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Ming (typefaces)

Ming or Song is a category of typefaces used to display Chinese characters, which are used in the Chinese, Japanese and Korean languages. They are currently the most common style of type in print for Chinese and Japanese. For Japanese text, they are commonly called Mincho typefaces.

Ming
Chinese name
Traditional Chinese明體
Simplified Chinese明体
Literal meaningMing typeface
Transcriptions
Standard Mandarin
Hanyu Pinyinmíng tǐ
Bopomofoㄇㄧㄥˊ ㄊㄧˇ
Wade–Gilesming2 ti3
Yue: Cantonese
Jyutpingming4 tai2
Southern Min
Tâi-lôbîng-thé
Song
Traditional Chinese宋體
Simplified Chinese宋体
Literal meaningSong typeface
Transcriptions
Standard Mandarin
Hanyu Pinyinsòng tǐ
Bopomofoㄙㄨㄥˋ ㄊㄧˇ
Wade–Gilessung4 t‘i3
Yue: Cantonese
Jyutpingsung3 tai2
Korean name
Hangul명조체
Hanja明朝體
Transcriptions
Revised RomanizationMyeongjoche
Japanese name
Kanji明朝体
Kanaみんちょうたい
Transcriptions
RomanizationMinchōtai
A page from a Ming dynasty edition of the Book of Qi

Name edit

The names Song (or Sung) and Ming correspond to the Song dynasty when a distinctive printed style of regular script was developed, and the Ming dynasty during which that style developed into the Ming typeface style.[1] In Mainland China, the most common name is Song (the Mainland Chinese standardized Ming typeface in Microsoft Windows being named SimSun). In Hong Kong, Taiwan, Japan and Korea, Ming is prevalent. In Hong Kong and Taiwan, "Song typeface" (宋体) has been traditionally used, but "Ming typeface" (明體) has gained popularity since the advent of desktop publishing (the Traditional Chinese standardized Ming typeface in Microsoft Windows being named MingLiU). Some type foundries[2] use "Song" to refer to this style of typeface that follows a standard such as the Standard Form of National Characters, and "Ming" to refer to typefaces that resemble forms found in the Kangxi Dictionary.

Characteristics edit

Characteristics of Ming typefaces include the following:

  • The basic structure of regular script
  • Thick vertical strokes contrasted with thin horizontal strokes
  • Triangles at the end of single horizontal strokes, called uroko (, literally "fish scales") in Japanese, comparable to serifs. These are a print analog of the slight dot caused by pausing one's brush (dùn ), the "pause technique", used to reinforce the beginning or ending of a stroke, which is characteristic of regular script.
  • Overall geometrical regularity

Possessing variable line weight and characteristic decorations at the end of lines similar to serifs, this type style is comparable to Western serif typefaces, as opposed to East Asian gothic typefaces which are comparable to Western sans-serif.

Variations edit

Often there are different ways to write the same Chinese character; these are collectively referred to as variant Chinese characters. Some of the differences are caused by character simplification, while others are purely orthographic differences such as stroke styling. The styling of the strokes used in old Ming typefaces came from the style used in the Kangxi Dictionary.[citation needed]

In mainland China, the modern standardized character forms are specified in the List of Commonly Used Characters in Modern Chinese. Some characters in the list differ from the Kangxi forms solely because they are Simplified while others differ because they use a different variant or orthography.

In Taiwan, the Standard Form of National Characters specifies the modern standardized forms. Unlike the mainland standard, the Taiwan standard uses mostly preexisting character forms but reference back to the style of regular script and reform Ming typefaces based on regular script style extensively, which had attracted criticism from many peoples.[3][4]

After the postwar kanji reforms in Japan, most of the Kangxi style characters were called kyūjitai (old style), while the reformed characters were called shinjitai, causing newer dictionaries to either incorporate both styles or omit the Kangxi styles. In Korea, most typefaces use the Kangxi forms.

There are differences between print and script forms of many Chinese characters, just as there are differences between copperplate and most people's handwriting. Some of these differences are persistent and specific to a style, but others may be no more significant than variations between individual typefaces. None of these variations usually hinder reading.

History edit

China edit

The printing industry from the Tang dynasty reached an apex in the Song dynasty,[1] during which there were three major areas of production:

When Song lost control of northern China to the Jin (金) dynasty, its capital was moved to Lin'an (modern Hangzhou), where there was a revival of printing, especially literature from Tang left in what was conquered by the Jin dynasty. Many publishers were established in Lin'an, including Chén zhái shūjí pù (陳宅書籍鋪) established by Chen Qi (Chinese: 陳起),[1] from which publications used a distinct style of regular script with orderly, straight strokes. Modern typefaces of this style are classified as imitation Song typefaces (simplified Chinese: 仿宋体; traditional Chinese: 仿宋體). In the Ming dynasty, the straightening of strokes in a reprint of a publication from Lin'an started a shift to what became the basis of the Ming style.[1]

Japan edit

 
The characters 明朝體 (Minchōtai), literally "Ming Dynasty form", in a reimpression of old Ming typeface in 1912 by Tsukiji Type Foundry

Ming typefaces (明朝, Minchō, lit. "Ming Dynasty") are the most commonly used style in print in Japan. There are several variations in use, such as the textbook style and the newspaper style.

The creator of modern Japanese movable-type printing, Motoki Shōzō (or Motogi), modeled his sets of type after those prevailing in China, having learned an electrolytic method of type manufacturing from the American William Gamble in 1869. Motoki then created, based on Gamble's frequency studies of characters in the Chinese Bible, a full set of type with added Japanese characters; in addition to Chinese and Latin characters, Japanese text uses the syllabaries hiragana and katakana.

Korea edit

In Korean, a similar category of typefaces for the Korean alphabet hangul was called myeongjo (the Korean reading for the same Chinese characters "明朝") until recently, influenced by the Japanese term. A Ministry of Culture-sponsored standardization of typography terms in 1993 replaced myeongjo with batang ("바탕"), the Korean word for "foundation" or "ground" (as opposed to "figure"), and is the current term for the typeface.

Ming typefaces in computing edit

Technically, only Chinese characters can be printed in a Ming typeface. However, most modern typefaces (that is, digital typefaces) often also include kana glyphs in a matching style, usually in a precise style resembling handwriting with a brush. Modern Ming typefaces also incorporate Roman type glyphs for Latin characters, letterlike symbols, and numbers. In its modern role comparable to that of western serif typefaces, both kana and Latin characters are usually part of a complete typeface.

Ming typefaces are used officially by the government of China, Japan and Korea.

See also edit

References edit

  1. ^ a b c d e f g [History of Kanji Typefaces]. Kinkido Type Laboratory (in Japanese). Archived from the original on 2023-11-30. Retrieved 2024-02-20.
  2. ^ DynaComware typeface list which calls standardized Ming typefaces "Song" and other Ming typefaces "Ming"
  3. ^ "說文:臺標之害 [刻石錄]". founder.acgvlyric.org. Retrieved 2020-06-20.
  4. ^ "為甚麼不推薦新細明體 | 許瀚文 | 立場新聞". 立場新聞 Stand News. Retrieved 2020-06-20.

External links edit

  • Nihongo resources: Japanese typefaces
  • sci.lang.japan FAQ list of Japanese writing styles
  • [chinese mac] Fontstypefaces included with Mac OS and Windows 2007-02-05 at the Wayback Machine
  • differences between some Ming typefaces
  • Information on Chinese typefaces, including Ming typefaces. (in Japanese)

ming, typefaces, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, ming, typefaces, news, newspapers, books, scholar, . This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Ming typefaces news newspapers books scholar JSTOR September 2022 Learn how and when to remove this template message You can help expand this article with text translated from the corresponding article in Chinese and Japanese Click show for important translation instructions View a machine translated version of the Chinese article Machine translation like DeepL or Google Translate is a useful starting point for translations but translators must revise errors as necessary and confirm that the translation is accurate rather than simply copy pasting machine translated text into the English Wikipedia Consider adding a topic to this template there are already 342 articles in the main category and specifying topic will aid in categorization Do not translate text that appears unreliable or low quality If possible verify the text with references provided in the foreign language article You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation A model attribution edit summary is Content in this edit is translated from the existing Chinese Wikipedia article at zh 宋体 see its history for attribution You may also add the template Translated zh 宋体 to the talk page For more guidance see Wikipedia Translation Ming or Song is a category of typefaces used to display Chinese characters which are used in the Chinese Japanese and Korean languages They are currently the most common style of type in print for Chinese and Japanese For Japanese text they are commonly called Mincho typefaces MingChinese nameTraditional Chinese明體Simplified Chinese明体Literal meaningMing typefaceTranscriptionsStandard MandarinHanyu Pinyinming tǐBopomofoㄇㄧㄥˊ ㄊㄧˇWade Gilesming2 ti3Yue CantoneseJyutpingming4 tai2Southern MinTai lobing theSongTraditional Chinese宋體Simplified Chinese宋体Literal meaningSong typefaceTranscriptionsStandard MandarinHanyu Pinyinsong tǐBopomofoㄙㄨㄥˋ ㄊㄧˇWade Gilessung4 t i3Yue CantoneseJyutpingsung3 tai2Korean nameHangul명조체Hanja明朝體TranscriptionsRevised RomanizationMyeongjocheJapanese nameKanji明朝体KanaみんちょうたいTranscriptionsRomanizationMinchōtai A page from a Ming dynasty edition of the Book of Qi Contents 1 Name 2 Characteristics 2 1 Variations 3 History 3 1 China 3 2 Japan 3 3 Korea 4 Ming typefaces in computing 5 See also 6 References 7 External linksName editThe names Song or Sung and Ming correspond to the Song dynasty when a distinctive printed style of regular script was developed and the Ming dynasty during which that style developed into the Ming typeface style 1 In Mainland China the most common name is Song the Mainland Chinese standardized Ming typeface in Microsoft Windows being named SimSun In Hong Kong Taiwan Japan and Korea Ming is prevalent In Hong Kong and Taiwan Song typeface 宋体 has been traditionally used but Ming typeface 明體 has gained popularity since the advent of desktop publishing the Traditional Chinese standardized Ming typeface in Microsoft Windows being named MingLiU Some type foundries 2 use Song to refer to this style of typeface that follows a standard such as the Standard Form of National Characters and Ming to refer to typefaces that resemble forms found in the Kangxi Dictionary Characteristics editCharacteristics of Ming typefaces include the following The basic structure of regular script Thick vertical strokes contrasted with thin horizontal strokes Triangles at the end of single horizontal strokes called uroko 鱗 literally fish scales in Japanese comparable to serifs These are a print analog of the slight dot caused by pausing one s brush dun 頓 the pause technique used to reinforce the beginning or ending of a stroke which is characteristic of regular script Overall geometrical regularity Possessing variable line weight and characteristic decorations at the end of lines similar to serifs this type style is comparable to Western serif typefaces as opposed to East Asian gothic typefaces which are comparable to Western sans serif Variations edit Often there are different ways to write the same Chinese character these are collectively referred to as variant Chinese characters Some of the differences are caused by character simplification while others are purely orthographic differences such as stroke styling The styling of the strokes used in old Ming typefaces came from the style used in the Kangxi Dictionary citation needed In mainland China the modern standardized character forms are specified in the List of Commonly Used Characters in Modern Chinese Some characters in the list differ from the Kangxi forms solely because they are Simplified while others differ because they use a different variant or orthography In Taiwan the Standard Form of National Characters specifies the modern standardized forms Unlike the mainland standard the Taiwan standard uses mostly preexisting character forms but reference back to the style of regular script and reform Ming typefaces based on regular script style extensively which had attracted criticism from many peoples 3 4 After the postwar kanji reforms in Japan most of the Kangxi style characters were called kyujitai old style while the reformed characters were called shinjitai causing newer dictionaries to either incorporate both styles or omit the Kangxi styles In Korea most typefaces use the Kangxi forms There are differences between print and script forms of many Chinese characters just as there are differences between copperplate and most people s handwriting Some of these differences are persistent and specific to a style but others may be no more significant than variations between individual typefaces None of these variations usually hinder reading History editChina edit The printing industry from the Tang dynasty reached an apex in the Song dynasty 1 during which there were three major areas of production Zhejiang where publications imitated the regular script of Ouyang Xun 1 Sichuan where publications imitated the regular script of Yan Zhenqing 1 Fujian where publications imitated the regular script of Liu Gongquan 1 When Song lost control of northern China to the Jin 金 dynasty its capital was moved to Lin an modern Hangzhou where there was a revival of printing especially literature from Tang left in what was conquered by the Jin dynasty Many publishers were established in Lin an including Chen zhai shuji pu 陳宅書籍鋪 established by Chen Qi Chinese 陳起 1 from which publications used a distinct style of regular script with orderly straight strokes Modern typefaces of this style are classified as imitation Song typefaces simplified Chinese 仿宋体 traditional Chinese 仿宋體 In the Ming dynasty the straightening of strokes in a reprint of a publication from Lin an started a shift to what became the basis of the Ming style 1 nbsp A page of a publication from Zhejiang in a regular script typeface which resembles the handwriting of Ouyang Xun nbsp A page of a publication from Chen zhai shuji pu Japan edit nbsp The characters 明朝體 Minchōtai literally Ming Dynasty form in a reimpression of old Ming typeface in 1912 by Tsukiji Type Foundry Ming typefaces 明朝 Minchō lit Ming Dynasty are the most commonly used style in print in Japan There are several variations in use such as the textbook style and the newspaper style The creator of modern Japanese movable type printing Motoki Shōzō or Motogi modeled his sets of type after those prevailing in China having learned an electrolytic method of type manufacturing from the American William Gamble in 1869 Motoki then created based on Gamble s frequency studies of characters in the Chinese Bible a full set of type with added Japanese characters in addition to Chinese and Latin characters Japanese text uses the syllabaries hiragana and katakana Korea edit In Korean a similar category of typefaces for the Korean alphabet hangul was called myeongjo the Korean reading for the same Chinese characters 明朝 until recently influenced by the Japanese term A Ministry of Culture sponsored standardization of typography terms in 1993 replaced myeongjo with batang 바탕 the Korean word for foundation or ground as opposed to figure and is the current term for the typeface Ming typefaces in computing editSee also List of CJK fonts Ming Technically only Chinese characters can be printed in a Ming typeface However most modern typefaces that is digital typefaces often also include kana glyphs in a matching style usually in a precise style resembling handwriting with a brush Modern Ming typefaces also incorporate Roman type glyphs for Latin characters letterlike symbols and numbers In its modern role comparable to that of western serif typefaces both kana and Latin characters are usually part of a complete typeface Ming typefaces are used officially by the government of China Japan and Korea See also editEast Asian gothic typeface Chinese calligraphyReferences edit a b c d e f g 漢字書体の歴史 History of Kanji Typefaces Kinkido Type Laboratory in Japanese Archived from the original on 2023 11 30 Retrieved 2024 02 20 DynaComware typeface list which calls standardized Ming typefaces Song and other Ming typefaces Ming 說文 臺標之害 刻石錄 founder acgvlyric org Retrieved 2020 06 20 為甚麼不推薦新細明體 許瀚文 立場新聞 立場新聞 Stand News Retrieved 2020 06 20 External links editNihongo resources Japanese typefaces sci lang japan FAQ list of Japanese writing styles chinese mac Fontstypefaces included with Mac OS and Windows Archived 2007 02 05 at the Wayback Machine differences between some Ming typefaces www kinkido net Information on Chinese typefaces including Ming typefaces in Japanese Retrieved from https en wikipedia org w index php title Ming typefaces amp oldid 1213491742, wikipedia, wiki, book, books, library,

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