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Vedic accent

The pitch accent of Vedic Sanskrit, or Vedic accent for brevity, is traditionally divided by Sanskrit grammarians into three qualities, udātta उदात्त "raised" (acute accent, high pitch), anudātta अनुदात्त "not raised" (from अ(न्)- (negative prefix) + उदात्त) (unstressed, or low pitch, grave accent) and svarita स्वरित "sounded" (high falling pitch, corresponds to the Greek circumflex accent). It is most similar to the pitch-accent system of modern-day Japanese.

Accents edit

In Vedic Sanskrit, most of the words have one accented syllable, which is traditionally called udātta ("raised") and written with an acute mark ⟨◌́⟩ in the transcription. The position of that accent in inherited words generally reflects the position of Proto-Indo-European accent, which means it was free and so not phonologically predictable from the shape of the word. Some words (finite verbs of main clauses, vocatives that do not occur sentence initially, and certain pronouns and particles) do not have an accented syllable, consisting entirely of unaccented syllables.

Unaccented syllables are called anudātta ("not raised") and are not marked in the transcription. Phonetically, accented Rigvedic syllable was characterized by height (rather than prominence) as a "high tone", immediately falling in the next syllable. The falling tone in the post-tonic syllable is called svarita ("sounded"). For example, in the first pada of the Rigveda, the transliteration

agním īḷe puróhitaṃ अग्निम् ईळे पुरोहितं (classical: अग्निम् ईडे पुरोहितं)
"Agni I praise, the high priest."

means that the eight syllables have an intonation of

A-U-S-A-A-U-S-A (where A=anudātta, U=udātta, S=svarita),

or iconically,

_¯\__¯\_

īḷe ईळे (classical: ईडे) is a finite verb and thus has no udātta, but its first syllable is svarita because the previous syllable is udātta. Vedic meter is independent of Vedic accent and exclusively determined by syllable weight, so that metrically, the pada reads as

-.--.-.x (the second half-pada is iambic).

When the Vedas were composed, svarita was not phonologically relevant. However, linguistic changes in oral transmission of the samhita before it was written down, mostly by the loss of syllabicity of high vowels when followed by a vowel, the tone has become relevant and is called an independent svarita. In transcription, it is written as a grave mark ⟨◌̀⟩. Such svarita may follow an anudātta. For example, in RV 1.10.8c,

jéṣaḥ súvarvatīr apá जेषः सुवर्वतीर् अप
U-S-U-S-A-A-A-U
¯\¯\___¯

became

jéṣaḥ svàrvatīr apá
U-S-S-A-A-A-U
¯\\___¯

Independent svarita is caused by sandhi of adjacent vowels. There are four variants of it:

  • jātya (= "innate") (from changes within a word, as in kvà for kúa, as in the example above (u becomes v before a vowel)
  • kṣaipra (= "caused by quickness") (u becoming v or i becoming y where two words meet, as in vy-ā̀pta for ví-āpta) (i becomes y before a vowel)
  • praśliṣṭa (= "coalescence") (vowel contraction where two words meet, as in divī̀va for diví-iva)
  • abhinihita (= "close contact") (prodelision with avagraha, where two words meet, as in tè-'bruvan for té-abruvan).

Independent svarita occurs about 1300 times in the Rigveda, or in about 5% of padas.

Notation edit

In Latin script transcription, udātta is marked with an acute accent, independent svarita is marked with a grave accent, and other syllables are unaccented, and not marked.

In Devanagari editions of the Rigveda samhita:

  • svarita is marked with a small upright stroke above a syllable: ◌॑ (Unicode: U+0951).
  • anudātta is marked.
    • If it is right before an udātta or an independent svarita, it is marked with a horizontal line below the syllable: ◌॒ (Unicode: U+0952).
    • If the first syllable in a pada is anudātta, that syllable and all following syllables that are anudātta are marked with the horizontal line up to but not including the first syllable not an anudātta.
  • If an independent svarita syllable is right before an udātta syllable, instead of putting the anudātta mark and the svarita mark on the same syllable, a numeral 1 (१) (if the svarita vowel is short) or a numeral 3 (३) (if the svarita vowel is long) is written between the syllables in question, and the numeral bears both the svarita mark and the anudātta mark: अ॒प्सु (apsú) + अ॒न्तः (antáḥ) → अ॒प्स्व१॒॑न्तः (apsvà(1)ntáḥ), or क्व॑ (kvà) + इ॒दानीं॑ (idā́nīṃ) → क्वे३॒॑दानीं॑ (kvè(3)dā́nīṃ) [1]
  • All other syllables are unmarked.

See also edit

References edit

  1. ^ A Vedic Grammar for Students, by Arthur Anthony Macdonnell, Motilal Banarsidass

External links edit

vedic, accent, pitch, accent, vedic, sanskrit, brevity, traditionally, divided, sanskrit, grammarians, into, three, qualities, udātta, उद, raised, acute, accent, high, pitch, anudātta, अन, raised, from, negative, prefix, उद, unstressed, pitch, grave, accent, s. The pitch accent of Vedic Sanskrit or Vedic accent for brevity is traditionally divided by Sanskrit grammarians into three qualities udatta उद त त raised acute accent high pitch anudatta अन द त त not raised from अ न negative prefix उद त त unstressed or low pitch grave accent and svarita स वर त sounded high falling pitch corresponds to the Greek circumflex accent It is most similar to the pitch accent system of modern day Japanese Contents 1 Accents 2 Notation 3 See also 4 References 5 External linksAccents editIn Vedic Sanskrit most of the words have one accented syllable which is traditionally called udatta raised and written with an acute mark in the transcription The position of that accent in inherited words generally reflects the position of Proto Indo European accent which means it was free and so not phonologically predictable from the shape of the word Some words finite verbs of main clauses vocatives that do not occur sentence initially and certain pronouns and particles do not have an accented syllable consisting entirely of unaccented syllables Unaccented syllables are called anudatta not raised and are not marked in the transcription Phonetically accented Rigvedic syllable was characterized by height rather than prominence as a high tone immediately falling in the next syllable The falling tone in the post tonic syllable is called svarita sounded For example in the first pada of the Rigveda the transliteration agnim iḷe purohitaṃ अग न म ईळ प र ह त classical अग न म ईड प र ह त Agni I praise the high priest means that the eight syllables have an intonation of A U S A A U S A where A anudatta U udatta S svarita or iconically iḷe ईळ classical ईड is a finite verb and thus has no udatta but its first syllable is svarita because the previous syllable is udatta Vedic meter is independent of Vedic accent and exclusively determined by syllable weight so that metrically the pada reads as x the second half pada is iambic When the Vedas were composed svarita was not phonologically relevant However linguistic changes in oral transmission of the samhita before it was written down mostly by the loss of syllabicity of high vowels when followed by a vowel the tone has become relevant and is called an independent svarita In transcription it is written as a grave mark Such svarita may follow an anudatta For example in RV 1 10 8c jeṣaḥ suvarvatir apa ज ष स वर वत र अप U S U S A A A U became jeṣaḥ svarvatir apa U S S A A A U Independent svarita is caused by sandhi of adjacent vowels There are four variants of it jatya innate from changes within a word as in kva for kua as in the example above u becomes v before a vowel kṣaipra caused by quickness u becoming v or i becoming y where two words meet as in vy a pta for vi apta i becomes y before a vowel prasliṣṭa coalescence vowel contraction where two words meet as in divi va for divi iva abhinihita close contact prodelision with avagraha where two words meet as in te bruvan for te abruvan Independent svarita occurs about 1300 times in the Rigveda or in about 5 of padas Notation editIn Latin script transcription udatta is marked with an acute accent independent svarita is marked with a grave accent and other syllables are unaccented and not marked In Devanagari editions of the Rigveda samhita svarita is marked with a small upright stroke above a syllable Unicode U 0951 anudatta is marked If it is right before an udatta or an independent svarita it is marked with a horizontal line below the syllable Unicode U 0952 If the first syllable in a pada is anudatta that syllable and all following syllables that are anudatta are marked with the horizontal line up to but not including the first syllable not an anudatta If an independent svarita syllable is right before an udatta syllable instead of putting the anudatta mark and the svarita mark on the same syllable a numeral 1 १ if the svarita vowel is short or a numeral 3 ३ if the svarita vowel is long is written between the syllables in question and the numeral bears both the svarita mark and the anudatta mark अ प स apsu अ न त antaḥ अ प स व१ न त apsva 1 ntaḥ or क व kva इ द न ida niṃ क व ३ द न kve 3 da niṃ 1 All other syllables are unmarked See also editProto Indo European accent Pitch accent language Mobile accent in Slavic Sikṣa Vedic chantReferences edit A Vedic Grammar for Students by Arthur Anthony Macdonnell Motilal BanarsidassExternal links edithttp www evertype com standards iso10646 pdf vedic Vedic accents doc pdf Retrieved from https en wikipedia org w index php title Vedic accent amp oldid 1178087159, wikipedia, wiki, book, books, library,

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