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The Empire Strikes Back

February 05, 2024

For other uses, see The Empire Strikes Back (disambiguation).

The Empire Strikes Back (also known as Star Wars: Episode V – The Empire Strikes Back) is a 1980 American epic space opera film directed by Irvin Kershner from a screenplay by Leigh Brackett and Lawrence Kasdan, based on a story by George Lucas. The sequel to Star Wars (1977),[b] it is the second film in the Star Wars film series and the fifth chronological chapter of the "Skywalker Saga". Set three years after the events of Star Wars, the film recounts the battle between the malevolent Galactic Empire, led by the Emperor, and the Rebel Alliance, led by Princess Leia. Luke Skywalker trains to master the Force so he can confront the powerful Sith lord, Darth Vader. The ensemble cast includes Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, David Prowse, Kenny Baker, Peter Mayhew, and Frank Oz.

The Empire Strikes Back
Theatrical release poster by Roger Kastel
Directed byIrvin Kershner
Screenplay by
Story byGeorge Lucas
Produced byGary Kurtz
Starring
CinematographyPeter Suschitzky
Edited byPaul Hirsch
Music byJohn Williams
Production
company
Distributed by20th Century-Fox
Release dates
  • May 6, 1980 (1980-05-06) (Dominion Theatre)
  • May 21, 1980 (1980-05-21) (United States)
Running time
124 minutes
CountryUnited States
LanguageEnglish
Budget$30.5 million
Box office$538–549 million[a]

Following the success of Star Wars, Lucas hired Brackett to write the sequel. After she died in 1978, he outlined the whole Star Wars saga and wrote the next draft himself, before hiring Raiders of the Lost Ark (1981) writer Kasdan to enhance his work. To avoid the stress he faced directing Star Wars, Lucas handed the responsibility to Kershner and focused on expanding his special effects company Industrial Light & Magic instead. Filmed from March to September 1979 in Finse, Norway, and at Elstree Studios in England, The Empire Strikes Back faced production difficulties, including actor injuries, illnesses, fires, and problems securing additional financing as costs rose. Initially budgeted at $8 million, costs had risen to $30.5 million by the project's conclusion.

Released on May 21, 1980, the highly anticipated sequel became the highest-grossing film that year, earning approximately $401.5 million worldwide. Unlike its lighthearted predecessor, Empire met with mixed reviews from critics and fans were conflicted about its darker and maturer themes. Critics praised the expressive features and characterization of puppeteered character Yoda, a diminutive alien who serves as Luke's teacher. The film was nominated for various awards and won two Academy Awards, two Grammy Awards, and a BAFTA, among others. Subsequent releases have raised the film's worldwide gross to $538–549 million and, adjusted for inflation, it is the 13th-highest-grossing film in the United States and Canada.

Since its release, The Empire Strikes Back has been critically reassessed and is now often regarded as the best film in the Star Wars series and among the greatest films ever made. It has had a significant impact on filmmaking and popular culture and is often considered an example of a sequel superior to its predecessor. The climax, in which Vader reveals he is Luke's father, is often ranked as one of the greatest plot twists in cinema. The film spawned a variety of merchandise and adaptations, including video games and a radio play. The United States Library of Congress selected it for preservation in the National Film Registry in 2010. Return of the Jedi (1983) followed Empire, concluding the original Star Wars trilogy. Prequel and sequel trilogies have since been released.

Plot edit

Three years after the destruction of the Death Star,[c] the Imperial fleet, led by Darth Vader, dispatches probe droids across the galaxy to find Princess Leia's Rebel Alliance. One probe locates the rebel base on the ice planet Hoth. A wampa captures Luke Skywalker before he can investigate the probe, but he escapes by using the Force to retrieve his lightsaber and wound the beast. Before Luke succumbs to hypothermia, the Force spirit of his deceased mentor, Obi-Wan Kenobi, instructs him to go to the swamp planet Dagobah to train as a Jedi Knight under the Jedi Master Yoda. Han Solo discovers Luke and insulates him against the weather inside his deceased tauntaun mount until they are rescued the next morning.

Alerted to the Rebels' location, the Empire launches a large-scale attack using AT-AT walkers to capture the base, forcing the Rebels to evacuate. Han and Leia escape with C-3PO and Chewbacca aboard the Millennium Falcon, but the ship's hyperdrive malfunctions. They hide in an asteroid field, where Han and Leia grow closer amid the tension. Vader summons several bounty hunters, including Boba Fett, to find the Falcon. Evading the Imperial fleet, Han's group travels to the floating Cloud City on the planet Bespin, which is governed by his old friend Lando Calrissian. Fett tracks them there and Vader forces Lando to surrender the group to the Empire, knowing Luke will come to their aid.

Meanwhile, Luke travels with R2-D2 in his X-wing fighter to Dagobah, where he crash-lands. He meets Yoda, a diminutive creature who reluctantly accepts him as his Jedi apprentice after conferring with Obi-Wan's spirit. Yoda trains Luke to master the light side of the Force and resist negative emotions that will seduce him to the dark side, as they did Vader. Luke struggles to control his anger and impulsiveness and fails to comprehend the nature and power of the Force until he witnesses Yoda use it to levitate the X-wing from the swamp. Luke has a premonition of Han and Leia in pain and, despite Obi-Wan's and Yoda's protestations, abandons his training to rescue them. Although Obi-Wan believes Luke is their only hope, Yoda asserts that "there is another."

Leia confesses her love for Han before Vader freezes him in carbonite to test whether the process will safely imprison Luke. Han survives and is given to Fett, who intends to collect his bounty from Jabba the Hutt. Lando frees Leia and Chewbacca, but they are too late to stop Fett's escape. The group fights its way back to the Falcon and flees the city. Luke arrives and engages Vader in a lightsaber duel over the city's central air shaft. Vader overwhelms Luke, severing his right hand and separating him from his lightsaber. He urges Luke to embrace the dark side and help him destroy his master, the Emperor, so they may rule the galaxy together. Luke refuses, citing Obi-Wan's claim that Vader killed his father, prompting Vader to reveal that he is Luke's father. Desperate, Luke drops into the air shaft and is ejected beneath the floating city, latching onto an antenna. He reaches out through the Force to Leia, and the Falcon returns to rescue him. TIE fighters pursue the group, which is almost captured by Vader's Star Destroyer until R2-D2 reactivates the Falcon's hyperdrive, allowing them to escape.

After the group joins the rebel fleet, Luke's missing hand is replaced by a robotic prosthesis. He, Leia, C-3PO, and R2-D2 observe as Lando and Chewbacca depart on the Falcon to find Han.[d]

Cast edit

See also: List of Star Wars characters and List of Star Wars cast members
 
 
 
Left to right: Mark Hamill (pictured in 2019), Harrison Ford (2017), and Carrie Fisher (2013)

The film also features Alec Guinness as Ben (Obi-Wan) Kenobi, and John Hollis portrays Lobot, Lando's aide.[19] The Rebel force includes General Rieekan (portrayed by Bruce Boa),[19] Major Derlin (John Ratzenberger),[20][21] Cal Alder (Jack McKenzie),[21] Dak Ralter (John Morton),[21][22] Wedge Antilles (Denis Lawson),[19] Zev Senesca (Christopher Malcolm),[23][24] and Hobbie Klivian (Richard Oldfield).[25]

The Empire's forces include Admiral Piett (Kenneth Colley), Admiral Ozzel (Michael Sheard), General Veers (Julian Glover), and Captain Needa (Michael Culver).[19] The Emperor is voiced by Clive Revill and portrayed physically by Elaine Baker.[26][27][e] Other cast includes Jeremy Bulloch as the bounty hunter Boba Fett (voiced by Jason Wingreen, who remained uncredited until 2000);[19][28] other bounty hunters include Dengar (portrayed by Morris Bush) and humanoid lizard Bossk (Alan Harris).[29][30]

Production edit

Development edit

See also: History of Industrial Light & Magic and Founding of Skywalker Ranch
 
Creator George Lucas (in 2011). He was thoroughly involved in The Empire Strikes Back but wanted to avoid the stress of serving as director again.

Following the unexpected financial success and the cultural phenomenon of Star Wars (1977), a sequel was swiftly put into production.[f] In case Star Wars had failed, creator George Lucas had contracted Alan Dean Foster to write a low-budget sequel (later released as the novel Splinter of the Mind's Eye).[35][36] Once the success of Star Wars achievements was evident, Lucas was reluctant to direct the sequel because of the stress of making the first film and its impact on his health.[17][37][38] The film's popularity resulted in more attention on Lucas, both positive and negative, bringing him wealth and fame, but also many people who wanted Lucas's financial backing or just to threaten him.[31]

Conscious that the sequel needed to exceed the original's scope—making it a bigger production—and that his production effects company Lucasfilm was relatively small and operating out of a makeshift office, Lucas considered selling the project to 20th Century-Fox in exchange for a profit percentage.[17][37][39] He had profited substantially from Star Wars and did not need to work, but was too invested in his creation to entrust it to others.[g] Lucas had concepts for the sequel but no solid structure.[35] He knew the story would be darker and explore maturer themes, relationships and the nature of the Force.[17] Lucas intended to fund the production independently, using his $12 million profit from Star Wars to relocate and expand his special effects company Industrial Light & Magic (ILM) and establish his Skywalker movie ranch in Marin County, California, with the remainder as collateral for a loan from Bank of America for the $8 million budget.[h]

Fox had the right of first negotiation and refusal to participate in any potential sequel. Negotiations began in mid-1977 between the studio and Lucas's representatives. Fox had already given Lucas controlling interest in the series' merchandising and sequels because it had thought Star Wars would be worthless.[40] Terms were agreed quickly for the sequel compared to the original, in part because Fox executive Alan Ladd Jr. had been supportive of the original and was eager for the sequel.[44] The 100-page contract was signed on September 21, 1977, dictating that Fox would distribute the film but have no creative input, in exchange for 50% of the gross profits on the first $20 million earned, with the percentage increasing to 77.5% in the producers' favor if it exceeded $100 million. Filming had to begin by January 1979 for release on May 1, 1980.[41][45] The deal offered the possibility of significant financial gain for Lucas, but he risked financial ruin if the sequel failed.[17][46]

To mitigate some of the risk, Lucas founded The Chapter II Company to control the film's development and absorb its liabilities.[47] He signed a contract between the company and Lucasfilm, granting himself 5% of the box office gross profits.[48] He also founded Black Falcon to license Star Wars merchandising rights, using the income to subsidize his ongoing projects.[49] Development began in August 1977, under the title Star Wars Chapter II.[50]

Lucas considered replacing producer Gary Kurtz with Howard Kazanjian because Kurtz had not fulfilled his role and left problems unresolved while filming Star Wars. Kurtz convinced him otherwise by trading on his longtime loyalty to Lucas and knowledge of the Star Wars property.[51] Lucas took an executive producer role, enabling him to focus on his businesses and the development of Raiders of the Lost Ark (1981).[17][41][52] By late 1977, Kurtz began hiring key crew members, including production designer Norman Reynolds, consultant John Barry, makeup artist Stuart Freeborn, and first assistant director David Tomblin.[17][53] Lucas rehired artists Ralph McQuarrie and Joe Johnston to maintain visual consistency with Star Wars, and the three began conceptualizing the Hoth battle in December.[54] By this point, the budget had increased to $10 million.[55] Lucas wanted a director who would support the material and accept that he was ultimately in charge.[17] He considered around 100 directors, including Alan Parker and John Badham, before hiring his old acquaintance Irvin Kershner in February 1978.[17][56] Kershner was reluctant to direct the sequel to a film as successful as Star Wars, and his friends warned him against taking the job, believing he would be blamed if it failed.[17][57] Lucas convinced Kershner it was not so much a sequel as a chapter in a larger story; he also promised him he could make the film his own way.[57]

Writing edit

 
 
Left to right: Leigh Brackett (pictured in 1941) and Lawrence Kasdan (2015). Brackett wrote the first draft for the film before her death in 1978. Lucas then wrote his own script, which he hired Kasdan to complete.

Lucas began formulating ideas in August 1977. These included the Emperor, how to explain facial injuries Hamill suffered from an accident after filming Star Wars—Lucas told Hamill that, had he died, his character would have been replaced, not recast—and Luke's lost sister.[58] Hamill recounted being told the sister character might be Leia, which he found disappointing.[59] Lucas had written Star Wars but did not enjoy developing lore for an original universe.[60] Science-fiction writer Leigh Brackett, whom Lucas met through a friend, excelled in quick-paced dialogue. He hired her for $50,000, aware that she had cancer.[i]

Between November 28 and December 2, 1977, Lucas and Brackett held a story conference.[35][62] Lucas had core ideas in mind but wanted Brackett to piece them together.[17][60] He envisioned one central plot complemented by three main subplots, set across 60 scenes, 100 script pages, and a two-hour runtime.[63] They formed a general outline and ideas that included the Wookiee homeworld, new alien species, the Galactic Emperor, a gambler from Han's past, water and city planets, Luke's lost twin sister, and a diminutive, froglike creature, Minch Yoda.[35][64][65] Lucas drew on influences including The Thing from Another World (1951), the novel Dune (1965), and the television series Flash Gordon (1954).[66] Around this time, Kurtz conceived the title The Empire Strikes Back.[j] He said they avoided calling it Star Wars II because films with "II" in their titles were seen as inferior.[41]

Brackett completed her first draft in February 1978, titled Star Wars sequel, from the adventures of Luke Skywalker.[57][61][68] The draft contained a city in the clouds, a chase through an asteroid belt, a greater focus on the love triangle between Luke, Han, and Leia (who is portrayed as a damsel in distress), the battle of Hoth and a climactic battle between Luke and Darth Vader. The ghosts of his father and Obi-Wan visit Luke, leaving Vader a separate character. The draft reveals Luke has a sister (not Leia), Han goes on a mission to recruit his powerful stepfather, and Lando is a clone from the Clone Wars.[35] Lucas made detailed notes and attempted to contact Brackett, but she had been hospitalized, and died of cancer a few weeks later, on March 18.[17][69][70]

Rewrite edit

The strict schedule left Lucas no choice but to write the second draft himself.[17][61][70] Though Brackett's draft followed Lucas's outline, he found she had portrayed the characters differently than he intended.[71] Lucas completed his handwritten, 121-page draft on April 1. He found the process more enjoyable than on Star Wars because he was familiar with the universe, but struggled to write a satisfying conclusion, leaving it open for a third film.[72] This draft established Luke's sister as a new character undertaking a similar journey,[73] Vader's castle and his fear of the emperor,[74] distinct power levels in controlling the Force,[75] Yoda's unconventional speech pattern,[76] and bounty hunters, including Boba Fett. Lucas wrote Fett like the Man with No Name, combining him with an abandoned idea for a Super Stormtrooper.[77] Lucas's handwritten draft included mention of Vader being Luke's father, but the typed script omitted this revelation. Despite contradictory information in drafts that included the ghost of Luke's father, Lucas said he had always intended for Vader to be Luke's father and omitted it from scripts to avoid leaks.[17][78] Lucas included elements such as Han's debt to Jabba, and recontextualized Luke leaving Dagobah to rescue his friends: in Brackett's draft, Obi-Wan instructs Luke to leave; Lucas had Luke choose to do so. He also removed a scene of Luke massacring stormtroopers to convey him falling to the dark side, wanting to instead explore this in the next film.[70] Lucas believed it was important the characters be inspirational and appropriate for children.[79] His typed draft is titled Star Wars: Episode V The Empire Strikes Back.[76]

In June 1978, impressed with his work on Raiders of the Lost Ark, Lucas hired Lawrence Kasdan to refine the draft; Kasdan was paid $60,000.[17][61][80] In early July, Kasdan, Kershner and Lucas held a story conference to discuss Lucas's draft.[48][61] The group collaborated on ideas, challenging Lucas when his made no sense; Lucas embraced their ideas.[17][81] Mandated to deliver a fifth of the script every other week, Kasdan began his rewrite, focusing on developing character relationships and psychologies; he completed the third draft by early August.[82] This version refined Minch Yoda—alternately named "the Critter", Minch, Buffy, and simply Yoda—from a slimy creature to a small blue one; each version retained the character's long life and wisdom.[17][35] Yoda was intended to teach Luke to respect everyone and not judge by appearances, and defy audience expectations.[17] The draft tightened or expanded dialogue to better pace action scenes, added more romance, and added or changed locations, such as moving a Vader scene from a spaceship deck to his private cubicle.[83] Lucas removed a line mentioning Lando deliberately abandoning his people and had Luke contact Leia through the Force instead of Obi-Wan's ghost.[84] The fourth draft—mostly the same but with more detailed action—was submitted on October 24.[85]

Although some of Brackett's ideas remained, such as Luke's Dagobah training, her dialogue and characterization were removed.[35][86] Kasdan described her take as from "a different era", lacking the necessary tone.[71] Kazanjian did not believe the Writers Guild of America West would approve of her receiving credit, but Lucas liked Brackett and supported her credit as co-writer. He also provided for her family beyond her contracted pay.[86][35] The fifth draft was completed in February 1979, revising some scenes and introducing a "Hogmen" species devised by Kershner; Lucas did not like the idea because he perceived them as slaves.[87]

Casting edit

 
Billy Dee Williams (1997) joined the cast as Lando Calrissian.

Hamill (Luke), Fisher (Leia), Ford (Han), Mayhew (Chewbacca), and Baker (R2-D2) all reprised their Star Wars roles.[41][88] Hamill and Fisher were contracted for a second, third, and fourth film, but Ford had declined similar terms because of earlier bad experiences; he agreed to return because he wanted to improve on his Star Wars performance.[89] Hamill spent four months bodybuilding and learning karate, fencing, and kendo to prepare for his stunts.[87]

Prowse hesitated to return as Darth Vader because, as he was hidden behind a costume, he believed the role offered little job security; he returned after being told further delays would lead to his being replaced.[90] Jones returned to voice Vader but, as with Star Wars, declined a credit because he considered himself "special effects" to Prowse's physical performance. He earned $15,000 for half a day's work, plus a small percentage of the profits.[91][92] Daniels returned for "reasonable" pay; he was reluctant because he had received little public acknowledgment for his previous performance as C-3PO because the filmmakers portrayed the droid as a real being.[93] Guinness could not return as Obi-Wan because his failing eyesight required him to avoid bright lights.[56] Recasting him was considered but, determined to recruit him, Lucas agreed to a deal in late August 1979, just before filming finished. Guinness was paid 0.25% of Empire's box office gross for his few hours of work.[94]

Empire introduces Billy Dee Williams as Lando Calrissian, the first African-American to portray a main role in the series.[88][95] He found the character interesting because of his cape and Armenian surname; Williams believed this gave him room to develop the character. Williams said Lando was much like himself—a "pretty cool guy".[10] He believed it was a token role, but was assured it was not specifically written for a black actor.[96] Kershner said Williams had the fantastic charm of a "Mississippi riverboat hustler".[96] Howard Rollins, Terry Alexander, Robert Christian, Thurman Scott, and Yaphet Kotto were also considered for the part.[85][97] Yoda was voiced and puppeteered by Frank Oz, with assistance from Kathryn Mullen, David Barclay, and Wendy Froud.[98] Lucas intended to dub Oz's Yoda voice but decided it would be difficult to cast someone who could match their voice to Oz's physical puppeteering performance.[27]

Jeremy Bulloch did not audition for Boba Fett; he was hired because the costume fit him. It was uncomfortable and top-heavy, making it difficult to maintain his balance, and the mask often steamed up. Bulloch assumed his lines would be dubbed over as he had little dialogue.[99] Fett's voice actor, Jason Wingreen, remained uncredited until 2000. Bulloch also appears as an Imperial officer who restrains Leia on Bespin. No other cast member was available for the role, so Kurtz had him quickly change out of the Fett costume to stand in. John Morton portrays Fett in the same scene.[k] There was no extensive casting for the Emperor. Lucas chose Clive Revill to provide the character's voice, preferring it from the options given to him, while an older actress, Marjorie Eaton, physically portrayed the Emperor in test footage. The footage proved unsatisfactory, and special effects artist Rick Baker created a full mask that his wife Elaine wore. Chimpanzee eyes were superimposed over her face; cat eyes and assistant accountant Laura Crockett's were also considered.[26][27][59]

Pre-production edit

Pre-production began in early 1978. Although Kershner wanted two years, this phase only lasted a year.[100] Scouts looked at areas in Northern Europe such as Finland, Sweden, and the Arctic Circle to portray Hoth. The location needed to be free of trees and near populated areas for amenities.[101] Kershner credited a Fox distribution employee with recommending Finse, Norway; Kurtz said it was Reynolds who had done so.[101] For the bog planet Dagobah, scouts looked at Central Africa, Kenya, and Scandinavia. To avoid shooting on location, Lucas funded the construction of a 1,250,000 cubic feet (35,000 m3) "Star Wars stage" at Elstree Studios, London, to create the Dagobah and rebel base sets. Construction began at the end of August, costing $2 million.[41][102] At $3.5 million, sets were the single biggest expense. By December 1978, the budget had increased to $21.5 million, more than double the original estimate.[103] Financial projections for The Chapter II Company suggested it would run a monthly deficit of $5–25 million by the end of 1979, including over $2 million in production costs and $400,000 to fund ILM.[85]

As the start of filming in January 1979 loomed, a fire on Elstree's Stage 3—where The Shining (1980) was being filmed—destroyed the space planned for Empire's sets.[65][104] The impact was significant, costing essential space. The production was forced to give up two stages so The Shining could continue filming. Sixty-four sets had to be moved through nine stages and the timeline had to be rescheduled. Poor weather delayed construction of the Star Wars stage, sets and necessary props.[104] Location crew traveled to Finse by February 25 to receive flown-in equipment containers and begin digging trenches for battle scenes.[105]

Music edit

Main article: The Empire Strikes Back soundtrack

John Williams composed and conducted the musical score for The Empire Strikes Back, performed by the London Symphony Orchestra, at a cost of about $250,000.[106] Williams began planning in November 1979, estimating Empire required 107 minutes of music.[107] For two weeks across 18 three-hour sessions just after Christmas, Williams recorded the score at Anvil Studios and Abbey Road Studios, London.[108] Up to 104 musicians were involved at one time; the instruments included oboes, piccolos, pianos, and harps.[109]

Filming edit

Commencement in Norway edit

 
Hardangerjøkulen glacier pictured in 2007. It served as the exterior of the ice planet Hoth.

Principal photography began on March 5, 1979, on the Hardangerjøkulen glacier near Finse, Norway, depicting the planet Hoth.[l] Initially scheduled to conclude on June 22, by the end of the first week it was obvious it would take longer and cost more.[41][112]

Filming the Hoth scenes on a set was considered but rejected as inauthentic. The location filming coincided with the area's worst snowstorm in half a century, impeding the production with blizzards, 40-mile-per-hour (64 km/h) winds, and temperatures around −26 °F (−32 °C) to −38 °F (−39 °C).[m] The weather cleared only twice; some days, filming could not take place.[115] The frigid conditions made the acetate film brittle, camera lenses iced over, snow seeped into equipment, and effects paint froze in their tins.[17][116] To counter this, lenses were kept cool, but the camera body was warmed to protect the film, battery, and camera operators' hands.[117] The crew were outside for up to 11 hours, subjected to thin air, limited visibility, and mild frostbite; one crewman slipped and broke two ribs.[118] The difficult conditions led to strong camaraderie among the crew.[119]

Avalanches blocked direct transport links, and dug trenches quickly filled with snow. Scenes could be prepared only a few hours in advance and many scenes were filmed just outside the crew's hotel as the shifting weather regularly altered the scenery.[17][120] Although Fisher was not scheduled to film scenes in Norway, she joined Hamill on location because she wanted to observe the process.[87] Ford was not scheduled for the Finse phase, but to compensate for the delays, he was brought there instead of creating a separate set in a Leeds studio. On a few hours' notice, he arrived in Finse, having traveled the last 23 miles (37 km) of the snow-laden journey by snowplow.[121] Production returned to England after a week, though Hamill had an additional day of filming, and the second unit remained through March to film explosions, incidental footage, and battle scenes featuring 35 mountain rescue skiers as extras. The skiers' work was compensated with a donation to the Norwegian Red Cross.[122]

To film the probe landing, eight sticks of dynamite were placed on the glacier to explode at sunrise, but the demolitions expert in charge knocked the battery out of his radio and received the message too late to capture the intended shot.[123] The opening sweeping shot of the area was captured by flying a helicopter to 15,000 meters (49,000 ft) and performing a controlled drop at a rate of 30 miles per hour (48 km/h) or 2,500 meters (8,200 ft) a minute.[124] Filming the shot was delayed four weeks to construct a heated shelter for the helicopter.[125] The second unit, scheduled to be in Finse for three weeks, was there for eight.[124] When the crew returned to London, they had only half the planned footage, including background plates for special effects shots that were uneven.[17][114][126] Empire's budget increased to around $22 million because of the delays and having to rework scenes to compensate for the missing footage.[127]

Filming at Elstree Studios edit

 
On-set filming location Elstree Studios (pictured 2009) in Hertfordshire, England

Filming at Elstree began on March 13.[127] Production remained behind schedule without Stage 3, which had been destroyed by fire. The incomplete Star Wars stage lacked protection from the cold weather. The crew had to work out of any available space.[128] To save time, some scenes were shot simultaneously, including the ice cavern and medical bay.[129] Kershner wanted each character to make a unique entrance in the film. While filming Vader's entrance, the snow troopers preceding Prowse tripped over the polystyrene ice, and the stuntman behind him stood on his cape, breaking it off, causing Prowse to fall onto the snow troopers.[130]

The shoot was strenuous and mired in conflicts.[17][131] Fisher suffered from influenza and bronchitis; her weight dropped to 85 pounds (39 kg) working 12-hour days, and she collapsed on set from an allergic reaction to steam or spray paint. She was also allergic to most makeup.[132] Her overuse of hallucinogens and painkillers,[133] and anxiety while performing her speech to the rebels, worsened her situation.[134] Stress and personal traumas led to frequent arguments among Hamill, Fisher, and Ford.[17][135] Ford and Hamill fell ill or were injured at different times.[136] Hamill was depressed by his isolation from human cast members, acting mostly against puppets, robots, and actors whose voices would be dubbed over or added to his scenes later.[137][138] He was to use an earpiece to hear Oz's dialogue, but for various reasons this did not work, and he struggled to form a relationship with the character. The Dagobah set was liberally sprayed with mineral oil, which caused him physical discomfort for long periods. Hamill called it a "physical ordeal the whole time ... but I don't really mind that".[137] At one point, Oz cheered Hamill up with a Miss Piggy routine. Hamill recalled Ford giving him a kiss instead of reading his lines, entertaining the crew.[59] Mayhew fell ill while filming Han's torture room scene because the set used bursts of steam, raising the ambient temperature to 90 °F (32 °C) while he was wearing a wool suit.[139]

Bank of America representatives visited the set in late March, concerned about rising costs.[140] Lucas rarely visited the set, but arrived on May 6 after realizing the production was over schedule and budget.[41] An official Lucasfilm memo instructed staff to misstate the film's direct costs as $17 million.[141] Kurtz and Lucas estimated it would cost $25–28 million to complete filming.[127][141] Finances ran out by mid-July when Bank of America refused to increase the loan.[17][142] The crisis was kept from the crew, including Kershner, and tactics were used to delay its impact, including paying staff biweekly instead of weekly and Lucas borrowing money from his merchandising company Black Falcon.[142] Lucas worried he would have to sell Empire and its associated rights to Fox to sustain the project, losing his creative freedom. Fox was also threatening to buy out the bond and take over filming.[127][142] With about 20% of Empire left to film, Lucasfilm president Charles Weber arranged for Bank of Boston to refinance the loan to $31 million, including $27.7 million from Bank of Boston and $3 million guaranteed by Fox in exchange for an increased percentage of the theatrical returns and 10% of merchandising profits. Lucasfilm took out the loan, making the company directly liable.[17][127][143]

The Star Wars stage was completed in early May. It was too small to house the Rebel hangar and Dagobah sets, and an extension had to be funded and built. The producers mandated filming begin on the stage on May 18, regardless of its state.[144] The hangar scene involved 77 rebel extras, costing £2,000 per day.[145] Around 50 short tons (45 long tons) of dendritic salt, mixed with magnesium sulfate for a sparkle effect, were used for the snowy sets; the combination gave the cast and crew headaches.[146] Second unit director John Barry died suddenly in early June; Harley Cokeliss replaced him a week later.[65][147][148] The typical purpose of the second unit was to film time-consuming tasks for special effects, but they were involved in filming main scenes—including Luke's ice cave imprisonment—because the schedule had overrun by around 26 days.[149] Hamill was unavailable for several days after injuring his hand during a stunt jump from a speeder bike. Having been called in for the stunt the same day his son was born, exhausted, and aggravated by the salt-laden setting, Hamill angrily rebuffed Kurtz for not using a double for the scene.[150] Kershner's hands-on directing style, acting out how he should perform a scene, agitated Hamill; Kershner was frustrated that Hamill was not following his advice.[151]

The life-size hangar set was dismantled in mid-June to allow the construction of other sets around the full-scale Falcon. These scenes had to be filmed efficiently, so the Falcon could be dismantled to make way for the Dagobah set.[152] Filming began on the carbon chamber scene in late June while the second unit filmed anything they could.[153] The raised set was largely incomplete, and low lighting and steam were used to conceal any obvious flaws. The fog machines and heat from the steam made many cast and crew members sick; it took approximately three weeks to film.[154] The confession of love between Leia and Han was scripted with both of them admitting their feelings for the other. Kershner felt this was too "sappy". He had Ford improvise lines repeatedly until Ford said he would do only one more take. He responded to Leia's confession of love saying "I know".[17] By the end of the month, cast and crew morale was low.[155]

The duel, Dagobah, and conclusion edit

 
 
(Left to right) David Prowse (pictured in 2007) and James Earl Jones (2013). To avoid Darth Vader's confession being leaked publicly, Vader actor Prowse was given different lines to speak, which were dubbed over by Jones.

Hamill returned in early July to film his climactic battle against Darth Vader, portrayed by stunt double Bob Anderson, who said the experience was like fighting blindfolded because of the costume. Hamill spent weeks practicing his fencing routine, eventually growing frustrated and refusing to continue.[156] The next scene, where Vader confesses he is Luke's father, was shrouded in secrecy. Prowse was given the line "Obi-Wan Kenobi is your father" to read because he was known for repeatedly leaking information.[17] Only Kershner, the producers, and Hamill knew the actual line.[17][157] Hamill was positioned on a platform suspended 35 feet (11 m) above a pile of mattresses.[17] The filmed footage was damaged and the scene had to be entirely reshot in early August.[158] The Vader confrontation took eight weeks to film. Hamill insisted on doing as many of his stunts as possible, though the insurers refused to allow him to perform a 15-foot (4.6 m) fall out of a window. He fell from a nine-inch ledge 40 feet (12 m) high but rolled on landing to avoid injury.[137] Lucas returned to the set on July 15, staying for the rest of the filming.[142] He rewrote Luke's scenes on Dagobah, removing or trimming them so they could be shot in just over two weeks.[159]

Most of the cast completed filming by the start of August, including Ford, Fisher, Williams, Mayhew, and Daniels.[160] Hamill began filming on the Dagobah set against Yoda. They only had 12 days to film because Oz was scheduled for another project.[161] With the film now over 50 days behind schedule, Kurtz was removed from his role and replaced by Kazanjian and associate producer Robert Watts.[162] One of the last scenes shot was of Luke exploring the dark side tree on Dagobah. A wrap party was held on the set to mark the official conclusion of filming on September 5, 1979, after 133 days. Guinness filmed his scenes against a blue screen the same day.[163][164] Kershner and the second unit continued filming other scenes, including Luke's X-Wing being raised from the swamp.[163] Kershner left the set on September 9, and Hamill finished 103 days of filming two days later.[127][165] The second unit finished filming on September 24 with Hamill's stunt double.[166][167] There was approximately 400,000 feet (120,000 m) of film, or 80 hours of footage.[168]

The final budget was $30.5 million.[169][n] Kurtz blamed inflation, which had increased resource, cast, and crew costs significantly.[170] Lucas blamed Kurtz for lack of oversight and poor financial planning.[17][171] Watts said Kurtz was not good with people and never developed a working relationship with Kershner, making it difficult for him to temper the director's indulgences.[172] Kurtz had also given Kershner more leeway because of the delays caused by the Stage 3 fire.[141] Kershner's slower work pace had frustrated Lucas.[17][173] He described his filming style as frugal, performing two or three takes with little coverage film that could later compensate for mistakes. Watts and Reynolds said Kershner often looked at new ways of doing things, but this required planning that only delayed things further.[136] Kershner had tried replicating the quick pacing of Star Wars, not lingering on any scene for too long, and encouraged improvisation, modifying scenes and dialogue to focus more on characters' emotions, such as C-3PO interrupting Han and Leia as they are about to kiss.[17][174][175] Kazanjian said many mistakes were made but blamed Weber, Lucasfilm vice president John Moohr, and primarily Kurtz.[176] Actor John Morton called Kurtz an unsung hero, who brought his experience of filming war to the film.[177]

Post-production edit

The schedule overrun resulted in filming and post-production taking place simultaneously; filmed footage was shipped immediately to ILM to begin effects work.[178] A rough cut was put together by mid-October 1979, resembling the finished film, minus special effects.[179] Lucas provided 31 pages of notes about changes he wanted, mainly alterations in dialogue and scene lengths.[180] Jones recorded Vader's dialogue in late 1979/early 1980.[181] In early 1980, Lucas changed the long-planned opening of Luke riding his tauntaun to a shot of the Star Destroyer launching probes. He continued tweaking elements to improve the special effects, but even with ILM staff working up to 24 hours a day, six days a week, there was not enough time to do everything they wanted.[182] A Dagobah pick-up scene, in which R2-D2 is spat out by a monster, was filmed in Lucas's swimming pool;[183] the Emperor's scenes were filmed in February 1980.[27]

Fox executives did not see a cut of the film until March.[184] That month, Lucas decided he wanted an additional Hoth scene and auditioned 50 ILM crew to appear as Rebels.[27] The final 124-minute cut was completed on April 16, which triggered a $10 million payment from Fox to Bank of Boston.[184][185][186] Lucasfilm also launched an employee bonus scheme to share Empire's profits with its staff.[187] Test screenings were held in San Francisco on April 19. While the tauntaun special effect was criticized, audiences liked Han's reply of "I know" to Leia's confession of love. Lucas was unimpressed by the scene, believing it was not how Han would act.[17][188] Because the magnetic soundtrack could flake from the film reels, Kurtz hired people to watch the film reels 24 hours a day to identify defects; 22% were defective.[169]

Shortly after the film's theatrical release, Lucas decided the ending was unclear about where Luke and Leia were in relation to Lando and Chewbacca. In the three-week window between its limited and wider release, Lucas, Johnston, and visual effects artist Ken Ralston filmed enhancement scenes at ILM, using existing footage, a new score, modified dialogue, and new miniatures to create establishing shots of the Rebel fleet and their relative positions.[189] By the project's conclusion, around 700 people had worked on Empire.[190]

Special effects and design edit

Main article: Special effects of The Empire Strikes Back

Lucas's firm, Industrial Light & Magic, developed the special effects for The Empire Strikes Back at a cost of $8 million, including staffing and the construction of the company's new facility in Marin County.[169] The building was still under construction when staff arrived in September 1978, and initially lacked the equipment that would be necessary to complete their work.[111][114][191] Compared to the 360 special effects shots for Star Wars, Empire required around 600.[192]

The crew, supervised by Richard Edlund and Brian Johnson, included Dennis Muren, Bruce Nicholson, Lorne Peterson, Steve Gawley, Phil Tippett,[111] Tom St. Amand,[193] and Nilo Rodis-Jamero.[191] Up to 100 people worked on the project daily, including Stuart Freeborn, who was responsible mainly for crafting the Yoda puppet.[57][194] Various techniques, including miniatures, matte paintings, stop motion, articulated models and full-size vehicles were used to create Empire's various effects.[65][135][195]

Release edit

Context edit

See also: 1980 in film
 
Mark Hamill promoting the film in 1980

Industry professionals expected comedies and positive entertainment to dominate theaters in 1980 because of low morale in the United States caused by an economic recession. This generally increased theatrical visits as audiences sought escapism and ignored romantic films and depictions of blue-collar life.[196][197] A surge of interest in science fiction following Star Wars led to many low-budget entries in the genre attempting to profit by association and big-budget entries such as Star Trek: The Motion Picture and The Black Hole, both released just months before The Empire Strikes Back.[41] Sequels were not expected to perform as well as their originals, and there were low expectations for merchandising.[198] Even so, tie-in deals were arranged with Coca-Cola, Nestlé, General Mills, and Topps collectibles.[199]

Fox was confident in the film and spent little money on advertising, taking out small advertisements in newspapers instead of full-page spreads.[185] The studio's market research showed 60% of those interested in the film were male.[200] Lucasfilm set up a telephone number allowing callers to hear a message from cast members.[201] Fox demanded a minimum 28-week appearance in theaters, where 12 weeks was the norm for major films.[187] Estimates suggested Empire needed to earn $57.2 million to be profitable, after marketing, distribution, and loan interest costs.[202]

Credits and title edit

As with Star Wars, Lucas wanted to place all of the crew credits at the end of the film to avoid interfering with the opening. The Writers Guild of America (WGA) and Directors Guild of America (DGA) had allowed this for the first film because Lucas directed and it opened with the logo for his namesake Lucasfilm, but for Empire they refused to allow Kershner or the first and second unit directors to be credited only at the end, fined Lucas $250,000 when he ignored them and tried to have the film removed from theaters.[174] Because Lucas had followed the laws relevant to the United Kingdom where it was produced, the DGA was unable to sanction him and instead fined Kershner $25,000.[200] Lucas paid his fine but was so frustrated that he left the WGA, DGA, and Motion Picture Association, which restricted his ability to write and direct future films.[174][203]

The Hollywood Reporter leaked the film's title in January 1978; it was officially announced in August.[204] The opening crawl identified the film as Star Wars: Episode V — The Empire Strikes Back, establishing Lucas's plan to make a nine-part Star Wars series. Star Wars was also renamed Episode IV — A New Hope.[205][206] Roger Kastel designed the theatrical poster.[207]

Box office edit

 
The North American premiere of The Empire Strikes Back took place at the John F. Kennedy Center for the Performing Arts (pictured in 2010).

The Empire Strikes Back debuted at the Dominion Theatre, London, on May 6, 1980,[208] followed by a premiere on May 17 at the Kennedy Center in Washington, D.C. This event featured the principal cast. 600 children, including Special Olympians, attended.[209][208] Its world premiere took place on May 20 at the Odeon Leicester Square, London. Dubbed "Empire Day", the event included actors in Stormtrooper attire interacting with people across the city.[210][211][208]

In North America, Empire opened in mid-week on May 21, leading into the extended Memorial Day holiday weekend.[212] The number of theaters was deliberately limited to 126 theaters to make it difficult to get a ticket, thus generating more appeal—a strategy used with films expected to receive positive word of mouth.[185] It earned $1.3 million during its opening day—an average of $10,581 per theater.[213] Empire earned a further $4.9 million during the weekend and $1.5 million during the holiday Monday for a total of $6.4 million—an average of $50,919 per theater—making it the number one film of the weekend, ahead of the counterprogrammed debuts of the comedy The Gong Show Movie ($1.5 million) and The Shining ($600K).[212][214][215] By the end of its first week, the film had earned $9.6 million—a 60% increase over Star Wars—averaging $76,201 per theater, the highest-ever figure for a film in over 100 theaters.[185][216][217]

It remained number one until its fourth weekend when it fell to third with $3.6 million, behind spoof comedy Wholly Moses! ($3.62 million) and western Bronco Billy ($3.7 million).[213][218] It regained the number one position in its fifth weekend, expanding its theater count to 823 and earning $10.8 million.[213][219] Combined with its weekday gross, Empire earned a single-week gross of approximately $20 million, a box office record the film would hold until Superman II's $24 million the following year.[220][221][222] It remained number one for the next seven weeks, before falling to number two in its thirteenth week with $4.3 million behind the debuting Smokey and the Bandit II ($10.9 million). Detailed box office tracking is unavailable for the rest of Empire's 32-week, 1,278-theater total run.[213][223]

Empire earned approximately $181.4–209.4 million, making it the highest-grossing film of the year, ahead of the comedy films 9 to 5 ($103.3 million), Stir Crazy ($101.3 million), and Airplane! ($83.5 million).[196][224][225] Although it earned less than the $221.3 million of Star Wars, Empire was considered a financial success, and industry experts estimated the film returned $120 million to the filmmakers,[173][196][225] recouping Lucas's investment and clearing his debt;[226] he also paid out $5 million in employee bonuses.[174] Box office figures are unavailable for all the releases outside of North America in 1980, although The New York Times reported the film performed well in the United Kingdom and Japan. According to Variety, Empire earned approximately $192.1 million, giving the film a cumulative worldwide gross of $401.5 million, making it the highest-grossing film of the year.[1][2][3][o] Empire did not receive the same repeat business as Star Wars, which Lucas blamed on its inconclusive ending.[173][227]

Empire has received multiple theatrical re-releases, including in July 1981 ($26.8 million), November 1982 ($14.5 million), and Special Edition versions, modified by Lucas, in February 1997 ($67.6 million).[228] Cumulatively, these releases have raised the North American box office gross to $290.3–$292.4 million.[p] It is estimated to have earned a worldwide total of $538.4–$549 million.[4][5] Adjusted for inflation, the North American box office is equivalent to $920.8 million, making it the thirteenth-highest-grossing film ever.[230]

Reception edit

Critical response edit

Upon its initial release, The Empire Strikes Back received mixed reviews compared to the positive reception of Star Wars.[173][231][232] The film appeared fourth-most on 24 critics' top ten films of the year lists.[233] Fan reactions were decidedly mixed, concerned by the change in tone and narrative reveals, particularly Leia's love for Han over Luke and his relationship with Vader.[234][235]

Some critics believed The Empire Strikes Back was a good film but not as enjoyable as Star Wars.[236][237][238] They believed the tonal shift featuring darker material and more mature story lines detracted from the charm, fun, and comic silliness of the original.[236][238][239] The Wall Street Journal's Joy Gould Boyum believed it was "absurd" to add dramatic weight to the lighthearted Star Wars, stripping it of its innocence. Writing for The Washington Post, Gary Arnold found the darker undercurrents and greater narrative scale interesting because it created more dramatic threads to explore.[240][238] The New Yorker's David Denby argued it was more spectacular than the original, but lacked its camp style.[239] The Hollywood Reporter's Arthur Knight believed the novelty of the original and plethora of space opera films produced since made Empire seem derivative; even so, he called it the best in the genre since Star Wars.[237][240] Writing for Time, Gerald Clarke believed Empire surpassed Star Wars in several ways, including being more visually and artistically interesting.[241] The New York Times's Vincent Canby called it a more mechanical, less suspenseful experience.[236]

Writing for the Los Angeles Times, Charles Champlin said the inconclusive ending cleverly completed the narrative while serving as a cliffhanger, but Clarke called it a "not very satisfying" conclusion.[242][243] Canby and the Chicago Reader's Dave Kehr believed as the middle film it should have focused on narrative development instead of exposition, but found little progression between the film's beginning and end.[236][244][238] The Washington Post's Judith Martin labeled it a "good junk" film, enjoyable but fleeting, because it lacked a stand-alone narrative.[245] Knight and Clarke found the story sometimes difficult to follow—Knight because the third act jumped between separate storylines, and Clarke because he missed important information in the fast-paced plot.[237][243] Kehr and Sight & Sound's Richard Combs wrote that characterization seemed to be less important than special effects, visual spectacle and action set pieces that accomplished little narratively.[244][246]

Reviews were mixed for the central cast.[238][242][244] Knight wrote Kershner's direction made the characters more human with fewer archetypes.[237] Hamill, Fisher, and Ford received some praise, with Champlin calling Hamill "youthfully innocent" and engaging and Fisher independent.[237][242][247] Arnold described the character progression as less development and more "finesse", with little change taking place,[240] and Kehr felt the characters were "stiffer" without Lucas's direction.[244] Knight called Guinness's performance half-hearted,[237] and Janet Maslin criticized Lando Calrissian, the only major black character in the film, as "exaggeratedly unctuous, untrustworthy and loaded with jive".[248] The Chicago Tribune's Gene Siskel said the non-human characters, including the robots and Chewbacca, remained the most lovable creatures, with Yoda the film's highlight.[249] Knight, Gould Boyum, and Arnold thought Yoda to be incredibly lifelike; Arnold considered his expressions so realistic that they believed an actor's face had been composited onto the puppet.[237][238][240] Canby called the human cast bland and nondescript, and said even the robot characters offered diminishing enjoyment, but Yoda was a success when used sparingly.[236]

Although Arnold praised Kershner's direction, others believed that Lucas's oversight was obvious and Empire lacked Kershner's established directorial sensibilities. Denby described his work as "impersonal" and Canby believed it was impossible to identify what Kershner had contributed.[236][239][240] Combs believed Kershner was an "ill-advised" director because he emphasized the characters, but the result was common tropes at the expense of the comic-strip pace of Star Wars.[246] Cinematographer Peter Suschitzky's work was praised for its visuals and bold color choices.[237][240] The special effects were lauded as "breathtaking",[238] "ingenious",[237] and visually dazzling.[240] Jim Harwood wrote they were let down only by the competence of those in the original, which were emulated by other films.[247] Champlin appreciated that effects were used to enhance scenes instead of being the focus.[242]

Accolades edit

 
Composer John Williams (pictured in 2006) won two Grammy Awards for his score to The Empire Strikes Back, in addition to nominations for Academy, Golden Globe, and BAFTA awards.

At the 1981 Academy Awards, The Empire Strikes Back won the award for Best Sound (Bill Varney, Steve Maslow, Gregg Landaker, and Peter Sutton) and a Special Achievement Academy Award for Best Visual Effects (Johnson, Edlund, Muren, and Nicholson). The film received a further two nominations: Best Art Direction (Reynolds, Leslie Dilley, Harry Lange, Alan Tomkins, and Michael Ford) and Best Original Score (John Williams).[250]

For the 39th Golden Globe Awards, Williams earned the film's sole nomination, for Best Original Score.[251] He won two Grammy Awards for Best Instrumental Composition and Best Score Soundtrack for Visual Media.[252] The 34th British Academy Film Awards earned the film one award for Best Music (Williams), and two additional nominations: Best Sound (Sutton, Varney, and Ben Burtt) and Best Production Design (Reynolds).[253] At the 8th Saturn Awards, Empire received four awards: Best Science Fiction Film, Best Director (Kershner), Best Actor (Hamill), and Best Special Effects (Johnson and Edlund).[254] The film also won a Hugo Award for Best Dramatic Presentation and a People's Choice Award for Favorite Motion Picture.[255][256]

Post-release edit

Special Edition and other changes edit

Main articles: Changes in Star Wars re-releases and The People vs. George Lucas

Coinciding with Lucas's plans to develop a prequel trilogy of films in the late 1990s, he remastered and rereleased his original trilogy, including Empire, under the title Star Wars Trilogy: Special Edition to test special effects. This included altering or adding new scenes, some of which tied into the prequel films. Lucas described it as bringing the trilogy closer to his original vision with modern technology. Among the alterations, full shots of the wampa were introduced, along with computer-generated imagery shots of locations with added buildings or people.[257] These editions were well received by critics. Roger Ebert called Empire the best and "heart" of the original trilogy.[258][259][260]

Since their initial release, the Special Editions have been altered multiple times. For the 2004 rerelease, the Clive Revill/Elaine Baker Emperor was replaced by Ian McDiarmid, who had performed the role since Return of the Jedi (1983).[257] Temuera Morrison, who portrayed Fett's clone predecessor in Star Wars: Episode II – Attack of the Clones (2002), also dubbed over Wingreen's lines.[99] Minor changes were made for the 2011 Blu-ray release, including adding flames to the probe droid's impact crater and color modifications.[261][262] The Special Edition releases were controversial with fans, who considered the changes to the original films unnecessary or to have altered them substantially.[257][263] The unaltered versions have been commercially unavailable since a 2006 DVD release, which used unrestored footage from an early 1990s Laserdisc release. Harmy's Despecialized Edition is an unofficial fan effort to preserve the unaltered films.[264][265] The 2010 documentary The People vs. George Lucas documents the relationship between the films, their fans, and Lucas.[266]

Home media edit

Empire was released on VHS (Video Home System), Laserdisc, and CED videodisc formats in 1985. The VHS and Laserdisc versions received various releases in the following years, often alongside the other original trilogy films in collections, with minor alterations such as widescreen formats or remastered sound. The 1992 Special Collector's Edition included the documentary From Star Wars to Jedi: The Making of a Saga. In 1997, the Special Edition of the original trilogy was released on VHS.[267][268] When the film debuted on television in November 1987, it was preceded by a second-person introduction by Darth Vader, framed as an interruption of the Earth broadcast by the Galactic Empire.[269][270]

The film was released on DVD in 2004, collected with Star Wars and Return of the Jedi, with additional alterations to each film. The release included the documentary Empire of Dreams: The Story of the Star Wars Trilogy, about the making of the original trilogy.[271] Lucas said the modified versions were the way he had wanted them to be, and he had no interest in restoring the original theatrical cuts for release. Public demand eventually led to the release of the 2006 Limited Edition DVD collection that included the original unmodified films transferred from the 1993 Laserdisc Definitive Edition, creating problems with the image display.[267]

Empire was released on Blu-ray in 2011, as part of a collection containing the Special Edition original trilogy and a separate version containing the original and prequel trilogies alongside featurettes about the making of the films.[261][272][273] Empire, alongside the other available films, was first released digitally in 2015 across various platforms, and in 4K resolution restored from the 1997 special edition print for its 2019 launch on Disney+.[274][275] In 2020, a 27-disc Skywalker Saga box set was released, containing the nine films in the series, with each film on three discs, a Blu-ray version, a 4K Ultra HD Blu-ray, and special features found on the 2011 release.[276]

Other media edit

See also: Star Wars franchise and List of Star Wars video games

Merchandise for The Empire Strikes Back includes posters, children's books, clothing, character busts and statues, action figures, furnishings, and Lego sets.[277][278][279][280] The novelization of the film, written by Donald F. Glut and released in April 1980, was a success, selling 2–3 million copies.[281][282] A Star Wars comic book series, launched in 1977 by Marvel Comics and written by Archie Goodwin and Carmine Infantino, adapted the original trilogy of films; Empire's run began in 1980.[283][284] The book The Making of the Empire Strikes Back (2010) by J. W. Rinzler provides a comprehensive history of the film's production, including behind-the-scenes photos and cast interviews.[280][285]

The film was the first in the series to be adapted for video games, beginning with Star Wars: The Empire Strikes Back (1982) developed by Parker Brothers for the Atari 2600 games console.[286][287] This was followed in 1985 by the Star Wars: The Empire Strikes Back arcade game.[288] Star Wars Trilogy Arcade (1998) features the Hoth battle as a level.[288] Star Wars: The Empire Strikes Back was released in 1992 for the Nintendo Entertainment System and Game Boy, and Super Star Wars: The Empire Strikes Back followed in 1993 for the Super Nintendo Entertainment System.[287] Scenes from Empire have also appeared in games like Star Wars: Rogue Squadron (1998) and Star Wars Battlefront: Renegade Squadron (2007).[287][289] The Empire Strikes Back pinball machine (1980) was the first officially licensed Star Wars pinball machine. It became a collector's item, as only 350 machines were produced exclusively in Australia.[288]

Thematic analysis edit

See also: Star Wars sources and analogues

Mythology and inspirations edit

Critical analysis has suggested various inspirations for Empire, particularly the early 1930s Flash Gordon serials that include a cloud city similar to Bespin. Film critic Tim Robey wrote that much of Empire's imagery and narrative can be connected to the 1975 film Dersu Uzala, directed by Akira Kurosawa—whose work inspired Lucas.[290][291] Muren described the Empire's assault on Hoth with AT-AT vehicles as an analogy for the Vietnam War, specifically an invading military employing equipment inappropriate for the local terrain.[292]

Clarke identified Luke as the heir to mythological heroes, such as Prometheus, Jason, and Galahad. He is guided initially by a traditional aide, Obi-Wan, who offers the promise of destiny until he is replaced by Yoda.[293] Anne Lancashire wrote that the Yoda narrative is a traditional mythological tale in which the hero is trained by a wise old master and must abandon all his preconceived notions.[294] Clarke described Luke's journey as the hero who ventures into the unknown to be tested by his own dark impulses but eventually overcomes them. He believed this represented the human ability to control irrational impulsiveness to serve love, order, and justice.[293]

Lucas wanted Yoda to be a traditional fairy-tale or mythological character, akin to a frog or an unassuming old man, to instill a message about respecting everyone and not judging on appearance alone, because he believed that would lead the hero to succeed.[295] The New York Observer's Brandon Katz described Yoda as deepening the Force through philosophy. Yoda says they are all luminous beings beyond just flesh and matter, and presents the Jedi as Zen warriors who work in harmony with the Force. Kasdan described them as enlightened warrior priests, similar to Samurai.[281][295]

Religion edit

In developing the Force, Lucas said he wanted it to represent the core essence of multiple religions unified by their common traits. Primarily, he designed it with the intent that there is good, evil, and a god. Lucas's personal faith includes a belief in God and basic morality, such as treating others fairly and not taking another's life. The Presbyterian Journal described the film's religious message as closer to Eastern religions such as Zoroastrianism or Buddhism than Judeo-Christian, presenting good and evil as abstract concepts. Similarly, God or the Force is an impersonal entity, taking no direct action. Christianity Today said that the film's drama is caused by the absence of a righteous god or being creating a direct influence.[281]

Lancashire and J. W. Rinzler described Luke's journey as based purely on Christianity, focused on destiny and free will, with Luke serving as a Christ-like figure and Vader as a fallen angel attempting to lure him toward evil.[296][281] Kershner said any religious symbolism was unintentional, as he wanted to focus on the power of an individual's untapped potential instead of magic.[281]

Duality and evil edit

Anne Lancashire contrasted the first Star Wars film's message of idealism, heroics, and friendship with the more complex tone of Empire.[297] The latter challenges the former's notions, primarily because Luke loses his innocence in coming to perceive people as neither entirely good nor evil.[298][299] The scene in which Luke enters the dark side cave on Dagobah represents where his anger will lead him and forces him to move beyond his belief that he is completely on the light side of the Force.[293][294] Kershner said the cave tests Luke against his greatest fear, but because the fear is in his mind, and he brought his weapon with him, it creates a scenario where he is forced to use it.[300] After defeating the avatar of Vader, the mask splits open to reveal Luke's face, suggesting he will succumb to the temptations of the dark side unless he learns patience and to abandon his anger.[301]

The darkness is similarly presented in Han, a self-interested smuggler struggling with his growing feelings for Leia and the responsibility associated with her cause. The film represents his two sides in Leia and Lando, a representative of his smuggler life.[302] Empire questions the cost of friendship. Where Star Wars presents traditional friendship, Empire presents friendship as requiring sacrifice. Han sacrifices himself in the frigid cold of Hoth to save Luke's life.[298][303] Similarly, Luke abandons his Jedi training, something he has longed for, to rescue his friends. This can be seen as a selfish choice, as he does so against Yoda and Obi-Wan's instructions, potentially sacrificing himself for his friends instead of training to defeat the Empire, a cause his friends support.[298][303] According to Lancashire, characters are shown to be heroic through sacrificing for others instead of fighting battles.[304]

Lancashire believed that Luke's impatience to leave for Bespin exemplifies his lack of growth from his training.[301] There, Vader tempts him with the power of the dark side and the revelation that he is Luke's father.[281][293] Vader wants Luke's help to destroy the Emperor, not for good, but so that Vader can impose his own order over the galaxy.[281] This admission robs Luke of the idealized image of his Jedi father, reveals Obi-Wan's deception in hiding his parentage, and takes the last of his innocence.[298][305][306] Gerald Clarke suggests Luke is not strong or virtuous enough to resist Vader during this confrontation, and so allows himself to fall into the airshaft below, showing the antagonist does sometimes win.[293][298] The concept of a character having a good father and an evil father is a common story trope because of its simple representations of good and evil.[281] At the film's finale, Luke has a greater understanding of the relationship between good and evil, and the dual nature of people.[307]

Legacy edit

Critical reassessment edit

The Empire Strikes Back remains an enduringly popular piece of cinema.[177] It is considered groundbreaking for its cliffhanger ending, influence on mainstream films, and special effects.[q] For CNN, Brian Lowry wrote that without the "groundwork laid by one of the best sequels ever, [the Star Wars franchise] wouldn't be the force that it is now".[312]

Despite the film's initial mixed reception, it has since been reevaluated by critics and fans and is now often considered the best film in the Star Wars series, and one of the greatest films ever made.[r] The Hollywood Reporter's entertainment industry-voted ranking in 2014 recognized it as the 32nd-best film of all time (behind Star Wars at #11), calling it a "Shakespearean tragedy" with a daringly dark ending that few films would replicate.[323] Empire magazine named it the third-best film of all time, stating the modern cliché of sequels using a darker tone can be traced back to Empire.[315] A 1997 retrospective review by Ebert praised the film as the best of the original trilogy, describing its ability to create a sense of wonder in the audience, using story-beats that are core to the concept of storytelling,[324] and it is included in the 2003 film reference book 1001 Movies You Must See Before You Die.[325] A 2014 vote by 250,000 Business Insider readers listed it as the greatest film ever made.[326] The reveal that Vader is Luke's father continued to be seen as one of the greatest plot twists in cinema.[s] Similarly, Han saying "I know" in response to Leia's love confession, is considered one of the most iconic scenes in the Star Wars films and one of the more famous lines of improvised dialogue in cinema.[t]

Empire magazine selected it as the sixth greatest movie sequel, lauding the "bold" unresolved ending and willingness not to follow the same formula as the first film.[338] Den of Geek called it the second-best sequel, after Aliens (1986), and Lucas's "masterpiece", and Playboy named it the third-best, describing the reveal of the relationship between Luke and Vader as the "emotional core that has elevated Star Wars to the pantheon of timeless modern sagas".[313][314] The BBC[339] and Collider listed it as one of the best sequels ever made.[340] Time and Playboy described it as a sequel that surpasses the original.[314][341] Review aggregator Rotten Tomatoes recognizes it as the 27th-best sequel, based on review scores.[342] Rolling Stone's reader-voted list of the best sequels lists Empire at third.[343]

Rotten Tomatoes offers a 94% approval rating from the aggregated reviews of 109 critics, with an average score of 8.9/10. The website's critical consensus reads, "Dark, sinister, but ultimately even more involving than A New Hope, The Empire Strikes Back defies viewer expectations and takes the series to heightened emotional levels."[344] The film has a score of 82 out of 100 on Metacritic based on the reviews of 25 critics, indicating "universal acclaim".[345] Characters introduced in the film, such as Yoda and Lando Calrissian, are now considered iconic.[u] The American Film Institute listed Vader's appearance in the film as the third best on its 2003 list of the 100 Best Heroes & Villains, after Norman Bates and Hannibal Lecter.[351]

Cultural impact edit

See also: Cultural impact of Star Wars

The Empire Strikes Back was ubiquitous in places such as the United States and the United Kingdom on its release.[226] It was referenced in political cartoons, and events such as "Empire Day". Freddie Mercury ended a 1980 Queen concert by riding on the shoulders of someone dressed as Darth Vader.[210][352][353] Kershner described receiving letters from fans around the world asking for autographs and psychologists who used Yoda to explain philosophical ideas to their patients.[332] Other films, television, and video games have extensively referenced or parodied the film,[354][355] including the Marvel Cinematic Universe (MCU),[356] Spaceballs, The Muppet Show, American Dad!, South Park,[354] The Simpsons,[357] Family Guy, and Robot Chicken.[358] In 2010, the United States Library of Congress selected The Empire Strikes Back to be preserved in the National Film Registry for being "culturally, historically, or aesthetically significant".[359][360]

Landon Palmer, Eric Diaz, and Darren Mooney argue that Empire, and not Star Wars, embedded the concept of the modern blockbuster film franchise and sequels serving as a chapter in an infinitely expanding narrative, creating a template that was emulated over the following decades. This defied the contemporary popular trend of exploiting a popular film by creating low-budget sequels to diminishing returns, as in the Jaws franchise.[361][362][363] Instead, more was spent on Empire to expand the fictional universe and reap greater box-office returns. The cliffhanger ending, setting up a future sequel, is seen in many modern films, particularly those in the MCU.[361] It has also been suggested that Empire forged a narrative structure that continues to be emulated in trilogies, where the middle film will be darker than the original and typically feature an ending in which the protagonists fail to defeat the antagonists, leading into a subsequent film. Emmet Asher-Perrin and Ben Sherlock cite the series Back to the Future, The Matrix, The Lord of the Rings, and Pirates of the Caribbean as examples.[364][365]

Filmmakers such as the Russo brothers, Roland Emmerich, and Kevin Feige cite it as an inspiration in their careers or identify as fans.[366][367][368]

Sequels, prequels, and adaptations edit

Main articles: Return of the Jedi, Star Wars prequel trilogy, and Star Wars sequel trilogy

The film was adapted into a 1982 radio play broadcast on National Public Radio in the U.S.[369] The Empire Strikes Back was followed by Return of the Jedi in 1983, concluding the original film trilogy. Jedi's plot follows the Rebel assault on the Empire and Luke's final confrontation with Vader and the Emperor. Like the previous films, Jedi was a financial success and fared well with critics.[370][371]

Nearly two decades after the release of Empire, Lucas wrote and directed the prequel trilogy, consisting of The Phantom Menace (1999), Star Wars: Episode II – Attack of the Clones (2002), and Revenge of the Sith (2005). The films chronicle the history between Obi-Wan Kenobi and Anakin Skywalker, and the latter's fall to the dark side and transformation into Darth Vader. The prequel trilogy polarized critics and fans on their release for the storylines and certain new characters.[v] After Lucas sold the Star Wars franchise to The Walt Disney Company in 2012, Disney developed a sequel trilogy, consisting of The Force Awakens (2015), The Last Jedi (2017), and The Rise of Skywalker (2019).[w] Original trilogy cast, including Ford, Hamill, and Fisher, reprised their roles, alongside new characters portrayed by Daisy Ridley, John Boyega, Adam Driver, and Oscar Isaac.[381] Standalone films and television series have also been released, exploring adventures set around the main trilogy arcs.[x]

Notes edit

  1. ^ This figure represents the cumulative total accounting for the initial worldwide 1980 gross of $401.5 million and subsequent releases thereafter.[1][2][3][4][5]
  2. ^ Later titled Star Wars: Episode IV – A New Hope
  3. ^ As depicted in Star Wars, also known as Episode IV – A New Hope (1977).
  4. ^ As depicted in Return of the Jedi (1983)
  5. ^ Marjorie Eaton was filmed as the Emperor in February 1980, but her screen test was rejected. She was replaced by Elaine Baker in makeup with the voice provided by Clive Revill.[27]
  6. ^ Attributed to multiple references:[31][32][33][34]
  7. ^ Attributed to multiple references:[40][17][37][41]
  8. ^ Attributed to multiple references:[41][17][42][43]
  9. ^ Attributed to multiple references:[17][35][60][61]
  10. ^ Attributed to multiple references:[64][35][65][67]
  11. ^ Attributed to multiple references:[99][19][28][21]
  12. ^ Attributed to multiple references:[110][88][41][111]
  13. ^ Attributed to multiple references:[88][113][114][17][41]
  14. ^ The 1980 budget of $30.5 million is equivalent to $108 million in 2022.
  15. ^ The 1980 worldwide box office gross of $401.5 million is equivalent to $1.43 billion in 2022
  16. ^ Attributed to multiple references:[228][229][4][5]
  17. ^ Attributed to multiple references:[308][309][310][311]
  18. ^ Attributed to multiple references:[313][314][315][316][317][318][177][319][320][321][67][322]
  19. ^ Attributed to multiple references:[327][318][328][319][329][330][331][308][332]
  20. ^ Attributed to multiple references:[333][334][335][336][337][318]
  21. ^ Attributed to multiple references:[346][347][295][348][349][350]
  22. ^ Attributed to multiple references:[266][372][373][374][375]
  23. ^ Attributed to multiple references:[376][377][378][379][380]
  24. ^ Attributed to multiple references:[18][382][383][384]

References edit

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February 05, 2024
empire, strikes, back, other, uses, disambiguation, also, known, star, wars, episode, 1980, american, epic, space, opera, film, directed, irvin, kershner, from, screenplay, leigh, brackett, lawrence, kasdan, based, story, george, lucas, sequel, star, wars, 197. For other uses see The Empire Strikes Back disambiguation The Empire Strikes Back also known as Star Wars Episode V The Empire Strikes Back is a 1980 American epic space opera film directed by Irvin Kershner from a screenplay by Leigh Brackett and Lawrence Kasdan based on a story by George Lucas The sequel to Star Wars 1977 b it is the second film in the Star Wars film series and the fifth chronological chapter of the Skywalker Saga Set three years after the events of Star Wars the film recounts the battle between the malevolent Galactic Empire led by the Emperor and the Rebel Alliance led by Princess Leia Luke Skywalker trains to master the Force so he can confront the powerful Sith lord Darth Vader The ensemble cast includes Mark Hamill Harrison Ford Carrie Fisher Billy Dee Williams Anthony Daniels David Prowse Kenny Baker Peter Mayhew and Frank Oz The Empire Strikes BackTheatrical release poster by Roger KastelDirected byIrvin KershnerScreenplay byLeigh Brackett Lawrence KasdanStory byGeorge LucasProduced byGary KurtzStarringMark Hamill Harrison Ford Carrie Fisher Billy Dee Williams Anthony Daniels David Prowse Kenny Baker Peter Mayhew Frank OzCinematographyPeter SuschitzkyEdited byPaul HirschMusic byJohn WilliamsProductioncompanyLucasfilm Ltd Distributed by20th Century FoxRelease datesMay 6 1980 1980 05 06 Dominion Theatre May 21 1980 1980 05 21 United States Running time124 minutesCountryUnited StatesLanguageEnglishBudget 30 5 millionBox office 538 549 million a Following the success of Star Wars Lucas hired Brackett to write the sequel After she died in 1978 he outlined the whole Star Wars saga and wrote the next draft himself before hiring Raiders of the Lost Ark 1981 writer Kasdan to enhance his work To avoid the stress he faced directing Star Wars Lucas handed the responsibility to Kershner and focused on expanding his special effects company Industrial Light amp Magic instead Filmed from March to September 1979 in Finse Norway and at Elstree Studios in England The Empire Strikes Back faced production difficulties including actor injuries illnesses fires and problems securing additional financing as costs rose Initially budgeted at 8 million costs had risen to 30 5 million by the project s conclusion Released on May 21 1980 the highly anticipated sequel became the highest grossing film that year earning approximately 401 5 million worldwide Unlike its lighthearted predecessor Empire met with mixed reviews from critics and fans were conflicted about its darker and maturer themes Critics praised the expressive features and characterization of puppeteered character Yoda a diminutive alien who serves as Luke s teacher The film was nominated for various awards and won two Academy Awards two Grammy Awards and a BAFTA among others Subsequent releases have raised the film s worldwide gross to 538 549 million and adjusted for inflation it is the 13th highest grossing film in the United States and Canada Since its release The Empire Strikes Back has been critically reassessed and is now often regarded as the best film in the Star Wars series and among the greatest films ever made It has had a significant impact on filmmaking and popular culture and is often considered an example of a sequel superior to its predecessor The climax in which Vader reveals he is Luke s father is often ranked as one of the greatest plot twists in cinema The film spawned a variety of merchandise and adaptations including video games and a radio play The United States Library of Congress selected it for preservation in the National Film Registry in 2010 Return of the Jedi 1983 followed Empire concluding the original Star Wars trilogy Prequel and sequel trilogies have since been released Contents 1 Plot 2 Cast 3 Production 3 1 Development 3 2 Writing 3 3 Rewrite 3 4 Casting 3 5 Pre production 3 6 Music 4 Filming 4 1 Commencement in Norway 4 2 Filming at Elstree Studios 4 3 The duel Dagobah and conclusion 4 4 Post production 5 Special effects and design 6 Release 6 1 Context 6 2 Credits and title 6 3 Box office 7 Reception 7 1 Critical response 7 2 Accolades 8 Post release 8 1 Special Edition and other changes 8 2 Home media 8 3 Other media 9 Thematic analysis 9 1 Mythology and inspirations 9 2 Religion 9 3 Duality and evil 10 Legacy 10 1 Critical reassessment 10 2 Cultural impact 11 Sequels prequels and adaptations 12 Notes 13 References 13 1 Citations 13 2 Works cited 14 External linksPlot editThree years after the destruction of the Death Star c the Imperial fleet led by Darth Vader dispatches probe droids across the galaxy to find Princess Leia s Rebel Alliance One probe locates the rebel base on the ice planet Hoth A wampa captures Luke Skywalker before he can investigate the probe but he escapes by using the Force to retrieve his lightsaber and wound the beast Before Luke succumbs to hypothermia the Force spirit of his deceased mentor Obi Wan Kenobi instructs him to go to the swamp planet Dagobah to train as a Jedi Knight under the Jedi Master Yoda Han Solo discovers Luke and insulates him against the weather inside his deceased tauntaun mount until they are rescued the next morning Alerted to the Rebels location the Empire launches a large scale attack using AT AT walkers to capture the base forcing the Rebels to evacuate Han and Leia escape with C 3PO and Chewbacca aboard the Millennium Falcon but the ship s hyperdrive malfunctions They hide in an asteroid field where Han and Leia grow closer amid the tension Vader summons several bounty hunters including Boba Fett to find the Falcon Evading the Imperial fleet Han s group travels to the floating Cloud City on the planet Bespin which is governed by his old friend Lando Calrissian Fett tracks them there and Vader forces Lando to surrender the group to the Empire knowing Luke will come to their aid Meanwhile Luke travels with R2 D2 in his X wing fighter to Dagobah where he crash lands He meets Yoda a diminutive creature who reluctantly accepts him as his Jedi apprentice after conferring with Obi Wan s spirit Yoda trains Luke to master the light side of the Force and resist negative emotions that will seduce him to the dark side as they did Vader Luke struggles to control his anger and impulsiveness and fails to comprehend the nature and power of the Force until he witnesses Yoda use it to levitate the X wing from the swamp Luke has a premonition of Han and Leia in pain and despite Obi Wan s and Yoda s protestations abandons his training to rescue them Although Obi Wan believes Luke is their only hope Yoda asserts that there is another Leia confesses her love for Han before Vader freezes him in carbonite to test whether the process will safely imprison Luke Han survives and is given to Fett who intends to collect his bounty from Jabba the Hutt Lando frees Leia and Chewbacca but they are too late to stop Fett s escape The group fights its way back to the Falcon and flees the city Luke arrives and engages Vader in a lightsaber duel over the city s central air shaft Vader overwhelms Luke severing his right hand and separating him from his lightsaber He urges Luke to embrace the dark side and help him destroy his master the Emperor so they may rule the galaxy together Luke refuses citing Obi Wan s claim that Vader killed his father prompting Vader to reveal that he is Luke s father Desperate Luke drops into the air shaft and is ejected beneath the floating city latching onto an antenna He reaches out through the Force to Leia and the Falcon returns to rescue him TIE fighters pursue the group which is almost captured by Vader s Star Destroyer until R2 D2 reactivates the Falcon s hyperdrive allowing them to escape After the group joins the rebel fleet Luke s missing hand is replaced by a robotic prosthesis He Leia C 3PO and R2 D2 observe as Lando and Chewbacca depart on the Falcon to find Han d Cast editSee also List of Star Wars characters and List of Star Wars cast members nbsp nbsp nbsp Left to right Mark Hamill pictured in 2019 Harrison Ford 2017 and Carrie Fisher 2013 Mark Hamill as Luke Skywalker A pilot in the Rebel Alliance and apprentice Jedi 6 Harrison Ford as Han Solo A smuggler and captain of the Millennium Falcon 7 8 Carrie Fisher as Leia Organa A leader in the Rebel Alliance 9 Billy Dee Williams as Lando Calrissian The administrator of Cloud City 10 Anthony Daniels as C 3PO A humanoid protocol droid 11 David Prowse James Earl Jones voice as Darth Vader A powerful Sith Lord 12 13 Peter Mayhew as Chewbacca Han s loyal Wookiee friend and co pilot 14 15 Kenny Baker as R2 D2 An astromech droid 16 Frank Oz puppeteer voice as Yoda A diminutive centuries old Jedi Master 17 18 The film also features Alec Guinness as Ben Obi Wan Kenobi and John Hollis portrays Lobot Lando s aide 19 The Rebel force includes General Rieekan portrayed by Bruce Boa 19 Major Derlin John Ratzenberger 20 21 Cal Alder Jack McKenzie 21 Dak Ralter John Morton 21 22 Wedge Antilles Denis Lawson 19 Zev Senesca Christopher Malcolm 23 24 and Hobbie Klivian Richard Oldfield 25 The Empire s forces include Admiral Piett Kenneth Colley Admiral Ozzel Michael Sheard General Veers Julian Glover and Captain Needa Michael Culver 19 The Emperor is voiced by Clive Revill and portrayed physically by Elaine Baker 26 27 e Other cast includes Jeremy Bulloch as the bounty hunter Boba Fett voiced by Jason Wingreen who remained uncredited until 2000 19 28 other bounty hunters include Dengar portrayed by Morris Bush and humanoid lizard Bossk Alan Harris 29 30 Production editDevelopment edit See also History of Industrial Light amp Magic and Founding of Skywalker Ranch nbsp Creator George Lucas in 2011 He was thoroughly involved in The Empire Strikes Back but wanted to avoid the stress of serving as director again Following the unexpected financial success and the cultural phenomenon of Star Wars 1977 a sequel was swiftly put into production f In case Star Wars had failed creator George Lucas had contracted Alan Dean Foster to write a low budget sequel later released as the novel Splinter of the Mind s Eye 35 36 Once the success of Star Wars achievements was evident Lucas was reluctant to direct the sequel because of the stress of making the first film and its impact on his health 17 37 38 The film s popularity resulted in more attention on Lucas both positive and negative bringing him wealth and fame but also many people who wanted Lucas s financial backing or just to threaten him 31 Conscious that the sequel needed to exceed the original s scope making it a bigger production and that his production effects company Lucasfilm was relatively small and operating out of a makeshift office Lucas considered selling the project to 20th Century Fox in exchange for a profit percentage 17 37 39 He had profited substantially from Star Wars and did not need to work but was too invested in his creation to entrust it to others g Lucas had concepts for the sequel but no solid structure 35 He knew the story would be darker and explore maturer themes relationships and the nature of the Force 17 Lucas intended to fund the production independently using his 12 million profit from Star Wars to relocate and expand his special effects company Industrial Light amp Magic ILM and establish his Skywalker movie ranch in Marin County California with the remainder as collateral for a loan from Bank of America for the 8 million budget h Fox had the right of first negotiation and refusal to participate in any potential sequel Negotiations began in mid 1977 between the studio and Lucas s representatives Fox had already given Lucas controlling interest in the series merchandising and sequels because it had thought Star Wars would be worthless 40 Terms were agreed quickly for the sequel compared to the original in part because Fox executive Alan Ladd Jr had been supportive of the original and was eager for the sequel 44 The 100 page contract was signed on September 21 1977 dictating that Fox would distribute the film but have no creative input in exchange for 50 of the gross profits on the first 20 million earned with the percentage increasing to 77 5 in the producers favor if it exceeded 100 million Filming had to begin by January 1979 for release on May 1 1980 41 45 The deal offered the possibility of significant financial gain for Lucas but he risked financial ruin if the sequel failed 17 46 To mitigate some of the risk Lucas founded The Chapter II Company to control the film s development and absorb its liabilities 47 He signed a contract between the company and Lucasfilm granting himself 5 of the box office gross profits 48 He also founded Black Falcon to license Star Wars merchandising rights using the income to subsidize his ongoing projects 49 Development began in August 1977 under the title Star Wars Chapter II 50 Lucas considered replacing producer Gary Kurtz with Howard Kazanjian because Kurtz had not fulfilled his role and left problems unresolved while filming Star Wars Kurtz convinced him otherwise by trading on his longtime loyalty to Lucas and knowledge of the Star Wars property 51 Lucas took an executive producer role enabling him to focus on his businesses and the development of Raiders of the Lost Ark 1981 17 41 52 By late 1977 Kurtz began hiring key crew members including production designer Norman Reynolds consultant John Barry makeup artist Stuart Freeborn and first assistant director David Tomblin 17 53 Lucas rehired artists Ralph McQuarrie and Joe Johnston to maintain visual consistency with Star Wars and the three began conceptualizing the Hoth battle in December 54 By this point the budget had increased to 10 million 55 Lucas wanted a director who would support the material and accept that he was ultimately in charge 17 He considered around 100 directors including Alan Parker and John Badham before hiring his old acquaintance Irvin Kershner in February 1978 17 56 Kershner was reluctant to direct the sequel to a film as successful as Star Wars and his friends warned him against taking the job believing he would be blamed if it failed 17 57 Lucas convinced Kershner it was not so much a sequel as a chapter in a larger story he also promised him he could make the film his own way 57 Writing edit nbsp nbsp Left to right Leigh Brackett pictured in 1941 and Lawrence Kasdan 2015 Brackett wrote the first draft for the film before her death in 1978 Lucas then wrote his own script which he hired Kasdan to complete Lucas began formulating ideas in August 1977 These included the Emperor how to explain facial injuries Hamill suffered from an accident after filming Star Wars Lucas told Hamill that had he died his character would have been replaced not recast and Luke s lost sister 58 Hamill recounted being told the sister character might be Leia which he found disappointing 59 Lucas had written Star Wars but did not enjoy developing lore for an original universe 60 Science fiction writer Leigh Brackett whom Lucas met through a friend excelled in quick paced dialogue He hired her for 50 000 aware that she had cancer i Between November 28 and December 2 1977 Lucas and Brackett held a story conference 35 62 Lucas had core ideas in mind but wanted Brackett to piece them together 17 60 He envisioned one central plot complemented by three main subplots set across 60 scenes 100 script pages and a two hour runtime 63 They formed a general outline and ideas that included the Wookiee homeworld new alien species the Galactic Emperor a gambler from Han s past water and city planets Luke s lost twin sister and a diminutive froglike creature Minch Yoda 35 64 65 Lucas drew on influences including The Thing from Another World 1951 the novel Dune 1965 and the television series Flash Gordon 1954 66 Around this time Kurtz conceived the title The Empire Strikes Back j He said they avoided calling it Star Wars II because films with II in their titles were seen as inferior 41 Brackett completed her first draft in February 1978 titled Star Wars sequel from the adventures of Luke Skywalker 57 61 68 The draft contained a city in the clouds a chase through an asteroid belt a greater focus on the love triangle between Luke Han and Leia who is portrayed as a damsel in distress the battle of Hoth and a climactic battle between Luke and Darth Vader The ghosts of his father and Obi Wan visit Luke leaving Vader a separate character The draft reveals Luke has a sister not Leia Han goes on a mission to recruit his powerful stepfather and Lando is a clone from the Clone Wars 35 Lucas made detailed notes and attempted to contact Brackett but she had been hospitalized and died of cancer a few weeks later on March 18 17 69 70 Rewrite edit The strict schedule left Lucas no choice but to write the second draft himself 17 61 70 Though Brackett s draft followed Lucas s outline he found she had portrayed the characters differently than he intended 71 Lucas completed his handwritten 121 page draft on April 1 He found the process more enjoyable than on Star Wars because he was familiar with the universe but struggled to write a satisfying conclusion leaving it open for a third film 72 This draft established Luke s sister as a new character undertaking a similar journey 73 Vader s castle and his fear of the emperor 74 distinct power levels in controlling the Force 75 Yoda s unconventional speech pattern 76 and bounty hunters including Boba Fett Lucas wrote Fett like the Man with No Name combining him with an abandoned idea for a Super Stormtrooper 77 Lucas s handwritten draft included mention of Vader being Luke s father but the typed script omitted this revelation Despite contradictory information in drafts that included the ghost of Luke s father Lucas said he had always intended for Vader to be Luke s father and omitted it from scripts to avoid leaks 17 78 Lucas included elements such as Han s debt to Jabba and recontextualized Luke leaving Dagobah to rescue his friends in Brackett s draft Obi Wan instructs Luke to leave Lucas had Luke choose to do so He also removed a scene of Luke massacring stormtroopers to convey him falling to the dark side wanting to instead explore this in the next film 70 Lucas believed it was important the characters be inspirational and appropriate for children 79 His typed draft is titled Star Wars Episode V The Empire Strikes Back 76 In June 1978 impressed with his work on Raiders of the Lost Ark Lucas hired Lawrence Kasdan to refine the draft Kasdan was paid 60 000 17 61 80 In early July Kasdan Kershner and Lucas held a story conference to discuss Lucas s draft 48 61 The group collaborated on ideas challenging Lucas when his made no sense Lucas embraced their ideas 17 81 Mandated to deliver a fifth of the script every other week Kasdan began his rewrite focusing on developing character relationships and psychologies he completed the third draft by early August 82 This version refined Minch Yoda alternately named the Critter Minch Buffy and simply Yoda from a slimy creature to a small blue one each version retained the character s long life and wisdom 17 35 Yoda was intended to teach Luke to respect everyone and not judge by appearances and defy audience expectations 17 The draft tightened or expanded dialogue to better pace action scenes added more romance and added or changed locations such as moving a Vader scene from a spaceship deck to his private cubicle 83 Lucas removed a line mentioning Lando deliberately abandoning his people and had Luke contact Leia through the Force instead of Obi Wan s ghost 84 The fourth draft mostly the same but with more detailed action was submitted on October 24 85 Although some of Brackett s ideas remained such as Luke s Dagobah training her dialogue and characterization were removed 35 86 Kasdan described her take as from a different era lacking the necessary tone 71 Kazanjian did not believe the Writers Guild of America West would approve of her receiving credit but Lucas liked Brackett and supported her credit as co writer He also provided for her family beyond her contracted pay 86 35 The fifth draft was completed in February 1979 revising some scenes and introducing a Hogmen species devised by Kershner Lucas did not like the idea because he perceived them as slaves 87 Casting edit nbsp Billy Dee Williams 1997 joined the cast as Lando Calrissian Hamill Luke Fisher Leia Ford Han Mayhew Chewbacca and Baker R2 D2 all reprised their Star Wars roles 41 88 Hamill and Fisher were contracted for a second third and fourth film but Ford had declined similar terms because of earlier bad experiences he agreed to return because he wanted to improve on his Star Wars performance 89 Hamill spent four months bodybuilding and learning karate fencing and kendo to prepare for his stunts 87 Prowse hesitated to return as Darth Vader because as he was hidden behind a costume he believed the role offered little job security he returned after being told further delays would lead to his being replaced 90 Jones returned to voice Vader but as with Star Wars declined a credit because he considered himself special effects to Prowse s physical performance He earned 15 000 for half a day s work plus a small percentage of the profits 91 92 Daniels returned for reasonable pay he was reluctant because he had received little public acknowledgment for his previous performance as C 3PO because the filmmakers portrayed the droid as a real being 93 Guinness could not return as Obi Wan because his failing eyesight required him to avoid bright lights 56 Recasting him was considered but determined to recruit him Lucas agreed to a deal in late August 1979 just before filming finished Guinness was paid 0 25 of Empire s box office gross for his few hours of work 94 Empire introduces Billy Dee Williams as Lando Calrissian the first African American to portray a main role in the series 88 95 He found the character interesting because of his cape and Armenian surname Williams believed this gave him room to develop the character Williams said Lando was much like himself a pretty cool guy 10 He believed it was a token role but was assured it was not specifically written for a black actor 96 Kershner said Williams had the fantastic charm of a Mississippi riverboat hustler 96 Howard Rollins Terry Alexander Robert Christian Thurman Scott and Yaphet Kotto were also considered for the part 85 97 Yoda was voiced and puppeteered by Frank Oz with assistance from Kathryn Mullen David Barclay and Wendy Froud 98 Lucas intended to dub Oz s Yoda voice but decided it would be difficult to cast someone who could match their voice to Oz s physical puppeteering performance 27 Jeremy Bulloch did not audition for Boba Fett he was hired because the costume fit him It was uncomfortable and top heavy making it difficult to maintain his balance and the mask often steamed up Bulloch assumed his lines would be dubbed over as he had little dialogue 99 Fett s voice actor Jason Wingreen remained uncredited until 2000 Bulloch also appears as an Imperial officer who restrains Leia on Bespin No other cast member was available for the role so Kurtz had him quickly change out of the Fett costume to stand in John Morton portrays Fett in the same scene k There was no extensive casting for the Emperor Lucas chose Clive Revill to provide the character s voice preferring it from the options given to him while an older actress Marjorie Eaton physically portrayed the Emperor in test footage The footage proved unsatisfactory and special effects artist Rick Baker created a full mask that his wife Elaine wore Chimpanzee eyes were superimposed over her face cat eyes and assistant accountant Laura Crockett s were also considered 26 27 59 Pre production edit Pre production began in early 1978 Although Kershner wanted two years this phase only lasted a year 100 Scouts looked at areas in Northern Europe such as Finland Sweden and the Arctic Circle to portray Hoth The location needed to be free of trees and near populated areas for amenities 101 Kershner credited a Fox distribution employee with recommending Finse Norway Kurtz said it was Reynolds who had done so 101 For the bog planet Dagobah scouts looked at Central Africa Kenya and Scandinavia To avoid shooting on location Lucas funded the construction of a 1 250 000 cubic feet 35 000 m3 Star Wars stage at Elstree Studios London to create the Dagobah and rebel base sets Construction began at the end of August costing 2 million 41 102 At 3 5 million sets were the single biggest expense By December 1978 the budget had increased to 21 5 million more than double the original estimate 103 Financial projections for The Chapter II Company suggested it would run a monthly deficit of 5 25 million by the end of 1979 including over 2 million in production costs and 400 000 to fund ILM 85 As the start of filming in January 1979 loomed a fire on Elstree s Stage 3 where The Shining 1980 was being filmed destroyed the space planned for Empire s sets 65 104 The impact was significant costing essential space The production was forced to give up two stages so The Shining could continue filming Sixty four sets had to be moved through nine stages and the timeline had to be rescheduled Poor weather delayed construction of the Star Wars stage sets and necessary props 104 Location crew traveled to Finse by February 25 to receive flown in equipment containers and begin digging trenches for battle scenes 105 Music edit Main article The Empire Strikes Back soundtrack John Williams composed and conducted the musical score for The Empire Strikes Back performed by the London Symphony Orchestra at a cost of about 250 000 106 Williams began planning in November 1979 estimating Empire required 107 minutes of music 107 For two weeks across 18 three hour sessions just after Christmas Williams recorded the score at Anvil Studios and Abbey Road Studios London 108 Up to 104 musicians were involved at one time the instruments included oboes piccolos pianos and harps 109 Filming editCommencement in Norway edit nbsp Hardangerjokulen glacier pictured in 2007 It served as the exterior of the ice planet Hoth Principal photography began on March 5 1979 on the Hardangerjokulen glacier near Finse Norway depicting the planet Hoth l Initially scheduled to conclude on June 22 by the end of the first week it was obvious it would take longer and cost more 41 112 Filming the Hoth scenes on a set was considered but rejected as inauthentic The location filming coincided with the area s worst snowstorm in half a century impeding the production with blizzards 40 mile per hour 64 km h winds and temperatures around 26 F 32 C to 38 F 39 C m The weather cleared only twice some days filming could not take place 115 The frigid conditions made the acetate film brittle camera lenses iced over snow seeped into equipment and effects paint froze in their tins 17 116 To counter this lenses were kept cool but the camera body was warmed to protect the film battery and camera operators hands 117 The crew were outside for up to 11 hours subjected to thin air limited visibility and mild frostbite one crewman slipped and broke two ribs 118 The difficult conditions led to strong camaraderie among the crew 119 Avalanches blocked direct transport links and dug trenches quickly filled with snow Scenes could be prepared only a few hours in advance and many scenes were filmed just outside the crew s hotel as the shifting weather regularly altered the scenery 17 120 Although Fisher was not scheduled to film scenes in Norway she joined Hamill on location because she wanted to observe the process 87 Ford was not scheduled for the Finse phase but to compensate for the delays he was brought there instead of creating a separate set in a Leeds studio On a few hours notice he arrived in Finse having traveled the last 23 miles 37 km of the snow laden journey by snowplow 121 Production returned to England after a week though Hamill had an additional day of filming and the second unit remained through March to film explosions incidental footage and battle scenes featuring 35 mountain rescue skiers as extras The skiers work was compensated with a donation to the Norwegian Red Cross 122 To film the probe landing eight sticks of dynamite were placed on the glacier to explode at sunrise but the demolitions expert in charge knocked the battery out of his radio and received the message too late to capture the intended shot 123 The opening sweeping shot of the area was captured by flying a helicopter to 15 000 meters 49 000 ft and performing a controlled drop at a rate of 30 miles per hour 48 km h or 2 500 meters 8 200 ft a minute 124 Filming the shot was delayed four weeks to construct a heated shelter for the helicopter 125 The second unit scheduled to be in Finse for three weeks was there for eight 124 When the crew returned to London they had only half the planned footage including background plates for special effects shots that were uneven 17 114 126 Empire s budget increased to around 22 million because of the delays and having to rework scenes to compensate for the missing footage 127 Filming at Elstree Studios edit nbsp On set filming location Elstree Studios pictured 2009 in Hertfordshire EnglandFilming at Elstree began on March 13 127 Production remained behind schedule without Stage 3 which had been destroyed by fire The incomplete Star Wars stage lacked protection from the cold weather The crew had to work out of any available space 128 To save time some scenes were shot simultaneously including the ice cavern and medical bay 129 Kershner wanted each character to make a unique entrance in the film While filming Vader s entrance the snow troopers preceding Prowse tripped over the polystyrene ice and the stuntman behind him stood on his cape breaking it off causing Prowse to fall onto the snow troopers 130 The shoot was strenuous and mired in conflicts 17 131 Fisher suffered from influenza and bronchitis her weight dropped to 85 pounds 39 kg working 12 hour days and she collapsed on set from an allergic reaction to steam or spray paint She was also allergic to most makeup 132 Her overuse of hallucinogens and painkillers 133 and anxiety while performing her speech to the rebels worsened her situation 134 Stress and personal traumas led to frequent arguments among Hamill Fisher and Ford 17 135 Ford and Hamill fell ill or were injured at different times 136 Hamill was depressed by his isolation from human cast members acting mostly against puppets robots and actors whose voices would be dubbed over or added to his scenes later 137 138 He was to use an earpiece to hear Oz s dialogue but for various reasons this did not work and he struggled to form a relationship with the character The Dagobah set was liberally sprayed with mineral oil which caused him physical discomfort for long periods Hamill called it a physical ordeal the whole time but I don t really mind that 137 At one point Oz cheered Hamill up with a Miss Piggy routine Hamill recalled Ford giving him a kiss instead of reading his lines entertaining the crew 59 Mayhew fell ill while filming Han s torture room scene because the set used bursts of steam raising the ambient temperature to 90 F 32 C while he was wearing a wool suit 139 Bank of America representatives visited the set in late March concerned about rising costs 140 Lucas rarely visited the set but arrived on May 6 after realizing the production was over schedule and budget 41 An official Lucasfilm memo instructed staff to misstate the film s direct costs as 17 million 141 Kurtz and Lucas estimated it would cost 25 28 million to complete filming 127 141 Finances ran out by mid July when Bank of America refused to increase the loan 17 142 The crisis was kept from the crew including Kershner and tactics were used to delay its impact including paying staff biweekly instead of weekly and Lucas borrowing money from his merchandising company Black Falcon 142 Lucas worried he would have to sell Empire and its associated rights to Fox to sustain the project losing his creative freedom Fox was also threatening to buy out the bond and take over filming 127 142 With about 20 of Empire left to film Lucasfilm president Charles Weber arranged for Bank of Boston to refinance the loan to 31 million including 27 7 million from Bank of Boston and 3 million guaranteed by Fox in exchange for an increased percentage of the theatrical returns and 10 of merchandising profits Lucasfilm took out the loan making the company directly liable 17 127 143 The Star Wars stage was completed in early May It was too small to house the Rebel hangar and Dagobah sets and an extension had to be funded and built The producers mandated filming begin on the stage on May 18 regardless of its state 144 The hangar scene involved 77 rebel extras costing 2 000 per day 145 Around 50 short tons 45 long tons of dendritic salt mixed with magnesium sulfate for a sparkle effect were used for the snowy sets the combination gave the cast and crew headaches 146 Second unit director John Barry died suddenly in early June Harley Cokeliss replaced him a week later 65 147 148 The typical purpose of the second unit was to film time consuming tasks for special effects but they were involved in filming main scenes including Luke s ice cave imprisonment because the schedule had overrun by around 26 days 149 Hamill was unavailable for several days after injuring his hand during a stunt jump from a speeder bike Having been called in for the stunt the same day his son was born exhausted and aggravated by the salt laden setting Hamill angrily rebuffed Kurtz for not using a double for the scene 150 Kershner s hands on directing style acting out how he should perform a scene agitated Hamill Kershner was frustrated that Hamill was not following his advice 151 The life size hangar set was dismantled in mid June to allow the construction of other sets around the full scale Falcon These scenes had to be filmed efficiently so the Falcon could be dismantled to make way for the Dagobah set 152 Filming began on the carbon chamber scene in late June while the second unit filmed anything they could 153 The raised set was largely incomplete and low lighting and steam were used to conceal any obvious flaws The fog machines and heat from the steam made many cast and crew members sick it took approximately three weeks to film 154 The confession of love between Leia and Han was scripted with both of them admitting their feelings for the other Kershner felt this was too sappy He had Ford improvise lines repeatedly until Ford said he would do only one more take He responded to Leia s confession of love saying I know 17 By the end of the month cast and crew morale was low 155 The duel Dagobah and conclusion edit nbsp nbsp Left to right David Prowse pictured in 2007 and James Earl Jones 2013 To avoid Darth Vader s confession being leaked publicly Vader actor Prowse was given different lines to speak which were dubbed over by Jones Hamill returned in early July to film his climactic battle against Darth Vader portrayed by stunt double Bob Anderson who said the experience was like fighting blindfolded because of the costume Hamill spent weeks practicing his fencing routine eventually growing frustrated and refusing to continue 156 The next scene where Vader confesses he is Luke s father was shrouded in secrecy Prowse was given the line Obi Wan Kenobi is your father to read because he was known for repeatedly leaking information 17 Only Kershner the producers and Hamill knew the actual line 17 157 Hamill was positioned on a platform suspended 35 feet 11 m above a pile of mattresses 17 The filmed footage was damaged and the scene had to be entirely reshot in early August 158 The Vader confrontation took eight weeks to film Hamill insisted on doing as many of his stunts as possible though the insurers refused to allow him to perform a 15 foot 4 6 m fall out of a window He fell from a nine inch ledge 40 feet 12 m high but rolled on landing to avoid injury 137 Lucas returned to the set on July 15 staying for the rest of the filming 142 He rewrote Luke s scenes on Dagobah removing or trimming them so they could be shot in just over two weeks 159 Most of the cast completed filming by the start of August including Ford Fisher Williams Mayhew and Daniels 160 Hamill began filming on the Dagobah set against Yoda They only had 12 days to film because Oz was scheduled for another project 161 With the film now over 50 days behind schedule Kurtz was removed from his role and replaced by Kazanjian and associate producer Robert Watts 162 One of the last scenes shot was of Luke exploring the dark side tree on Dagobah A wrap party was held on the set to mark the official conclusion of filming on September 5 1979 after 133 days Guinness filmed his scenes against a blue screen the same day 163 164 Kershner and the second unit continued filming other scenes including Luke s X Wing being raised from the swamp 163 Kershner left the set on September 9 and Hamill finished 103 days of filming two days later 127 165 The second unit finished filming on September 24 with Hamill s stunt double 166 167 There was approximately 400 000 feet 120 000 m of film or 80 hours of footage 168 The final budget was 30 5 million 169 n Kurtz blamed inflation which had increased resource cast and crew costs significantly 170 Lucas blamed Kurtz for lack of oversight and poor financial planning 17 171 Watts said Kurtz was not good with people and never developed a working relationship with Kershner making it difficult for him to temper the director s indulgences 172 Kurtz had also given Kershner more leeway because of the delays caused by the Stage 3 fire 141 Kershner s slower work pace had frustrated Lucas 17 173 He described his filming style as frugal performing two or three takes with little coverage film that could later compensate for mistakes Watts and Reynolds said Kershner often looked at new ways of doing things but this required planning that only delayed things further 136 Kershner had tried replicating the quick pacing of Star Wars not lingering on any scene for too long and encouraged improvisation modifying scenes and dialogue to focus more on characters emotions such as C 3PO interrupting Han and Leia as they are about to kiss 17 174 175 Kazanjian said many mistakes were made but blamed Weber Lucasfilm vice president John Moohr and primarily Kurtz 176 Actor John Morton called Kurtz an unsung hero who brought his experience of filming war to the film 177 Post production edit The schedule overrun resulted in filming and post production taking place simultaneously filmed footage was shipped immediately to ILM to begin effects work 178 A rough cut was put together by mid October 1979 resembling the finished film minus special effects 179 Lucas provided 31 pages of notes about changes he wanted mainly alterations in dialogue and scene lengths 180 Jones recorded Vader s dialogue in late 1979 early 1980 181 In early 1980 Lucas changed the long planned opening of Luke riding his tauntaun to a shot of the Star Destroyer launching probes He continued tweaking elements to improve the special effects but even with ILM staff working up to 24 hours a day six days a week there was not enough time to do everything they wanted 182 A Dagobah pick up scene in which R2 D2 is spat out by a monster was filmed in Lucas s swimming pool 183 the Emperor s scenes were filmed in February 1980 27 Fox executives did not see a cut of the film until March 184 That month Lucas decided he wanted an additional Hoth scene and auditioned 50 ILM crew to appear as Rebels 27 The final 124 minute cut was completed on April 16 which triggered a 10 million payment from Fox to Bank of Boston 184 185 186 Lucasfilm also launched an employee bonus scheme to share Empire s profits with its staff 187 Test screenings were held in San Francisco on April 19 While the tauntaun special effect was criticized audiences liked Han s reply of I know to Leia s confession of love Lucas was unimpressed by the scene believing it was not how Han would act 17 188 Because the magnetic soundtrack could flake from the film reels Kurtz hired people to watch the film reels 24 hours a day to identify defects 22 were defective 169 Shortly after the film s theatrical release Lucas decided the ending was unclear about where Luke and Leia were in relation to Lando and Chewbacca In the three week window between its limited and wider release Lucas Johnston and visual effects artist Ken Ralston filmed enhancement scenes at ILM using existing footage a new score modified dialogue and new miniatures to create establishing shots of the Rebel fleet and their relative positions 189 By the project s conclusion around 700 people had worked on Empire 190 Special effects and design editMain article Special effects of The Empire Strikes Back Lucas s firm Industrial Light amp Magic developed the special effects for The Empire Strikes Back at a cost of 8 million including staffing and the construction of the company s new facility in Marin County 169 The building was still under construction when staff arrived in September 1978 and initially lacked the equipment that would be necessary to complete their work 111 114 191 Compared to the 360 special effects shots for Star Wars Empire required around 600 192 The crew supervised by Richard Edlund and Brian Johnson included Dennis Muren Bruce Nicholson Lorne Peterson Steve Gawley Phil Tippett 111 Tom St Amand 193 and Nilo Rodis Jamero 191 Up to 100 people worked on the project daily including Stuart Freeborn who was responsible mainly for crafting the Yoda puppet 57 194 Various techniques including miniatures matte paintings stop motion articulated models and full size vehicles were used to create Empire s various effects 65 135 195 Release editContext edit See also 1980 in film nbsp Mark Hamill promoting the film in 1980Industry professionals expected comedies and positive entertainment to dominate theaters in 1980 because of low morale in the United States caused by an economic recession This generally increased theatrical visits as audiences sought escapism and ignored romantic films and depictions of blue collar life 196 197 A surge of interest in science fiction following Star Wars led to many low budget entries in the genre attempting to profit by association and big budget entries such as Star Trek The Motion Picture and The Black Hole both released just months before The Empire Strikes Back 41 Sequels were not expected to perform as well as their originals and there were low expectations for merchandising 198 Even so tie in deals were arranged with Coca Cola Nestle General Mills and Topps collectibles 199 Fox was confident in the film and spent little money on advertising taking out small advertisements in newspapers instead of full page spreads 185 The studio s market research showed 60 of those interested in the film were male 200 Lucasfilm set up a telephone number allowing callers to hear a message from cast members 201 Fox demanded a minimum 28 week appearance in theaters where 12 weeks was the norm for major films 187 Estimates suggested Empire needed to earn 57 2 million to be profitable after marketing distribution and loan interest costs 202 Credits and title edit As with Star Wars Lucas wanted to place all of the crew credits at the end of the film to avoid interfering with the opening The Writers Guild of America WGA and Directors Guild of America DGA had allowed this for the first film because Lucas directed and it opened with the logo for his namesake Lucasfilm but for Empire they refused to allow Kershner or the first and second unit directors to be credited only at the end fined Lucas 250 000 when he ignored them and tried to have the film removed from theaters 174 Because Lucas had followed the laws relevant to the United Kingdom where it was produced the DGA was unable to sanction him and instead fined Kershner 25 000 200 Lucas paid his fine but was so frustrated that he left the WGA DGA and Motion Picture Association which restricted his ability to write and direct future films 174 203 The Hollywood Reporter leaked the film s title in January 1978 it was officially announced in August 204 The opening crawl identified the film as Star Wars Episode V The Empire Strikes Back establishing Lucas s plan to make a nine part Star Wars series Star Wars was also renamed Episode IV A New Hope 205 206 Roger Kastel designed the theatrical poster 207 Box office edit nbsp The North American premiere of The Empire Strikes Back took place at the John F Kennedy Center for the Performing Arts pictured in 2010 The Empire Strikes Back debuted at the Dominion Theatre London on May 6 1980 208 followed by a premiere on May 17 at the Kennedy Center in Washington D C This event featured the principal cast 600 children including Special Olympians attended 209 208 Its world premiere took place on May 20 at the Odeon Leicester Square London Dubbed Empire Day the event included actors in Stormtrooper attire interacting with people across the city 210 211 208 In North America Empire opened in mid week on May 21 leading into the extended Memorial Day holiday weekend 212 The number of theaters was deliberately limited to 126 theaters to make it difficult to get a ticket thus generating more appeal a strategy used with films expected to receive positive word of mouth 185 It earned 1 3 million during its opening day an average of 10 581 per theater 213 Empire earned a further 4 9 million during the weekend and 1 5 million during the holiday Monday for a total of 6 4 million an average of 50 919 per theater making it the number one film of the weekend ahead of the counterprogrammed debuts of the comedy The Gong Show Movie 1 5 million and The Shining 600K 212 214 215 By the end of its first week the film had earned 9 6 million a 60 increase over Star Wars averaging 76 201 per theater the highest ever figure for a film in over 100 theaters 185 216 217 It remained number one until its fourth weekend when it fell to third with 3 6 million behind spoof comedy Wholly Moses 3 62 million and western Bronco Billy 3 7 million 213 218 It regained the number one position in its fifth weekend expanding its theater count to 823 and earning 10 8 million 213 219 Combined with its weekday gross Empire earned a single week gross of approximately 20 million a box office record the film would hold until Superman II s 24 million the following year 220 221 222 It remained number one for the next seven weeks before falling to number two in its thirteenth week with 4 3 million behind the debuting Smokey and the Bandit II 10 9 million Detailed box office tracking is unavailable for the rest of Empire s 32 week 1 278 theater total run 213 223 Empire earned approximately 181 4 209 4 million making it the highest grossing film of the year ahead of the comedy films 9 to 5 103 3 million Stir Crazy 101 3 million and Airplane 83 5 million 196 224 225 Although it earned less than the 221 3 million of Star Wars Empire was considered a financial success and industry experts estimated the film returned 120 million to the filmmakers 173 196 225 recouping Lucas s investment and clearing his debt 226 he also paid out 5 million in employee bonuses 174 Box office figures are unavailable for all the releases outside of North America in 1980 although The New York Times reported the film performed well in the United Kingdom and Japan According to Variety Empire earned approximately 192 1 million giving the film a cumulative worldwide gross of 401 5 million making it the highest grossing film of the year 1 2 3 o Empire did not receive the same repeat business as Star Wars which Lucas blamed on its inconclusive ending 173 227 Empire has received multiple theatrical re releases including in July 1981 26 8 million November 1982 14 5 million and Special Edition versions modified by Lucas in February 1997 67 6 million 228 Cumulatively these releases have raised the North American box office gross to 290 3 292 4 million p It is estimated to have earned a worldwide total of 538 4 549 million 4 5 Adjusted for inflation the North American box office is equivalent to 920 8 million making it the thirteenth highest grossing film ever 230 Reception editCritical response edit Upon its initial release The Empire Strikes Back received mixed reviews compared to the positive reception of Star Wars 173 231 232 The film appeared fourth most on 24 critics top ten films of the year lists 233 Fan reactions were decidedly mixed concerned by the change in tone and narrative reveals particularly Leia s love for Han over Luke and his relationship with Vader 234 235 Some critics believed The Empire Strikes Back was a good film but not as enjoyable as Star Wars 236 237 238 They believed the tonal shift featuring darker material and more mature story lines detracted from the charm fun and comic silliness of the original 236 238 239 The Wall Street Journal s Joy Gould Boyum believed it was absurd to add dramatic weight to the lighthearted Star Wars stripping it of its innocence Writing for The Washington Post Gary Arnold found the darker undercurrents and greater narrative scale interesting because it created more dramatic threads to explore 240 238 The New Yorker s David Denby argued it was more spectacular than the original but lacked its camp style 239 The Hollywood Reporter s Arthur Knight believed the novelty of the original and plethora of space opera films produced since made Empire seem derivative even so he called it the best in the genre since Star Wars 237 240 Writing for Time Gerald Clarke believed Empire surpassed Star Wars in several ways including being more visually and artistically interesting 241 The New York Times s Vincent Canby called it a more mechanical less suspenseful experience 236 Writing for the Los Angeles Times Charles Champlin said the inconclusive ending cleverly completed the narrative while serving as a cliffhanger but Clarke called it a not very satisfying conclusion 242 243 Canby and the Chicago Reader s Dave Kehr believed as the middle film it should have focused on narrative development instead of exposition but found little progression between the film s beginning and end 236 244 238 The Washington Post s Judith Martin labeled it a good junk film enjoyable but fleeting because it lacked a stand alone narrative 245 Knight and Clarke found the story sometimes difficult to follow Knight because the third act jumped between separate storylines and Clarke because he missed important information in the fast paced plot 237 243 Kehr and Sight amp Sound s Richard Combs wrote that characterization seemed to be less important than special effects visual spectacle and action set pieces that accomplished little narratively 244 246 Reviews were mixed for the central cast 238 242 244 Knight wrote Kershner s direction made the characters more human with fewer archetypes 237 Hamill Fisher and Ford received some praise with Champlin calling Hamill youthfully innocent and engaging and Fisher independent 237 242 247 Arnold described the character progression as less development and more finesse with little change taking place 240 and Kehr felt the characters were stiffer without Lucas s direction 244 Knight called Guinness s performance half hearted 237 and Janet Maslin criticized Lando Calrissian the only major black character in the film as exaggeratedly unctuous untrustworthy and loaded with jive 248 The Chicago Tribune s Gene Siskel said the non human characters including the robots and Chewbacca remained the most lovable creatures with Yoda the film s highlight 249 Knight Gould Boyum and Arnold thought Yoda to be incredibly lifelike Arnold considered his expressions so realistic that they believed an actor s face had been composited onto the puppet 237 238 240 Canby called the human cast bland and nondescript and said even the robot characters offered diminishing enjoyment but Yoda was a success when used sparingly 236 Although Arnold praised Kershner s direction others believed that Lucas s oversight was obvious and Empire lacked Kershner s established directorial sensibilities Denby described his work as impersonal and Canby believed it was impossible to identify what Kershner had contributed 236 239 240 Combs believed Kershner was an ill advised director because he emphasized the characters but the result was common tropes at the expense of the comic strip pace of Star Wars 246 Cinematographer Peter Suschitzky s work was praised for its visuals and bold color choices 237 240 The special effects were lauded as breathtaking 238 ingenious 237 and visually dazzling 240 Jim Harwood wrote they were let down only by the competence of those in the original which were emulated by other films 247 Champlin appreciated that effects were used to enhance scenes instead of being the focus 242 Accolades edit nbsp Composer John Williams pictured in 2006 won two Grammy Awards for his score to The Empire Strikes Back in addition to nominations for Academy Golden Globe and BAFTA awards At the 1981 Academy Awards The Empire Strikes Back won the award for Best Sound Bill Varney Steve Maslow Gregg Landaker and Peter Sutton and a Special Achievement Academy Award for Best Visual Effects Johnson Edlund Muren and Nicholson The film received a further two nominations Best Art Direction Reynolds Leslie Dilley Harry Lange Alan Tomkins and Michael Ford and Best Original Score John Williams 250 For the 39th Golden Globe Awards Williams earned the film s sole nomination for Best Original Score 251 He won two Grammy Awards for Best Instrumental Composition and Best Score Soundtrack for Visual Media 252 The 34th British Academy Film Awards earned the film one award for Best Music Williams and two additional nominations Best Sound Sutton Varney and Ben Burtt and Best Production Design Reynolds 253 At the 8th Saturn Awards Empire received four awards Best Science Fiction Film Best Director Kershner Best Actor Hamill and Best Special Effects Johnson and Edlund 254 The film also won a Hugo Award for Best Dramatic Presentation and a People s Choice Award for Favorite Motion Picture 255 256 Post release editSpecial Edition and other changes edit Main articles Changes in Star Wars re releases and The People vs George Lucas Coinciding with Lucas s plans to develop a prequel trilogy of films in the late 1990s he remastered and rereleased his original trilogy including Empire under the title Star Wars Trilogy Special Edition to test special effects This included altering or adding new scenes some of which tied into the prequel films Lucas described it as bringing the trilogy closer to his original vision with modern technology Among the alterations full shots of the wampa were introduced along with computer generated imagery shots of locations with added buildings or people 257 These editions were well received by critics Roger Ebert called Empire the best and heart of the original trilogy 258 259 260 Since their initial release the Special Editions have been altered multiple times For the 2004 rerelease the Clive Revill Elaine Baker Emperor was replaced by Ian McDiarmid who had performed the role since Return of the Jedi 1983 257 Temuera Morrison who portrayed Fett s clone predecessor in Star Wars Episode II Attack of the Clones 2002 also dubbed over Wingreen s lines 99 Minor changes were made for the 2011 Blu ray release including adding flames to the probe droid s impact crater and color modifications 261 262 The Special Edition releases were controversial with fans who considered the changes to the original films unnecessary or to have altered them substantially 257 263 The unaltered versions have been commercially unavailable since a 2006 DVD release which used unrestored footage from an early 1990s Laserdisc release Harmy s Despecialized Edition is an unofficial fan effort to preserve the unaltered films 264 265 The 2010 documentary The People vs George Lucas documents the relationship between the films their fans and Lucas 266 Home media edit Empire was released on VHS Video Home System Laserdisc and CED videodisc formats in 1985 The VHS and Laserdisc versions received various releases in the following years often alongside the other original trilogy films in collections with minor alterations such as widescreen formats or remastered sound The 1992 Special Collector s Edition included the documentary From Star Wars to Jedi The Making of a Saga In 1997 the Special Edition of the original trilogy was released on VHS 267 268 When the film debuted on television in November 1987 it was preceded by a second person introduction by Darth Vader framed as an interruption of the Earth broadcast by the Galactic Empire 269 270 The film was released on DVD in 2004 collected with Star Wars and Return of the Jedi with additional alterations to each film The release included the documentary Empire of Dreams The Story of the Star Wars Trilogy about the making of the original trilogy 271 Lucas said the modified versions were the way he had wanted them to be and he had no interest in restoring the original theatrical cuts for release Public demand eventually led to the release of the 2006 Limited Edition DVD collection that included the original unmodified films transferred from the 1993 Laserdisc Definitive Edition creating problems with the image display 267 Empire was released on Blu ray in 2011 as part of a collection containing the Special Edition original trilogy and a separate version containing the original and prequel trilogies alongside featurettes about the making of the films 261 272 273 Empire alongside the other available films was first released digitally in 2015 across various platforms and in 4K resolution restored from the 1997 special edition print for its 2019 launch on Disney 274 275 In 2020 a 27 disc Skywalker Saga box set was released containing the nine films in the series with each film on three discs a Blu ray version a 4K Ultra HD Blu ray and special features found on the 2011 release 276 Other media edit See also Star Wars franchise and List of Star Wars video games Merchandise for The Empire Strikes Back includes posters children s books clothing character busts and statues action figures furnishings and Lego sets 277 278 279 280 The novelization of the film written by Donald F Glut and released in April 1980 was a success selling 2 3 million copies 281 282 A Star Wars comic book series launched in 1977 by Marvel Comics and written by Archie Goodwin and Carmine Infantino adapted the original trilogy of films Empire s run began in 1980 283 284 The book The Making of the Empire Strikes Back 2010 by J W Rinzler provides a comprehensive history of the film s production including behind the scenes photos and cast interviews 280 285 The film was the first in the series to be adapted for video games beginning with Star Wars The Empire Strikes Back 1982 developed by Parker Brothers for the Atari 2600 games console 286 287 This was followed in 1985 by the Star Wars The Empire Strikes Back arcade game 288 Star Wars Trilogy Arcade 1998 features the Hoth battle as a level 288 Star Wars The Empire Strikes Back was released in 1992 for the Nintendo Entertainment System and Game Boy and Super Star Wars The Empire Strikes Back followed in 1993 for the Super Nintendo Entertainment System 287 Scenes from Empire have also appeared in games like Star Wars Rogue Squadron 1998 and Star Wars Battlefront Renegade Squadron 2007 287 289 The Empire Strikes Back pinball machine 1980 was the first officially licensed Star Wars pinball machine It became a collector s item as only 350 machines were produced exclusively in Australia 288 Thematic analysis editSee also Star Wars sources and analogues Mythology and inspirations edit Critical analysis has suggested various inspirations for Empire particularly the early 1930s Flash Gordon serials that include a cloud city similar to Bespin Film critic Tim Robey wrote that much of Empire s imagery and narrative can be connected to the 1975 film Dersu Uzala directed by Akira Kurosawa whose work inspired Lucas 290 291 Muren described the Empire s assault on Hoth with AT AT vehicles as an analogy for the Vietnam War specifically an invading military employing equipment inappropriate for the local terrain 292 Clarke identified Luke as the heir to mythological heroes such as Prometheus Jason and Galahad He is guided initially by a traditional aide Obi Wan who offers the promise of destiny until he is replaced by Yoda 293 Anne Lancashire wrote that the Yoda narrative is a traditional mythological tale in which the hero is trained by a wise old master and must abandon all his preconceived notions 294 Clarke described Luke s journey as the hero who ventures into the unknown to be tested by his own dark impulses but eventually overcomes them He believed this represented the human ability to control irrational impulsiveness to serve love order and justice 293 Lucas wanted Yoda to be a traditional fairy tale or mythological character akin to a frog or an unassuming old man to instill a message about respecting everyone and not judging on appearance alone because he believed that would lead the hero to succeed 295 The New York Observer s Brandon Katz described Yoda as deepening the Force through philosophy Yoda says they are all luminous beings beyond just flesh and matter and presents the Jedi as Zen warriors who work in harmony with the Force Kasdan described them as enlightened warrior priests similar to Samurai 281 295 Religion edit In developing the Force Lucas said he wanted it to represent the core essence of multiple religions unified by their common traits Primarily he designed it with the intent that there is good evil and a god Lucas s personal faith includes a belief in God and basic morality such as treating others fairly and not taking another s life The Presbyterian Journal described the film s religious message as closer to Eastern religions such as Zoroastrianism or Buddhism than Judeo Christian presenting good and evil as abstract concepts Similarly God or the Force is an impersonal entity taking no direct action Christianity Today said that the film s drama is caused by the absence of a righteous god or being creating a direct influence 281 Lancashire and J W Rinzler described Luke s journey as based purely on Christianity focused on destiny and free will with Luke serving as a Christ like figure and Vader as a fallen angel attempting to lure him toward evil 296 281 Kershner said any religious symbolism was unintentional as he wanted to focus on the power of an individual s untapped potential instead of magic 281 Duality and evil edit Anne Lancashire contrasted the first Star Wars film s message of idealism heroics and friendship with the more complex tone of Empire 297 The latter challenges the former s notions primarily because Luke loses his innocence in coming to perceive people as neither entirely good nor evil 298 299 The scene in which Luke enters the dark side cave on Dagobah represents where his anger will lead him and forces him to move beyond his belief that he is completely on the light side of the Force 293 294 Kershner said the cave tests Luke against his greatest fear but because the fear is in his mind and he brought his weapon with him it creates a scenario where he is forced to use it 300 After defeating the avatar of Vader the mask splits open to reveal Luke s face suggesting he will succumb to the temptations of the dark side unless he learns patience and to abandon his anger 301 The darkness is similarly presented in Han a self interested smuggler struggling with his growing feelings for Leia and the responsibility associated with her cause The film represents his two sides in Leia and Lando a representative of his smuggler life 302 Empire questions the cost of friendship Where Star Wars presents traditional friendship Empire presents friendship as requiring sacrifice Han sacrifices himself in the frigid cold of Hoth to save Luke s life 298 303 Similarly Luke abandons his Jedi training something he has longed for to rescue his friends This can be seen as a selfish choice as he does so against Yoda and Obi Wan s instructions potentially sacrificing himself for his friends instead of training to defeat the Empire a cause his friends support 298 303 According to Lancashire characters are shown to be heroic through sacrificing for others instead of fighting battles 304 Lancashire believed that Luke s impatience to leave for Bespin exemplifies his lack of growth from his training 301 There Vader tempts him with the power of the dark side and the revelation that he is Luke s father 281 293 Vader wants Luke s help to destroy the Emperor not for good but so that Vader can impose his own order over the galaxy 281 This admission robs Luke of the idealized image of his Jedi father reveals Obi Wan s deception in hiding his parentage and takes the last of his innocence 298 305 306 Gerald Clarke suggests Luke is not strong or virtuous enough to resist Vader during this confrontation and so allows himself to fall into the airshaft below showing the antagonist does sometimes win 293 298 The concept of a character having a good father and an evil father is a common story trope because of its simple representations of good and evil 281 At the film s finale Luke has a greater understanding of the relationship between good and evil and the dual nature of people 307 Legacy editCritical reassessment edit The Empire Strikes Back remains an enduringly popular piece of cinema 177 It is considered groundbreaking for its cliffhanger ending influence on mainstream films and special effects q For CNN Brian Lowry wrote that without the groundwork laid by one of the best sequels ever the Star Wars franchise wouldn t be the force that it is now 312 Despite the film s initial mixed reception it has since been reevaluated by critics and fans and is now often considered the best film in the Star Wars series and one of the greatest films ever made r The Hollywood Reporter s entertainment industry voted ranking in 2014 recognized it as the 32nd best film of all time behind Star Wars at 11 calling it a Shakespearean tragedy with a daringly dark ending that few films would replicate 323 Empire magazine named it the third best film of all time stating the modern cliche of sequels using a darker tone can be traced back to Empire 315 A 1997 retrospective review by Ebert praised the film as the best of the original trilogy describing its ability to create a sense of wonder in the audience using story beats that are core to the concept of storytelling 324 and it is included in the 2003 film reference book 1001 Movies You Must See Before You Die 325 A 2014 vote by 250 000 Business Insider readers listed it as the greatest film ever made 326 The reveal that Vader is Luke s father continued to be seen as one of the greatest plot twists in cinema s Similarly Han saying I know in response to Leia s love confession is considered one of the most iconic scenes in the Star Wars films and one of the more famous lines of improvised dialogue in cinema t Empire magazine selected it as the sixth greatest movie sequel lauding the bold unresolved ending and willingness not to follow the same formula as the first film 338 Den of Geek called it the second best sequel after Aliens 1986 and Lucas s masterpiece and Playboy named it the third best describing the reveal of the relationship between Luke and Vader as the emotional core that has elevated Star Wars to the pantheon of timeless modern sagas 313 314 The BBC 339 and Collider listed it as one of the best sequels ever made 340 Time and Playboy described it as a sequel that surpasses the original 314 341 Review aggregator Rotten Tomatoes recognizes it as the 27th best sequel based on review scores 342 Rolling Stone s reader voted list of the best sequels lists Empire at third 343 Rotten Tomatoes offers a 94 approval rating from the aggregated reviews of 109 critics with an average score of 8 9 10 The website s critical consensus reads Dark sinister but ultimately even more involving than A New Hope The Empire Strikes Back defies viewer expectations and takes the series to heightened emotional levels 344 The film has a score of 82 out of 100 on Metacritic based on the reviews of 25 critics indicating universal acclaim 345 Characters introduced in the film such as Yoda and Lando Calrissian are now considered iconic u The American Film Institute listed Vader s appearance in the film as the third best on its 2003 list of the 100 Best Heroes amp Villains after Norman Bates and Hannibal Lecter 351 Cultural impact edit See also Cultural impact of Star Wars The Empire Strikes Back was ubiquitous in places such as the United States and the United Kingdom on its release 226 It was referenced in political cartoons and events such as Empire Day Freddie Mercury ended a 1980 Queen concert by riding on the shoulders of someone dressed as Darth Vader 210 352 353 Kershner described receiving letters from fans around the world asking for autographs and psychologists who used Yoda to explain philosophical ideas to their patients 332 Other films television and video games have extensively referenced or parodied the film 354 355 including the Marvel Cinematic Universe MCU 356 Spaceballs The Muppet Show American Dad South Park 354 The Simpsons 357 Family Guy and Robot Chicken 358 In 2010 the United States Library of Congress selected The Empire Strikes Back to be preserved in the National Film Registry for being culturally historically or aesthetically significant 359 360 Landon Palmer Eric Diaz and Darren Mooney argue that Empire and not Star Wars embedded the concept of the modern blockbuster film franchise and sequels serving as a chapter in an infinitely expanding narrative creating a template that was emulated over the following decades This defied the contemporary popular trend of exploiting a popular film by creating low budget sequels to diminishing returns as in the Jaws franchise 361 362 363 Instead more was spent on Empire to expand the fictional universe and reap greater box office returns The cliffhanger ending setting up a future sequel is seen in many modern films particularly those in the MCU 361 It has also been suggested that Empire forged a narrative structure that continues to be emulated in trilogies where the middle film will be darker than the original and typically feature an ending in which the protagonists fail to defeat the antagonists leading into a subsequent film Emmet Asher Perrin and Ben Sherlock cite the series Back to the Future The Matrix The Lord of the Rings and Pirates of the Caribbean as examples 364 365 Filmmakers such as the Russo brothers Roland Emmerich and Kevin Feige cite it as an inspiration in their careers or identify as fans 366 367 368 Sequels prequels and adaptations editMain articles Return of the Jedi Star Wars prequel trilogy and Star Wars sequel trilogy The film was adapted into a 1982 radio play broadcast on National Public Radio in the U S 369 The Empire Strikes Back was followed by Return of the Jedi in 1983 concluding the original film trilogy Jedi s plot follows the Rebel assault on the Empire and Luke s final confrontation with Vader and the Emperor Like the previous films Jedi was a financial success and fared well with critics 370 371 Nearly two decades after the release of Empire Lucas wrote and directed the prequel trilogy consisting of The Phantom Menace 1999 Star Wars Episode II Attack of the Clones 2002 and Revenge of the Sith 2005 The films chronicle the history between Obi Wan Kenobi and Anakin Skywalker and the latter s fall to the dark side and transformation into Darth Vader The prequel trilogy polarized critics and fans on their release for the storylines and certain new characters v After Lucas sold the Star Wars franchise to The Walt Disney Company in 2012 Disney developed a sequel trilogy consisting of The Force Awakens 2015 The Last Jedi 2017 and The Rise of Skywalker 2019 w Original trilogy cast including Ford Hamill and Fisher reprised their roles alongside new characters portrayed by Daisy Ridley John Boyega Adam Driver and Oscar Isaac 381 Standalone films and television series have also been released exploring adventures set around the main trilogy arcs x Notes edit This figure represents the cumulative total accounting for the initial worldwide 1980 gross of 401 5 million and subsequent releases thereafter 1 2 3 4 5 Later titled Star Wars Episode IV A New Hope As depicted in Star Wars also known as Episode IV A New Hope 1977 As depicted in Return of the Jedi 1983 Marjorie Eaton was filmed as the Emperor in February 1980 but her screen test was rejected She was replaced by Elaine Baker in makeup with the voice provided by Clive Revill 27 Attributed to multiple references 31 32 33 34 Attributed to multiple references 40 17 37 41 Attributed to multiple references 41 17 42 43 Attributed to multiple references 17 35 60 61 Attributed to multiple references 64 35 65 67 Attributed to multiple references 99 19 28 21 Attributed to multiple references 110 88 41 111 Attributed to multiple references 88 113 114 17 41 The 1980 budget of 30 5 million is equivalent to 108 million in 2022 The 1980 worldwide box office gross of 401 5 million is equivalent to 1 43 billion in 2022 Attributed to multiple references 228 229 4 5 Attributed to multiple references 308 309 310 311 Attributed to multiple references 313 314 315 316 317 318 177 319 320 321 67 322 Attributed to multiple references 327 318 328 319 329 330 331 308 332 Attributed to multiple references 333 334 335 336 337 318 Attributed to multiple references 346 347 295 348 349 350 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