordon (born 1953) and her band, Sonic Youth were formed in 1981, establishing her as an important presence in the downtown New York City music scene. She wrote and performed music with Sonic Youth through 2012. Her memoir, Girl in a Band was published in 2015.[76]

Lydia Lunch edit

 
Lydia Lunch
Main article: Lydia Lunch

Lydia Lunch (born 1959) is a US punk rock and No Wave singer. Her career was established with the founding of Teenage Jesus and the Jerks in collaboration with James Chance. In the mid-1980s she formed Widowspeak, a recording and publishing company.[77]

Tina Bell edit

Main article: Tina Bell

Singer and songwriter of the Seattle-based punk and grunge band Bam Bam.[78] Bell has been called the "Godmother of Grunge". According to Stewart Yamazaki of the Seattle Times, "The legacy of Bell, a Black woman, has often been overlooked in a genre typically associated with long-haired white guys."[79]

Wendy O. Williams edit

Main article: Wendy O. Williams

Wendy O. Williams (1949–1998) was the lead singer and songwriter for the punk band, Plasmatics whose performances included such actions as chain-sawing guitars and blowing up equipment on stage.[80]

Debora Iyall edit

Main article: Debora Iyall

Debora Iyall was the lead singer in the San Francisco-based punk band, Romeo Void.[81] She was born in Washington state and is of Cowlitz Native American heritage.[82] She is known for her skills as a lyricist whose "searing imagery" explores themes like sexuality and alienation from a female perspective.[83]

Shonen Knife edit

Main article: Shonen Knife
 
Shonen Knife

Shonen Knife in 2008, Japanese garage-pop punk band, was influenced by the Girl groups of the 1960s.[84] Current members include Naoko Yamano, Ritsuko Taneda, Atsuko Yamano, Risa Kawano, Naru Ishizuka. Former members of the band include Michie Nakatani, Mana Nishiura, Etsuko Nakanishi and Emi Morimoto.

Other 1980s artists edit

1990s edit

Riot Grrrl edit

Main article: Riot Grrrl
 
Carrie Brownstein in 2005.
 
Kathleen Hanna of Bikini Kill in 1996
 
PJ Harvey

Riot grrrl is an underground feminist hardcore punk movement that originally started in the early 1990s, in Washington, D.C.,[85] and the greater Pacific Northwest, noticeably in Olympia, Washington.[86] It is often associated with third-wave feminism, which is sometimes seen as its starting point. It has also been described as a musical genre that came out of indie rock, with the punk scene serving as an inspiration for a musical movement in which women could express themselves in the same way men had been doing for the past several years.[87]

Riot grrrl bands often address issues such as rape, domestic abuse, sexuality, racism, patriarchy, and female empowerment. Bands associated with the movement include Bikini Kill, Bratmobile, Heavens to Betsy, Excuse 17, Huggy Bear, Cake Like, Skinned Teen, Emily's Sassy Lime, Sleater-Kinney, and also queercore groups like Team Dresch.[88][89] In addition to a music scene and genre, riot grrrl is a subculture involving a DIY ethic, zines, art, political action, and activism.[90] Riot grrrls are known to hold meetings, start chapters, and support and organize women in music.[91]

Some groups that participated in the Riot grrrl movement encouraged men to stand near the back during concerts to allow women their own space near the front.[92] Many members of the punk rock community considered this and other methods of Riot grrrl to be too radical. Due to this, another feminist movement emerged in the East Bay. One group, Spitboy, pushed their feminist values through integration rather than division. They played at venues such as 924 Gilman Street, which banned sexism and sexual harassment.[93]

Kathleen Hanna edit

Main article: Kathleen Hanna

Kathleen Hanna (born 1968) and Tobi Vail co-founded the band, Bikini Kill, establishing the feminist riot grrrl movement. Hanna has also released an album under the name Julie Ruin, which developed into Le Tigre.[94]

PJ Harvey edit

Main article: PJ Harvey

PJ Harvey (born 1969) is an English performer associated with the punk blues and alternative rock genres.[95]

The Breeders edit

Main article: The Breeders

The Breeders are an American band formed in 1990 by Kim Deal of the Pixies, her twin sister Kelley Deal and Tanya Donelly of Throwing Muses. The band has experienced a number of lineup changes; Kim Deal has been the band's sole continual member. Their first album, Pod (1990), though not commercially successful, received wide critical acclaim. The Breeders' most successful album, Last Splash (1993), is best known for the hit single "Cannonball".[96]

Elastica edit

Main article: Elastica

Elastica were an English band best known for their 1995 album Elastica, which produced singles that charted in the United Kingdom and the United States.[97]

Republica edit

 
Saffron of Republica
Main article: Republica

Republica are an English band formed in 1994, featuring their lead singer Saffron. Republica are best known for their hit single, "Ready to Go". Their music is described as dance punk or technopop punk rock.

Hole edit

Main article: Hole (band)

Hole was formed in Los Angeles in 1989 by singer and guitarist Courtney Love and lead guitarist Eric Erlandson. The band had a revolving line-up of bassists and drummers, their most prolific being drummer Patty Schemel, and bassists Kristen Pfaff (d. 1994) and Melissa Auf der Maur.[98]

Babes in Toyland edit

Main article: Babes in Toyland (band)

Babes in Toyland (band) was an American punk rock band most active from 1987 to 2001, and reunited from 2014 to 2020.[99] Vocalist and guitarist Kat Bjelland, founded the band with drummer Lori Barbero and bassist Michelle Leon. In 1992, Leon was replaced by Maureen Herman. They are best known for their albums, Spanking Machine (1990), Fontanelle (1992) and Nemesisters (1995).[100]

Other 1990s artists edit

2000s edit

Carrie Brownstein edit

Main articles: Carrie Brownstein, Sleater-Kinney, and Wild Flag

Carrie Brownstein (born 1974) rose to prominence by establishing the riot grrrl all-women punk band Sleater-Kinney with Corin Tucker and Janet Weiss.[101] During the early 2010s, Brownstein and Weiss were members of the band Wild Flag.

Laura Jane Grace edit

 
Against Me! Laura Jane Grace
Main article: Laura Jane Grace

Laura Jane Grace (born 1980) is an American transgender musician who is the founder, guitarist and lead singer, songwriter and of the punk band Against Me![102]

Brody Dalle edit

Main article: Brody Dalle

Australian-born singer-songwriter and guitarist, leader of The Distillers and spinnerette.[citation needed]

Other 2000s artists edit

 
Holly Brewer of H.U.M.A.N.W.I.N.E.

Other prominent female punk related artists, bands and individuals from this era include Beth Ditto, Bleach, Holly Brewer, Jemina Pearl, Mika Miko, Nü Sensae, Retching Red, The Bombpops, Regina Zernay Roberts and The Coathangers, Akiko "Keex" Matsuura.

2010s edit

The 2010s saw a considerable increase in numbers of women taking up rock musicianship.[103][104] Accordingly, there was a profusion of new female or female-fronted bands on the punk scene.[105]

Louise Distras edit

Main article: Louise Distras

Louise Distras is an English singer, songwriter and musician from Wakefield, West Yorkshire. Kerrang named her a 'Star of 2017,' and she has performed with Buzzcocks, Television, Dropkick Murphys and Billy Bragg.[106] [107]

Otoboke Beaver edit

Main article: Otoboke Beaver

All female punk rock band from Kyoto, Japan.[108] Current members: singer Accorinrin, guitarist Yoyoyoshie, bassist Hiro-chan, and drummer Kahokiss. The band formed in 2009;[109] their most recent release was in May 2022.[110]

Pussy Riot edit

Main article: Pussy Riot

Formed in 2011 as a punk band, artist collective and activist group.[111][112] In addition to their music, the group used public guerrilla performance to convey political messages. These performances were the basis for music videos available online.[113]

Amanda X edit

Main article: Amanda X

Post-punk power pop all-female trio from Philadelphia.[114] Billboard magazine has called them "leaders in their scene" and has described their harmonies as thrash power-pop.[115] They have also received press coverage from Rolling Stone and The Guardian.[114][116] The band is composed of Melissa Brain on drums, Kat Bean on bass and Cat Park on guitar.[116] Their sound has been compared to Sleater Kinney.[117]

Meredith Graves edit

Main articles: Meredith Graves and Perfect Pussy

Graves is the American frontwoman for the punk rock band Perfect Pussy, which was founded in 2012 in Syracuse, New York.[118][119] In 2015, Graves went on to found the music label, Honor Press, as a feminist gesture to "fight punk's patriarchy".[120][121] She described, in an interview with Ilana Kaplan in New York that her positive experiences making music were inspiration for establishing Honor Press.[122] In the same interview, she cites women visual artists, Jenny Holzer and Barbara Kruger, as well as writers Kathy Acker and Susan Sontag as inspirations.[122]

Dream Wife edit

Main article: Dream Wife (band)

Trio of Rakel Mjöll (lead vocals), Alice Go (guitar, vocals), and Bella Podpadec (bass, vocals).,[123] supported by Alex Paveley on drums since 2018.[124][125] Coverage from Rolling Stone magazine,[126] BBC Music[127] and Billboard[128] Second album So When You Gonna... reached number 18 on the UK album chart.[129]

The Tuts edit

Main article: The Tuts

English DIY pop punk[130] band from Hayes, London.[131] Received extensive coverage from alternative music radio, most notably Amazing Radio, and from music websites. They were featured in the ITV series Young, British and Muslim in April 2018.[132] Javed is now a solo artist.[133]

The SoapGirls edit

Main article: The SoapGirls

UK-based, French-born, South African-raised sisters Noemie Debray (guitar, vocals) and Camille Debray (guitar, vocals). Three albums released as punk band, multiple press coverage[134][135][136] Previous career as dance-pop act on Universal Records in South Africa, scored number one album and four Top 5 singles on country's music charts.[137]

Lauren Tate edit

Main article: Hands Off Gretel

Solo artist and since 2015 lead singer of Hands Off Gretel. an alternative rock/grunge band affiliated to the UK punk scene, formed 2015 in South Yorkshire.[138][139] Also performs RnB/Hip Hop under the alias Delilah Bon.[140]

Maid of Ace edit

Main article: Maid of Ace

Punk rock band consisting of Hastings sisters Alison Cara Elliott (Lead vocals/guitar), Anna Coral Elliott (vocals/gGuitar), Amy Catherine Elliott (bass/vocals) and Abby Charlotte Elliott (drums). Three albums released, footage of their 2015 Glastonbury Festival uploaded by the BBC to its website.[141][142][143]

Nina Courson edit

Main article: Healthy Junkies

French born, London based lead singer of punk rock/grunge band Healthy Junkies since 2009. They have released five albums, which have received multiple coverage in the press.[144][145]

Puss Johnson edit

Main article: Pussycat and the Dirty Johnsons

Frontwoman since 2002 of band Pussycat and the Dirty Johnsons. They have released four albums, which have received multiple coverage in the press.[146][147][148] Collaborated with members of 1970s punk band Satan's Rats in 2022, as "Satan's Cats".[149]

The Featherz edit

Main article: The Featherz

Welsh/English band with glam and punk influences (self-styled as "Flock Rock") led by Danie Centric (known as Danie Cox prior to January 2018, born 15 December 1990 in Bridgend) on lead vocals and guitar. Cox formed the band with two fellow former members of Georgie Girl And Her Poussez Posse, a band fronted by Georgina Baillie and mentored by Adam Ant.[150] Centric also leads all female Slade tribute band Slady[151] and records with The Lurkers.[152]

Petrol Girls edit

Main article: Petrol Girls

English punk rock band formed in London in 2012 by Ren Aldridge and Liepa Kuraitė, with Joe York and Zock Astpai joining later. The band is named after the historical Pétroleuses[153][154] and is outspokenly feminist. They have received media coverage.[154][153][155]

The Kut edit

Main article: The Kut

London-based alternative rock project, assembled by frontwoman and self-taught multi-instrumentalist Princess Maha.[156] They have received extensive radio and music press coverage including from Planet Rock,[156] BBC Introducing,[157] Kerrang!.[158] Debut album Valley of Thorns reached No. 18 in the UK Independent Albums Chart[159]

Barb Wire Dolls edit

Main article: Barb Wire Dolls

Grunge/punk rock band from Greece, based in the United States. They were championed by Lemmy on whose personal record label (a subsidiary of Warner Music Group) their third and fourth albums were released.[160]

Nova Twins edit

Main article: Nova Twins

English rock duo formed in London, England, in 2014, consisting of vocalist/guitarist Amy Love and bassist Georgia South.[161] Nominated for British Group and Best Rock/Alternative Act at the 2023 Brit Awards[162]

The Ethical Debating Society edit

Main article: The Ethical Debating Society

Three-piece DIY punk, post-riot grrrl group from London. Described by Gigslutz as "one of the most exciting DIY bands" in the UK.[163] Have received coverage from Everett True in The Guardian,[164] Louder Than War[165] and the Hackney Citizen.[166]

Priests edit

Main article: Priests (band)

Post-punk band from Washington D.C. formed in 2012 by Katie Alice Greer (vocals), Daniele Daniele (drums), Taylor Mulitz (bass), and G.L. Jaguar (guitar). Debut LP Nothing Feels Natural on several Best Albums Of 2017 lists including Billboard,[167] NPR,[168] the Atlantic,[169] and Pitchfork.[170] Rolling Stone described the band as "forging jagged incantations that challenge norms ranging from the driving forces of capitalism to punk's own chest-beating macho traditions."[171]

White Lung edit

Main article: White Lung (band)

Canadian punk band consisting of Mish Barber-Way (vocals), Kenneth William (guitars) and Anne-Marie Vassiliou (drums).[172]

Doll Skin edit

Main article: Doll Skin

All-female rock band from Phoenix, Arizona consisting of Meghan Herring (drums/vocals), Sydney Dolezal (lead vocals/rhythm guitar), Nicole Rich (bass), and Alex Snowden (lead guitar) who all met at School Of Rock Scottsdale.[173][174][175][176]

Other 2010s artists edit

Other prominent female or female-fronted acts on the 2010s punk scene included dragSTER,[177][178] IDestroy,[179][180] Océ Cheapfret of The Bolokos[181][182] Cryptic Street,[183][184] and Frau an all-female hardcore feminist punk band from London.[185][186][187][188]

See also edit

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External links edit

  • The Lost Women of Rock Music 7 December 2015 at the Wayback Machine
  • Women in Punk A-Z
  • Women of Punk and Post Punk Music at Biography.com
  • The Story of Feminist Punk in 33 Songs Pitchfork

December 19, 2023
women, punk, rock, women, have, made, significant, contributions, punk, rock, music, subculture, since, inception, 1970s, contrast, rock, music, heavy, metal, scenes, 1970s, which, were, dominated, anarchic, counter, cultural, mindset, punk, scene, late, 1970s. Women have made significant contributions to punk rock music and its subculture since its inception in the 1970s 1 2 In contrast to the rock music and heavy metal scenes of the 1970s which were dominated by men the anarchic counter cultural mindset of the punk scene in mid and late 1970s encouraged women to participate This participation played a role in the historical development of punk music especially in the US and UK at that time and continues to influence and enable future generations 3 Women have participated in the punk scene as lead singers instrumentalists as all female bands zine contributors and fashion designers 4 Patti SmithChrissie Hynde 2013Viv AlbertineKim Gordon in 2012Rock historian Helen Reddington wrote that the popular image of young punk women musicians as focused on the fashion aspects of the scene Fishnet stockings spiky hair etc was stereotypical She states that many if not all women punks were more interested in the ideology and socio political implications rather than the fashion 5 6 Music historian Caroline Coon contends that before punk women in rock music were virtually invisible in contrast in punk she argues It would be possible to write the whole history of punk music without mentioning any male bands at all and I think a lot of people would find that very surprising 7 8 Johnny Rotten wrote that During the Pistols era women were out there playing with the men taking us on in equal terms It wasn t combative but compatible 9 Chrissie Hynde echoed similar sentiments when discussing her start in the punk scene That was the beauty of the punk thing sexual discrimination didn t exist in that scene 10 The anti establishment stance of punk opened the space for women who were treated like outsiders in a male dominated industry Sonic Youth s Kim Gordon states I think women are natural anarchists because you re always operating in a male framework 11 Others take issue with the notion of equal recognition such as guitarist Viv Albertine who stated that the A amp R men the bouncers the sound mixers no one took us seriously So no we got no respect anywhere we went People just didn t want us around 12 13 Contents 1 History 1 1 Context 2 Social change 3 Fashion 4 Visual art 5 Significant musical artists 5 1 1970s 5 1 1 Patti Smith 5 1 2 Chrissie Hynde 5 1 3 Siouxsie Sioux 5 1 4 Nina Hagen 5 1 5 Exene Cervenka 5 1 6 Joan Jett 5 1 7 Lydia Lunch 5 1 8 Poly Styrene 5 1 9 Ari Up 5 1 10 Gaye Advert 5 1 11 Palmolive 5 1 12 Poison Ivy 5 1 13 Debbie Harry 5 1 14 Viv Albertine 5 1 15 Belinda Carlisle 5 1 16 Other 1970s artists 5 2 1980s 5 2 1 Lene Lovich 5 2 2 Kim Gordon 5 2 3 Lydia Lunch 5 2 4 Tina Bell 5 2 5 Wendy O Williams 5 2 6 Debora Iyall 5 2 7 Shonen Knife 5 2 8 Other 1980s artists 5 3 1990s 5 3 1 Riot Grrrl 5 3 2 Kathleen Hanna 5 3 3 PJ Harvey 5 3 4 The Breeders 5 3 5 Elastica 5 3 6 Republica 5 3 7 Hole 5 3 8 Babes in Toyland 5 3 9 Other 1990s artists 5 4 2000s 5 4 1 Carrie Brownstein 5 4 2 Laura Jane Grace 5 4 3 Brody Dalle 5 4 4 Other 2000s artists 5 5 2010s 5 5 1 Louise Distras 5 5 2 Otoboke Beaver 5 5 3 Pussy Riot 5 5 4 Amanda X 5 5 5 Meredith Graves 5 5 6 Dream Wife 5 5 7 The Tuts 5 5 8 The SoapGirls 5 5 9 Lauren Tate 5 5 10 Maid of Ace 5 5 11 Nina Courson 5 5 12 Puss Johnson 5 5 13 The Featherz 5 5 14 Petrol Girls 5 5 15 The Kut 5 5 16 Barb Wire Dolls 5 5 17 Nova Twins 5 5 18 The Ethical Debating Society 5 5 19 Priests 5 5 20 White Lung 5 5 21 Doll Skin 5 5 22 Other 2010s artists 6 See also 7 References 8 External linksHistory editContext edit Main article Women in music Musicologist Caroline Polk O Meara has written that female experience feminism and taking a pro woman stance empowered women s participation in punk rock beginning in the 1970s 14 In rock music there has been a gendered distinction between public male and private female participation in music 15 S everal scholars have argued that men exclude women from bands or from the bands rehearsals recordings performances and other social activities 16 Women are mainly regarded as passive and private consumers of allegedly slick prefabricated hence inferior pop music excluding them from participating as high status rock musicians 16 One of the reasons that mixed gender bands were traditionally rare was that bands operate as tight knit units in which homosocial solidarity social bonds between people of the same sex plays a crucial role 16 In the 1960s pop music scene s inging was sometimes an acceptable pastime for a girl but playing an instrument simply wasn t done 17 In the UK the Sex Discrimination Act of 1975 allowed women the same access to jobs as men Some men thought that this legislation put them at a loss and felt that women were taking away positions that traditionally belonged to them This and the election of Margaret Thatcher led many young women who felt disenfranchised to the punk rock music scene Artists like Suzi Quatro are considered to be major influences in the early British punk culture Quatro refused to be sexualized by the media and indirectly dealt with the issue of sexism by embracing a tough rocker persona while producing music that could thrive in the mainstream Bands like X Ray Spex and The Slits took this feminist rock culture and combined it with a more extreme aggressive style of music 4 This genre reflected on social cultural and political changes of the United Kingdom at the time 5 and continued to do so in other locations In the US women such as Exene Cervenka and Joan Jett made contributions to the Los Angeles punk scene in the late 1970s and early 1980s Cervenka s aggressive style and her unconventional looks drew more young women to the scene since it was inclusive 18 Many of these women sought to fight public sexual harassment and encourage body positive attitudes through their music Leather jackets short skirts fishnets and choker necklaces were part of the punk style and culture and this style made many punk women targets for sexual harassment in the streets They often spent much time outside waiting for shows smoking and meeting with one another which created a kind of vulnerability Women punk musicians retaliated by educating the young girls involved in the scene taking legal action and writing songs on the matter 19 While punk in New York City and San Francisco emerged in the 1970s the Los Angeles scene was at its strongest point in the 1980s as a response to the conservative policies of Ronald Reagan s administration Mainstream rock such as Christopher Cross or Hall and Oates did not tend to address political issues which left a space for rebels like Joan Jett and Blondie within the charts 4 The feminist ideologies of punk rock in the 1970s and 1980s 19 5 persevered into the 1990s via the Riot grrrl movement in the Olympia Washington area Riot Grrrl addressed more than the sexism of punk culture alone Rather the movement applied feminism on a broader scale by taking on issues such as sexual assault systematic sexism and the idea that sex is taboo for women Riot Grrrl began by primarily using homemade magazines known as zines and group meetings Eventually the movement developed into a genre of music that was more aggressive than the mainstream rock of the decade This genre reflected the same values as the zines It was within this era that the LGBT community began to use punk rock as an outlet for advocacy as well Groups from the early 21st century such as Pussy Riot and Panty Raiders combine feminist and queer values in their music and films 19 The constant push for gender equality over three decades has resulted in a more inclusive punk rock culture that is no longer divided by sex No Doubt is one example of this accepting culture They are a co ed musical group with a female singer who addresses feminist issues One of No Doubt s songs Just a Girl made it to the Billboard Hot 100 peaking at number 23 back in 1995 Sleater Kinney and Le Tigre are groups known to mix feminist ideologies with other social justice themes Following George W Bush s administration s response to the September 11 attacks and Hurricane Katrina these female led groups offered political criticism through politicized songs Sleater Kenny s song Combat Rock was anti war in nature and directly criticized the U S government s decisions regarding the Middle East 4 The rebellion of rock music was largely a male rebellion the women often in the 1950s and 60s girls in their teens in rock usually sang songs as personae utterly dependent on their macho boyfriends Philip Auslander says that Although there were many women in rock by the late 1960s most performed only as singers a traditionally feminine position in popular music Though some women played instruments in American all female garage rock bands none of these bands achieved more than regional success So they did not provide viable templates for women s on going participation in rock 20 2 3 In relation to the gender composition of heavy metal bands it has been said that h eavy metal performers are almost exclusively male 21 a t least until the mid 1980s 22 apart from exceptions such as Girlschool 21 However now in the 2010s maybe more than ever strong metal women have put up their dukes and got down to it 23 carv ing out a considerable place for them selves 24 When Suzi Quatro emerged in 1973 no other prominent female musician worked in rock simultaneously as a singer instrumentalist songwriter and bandleader 20 2 According to Auslander she was kicking down the male door in rock and roll and proving that a female musician and this is a point I am extremely concerned about could play as well if not better than the boys 20 3 Social change editMain article Rock Against Sexism nbsp Rock Against Sexism badgeRock Against Sexism RAS was a political and cultural movement dedicated to promoting women in music 25 and challenging sexism and heterosexism in the rock music community pop culture and in the world at large 26 It was primarily a part of the punk rock music and arts scene 27 RAS began in the UK in 1978 and by the mid 1980s also had a presence in North America It was inspired and influenced by Rock Against Racism the two movements had many of the same participants 28 29 30 RAS has been cited as a prototype for and influence on the later Riot grrrl movement giving women more access to punk subculture 27 The Mexico City based punk rock collective Hijas de Violencia the Daughters of Violence conduct street performances to combat sexual harassment against women 31 A precursor was Chavas Activas Punks CHAP s a women s collective that formed in the Mexico City pun community in 1987 The anthropologist Maritza Urteaga Castro Prozo writes of their protests against the hostility and rejection they experienced from male counterparts She goes on to write that while they had little acquaintance with feminist theory their lyrics and fanzine focused on gender discrimination and sexuality 32 nbsp Pussy RiotPussy Riot s lyrical themes include feminism LGBT rights and government opposition The collective considers Russian President Vladimir Putin to be a dictator and opposes his policies 33 34 Some women in punk rock have used their music and lyrics as platforms for feminist ideologies and to oppose the sexualization of female musicians and societal policing of women s bodies and sexual agency 35 As early as the 1960s women in rock were often considered as sex objects and their capabilities and talent were often undermined while male producers were credited for their music 35 Some female punk and Riot grrrl lyrics called for women to challenge the patriarchy and rape culture such as 7 Year Bitch s song Dead Men Don t Rape Bikini Kill expressed the need for a revolution in pursuit of disrupting the patriarchy for example their song Rebel Girl 36 Some musicians lyrics expressed themes of queer liberation as in Gossip s Where the Girls Are 36 Conventional expectations of women s roles were challenged for example in The Slits Typical Girls that sarcastically addressed stereotypes of women as being too emotional 37 Riot grrrl artists and their punk predecessors not only fought for women but for the LGBTQIA community animal rights and human rights in general 36 Punk as non normative as it has traditionally been has in some cases become a safe haven for many unaccepted individuals including queer people Punks and the punk lifestyle are often outside of the realm of normative culture and the same can be said for queer individuals 38 The discomfort in this outcast identity may bring feelings of solidarity for people in punk scenes queer and otherwise 38 Fashion edit nbsp Vivienne WestwoodA designer associated with early UK punk fashion in the 1970s was Vivienne Westwood who made clothes for Malcolm McLaren s boutique in the King s Road which became famous as SEX Other designers included Wendy Gawitz and Kate Buck of Eccentric Clothing in Collingwood Melbourne Australia designers Julie Purvis and Jillian Burt and fellow Australians Kate Durham and Sara Thorn 39 Pamela Rooke also known as Jordan Mooney or simply Jordan worked as a model for Vivienne Westwood s Sex boutique to create an iconic image of punk fashion style during the 1970s 40 She later went on to manage the band Adam and the Ants she was also the bass player for the band 41 nbsp Jordan MooneyWomen in the hardcore punk scene typically wore army pants band T shirts and hooded sweatshirts 42 The style of the 1980s hardcore scene contrasted with the more provocative fashion styles of late 1970s punk rockers elaborate hairdos torn clothes patches safety pins studs spikes etc In 2013 the Metropolitan Museum of Art in New York organized the historical exhibition PUNK Chaos to Couture featuring clothing worn and or fabricated by punk musicians as well as designers such as Vivenne Westwood Rodarte Ann Demeulemeester Katharine Hamnett and others 43 A comprehensive exhibition catalog designed by Pentagram was produced by the museum and distributed by Yale University Press 44 Visual art editLinder Sterling commonly known as Linder was the former front woman of the post punk band Ludus She is primarily known for her radical feminist visual artwork photographs photomontages and cover art for the band the Buzzcocks 45 46 Significant musical artists edit1970s edit Patti Smith edit Main article Patti Smith nbsp Patti Smith performing at TIM Festival Marina da Gloria Rio de Janeiro 4 Patti Smith born 1946 is a New York City based punk rock singer songwriter poet and artist whose first album Horses 1975 significantly influenced the New York City punk rock genre Smith s work went on to receive international recognition In 2007 she was inducted into the Rock and Roll Hall of Fame 47 She was born Patricia Lee Smith in Chicago Illinois 48 Chrissie Hynde edit Main article Chrissie Hynde nbsp Chrissie Hynde 2013Chrissie Hynde born 1951 in Akron Ohio is a singer songwriter and guitar player and co founder of the band The Pretenders 49 They were inducted into the Rock and Roll Hall of Fame in 2005 Siouxsie Sioux edit Main article Siouxsie Sioux nbsp Siouxie SiouxBorn Susan Janet Ballion in 1957 in Southwark London England Siouxsie Sioux is best known as the lead singer of Siouxsie and the Banshees which released 11 studio albums She continued to tour with The Creatures before embarking on a solo career 50 Nina Hagen edit Main article Nina Hagen nbsp Nina HagenCatharina Hagen born 1955 known as Nina Hagen is a singer and songwriter born in East Berlin German Democratic Republic After she emigrated to West Berlin in 1976 she joined the band Spliff and together they named themselves Nina Hagen Band They released two studio albums Nina Hagen Band and Unbehagen She left the band in 1979 and became a solo artist and released her first solo album NunSexMonkRock in 1982 51 This was followed by the 1983 album Fearless and in 1985 In Ekstasy 52 Exene Cervenka edit Main article Exene Cervenka nbsp ExeneExene Cervenka co founded the band X in 1977 with bassist John Doe guitarist Billy Zoom and drummer DJ Bonebrake Their debut album Los Angeles 1980 established her as a presence as one of the most influential vocalists in the punk rock movement 53 Joan Jett edit Main article Joan Jett nbsp Joan JettJoan Jett born Joan Marie Larkin began her career when she was still in high school as the rhythm guitarist and later lead singer for the all female band The Runaways their work included the 1976 song Cherry Bomb and the 1977 album Queens of Noise In the 1980s she founded her own independent label Blackheart Records 54 In 2015 she was inducted into the Rock and Roll Hall of Fame Lydia Lunch edit Main article Lydia Lunch Lydia Lunch began her career as the frontwoman for the band Teenage Jesus and the Jerks and went on to collaborate with numerous other musicians and bands including Nick Cave Sonic Youth and Brian Eno among others 55 Poly Styrene edit Main article Poly Styrene Poly Styrene 1957 2011 born Marianne Joan Elliott Said founded the punk band X Ray Spex The band s 1978 album Germ Free Adolescents established her as a front woman singer songwriter and musician 56 Ari Up edit Main article Ari Up nbsp Ari upAri Up 1962 2010 was born Ariane Daniela Forster in Munich Germany and was a vocalist and member of The Slits a British punk rock band She was only 14 years old she became The Slits frontwoman in 1976 and was known as the most flamboyant and eccentric member of the group She took guitar lessons from Joe Strummer of The Clash 57 58 Up s mother is the music promoter Nora Forster a publishing heiress of the newspaper Der Spiegel 59 whose home became a crash pad and meeting place for many rock musicians and who financially helped support The Slits the Sex Pistols and The Clash Ari Up grew up within this creative milieux where she was raised by Forster and John Lydon 60 61 62 Gaye Advert edit Main article Gaye Advert British born Gaye Advert also known as Gaye Black was the bass player for The Adverts She has been called one of punk s first female icons and the first fema le punk star 63 64 Palmolive edit Main article Palmolive musician Paloma McLardy born 1955 is known as the drummer and songwriter for The Slits as Palmolive Born in Spain she moved to London in 1972 to live in the squats with other counter cultural youths 65 In London she befriended Joe Strummer of The Clash who introduced her to Sid Vicious bass player for the Sex Pistols Through these alliances she joined the band The Flowers of Romance with guitarist Viv Albertine Having met 14 year old Ari Up at a Patti Smith concert they formed the all women punk band The Slits playing gigs with The Clash the Sex Pistols the Buzzcocks and others In 1979 she joined the all female punk band The Raincoats who recorded their self titled debut album for Rough Trade Records 66 Poison Ivy edit Main article Poison Ivy musician nbsp Poison IvyPoison Ivy born Kristy Marlana Wallace in 1953 is known for her work as a guitarist and songwriter who co founded the American punk rockabilly band The Cramps Also known as Poison Ivy Rorschach she also provided vocals arranged songs and produced many of the band s records She met Lux Interior born Erick Lee Purkhiser at Sacramento State College in 1972 who became the singer for The Cramps whose work gained a cult following as well a course of European commercial success 67 68 Debbie Harry edit Main article Debbie Harry nbsp Blondie Debbie Harry Debbie Harry is one of the most commercially successful musicians of punk rock new wave Her band Blondie often performed at CBGB in New York City and their 1978 album Parallel Lines is considered a punk pop classic Harry s band Blondie was inducted into the Rock and Roll Hall of Fame in 2006 69 Viv Albertine edit Main article Viv Albertine Viv Albertine born 1954 in Sydney Australia is a guitarist and singer for the British punk band The Slits Albertine was part of the inner circle of the punk bands The Clash and the Sex Pistols and joined The Slits in 1977 She has also played with the post punk band Flying Lizards the dubstep influenced New Age Steppers and the punk band The Flowers of Romance 70 Belinda Carlisle edit Main article Belinda Carlisle Belinda Carlisle s first venture into punk rock music was in 1977 as drummer for the band the Germs under the name Dottie Danger 71 She was recruited into the band by Lorna Doom 72 73 Soon after leaving the Germs she co founded the Go Go s originally named the Misfits with Margot Olavarria Elissa Bello and Jane Wiedlin After Olavarria and Bello s departure from the band the new line up included bassist turned guitarist Charlotte Caffey guitarist turned bassist Kathy Valentine and drummer Gina Schock 74 Other 1970s artists edit Barbara Ess Bush Tetras Cherie Currie Cherry Vanilla Delta 5 Edith Nylon Elli Medeiros Essential Logic Honey Bane Gee Vaucher Gina Birch Jackie Fox Jayne County Jordan Kate Korus fr Lene Lovich Lora Logic Lorna Doom Marie Currie Neo Boys The Nixe Pat Place Patricia Morrison Pauline Murray Penelope Houston Phew Phranc Shanne Bradley Suzi Gutsy fr Tessa Pollitt Toyah The Dishrags The Raincoats Vi Subversa Vivien Goldman 1980s edit nbsp Tina BellLene Lovich edit Main article Lene Lovich nbsp Lene Lovich 1979Lene Lovich is an American born English singer known for her idiosyncratic vocal style Although active in 1978 and 1979 much of her success was in the 1980s Her debut studio album Stateless 1978 which produced the single Lucky Number She released two more albums Flex 1979 and No Man s Land 1982 on Stiff Records In 1989 she independently released the album March before her 15 year hiatus from music 75 Kim Gordon edit Main article Kim Gordon The American bassist and singer Kim Gordon born 1953 and her band Sonic Youth were formed in 1981 establishing her as an important presence in the downtown New York City music scene She wrote and performed music with Sonic Youth through 2012 Her memoir Girl in a Band was published in 2015 76 Lydia Lunch edit nbsp Lydia LunchMain article Lydia Lunch Lydia Lunch born 1959 is a US punk rock and No Wave singer Her career was established with the founding of Teenage Jesus and the Jerks in collaboration with James Chance In the mid 1980s she formed Widowspeak a recording and publishing company 77 Tina Bell edit Main article Tina Bell Singer and songwriter of the Seattle based punk and grunge band Bam Bam 78 Bell has been called the Godmother of Grunge According to Stewart Yamazaki of the Seattle Times The legacy of Bell a Black woman has often been overlooked in a genre typically associated with long haired white guys 79 Wendy O Williams edit Main article Wendy O Williams Wendy O Williams 1949 1998 was the lead singer and songwriter for the punk band Plasmatics whose performances included such actions as chain sawing guitars and blowing up equipment on stage 80 Debora Iyall edit Main article Debora Iyall Debora Iyall was the lead singer in the San Francisco based punk band Romeo Void 81 She was born in Washington state and is of Cowlitz Native American heritage 82 She is known for her skills as a lyricist whose searing imagery explores themes like sexuality and alienation from a female perspective 83 Shonen Knife edit Main article Shonen Knife nbsp Shonen KnifeShonen Knife in 2008 Japanese garage pop punk band was influenced by the Girl groups of the 1960s 84 Current members include Naoko Yamano Ritsuko Taneda Atsuko Yamano Risa Kawano Naru Ishizuka Former members of the band include Michie Nakatani Mana Nishiura Etsuko Nakanishi and Emi Morimoto Other 1980s artists edit April Palmieri Au Pairs Beki Bondage Brix Smith Caroline Azar Chalk Circle Dee Plakas Dolly Mixture Eve Libertine Donita Sparks Fifth Column Fire Party Helen McCookerybook Honey Bane Jane Dornacker Leila and the Snakes Jean Smith Jennifer Finch Joy De Vivre June Miles Kingston Julie Jules Lanfeld Sin 34 Kim Shattuck The Muffs Kira Roessler L7 LiLiPUT formerly Kleenex Little Annie a k a Annie Anxiety Bandez Marine Girls Mia Zapata Mo dettes Nina Childress Rubella Ballet Sara Lee Sugar Babydoll Suzi Gardner Teresa Taylor The 5 6 7 8 s The Belle Stars The Go Go s The Gymslips Toyah Vi Subversa VulpSS Yanka Dyagileva 1990s edit Riot Grrrl edit Main article Riot Grrrl nbsp Carrie Brownstein in 2005 nbsp Kathleen Hanna of Bikini Kill in 1996 nbsp PJ HarveyRiot grrrl is an underground feminist hardcore punk movement that originally started in the early 1990s in Washington D C 85 and the greater Pacific Northwest noticeably in Olympia Washington 86 It is often associated with third wave feminism which is sometimes seen as its starting point It has also been described as a musical genre that came out of indie rock with the punk scene serving as an inspiration for a musical movement in which women could express themselves in the same way men had been doing for the past several years 87 Riot grrrl bands often address issues such as rape domestic abuse sexuality racism patriarchy and female empowerment Bands associated with the movement include Bikini Kill Bratmobile Heavens to Betsy Excuse 17 Huggy Bear Cake Like Skinned Teen Emily s Sassy Lime Sleater Kinney and also queercore groups like Team Dresch 88 89 In addition to a music scene and genre riot grrrl is a subculture involving a DIY ethic zines art political action and activism 90 Riot grrrls are known to hold meetings start chapters and support and organize women in music 91 Some groups that participated in the Riot grrrl movement encouraged men to stand near the back during concerts to allow women their own space near the front 92 Many members of the punk rock community considered this and other methods of Riot grrrl to be too radical Due to this another feminist movement emerged in the East Bay One group Spitboy pushed their feminist values through integration rather than division They played at venues such as 924 Gilman Street which banned sexism and sexual harassment 93 Kathleen Hanna edit Main article Kathleen Hanna Kathleen Hanna born 1968 and Tobi Vail co founded the band Bikini Kill establishing the feminist riot grrrl movement Hanna has also released an album under the name Julie Ruin which developed into Le Tigre 94 PJ Harvey edit Main article PJ Harvey PJ Harvey born 1969 is an English performer associated with the punk blues and alternative rock genres 95 The Breeders edit Main article The Breeders The Breeders are an American band formed in 1990 by Kim Deal of the Pixies her twin sister Kelley Deal and Tanya Donelly of Throwing Muses The band has experienced a number of lineup changes Kim Deal has been the band s sole continual member Their first album Pod 1990 though not commercially successful received wide critical acclaim The Breeders most successful album Last Splash 1993 is best known for the hit single Cannonball 96 Elastica edit Main article Elastica Elastica were an English band best known for their 1995 album Elastica which produced singles that charted in the United Kingdom and the United States 97 Republica edit nbsp Saffron of RepublicaMain article Republica Republica are an English band formed in 1994 featuring their lead singer Saffron Republica are best known for their hit single Ready to Go Their music is described as dance punk or technopop punk rock Hole edit Main article Hole band Hole was formed in Los Angeles in 1989 by singer and guitarist Courtney Love and lead guitarist Eric Erlandson The band had a revolving line up of bassists and drummers their most prolific being drummer Patty Schemel and bassists Kristen Pfaff d 1994 and Melissa Auf der Maur 98 Babes in Toyland edit Main article Babes in Toyland band Babes in Toyland band was an American punk rock band most active from 1987 to 2001 and reunited from 2014 to 2020 99 Vocalist and guitarist Kat Bjelland founded the band with drummer Lori Barbero and bassist Michelle Leon In 1992 Leon was replaced by Maureen Herman They are best known for their albums Spanking Machine 1990 Fontanelle 1992 and Nemesisters 1995 100 Other 1990s artists edit 7 Year Bitch Autoclave Becca Albee Bif Naked Christina Billotte Corin Tucker Fabulous Disaster Free Kitten Heavens to Betsy Huggy Bear Janet Weiss Jody Bleyle Kaia Wilson Kat Bjelland Katastrophy Wife fr Lunachicks L7 Nomy Lamm Quix o tic Shirley Manson Slant 6 Spitboy The Donnas Theo Kogan Tilt Cinder Block 2000s edit Carrie Brownstein edit Main articles Carrie Brownstein Sleater Kinney and Wild Flag Carrie Brownstein born 1974 rose to prominence by establishing the riot grrrl all women punk band Sleater Kinney with Corin Tucker and Janet Weiss 101 During the early 2010s Brownstein and Weiss were members of the band Wild Flag Laura Jane Grace edit nbsp Against Me Laura Jane GraceMain article Laura Jane Grace Laura Jane Grace born 1980 is an American transgender musician who is the founder guitarist and lead singer songwriter and of the punk band Against Me 102 Brody Dalle edit Main article Brody DalleAustralian born singer songwriter and guitarist leader of The Distillers and spinnerette citation needed Other 2000s artists edit nbsp Holly Brewer of H U M A N W I N E Other prominent female punk related artists bands and individuals from this era include Beth Ditto Bleach Holly Brewer Jemina Pearl Mika Miko Nu Sensae Retching Red The Bombpops Regina Zernay Roberts and The Coathangers Akiko Keex Matsuura 2010s edit The 2010s saw a considerable increase in numbers of women taking up rock musicianship 103 104 Accordingly there was a profusion of new female or female fronted bands on the punk scene 105 Louise Distras edit Main article Louise Distras Louise Distras is an English singer songwriter and musician from Wakefield West Yorkshire Kerrang named her a Star of 2017 and she has performed with Buzzcocks Television Dropkick Murphys and Billy Bragg 106 107 Otoboke Beaver edit Main article Otoboke Beaver All female punk rock band from Kyoto Japan 108 Current members singer Accorinrin guitarist Yoyoyoshie bassist Hiro chan and drummer Kahokiss The band formed in 2009 109 their most recent release was in May 2022 110 Pussy Riot edit Main article Pussy Riot Formed in 2011 as a punk band artist collective and activist group 111 112 In addition to their music the group used public guerrilla performance to convey political messages These performances were the basis for music videos available online 113 Amanda X edit Main article Amanda X Post punk power pop all female trio from Philadelphia 114 Billboard magazine has called them leaders in their scene and has described their harmonies as thrash power pop 115 They have also received press coverage from Rolling Stone and The Guardian 114 116 The band is composed of Melissa Brain on drums Kat Bean on bass and Cat Park on guitar 116 Their sound has been compared to Sleater Kinney 117 Meredith Graves edit Main articles Meredith Graves and Perfect Pussy Graves is the American frontwoman for the punk rock band Perfect Pussy which was founded in 2012 in Syracuse New York 118 119 In 2015 Graves went on to found the music label Honor Press as a feminist gesture to fight punk s patriarchy 120 121 She described in an interview with Ilana Kaplan in New York that her positive experiences making music were inspiration for establishing Honor Press 122 In the same interview she cites women visual artists Jenny Holzer and Barbara Kruger as well as writers Kathy Acker and Susan Sontag as inspirations 122 Dream Wife edit Main article Dream Wife band Trio of Rakel Mjoll lead vocals Alice Go guitar vocals and Bella Podpadec bass vocals 123 supported by Alex Paveley on drums since 2018 124 125 Coverage from Rolling Stone magazine 126 BBC Music 127 and Billboard 128 Second album So When You Gonna reached number 18 on the UK album chart 129 The Tuts edit Main article The Tuts English DIY pop punk 130 band from Hayes London 131 Received extensive coverage from alternative music radio most notably Amazing Radio and from music websites They were featured in the ITV series Young British and Muslim in April 2018 132 Javed is now a solo artist 133 The SoapGirls edit Main article The SoapGirls UK based French born South African raised sisters Noemie Debray guitar vocals and Camille Debray guitar vocals Three albums released as punk band multiple press coverage 134 135 136 Previous career as dance pop act on Universal Records in South Africa scored number one album and four Top 5 singles on country s music charts 137 Lauren Tate edit Main article Hands Off Gretel Solo artist and since 2015 lead singer of Hands Off Gretel an alternative rock grunge band affiliated to the UK punk scene formed 2015 in South Yorkshire 138 139 Also performs RnB Hip Hop under the alias Delilah Bon 140 Maid of Ace edit Main article Maid of Ace Punk rock band consisting of Hastings sisters Alison Cara Elliott Lead vocals guitar Anna Coral Elliott vocals gGuitar Amy Catherine Elliott bass vocals and Abby Charlotte Elliott drums Three albums released footage of their 2015 Glastonbury Festival uploaded by the BBC to its website 141 142 143 Nina Courson edit Main article Healthy Junkies French born London based lead singer of punk rock grunge band Healthy Junkies since 2009 They have released five albums which have received multiple coverage in the press 144 145 Puss Johnson edit Main article Pussycat and the Dirty Johnsons Frontwoman since 2002 of band Pussycat and the Dirty Johnsons They have released four albums which have received multiple coverage in the press 146 147 148 Collaborated with members of 1970s punk band Satan s Rats in 2022 as Satan s Cats 149 The Featherz edit Main article The Featherz Welsh English band with glam and punk influences self styled as Flock Rock led by Danie Centric known as Danie Cox prior to January 2018 born 15 December 1990 in Bridgend on lead vocals and guitar Cox formed the band with two fellow former members of Georgie Girl And Her Poussez Posse a band fronted by Georgina Baillie and mentored by Adam Ant 150 Centric also leads all female Slade tribute band Slady 151 and records with The Lurkers 152 Petrol Girls edit Main article Petrol Girls English punk rock band formed in London in 2012 by Ren Aldridge and Liepa Kuraite with Joe York and Zock Astpai joining later The band is named after the historical Petroleuses 153 154 and is outspokenly feminist They have received media coverage 154 153 155 The Kut edit Main article The Kut London based alternative rock project assembled by frontwoman and self taught multi instrumentalist Princess Maha 156 They have received extensive radio and music press coverage including from Planet Rock 156 BBC Introducing 157 Kerrang 158 Debut album Valley of Thorns reached No 18 in the UK Independent Albums Chart 159 Barb Wire Dolls edit Main article Barb Wire Dolls Grunge punk rock band from Greece based in the United States They were championed by Lemmy on whose personal record label a subsidiary of Warner Music Group their third and fourth albums were released 160 Nova Twins edit Main article Nova Twins English rock duo formed in London England in 2014 consisting of vocalist guitarist Amy Love and bassist Georgia South 161 Nominated for British Group and Best Rock Alternative Act at the 2023 Brit Awards 162 The Ethical Debating Society edit Main article The Ethical Debating Society Three piece DIY punk post riot grrrl group from London Described by Gigslutz as one of the most exciting DIY bands in the UK 163 Have received coverage from Everett True in The Guardian 164 Louder Than War 165 and the Hackney Citizen 166 Priests edit Main article Priests band Post punk band from Washington D C formed in 2012 by Katie Alice Greer vocals Daniele Daniele drums Taylor Mulitz bass and G L Jaguar guitar Debut LP Nothing Feels Natural on several Best Albums Of 2017 lists including Billboard 167 NPR 168 the Atlantic 169 and Pitchfork 170 Rolling Stone described the band as forging jagged incantations that challenge norms ranging from the driving forces of capitalism to punk s own chest beating macho traditions 171 White Lung edit Main article White Lung band Canadian punk band consisting of Mish Barber Way vocals Kenneth William guitars and Anne Marie Vassiliou drums 172 Doll Skin edit Main article Doll Skin All female rock band from Phoenix Arizona consisting of Meghan Herring drums vocals Sydney Dolezal lead vocals rhythm guitar Nicole Rich bass and Alex Snowden lead guitar who all met at School Of Rock Scottsdale 173 174 175 176 Other 2010s artists edit Other prominent female or female fronted acts on the 2010s punk scene included dragSTER 177 178 IDestroy 179 180 Oce Cheapfret of The Bolokos 181 182 Cryptic Street 183 184 and Frau an all female hardcore feminist punk band from London 185 186 187 188 See also editWomen in the early East L A punk scene Lost Women of Punk Music List of all female bands Women in musicReferences edit Coon Caroline 1977 1988 The New Wave Punk Rock Explosion London England Omnibus Hawthorne Books ISBN 978 0801561290 Berman Judy 8 August 2011 15 Essential Women Punk Rock Icons Flavorwire Retrieved 25 November 2015 Why Women in Punk Women in Punk Punk77 co uk Retrieved 26 November 2015 a b c d Raha Maria 2004 Cinderella s Big Score Women of the Punk and Indie Underground New York City Seal Press ISBN 978 1580051163 a b c Reddington Helen 2012 The Lost Women of Rock Music Female Musicians of the Punk Era Ashgate Equinox Publishing ISBN 978 1845539573 Retrieved 26 January 2022 Woronzoff Elizabeth 19 August 2012 The Lost Women of Rock Music Is an Important Work But a Replay of the Same Old Themes Pop Matters Retrieved 26 November 2015 Conference proceedings September 2001 No Future University of Wolverhampton a href Template Cite news html title Template Cite news cite news a CS1 maint numeric names authors list link Reddington Helen 1977 Introduction The Lost Women of Rock Music PDF London England Ashgate ISBN 9780754657736 Archived from the original PDF on 7 December 2015 Retrieved 26 November 2015 Lydon John 1995 Rotten No Irish No Blacks No Dogs London England Coronet p 378 ISBN 978 0312428136 George Warren Holly 13 November 1997 Q amp A Chrissie Hynde Rolling Stone Retrieved 22 December 2015 Hall Rock Women Who Rock 10 Essential Punk Songs The Rock amp Roll Hall of Fame Museum Retrieved 27 November 2015 Petridis Alexis The Slits Viv Albertine on punk violence and doomed domesticity The Guardian Retrieved 27 November 2015 Andrews Charlotte Richardson 3 July 2014 Punk has a problem with women Why The Guardian Retrieved 27 November 2015 O Meara Caroline 2003 The Raincoats breaking down punk rock s masculinities Popular Music Cambridge England Cambridge University Press 22 3 299 313 doi 10 1017 s0261143003003209 JSTOR i371782 S2CID 190699398 Schaap Julian Berkers Pauwke February 2014 Grunting Alone Online Gender Inequality in Extreme Metal Music IASPM Journal Liverpool England International Association for the Study of Popular Music 4 1 102 doi 10 5429 2079 3871 2014 v4i1 8en a b c Schaap amp Berkers 2014 p 104 White Erika 2 January 2015 Music History Primer 3 Pioneering Female Songwriters of the 60s REBEAT Magazine Retrieved 20 January 2016 Becker Shannon Spring 2012 Editor s Note The World s a Mess It s in My Kiss Punk Women and Why They Matter Women s Studies Abingdon England Routledge 41 2 117 120 doi 10 1080 00497878 2012 636326 S2CID 147645218 via EBSCO Academic Search Complete a b c Leblanc Lauraine 1999 Pretty in Punk Girl s Gender Resistance in a Boy s Subculture Chicago Illinois Rutgers University Press ISBN 0813526515 a b c Auslander Philip 28 January 2004 I Wanna Be Your Man Suzi Quatro s musical androgyny PDF Popular Music Cambridge England Cambridge University Press 23 1 1 16 doi 10 1017 S0261143004000030 S2CID 191508078 Archived from the original PDF on 24 May 2013 Retrieved 25 April 2012 a b Brake Mike 1990 Heavy Metal Culture Masculinity and Iconography In Frith Simon Goodwin Andrew eds On Record Rock Pop and the Written Word Abingdon England Routledge pp 87 91 Walser Robert 1993 Running with the Devil Power Gender and Madness in Heavy Metal Music Middletown Connecticut Wesleyan University Press p 76 ISBN 978 0819562609 Eddy Chuck 1 July 2011 Women of Metal Spin Los Angeles California SpinMedia Group Kelly Kim 17 January 2013 Queens of noise heavy metal encourages heavy hitting women The Daily Telegraph Blast From the Past The Petticoats Maximumrocknroll 24 March 2021 Retrieved 10 March 2021 Rock Against Sexism at the Schlesinger Library on the History of Women in America Musicians Radcliffe Institute for Advanced Study Harvard University 24 March 2021 Retrieved 10 March 2021 a b Rock Against Sexism Records at the Feminist Movements collections 1880s to the Present at the Sallie Bingham Center for Women s History and Culture in the Rubenstein Library Third Wave Archival Collections Duke University Libraries 24 March 2021 Retrieved 10 March 2021 Mary Quaile Club presents Rock Against Sexism I was there Salford Star 24 March 2021 Retrieved 10 March 2021 Renton David 2018 Never Again Rock Against Racism and the Anti Nazi League 1976 1982 Oxfordshire England Taylor amp Francis ISBN 9781351383905 Bangs Lester 1988 Marcus Greil ed Psychotic Reactions and Carburetor Dung The Work of a Legendary Critic Rock n Roll as Literature and Literature as Rock n Roll Norwalk Massachusetts Anchor Press p 282 ISBN 0 679 72045 6 Note Original essay that mentions RAR and RAS is from April 1979 De La Torre Anna Paula Las hijas de Violencia con punk y performance combaten el acoso callejero en Mexico pijamasurf com PijamaSurf Retrieved 28 January 2016 Marciniak Marta 2015 Transnational Punk Communities in Poland From Nihilism to Nothing Outside Punk Lanham Maryland Lexington Books pp 168 169 ISBN 9781498501583 Retrieved 9 December 2019 Cadwalladr Carole 29 July 2012 Pussy Riot will Vladimir Putin regret taking on Russia s cool women punks The Observer Retrieved 20 November 2012 Kashin Oleg 17 August 2012 Putin s message if you re pro Pussy Riot you re against the Orthodox church The Guardian Archived from the original on 18 September 2012 Retrieved 10 November 2012 a b Daugherty Rebecca The spirit of 77 Punk and the girl revolution Women amp Music A Journal of Gender and Culture Lincoln Nebraska University of Nebraska Press 6 27 35 a b c McDonnell Evelyn Vincentelli Elizabeth 6 May 2019 Riot Grrrl United Feminism and Punk Here s an Essential Listening Guide The New York Times Retrieved 19 April 2022 Nguyen Mimi Thi July November 2012 Making waves Other punk feminisms Women amp Performance A Journal of Feminist Theory Oxfordshire England Taylor amp Francis 22 2 3 355 359 doi 10 1080 0740770X 2012 720895 S2CID 194103788 a b Sharp Megan Nilan Pam 29 June 2017 Floorgasm Queer s solidarity and resilience in punk Emotion Space and Society Stockholm Sweden Elsevier 25 71 78 doi 10 1016 j emospa 2017 06 005 Punk a Photographic Journey The History of the Melbourne Punk Scene www punkjourney com Baron Katie A rare interview with Jordan punk s enigmatic frontwoman Dazed Retrieved 4 April 2022 Fury Alexander 30 November 2013 Fury s Fashion People The Sartorial Genius of Jordan No Not That One The Independent Retrieved 4 April 2022 Brockmeier Siri C May 2009 Not Just Boys Fun The Gendered Experience of American Hardcore PDF Thesis Oslo Norway University of Oslo Retrieved 4 January 2016 Ryzik Melena 25 April 2013 Haute Punk The New York Times Retrieved 30 December 2018 Bell Eugenia ed 2013 PUNK Chaos to Couture New York City Metropolitan Museum of Art ISBN 978 1 58839 489 7 Retrieved 30 December 2018 Phaidon Editors 2019 Great women artists Phaidon Press p 247 ISBN 978 0714878775 a href Template Cite book html title Template Cite book cite book a last1 has generic name help How Linder went from Orgasm Addict to Chatsworth House The Guardian 18 January 2020 Retrieved 9 April 2022 Patti Smith Rock and Roll Hall of Fame Museum Retrieved 25 November 2015 Bockris Victor Bayley Roberta 1999 Patti Smith an unauthorized biography New York City Simon and Schuster p 19 ISBN 978 0 684 82363 8 Light Alan 3 October 2008 Her City s Not Gone and Neither is She The New York Times Retrieved 25 November 2015 Savage Jon June 1986 High Priestess Spin Los Angeles California SpinMedia p 66 Retrieved 4 January 2020 Metzger Richard 15 December 2011 Pre punk Nina Hagen in East Germany 1974 Dangerous Minds Retrieved 25 November 2015 Schonauer Walter 2011 Nina Hagen Bekenntnisse Confessions Munich Germany Pattloch Verlag ISBN 978 3 629 02272 1 Facroski Kelli Skye 21 August 2013 Exene tells it straight on X illness and O C The Orange County Register Retrieved 25 November 2015 Popson Tom 7 October 1988 Top 10 Again Joan Jett Looks at the State of Rock Chicago Tribune Retrieved 25 November 2015 Lydia Lunch Through the Years New York Times 20 December 2013 Retrieved 4 January 2020 Nissim Mayer 26 April 2011 Punk star Poly Styrene dies 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Encyclopedia of 70s Music London England Virgin Books ISBN 978 1 85227 947 9 Gallix Andrew 2005 Untypical Girl 3 AM Magazine Retrieved 9 December 2015 Berger Melody February 2014 The Pilgrimage of Palmolive Tom Tom Magazine Special Issue on Spirituality and Religion Retrieved 9 December 2015 Mulholland Garry December 2006 Aloha from hell The grave tale of a dead serious rock n roll band The Stool Pigeon Archived from the original on 5 February 2012 Retrieved 7 May 2012 Pius 23 February 1992 Poison Ivy 1992 Interview PENETRATING INSIGHTS Nonozeroblog blogspot com Retrieved 7 May 2012 Blondie Biography Rock and Roll Hall of Fame Museum Retrieved 25 November 2015 Parkhouse Will 25 February 2010 I Do Not Believe In Love Viv Albertine On Life Post The Slits The Quietus Retrieved 18 July 2017 Bag Alice 2 September 2011 Violence Girl East L A Rage to Hollywood Stage a Chicana Punk Story Feral House pp 185 6 ISBN 978 1 936 23913 9 Spitz Marc Mullen Brendan 2010 We Got the Neutron Bomb The Untold Story of L A Punk Crown Archetype p 67 ISBN 978 0 307 56624 9 Mullen Brendan Bolles Don Parfrey Adam 2009 Lexicon Devil The Fast Times and Short Life of Darby Crash and The Germs Feral House p 43 ISBN 978 1 932 59555 0 The Go Go s Rolling Stone Biography Archived from the original on 20 December 2015 Retrieved 19 September 2017 Juneau Jason September 2001 Innovation in New Wave Lene Lovich Perfect Sound Forever Hyman Dan 12 September 2013 Q amp A Kim Gordon on Her New Bankd Body Head and Missing Sonic Youth Rolling Stone Retrieved 25 November 2015 Calhoun Ada 20 December 2013 Lydia Lunch Through the Years The New York Times Retrieved 25 November 2015 Uitti Jacob 10 October 2021 Who Was Rocker Tina Bell And Why It Matters American Songwriter Retrieved 7 January 2021 Stewart Jade Yamazaki 8 July 2021 Before Nirvana or Pearl Jam there was Tina Bell the godmother of grunge Seattle Times Retrieved 8 January 2022 Strauss Neil 9 April 1998 Wendy O Williams 48 Star of Explosive Punk Rock Act The New York Times Retrieved 25 November 2015 Evans Kirsty 14 April 2010 Debora Iyall Fills a Void East Bay Express East Bay Express Retrieved 12 February 2016 Lanham Tom 10 June 2011 Debora Iyall from Romeo Void is back with Stay Strong San Francisco Examiner Retrieved 13 February 2016 Mason Stewart Romeo Void biography AllMusic All Media Network Retrieved 21 February 2011 Murther Christopher 9 March 2005 Shonen Knife Makes Its Point With Positive Punk Boston Globe The New York Times Company Retrieved 9 March 2005 Kaye Deirdre 9 April 2015 Boston wins Most Feminist City with Riot Grrrl Day we made a playlist to celebrate Feliciano Steve The Riot Grrrl Movement New York Public Library Marion Leonard Riot grrrl Grove Music Online Oxford Music Online Oxford University Press Web 20 July 2014 List of Riot Girl Bands Hot topic org Archived from the original on 23 February 2009 Retrieved 30 September 2012 Meltzer Marisa 15 February 2010 Girl Power The Nineties Revolution in Music Macmillan p 42 ISBN 9781429933285 Jackson Buzzy 2005 A Bad Woman Feeling Good Blues and the Women Who Sing Them New York W W Norton ISBN 978 0 393 05936 6 Schilt Kristen 2003 A Little Too Ironic The Appropriation and Packaging of Riot Grrrl Politics by Mainstream Female Musicians PDF Popular Music and Society 26 1 5 doi 10 1080 0300776032000076351 S2CID 37919089 Dunn Kevin March 2012 We ARE the Revolution Riot Grrrl Press Girl Empowerment and DIY Self Publishing Hobart and William Smith Colleges Geneva 156 via EBSCO Redford C Director 2017 Turn It Around The Story of East Bay Punk Motion picture United States Abramorama Frere Jones Sasha 26 November 2012 Hanna and Her Sisters The New Yorker Retrieved 25 November 2015 PJ Harvey wins Mercury Prize for second time BBC News Retrieved 25 November 2015 Aaron Charles March 1994 Ordinary People Spin 9 12 82 Erlewine Stephen Thomas Elastica gt Biography at AllMusic Retrieved 4 June 2016 Harding Cortney 2 April 2010 Courtney Love Fixing a Hole Billboard Retrieved 21 October 2013 Barton Laura 22 February 2015 Babes in Toyland Our reunion is all about the friendship The Guardian Retrieved 24 November 2015 Schoemer Karen 27 March 1992 Pop Jazz Post Punk Angst of Babes in Toyland The New York Times Archived from the original on 7 December 2010 Retrieved 4 November 2017 nbsp Kreps Daniel 15 March 2014 Carrie Brownstein Pens Memoir Hunger Makes Me a Modern Girl Rolling Stone Retrieved 25 November 2015 Gross Terry 4 April 2017 For Laura Jane Grace Punk Was A Form Of Armor National Public Radio Retrieved 18 July 2017 Roisin O Connor 18 October 2018 Half of all new guitar players are women finds study The Independent Retrieved 8 January 2019 John Harris 23 October 2018 For rock music to survive it will have to cut back on testosterone The Guardian Retrieved 8 January 2019 Turnball Bruce There is also a strong movement of bands with girls and it is very refreshing to see it gives new life to the scene Nina Courson lead singer of Healthy Junkies Vive Le Rock issue 61 p35 McMahon James Louise Distras Premieres New Single Aileen Kerrang Retrieved 4 October 2023 Snapes Laura Have Pussy Riot sparked a new wave of grrl power The Guardian Retrieved 4 October 2023 loan 11 April 2016 Otoboke Beaver pre tour interview and EP review Louder Than War Retrieved 15 October 2022 Otoboke Beaver Crazed and Deranged Kyoto Garage Rock Electric Bloom magazine 1 May 2016 Archived from the original on 18 March 2018 Retrieved 15 October 2022 Strauss Matthew 4 March 2022 Otoboke Beaver Announce New Album Super Champon Share Video Pitchfork Retrieved 15 October 2022 Nocera Joe 7 February 2014 Pussy Riot Tells All The New York Times Retrieved 28 September 2016 Snapes Laura 21 August 2012 Have Pussy Riot sparked a new wave of grrl power The Guardian Retrieved 4 January 2020 Langston Henry 12 March 2012 Meeting Pussy Riot Vice Retrieved 4 January 2020 a b Nelson Brad 22 October 2014 CMJ s opening night Amanda X Dune Rats J Fernandez Charly Bliss Roomrunner The Guardian Retrieved 18 July 2017 Sherman Maria 20 All Female Bands You Need to Know Billboard Retrieved 18 July 2017 a b Grant Sara 10 New Artists You Need to Know September 2014 Rolling Stone Retrieved 18 July 2017 Ambrosio John 5 August 2014 Amanda X Amnesia review Impose Retrieved 18 July 2017 Minsker Evan 30 October 2013 Perfect Pussy Pitchfork Retrieved 18 January 2020 Hughes Hilary 25 February 2015 Perfect Pussy s Meredith Graves on Her New Label Honor Press No Snobs No Phonies No Shitheads Village Voice Retrieved 14 July 2016 Hughes Hilary 25 February 2015 Perfect Pussy s Meredith Graves on Her New Label Honor Press No Snobs No Phonies No Shitheads Village Voice Retrieved 18 January 2020 Garland Emma 3 June 2015 Perfect Pussy s Meredith Graves taking the feminist fight to punk s patriarchy The Guardian a b Kaplan Ilana 30 April 2015 Meredith Graves on Powerful Punk and Her Own Label New York Magazine Retrieved 15 July 2016 Lester Paul 19 February 2016 New band of the week Dream Wife The Guardian London Retrieved 18 November 2018 Nicholas Coyne 26 January 2018 Dream Wife Talks Influence And Their Sound tidal com Archived from the original on 25 July 2021 Retrieved 25 July 2021 Dream Wife We need to practise what we preach BBC News 3 July 2020 Retrieved 25 July 2021 Legaspi Althea Klinkenberg Brendan 6 August 2018 Lollapalooza 2018 The 13 Best Things We Saw Rolling Stone New York City Retrieved 18 November 2018 Geoghegan Kev Glynn Paul 25 May 2018 Six acts to discover at Biggest Weekend BBC Music London Retrieved 18 November 2018 Dream Wife have evolved from an art school project to a jaw dropping live act and one of the most talked about new bands of 2018 Lynch Joe 8 March 2018 Dream Wife on Accidentally Creating A Party Album amp Why Bands Are Like Marriages Billboard New York City Lynne Segall Retrieved 18 November 2018 Dream Wife are inarguably one of the most exhilarating live rock bands to emerge within the last few years straddling the fine line between fun and ferocity while blasting crowds with their mixture of late 70s post punk and early 00s New York rock UK chart peaks Official Charts Company Retrieved 29 September 2020 Dave Chrzanowski 5 March 2017 Introducing The Tuts Songwriting Magazine Retrieved 8 January 2019 The Tuts Interview It is literally DIY or die and we don t wanna die Overblown 27 February 2016 Retrieved 6 June 2016 Changing what it means to be Young British and Muslim ITV News YouTube Nadia Javed The Soap Girls New Music profile by Alice Clarke Planet Rock magazine February 2020 p16 The Soap Girls Society s Rejects album review by Hugh Guiland Vive Le Rock Issue 47 p91 Alexandra Hawkins 13 August 2017 The Soap Girls Interview Louder Than War Retrieved 4 January 2020 Portland Arms 3 August 2016 The Soap Girls Portland Arms Retrieved 9 January 2020 Babey Ged 18 September 2016 Hands Off Gretel Burn the Beauty Queen Album Review Hands Off Gretel live review from The Great British Alternative Festival 2018 accompanied by full page photograph of singer Lauren Tate Vive Le Rock Issue 58 pp102 103 Lauren Tate on creating as Delilah Bon taking a break from Hands Off Gretel Editor retrieved October 13 2023 Maid Of Ace Maid In England album review by Ged Babey Louder Than War 31 July 2016 BBC 6music website Maid of Ace Bone Deth Glastonbury Festival 205 live video retrieved October 5 2023 Maid Of Ace Rebellion Festival 2017 live review with photograph Vive Le Rock Issue 47 pp 80 81 Chaddock Ian ALBUM REVIEWS JAN FEB 2014 Vive Le Rock Magazine Healthy Junkies interview and Box Of Chaos album review by Craig Chaligne Louder Than War 19 February 2016 Ged Babey 13 February 2013 Pussycat and the Dirty Johnsons Dirty Rock n Roll album review Louder Than War Retrieved 8 January 2019 Neil Duncan heads to The Haunt in Brighton to see Basingstoke s Pussycat and the Dirty Johnsons in action Basingstoke Gazette Dirty Rock N Roll album review Vive Le Rock magazine 2013 Satan s Rats Team Up With Puss Johnson To Become Satan s Cats by Pinky The Punk Site Com 12 October 2022 Outrageous dressing Welsh singer Danie Cox teams up with 80s legend Boy George Wales On Sunday 9 January 2014 page 10 Gig Review Slady The Hoodniks The Prince Albert Saturday 2nd June 2019 Plugged in Brighton 15 July 2019 The Lurkers High Velocity new single Pete Stride Nigel Moore amp Esso reclaim the name 22 October 2017 a b Petrol Girls For Fans Of Against Me Fugazi Muncie Girls Kerrang London Wasted Talent Ltd 3 May 2017 Retrieved 16 March 2018 a b Dedman Remfry 15 November 2016 Petrol Girls Talk of Violence Exclusive Album Stream The Independent London Independent Print Limited Retrieved 16 March 2018 Knox Ron 19 January 2016 Petrol Girls Singer Ren Aldridge Reflects on Visiting Displaced Residents in the Calais Jungle Noisey Vice Media Retrieved 16 March 2018 a b Scott Colothan 16 May 2018 Ones To Watch The Kut Retrieved 8 January 2019 BBC co uk BBC Introducing in Lancashire radio broadcast transmitted BBC Radio Lancashire 16 July 2016 Link to captioned studio image of The Kut in radio studio Retrieved 8 January 2019 Record Store Day at the Wayback Machine archived August 3 2017 Official Independent Albums Chart Top 50 Official Charts Company www officialcharts com Richter Alison 2012 Interview Barb Wire Dolls Guitarist Pyn Doll on the Return of Punk Guitar World 7 February 2012 Retrieved 23 February 2013 Lester Paul 12 September 2016 New band of the week Nova Twins No 119 bass heavy duo fusing grime and punk The Guardian ISSN 0261 3077 Retrieved 27 June 2019 Smith Carl 12 January 2023 BRIT Awards 2023 nominations REVEALED Official Charts Company Retrieved 12 January 2023 Ebulue Gabriel 2016 INTERVIEW The Ethical Debating Society Gigslutz Retrieved 10 May 2016 True Everett 14 September 2009 The 10 myths of Riot Grrrl Theguardian com Retrieved 25 October 2017 Ruth Ngaire 15 February 2015 The Ethical Debating Society New Sense album review Louder Than War Retrieved 10 May 2016 Winning the argument the Ethical Debating Society Hackney Citizen Hackneycitizen co uk 16 March 2011 Retrieved 25 October 2017 Lipshutz J 12 December 2017 Billboard s 50 Best Albums of 2017 Critics Picks Billboard Lorusso Marissa 12 December 2017 The 50 Best Albums Of 2017 NPR Retrieved 11 May 2018 Kornhaber Spencer 12 December 2017 The 10 Best Albums of 2017 The Atlantic The 50 Best Albums of 2017 Pitchfork 12 December 2017 Mejia Paula 27 January 2017 How D C Protest Punks Priests Are Fighting Fascism on Their Own Terms Rolling Stone Kaplan Ilana 22 July 2016 White Lung s Mish Barber Way Talks Matrimony And Finding Her Own Paradise papermag com Retrieved 4 August 2016 7 of the best rising bands under 21 Alternative Press Magazine 29 December 2016 Jeff Moses 10 Best Bands and Musicians in Phoenix Under the Age of 21 Phoenix New Times Glenn BurnSilver Doll Skin is Phoenix s Most Exciting Teen Rock Band Phoenix New Times Phoenix New Times Bobby Olivier 4 October 2018 The 10 Bands You Need to Know About for This Year s Festival Season Billboard com Retrieved 31 December 2018 dragSTER Anti Everything album review by Mark Ray Louder Than War 27 July 2018 dragSTER feature interview with Fi Dragster by Paula Frost Vive Le Rock Issue 57 pp67 68 Kerrang 14 March 2017 IDestroy premiere Video for Annie Kerrang com Retrieved 20 January 2019 Ged Babey 25 February 2018 IDestroy video for Lemons and UK tour dates with The Men That Will Not Be Blamed For Nothing louderthanwar com Retrieved 20 January 2019 THE BOLOKOS comes from Guadeloup The Bolokos Veritable succes pour les guadeloupeens au festival anglais Rebellion Angie Needham 17 September 2018 Maltese post punk band Cryptic Street Don t Need No Men DIVA Magazine Accessed 8 January 2019 Matthew Agius 30 May 2018 4 23 pm Girl band left heartbroken after equipment theft Malta Today Accessed 8 January 2019 Myint Ava 12 August 2015 FRAU MIRA Impose Magazine Retrieved 18 July 2017 Sherman Maria 6 March 2015 20 All Female Bands You Need To Know Billboard Magazine Retrieved 18 July 2017 Layla 23 September 2014 Record of the Week FRAU Punk Is My Boyfriend EP Maximumrocknroll Retrieved 18 July 2017 Bakare Lance 20 November 2014 From Bad Brains to Cerebral Ballzy why hardcore will never die The Guardian Retrieved 18 July 2017 External links editThe Lost Women of Rock Music Archived 7 December 2015 at the Wayback Machine Women in Punk A Z Women of Punk and Post Punk Music at Biography com The Story of Feminist Punk in 33 Songs Pitchfork Retrieved from https en wikipedia org w index php title Women in punk rock amp oldid 1183991220, wikipedia, wiki, book, books, library,

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