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Yvonne De Carlo

January 01, 1970

Margaret Yvonne Kao Middleton (September 1, 1922 – January 8, 2007), known professionally as Yvonne De Carlo, was a Canadian-American actress, dancer and singer. She became a Hollywood film star in the 1940s and 1950s, made several recordings, and later acted on television and stage.

Yvonne De Carlo
Yvonne De Carlo c. 1955
Born
Margaret Yvonne Middleton

(1922-09-01)September 1, 1922
Vancouver, British Columbia, Canada
DiedJanuary 8, 2007(2007-01-08) (aged 84)
Los Angeles, California, U.S.
Occupations
  • Actress
  • dancer
  • singer
Years active1939–1995
Notable workSephora in Cecil B. DeMille's The Ten Commandments (1956)
TelevisionThe Munsters (1964–1966)
Political partyRepublican
Spouse
Robert Drew Morgan
​
​
(m. 1955; div. 1973)​
Children2
Awards1957 Laurel Award for Topliner Supporting Actress for The Ten Commandments (1956)
Musical career
Genres
Instrument(s)Vocals
Labels

DeCarlo was born in Vancouver, British Columbia and was enrolled in a local dance school by her mother when she was three. By the early '40s, she and her mother had moved to Los Angeles, where De Carlo entered beauty contests and worked as a dancer in nightclubs. In 1941, she began working in short-subject motion pictures. She sang "The Lamp of Memory" in a three-minute Soundies musical; in 1942, she signed a three-year contract with Paramount Pictures, where she got uncredited bit parts in important films. Her first lead was for producer E. B. Derr in the 1943 James Fenimore Cooper adventure Deerslayer.

She obtained her breakthrough role in Salome, Where She Danced (1945), a Universal Pictures release produced by Walter Wanger, who described her as "the most beautiful girl in the world."[1][2][3] The film's publicity and success turned her into a star, and she signed a five-year contract with Universal. Universal starred her in its lavish Technicolor productions, such as Frontier Gal (1945), Song of Scheherazade (1947), and Slave Girl (1947). Cameramen voted her "Queen of Technicolor" three years in a row.[4]
Tired of being typecast as exotic women, she made her first serious dramatic performances in two film noirs, Brute Force (1947) and Criss Cross (1949).

The first American film star to visit Israel, De Carlo received further recognition as an actress for her leading performances in the British comedies Hotel Sahara (1951), The Captain's Paradise (1953), and Happy Ever After (1954). Her career reached its peak when eminent producer-director Cecil B. DeMille cast her
as Moses' Midianite wife, Sephora in his biblical epic The Ten Commandments (1956). [5] For this role, she won a Laurel Award for Topliner Supporting Actress.[6] Her success continued with other notable starring roles in Flame of the Islands (1956), Death of a Scoundrel (1956), Band of Angels (1957), and The Sword and the Cross (1958), in which she portrayed Mary Magdalene.

She starred in the CBS sitcom The Munsters (1964–1966),[7] playing Herman Munster's glamorous vampire wife, Lily, a role she reprised in the feature film Munster, Go Home! (1966) and the TV film The Munsters' Revenge (1981). In 1971, she played Carlotta Campion and introduced the popular song "I'm Still Here" in the Broadway production of the Stephen Sondheim musical Follies. Yvonne, her best-selling autobiography, was published in 1987. A stroke survivor, De Carlo died of heart failure in 2007. She was awarded two stars on the Hollywood Walk of Fame for her contributions to motion pictures and television.

Early life edit

On the evening of August 31 that year [1922], three days after her own birthday, Marie was having five-minute contractions. She was taken to the public ward of St. Paul's Hospital, where she went through a difficult labor. I was born the following morning amid the tumult of the season's worst thunderstorm. Marie's doctor hadn't arrived, and the delivery was made by a pair of floor nurses. They confirmed afterward that as she was being shifted to the delivery table, she was shouting, "I want a girl. It must be a girl. I want a dancer!"

—Yvonne De Carlo, Yvonne: An Autobiography[8]

 
De Carlo (left) and her mother at the Florentine Gardens, c. 1941

De Carlo was born Margaret Yvonne Middleton on September 1, 1922, at St. Paul's Hospital[8] in Vancouver, British Columbia, Canada. Her nickname was "Peggy" because she was named after the silent film star Baby Peggy.[9] Her mother, Marie De Carlo,[10] was born in France to a Sicilian father
and a Scottish mother. Marie, a "wayward and rebellious" teenager, aspired to become a dancer and worked as a milliner's apprentice until she met Peggy's father, William Shelto Middleton.[8] Middleton was a salesman born in New Zealand to English parents [11] and had "piercing eyes of pale blue, and a wealth of straight black hair."[8]

Marie and William married in Alberta, where they lived for a couple of months before returning to Vancouver.[8] They moved in with Marie's parents, but the marriage was troubled.[12] Peggy had only two memories of her father: climbing up to his knee and crawling toward his feet.[12] By the time Peggy was three,[13] William was involved in various swindles and fled Canada aboard a schooner, promising to send for his wife and child.[8] Marie and Peggy never heard from him again; rumors said that he remarried twice and had more children, worked as an actor in silent films, or died aboard a ship.[9] Peggy later wrote, "My own assumption is that he died before he had the chance to discover that his Baby Peggy had become a Hollywood actress, or I think he would have tried to contact me."[9] After William's departure, Marie left her parents' home and found work in a shop.[9]

Marie and Peggy lived in a succession of apartments in Vancouver, including one with no furniture or stove.[9] They periodically returned to the De Carlo home, "a huge white frame house", at 1728 Comox Street in Vancouver's West End.[14] Marie's parents, Michele "Papa" De Carlo[15] and Margaret Purvis De Carlo,[16] were religious, attended church regularly, and held services in their parlor.[17] Michele, a native of Messina,[18] had met Margaret in Nice, France. They married in 1897, had four children, and settled in Canada.[19]

De Carlo attended Lord Roberts Elementary School,[20] a block from her grandparents' home.[citation needed] She originally wanted to be a writer.[21]
She was seven when a school assignment, a poem she wrote titled "A Little Boy," was entered in a contest run by the Vancouver Sun.[14] She won and received a prize of $5, which according to De Carlo, meant as much to her at that time as if she had won the Nobel Peace Prize.[22] She also wrote short plays, which she usually staged in her grandparents' house, and even adapted Charles Dickens' A Christmas Carol for a neighborhood performance.[22]

Marie wanted her daughter to have a career in show business and made sure Peggy received singing and dancing lessons. Peggy joined the choir of St. Paul's Anglican Church to strengthen her voice.[23] When she was ten (or three, according to a 1982 interview[14]), her mother enrolled her in the June Roper School of the Dance in Vancouver.[24] In May 1939, a Variety news item listed Yvonne de Carlo as one of the performers at the opening of Hy Singer's Palomar ballroom (also known as Palomar Supper Club) in Vancouver.[25]

Early career edit

Beginnings in Hollywood (1940–1942) edit

 
De Carlo's first film appearance was in the Maxie Rosenbloom vehicle Harvard, Here I Come! (1941).

De Carlo and her mother made several trips to Los Angeles. In 1940, she won second place in the Miss Venice beauty contest,[26] and placed fifth in that year's Miss California competition (and can be seen in that pageant at 0:36 of the British Pathé film "A Matter of Figures").[27] At the Miss Venice contest, she was noticed by a booking agent who told her to audition for an opening in the chorus line at the Earl Carroll Theatre on Sunset Boulevard in Hollywood.[26]

De Carlo and her mother arrived at Earl Carroll's for the audition, but after learning that Carroll would have to examine her "upper assets" before hiring her,[28] De Carlo and her mother searched for work at another popular Hollywood nightclub, the Florentine Gardens.[29] They met the proprietor, Nils Granlund, and he introduced De Carlo to the audience before she tap danced to "Tea for Two".[30] Granlund then asked, "Well, folks ... is she in or out?"[31] The audience responded with "a rousing round of applause, with whistles and cheers", and De Carlo got the job. She started in the back of the chorus line, but after months of practice and hard work,[32] Granlund featured her in a "King Kong number." In it, she danced, and cast off several chiffon veils before being carried away by a gorilla.[33] She was given more solo routines and also appeared in her first soundie.[33]

She had been dancing at the Florentine Gardens only a few months when she was arrested by immigration officials and deported to Canada in late 1940.[34] In January 1941, Granlund sent a telegram to immigration officials pledging his sponsorship of De Carlo in the U.S., and affirmed his offer of steady employment, both requirements to reenter the country.[35]

In May 1941, she appeared in a revue, Hollywood Revels, at the Orpheum Theatre. A critic from the Los Angeles Times who reviewed it said the "dancing of Yvonne de Carlo is especially notable."[36] She also made her debut on network radio with Edmund Lowe and Victor McLaglen, who were performing extracts from a series based on their Flagg-Quint performances.[37]

De Carlo wanted to act. At the encouragement of her friend Artie Shaw, who offered to pay her wages for a month,[38] she quit the Florentine Gardens and hired talent agent Jack Pomeroy.[39] Pomeroy got De Carlo an uncredited role as a bathing beauty in a Columbia Pictures B film, Harvard, Here I Come (1941). She had one line ("Nowadays a girl must show a front") in a scene with the film's star, boxer Maxie Rosenbloom. Her salary was $25 and her work got her into the Screen Actors Guild.[39] When no other acting jobs came her way, she decided to return to the chorus line and auditioned for Earl Carroll, who hired her.[39] While working for Carroll, she won a one-line part in This Gun for Hire (1942) at Paramount. Carroll found out and fired her, as he did not allow his dancers to work outside the nightclub without permission.[40] She asked Granlund if he would rehire her, and he did. In December 1941, she was dancing in the Glamour Over Hollywood revue at the Gardens.[41][42] America's entry into World War II saw De Carlo and other Florentine dancers busy entertaining troops at USO shows.[43][44] A skilled horsewoman, she also appeared in a number of West Coast rodeos.[24]

Paramount Pictures (1942–1944) edit

 
De Carlo as Wah-Tah in Deerslayer (1943), her first featured role in a full-length film

Following an interview at Paramount, De Carlo was cast as one of Dorothy Lamour's handmaidens in Road to Morocco (1942).[45] She got a screen test for the role of Ata in The Moon and Sixpence, but lost to Elena Verdugo.[46] She returned to Paramount for a bit role in Lucky Jordan (1942) and found another small part in a Republic Pictures film, Youth on Parade (1942), which she later called a "dreadful ... bomb."[47] After recovering from bronchial pneumonia, she went to Paramount and signed a six-month contract, possibly going up to seven years, starting at $60 a week.[47]

For her first assignment as a Paramount player, De Carlo was loaned to Monogram Pictures to play a Florentine Gardens dancer in Rhythm Parade, starring Nils Granlund (who had requested her for the role) and Gale Storm.[48] She then appeared as an extra in Paramount's The Crystal Ball (1943), of which she wrote, "Only my left shoulder survived after editing."[48] She asked director Sam Wood for a part in his next film, For Whom the Bell Tolls (1943), and he gave her a small role in the cantina scene with Gary Cooper.[49]

De Carlo was also seen in Let's Face It (1943), So Proudly We Hail! (1943) and Salute for Three (1943), She kept busy in small roles and helping other actors shoot tests. "I was the test queen at Paramount," she said later.[24] But she was ambitious and wanted more. "I'm not going to be just one of the girls," she said.[50] Cecil B. DeMille, Paramount's most famous director, saw De Carlo in So Proudly We Hail! and arranged for a screen test and interview for a part in his film The Story of Dr. Wassell (1943). He subsequently selected her for a key role.[51][52] He ended up choosing Carol Thurston for the role of Tremartini and casting De Carlo in an uncredited part as a native girl, but promised her another role in a future film.[53]

Shortly after losing the Tremartini role, De Carlo was loaned to Republic Pictures to portray Native American princess Wah-Tah in Deerslayer.[54] It was her first featured role in a full-length film. At Paramount, she played unbilled bit roles in True to Life (1943) and Standing Room Only (1944). [55] She also tested for the role of Lola in Double Indemnity (1944).[56] She was billed in a short, Fun Time (1944) and went to MGM to play an uncredited lady-in-waiting in Kismet (1944).[55]

The New York Times later dubbed De Carlo "threat girl" for Dorothy Lamour "when Dotty wanted to break away from saronging."[53][57] This had its origin when De Carlo was set to replace Dorothy Lamour in Rainbow Island (1944); however, Lamour changed her mind about the role.[50] De Carlo was given a bit part in the final movie.

De Carlo played further unbilled roles in Here Come the Waves (1944), Practically Yours (1944), and Bring on the Girls (1945). Paramount decided not to renew her contract option,[58] but did renew Lamour's contract.[citation needed]

Stardom edit

Salome, Where She Danced (1944–1945) edit

 
De Carlo in Salome, Where She Danced (1945)

De Carlo was screen tested by Universal, who were looking for an exotic glamour girl in the mold of Maria Montez and Acquanetta.[59] The test was seen by Walter Wanger who was making an adventure film in Technicolor, Salome, Where She Danced (1945). Wanger later claimed he discovered De Carlo when looking at footage for another actor in which De Carlo also happened to appear (Milburn Stone).[60]

Wanger tested De Carlo several times and Universal signed her to a long-term contract at $150 a week. In September 1944, it was announced that De Carlo was cast in the lead of Salome over a reported 20,000 other young women.[3][61] Another source claimed 21 Royal Canadian Air Force bombardier students who loved De Carlo as a pinup star had campaigned to get her the role.[62] De Carlo later said this was done at her behest; she took several pictures of herself in a revealing costume and persuaded two childhood friends from Vancouver, Reginald Reid and Kenneth Ross McKenzie, who had become pilots, to arrange their friends to lobby on her behalf,[24] writing in her memoirs that the whole thing was Wanger's idea.[63] Though not a critical success, Salome was a box office favorite, and the heavily promoted De Carlo was
hailed as an up-and-coming star.

In his review of the film, Bosley Crowther of the New York Times wrote:

Miss De Carlo has an agreeable mezzo-soprano singing voice, all the 'looks' one girl could ask for, and, moreover, she dances with a sensuousness which must have caused the Hays office some anguish. The script, however, does not give her much chance to prove
her acting talents.[64]

Universal-International (1946–1950) edit

 
De Carlo in the trailer for Song of Scheherazade (1947)

Universal signed de Carlo to a long-term contract. She was used by the studio as a backup star to Maria Montez, and her second movie for the studio saw her step into a role rejected by Montez: the Western Frontier Gal (1946) alongside Rod Cameron.[50] In 1946, exhibitors voted De Carlo the ninth-most promising "star of tomorrow."[65] Like Salome, it was shot in Technicolor.[citation needed]

De Carlo followed Frontier Gal with a top-billed role in Walter Reisch's Technicolor musical Song of Scheherazade (1947), co-starring Brian Donlevy and Jean-Pierre Aumont. Tilly Losch, an Austrian dancer and friend of Reisch, coached De Carlo in her three dancing solos.[66] The film was a hit, making over $2 million.[citation needed]

De Carlo wanted to act in different types of movies. She applied to play the part of a waitress in A Double Life (1947) but lost out to Shelley Winters.[67] Instead, Universal put her back in Technicolor for Slave Girl (1947), made with the producers of Frontier Gal. It was another solid commercial success. De Carlo was given a small role in Brute Force (1947), a prison movie starring Burt Lancaster and produced by Mark Hellinger. It was her first movie in black and white since becoming a star and her first to get good reviews.[citation needed]

She played Lola Montez in Black Bart (1948), a Technicolor Western with Dan Duryea for director George Sherman. Duryea and Sherman worked with her again on River Lady (1948). De Carlo called these films "physically taxing but not creatively inspiring."[68] The New York Times later summarised them as "a series of routine costume adventures as a tough but good-natured minx from across the tracks who wades into society and inevitably backtracks with a bloke of her own caliber."[69]

She romanced Tony Martin in Casbah (1948), a musical remake of Algiers (1938) made for Martin's own production company but released through Universal. De Carlo was reluctant to be in it because, though she would receive top billing over Martin, she did not get the female lead. That part went to Swedish newcomer Märta Torén. However, studio head William Goetz insisted[70] that De Carlo play Inez, the role Sigrid Gurie acted in the 1938 version. She also sang the film's song For Every Man There's a Woman, which was nominated for the Academy Award for Best Original Song.[71][72] The film flopped at the box office, de Carlo's first flop since becoming a star.[citation needed]

 
De Carlo in the trailer for Criss Cross (1949)

De Carlo then received an offer from Mark Hellinger to make another film with Burt Lancaster: the film noir Criss Cross (1949). This time De Carlo had a larger role, as a femme fatale, Anna. Bosley Crowther noted that De Carlo was "trying something different as Anna. The change is welcome, even though Miss de Carlo's performance is uneven. In that respect, she is right in step with most everything else about Criss Cross."[73] The film has become regarded as a classic and De Carlo considered the role the highlight of her career to date.[74] Tony Curtis made his debut in the movie, in a scene dancing with De Carlo.[75]

De Carlo was keen to make more movies along this line but Universal put her back in Technicolor Westerns with Calamity Jane and Sam Bass (1949), playing Calamity Jane, directed by Sherman, alongside Howard Duff.[citation needed]

She played a role intended for Deanna Durbin in The Gal Who Took the West (1950), for director Fred de Cordova. The movie gave her a chance to show off her singing voice. Trained in opera and a former child chorister at St Paul's Anglican Church, Vancouver, De Carlo possessed a large vocal range.[76] She was meant to be in Bagdad (1949) but suffered a miscarriage and was ill, so the studio cast Maureen O'Hara.[77]

De Cordova directed de Carlo in Buccaneer's Girl (1950), a pirate movie set in 1810s New Orleans opposite Philip Friend was a box office and critical failure. The director later called De Carlo "a doll ... underrated as an actress. She was most professional, worked hard, was very good at her craft, possibly was not a first class star but came in on schedule. She knew her lines, she danced and sang rather well, and she wanted very much to be a bigger star than she ever became."[78]

She toured US army bases singing, then was in The Desert Hawk (1950), an "Eastern" with Richard Greene. She made a Western with Sherman, Tomahawk (1951), opposite Van Heflin, which was popular.[citation needed]

De Carlo toured extensively to promote her films and entertained US troops in Europe. She also began singing on television.[79]

She received an offer from England to make a comedy, Hotel Sahara (1951) with Peter Ustinov. While in England, she asked Universal to release her from her contract, though it still had three months to go, and the studio agreed.[80]

Post-Universal (1951–1954) edit

 
De Carlo and fellow Vancouverite John Ireland in Hurricane Smith (1952), a Paramount Pictures release

While in China, De Carlo recorded two singles, "Say Goodbye" and "I Love a Man".[81] In March 1951 she signed a new contract with Universal to make one film a year for three years.[82]

De Carlo went to Paramount to make a Western, Silver City (1951), for producer Nat Holt, co-starring alongside Edmond O'Brien for a fee of $50,000.[83]

In 1951,[84][4][85] De Carlo accepted an offer to open the thirtieth season of the Hollywood Bowl singing the breeches role of Prince Orlovsky in five performances of the opera Die Fledermaus (The Bat), from July 10 to 14.[86][87] The performances were conducted by noted film composer Franz Waxman. In her autobiography she described her participation in Die Fledermaus as "a rewarding experience, the aesthetic highlight of my life."[87]

In August 1951, De Carlo became the first Canadian film star to visit the State of Israel, giving concerts in Haifa, Ramat Gan, Jerusalem, Tel Aviv, and Jaffa.[88][89] She drew capacity audiences and was "royally received" by the Israeli government and the public.[90] Her performances consisted of singing and dancing routines from her films.[91]

She learned that her films were extremely popular there, saying, "Every time I played a concert, someone would yell, 'Sing something from Casbah.'"[91] About the warm reception she received in Israel, she told columnist Louella Parsons:

Everyone in Israel was so wonderful to me, and I'll never forget the speech the Mayor of Jerusalem, Rabbi S. Z. Shragar, made. It had to be translated because he spoke in Hebrew. He is an orthodox Jew and lives up to his religion. He received me in his office and served me Turkish coffee, and I was told no woman had ever been invited to have coffee in his office before. He welcomed me to Israel in a gracious, kindly manner that I shall never forget. He gave me what they call a special blessing, not only for myself, but for all artists who were to come later.[92]

De Carlo returned early from Tel Aviv to make The San Francisco Story (1952) with Joel McCrea. It was the first of a two-picture deal with Fidelity Pictures; the second was to be The Scarlet Flame about Brazil's battle for independence, which was never made.[93]

She made her live TV debut in "Another Country" for Lights Out (1952). De Carlo wanted to make a film for Sydney Box called Queen of Sheba with Peter Ustinov as Solomon but it was never made.[94]

She went back to Universal for the first movie under her new contract, Scarlet Angel (1952) with Rock Hudson.[citation needed] At Paramount, she did another film for Nat Holt, Hurricane Smith (1952), then she appeared in "Madame 44" for The Ford Television Theatre (1952). She announced plans to form her own production company with her agent, Vancouver Productions.[95] However, as she later wrote, "absolutely nothing" came of this.[96]

De Carlo went to MGM to make Sombrero (1953), mostly shot in Mexico. She liked her character because it was "almost madonnalike. It is a role that demands the most sincerity for its proper interpretation. Many pictures that I have done perhaps offered me typical outdoor parts or western, heroine parts. So long as I could convey a flashy sort of impression it was alright... I don't deny the importance of such parts for me. They are excellent. But is stands to reason that as one goes on one seeks less superficial assignments.[97]

De Carlo was reunited with Hudson for Sea Devils (1953), a Napoleonic adventure tale shot in Britain and France released through RKO. This meant she had to postpone a film she was going to make for Edward Small, Savage Frontier. She was offered a role in Innocents in Paris (1953) but ultimately did not appear in the film.[97]

Back in the US, she had an adventure film set in the desert, Fort Algiers (1953), for United Artists, starring Carlos Thompson, whom de Carlo had recommended.[citation needed]

 
De Carlo with Alec Guinness in The Captain's Paradise (1953)

She made her third film in Britain with The Captain's Paradise (1953), a comedy featuring the two wives a ship captain (played by Alec Guinness) keeps in separate ports. De Carlo played Nita, the sensual wife who lives in Morocco, while Celia Johnson played Maud, the demure wife who lives in Gibraltar. The New York Times critic Bosley Crowther commended her performance by writing, "And Miss De Carlo, as the siren, 'the mate of the tiger' in Mr. G. [Guinness], is wonderfully candid and suggestive of the hausfrau in every dame."[98]

De Carlo made a fourth film in England, Happy Ever After (1954) released in the U.S. as "Tonight's The Night", a comedy featuring her as the love interest for David Niven, who inherits an estate in Ireland. She was then called back to the U.S. to do a contemporary TV comedy, The Backbone of America (1953) with Wendell Corey. In 1954, after the success of The Captain's Paradise, she expressed a desire to do more comedy:

I've had my share of sirens and am happy to get away from them, no matter what the part. Just to look pretty on the screen as a romantic lead is probably all right, but – so what? I'd much rather do something in a good Western provided there's plenty of action. Action is what I like.[99]

De Carlo went back to Universal to make a Western with McCrea, Border River (1954), directed by Sherman. She went to Italy for The Contessa's Secret (1954) and returned to Hollywood for the independently produced Passion (1954). She wrote a 42-page treatment for a science-fiction film Operation Sram, which was not made.[100] De Carlo made the Western Shotgun (1955) with Sterling Hayden for Allied Artists. She did "Hot Cargo" for Screen Director's Playhouse (1956) with Rory Calhoun directed by Tay Garnett.[101]

De Carlo made her third film for Universal under her new contract in Raw Edge (1956). Republic starred her as Minna Wagner in a biopic of Richard Wagner, Magic Fire (1956). On TV she was in "The Sainted General" for Star Stage (1956). Republic reunited her with Duff in Flame of the Islands (1956), shot in the Bahamas.[citation needed]

The Ten Commandments and last notable film roles (1954–1963) edit

 
De Carlo won a Laurel Award for Topliner Supporting Actress for her role as Sephora in The Ten Commandments (1956).[6]

In September 1954,[102] producer-director Cecil B. DeMille cast her as Sephora, the wife of Moses (played by Charlton Heston), in his biblical epic The Ten Commandments, a Paramount Pictures production that premiered in November 1956. In his autobiography, DeMille explained he decided to cast De Carlo as Moses' wife after his casting director, Bert McKay, called his attention to one scene she played in Sombrero. Even though the film "was a picture far removed in theme from The Ten Commandments," wrote DeMille, "I sensed in her a depth, an emotional power, a womanly strength which the part of Sephora needed and which she gave it."[103]

She prepared extensively for the role, taking weaving lessons at the University of California, Los Angeles, and shepherding lessons in the San Fernando Valley.[104] Months before filming began, she had worked on the part with a drama coach.[105] Her scenes were shot on Paramount's sound stages in 1955. Her performance received praise from critics. Crowther, the New York Times critic, was impressed: "Yvonne De Carlo as the Midianite shepherdess to whom Moses is wed is notably good in a severe role."[106] The Hollywood Reporter wrote that she "is very fine as the simple Sephora,"[107] and the New York Daily News noticed that she "plays the wife of Moses with conviction."[108] De Carlo
was expected to receive an Academy Award nomination for Best Supporting Actress, but she preferred to be listed as a leading actress on the voting ballot and was not nominated in that category.[109] However, she won a Laurel Award for Topliner Supporting Actress for her performance in the film.[6]

She fell in love with stuntman Bob Morgan while visiting the filming of The Ten Commandments in Egypt in 1954.[110] They married in 1955, and their first son, Bruce, was born in 1956. DeMille became Bruce's godfather.[104] Her second pregnancy meant she had to turn down the role of the female pirate DeMille had given her in his next production, The Buccaneer (1958).[104]

It was announced she would team with Vittorio De Sica in an adaptation of The Baker's Wife to be shot in English and Italian[111] but the film was never made. Neither were two projects de Carlo was meant to make in Italy following Raw Edge, The Mistress of Lebanon Castle with Trevor Howard and Honeymoon in Italy.[112] Instead, De Carlo co-starred with George Sanders and Zsa Zsa Gabor in Death of a Scoundrel (1956). The New York Times commended her performance as Bridget Kelly: "Yvonne De Carlo does a solid and professional job as the adoring petty thief who rises to eminence with him [Sanders' character]."[113] On the small screen she was in "Skits & Sketches" for Shower of Stars (1957). She was also in Schlitz Playhouse (1957).[citation needed]

De Carlo released an LP record of standards called Yvonne De Carlo Sings on Masterseal Records, a subsidiary label of Remington Records, in 1957. Orchestrated by future film composer John Williams under the pseudonym "John Towner", the album contains ten tracks, "End of a Love Affair", "In the Blue of Evening", "I Got It Bad (and That Ain't Good)", "Am I Blue?", "Little Girl Blue", "Blue Moon", "But Not for Me", "My Blue Heaven", "Mood Indigo", "One for My Baby (and One More for the Road)".[citation needed]

 
With Clark Gable in Band of Angels (1957)

As a result of the great success and positive reviews of The Ten Commandments, De Carlo was offered lead roles in two Warner Bros. films that would be shot at the same time: The Helen Morgan Story and Band of Angels, based on Robert Penn Warren's novel. De Carlo chose the latter because her co-star would be Clark Gable, one of her favorite actors.[114] The title refers to the short life expectancy of the black soldiers who fought with the Union troops in the Civil War, but the story is mainly about Amantha "Manty" Starr, a mixed-race Southern belle who is sold as a slave after her father's death and discovers that her deceased mother was a black slave on her father's plantation. Amantha is then taken to New Orleans where she is bought by plantation owner Hamish Bond (Gable), who falls in love with her. The film was both a critical and financial disappointment at the time of release.[115][116]

De Carlo was in "Verdict of Three" for Playhouse 90 (1958). She made a French Foreign Legion movie with Victor Mature, Timbuktu, directed by Jacques Tourneur (1958). She unsuccessfully auditioned for the Broadway musical Destry Rides Again losing out to Dolores Gray.[117]

In May 1958,[118] De Carlo was signed to play Mary Magdalene in the Italian biblical epic The Sword and the Cross (tentatively titled The Great Sinner and released in the United States as Mary Magdalene), with Jorge Mistral as her love interest, the Roman Gaius Marcellus, and Rossana Podestà as her sister, Martha. The film's director, Carlo Ludovico Bragaglia, later remembered that "producer, Ottavio Poggi, had sent the provisional script to America, so Yvonne De Carlo could read it and decide on her participation in the film. She read it and got very excited, agreeing to play the role of Magdalene."[119] The film was shot in English and later dubbed in Italian.[105]

De Carlo put together a nightclub act and toured with it in South America. She guest-starred on Bonanza ("A Rose for Lotta", 1959), Adventures in Paradise ("Isle of Eden", 1960), Death Valley Days ("The Lady Was an M.D", 1961), Follow the Sun ("The Longest Crap Game in History" [1961] and "Annie Beeler's Place", 1962) and Burke's Law ("Who Killed Beau Sparrow?", 1963). She also played Destry Rides Again in summer stock.[citation needed]

 
De Carlo in McLintock! (1963)

De Carlo's husband had become permanently disabled while working as a stunt man on How the West Was Won (1963), eventually losing his leg. De Carlo took any job going, appearing in night club acts across the country as well as a play in stock, Third Best Sport.[citation needed]

To help out, John Wayne offered her the supporting role of Louise Warren, the title character's cook in McLintock! (1963), with Wayne and Maureen O'Hara. She was second billed in a Western Law of the Lawless (1964) and played the Spanish dancer Dolores in the Bob Hope comedy A Global Affair (1964).[citation needed]

De Carlo was in "The Night the Monkey Died" for The Greatest Show on Earth (1964). She took over a role on Enter Laughing on Broadway for a week and played in it when the production went on tour.[citation needed]

Later career edit

The Munsters (1964–1966) edit

 
De Carlo (with sleeved dress) along with the cast of The Munsters in 1964

She was in debt by 1964 when she signed a contract with Universal Studios to perform the female lead role in The Munsters opposite Fred Gwynne. She was also the producers' choice to play Lily Munster when Joan Marshall, who played the character (originally called "Phoebe"), was dropped from consideration for the role. When De Carlo was asked how a glamorous actress could succeed as a ghoulish matriarch of a haunted house, she replied simply, "I follow the directions I received on the first day of shooting: 'Play her just like Donna Reed.'"[120] She sang and played the harp in at least one episode ("Far Out Munsters") of The Munsters.[citation needed]

After the show's cancellation, she reprised her role as Lily Munster in the Technicolor film Munster, Go Home! (1966), partially in hopes of renewing interest in the sitcom. Despite the attempt, The Munsters was cancelled after 70 episodes. Of the sitcom and its cast and crew, she said: "It was a happy show with audience appeal for both children and adults. It was a happy show behind the scenes, too; we all enjoy working with each other."[121] Years later, in 1987, she said: "I think Yvonne De Carlo was more famous than Lily, but I gained the younger audience through The Munsters. And it was a steady job."[122]

Stage work and Follies (1967–1973) edit

After The Munsters, she guest-starred in "The Moulin Ruse Affair" in The Girl from U.N.C.L.E. (1967) and "The Raiders" for Custer (1967) and episodes of The Virginian.[citation needed]

She starred in Hostile Guns (1967) and Arizona Bushwhackers (1968), a pair of low-budget westerns produced by A. C. Lyles and released by Paramount Pictures. During this time, she also had a supporting role in the 1968 thriller The Power.[citation needed]

After 1967, De Carlo became increasingly active in musicals, appearing in off-Broadway productions of Pal Joey and Catch Me If You Can. In early 1968 she joined Donald O'Connor in a 15-week run of Little Me staged between Lake Tahoe and Las Vegas and she did a five-month tour in Hello Dolly. Later she toured in Cactus Flower.[123]

De Carlo continued to appear in films such as The Delta Factor (1970) and had a notable part in Russ Meyer's The Seven Minutes (1971). The Los Angeles Times said about the latter that De Carlo featured in "an improbable sequence pulled off with verve by the still glamorous star."[124]

Her defining stage role was as "Carlotta Campion" in Harold Prince's production of the Stephen Sondheim musical Follies in 1971–72.[123] Playing a washed-up star at a reunion of old theater colleagues, she introduced the song "I'm Still Here".[125] De Carlo said she was told the part was written especially for her.[126]

In October 1972, De Carlo arrived in Australia to replace Cyd Charisse in Michael Edgley's production of No, No, Nanette.[127] Her opening night was on November 6, 1972, at Her Majesty's Theatre in Melbourne.[11] The show moved on to Adelaide,[128] Sydney, and then to several New Zealand cities.[129] It closed in the fall of 1973, and De Carlo returned to the United States.

In late 1973 and early 1974, she starred in a production of Ben Bagley's Decline and Fall of the Entire World as Seen Through the Eyes of Cole Porter in San Diego.[citation needed]

In May 1975, she starred in the San Bernardino Civic Light Opera's production of Applause at the California Theatre of the Performing Arts.[130] The San Bernardino Sun described her performance as "brilliant" and wrote, "a packed house watched Yvonne De Carlo give a new dimension to Margo Channing, a part she was playing for the first time, but nonetheless, a part she was very well suited for."[131]

Later career (1974–1995) edit

As for my stage or film roles, there was a period of time when I was less selective than I might have been. If a job was offered, and if the price was right, I took it. I needed the money.

—Yvonne De Carlo, Yvonne: An Autobiography[132]

 
De Carlo at the National Film Society convention in 1979

De Carlo appeared in The Girl on the Late, Late Show (1974), The Mark of Zorro (1974), Arizona Slim (1974), The Intruder (1975), Blazing Stewardesses (1975), It Seemed Like a Good Idea at the Time (1975), Black Fire (1975), and La casa de las sombras (1976).[citation needed]

She continued to appear on stage, notably in Dames at Sea, Barefoot in the Park and The Sound of Music.[citation needed]

She was seen on Satan's Cheerleaders (1977), Nocturna (1979), Guyana: Cult of the Damned (1979), Fuego negro (1979), The Silent Scream (1979) and The Man with Bogart's Face (1980). She guest-starred on shows like Fantasy Island.[citation needed]

De Carlo was in The Munsters' Revenge (1981), then Liar's Moon (1982), Play Dead (1982), Vultures (1984), Flesh and Bullets (1985), and A Masterpiece of Murder (1986) (with Bob Hope). She was in a revival of The Munsters.[citation needed]

De Carlo's later films included American Gothic (1988), for which she won the Best Actress Award from International Science Fiction and Fantasy Film Show (Fantafestival); Cellar Dweller (1988); and Mirror Mirror (1990). She had a supporting role as the title character's Aunt Rosa in the Sylvester Stallone comedy Oscar (1991). Aunt Rosa is present when Oscar's father, played by Kirk Douglas, extracts "a deathbed promise" from his son. Of her role, De Carlo said, "Mine is a small part—but funny."[133]

She appeared in Murder, She Wrote ("Jessica Behind Bars", 1985), The Naked Truth (1992), Seasons of the Heart (1993), and "Death of Some Salesmen" in Tales from the Crypt (1993). She had a small cameo role in Here Come the Munsters, a 1995 television film remake of The Munsters. De Carlo, along with Al Lewis, Pat Priest, and Butch Patrick, did not have to wear costumes "because the Munsters have several lives."[134]

Her final performance was as Norma, "an eccentric Norma Desmond lookalike", in the 1995 television film The Barefoot Executive, a Disney Channel remake of the 1971 film of the same title.[134] Norma, a former stand-in for film actors, "monkey-sits" the title character, a chimpanzee named Archie who is able to predict top-rated television series. "She has these outrageous costumes—six of them—and it's just a small part", De Carlo told Los Angeles Times. "But I like to do small things now."[134]

In 2007, her son Bruce revealed that, before her death, she played supporting roles in two independent films that have yet to be released.[135]

Personal life edit

In 1950, De Carlo purchased an eleven-room ranch house on five-and-a-half acres of "hilly woodland" on Coldwater Canyon Drive[136] in Studio City, Los Angeles, above Beverly Hills. De Carlo described it as her "dream home" and hired an architect to help her design "an English-style dining room, with paneling and stained-glass windows." She also built stables for her horses[110] and a large swimming pool.[137] She sold the property in 1975.[138] In 1981, she moved to a ranch in the Santa Ynez Valley,[139] near Solvang, California.[citation needed]

Relationships edit

In her autobiography, De Carlo considered director Billy Wilder "the first big love of my life".[56] They met in 1943 when she was under contract to Paramount Pictures. Although she described him as the physical "antithesis of my lifelong dream man", she fell in love with him and admired his "endless charm and wit". He was separated from his wife and lived in a rented house while they were together. Their short-lived relationship ended when he left her for actress Doris Dowling.[140]

In 1945, after the release of her second film, Frontier Gal, De Carlo returned to Vancouver and attended a celebration held in her honor at her former workplace, the Palomar nightclub, where she was introduced to billionaire Howard Hughes. She later discovered he had flown directly from Los Angeles because he wanted to meet her outside of Hollywood. Hughes told her he had seen Salome, Where She Danced more than five times and was enthralled by her beauty. De Carlo initially "felt just kind of sorry" for the "lanky, underfed, and remarkably sad" Hughes. The following day they went out on a date and began a romantic relationship. Hughes preferred to keep their romance private and never mentioned it to the press. De Carlo wanted to marry him but he was not serious about their relationship. De Carlo later wrote, "Howard Hughes was one of the most important loves of my life".[141]

After her breakup with Hughes, De Carlo dated Robert Stack and Burt Lancaster, her Criss Cross co-star. During the filming of Brute Force, De Carlo fell in love with her co-star, fellow Universal contract player Howard Duff. Despite the fact that they "had almost nothing in common," Duff was interested in marrying De Carlo and the studio approved their relationship.[142] In April 1947, De Carlo announced her engagement to Duff,[143] but they eventually separated due to his alcoholism.[144]

De Carlo met Prince Abdul Reza Pahlavi of Iran when he visited Beverly Hills in 1947.[145] A week later, they traveled to New York and spent some time together.[146] After the completion of her film Casbah, De Carlo embarked on her first trip to Europe, reuniting with Prince Abdul in Paris.[147] They vacationed in Switzerland and Italy, and, several months later, De Carlo also visited the royal palace in Tehran.[148]

In the late 1940s, De Carlo began a relationship with Jock Mahoney, a stuntman who worked on her film The Gal Who Took the West.[149] While she was engaged to Mahoney, De Carlo became pregnant and also discovered she had a large ovarian cyst. The tumor was surgically removed and, as a result, she lost the baby.[150] Her relationship with Mahoney ended when De Carlo found out he was seeing another woman, actress Margaret Field.[151]

In the 1950s, one of her fiancés was English photographer Cornel Lucas.[152] In early 1954, she informed columnist Erskine Johnson about her engagement to Scottish actor Robert Urquhart, her co-star in Happy Ever After. She said, "I'm just getting settled down into feeling that I'm ready for marriage. Before, I felt that I wasn't ready."[153]

In the spring of 1954, she told a journalist:

I think it is wonderful to work. I dedicate more time now than ever to study. I really like to delve deeply into the characters and the stories in order to make the most of each part I play. It seems best to remain free of any serious romantic attachments under these circumstances. I will have to meet an exceptional and understanding person, indeed, before I think of marriage. I haven't met such a person yet.[99]

Marriage edit

 
De Carlo with her husband, Robert Morgan, at the New York premiere of The Ten Commandments in 1956

De Carlo met stuntman Robert Drew "Bob" Morgan on the set of Shotgun in 1955, but he was married and had a child, daughter Bari Lee,[154] and De Carlo had "no intention of causing that marriage to break up."[155] However, they met again, after the death of Morgan's wife, on the set of The Ten Commandments in Egypt,[156] where they "seemed immediately attracted to each other."[110] They were married on November 21, 1955, at St. Stephen's Episcopal Church in Reno, Nevada.[157][158] De Carlo raised Bari as her own and had two sons with Morgan: Bruce Ross, whose godfather was Cecil B. DeMille;[104][159] and Michael.[citation needed]

Bob Morgan was seriously injured and almost died while performing a stunt in the film How the West Was Won (1962).[160] Toward the end of the film, there is a gunfight on a moving train between the marshal and a gang of train robbers.[161] Doubling for the actor who played the marshal, Morgan was told to hold on to a log and sway between two flatcars, one of them carrying several tons of timber.[161] The chains holding the logs together snapped, and Morgan was crushed by the falling logs.[161] He was so badly hurt it took him five years to recover to the point where he was able to move by himself and walk unaided. Because his contract with MGM assumed no responsibility for the accident, De Carlo and Morgan filed a $1.4 million lawsuit against the studio, claiming her husband was permanently disabled.[citation needed]

After the accident, De Carlo worked arduously to support her family and was often away from home, touring with stage productions or performing in nightclubs. Morgan's constant arguing strained their marriage and De Carlo even considered divorcing her husband in 1968.[162] When she returned home after a New Zealand tour of No, No, Nanette, she filed for divorce on the grounds of irreconcilable differences.[163] They were divorced in July 1973.[164]

Political views edit

De Carlo, a naturalized citizen of the United States, was an active Republican who campaigned for Richard Nixon,[165] Ronald Reagan[166] and Gerald Ford.[167] In her autobiography, she recounted the time when she "loved to give interviews, and enjoyed being outspoken, or 'good copy,' openly discussing my survival instincts and admitting my to-the-right-of-right politics."[168]

A conservative, she stated in a 1976 television interview with the CBC: "I'm all for men and I think they ought to stay up there and be the bosses, and have women wait on them hand and foot and put their slippers on and hand them the pipe and serve seven-course meals; as long as they open the door, support the woman, and do their duty in the bedroom, et cetera."[169]

Religion edit

De Carlo's maternal grandparents came from distinct religious backgrounds: He was Catholic and she was Presbyterian.[19] They raised her as an Anglican; she was a member and chorister of Vancouver's St. Paul's Anglican Church.[170]

In her autobiography, De Carlo wrote about her faith in God: "God has saved me and mine from some pretty sticky situations. For me, religion is a little like being a Republican or a Democrat. It's not the party that counts, it's the man. Therefore, I care not what house of worship I enter, be it Catholic, Presbyterian, or Baptist. I elected God a long time ago and I'll stick with Him, because I don't think His term will ever be up."[139]

Health and death edit

De Carlo suffered a minor stroke in 1998. She later became a resident of the Motion Picture & Television Country House and Hospital, in Woodland Hills, where she spent her last years.[171] She died from heart failure on January 8, 2007, and was cremated.[172]

Awards and honors edit

In popular culture edit

  • In the 1954 I Love Lucy episode "Ricky's Screen Test", Lucy reads in a newspaper that MGM is considering several Hollywood actresses, including Yvonne De Carlo, for the female lead role in Ricky's film Don Juan.[183]

Filmography edit

Main article: Yvonne De Carlo performances

Discography edit

Singles edit

  • "I Love a Man" / "Say Goodbye" (Columbia UK DB2850, 1950)[184]
  • "Take It Or Leave It" / "Three Little Stars" (Capitol F3206, 1955)[185]
  • "That's Love" / "The Secret of Love" (Imperial 5484, 1957)[186]
  • "I Would Give My Heart" / "Rockin' In The Orbit" (Imperial 5532, 1958)[186]

Albums edit

Duets edit

References edit

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Bibliography edit

  • Bawden, James; Miller, Ron (2017). "Yvonne De Carlo". You Ain't Heard Nothin' Yet: Interviews with Stars from Hollywood's Golden Era. University Press of Kentucky. ISBN 9780813174235.
  • De Carlo, Yvonne; Warren, Doug (1987). Yvonne: An Autobiography. St. Martin's Press. ISBN 9780312002176.
  • Foster, Charles (2003). "Yvonne De Carlo". Once Upon a Time in Paradise: Canadians in the Golden Age of Hollywood. Dundurn Press. ISBN 9781459712676.
  • Orrison, Katherine (1999). "Mrs. Moses: Yvonne De Carlo". Written in Stone: Making Cecil B. DeMille's Epic The Ten Commandments. Vestal Press. ISBN 9781461734819.
  • Thomas, Nick (2011). "Bruce Morgan on Yvonne De Carlo". Raised by the Stars: Interviews with 29 Children of Hollywood Actors. McFarland. ISBN 978-0-7864-6403-6.

External links edit

 
Wikiquote has quotations related to Yvonne De Carlo.
 
Wikimedia Commons has media related to Yvonne De Carlo.

Obituaries

  • "Yvonne De Carlo, Who Played Lily on 'The Munsters,' Dies at 84". NY Times. Obituary. January 11, 2007. Retrieved September 16, 2016.
  • "Munsters' Television Star Yvonne de Carlo Dies at 84". Press release. Media Newswire. January 11, 2007. Retrieved September 16, 2016.
  • "Yvonne de Carlo". The Daily Telegraph. Obituary. London, UK. January 12, 2007. from the original on February 13, 2009.
  • "Yvonne De Carlo". Virtual History. Retrieved September 16, 2016.

January 01, 1970
yvonne, carlo, margaret, yvonne, middleton, september, 1922, january, 2007, known, professionally, canadian, american, actress, dancer, singer, became, hollywood, film, star, 1940s, 1950s, made, several, recordings, later, acted, television, stage, 1955bornmar. Margaret Yvonne Kao Middleton September 1 1922 January 8 2007 known professionally as Yvonne De Carlo was a Canadian American actress dancer and singer She became a Hollywood film star in the 1940s and 1950s made several recordings and later acted on television and stage Yvonne De CarloYvonne De Carlo c 1955BornMargaret Yvonne Middleton 1922 09 01 September 1 1922Vancouver British Columbia CanadaDiedJanuary 8 2007 2007 01 08 aged 84 Los Angeles California U S OccupationsActressdancersingerYears active1939 1995Notable workSephora in Cecil B DeMille s The Ten Commandments 1956 TelevisionThe Munsters 1964 1966 Political partyRepublicanSpouseRobert Drew Morgan m 1955 div 1973 wbr Children2Awards1957 Laurel Award for Topliner Supporting Actress for The Ten Commandments 1956 Musical careerGenresBlues jazz popInstrument s VocalsLabelsColumbia Capitol Imperial Masterseal Remington DeCarlo was born in Vancouver British Columbia and was enrolled in a local dance school by her mother when she was three By the early 40s she and her mother had moved to Los Angeles where De Carlo entered beauty contests and worked as a dancer in nightclubs In 1941 she began working in short subject motion pictures She sang The Lamp of Memory in a three minute Soundies musical in 1942 she signed a three year contract with Paramount Pictures where she got uncredited bit parts in important films Her first lead was for producer E B Derr in the 1943 James Fenimore Cooper adventure Deerslayer She obtained her breakthrough role in Salome Where She Danced 1945 a Universal Pictures release produced by Walter Wanger who described her as the most beautiful girl in the world 1 2 3 The film s publicity and success turned her into a star and she signed a five year contract with Universal Universal starred her in its lavish Technicolor productions such as Frontier Gal 1945 Song of Scheherazade 1947 and Slave Girl 1947 Cameramen voted her Queen of Technicolor three years in a row 4 Tired of being typecast as exotic women she made her first serious dramatic performances in two film noirs Brute Force 1947 and Criss Cross 1949 The first American film star to visit Israel De Carlo received further recognition as an actress for her leading performances in the British comedies Hotel Sahara 1951 The Captain s Paradise 1953 and Happy Ever After 1954 Her career reached its peak when eminent producer director Cecil B DeMille cast heras Moses Midianite wife Sephora in his biblical epic The Ten Commandments 1956 5 For this role she won a Laurel Award for Topliner Supporting Actress 6 Her success continued with other notable starring roles in Flame of the Islands 1956 Death of a Scoundrel 1956 Band of Angels 1957 and The Sword and the Cross 1958 in which she portrayed Mary Magdalene She starred in the CBS sitcom The Munsters 1964 1966 7 playing Herman Munster s glamorous vampire wife Lily a role she reprised in the feature film Munster Go Home 1966 and the TV film The Munsters Revenge 1981 In 1971 she played Carlotta Campion and introduced the popular song I m Still Here in the Broadway production of the Stephen Sondheim musical Follies Yvonne her best selling autobiography was published in 1987 A stroke survivor De Carlo died of heart failure in 2007 She was awarded two stars on the Hollywood Walk of Fame for her contributions to motion pictures and television Contents 1 Early life 2 Early career 2 1 Beginnings in Hollywood 1940 1942 2 2 Paramount Pictures 1942 1944 3 Stardom 3 1 Salome Where She Danced 1944 1945 3 2 Universal International 1946 1950 3 3 Post Universal 1951 1954 3 4 The Ten Commandments and last notable film roles 1954 1963 4 Later career 4 1 The Munsters 1964 1966 4 2 Stage work and Follies 1967 1973 4 3 Later career 1974 1995 5 Personal life 5 1 Relationships 5 2 Marriage 5 3 Political views 5 4 Religion 5 5 Health and death 6 Awards and honors 7 In popular culture 8 Filmography 9 Discography 9 1 Singles 9 2 Albums 9 3 Duets 10 References 11 Bibliography 12 External linksEarly life editOn the evening of August 31 that year 1922 three days after her own birthday Marie was having five minute contractions She was taken to the public ward of St Paul s Hospital where she went through a difficult labor I was born the following morning amid the tumult of the season s worst thunderstorm Marie s doctor hadn t arrived and the delivery was made by a pair of floor nurses They confirmed afterward that as she was being shifted to the delivery table she was shouting I want a girl It must be a girl I want a dancer Yvonne De Carlo Yvonne An Autobiography 8 nbsp De Carlo left and her mother at the Florentine Gardens c 1941 De Carlo was born Margaret Yvonne Middleton on September 1 1922 at St Paul s Hospital 8 in Vancouver British Columbia Canada Her nickname was Peggy because she was named after the silent film star Baby Peggy 9 Her mother Marie De Carlo 10 was born in France to a Sicilian fatherand a Scottish mother Marie a wayward and rebellious teenager aspired to become a dancer and worked as a milliner s apprentice until she met Peggy s father William Shelto Middleton 8 Middleton was a salesman born in New Zealand to English parents 11 and had piercing eyes of pale blue and a wealth of straight black hair 8 Marie and William married in Alberta where they lived for a couple of months before returning to Vancouver 8 They moved in with Marie s parents but the marriage was troubled 12 Peggy had only two memories of her father climbing up to his knee and crawling toward his feet 12 By the time Peggy was three 13 William was involved in various swindles and fled Canada aboard a schooner promising to send for his wife and child 8 Marie and Peggy never heard from him again rumors said that he remarried twice and had more children worked as an actor in silent films or died aboard a ship 9 Peggy later wrote My own assumption is that he died before he had the chance to discover that his Baby Peggy had become a Hollywood actress or I think he would have tried to contact me 9 After William s departure Marie left her parents home and found work in a shop 9 Marie and Peggy lived in a succession of apartments in Vancouver including one with no furniture or stove 9 They periodically returned to the De Carlo home a huge white frame house at 1728 Comox Street in Vancouver s West End 14 Marie s parents Michele Papa De Carlo 15 and Margaret Purvis De Carlo 16 were religious attended church regularly and held services in their parlor 17 Michele a native of Messina 18 had met Margaret in Nice France They married in 1897 had four children and settled in Canada 19 De Carlo attended Lord Roberts Elementary School 20 a block from her grandparents home citation needed She originally wanted to be a writer 21 She was seven when a school assignment a poem she wrote titled A Little Boy was entered in a contest run by the Vancouver Sun 14 She won and received a prize of 5 which according to De Carlo meant as much to her at that time as if she had won the Nobel Peace Prize 22 She also wrote short plays which she usually staged in her grandparents house and even adapted Charles Dickens A Christmas Carol for a neighborhood performance 22 Marie wanted her daughter to have a career in show business and made sure Peggy received singing and dancing lessons Peggy joined the choir of St Paul s Anglican Church to strengthen her voice 23 When she was ten or three according to a 1982 interview 14 her mother enrolled her in the June Roper School of the Dance in Vancouver 24 In May 1939 a Variety news item listed Yvonne de Carlo as one of the performers at the opening of Hy Singer s Palomar ballroom also known as Palomar Supper Club in Vancouver 25 Early career editBeginnings in Hollywood 1940 1942 edit nbsp De Carlo s first film appearance was in the Maxie Rosenbloom vehicle Harvard Here I Come 1941 De Carlo and her mother made several trips to Los Angeles In 1940 she won second place in the Miss Venice beauty contest 26 and placed fifth in that year s Miss California competition and can be seen in that pageant at 0 36 of the British Pathe film A Matter of Figures 27 At the Miss Venice contest she was noticed by a booking agent who told her to audition for an opening in the chorus line at the Earl Carroll Theatre on Sunset Boulevard in Hollywood 26 De Carlo and her mother arrived at Earl Carroll s for the audition but after learning that Carroll would have to examine her upper assets before hiring her 28 De Carlo and her mother searched for work at another popular Hollywood nightclub the Florentine Gardens 29 They met the proprietor Nils Granlund and he introduced De Carlo to the audience before she tap danced to Tea for Two 30 Granlund then asked Well folks is she in or out 31 The audience responded with a rousing round of applause with whistles and cheers and De Carlo got the job She started in the back of the chorus line but after months of practice and hard work 32 Granlund featured her in a King Kong number In it she danced and cast off several chiffon veils before being carried away by a gorilla 33 She was given more solo routines and also appeared in her first soundie 33 She had been dancing at the Florentine Gardens only a few months when she was arrested by immigration officials and deported to Canada in late 1940 34 In January 1941 Granlund sent a telegram to immigration officials pledging his sponsorship of De Carlo in the U S and affirmed his offer of steady employment both requirements to reenter the country 35 In May 1941 she appeared in a revue Hollywood Revels at the Orpheum Theatre A critic from the Los Angeles Times who reviewed it said the dancing of Yvonne de Carlo is especially notable 36 She also made her debut on network radio with Edmund Lowe and Victor McLaglen who were performing extracts from a series based on their Flagg Quint performances 37 De Carlo wanted to act At the encouragement of her friend Artie Shaw who offered to pay her wages for a month 38 she quit the Florentine Gardens and hired talent agent Jack Pomeroy 39 Pomeroy got De Carlo an uncredited role as a bathing beauty in a Columbia Pictures B film Harvard Here I Come 1941 She had one line Nowadays a girl must show a front in a scene with the film s star boxer Maxie Rosenbloom Her salary was 25 and her work got her into the Screen Actors Guild 39 When no other acting jobs came her way she decided to return to the chorus line and auditioned for Earl Carroll who hired her 39 While working for Carroll she won a one line part in This Gun for Hire 1942 at Paramount Carroll found out and fired her as he did not allow his dancers to work outside the nightclub without permission 40 She asked Granlund if he would rehire her and he did In December 1941 she was dancing in the Glamour Over Hollywood revue at the Gardens 41 42 America s entry into World War II saw De Carlo and other Florentine dancers busy entertaining troops at USO shows 43 44 A skilled horsewoman she also appeared in a number of West Coast rodeos 24 Paramount Pictures 1942 1944 edit nbsp De Carlo as Wah Tah in Deerslayer 1943 her first featured role in a full length film Following an interview at Paramount De Carlo was cast as one of Dorothy Lamour s handmaidens in Road to Morocco 1942 45 She got a screen test for the role of Ata in The Moon and Sixpence but lost to Elena Verdugo 46 She returned to Paramount for a bit role in Lucky Jordan 1942 and found another small part in a Republic Pictures film Youth on Parade 1942 which she later called a dreadful bomb 47 After recovering from bronchial pneumonia she went to Paramount and signed a six month contract possibly going up to seven years starting at 60 a week 47 For her first assignment as a Paramount player De Carlo was loaned to Monogram Pictures to play a Florentine Gardens dancer in Rhythm Parade starring Nils Granlund who had requested her for the role and Gale Storm 48 She then appeared as an extra in Paramount s The Crystal Ball 1943 of which she wrote Only my left shoulder survived after editing 48 She asked director Sam Wood for a part in his next film For Whom the Bell Tolls 1943 and he gave her a small role in the cantina scene with Gary Cooper 49 De Carlo was also seen in Let s Face It 1943 So Proudly We Hail 1943 and Salute for Three 1943 She kept busy in small roles and helping other actors shoot tests I was the test queen at Paramount she said later 24 But she was ambitious and wanted more I m not going to be just one of the girls she said 50 Cecil B DeMille Paramount s most famous director saw De Carlo in So Proudly We Hail and arranged for a screen test and interview for a part in his film The Story of Dr Wassell 1943 He subsequently selected her for a key role 51 52 He ended up choosing Carol Thurston for the role of Tremartini and casting De Carlo in an uncredited part as a native girl but promised her another role in a future film 53 Shortly after losing the Tremartini role De Carlo was loaned to Republic Pictures to portray Native American princess Wah Tah in Deerslayer 54 It was her first featured role in a full length film At Paramount she played unbilled bit roles in True to Life 1943 and Standing Room Only 1944 55 She also tested for the role of Lola in Double Indemnity 1944 56 She was billed in a short Fun Time 1944 and went to MGM to play an uncredited lady in waiting in Kismet 1944 55 The New York Times later dubbed De Carlo threat girl for Dorothy Lamour when Dotty wanted to break away from saronging 53 57 This had its origin when De Carlo was set to replace Dorothy Lamour in Rainbow Island 1944 however Lamour changed her mind about the role 50 De Carlo was given a bit part in the final movie De Carlo played further unbilled roles in Here Come the Waves 1944 Practically Yours 1944 and Bring on the Girls 1945 Paramount decided not to renew her contract option 58 but did renew Lamour s contract citation needed Stardom editSalome Where She Danced 1944 1945 edit nbsp De Carlo in Salome Where She Danced 1945 De Carlo was screen tested by Universal who were looking for an exotic glamour girl in the mold of Maria Montez and Acquanetta 59 The test was seen by Walter Wanger who was making an adventure film in Technicolor Salome Where She Danced 1945 Wanger later claimed he discovered De Carlo when looking at footage for another actor in which De Carlo also happened to appear Milburn Stone 60 Wanger tested De Carlo several times and Universal signed her to a long term contract at 150 a week In September 1944 it was announced that De Carlo was cast in the lead of Salome over a reported 20 000 other young women 3 61 Another source claimed 21 Royal Canadian Air Force bombardier students who loved De Carlo as a pinup star had campaigned to get her the role 62 De Carlo later said this was done at her behest she took several pictures of herself in a revealing costume and persuaded two childhood friends from Vancouver Reginald Reid and Kenneth Ross McKenzie who had become pilots to arrange their friends to lobby on her behalf 24 writing in her memoirs that the whole thing was Wanger s idea 63 Though not a critical success Salome was a box office favorite and the heavily promoted De Carlo washailed as an up and coming star In his review of the film Bosley Crowther of the New York Times wrote Miss De Carlo has an agreeable mezzo soprano singing voice all the looks one girl could ask for and moreover she dances with a sensuousness which must have caused the Hays office some anguish The script however does not give her much chance to proveher acting talents 64 Universal International 1946 1950 edit nbsp De Carlo in the trailer for Song of Scheherazade 1947 Universal signed de Carlo to a long term contract She was used by the studio as a backup star to Maria Montez and her second movie for the studio saw her step into a role rejected by Montez the Western Frontier Gal 1946 alongside Rod Cameron 50 In 1946 exhibitors voted De Carlo the ninth most promising star of tomorrow 65 Like Salome it was shot in Technicolor citation needed De Carlo followed Frontier Gal with a top billed role in Walter Reisch s Technicolor musical Song of Scheherazade 1947 co starring Brian Donlevy and Jean Pierre Aumont Tilly Losch an Austrian dancer and friend of Reisch coached De Carlo in her three dancing solos 66 The film was a hit making over 2 million citation needed De Carlo wanted to act in different types of movies She applied to play the part of a waitress in A Double Life 1947 but lost out to Shelley Winters 67 Instead Universal put her back in Technicolor for Slave Girl 1947 made with the producers of Frontier Gal It was another solid commercial success De Carlo was given a small role in Brute Force 1947 a prison movie starring Burt Lancaster and produced by Mark Hellinger It was her first movie in black and white since becoming a star and her first to get good reviews citation needed She played Lola Montez in Black Bart 1948 a Technicolor Western with Dan Duryea for director George Sherman Duryea and Sherman worked with her again on River Lady 1948 De Carlo called these films physically taxing but not creatively inspiring 68 The New York Times later summarised them as a series of routine costume adventures as a tough but good natured minx from across the tracks who wades into society and inevitably backtracks with a bloke of her own caliber 69 She romanced Tony Martin in Casbah 1948 a musical remake of Algiers 1938 made for Martin s own production company but released through Universal De Carlo was reluctant to be in it because though she would receive top billing over Martin she did not get the female lead That part went to Swedish newcomer Marta Toren However studio head William Goetz insisted 70 that De Carlo play Inez the role Sigrid Gurie acted in the 1938 version She also sang the film s song For Every Man There s a Woman which was nominated for the Academy Award for Best Original Song 71 72 The film flopped at the box office de Carlo s first flop since becoming a star citation needed nbsp De Carlo in the trailer for Criss Cross 1949 De Carlo then received an offer from Mark Hellinger to make another film with Burt Lancaster the film noir Criss Cross 1949 This time De Carlo had a larger role as a femme fatale Anna Bosley Crowther noted that De Carlo was trying something different as Anna The change is welcome even though Miss de Carlo s performance is uneven In that respect she is right in step with most everything else about Criss Cross 73 The film has become regarded as a classic and De Carlo considered the role the highlight of her career to date 74 Tony Curtis made his debut in the movie in a scene dancing with De Carlo 75 De Carlo was keen to make more movies along this line but Universal put her back in Technicolor Westerns with Calamity Jane and Sam Bass 1949 playing Calamity Jane directed by Sherman alongside Howard Duff citation needed She played a role intended for Deanna Durbin in The Gal Who Took the West 1950 for director Fred de Cordova The movie gave her a chance to show off her singing voice Trained in opera and a former child chorister at St Paul s Anglican Church Vancouver De Carlo possessed a large vocal range 76 She was meant to be in Bagdad 1949 but suffered a miscarriage and was ill so the studio cast Maureen O Hara 77 De Cordova directed de Carlo in Buccaneer s Girl 1950 a pirate movie set in 1810s New Orleans opposite Philip Friend was a box office and critical failure The director later called De Carlo a doll underrated as an actress She was most professional worked hard was very good at her craft possibly was not a first class star but came in on schedule She knew her lines she danced and sang rather well and she wanted very much to be a bigger star than she ever became 78 She toured US army bases singing then was in The Desert Hawk 1950 an Eastern with Richard Greene She made a Western with Sherman Tomahawk 1951 opposite Van Heflin which was popular citation needed De Carlo toured extensively to promote her films and entertained US troops in Europe She also began singing on television 79 She received an offer from England to make a comedy Hotel Sahara 1951 with Peter Ustinov While in England she asked Universal to release her from her contract though it still had three months to go and the studio agreed 80 Post Universal 1951 1954 edit nbsp De Carlo and fellow Vancouverite John Ireland in Hurricane Smith 1952 a Paramount Pictures release While in China De Carlo recorded two singles Say Goodbye and I Love a Man 81 In March 1951 she signed a new contract with Universal to make one film a year for three years 82 De Carlo went to Paramount to make a Western Silver City 1951 for producer Nat Holt co starring alongside Edmond O Brien for a fee of 50 000 83 In 1951 84 4 85 De Carlo accepted an offer to open the thirtieth season of the Hollywood Bowl singing the breeches role of Prince Orlovsky in five performances of the opera Die Fledermaus The Bat from July 10 to 14 86 87 The performances were conducted by noted film composer Franz Waxman In her autobiography she described her participation in Die Fledermaus as a rewarding experience the aesthetic highlight of my life 87 In August 1951 De Carlo became the first Canadian film star to visit the State of Israel giving concerts in Haifa Ramat Gan Jerusalem Tel Aviv and Jaffa 88 89 She drew capacity audiences and was royally received by the Israeli government and the public 90 Her performances consisted of singing and dancing routines from her films 91 She learned that her films were extremely popular there saying Every time I played a concert someone would yell Sing something from Casbah 91 About the warm reception she received in Israel she told columnist Louella Parsons Everyone in Israel was so wonderful to me and I ll never forget the speech the Mayor of Jerusalem Rabbi S Z Shragar made It had to be translated because he spoke in Hebrew He is an orthodox Jew and lives up to his religion He received me in his office and served me Turkish coffee and I was told no woman had ever been invited to have coffee in his office before He welcomed me to Israel in a gracious kindly manner that I shall never forget He gave me what they call a special blessing not only for myself but for all artists who were to come later 92 De Carlo returned early from Tel Aviv to make The San Francisco Story 1952 with Joel McCrea It was the first of a two picture deal with Fidelity Pictures the second was to be The Scarlet Flame about Brazil s battle for independence which was never made 93 She made her live TV debut in Another Country for Lights Out 1952 De Carlo wanted to make a film for Sydney Box called Queen of Sheba with Peter Ustinov as Solomon but it was never made 94 She went back to Universal for the first movie under her new contract Scarlet Angel 1952 with Rock Hudson citation needed At Paramount she did another film for Nat Holt Hurricane Smith 1952 then she appeared in Madame 44 for The Ford Television Theatre 1952 She announced plans to form her own production company with her agent Vancouver Productions 95 However as she later wrote absolutely nothing came of this 96 De Carlo went to MGM to make Sombrero 1953 mostly shot in Mexico She liked her character because it was almost madonnalike It is a role that demands the most sincerity for its proper interpretation Many pictures that I have done perhaps offered me typical outdoor parts or western heroine parts So long as I could convey a flashy sort of impression it was alright I don t deny the importance of such parts for me They are excellent But is stands to reason that as one goes on one seeks less superficial assignments 97 De Carlo was reunited with Hudson for Sea Devils 1953 a Napoleonic adventure tale shot in Britain and France released through RKO This meant she had to postpone a film she was going to make for Edward Small Savage Frontier She was offered a role in Innocents in Paris 1953 but ultimately did not appear in the film 97 Back in the US she had an adventure film set in the desert Fort Algiers 1953 for United Artists starring Carlos Thompson whom de Carlo had recommended citation needed nbsp De Carlo with Alec Guinness in The Captain s Paradise 1953 She made her third film in Britain with The Captain s Paradise 1953 a comedy featuring the two wives a ship captain played by Alec Guinness keeps in separate ports De Carlo played Nita the sensual wife who lives in Morocco while Celia Johnson played Maud the demure wife who lives in Gibraltar The New York Times critic Bosley Crowther commended her performance by writing And Miss De Carlo as the siren the mate of the tiger in Mr G Guinness is wonderfully candid and suggestive of the hausfrau in every dame 98 De Carlo made a fourth film in England Happy Ever After 1954 released in the U S as Tonight s The Night a comedy featuring her as the love interest for David Niven who inherits an estate in Ireland She was then called back to the U S to do a contemporary TV comedy The Backbone of America 1953 with Wendell Corey In 1954 after the success of The Captain s Paradise she expressed a desire to do more comedy I ve had my share of sirens and am happy to get away from them no matter what the part Just to look pretty on the screen as a romantic lead is probably all right but so what I d much rather do something in a good Western provided there s plenty of action Action is what I like 99 De Carlo went back to Universal to make a Western with McCrea Border River 1954 directed by Sherman She went to Italy for The Contessa s Secret 1954 and returned to Hollywood for the independently produced Passion 1954 She wrote a 42 page treatment for a science fiction film Operation Sram which was not made 100 De Carlo made the Western Shotgun 1955 with Sterling Hayden for Allied Artists She did Hot Cargo for Screen Director s Playhouse 1956 with Rory Calhoun directed by Tay Garnett 101 De Carlo made her third film for Universal under her new contract in Raw Edge 1956 Republic starred her as Minna Wagner in a biopic of Richard Wagner Magic Fire 1956 On TV she was in The Sainted General for Star Stage 1956 Republic reunited her with Duff in Flame of the Islands 1956 shot in the Bahamas citation needed The Ten Commandments and last notable film roles 1954 1963 edit nbsp De Carlo won a Laurel Award for Topliner Supporting Actress for her role as Sephora in The Ten Commandments 1956 6 In September 1954 102 producer director Cecil B DeMille cast her as Sephora the wife of Moses played by Charlton Heston in his biblical epic The Ten Commandments a Paramount Pictures production that premiered in November 1956 In his autobiography DeMille explained he decided to cast De Carlo as Moses wife after his casting director Bert McKay called his attention to one scene she played in Sombrero Even though the film was a picture far removed in theme from The Ten Commandments wrote DeMille I sensed in her a depth an emotional power a womanly strength which the part of Sephora needed and which she gave it 103 She prepared extensively for the role taking weaving lessons at the University of California Los Angeles and shepherding lessons in the San Fernando Valley 104 Months before filming began she had worked on the part with a drama coach 105 Her scenes were shot on Paramount s sound stages in 1955 Her performance received praise from critics Crowther the New York Times critic was impressed Yvonne De Carlo as the Midianite shepherdess to whom Moses is wed is notably good in a severe role 106 The Hollywood Reporter wrote that she is very fine as the simple Sephora 107 and the New York Daily News noticed that she plays the wife of Moses with conviction 108 De Carlowas expected to receive an Academy Award nomination for Best Supporting Actress but she preferred to be listed as a leading actress on the voting ballot and was not nominated in that category 109 However she won a Laurel Award for Topliner Supporting Actress for her performance in the film 6 She fell in love with stuntman Bob Morgan while visiting the filming of The Ten Commandments in Egypt in 1954 110 They married in 1955 and their first son Bruce was born in 1956 DeMille became Bruce s godfather 104 Her second pregnancy meant she had to turn down the role of the female pirate DeMille had given her in his next production The Buccaneer 1958 104 It was announced she would team with Vittorio De Sica in an adaptation of The Baker s Wife to be shot in English and Italian 111 but the film was never made Neither were two projects de Carlo was meant to make in Italy following Raw Edge The Mistress of Lebanon Castle with Trevor Howard and Honeymoon in Italy 112 Instead De Carlo co starred with George Sanders and Zsa Zsa Gabor in Death of a Scoundrel 1956 The New York Times commended her performance as Bridget Kelly Yvonne De Carlo does a solid and professional job as the adoring petty thief who rises to eminence with him Sanders character 113 On the small screen she was in Skits amp Sketches for Shower of Stars 1957 She was also in Schlitz Playhouse 1957 citation needed De Carlo released an LP record of standards called Yvonne De Carlo Sings on Masterseal Records a subsidiary label of Remington Records in 1957 Orchestrated by future film composer John Williams under the pseudonym John Towner the album contains ten tracks End of a Love Affair In the Blue of Evening I Got It Bad and That Ain t Good Am I Blue Little Girl Blue Blue Moon But Not for Me My Blue Heaven Mood Indigo One for My Baby and One More for the Road citation needed nbsp With Clark Gable in Band of Angels 1957 As a result of the great success and positive reviews of The Ten Commandments De Carlo was offered lead roles in two Warner Bros films that would be shot at the same time The Helen Morgan Story and Band of Angels based on Robert Penn Warren s novel De Carlo chose the latter because her co star would be Clark Gable one of her favorite actors 114 The title refers to the short life expectancy of the black soldiers who fought with the Union troops in the Civil War but the story is mainly about Amantha Manty Starr a mixed race Southern belle who is sold as a slave after her father s death and discovers that her deceased mother was a black slave on her father s plantation Amantha is then taken to New Orleans where she is bought by plantation owner Hamish Bond Gable who falls in love with her The film was both a critical and financial disappointment at the time of release 115 116 De Carlo was in Verdict of Three for Playhouse 90 1958 She made a French Foreign Legion movie with Victor Mature Timbuktu directed by Jacques Tourneur 1958 She unsuccessfully auditioned for the Broadway musical Destry Rides Again losing out to Dolores Gray 117 In May 1958 118 De Carlo was signed to play Mary Magdalene in the Italian biblical epic The Sword and the Cross tentatively titled The Great Sinner and released in the United States as Mary Magdalene with Jorge Mistral as her love interest the Roman Gaius Marcellus and Rossana Podesta as her sister Martha The film s director Carlo Ludovico Bragaglia later remembered that producer Ottavio Poggi had sent the provisional script to America so Yvonne De Carlo could read it and decide on her participation in the film She read it and got very excited agreeing to play the role of Magdalene 119 The film was shot in English and later dubbed in Italian 105 De Carlo put together a nightclub act and toured with it in South America She guest starred on Bonanza A Rose for Lotta 1959 Adventures in Paradise Isle of Eden 1960 Death Valley Days The Lady Was an M D 1961 Follow the Sun The Longest Crap Game in History 1961 and Annie Beeler s Place 1962 and Burke s Law Who Killed Beau Sparrow 1963 She also played Destry Rides Again in summer stock citation needed nbsp De Carlo in McLintock 1963 De Carlo s husband had become permanently disabled while working as a stunt man on How the West Was Won 1963 eventually losing his leg De Carlo took any job going appearing in night club acts across the country as well as a play in stock Third Best Sport citation needed To help out John Wayne offered her the supporting role of Louise Warren the title character s cook in McLintock 1963 with Wayne and Maureen O Hara She was second billed in a Western Law of the Lawless 1964 and played the Spanish dancer Dolores in the Bob Hope comedy A Global Affair 1964 citation needed De Carlo was in The Night the Monkey Died for The Greatest Show on Earth 1964 She took over a role on Enter Laughing on Broadway for a week and played in it when the production went on tour citation needed Later career editThe Munsters 1964 1966 edit nbsp De Carlo with sleeved dress along with the cast of The Munsters in 1964 She was in debt by 1964 when she signed a contract with Universal Studios to perform the female lead role in The Munsters opposite Fred Gwynne She was also the producers choice to play Lily Munster when Joan Marshall who played the character originally called Phoebe was dropped from consideration for the role When De Carlo was asked how a glamorous actress could succeed as a ghoulish matriarch of a haunted house she replied simply I follow the directions I received on the first day of shooting Play her just like Donna Reed 120 She sang and played the harp in at least one episode Far Out Munsters of The Munsters citation needed After the show s cancellation she reprised her role as Lily Munster in the Technicolor film Munster Go Home 1966 partially in hopes of renewing interest in the sitcom Despite the attempt The Munsters was cancelled after 70 episodes Of the sitcom and its cast and crew she said It was a happy show with audience appeal for both children and adults It was a happy show behind the scenes too we all enjoy working with each other 121 Years later in 1987 she said I think Yvonne De Carlo was more famous than Lily but I gained the younger audience through The Munsters And it was a steady job 122 Stage work and Follies 1967 1973 edit After The Munsters she guest starred in The Moulin Ruse Affair in The Girl from U N C L E 1967 and The Raiders for Custer 1967 and episodes of The Virginian citation needed She starred in Hostile Guns 1967 and Arizona Bushwhackers 1968 a pair of low budget westerns produced by A C Lyles and released by Paramount Pictures During this time she also had a supporting role in the 1968 thriller The Power citation needed After 1967 De Carlo became increasingly active in musicals appearing in off Broadway productions of Pal Joey and Catch Me If You Can In early 1968 she joined Donald O Connor in a 15 week run of Little Me staged between Lake Tahoe and Las Vegas and she did a five month tour in Hello Dolly Later she toured in Cactus Flower 123 De Carlo continued to appear in films such as The Delta Factor 1970 and had a notable part in Russ Meyer s The Seven Minutes 1971 The Los Angeles Times said about the latter that De Carlo featured in an improbable sequence pulled off with verve by the still glamorous star 124 Her defining stage role was as Carlotta Campion in Harold Prince s production of the Stephen Sondheim musical Follies in 1971 72 123 Playing a washed up star at a reunion of old theater colleagues she introduced the song I m Still Here 125 De Carlo said she was told the part was written especially for her 126 In October 1972 De Carlo arrived in Australia to replace Cyd Charisse in Michael Edgley s production of No No Nanette 127 Her opening night was on November 6 1972 at Her Majesty s Theatre in Melbourne 11 The show moved on to Adelaide 128 Sydney and then to several New Zealand cities 129 It closed in the fall of 1973 and De Carlo returned to the United States In late 1973 and early 1974 she starred in a production of Ben Bagley s Decline and Fall of the Entire World as Seen Through the Eyes of Cole Porter in San Diego citation needed In May 1975 she starred in the San Bernardino Civic Light Opera s production of Applause at the California Theatre of the Performing Arts 130 The San Bernardino Sun described her performance as brilliant and wrote a packed house watched Yvonne De Carlo give a new dimension to Margo Channing a part she was playing for the first time but nonetheless a part she was very well suited for 131 Later career 1974 1995 edit As for my stage or film roles there was a period of time when I was less selective than I might have been If a job was offered and if the price was right I took it I needed the money Yvonne De Carlo Yvonne An Autobiography 132 nbsp De Carlo at the National Film Society convention in 1979 De Carlo appeared in The Girl on the Late Late Show 1974 The Mark of Zorro 1974 Arizona Slim 1974 The Intruder 1975 Blazing Stewardesses 1975 It Seemed Like a Good Idea at the Time 1975 Black Fire 1975 and La casa de las sombras 1976 citation needed She continued to appear on stage notably in Dames at Sea Barefoot in the Park and The Sound of Music citation needed She was seen on Satan s Cheerleaders 1977 Nocturna 1979 Guyana Cult of the Damned 1979 Fuego negro 1979 The Silent Scream 1979 and The Man with Bogart s Face 1980 She guest starred on shows like Fantasy Island citation needed De Carlo was in The Munsters Revenge 1981 then Liar s Moon 1982 Play Dead 1982 Vultures 1984 Flesh and Bullets 1985 and A Masterpiece of Murder 1986 with Bob Hope She was in a revival of The Munsters citation needed De Carlo s later films included American Gothic 1988 for which she won the Best Actress Award from International Science Fiction and Fantasy Film Show Fantafestival Cellar Dweller 1988 and Mirror Mirror 1990 She had a supporting role as the title character s Aunt Rosa in the Sylvester Stallone comedy Oscar 1991 Aunt Rosa is present when Oscar s father played by Kirk Douglas extracts a deathbed promise from his son Of her role De Carlo said Mine is a small part but funny 133 She appeared in Murder She Wrote Jessica Behind Bars 1985 The Naked Truth 1992 Seasons of the Heart 1993 and Death of Some Salesmen in Tales from the Crypt 1993 She had a small cameo role in Here Come the Munsters a 1995 television film remake of The Munsters De Carlo along with Al Lewis Pat Priest and Butch Patrick did not have to wear costumes because the Munsters have several lives 134 Her final performance was as Norma an eccentric Norma Desmond lookalike in the 1995 television film The Barefoot Executive a Disney Channel remake of the 1971 film of the same title 134 Norma a former stand in for film actors monkey sits the title character a chimpanzee named Archie who is able to predict top rated television series She has these outrageous costumes six of them and it s just a small part De Carlo told Los Angeles Times But I like to do small things now 134 In 2007 her son Bruce revealed that before her death she played supporting roles in two independent films that have yet to be released 135 Personal life editIn 1950 De Carlo purchased an eleven room ranch house on five and a half acres of hilly woodland on Coldwater Canyon Drive 136 in Studio City Los Angeles above Beverly Hills De Carlo described it as her dream home and hired an architect to help her design an English style dining room with paneling and stained glass windows She also built stables for her horses 110 and a large swimming pool 137 She sold the property in 1975 138 In 1981 she moved to a ranch in the Santa Ynez Valley 139 near Solvang California citation needed Relationships edit In her autobiography De Carlo considered director Billy Wilder the first big love of my life 56 They met in 1943 when she was under contract to Paramount Pictures Although she described him as the physical antithesis of my lifelong dream man she fell in love with him and admired his endless charm and wit He was separated from his wife and lived in a rented house while they were together Their short lived relationship ended when he left her for actress Doris Dowling 140 In 1945 after the release of her second film Frontier Gal De Carlo returned to Vancouver and attended a celebration held in her honor at her former workplace the Palomar nightclub where she was introduced to billionaire Howard Hughes She later discovered he had flown directly from Los Angeles because he wanted to meet her outside of Hollywood Hughes told her he had seen Salome Where She Danced more than five times and was enthralled by her beauty De Carlo initially felt just kind of sorry for the lanky underfed and remarkably sad Hughes The following day they went out on a date and began a romantic relationship Hughes preferred to keep their romance private and never mentioned it to the press De Carlo wanted to marry him but he was not serious about their relationship De Carlo later wrote Howard Hughes was one of the most important loves of my life 141 After her breakup with Hughes De Carlo dated Robert Stack and Burt Lancaster her Criss Cross co star During the filming of Brute Force De Carlo fell in love with her co star fellow Universal contract player Howard Duff Despite the fact that they had almost nothing in common Duff was interested in marrying De Carlo and the studio approved their relationship 142 In April 1947 De Carlo announced her engagement to Duff 143 but they eventually separated due to his alcoholism 144 De Carlo met Prince Abdul Reza Pahlavi of Iran when he visited Beverly Hills in 1947 145 A week later they traveled to New York and spent some time together 146 After the completion of her film Casbah De Carlo embarked on her first trip to Europe reuniting with Prince Abdul in Paris 147 They vacationed in Switzerland and Italy and several months later De Carlo also visited the royal palace in Tehran 148 In the late 1940s De Carlo began a relationship with Jock Mahoney a stuntman who worked on her film The Gal Who Took the West 149 While she was engaged to Mahoney De Carlo became pregnant and also discovered she had a large ovarian cyst The tumor was surgically removed and as a result she lost the baby 150 Her relationship with Mahoney ended when De Carlo found out he was seeing another woman actress Margaret Field 151 In the 1950s one of her fiances was English photographer Cornel Lucas 152 In early 1954 she informed columnist Erskine Johnson about her engagement to Scottish actor Robert Urquhart her co star in Happy Ever After She said I m just getting settled down into feeling that I m ready for marriage Before I felt that I wasn t ready 153 In the spring of 1954 she told a journalist I think it is wonderful to work I dedicate more time now than ever to study I really like to delve deeply into the characters and the stories in order to make the most of each part I play It seems best to remain free of any serious romantic attachments under these circumstances I will have to meet an exceptional and understanding person indeed before I think of marriage I haven t met such a person yet 99 Marriage edit nbsp De Carlo with her husband Robert Morgan at the New York premiere of The Ten Commandments in 1956 De Carlo met stuntman Robert Drew Bob Morgan on the set of Shotgun in 1955 but he was married and had a child daughter Bari Lee 154 and De Carlo had no intention of causing that marriage to break up 155 However they met again after the death of Morgan s wife on the set of The Ten Commandments in Egypt 156 where they seemed immediately attracted to each other 110 They were married on November 21 1955 at St Stephen s Episcopal Church in Reno Nevada 157 158 De Carlo raised Bari as her own and had two sons with Morgan Bruce Ross whose godfather was Cecil B DeMille 104 159 and Michael citation needed Bob Morgan was seriously injured and almost died while performing a stunt in the film How the West Was Won 1962 160 Toward the end of the film there is a gunfight on a moving train between the marshal and a gang of train robbers 161 Doubling for the actor who played the marshal Morgan was told to hold on to a log and sway between two flatcars one of them carrying several tons of timber 161 The chains holding the logs together snapped and Morgan was crushed by the falling logs 161 He was so badly hurt it took him five years to recover to the point where he was able to move by himself and walk unaided Because his contract with MGM assumed no responsibility for the accident De Carlo and Morgan filed a 1 4 million lawsuit against the studio claiming her husband was permanently disabled citation needed After the accident De Carlo worked arduously to support her family and was often away from home touring with stage productions or performing in nightclubs Morgan s constant arguing strained their marriage and De Carlo even considered divorcing her husband in 1968 162 When she returned home after a New Zealand tour of No No Nanette she filed for divorce on the grounds of irreconcilable differences 163 They were divorced in July 1973 164 Political views edit De Carlo a naturalized citizen of the United States was an active Republican who campaigned for Richard Nixon 165 Ronald Reagan 166 and Gerald Ford 167 In her autobiography she recounted the time when she loved to give interviews and enjoyed being outspoken or good copy openly discussing my survival instincts and admitting my to the right of right politics 168 A conservative she stated in a 1976 television interview with the CBC I m all for men and I think they ought to stay up there and be the bosses and have women wait on them hand and foot and put their slippers on and hand them the pipe and serve seven course meals as long as they open the door support the woman and do their duty in the bedroom et cetera 169 Religion edit De Carlo s maternal grandparents came from distinct religious backgrounds He was Catholic and she was Presbyterian 19 They raised her as an Anglican she was a member and chorister of Vancouver s St Paul s Anglican Church 170 In her autobiography De Carlo wrote about her faith in God God has saved me and mine from some pretty sticky situations For me religion is a little like being a Republican or a Democrat It s not the party that counts it s the man Therefore I care not what house of worship I enter be it Catholic Presbyterian or Baptist I elected God a long time ago and I ll stick with Him because I don t think His term will ever be up 139 Health and death edit De Carlo suffered a minor stroke in 1998 She later became a resident of the Motion Picture amp Television Country House and Hospital in Woodland Hills where she spent her last years 171 She died from heart failure on January 8 2007 and was cremated 172 Awards and honors editIn 1946 Variety named her one of the three top new Hollywood stars of 1945 along with Lizabeth Scott and Lauren Bacall Miss de Carlo is definitely a personality She has proved this in Universal s Salome Where She Danced and followed this appearance as star in the same company s Frontier Gal She is a controversial figure but she s managed to come out a star during discussions 173 She was a medalist in Boxoffice Barometer s The All American Screen Favorites of 1946 list 174 She was a medalist in Boxoffice Barometer s The All American Screen Favorites of 1947 list 175 In 1947 Max Factor s chief hair stylist Fred Fredericks named her one of the 10 best tressed film actresses 176 In 1950 the Camera Club of America voted her Sexnicolor Queen of the Screen for putting more sex appeal into Technicolor than any other star 177 In 1957 she won a Laurel Award for Topliner Supporting Actress for The Ten Commandments 1956 6 In 1957 she received a BoxOffice Blue Ribbon Award for The Ten Commandments 1956 178 In 1960 she was awarded two stars on the Hollywood Walk of Fame The motion picture star is on the south side of the 6100 block of Hollywood Boulevard The television star is on the north side of the 6700 block of Hollywood Boulevard 179 In 1964 she received a second BoxOffice Blue Ribbon Award for McLintock 1963 178 In 1966 she was honored by the City of Niagara Falls Canada for having created good will for her native country and given inspiration to others 180 In 1966 she was named honorary mayor of North Hollywood Los Angeles 121 In 1987 she won the International Science Fiction and Fantasy Film Show Fantafestival Award for Best Actress for American Gothic 181 In 2005 she was one of the 250 female Hollywood legends nominated for the American Film Institute s 100 Years 100 Stars list 182 In 2007 she was nominated for the Who Knew They Could Sing TV Land Award for The Munsters In popular culture editIn the 1954 I Love Lucy episode Ricky s Screen Test Lucy reads in a newspaper that MGM is considering several Hollywood actresses including Yvonne De Carlo for the female lead role in Ricky s film Don Juan 183 Filmography editMain article Yvonne De Carlo performancesDiscography editSingles edit I Love a Man Say Goodbye Columbia UK DB2850 1950 184 Take It Or Leave It Three Little Stars Capitol F3206 1955 185 That s Love The Secret of Love Imperial 5484 1957 186 I Would Give My Heart Rockin In The Orbit Imperial 5532 1958 186 Albums edit Yvonne De Carlo Sings Masterseal 1957 187 Duets edit You Belong to My Heart with Bill Lee included in That s Entertainment The Ultimate Anthology of M G M Musicals 188 Getting to Know You with Frank Sinatra included in The Frank Sinatra Duets 189 References edit Most Beautiful Girl Discovered Spokane Daily Chronicle September 18 1944 Archived from the original on June 6 2020 Retrieved April 9 2014 Cohen Harold V May 7 1945 Salome Where She Danced Comes to Harris Pittsburgh Post Gazette Archived from the original on June 6 2020 Retrieved April 9 2014 a b Yvonne De Carlo Chosen for Role Over 20 000 Beautiful Girls Montreal Gazette July 25 1945 Archived from the original on March 18 2021 Retrieved March 25 2014 a b Willett Bob November 13 1954 Slave Girl Wants Freedom Tired of playing exotic sirens Canada s lovely Yvonne De Carlo seeks more serious film roles Ottawa Citizen Archived from the original on April 27 2021 Retrieved April 9 2014 Jacob Sparks Karen 2008 Encyclopaedia Britannica Encyclopaedia Britannica p 123 ISBN 9781593394257 Archived from the original on April 27 2021 Retrieved November 23 2020 a b c d 1956 1957 Laurel Award Winners Motion Picture Exhibitor 58 18 SS 48 August 28 1957 Retrieved September 29 2021 Yvonne De Carlo Is The Mama In a Nice Monster Family St Petersburg Times June 23 1964 Archived from the original on June 6 2020 Retrieved April 9 2014 a b c d e f De Carlo amp Warren 1987 p 16 a b c d e De Carlo amp Warren 1987 p 17 Marie Decarlo Middleton California Death Index 1940 1997 FamilySearch Archived from the original on March 4 2016 Retrieved April 9 2014 a b Bang Maureen November 15 1972 The first Aussie Yvonne met was a kangaroo The Australian Women s Weekly Archived from the original on June 6 2020 Retrieved January 4 2017 a b De Carlo amp Warren 1987 p 15 Thomas 2011 p 82 a b c Foster 2003 p 126 Michael Decarlo British Columbia Death Registrations 1872 1986 FamilySearch Archived from the original on January 11 2016 Retrieved April 9 2014 Margaret Decarlo British Columbia Death Registrations FamilySearch Archived from the original on March 12 2016 Retrieved August 6 2015 De Carlo amp Warren 1987 p 20 Michele De Carlo mentioned in the record of Kenneth Ross McKenzie and Constance Marguerite Anna Decarlo FamilySearch Archived from the original on March 4 2016 Retrieved August 6 2015 a b De Carlo amp Warren 1987 p 19 Yvonne De Carlo History of Vancouver Archived from the original on July 5 2017 Retrieved January 4 2017 Nash Roy November 28 1953 Some day I ll meet Mr Right The News Archived from the original on March 18 2018 Retrieved March 18 2018 a b Foster 2003 p 127 Films in Review Volume 28 National Board of Review of Motion Pictures 1977 p 217 a b c d Thomas M Pryor March 25 1945 The Unveiling of Yvonne Salome De Carlo Herewith Some Early Film Entries in the Easter Week Sweepstakes The New York Times p X3 Vancouver Dancery Opens As Night Club Variety May 3 1939 p 41 Retrieved March 18 2018 a b De Carlo amp Warren 1987 p 4 Schoolgirl 17 and Blond Chosen as Miss California Crowd of 100 000 Sees Parade of 50 Beauties as Venice Brings Four Day Mardi Gras to Close Los Angeles Times August 12 1940 p A1 De Carlo amp Warren 1987 p 5 De Carlo amp Warren 1987 p 6 De Carlo amp Warren 1987 p 7 De Carlo amp Warren 1987 p 8 De Carlo amp Warren 1987 p 10 a b De Carlo amp Warren 1987 p 11 De Carlo amp Warren 1987 p 12 Hoefling Larry J 2008 Nils Thor Granlund Show Business Entrepreneur and America s First Radio Star Oklahoma Inlandia Press pp 178 182 ISBN 978 0 7864 4849 4 Archived from the original on April 27 2021 Retrieved December 29 2015 Kingsley Grace May 22 1941 Bright Bill at Orpheum Los Angeles Times p 12 De Carlo amp Warren 1987 p 58 De Carlo amp Warren 1987 p 59 a b c De Carlo amp Warren 1987 p 60 De Carlo amp Warren 1987 p 62 Travel Taxco Basks in Grandeur and Beauty of Early Days Los Angeles Times December 28 1941 p C4 De Carlo amp Warren 1987 p 63 De Carlo amp Warren 1987 p 67 Yvonne DeCarlo Gilded Lily Biography July 18 2000 De Carlo amp Warren 1987 p 68 De Carlo amp Warren 1987 p 69 a b De Carlo amp Warren 1987 p 70 a b De Carlo amp Warren 1987 p 71 De Carlo amp Warren 1987 p 75 a b c Schallert Edwin June 3 1945 Yvonne De Carlo Stands Out Again as Threat Girl Carroll Cutie Has Spotlight in Sarong Set Yvonne De Carlo Causes Concern in Sarong Circles Los Angeles Times p B1 Schallert Edwin February 18 1943 Drama Cousin Rewrite Set Hubbard Joining Cast by Los Angeles Times p A8 Drama and Film Gladys George Named Bankhead Successor Edward Small Plans Picture Glorifying Famous Maternity Center in Chicago by Edwin Schallert Los Angeles Times July 3 1943 p 8 a b Orrison 1999 p 110 De Carlo amp Warren 1987 p 77 a b De Carlo amp Warren 1987 p 243 a b De Carlo amp Warren 1987 p 81 Graham Sheilah September 24 1949 Yvonne DeCarlo Technicolor Queen Ottawa Citizen Archived from the original on April 27 2021 Retrieved April 28 2014 De Carlo p 84 De Carlo p 84 Hollywood Memoranda Noted in Hollywood The New York Times September 24 1944 p X1 Schallert Edwin September 19 1944 Guild Player Deemed Fit Valentino Double David Bruce Wins Acting Opportunity in Wanger s Film Drama Salome Los Angeles Times p A8 From Pinup to Star Chicago Daily Tribune November 12 1944 p D5 De Carlo p 89 Crowther Bosley May 3 1945 Salome Where She Danced 1945 The Screen Rose s Diamond Horseshoe With Betty Grable at Roxy Salome Where She Danced Is Newcomer of the Criterion At Loew s The New York Times Archived from the original on April 28 2014 Retrieved April 27 2014 The Stars of To morrow The Sydney Morning Herald September 10 1946 p 11 Archived from the original on April 20 2020 Retrieved April 24 2012 via National Library of Australia De Carlo p 114 De Carlo p 122 De Carlo p 127 H H T June 21 1952 Yvonne de Carlo in Technicolor Feature The New York Times Archived from the original on April 21 2019 Retrieved April 21 2019 De Carlo p 129 Biesen Sheri Chinen 2014 Music in the Shadows Noir Musical Films JHU Press p 72 ISBN 978 1 4214 0838 5 Archived from the original on April 27 2021 Retrieved August 29 2020 The 21st Academy Awards Oscars org Academy of Motion Picture Arts and Sciences 1949 Archived from the original on July 6 2011 Retrieved August 29 2020 Movie Review Criss Cross 1948 Burt Lancaster Same Old Tough Guy The New York Times March 12 1949 Archived from the original on April 7 2014 Retrieved March 25 2014 Strong E J October 3 1948 Yvonne De Carlo May Brave Suspension So She Can Return to Troops GI s Show Needs Told by Actress Los Angeles Times p D1 Brody Richard Criss Cross The New Yorker Archived from the original on August 15 2020 Retrieved August 29 2020 The seething sensuality boils over in a frenzied Latin dance duet for De Carlo and the camera abetted by the playing of Esy Morales s band and the dancing of the uncredited Tony Curtis in his first film Yvonne De Carlo Obituary The Independent Archived from the original on January 16 2017 Retrieved January 11 2017 Impressed with her large vocal range de Carlo p 145 Davis Roland L 2005 Just Making Movies Company Directors on the Studio System University of Press Mississippi p 132 ISBN 9781578066902 SCHEUER PHILIP K May 27 1951 Yvonne De Carlo Pins Hopes for Future on Switch to Dramatic and Singing Roles Los Angeles Times p D1 Brady Thomas F January 30 1951 Paramount Buys Two New Stories Giler Melodrama and Clark Adventure Acquired by Studio Jean Arthur Gets Role The New York Times p 21 Hopper Hedda April 20 1951 Studio Wants Larry Olivier to Co Star with Ava Gardner Looking at Hollywood Chicago Daily Tribune p b2 Hopper Hedda March 7 1951 New Contract to Let Yvonne Travel Looking at Hollywood Chicago Daily Tribune p A 14 De Carlo p 156 Scheuer Philip K May 27 1951 Yvonne De Carlo Pins Hopes for Future on Switch to Dramatic and Singing Roles Los Angeles Times p D1 Hopper Hedda June 2 1951 Yvonne de Carlo Gets Hollywood Opera Role Chicago Tribune Archived from the original on December 27 2016 Retrieved December 27 2016 63 to 86 Men For Hwd Bowl Symph Series Billboard July 14 1951 p 12 ISSN 0006 2510 a b De Carlo amp Warren 1987 p 157 Schallert Edwin June 22 1952 Yvonne De Carlo Admits Serious Loves but Chooses to Keep Them Mysterious Los Angeles Times p D1 Harrison Scott Actress Yvonne De Carlo Los Angeles Times Archived from the original on January 4 2017 Retrieved January 4 2017 Jerusalem likes De Carlo Variety September 19 1951 a b Thomas Bob September 27 1951 Sultry Yvonne Now Respects Exotic Roles Natives Love Those Films Miss DeCarlo Finds in Near East Moberly Monitor Index Archived from the original on January 4 2017 Retrieved January 4 2017 Parsons Louella November 25 1951 Tells Of Israel Yvonne De Carlo Impressed By Reception In New Nation Cumberland Sunday Times THOMAS M PRYOR October 13 1951 FIDELITY TO FILM SCARLET FLAME The New York Times ProQuest 112132457 Schallert Edwin September 21 1951 Drama Yvonne De Carlo Named for British Sheba Find From Guys and Dolls Set Los Angeles Times p B9 Hopper Hedda August 5 1952 Looking at Hollywood Yvonne De Carlo and Agent Form Own Movie Company Chicago Daily Tribune p a2 De Carlo p 167 a b Schallert Edwin June 22 1952 Yvonne De Carlo Admits Serious Loves but Chooses to Keep Them Mysterious Los Angeles Times p D1 Crowther Bosley September 29 1953 Captain s Paradise 1953 The Screen New British Comedy Arrives Alec Guinness Keeps Two Wives Happy in The Captain s Paradise at Paris But Yvonne De Carlo and Celia Johnson Finally Cause the Downfall of Skipper The New York Times Archived from the original on April 7 2014 Retrieved March 25 2014 a b Schallert Edwin May 2 1954 Yvonne s Persistence Making Believers of Her Critics Los Angeles Times p E1 Schallert E June 21 1954 De mille gets vincent price as cruel builder nightshade on schedule Los Angeles Times ProQuest 166630481 De Carlo Cover The Washington Post and Times Herald January 1 1956 p J1 Yvonne De Carlo yesterday was cast by Cecil B DeMille in the role of Sephora Jethro s daughter and the shepherd girl who married Moses in The Ten Commandments Variety September 15 1954 DeMille Cecil Blount 1959 The Autobiography of Cecil B DeMille Prentice Hall p 416 a b c d Orrison 1999 p 113 a b Hard Work Pays Off For Yvonne The Deseret News July 18 1958 Archived from the original on April 27 2021 Retrieved October 16 2014 Crowther Bosley November 9 1956 Movie Review The Ten Commandments New York Times Archived from the original on April 28 2014 Retrieved April 27 2014 The Ten Commandments Read THR s 1956 Review Hollywood Reporter December 7 2014 Archived from the original on August 23 2017 Retrieved December 23 2016 Flashback Original 1956 review of The Ten Commandments in the Daily News New York Daily News December 10 2014 Archived from the original on August 23 2017 Retrieved December 23 2016 Mathews Jack January 26 1987 WOODY AND HIS OSCARS SNUBBING THE RACE Allen Has Insisted That His Name Be Left Off Orion s Academy Award Ads Los Angeles Times Retrieved September 29 2021 a b c Foster 2003 p 135 Hopper H June 11 1955 De carlo de sica to do baker s wife Los Angeles Times ProQuest 166766450 Schallert Edwin October 22 1955 Drama Something of Value Bid DNow Centers on Travers John Williams Resuming Los Angeles Times p 13 Death of a Scoundrel at Loew s State The New York Times Archived from the original on March 8 2018 Retrieved March 7 2018 De Carlo amp Warren 1987 p 199 De Carlo amp Warren 1987 p 200 Band of Angels 1957 Notes Turner Classic Movies Archived from the original on October 20 2018 Retrieved April 6 2018 De Carlo p 202 De Carlo Signed for Italian Magdalene Variety May 20 1958 Antonelli Lamberto Laura Ernesto G 1992 Nato col cinema Carlo Ludovico Braggalia cent anni tra arti e cinema A N C C I p 101 Archived from the original on April 27 2021 Retrieved December 27 2016 The Day Google News Archive Archived from the original on April 27 2021 Retrieved June 23 2012 a b Johnson Erskine April 24 1966 Monstrous Mayor The Pittsburgh Press Archived from the original on June 6 2020 Retrieved October 11 2014 Oricchio Michael May 30 1987 Yvonne De Carlo Enjoys Munsters Rebirth Ocala Star Banner Archived from the original on April 27 2021 Retrieved October 11 2014 a b De Carlo Yvonne Warren Doug 1987 Yvonne An Autobiography St Martin s Press ISBN 9780312002176 Thomas K September 8 1971 Seven attacks censorship Los Angeles Times ProQuest 156863129 Foster 2003 p 140 De Carlo p 216 De Carlo amp Warren 1987 p 226 De Carlo amp Warren 1987 p 229 De Carlo amp Warren 1987 p 231 De Carlo amp Warren 1987 p 233 Johnson Jimmy May 11 1975 Yvonne De Carlo brilliant in Applause The Sun Telegram p D 6 De Carlo amp Warren 1987 p 234 Broeske Pat H January 13 1991 In Search of Yvonne De Carlo Los Angeles Times Archived from the original on February 2 2017 Retrieved January 22 2017 a b c King Susan November 5 1995 No Monkey Business YVONNE DE CARLO TAKES ON ABC S REMAKE OF THE BAREFOOT EXECUTIVE Los Angeles Times Archived from the original on April 27 2021 Retrieved March 31 2018 Spiegelman Arthur January 21 2007 Munsters actress Yvonne De Carlo dies at 84 Reuters Archived from the original on March 31 2018 Retrieved March 31 2018 De Carlo amp Warren 1987 p 151 Carrol Lee June 10 1950 Shirley Temple ambitious for daughter The Australian Women s Weekly Archived from the original on March 31 2018 Retrieved March 30 2018 Beale Lauren February 8 2011 Yvonne de Carlo s old compound in Studio City is listed Los Angeles Times Archived from the original on May 17 2016 Retrieved March 30 2018 a b De Carlo amp Warren 1987 p 239 De Carlo amp Warren 1987 pp 80 81 De Carlo amp Warren 1987 pp 103 119 De Carlo amp Warren 1987 pp 121 124 127 Screen Lovers to Be Married Los Angeles Times April 30 1947 p 7 De Carlo amp Warren 1987 p 128 De Carlo amp Warren 1987 p 131 De Carlo amp Warren 1987 p 133 De Carlo amp Warren 1987 p 134 De Carlo amp Warren 1987 p 136 De Carlo amp Warren 1987 p 142 De Carlo amp Warren 1987 p 144 De Carlo amp Warren 1987 p 152 De Carlo amp Warren 1987 p 93 Johnson Erskine January 22 1954 In Hollywood Yvonne de Carlo May Wed British Star Bob Urquhart San Bernardino Sun NEA Profile Archived January 5 2017 at the Wayback Machine genealogy rootsweb ancestry com accessed June 21 2016 Foster 2003 p 134 Hopper Hedda December 30 1956 She s A Happy Homebody Marriage Motherhood Curb Yvonne s Urge to Travel Chicago Tribune Archived from the original on January 6 2017 Retrieved January 5 2017 Most Glamorous Spinster Loses Title in Reno Hollywood Actress Weds in Quiet Ceremony Nevada State Journal November 22 1955 Archived from the original on January 5 2017 Retrieved January 4 2017 Profile Archived September 5 2012 at the Wayback Machine Time Magazine accessed June 21 2016 Thomas 2011 p 84 De Carlo amp Warren 1987 p 206 a b c De Carlo amp Warren 1987 p 208 De Carlo amp Warren 1987 p 215 De Carlo amp Warren 1987 p 232 Peggy Y Middleton California Divorce Index FamilySearch Archived from the original on January 5 2017 Retrieved January 5 2017 Christy Marian July 12 1972 Yvonne De Carlo A Star Reborn Reading Eagle United Feature Syndicate Archived from the original on April 27 2021 Retrieved August 18 2015 Southland Observations There s No Business Like Politics Kerby Phil Los Angeles Times August 12 1976 p D1 Schwartzenberg Roger Gerard 1980 The Superstar Show of Government Barron s Educational Series p 128 ISBN 9780812052589 Archived from the original on April 27 2021 Retrieved August 18 2015 De Carlo amp Warren 1987 p 220 Yvonne De Carlo on feminism equal rights amp Hollywood 1976 YouTube Archived from the original on September 24 2016 Retrieved January 5 2017 De Carlo amp Warren 1987 p 122 Saxon Wolfgang January 11 2007 Yvonne De Carlo The Munsters Obituary The New York Times ISSN 0362 4331 Archived from the original on August 1 2017 Retrieved August 9 2017 Saxon Wolfgang January 11 2007 Yvonne De Carlo Dies at 84 Played Lily on Munsters The New York Times p B6 Archived from the original on December 23 2016 Retrieved March 25 2014 Williams Whitney January 9 1946 Lizabeth Scott Bacall de Carlo Top New Hollywood Stars A Blooming Variety 161 5 3 68 Retrieved April 5 2018 The All American Screen Favorites of 1946 Boxoffice Barometer 18 A November 9 1946 Retrieved April 5 2018 The All American Screen Favorites of 1947 Boxoffice Barometer 19 November 15 1947 Retrieved April 5 2018 Gives Best Tressed Film Stars News January 22 1947 Archived from the original on April 5 2018 Retrieved April 5 2018 FILM BRIEFS Queen Yvonne Sunday Herald December 10 1950 Archived from the original on April 5 2018 Retrieved April 5 2018 a b Recipients of Two or More Awards From March 1932 Through August 1965 Are Herein Cited Astor Theater Archived from the original on June 10 2016 Retrieved April 5 2018 Yvonne De Carlo Hollywood Star Walk Los Angeles Times Los Angeles Times Archived from the original on September 4 2015 Retrieved September 1 2015 In Hollywood Yvonne Honored Desert Sun UPI May 21 1966 Archived from the original on April 7 2018 Retrieved April 6 2018 Grazzini Giovanni 1987 Cinema Ed Laterza p 213 ISBN 9788842030300 America s Greatest Legends A compendium of the 500 stars nominated for top 50 Greatest Screen Legends status PDF American Film Institute Archived PDF from the original on March 28 2014 Retrieved April 30 2014 Monush Barry Sheridan James 2011 Lucille Ball FAQ Everything Left to Know About America s Favorite Redhead Applause Theatre amp Cinema ISBN 9781557839336 Archived from the original on April 27 2021 Retrieved December 24 2018 78 RPM Yvonne De Carlo Say Goodbye I Love A Man Columbia UK DB 2850 45worlds Retrieved January 5 2018 Yvonne De Carlo Take It Or Leave It Three Little Stars Capitol USA F3206 45cat Retrieved January 5 2018 a b Recordings by Yvonne De Carlo The Honking Duck Archived from the original on January 5 2018 Retrieved January 5 2018 Yvonne De Carlo Sings Yvonne De Carlo Songs Reviews Credits AllMusic Archived from the original on April 9 2019 Retrieved August 29 2020 That s Entertainment The Ultimate Anthology of M G M Musicals Rhino Box Set AllMusic Archived from the original on January 5 2018 Retrieved January 5 2018 The Frank Sinatra Duets Rate Your Music Retrieved January 5 2018 Bibliography editBawden James Miller Ron 2017 Yvonne De Carlo You Ain t Heard Nothin Yet Interviews with Stars from Hollywood s Golden Era University Press of Kentucky ISBN 9780813174235 De Carlo Yvonne Warren Doug 1987 Yvonne An Autobiography St Martin s Press ISBN 9780312002176 Foster Charles 2003 Yvonne De Carlo Once Upon a Time in Paradise Canadians in the Golden Age of Hollywood Dundurn Press ISBN 9781459712676 Orrison Katherine 1999 Mrs Moses Yvonne De Carlo Written in Stone Making Cecil B DeMille s Epic The Ten Commandments Vestal Press ISBN 9781461734819 Thomas Nick 2011 Bruce Morgan on Yvonne De Carlo Raised by the Stars Interviews with 29 Children of Hollywood Actors McFarland ISBN 978 0 7864 6403 6 External links edit nbsp Wikiquote has quotations related to Yvonne De Carlo nbsp Wikimedia Commons has media related to Yvonne De Carlo nbsp Film portal nbsp Television portal nbsp Music portal Official website at archive today archived January 4 2013 Yvonne De Carlo at IMDb Yvonne De Carlo at the Internet Broadway Database nbsp Yvonne De Carlo at the TCM Movie Database Yvonne De Carlo discography at Discogs Lamp Of Memory Video clip Soundie 1944 Retrieved September 16 2016 Prelinger Archive Obituaries Yvonne De Carlo Who Played Lily on The Munsters Dies at 84 NY Times Obituary January 11 2007 Retrieved September 16 2016 Munsters Television Star Yvonne de Carlo Dies at 84 Press release Media Newswire January 11 2007 Retrieved September 16 2016 Yvonne de Carlo The Daily Telegraph Obituary London UK January 12 2007 Archived from the original on February 13 2009 Yvonne De Carlo Virtual History Retrieved September 16 2016 Retrieved from https en wikipedia org w index php title Yvonne De Carlo amp oldid 1222147439, wikipedia, wiki, book, books, library,

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