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Wikipedia

Red (Taylor's Version)

January 01, 1970

This article is about the re-recorded album by Taylor Swift. For the song, see Red (Taylor's Version) (song).

Red (Taylor's Version) is the second re-recorded album by the American singer-songwriter Taylor Swift, released on November 12, 2021, by Republic Records. It is part of Swift's re-recording projects following the 2019 dispute over the ownership of her back catalog.

Red (Taylor's Version)
Studio album (re-recorded) by
Taylor Swift
ReleasedNovember 12, 2021 (2021-11-12)
Studio
Genre
Length130:26
LabelRepublic
Producer
Taylor Swift chronology
Fearless (Taylor's Version)
(2021) 		Red (Taylor's Version)
(2021) 		Midnights
(2022)
Singles from Red (Taylor's Version)
  1. "I Bet You Think About Me"
    Released: November 15, 2021
  2. "Message in a Bottle"
    Released: November 15, 2021

Red (Taylor's Version) includes re-recorded versions of the tracks on Swift's fourth studio album, Red (2012), and the 2012 charity single "Ronan"; and nine tracks denoted as "From the Vault":[a] six unreleased songs, a 10-minute-long version of "All Too Well", and solo versions of "Better Man" (2016) and "Babe" (2018), which Swift had written for other artists. Swift and most original producers reprised their works on the re-recorded tracks with additions from Christopher Rowe, and the vault tracks featured inputs from Aaron Dessner, Jack Antonoff, Elvira Anderfjärd, and Espionage, with features from Phoebe Bridgers, Ed Sheeran, and Chris Stapleton.

Music critics described Red (Taylor's Version) as an eclectic album combining styles of pop, country, rock, and electronic, featuring various instruments such as acoustic strings and electronic keyboards. Its songs address the different dynamics of love and heartbreak. Met with unanimous acclaim, the album received critical praise for Swift's vocals, its enhanced production quality, and the vault tracks. Commercially, Red (Taylor's Version) topped the charts in Australia, Canada, and the United Kingdom, among others. In the United States, it was Swift's fourth number-one on the Billboard 200 in less than 16 months, registering the shortest time span for an artist to collect four number-one albums.

Swift promoted the album with televised appearances on NBC talk shows and a self-directed short film accompanying "All Too Well (10 Minute Version)". Red (Taylor's Version) broke the record for the most single-week new entries by an artist with 26 of its tracks charting on the Billboard Hot 100; "All Too Well (10 Minute Version)" became the longest chart-topper of all time. The vault tracks "I Bet You Think About Me" and "Message in a Bottle" were promoted as radio singles. Publications considered Red (Taylor's Version) a key pop culture moment of 2021. The album and its songs received a Billboard Music Award, three MTV Video Music Awards, two MTV Europe Music Awards, two American Music Awards, and a Grammy Award.

Background edit

Further information: Taylor Swift masters dispute

Taylor Swift signed a recording contract with Nashville-based independent record label Big Machine in 2005.[1] As part of the contract, Big Machine released Swift's first six studio albums, from Taylor Swift (2006) to Reputation (2017).[2]

 
Swift performing on the Red Tour (2013)

Her fourth studio album, Red, was released on October 22, 2012. It expanded beyond the country stylings of her past albums and explored styles of mainstream pop and other genres.[3][4] The album's lead single, "We Are Never Ever Getting Back Together", was Swift's first number-one song on the Billboard Hot 100.[5] Other singles, "I Knew You Were Trouble" and "22", were commercially successful and propelled Swift towards pop stardom.[5][6] Although critical reviews of Red were generally positive, its eclectic musical influences led to critics questioning Swift's country-music identity;[7] the album was retrospectively regarded as a testament to Swift's artistic versatility.[8] Rolling Stone placed it at number 99 on its 2021 revision of the 500 Greatest Albums of All Time.[9]

By August 2018, Swift's contract with Big Machine had expired; she signed a new contract with Republic Records, a division of Universal Music Group, which secured her the rights to own the masters of the new music she would release.[10] In 2019, the talent manager Scooter Braun and his company Ithaca Holdings acquired Big Machine Records. The masters of Swift's Big Machine-released albums, including Red, were effectively transferred to Braun, which resulted in a public dispute between Swift and Braun.[11] Swift denounced the purchase and began re-recording her first six studio albums, including Red, in November 2020.[12] By re-recording the albums, Swift had full ownership of the new masters, which enabled her to control the licensing of her songs for commercial use and therefore substituted the Big Machine–owned masters.[13]

The first in Swift's re-recording series was Fearless (Taylor's Version), which was released on April 9, 2021.[14] It is the re-recording of her second studio album, Fearless (2008). In addition to re-recordings of the original Fearless album tracks, Fearless (Taylor's Version) includes several unreleased tracks denoted as "From the Vault".[15][a] Fearless (Taylor's Version) became the first re-recorded album in history to top the US Billboard 200.[5] Two months after the release of Fearless (Taylor's Version), on June 18, 2021, Swift announced Red (Taylor's Version) as her second re-recorded album; it is the re-recording of Red.[5] In addition to the re-recordings of the original album tracks, Red (Taylor's Version) also includes nine vault tracks.[16]

Music and lyrics edit

Composition edit

In a social media post, Swift wrote that re-recording Red made her think of the album, both musically and lyrically, as "resembling a heartbroken person [...], all over the place, a fractured mosaic of feelings that somehow all fit together in the end".[16] Music critics mostly characterized Red (Taylor's Version) as a pop album with eclectic musical styles, as with the original album.[17][18][19][20] All songs feature the additional "Taylor's Version" moniker;[21] they incorporate diverse sounds, including synth-pop, arena rock, indie rock, electronic, dubstep, and folk,[22][23][24] using both acoustic and electronic instruments.[17][25] Tracks 1–20 are re-recordings of the original Red album songs, and they are country pop and experimental tracks intertwined between one another.[19][23] Track 21 is the re-recording of "Ronan", a 2012 standalone charity single inspired by a four-year-old boy who died from cancer complications.[26][27] Gary Lightbody of the rock band Snow Patrol and Ed Sheeran returned to feature on "The Last Time" and "Everything Has Changed", respectively.[28]

All but one re-recorded tracks feature the same arrangements as their original versions;[29] they were produced by their respective original producers, except Max Martin, Dann Huff, and Nathan Chapman, whose production was conducted by Swift and Christopher Rowe.[30] "Girl at Home" was reworked from an acoustic number into a synth-pop track produced by Elvira Anderfjärd.[31] The re-recorded tracks feature Swift's mature, deeper, and more resonant vocals,[23][26][32] and a subtly sharper production that either tweaks or emphasizes certain instruments. Pitchfork's Olivia Horn wrote that the melody of "Sad Beautiful Tragic" might have tweaked "a note or two",[31] USA Today's Melissa Ruggieri found the drums on "I Knew You Were Trouble" sharper and the guitars on "22" more defined,[33] and NME's Hannah Mylrea described the opening drums on "State of Grace" as "crisper", the soft rock guitars on "Red" as "a little brighter", and the mandolin on "Stay Stay Stay" as "lifted".[26] According to Carrie Battan from The New Yorker, some of the stronger instrumentation made the re-recorded album resemble a live performance.[34]

"From the Vault" tracks edit

Tracks 22–30 are labeled "From the Vault", which are songs Swift had written but did not include in the 2012 album. Two vault tracks—"Better Man" and "Babe"—are songs that had been written by Swift and recorded by Little Big Town in 2016 and Sugarland in 2018 respectively.[26] The closing track, "All Too Well (10 Minute Version)", is an unabridged version of "All Too Well" that contains lyrics Swift wrote in 2011 before trimming down the track.[35] Carson Mlnarik from MTV News wrote that some vault tracks featured Swift's country songwriting, which was a reminder of how "Red is a country album at its core".[36] The vault tracks were produced by Anderfjärd, Espionage, Jack Antonoff, and Aaron Dessner.[30]

 
"Babe"
"Babe" was recorded by the country band Sugarland in 2018. Swift's version has a pop-ska arrangement with slide guitar, keyboards, and brass.
"Forever Winter"
"Forever Winter" is a power pop track incorporating horns, flutes, and guitars in its chorus.
Problems playing these files? See media help.

"Better Man" is a banjo-led country ballad that incorporates mandolin and strings[17][26] with lyrics about the aftermath of a painful breakup.[37] "Nothing New", a folk duet with Phoebe Bridgers, is about insecurities around aging and the social perceptions of young women.[17][37] "Babe", whose version by Sugarland is a country song, is reworked into a pop-ska and country-pop arrangement[24][37] consisting of slide guitar, keyboards, brass, and percussion.[26] Its lyrics describe the missteps in a dissolving relationship.[37]

"Message in a Bottle" is an upbeat dance-pop and electropop track about the beginnings of a romantic connection.[19][25][37] "I Bet You Think About Me", featuring background harmony vocals by Chris Stapleton, is a harmonica-driven country ballad.[37][38] It has tongue-in-cheek lyrics deriding an ex-lover's luxurious and pretentious lifestyle.[39] "Forever Winter" is a power pop song opening with energetic brass[17] before proceeding to the chorus that features Swift's dynamic vocals and incorporates horns, flutes, and guitars.[37] Lyrically, "Forever Winter" is about Swift trying to help a friend through his mental health struggles.[40][41]

"Run" is an acoustic indie folk-leaning duet with Ed Sheeran, who wrote the track with Swift the same day they wrote "Everything Has Changed".[17][25] The production of "Run" is driven by a twiddling guitar and orchestral compositions, while its lyrics consist of romantic gestures.[37] "The Very First Night" is an uptempo bubblegum and country pop song that sees Swift reminiscing about the first moments of a blossoming romance.[36][37][40] "All Too Well (10 Minute Version)" is a slow ballad with a pop rock sound driven by a thudding and insistent bassline.[17][42] It features additional verses that provide a richer context to the original song.[25]

Release and promotion edit

On June 18, 2021, Swift released the cover art of Red (Taylor's Version) and initially announced that the re-recorded album would be released on November 19, 2021.[5] Alongside the announcement, pre-orders for the digital album were made available.[43] The cover depicts Swift wearing red lipstick, a beige peacoat, and a burgundy-colored "Matti" fisherman velvet cap, seated in a vintage 1932 Chevrolet Cabriolet convertible with an autumnal background. Janessa Leoné designed the cap which quickly sold out on Leoné's website.[44][45] The customized ring that Swift wears on the cover was designed by one of Swift's real-life friends.[46] On August 5, 2021, Swift posted a video across her social media, teasing a word puzzle for the fans to solve; it spelled out "Chris Stapleton", "Phoebe Bridgers", "Babe", "Better Man", and "All Too Well Ten Minute Version".[47][48] Concurrently, pre-orders for the album's CDs went up on Swift's website.[47] She posted the official track listing on August 6.[49]

 
Chris Stapleton (pictured) features on the country-radio single "I Bet You Think About Me".

On September 30, Swift announced Red (Taylor's Version) would be released on November 12, a week earlier than scheduled.[16] She used social media to release snippets of several re-recorded songs prior to the album release: "22" and "I Knew You Were Trouble" via an Instagram story on August 5,[47] "Red" via an Instagram video on October 24,[50] and "Babe" via Tumblr on November 11.[51] Via Republic Records, Red (Taylor's Version) was released for streaming, download, and physical formats of CD and vinyls including limited editions with customized merchandise for the retailors Target Corporation, Walmart, and Urban Outfitters.[52][53] In January 2022, five streaming "chapters" containing tracks from Red (Taylor's Version) were released: Could You Be the One Chapter, She Wrote a Song About Me Chapter, The Slow Motion Chapter, and From the Vault Chapter.[54][55]

Starbucks partnered with Swift to commemorate the release of Red (Taylor's Version), which coincided with the company's "red cup holiday season".[56] Swift promoted Red (Taylor's Version) via two NBC late-night talk shows, The Tonight Show Starring Jimmy Fallon and Late Night with Seth Meyers, which aired back-to-back on November 11.[57] Concurrently with the album's release on November 12, she premiered All Too Well: The Short Film, which accompanied "All Too Well (10 Minute Version)" and stars herself, Sadie Sink, and Dylan O'Brien; she also performed the song at the premiere.[58][59] The following day, she appeared as the musical guest and performed "All Too Well (10 Minute Version)" on Saturday Night Live.[60] The song was a number-one hit on the Billboard Hot 100, becoming the longest number-one song in history, surpassing the 8-minutes-and-37-seconds "American Pie" (1971) by Don McLean.[61] The vault tracks "I Bet You Think About Me" and "Message in a Bottle" were promoted as singles respectively to country radio[62][63] and pop/adult contemporary radio formats.[64]

Critical reception edit

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?8.6/10[65]
Metacritic91/100[66]
Review scores
SourceRating
AllMusic     [20]
The A.V. ClubA−[23]
Clash9/10[67]
The Guardian     [24]
The Independent     [17]
The Line of Best Fit9/10[68]
The New Zealand Herald     [69]
NME     [26]
Pitchfork8.5/10[31]
Rolling Stone     [25]

Red (Taylor's Version) received universal critical acclaim.[70] At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received a weighted mean score of 91 based on 16 reviews; it is Swift's highest-rated project on the site.[66]

Lydia Burgham of The New Zealand Herald wrote that listening to Red (Taylor's Version) made her reflect on the original Red as Swift's "magnum opus".[69] Many critics opined that the re-recorded tracks had a better production with more emphasis on the instrumentation, including Rob Sheffield of Rolling Stone,[25] Helen Brown of The Independent,[17] and Hannah Mylrea of NME.[26] Under the Radar's Andy Von Pip[71] and Melissa Ruggieri of USA Today[33] highlighted Swift's vocals as being more mature and warmer. The Line of Best Fit's Paul Bridgewater wrote that they were "subtly bolder and more assertive",[68] and Kate Solomon of the i wrote that they had "newly limber muscles".[72] Some critics such as Bobby Olivier of Spin[73] and Laura Snapes of The Guardian[24] thought that the changes in production and vocals brought forth a less intense listening experience than the original album, but Ruggieri opined that they "don't diminish the spirit of the 2012 edition".[33]

The lyricism of Swift's songwriting was particularly well-received. Red (Taylor's Version) was Pitchfork's "Best New Music" of its release week; Olivia Horn summed up the album as a representation of Swift's "ecstatic, expressive vocals, tart humor, vivid imagery, and tender attention to the nuances of love and loss".[31] Von Pip wrote that the re-recorded album made the original's lyrical sentiments more lingering.[71] Anna Leszkiewicz of the New Statesman described Red (Taylor's Version) as a masterful recount of complicated early-adulthood feelings,[74] and Ana Clara Ribeiro of PopMatters wrote that the re-recorded album upheld the enduring lyrical sentiments that stood the test of time.[75] In the Financial Times, Ludovic Hunter-Tilney wrote, "the songs' carousel of romantic drama still spins vibrantly, constructed with a winning mix of wit, design and sincerity."[28] Beth Kirkbride of Clash said, Red (Taylor's Version) is a "medley of genres" toying with various styles and "an exercise in catharsis".[67]

Some critics highlighted Swift's insight and musicality. The Line of Best Fit's Paul Bridgewater opined that Red (Taylor's Version) "balances fan service alongside an insightful documentation of one of modern pop's best songwriters at a key juncture in her career", and added that Swift has carefully curated the expanded tracklist without devolving from the album's original appeal.[68] Slant Magazine's Jonathan Keefe,[76] The Atlantic's Spencer Kornhaber,[77] and Consequence's Mary Siroky felt the expanded album testifies to Swift's musical growth, exuding "a stronger emotional resonance".[29] Variety's Chris Willman appreciated the vault tracks.[78]

Accolades edit

Red (Taylor's Version) received many accolades of the music industry, such as placements on best-of lists. At the 2022 Billboard Music Awards, Swift received seven nominations, including wins for Top Country Album, Top Country Artist, Top Country Female Artist, and Top Billboard 200 Artist.[79] At the 2022 American Music Awards, Swift won all six of her nominations, including Artist of the Year, Favorite Pop Female Artist, and Favorite Country Female Artist.[80] At the 65th Annual Grammy Awards, "All Too Well (10 Minute Version)", All Too Well: The Short Film, and "I Bet You Think About Me" were nominated for Song of the Year, Best Music Video, and Best Country Song, respectively, with All Too Well: The Short Film winning its category.[81][82]

Rankings of Red (Taylor's Version) on 2021 year-end lists
Publication List Rank Ref.
Billboard The 50 Best Albums of 2021 25 [83]
Clash 12 [84]
Insider The Best Albums of 2021
4
[85]
Metacritic The 40 Best Albums of 2021 2 [86]
People The Top Albums of 2021
4
[87]
Awards and nominations for Red (Taylor's Version)
Organization Year Award Result Ref.
Guinness World Records 2022 Most Day-one Streams of An Album on Spotify (Female) Won
[88]
NME Awards 2022 Best Reissue Won
[89]
Kids' Choice Awards 2022 Favorite Album Nominated
[90]
Billboard Music Awards 2022 Top Country Album Won
[79]
American Music Awards 2022 Favorite Pop/Rock Album Won
[80]
Favorite Country Album Won
ARIA Music Awards 2022 Best International Artist Nominated
[91]
Gold Derby Music Awards 2023 Album of the Year Nominated
[92]
Best Country/Americana Album Won
Juno Awards 2023 International Album of the Year Nominated [93]

Commercial performance edit

Upon release, Red (Taylor's Version) broke several streaming records. It became the most-streamed album in a day from a female artist on Spotify, with more than 90.8 million global opening-day streams, surpassing the previous record of 80.6 million by Swift's own Folklore (2020).[note 1] Bolstered by the album's strong performance, Swift also became the most streamed woman in a single day—with more than 122.9 million global streams on the platform across her entire discography—and the first woman in Spotify history to amass 100 million streams in a day.[95] The album moved over 1.2 million album-equivalent units globally in its first week.[96] All of the album's tracks appeared on the Billboard Global 200 chart as 28 new entries,[note 2] alongside "Enchanted" (2010), "Blank Space" (2014) and "Wildest Dreams (Taylor's Version)" (2021), giving Swift a sum of 31 songs charting in the same week (November 27, 2021); 25 of those were in the top 100 region.[97] At the end of the year, Swift was the most streamed woman on Spotify in 2021, and the second most streamed act behind Puerto Rican rapper Bad Bunny.[98] The International Federation of the Phonographic Industry (IFPI) reported that Swift was the world's best selling soloist and female artist of 2021, for a third consecutive year.[99] The album sold 1.14 million copies in 2021.[100]

United States edit

Within five days of its release, Red (Taylor's Version) sold over 500,000 album-equivalent units, including 325,000 album sales, which marked 2021's largest sales week for an album already, surpassing Swift's own Evermore (2020). Of those sales, 112,000 were in the vinyl LP format, breaking the record for the largest vinyl sales week for an album in the history of MRC Data (also held previously by Evermore). Concurrently, Swift had three of the four largest album sales weeks of 2021, with Red (Taylor's Version), Evermore and Fearless (Taylor's Version).[101][note 3]

Upon completion of its full tracking week, Red (Taylor's Version) debuted at number one on the Billboard 200 with 605,000 units, marking the third largest week of 2021, behind 30 by Adele (839,000) and Drake's Certified Lover Boy (613,000). The first-week sum consists of 303.23 million on-demand streams, the largest streaming week of 2021 for an album by a woman, the second-largest ever after Ariana Grande's 2019 album Thank U, Next (307.1 million streams), and the biggest for a country album, surpassing Morgan Wallen's 2021 album Dangerous: The Double Album (240.18 million). The album opened with 369,000 pure album sales, of which 114,000 were vinyl LP sales, and marked the largest sales week for a country album since Luke Bryan's Crash My Party sold 528,000 copies in 2014. It marked Swift's tenth Billboard 200 chart-topper, making her the second woman to score that many number-one albums after Barbra Streisand, who has 11. Swift also became the fastest soloist to earn four number-ones on the Billboard 200 (less than 16 months), breaking Elton John's 46-year-old record.[104] The album further topped the Top Country Albums as Swift's seventh number-one and spent 7 weeks at the top,[105] helping Swift surpass Shania Twain as the longest reigning female artist of the chart with 98 weeks atop it.[106] Red (Taylor's Version) ranked second on the best-selling albums list of 2021, alongside Fearless (Taylor's Version), Evermore and Folklore in the top 10.[107] As of July 2023, the album has sold 3.32 million units in the country.[108]

26 of the album's tracks entered the Billboard Hot 100 simultaneously, setting the records for the most debuts on the Hot 100 in a single week and the most simultaneous Hot 100 entries by a female artist, both of which were held by Swift herself with the release of Lover (2019). Her career total entries increased to 164, extending her record for the most Hot 100 entries by a female artist. Four of those tracks landed inside the Hot 100's top 40 region, bringing Swift's sum of top-40 entries to 85—the third highest sum in history, surpassing Elvis Presley.[109] "All Too Well (Taylor's Version)", carried by the success of its 10-minute rendition, arrived atop the Hot 100 chart as Swift's eighth number-one song in the US. Swift became the first act in history to debut at number-one on both the Billboard 200 and Hot 100 charts simultaneously in three different occasions, following "Cardigan" and Folklore in August 2020 and "Willow" and Evermore in December 2020.[110]

Elsewhere edit

Red (Taylor's Version) opened at the number one spot of the Billboard Canadian Albums, scoring Swift her tenth consecutive number-one album in Canada. All of its tracks debuted on the Canadian Hot 100 chart together, with "All Too Well (Taylor's Version)" at number one, "State of Grace (Taylor's Version)" at number 9, and nine other tracks in the top 40.[111] Red (Taylor's Version) was the best-selling country album in Canada by a female artist in 2021. Overall, it was the fifth best-seller across all genres, and one of the top 10 best-selling digital, CD and vinyl albums.[112]

In the United Kingdom, the album debuted at number one on the UK Albums Chart and moved over 72,000 units within its first week. It became Swift's eighth consecutive number-one album, tying her with Kylie Minogue as the female artists with the second most number-one albums in the UK, only behind Madonna (12). Red (Taylor's Version) earned the highest opening-week sales for a female artist in 2021, eclipsing Sour by Olivia Rodrigo (51,000 units).[113][note 3]

It also topped the Irish Albums Chart as Swift's seventh number-one album in Ireland—the most for a female artist this millennium. The album debuted atop the chart alongside "All Too Well (Taylor's Version)" debuting atop the Irish Singles Chart, marking a "chart double". Additionally, "State of Grace (Taylor's Version)" and "Red (Taylor's Version)" arrived at numbers 7 and 9 on the singles chart, respectively.[114]

In Australia, Swift achieved a chart double by topping both ARIA Albums and Singles charts simultaneously; she scored her ninth number-one album on the former with Red (Taylor's Version) and her second of 2021 following Fearless (Taylor's Version). Swift became the first artist in the history of the ARIA Charts to have four number-one albums in a span of two years. Additionally, she tied with Eminem for the most consecutive number one albums on the ARIA Albums Chart, at nine each. "All Too Well (Taylor's Version)" debuted atop the singles chart as Swift's eighth Australian number-one song. It marked the fourth time she achieved a chart double, after 1989 and "Blank Space" in 2014, Folklore and "Cardigan", and Evermore and "Willow". Eleven other tracks from Red (Taylor's Version) also entered the ARIA Singles Chart the same week.[115] The album debuted at number one on the New Zealand Albums Chart as well, as Swift's tenth number one album there. In Japan, the album debuted at number 15 on the Oricon Albums Chart,[116] and on the Japanese Hot Albums Billboard Japan at number 16.[117]

Impact edit

 
The logo of the re-recorded album, depicting the additional "Taylor's Version" subtitle

Various brands and companies[note 4] used their social media accounts to endorse the album; some of them added "(Taylor's Version)" to their Twitter usernames during the release week.[118] Fitness equipment manufacturer Peloton announced that the album's songs will be used in their on-demand classes, such as of cycling, running, and yoga, upon popular demand.[119] Paper wrote that Swift's impact was "felt across social media", with the brands "capitalizing on her momentum".[118] Inc. said the companies leveraged the album's cultural relevance.[120] Beauty company Cosmetify reported that Google searches for "red lipstick" increased 669 percent following the release of Red (Taylor's Version).[121]

Media outlets and fans online dubbed Red (Taylor's Version) as part of a 2021 music trend called "Sad Girl Autumn" or "Sad Girl Fall", which refers to the release of melancholic and introspective music by female artists during autumn, such as Adele's 30 and Mitski's "The Only Heartbreaker"; it is a counterpart to "Hot Girl Summer", a catchphrase coined by American rapper Megan Thee Stallion with her 2019 song of the same name. Swift herself acknowledged the phenomenon by releasing an acoustic rendition of "All Too Well (10 Minute Version)" subtitled "Sad Girl Autumn Version".[122]

The Wall Street Journal stated that Red (Taylor's Version) is "reshaping the music industry", highlighting how the re-recorded songs are outperforming their original counterparts on streaming services, going viral on TikTok, and landing "lucrative" licensing deals for usage in motion pictures. According to the newspaper, Universal Music Group—the parent company of Republic Records—implemented stricter terms in recording deals which effectively doubled the time before an artist can rerecord their music. Other changes in the contracts included increased royalty payments to artists following their demands for better revenue shares.[123] Variety named Swift the "Queen of Stream" for setting multiple streaming records with the release of Red (Taylor's Version).[124] Rolling Stone opined "it's no small feat" for a re-released album to score a number-one song, and said deluxe or special editions of albums are often "gimmicky", but Red (Taylor's Version) challenged that norm and evolved on the original album rather than attempting to replace it.[125]

Publications have said the release of Red (Taylor's Version), "All Too Well (10 Minute Version)", the accompanying short film, and Swift's re-recording venture collectively is one of the biggest newsmakers and pop culture moments of 2021.[126][127][128] Vogue called it a "multimedia, news-cycle-dominating release" and stated "nobody releases (or rereleases!) an album like Swift."[129] The Recording Academy called Red (Taylor's Version) a pop phenomenon that defined 2021.[130] Ms. and Slate journalists stated Red (Taylor's Version) is a testament to Red's legacy, highlighting how some critics in 2012 called Red a sub-par album citing its "hyper-emotionality and obsessive romanticism" but eventually saw it as a "masterclass in pop songwriting and poetry ahead of its time". Ms. wrote the period's sexist scrutiny downplayed her artistry; Slate stated the media had no sympathy for Swift, painting her as a "boy-crazy, vengeful ex" and failing to assess Red without prejudice.[19][70] Billboard named Swift the "Greatest Pop Star of 2021" for her "unequivocal" success that year.[131] Swift was the highest-paid musician of 2021 globally, earning an estimated $65.8 million in take-home pay.[132]

Track listing edit

Red (Taylor's Version) track listing
No.TitleWriter(s)Producer(s)Length
1."State of Grace"Taylor Swift
4:55
2."Red"Swift
  • Swift
  • Rowe
3:43
3."Treacherous"
Wilson4:02
4."I Knew You Were Trouble"
  • Swift
  • Rowe
  • Shellback
3:39
5."All Too Well"
  • Swift
  • Rowe
5:29
6."22"
  • Swift
  • Martin
  • Shellback
  • Swift
  • Rowe
  • Shellback
3:50
7."I Almost Do"Swift
  • Swift
  • Rowe
4:04
8."We Are Never Ever Getting Back Together"
  • Swift
  • Martin
  • Shellback
  • Swift
  • Rowe
  • Shellback
3:13
9."Stay Stay Stay"Swift
  • Swift
  • Rowe
3:25
10."The Last Time" (featuring Gary Lightbody of Snow Patrol)
Lee4:59
11."Holy Ground"SwiftJeff Bhasker3:22
12."Sad Beautiful Tragic"Swift
4:44
13."The Lucky One"SwiftBhasker4:00
14."Everything Has Changed" (featuring Ed Sheeran)
  • Swift
  • Sheeran
Butch Walker4:05
15."Starlight"Swift
  • Swift
  • Rowe
  • Mirkovich[a]
3:40
16."Begin Again"Swift
  • Swift
  • Rowe
3:58
17."The Moment I Knew"Swift
  • Swift
  • Rowe
  • Mirkovich[a]
4:45
18."Come Back... Be Here"
  • Swift
  • Wilson
Wilson3:43
19."Girl at Home"SwiftElvira Anderfjärd3:40
20."State of Grace" (acoustic version)Swift
  • Swift
  • Rowe
5:21
21."Ronan"
  • Swift
  • Maya Thompson
  • Swift
  • Rowe
4:24
22."Better Man"Swift
4:57
23."Nothing New" (featuring Phoebe Bridgers)Swift
4:18
24."Babe"
3:44
25."Message in a Bottle"
  • Swift
  • Martin
  • Shellback
  • Anderfjärd
  • Shellback
3:45
26."I Bet You Think About Me" (featuring Chris Stapleton)
  • Swift
  • Dessner
4:45
27."Forever Winter"
  • Swift
  • Antonoff
4:23
28."Run" (featuring Ed Sheeran)
  • Swift
  • Sheeran
  • Swift
  • Dessner
4:00
29."The Very First Night"
3:20
30."All Too Well (10 Minute Version)"
  • Swift
  • Rose
  • Swift
  • Antonoff
10:13
Total length:130:26

Notes edit

  • [a] signifies executive producer
  • [b] signifies vocal producer
  • All tracks on the standard edition are noted as "Taylor's Version"; tracks 22–30 are additionally noted as "From the Vault".[49]
  • The album's CD package consists of two discs; one containing tracks 1–16, and the other with tracks 17–30.

Personnel edit

Musicians edit

  • Taylor Swift – vocals, background vocals (1–4, 6–9, 11–15, 17, 18)
  • Amos Heller – bass guitar (1, 2, 4–9, 16, 20), synth bass (5, 6, 8), clapping (9)
  • Matt Billingslea – drums, percussion (1, 2, 4–9, 16, 20, 21); vibraphone (1), drum programming (4, 6, 8), clapping (9)
  • Max Bernstein – electric guitar (1, 2, 4, 9), synthesizer (4–6, 8, 9, 16, 20), acoustic guitar (7), steel guitar (16)
  • Mike Meadows – electric guitar (1), synthesizer (1, 2, 4, 6, 8), Hammond B3 (2, 16), acoustic guitar (4–9, 11, 13, 16, 20), background vocals (5, 9), clapping (9), mandolin (9, 16), piano (21)
  • Paul Sidoti – electric guitar (1, 2, 4–6, 8, 9, 16, 21), acoustic guitar (7), piano (20)
  • Jonathan Yudkin – strings (1, 2, 17), bouzouki (2), violin (16)
  • David Cook – piano (2, 5, 16)
  • Dan Wilson – bass, guitar (3, 18); background vocals (3)
  • Aaron Sterling – drums, percussion, programming (3, 18)
  • Andy Thompson – electric guitar (3), keyboards (3, 18), bass, conductor, synth bass (18)
  • Sara Mulford – piano (3, 18), synthesizer (18)
  • Dan Burns – programming (4, 6, 8)
  • Jacknife Lee – bass, guitar, keyboards, piano (10)
  • Davide Rossi – string arrangement, cello, viola, violin (10)
  • Matt Bishop – drums (10)
  • Gary Lightbody – vocals, guitar (10); background vocals (14)
  • Owen Pallett – string arrangement (10)
  • Bebel Matsumiya – background vocals (11, 13)
  • Jeff Bhasker – background vocals, synthesizer (11, 13)
  • Ian Gold – drum programming (11, 13)
  • Anders Mouridsen – electric guitar (11, 13)
  • Alexander Sasha Krivtsov – acoustic bass guitar (12, 17), electric bass (15)
  • Justin Derrico – acoustic guitar (12, 15, 17), bouzouki, electric guitar (15); ukulele (17)
  • Nate Morton – drums (12, 15, 17), drum programming (15)
  • Paul Mirkovich – piano, synthesizer (12, 15, 17); synth bass (12, 17), drum programming (15, 17)
  • Ed Sheeran – vocals, acoustic guitar (14, 28); background vocals (14)
  • Butch Walker – background vocals, bass, drums, guitar, keyboards, percussion (14)
  • Pete Amato – drum programming (15)
  • Charlie Judge – accordion (16)
  • Caitlin Evanson – background vocals (16, 22)
  • Liz Huett – background vocals (17, 22)
  • Dan Lawonn – cello (18)
  • Kirsten Whitson – cello (18)
  • Ruth Marshall – cello (18)
  • Charlie Block – double bass (18)
  • David Campbell – string arrangement (18)
  • Sam Bergman – viola (18)
  • Valerie Little – viola (18)
  • Allison Ostrander – violin (18)
  • Conor O'Brien – violin (18)
  • Erika Hoogeveen – violin (18)
  • Felicity James – violin (18)
  • Huldah Niles – violin (18)
  • Kate Bennett – violin (18)
  • Mary Alice Hutton – violin (18)
  • Natalia Moiseeva – violin (18)
  • Natsuki Kumagai – violin (18)
  • Troy Gardner – violin (18)
  • Elvira Anderfjärd – background vocals, bass, drums, keyboards, programming (19, 25)
  • Aaron Dessner – acoustic guitar, bass guitar, electric guitar, keyboards, piano (22, 23, 26); synthesizer (22, 23, 28), drum programming (22, 28)
  • Josh Kaufman – electric guitar (22, 26, 28), lap steel guitar (22, 26), acoustic guitar, mandolin (22); harmonica (26)
  • London Contemporary Orchestra – orchestra (22, 26, 28)
    • Galya Bisengalieva – orchestra leader, violin
    • Robert Ames – conductor
    • Jonny Byers, Max Ruisi, Oliver Coates – cello
    • Dave Brown – double bass
    • Clifton Harrison, Matthew Kettle, Stephanie Edmundson, Zoe Matthews – viola
    • Anna Ovsyanikova, Anna de Bruin, Antonia Kesel, Charis Jenson, Charlotte Reid, Eloisa-Fleur Thorn, Guy Button, Natalie Klouda, Nicole Crespo O'Donoghue, Nicole Stokes, Zara Benyounes – violin
  • James Krivchenia – drums, percussion (22, 26, 28)
  • Clarice Jensen – cello (23)
  • Yuki Numata Resnick – violin (23)
  • Phoebe Bridgers – vocals (23)
  • Jack Antonoff – acoustic guitar, bass, electric guitar, keyboards (24, 27, 30); Mellotron, percussion, programming (24, 27, 30); drums (24, 27), 12-string acoustic guitar (27), slide guitar (30)
  • Mikey Freedom Hart – acoustic guitar (24), celesta, Hammond B3 (24, 30); electric guitar, slide guitar, synthesizer (24, 27); bass, pedal steel (27); baritone guitar, organ (30), piano, Wurlitzer organ (30)
  • Sean Hutchinson – drums, percussion (24, 27, 30)
  • Evan Smith – flute, saxophone (24, 27, 30); synthesizer (30)
  • Michael Riddleberger – percussion (24, 27, 30)
  • Cole Kamen-Green – trumpet (24, 27)
  • Shellback – guitar, keyboards, programming (25)
  • Chris Stapleton – vocals (26)
  • Mark Foster – background vocals (27)
  • Thomas Bartlett – keyboards, synthesizer (28)
  • Espen Lind – bass (29)
  • Freddy Holm – dobro, guitar, keyboards (29)
  • Torstein Lofthus – drums (29)
  • Amund Bjørklund – keyboards (29)
  • Bobby Hawk – strings (30)

Technical edit

  • Taylor Swift – executive producer
  • Randy Merrill – mastering
  • Şerban Ghenea – mixing (1–21, 24, 25, 27, 29, 30)
  • Jonathan Low – mixing, recording (22, 23, 25, 28, 30); engineering (23, 28)
  • Bryce Bordone – mix engineering (1–9, 11–21, 24, 25, 27), mixing assistance (10, 29)
  • Derek Garten – engineering, editing (1, 2, 4–7, 9, 12, 15–17, 20, 21); vocal engineering (22)
  • John Hanes – engineering (10, 29)
  • Ian Gold – engineering (11, 13)
  • Aaron Dessner – engineering (23, 28), recording (22, 23)
  • Bella Blasko – engineering, recording (23, 28)
  • Will Maclellan – engineering (23, 28)
  • Cole Kamen-Green – engineering (24, 27)
  • David Hart – engineering (24, 27, 30)
  • Evan Smith – engineering (24, 27, 30)
  • Jack Antonoff – engineering, recording (24, 27, 30)
  • John Rooney – engineering, engineering assistance (24, 27, 30)
  • Laura Sisk – engineering, recording (24, 27, 30)
  • Michael Riddleberger – engineering (24, 27, 30)
  • Mikey Freedom Hart – engineering (24, 27, 30)
  • Sean Hutchinson – engineering (24, 27, 30)
  • Jon Gautier – engineering (30)
  • David Payne – recording (1, 2, 5, 7, 16, 20, 21)
  • Aaron Sterling – recording (3, 18)
  • Andy Thompson – recording (3, 18)
  • John Mark Nelson – recording (3, 18)
  • Sara Mulford – recording (3, 18)
  • Jacknife Lee – recording (10)
  • Matt Bishop – recording, editing (10)
  • Travis Ference – recording, additional engineering (12, 15, 17); editing (15)
  • Butch Walker – recording (14)
  • Justin Derrico – recording (15), additional engineering (12, 15, 17)
  • Miles Hanson – recording (18)
  • Elvira Anderfjärd – recording (19)
  • Jeremy Murphy – recording (22, 28)
  • Espen Lind – recording (29)
  • Mike Hartung – recording (29)
  • Christopher Rowe – vocal engineering
  • Sam Holland – vocal engineering (4, 8)
  • Robert Sellens – vocal engineering (14, 28)
  • Tony Berg – vocal production (23)
  • Austin Brown – editing, engineering assistance (1, 2, 5, 7, 9, 16, 20, 21)
  • Dan Burns – additional engineering (1, 2, 4, 5, 7–9, 16, 20, 21)
  • Paul Mirkovich – additional engineering (12, 15, 17)
  • Pete Amato – additional engineering (15)
  • Daniel Ficca – additional engineering (18)
  • Josh Kaufman – additional engineering (26)
  • Jeff Fitzpatrick – engineering assistance (17)
  • Jon Sher – engineering assistance (24, 27, 30)
  • Lauren Marquez – engineering assistance (24, 27, 30)
  • Michael Fahey – engineering assistance (26)

Charts edit

Certifications edit

Certifications for Red (Taylor's Version)
Region Certification Certified units/sales
Australia (ARIA)[187] Platinum 70,000‡
Denmark (IFPI Danmark)[188] Platinum 20,000‡
France (SNEP)[189] Gold 50,000‡
Italy (FIMI)[190] Gold 25,000‡
New Zealand (RMNZ)[191] 2× Platinum 30,000‡
Poland (ZPAV)[192] Gold 10,000‡
Spain (PROMUSICAE)[193] Gold 20,000‡
United Kingdom (BPI)[194] Platinum 300,000‡

‡ Sales+streaming figures based on certification alone.

Release history edit

Release dates and formats for Red (Taylor's Version)
Region Date Version Format(s) Label Ref.
Various November 12, 2021 Standard
Republic [195]
Japan November 13, 2021 Deluxe CD Universal Music Japan [196]
Brazil December 31, 2021 Standard Universal Music Brasil [197]
February 7, 2022 Standard Cassette
Deluxe

See also edit

Footnotes edit

  1. ^ a b This article refers to these tracks as "vault tracks" hereafter for concision.
  1. ^ Both records were surpassed by Midnights, Swift's tenth studio album, on October 21, 2022.[94]
  2. ^ Chart performance of "State of Grace (Acoustic Version) (Taylor's Version)" and "All Too Well (10 Minute Version)" are combined with "State of Grace (Taylor's Version)" and "All Too Well (Taylor's Version)", respectively; hence these 4 songs appear as 2 song entries on Billboard charts.
  3. ^ a b 30, the fourth studio album by English singer Adele, surpassed the first-week tally of Red (Taylor's Version) and garnered the biggest sales week of 2021 in the US and the UK.[102][103]
  4. ^ Such as Domino's, Kansas City Chiefs, M&M's, Olive Garden, Oreo, Panera Bread, Skittles, Sour Patch Kids, Starbucks, and Taco Bell.
  5. ^ After Red (Taylor's Version) was released in 2021, the original Red appeared on the Austrian and German charts with statistics combined with the re-recording. The re-recording was separated into its own chart history in November 2023.

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Cited literature edit

External links edit

  • Red (Taylor's Version) at Discogs (list of releases)

January 01, 1970
taylor, version, this, article, about, recorded, album, taylor, swift, song, song, second, recorded, album, american, singer, songwriter, taylor, swift, released, november, 2021, republic, records, part, swift, recording, projects, following, 2019, dispute, ov. This article is about the re recorded album by Taylor Swift For the song see Red Taylor s Version song Red Taylor s Version is the second re recorded album by the American singer songwriter Taylor Swift released on November 12 2021 by Republic Records It is part of Swift s re recording projects following the 2019 dispute over the ownership of her back catalog Red Taylor s Version Studio album re recorded by Taylor SwiftReleasedNovember 12 2021 2021 11 12 StudioBallroom West Los Angeles Blackbird Nashville Capitol B Los Angeles Conway Recording Los Angeles Electric Lady New York The Garage Topanga House Mouse Stockholm Instrument Landing Minneapolis Kallbacken Stockholm Kitty Committee Belfast Long Pond New York Prime Recording Nashville Sterloid Sounds Los Angeles GenrePop country rockLength130 26LabelRepublicProducerTaylor Swift Christopher Rowe Shellback Aaron Dessner Jack Antonoff Elvira Anderfjard Dan Wilson Jeff Bhasker Jacknife Lee Butch Walker EspionageTaylor Swift chronologyFearless Taylor s Version 2021 Red Taylor s Version 2021 Midnights 2022 Singles from Red Taylor s Version I Bet You Think About Me Released November 15 2021 Message in a Bottle Released November 15 2021 Red Taylor s Version includes re recorded versions of the tracks on Swift s fourth studio album Red 2012 and the 2012 charity single Ronan and nine tracks denoted as From the Vault a six unreleased songs a 10 minute long version of All Too Well and solo versions of Better Man 2016 and Babe 2018 which Swift had written for other artists Swift and most original producers reprised their works on the re recorded tracks with additions from Christopher Rowe and the vault tracks featured inputs from Aaron Dessner Jack Antonoff Elvira Anderfjard and Espionage with features from Phoebe Bridgers Ed Sheeran and Chris Stapleton Music critics described Red Taylor s Version as an eclectic album combining styles of pop country rock and electronic featuring various instruments such as acoustic strings and electronic keyboards Its songs address the different dynamics of love and heartbreak Met with unanimous acclaim the album received critical praise for Swift s vocals its enhanced production quality and the vault tracks Commercially Red Taylor s Version topped the charts in Australia Canada and the United Kingdom among others In the United States it was Swift s fourth number one on the Billboard 200 in less than 16 months registering the shortest time span for an artist to collect four number one albums Swift promoted the album with televised appearances on NBC talk shows and a self directed short film accompanying All Too Well 10 Minute Version Red Taylor s Version broke the record for the most single week new entries by an artist with 26 of its tracks charting on the Billboard Hot 100 All Too Well 10 Minute Version became the longest chart topper of all time The vault tracks I Bet You Think About Me and Message in a Bottle were promoted as radio singles Publications considered Red Taylor s Version a key pop culture moment of 2021 The album and its songs received a Billboard Music Award three MTV Video Music Awards two MTV Europe Music Awards two American Music Awards and a Grammy Award Contents 1 Background 2 Music and lyrics 2 1 Composition 2 2 From the Vault tracks 3 Release and promotion 4 Critical reception 5 Accolades 6 Commercial performance 6 1 United States 6 2 Elsewhere 7 Impact 8 Track listing 8 1 Notes 9 Personnel 9 1 Musicians 9 2 Technical 10 Charts 10 1 Weekly charts 10 2 Year end charts 11 Certifications 12 Release history 13 See also 14 Footnotes 15 References 15 1 Cited literature 16 External linksBackground editFurther information Taylor Swift masters disputeTaylor Swift signed a recording contract with Nashville based independent record label Big Machine in 2005 1 As part of the contract Big Machine released Swift s first six studio albums from Taylor Swift 2006 to Reputation 2017 2 nbsp Swift performing on the Red Tour 2013 Her fourth studio album Red was released on October 22 2012 It expanded beyond the country stylings of her past albums and explored styles of mainstream pop and other genres 3 4 The album s lead single We Are Never Ever Getting Back Together was Swift s first number one song on the Billboard Hot 100 5 Other singles I Knew You Were Trouble and 22 were commercially successful and propelled Swift towards pop stardom 5 6 Although critical reviews of Red were generally positive its eclectic musical influences led to critics questioning Swift s country music identity 7 the album was retrospectively regarded as a testament to Swift s artistic versatility 8 Rolling Stone placed it at number 99 on its 2021 revision of the 500 Greatest Albums of All Time 9 By August 2018 Swift s contract with Big Machine had expired she signed a new contract with Republic Records a division of Universal Music Group which secured her the rights to own the masters of the new music she would release 10 In 2019 the talent manager Scooter Braun and his company Ithaca Holdings acquired Big Machine Records The masters of Swift s Big Machine released albums including Red were effectively transferred to Braun which resulted in a public dispute between Swift and Braun 11 Swift denounced the purchase and began re recording her first six studio albums including Red in November 2020 12 By re recording the albums Swift had full ownership of the new masters which enabled her to control the licensing of her songs for commercial use and therefore substituted the Big Machine owned masters 13 The first in Swift s re recording series was Fearless Taylor s Version which was released on April 9 2021 14 It is the re recording of her second studio album Fearless 2008 In addition to re recordings of the original Fearless album tracks Fearless Taylor s Version includes several unreleased tracks denoted as From the Vault 15 a Fearless Taylor s Version became the first re recorded album in history to top the US Billboard 200 5 Two months after the release of Fearless Taylor s Version on June 18 2021 Swift announced Red Taylor s Version as her second re recorded album it is the re recording of Red 5 In addition to the re recordings of the original album tracks Red Taylor s Version also includes nine vault tracks 16 Music and lyrics editComposition edit In a social media post Swift wrote that re recording Red made her think of the album both musically and lyrically as resembling a heartbroken person all over the place a fractured mosaic of feelings that somehow all fit together in the end 16 Music critics mostly characterized Red Taylor s Version as a pop album with eclectic musical styles as with the original album 17 18 19 20 All songs feature the additional Taylor s Version moniker 21 they incorporate diverse sounds including synth pop arena rock indie rock electronic dubstep and folk 22 23 24 using both acoustic and electronic instruments 17 25 Tracks 1 20 are re recordings of the original Red album songs and they are country pop and experimental tracks intertwined between one another 19 23 Track 21 is the re recording of Ronan a 2012 standalone charity single inspired by a four year old boy who died from cancer complications 26 27 Gary Lightbody of the rock band Snow Patrol and Ed Sheeran returned to feature on The Last Time and Everything Has Changed respectively 28 All but one re recorded tracks feature the same arrangements as their original versions 29 they were produced by their respective original producers except Max Martin Dann Huff and Nathan Chapman whose production was conducted by Swift and Christopher Rowe 30 Girl at Home was reworked from an acoustic number into a synth pop track produced by Elvira Anderfjard 31 The re recorded tracks feature Swift s mature deeper and more resonant vocals 23 26 32 and a subtly sharper production that either tweaks or emphasizes certain instruments Pitchfork s Olivia Horn wrote that the melody of Sad Beautiful Tragic might have tweaked a note or two 31 USA Today s Melissa Ruggieri found the drums on I Knew You Were Trouble sharper and the guitars on 22 more defined 33 and NME s Hannah Mylrea described the opening drums on State of Grace as crisper the soft rock guitars on Red as a little brighter and the mandolin on Stay Stay Stay as lifted 26 According to Carrie Battan from The New Yorker some of the stronger instrumentation made the re recorded album resemble a live performance 34 From the Vault tracks edit Tracks 22 30 are labeled From the Vault which are songs Swift had written but did not include in the 2012 album Two vault tracks Better Man and Babe are songs that had been written by Swift and recorded by Little Big Town in 2016 and Sugarland in 2018 respectively 26 The closing track All Too Well 10 Minute Version is an unabridged version of All Too Well that contains lyrics Swift wrote in 2011 before trimming down the track 35 Carson Mlnarik from MTV News wrote that some vault tracks featured Swift s country songwriting which was a reminder of how Red is a country album at its core 36 The vault tracks were produced by Anderfjard Espionage Jack Antonoff and Aaron Dessner 30 nbsp Babe source source Babe was recorded by the country band Sugarland in 2018 Swift s version has a pop ska arrangement with slide guitar keyboards and brass Forever Winter source source Forever Winter is a power pop track incorporating horns flutes and guitars in its chorus Problems playing these files See media help Better Man is a banjo led country ballad that incorporates mandolin and strings 17 26 with lyrics about the aftermath of a painful breakup 37 Nothing New a folk duet with Phoebe Bridgers is about insecurities around aging and the social perceptions of young women 17 37 Babe whose version by Sugarland is a country song is reworked into a pop ska and country pop arrangement 24 37 consisting of slide guitar keyboards brass and percussion 26 Its lyrics describe the missteps in a dissolving relationship 37 Message in a Bottle is an upbeat dance pop and electropop track about the beginnings of a romantic connection 19 25 37 I Bet You Think About Me featuring background harmony vocals by Chris Stapleton is a harmonica driven country ballad 37 38 It has tongue in cheek lyrics deriding an ex lover s luxurious and pretentious lifestyle 39 Forever Winter is a power pop song opening with energetic brass 17 before proceeding to the chorus that features Swift s dynamic vocals and incorporates horns flutes and guitars 37 Lyrically Forever Winter is about Swift trying to help a friend through his mental health struggles 40 41 Run is an acoustic indie folk leaning duet with Ed Sheeran who wrote the track with Swift the same day they wrote Everything Has Changed 17 25 The production of Run is driven by a twiddling guitar and orchestral compositions while its lyrics consist of romantic gestures 37 The Very First Night is an uptempo bubblegum and country pop song that sees Swift reminiscing about the first moments of a blossoming romance 36 37 40 All Too Well 10 Minute Version is a slow ballad with a pop rock sound driven by a thudding and insistent bassline 17 42 It features additional verses that provide a richer context to the original song 25 Release and promotion editOn June 18 2021 Swift released the cover art of Red Taylor s Version and initially announced that the re recorded album would be released on November 19 2021 5 Alongside the announcement pre orders for the digital album were made available 43 The cover depicts Swift wearing red lipstick a beige peacoat and a burgundy colored Matti fisherman velvet cap seated in a vintage 1932 Chevrolet Cabriolet convertible with an autumnal background Janessa Leone designed the cap which quickly sold out on Leone s website 44 45 The customized ring that Swift wears on the cover was designed by one of Swift s real life friends 46 On August 5 2021 Swift posted a video across her social media teasing a word puzzle for the fans to solve it spelled out Chris Stapleton Phoebe Bridgers Babe Better Man and All Too Well Ten Minute Version 47 48 Concurrently pre orders for the album s CDs went up on Swift s website 47 She posted the official track listing on August 6 49 nbsp Chris Stapleton pictured features on the country radio single I Bet You Think About Me On September 30 Swift announced Red Taylor s Version would be released on November 12 a week earlier than scheduled 16 She used social media to release snippets of several re recorded songs prior to the album release 22 and I Knew You Were Trouble via an Instagram story on August 5 47 Red via an Instagram video on October 24 50 and Babe via Tumblr on November 11 51 Via Republic Records Red Taylor s Version was released for streaming download and physical formats of CD and vinyls including limited editions with customized merchandise for the retailors Target Corporation Walmart and Urban Outfitters 52 53 In January 2022 five streaming chapters containing tracks from Red Taylor s Version were released Could You Be the One Chapter She Wrote a Song About Me Chapter The Slow Motion Chapter and From the Vault Chapter 54 55 Starbucks partnered with Swift to commemorate the release of Red Taylor s Version which coincided with the company s red cup holiday season 56 Swift promoted Red Taylor s Version via two NBC late night talk shows The Tonight Show Starring Jimmy Fallon and Late Night with Seth Meyers which aired back to back on November 11 57 Concurrently with the album s release on November 12 she premiered All Too Well The Short Film which accompanied All Too Well 10 Minute Version and stars herself Sadie Sink and Dylan O Brien she also performed the song at the premiere 58 59 The following day she appeared as the musical guest and performed All Too Well 10 Minute Version on Saturday Night Live 60 The song was a number one hit on the Billboard Hot 100 becoming the longest number one song in history surpassing the 8 minutes and 37 seconds American Pie 1971 by Don McLean 61 The vault tracks I Bet You Think About Me and Message in a Bottle were promoted as singles respectively to country radio 62 63 and pop adult contemporary radio formats 64 Critical reception editProfessional ratingsAggregate scoresSourceRatingAnyDecentMusic 8 6 10 65 Metacritic91 100 66 Review scoresSourceRatingAllMusic nbsp nbsp nbsp nbsp nbsp 20 The A V ClubA 23 Clash9 10 67 The Guardian nbsp nbsp nbsp nbsp nbsp 24 The Independent nbsp nbsp nbsp nbsp nbsp 17 The Line of Best Fit9 10 68 The New Zealand Herald nbsp nbsp nbsp nbsp nbsp 69 NME nbsp nbsp nbsp nbsp nbsp 26 Pitchfork8 5 10 31 Rolling Stone nbsp nbsp nbsp nbsp nbsp 25 Red Taylor s Version received universal critical acclaim 70 At Metacritic which assigns a normalized rating out of 100 to reviews from professional publications the album received a weighted mean score of 91 based on 16 reviews it is Swift s highest rated project on the site 66 Lydia Burgham of The New Zealand Herald wrote that listening to Red Taylor s Version made her reflect on the original Red as Swift s magnum opus 69 Many critics opined that the re recorded tracks had a better production with more emphasis on the instrumentation including Rob Sheffield of Rolling Stone 25 Helen Brown of The Independent 17 and Hannah Mylrea of NME 26 Under the Radar s Andy Von Pip 71 and Melissa Ruggieri of USA Today 33 highlighted Swift s vocals as being more mature and warmer The Line of Best Fit s Paul Bridgewater wrote that they were subtly bolder and more assertive 68 and Kate Solomon of the i wrote that they had newly limber muscles 72 Some critics such as Bobby Olivier of Spin 73 and Laura Snapes of The Guardian 24 thought that the changes in production and vocals brought forth a less intense listening experience than the original album but Ruggieri opined that they don t diminish the spirit of the 2012 edition 33 The lyricism of Swift s songwriting was particularly well received Red Taylor s Version was Pitchfork s Best New Music of its release week Olivia Horn summed up the album as a representation of Swift s ecstatic expressive vocals tart humor vivid imagery and tender attention to the nuances of love and loss 31 Von Pip wrote that the re recorded album made the original s lyrical sentiments more lingering 71 Anna Leszkiewicz of the New Statesman described Red Taylor s Version as a masterful recount of complicated early adulthood feelings 74 and Ana Clara Ribeiro of PopMatters wrote that the re recorded album upheld the enduring lyrical sentiments that stood the test of time 75 In the Financial Times Ludovic Hunter Tilney wrote the songs carousel of romantic drama still spins vibrantly constructed with a winning mix of wit design and sincerity 28 Beth Kirkbride of Clash said Red Taylor s Version is a medley of genres toying with various styles and an exercise in catharsis 67 Some critics highlighted Swift s insight and musicality The Line of Best Fit s Paul Bridgewater opined that Red Taylor s Version balances fan service alongside an insightful documentation of one of modern pop s best songwriters at a key juncture in her career and added that Swift has carefully curated the expanded tracklist without devolving from the album s original appeal 68 Slant Magazine s Jonathan Keefe 76 The Atlantic s Spencer Kornhaber 77 and Consequence s Mary Siroky felt the expanded album testifies to Swift s musical growth exuding a stronger emotional resonance 29 Variety s Chris Willman appreciated the vault tracks 78 Accolades editRed Taylor s Version received many accolades of the music industry such as placements on best of lists At the 2022 Billboard Music Awards Swift received seven nominations including wins for Top Country Album Top Country Artist Top Country Female Artist and Top Billboard 200 Artist 79 At the 2022 American Music Awards Swift won all six of her nominations including Artist of the Year Favorite Pop Female Artist and Favorite Country Female Artist 80 At the 65th Annual Grammy Awards All Too Well 10 Minute Version All Too Well The Short Film and I Bet You Think About Me were nominated for Song of the Year Best Music Video and Best Country Song respectively with All Too Well The Short Film winning its category 81 82 Rankings of Red Taylor s Version on 2021 year end lists Publication List Rank Ref Billboard The 50 Best Albums of 2021 25 83 Clash 12 84 Insider The Best Albums of 2021 4 85 Metacritic The 40 Best Albums of 2021 2 86 People The Top Albums of 2021 4 87 Awards and nominations for Red Taylor s Version Organization Year Award Result Ref Guinness World Records 2022 Most Day one Streams of An Album on Spotify Female Won 88 NME Awards 2022 Best Reissue Won 89 Kids Choice Awards 2022 Favorite Album Nominated 90 Billboard Music Awards 2022 Top Country Album Won 79 American Music Awards 2022 Favorite Pop Rock Album Won 80 Favorite Country Album Won ARIA Music Awards 2022 Best International Artist Nominated 91 Gold Derby Music Awards 2023 Album of the Year Nominated 92 Best Country Americana Album Won Juno Awards 2023 International Album of the Year Nominated 93 Commercial performance editUpon release Red Taylor s Version broke several streaming records It became the most streamed album in a day from a female artist on Spotify with more than 90 8 million global opening day streams surpassing the previous record of 80 6 million by Swift s own Folklore 2020 note 1 Bolstered by the album s strong performance Swift also became the most streamed woman in a single day with more than 122 9 million global streams on the platform across her entire discography and the first woman in Spotify history to amass 100 million streams in a day 95 The album moved over 1 2 million album equivalent units globally in its first week 96 All of the album s tracks appeared on the Billboard Global 200 chart as 28 new entries note 2 alongside Enchanted 2010 Blank Space 2014 and Wildest Dreams Taylor s Version 2021 giving Swift a sum of 31 songs charting in the same week November 27 2021 25 of those were in the top 100 region 97 At the end of the year Swift was the most streamed woman on Spotify in 2021 and the second most streamed act behind Puerto Rican rapper Bad Bunny 98 The International Federation of the Phonographic Industry IFPI reported that Swift was the world s best selling soloist and female artist of 2021 for a third consecutive year 99 The album sold 1 14 million copies in 2021 100 United States edit Within five days of its release Red Taylor s Version sold over 500 000 album equivalent units including 325 000 album sales which marked 2021 s largest sales week for an album already surpassing Swift s own Evermore 2020 Of those sales 112 000 were in the vinyl LP format breaking the record for the largest vinyl sales week for an album in the history of MRC Data also held previously by Evermore Concurrently Swift had three of the four largest album sales weeks of 2021 with Red Taylor s Version Evermore and Fearless Taylor s Version 101 note 3 Upon completion of its full tracking week Red Taylor s Version debuted at number one on the Billboard 200 with 605 000 units marking the third largest week of 2021 behind 30 by Adele 839 000 and Drake s Certified Lover Boy 613 000 The first week sum consists of 303 23 million on demand streams the largest streaming week of 2021 for an album by a woman the second largest ever after Ariana Grande s 2019 album Thank U Next 307 1 million streams and the biggest for a country album surpassing Morgan Wallen s 2021 album Dangerous The Double Album 240 18 million The album opened with 369 000 pure album sales of which 114 000 were vinyl LP sales and marked the largest sales week for a country album since Luke Bryan s Crash My Party sold 528 000 copies in 2014 It marked Swift s tenth Billboard 200 chart topper making her the second woman to score that many number one albums after Barbra Streisand who has 11 Swift also became the fastest soloist to earn four number ones on the Billboard 200 less than 16 months breaking Elton John s 46 year old record 104 The album further topped the Top Country Albums as Swift s seventh number one and spent 7 weeks at the top 105 helping Swift surpass Shania Twain as the longest reigning female artist of the chart with 98 weeks atop it 106 Red Taylor s Version ranked second on the best selling albums list of 2021 alongside Fearless Taylor s Version Evermore and Folklore in the top 10 107 As of July 2023 the album has sold 3 32 million units in the country 108 26 of the album s tracks entered the Billboard Hot 100 simultaneously setting the records for the most debuts on the Hot 100 in a single week and the most simultaneous Hot 100 entries by a female artist both of which were held by Swift herself with the release of Lover 2019 Her career total entries increased to 164 extending her record for the most Hot 100 entries by a female artist Four of those tracks landed inside the Hot 100 s top 40 region bringing Swift s sum of top 40 entries to 85 the third highest sum in history surpassing Elvis Presley 109 All Too Well Taylor s Version carried by the success of its 10 minute rendition arrived atop the Hot 100 chart as Swift s eighth number one song in the US Swift became the first act in history to debut at number one on both the Billboard 200 and Hot 100 charts simultaneously in three different occasions following Cardigan and Folklore in August 2020 and Willow and Evermore in December 2020 110 Elsewhere edit Red Taylor s Version opened at the number one spot of the Billboard Canadian Albums scoring Swift her tenth consecutive number one album in Canada All of its tracks debuted on the Canadian Hot 100 chart together with All Too Well Taylor s Version at number one State of Grace Taylor s Version at number 9 and nine other tracks in the top 40 111 Red Taylor s Version was the best selling country album in Canada by a female artist in 2021 Overall it was the fifth best seller across all genres and one of the top 10 best selling digital CD and vinyl albums 112 In the United Kingdom the album debuted at number one on the UK Albums Chart and moved over 72 000 units within its first week It became Swift s eighth consecutive number one album tying her with Kylie Minogue as the female artists with the second most number one albums in the UK only behind Madonna 12 Red Taylor s Version earned the highest opening week sales for a female artist in 2021 eclipsing Sour by Olivia Rodrigo 51 000 units 113 note 3 It also topped the Irish Albums Chart as Swift s seventh number one album in Ireland the most for a female artist this millennium The album debuted atop the chart alongside All Too Well Taylor s Version debuting atop the Irish Singles Chart marking a chart double Additionally State of Grace Taylor s Version and Red Taylor s Version arrived at numbers 7 and 9 on the singles chart respectively 114 In Australia Swift achieved a chart double by topping both ARIA Albums and Singles charts simultaneously she scored her ninth number one album on the former with Red Taylor s Version and her second of 2021 following Fearless Taylor s Version Swift became the first artist in the history of the ARIA Charts to have four number one albums in a span of two years Additionally she tied with Eminem for the most consecutive number one albums on the ARIA Albums Chart at nine each All Too Well Taylor s Version debuted atop the singles chart as Swift s eighth Australian number one song It marked the fourth time she achieved a chart double after 1989 and Blank Space in 2014 Folklore and Cardigan and Evermore and Willow Eleven other tracks from Red Taylor s Version also entered the ARIA Singles Chart the same week 115 The album debuted at number one on the New Zealand Albums Chart as well as Swift s tenth number one album there In Japan the album debuted at number 15 on the Oricon Albums Chart 116 and on the Japanese Hot Albums Billboard Japan at number 16 117 Impact edit nbsp The logo of the re recorded album depicting the additional Taylor s Version subtitle Various brands and companies note 4 used their social media accounts to endorse the album some of them added Taylor s Version to their Twitter usernames during the release week 118 Fitness equipment manufacturer Peloton announced that the album s songs will be used in their on demand classes such as of cycling running and yoga upon popular demand 119 Paper wrote that Swift s impact was felt across social media with the brands capitalizing on her momentum 118 Inc said the companies leveraged the album s cultural relevance 120 Beauty company Cosmetify reported that Google searches for red lipstick increased 669 percent following the release of Red Taylor s Version 121 Media outlets and fans online dubbed Red Taylor s Version as part of a 2021 music trend called Sad Girl Autumn or Sad Girl Fall which refers to the release of melancholic and introspective music by female artists during autumn such as Adele s 30 and Mitski s The Only Heartbreaker it is a counterpart to Hot Girl Summer a catchphrase coined by American rapper Megan Thee Stallion with her 2019 song of the same name Swift herself acknowledged the phenomenon by releasing an acoustic rendition of All Too Well 10 Minute Version subtitled Sad Girl Autumn Version 122 The Wall Street Journal stated that Red Taylor s Version is reshaping the music industry highlighting how the re recorded songs are outperforming their original counterparts on streaming services going viral on TikTok and landing lucrative licensing deals for usage in motion pictures According to the newspaper Universal Music Group the parent company of Republic Records implemented stricter terms in recording deals which effectively doubled the time before an artist can rerecord their music Other changes in the contracts included increased royalty payments to artists following their demands for better revenue shares 123 Variety named Swift the Queen of Stream for setting multiple streaming records with the release of Red Taylor s Version 124 Rolling Stone opined it s no small feat for a re released album to score a number one song and said deluxe or special editions of albums are often gimmicky but Red Taylor s Version challenged that norm and evolved on the original album rather than attempting to replace it 125 Publications have said the release of Red Taylor s Version All Too Well 10 Minute Version the accompanying short film and Swift s re recording venture collectively is one of the biggest newsmakers and pop culture moments of 2021 126 127 128 Vogue called it a multimedia news cycle dominating release and stated nobody releases or rereleases an album like Swift 129 The Recording Academy called Red Taylor s Version a pop phenomenon that defined 2021 130 Ms and Slate journalists stated Red Taylor s Version is a testament to Red s legacy highlighting how some critics in 2012 called Red a sub par album citing its hyper emotionality and obsessive romanticism but eventually saw it as a masterclass in pop songwriting and poetry ahead of its time Ms wrote the period s sexist scrutiny downplayed her artistry Slate stated the media had no sympathy for Swift painting her as a boy crazy vengeful ex and failing to assess Red without prejudice 19 70 Billboard named Swift the Greatest Pop Star of 2021 for her unequivocal success that year 131 Swift was the highest paid musician of 2021 globally earning an estimated 65 8 million in take home pay 132 Track listing editRed Taylor s Version track listingNo TitleWriter s Producer s Length1 State of Grace Taylor SwiftSwiftChristopher Rowe4 552 Red SwiftSwiftRowe3 433 Treacherous SwiftDan WilsonWilson4 024 I Knew You Were Trouble SwiftMax MartinShellbackSwiftRoweShellback3 395 All Too Well SwiftLiz RoseSwiftRowe5 296 22 SwiftMartinShellbackSwiftRoweShellback3 507 I Almost Do SwiftSwiftRowe4 048 We Are Never Ever Getting Back Together SwiftMartinShellbackSwiftRoweShellback3 139 Stay Stay Stay SwiftSwiftRowe3 2510 The Last Time featuring Gary Lightbody of Snow Patrol SwiftLightbodyJacknife LeeLee4 5911 Holy Ground SwiftJeff Bhasker3 2212 Sad Beautiful Tragic SwiftSwiftRowePaul Mirkovich a 4 4413 The Lucky One SwiftBhasker4 0014 Everything Has Changed featuring Ed Sheeran SwiftSheeranButch Walker4 0515 Starlight SwiftSwiftRoweMirkovich a 3 4016 Begin Again SwiftSwiftRowe3 5817 The Moment I Knew SwiftSwiftRoweMirkovich a 4 4518 Come Back Be Here SwiftWilsonWilson3 4319 Girl at Home SwiftElvira Anderfjard3 4020 State of Grace acoustic version SwiftSwiftRowe5 2121 Ronan SwiftMaya ThompsonSwiftRowe4 2422 Better Man SwiftSwiftAaron Dessner4 5723 Nothing New featuring Phoebe Bridgers SwiftSwiftDessnerTony Berg b 4 1824 Babe SwiftPatrick MonahanSwiftJack Antonoff3 4425 Message in a Bottle SwiftMartinShellbackAnderfjardShellback3 4526 I Bet You Think About Me featuring Chris Stapleton SwiftLori McKennaSwiftDessner4 4527 Forever Winter SwiftMark FosterSwiftAntonoff4 2328 Run featuring Ed Sheeran SwiftSheeranSwiftDessner4 0029 The Very First Night SwiftAmund BjorklundEspen LindEspionageTim Blacksmith a Danny D a 3 2030 All Too Well 10 Minute Version SwiftRoseSwiftAntonoff10 13Total length 130 26 Notes edit a signifies executive producer b signifies vocal producer All tracks on the standard edition are noted as Taylor s Version tracks 22 30 are additionally noted as From the Vault 49 The album s CD package consists of two discs one containing tracks 1 16 and the other with tracks 17 30 Personnel editMusicians edit Taylor Swift vocals background vocals 1 4 6 9 11 15 17 18 Amos Heller bass guitar 1 2 4 9 16 20 synth bass 5 6 8 clapping 9 Matt Billingslea drums percussion 1 2 4 9 16 20 21 vibraphone 1 drum programming 4 6 8 clapping 9 Max Bernstein electric guitar 1 2 4 9 synthesizer 4 6 8 9 16 20 acoustic guitar 7 steel guitar 16 Mike Meadows electric guitar 1 synthesizer 1 2 4 6 8 Hammond B3 2 16 acoustic guitar 4 9 11 13 16 20 background vocals 5 9 clapping 9 mandolin 9 16 piano 21 Paul Sidoti electric guitar 1 2 4 6 8 9 16 21 acoustic guitar 7 piano 20 Jonathan Yudkin strings 1 2 17 bouzouki 2 violin 16 David Cook piano 2 5 16 Dan Wilson bass guitar 3 18 background vocals 3 Aaron Sterling drums percussion programming 3 18 Andy Thompson electric guitar 3 keyboards 3 18 bass conductor synth bass 18 Sara Mulford piano 3 18 synthesizer 18 Dan Burns programming 4 6 8 Jacknife Lee bass guitar keyboards piano 10 Davide Rossi string arrangement cello viola violin 10 Matt Bishop drums 10 Gary Lightbody vocals guitar 10 background vocals 14 Owen Pallett string arrangement 10 Bebel Matsumiya background vocals 11 13 Jeff Bhasker background vocals synthesizer 11 13 Ian Gold drum programming 11 13 Anders Mouridsen electric guitar 11 13 Alexander Sasha Krivtsov acoustic bass guitar 12 17 electric bass 15 Justin Derrico acoustic guitar 12 15 17 bouzouki electric guitar 15 ukulele 17 Nate Morton drums 12 15 17 drum programming 15 Paul Mirkovich piano synthesizer 12 15 17 synth bass 12 17 drum programming 15 17 Ed Sheeran vocals acoustic guitar 14 28 background vocals 14 Butch Walker background vocals bass drums guitar keyboards percussion 14 Pete Amato drum programming 15 Charlie Judge accordion 16 Caitlin Evanson background vocals 16 22 Liz Huett background vocals 17 22 Dan Lawonn cello 18 Kirsten Whitson cello 18 Ruth Marshall cello 18 Charlie Block double bass 18 David Campbell string arrangement 18 Sam Bergman viola 18 Valerie Little viola 18 Allison Ostrander violin 18 Conor O Brien violin 18 Erika Hoogeveen violin 18 Felicity James violin 18 Huldah Niles violin 18 Kate Bennett violin 18 Mary Alice Hutton violin 18 Natalia Moiseeva violin 18 Natsuki Kumagai violin 18 Troy Gardner violin 18 Elvira Anderfjard background vocals bass drums keyboards programming 19 25 Aaron Dessner acoustic guitar bass guitar electric guitar keyboards piano 22 23 26 synthesizer 22 23 28 drum programming 22 28 Josh Kaufman electric guitar 22 26 28 lap steel guitar 22 26 acoustic guitar mandolin 22 harmonica 26 London Contemporary Orchestra orchestra 22 26 28 Galya Bisengalieva orchestra leader violin Robert Ames conductor Jonny Byers Max Ruisi Oliver Coates cello Dave Brown double bass Clifton Harrison Matthew Kettle Stephanie Edmundson Zoe Matthews viola Anna Ovsyanikova Anna de Bruin Antonia Kesel Charis Jenson Charlotte Reid Eloisa Fleur Thorn Guy Button Natalie Klouda Nicole Crespo O Donoghue Nicole Stokes Zara Benyounes violin James Krivchenia drums percussion 22 26 28 Clarice Jensen cello 23 Yuki Numata Resnick violin 23 Phoebe Bridgers vocals 23 Jack Antonoff acoustic guitar bass electric guitar keyboards 24 27 30 Mellotron percussion programming 24 27 30 drums 24 27 12 string acoustic guitar 27 slide guitar 30 Mikey Freedom Hart acoustic guitar 24 celesta Hammond B3 24 30 electric guitar slide guitar synthesizer 24 27 bass pedal steel 27 baritone guitar organ 30 piano Wurlitzer organ 30 Sean Hutchinson drums percussion 24 27 30 Evan Smith flute saxophone 24 27 30 synthesizer 30 Michael Riddleberger percussion 24 27 30 Cole Kamen Green trumpet 24 27 Shellback guitar keyboards programming 25 Chris Stapleton vocals 26 Mark Foster background vocals 27 Thomas Bartlett keyboards synthesizer 28 Espen Lind bass 29 Freddy Holm dobro guitar keyboards 29 Torstein Lofthus drums 29 Amund Bjorklund keyboards 29 Bobby Hawk strings 30 Technical edit Taylor Swift executive producer Randy Merrill mastering Serban Ghenea mixing 1 21 24 25 27 29 30 Jonathan Low mixing recording 22 23 25 28 30 engineering 23 28 Bryce Bordone mix engineering 1 9 11 21 24 25 27 mixing assistance 10 29 Derek Garten engineering editing 1 2 4 7 9 12 15 17 20 21 vocal engineering 22 John Hanes engineering 10 29 Ian Gold engineering 11 13 Aaron Dessner engineering 23 28 recording 22 23 Bella Blasko engineering recording 23 28 Will Maclellan engineering 23 28 Cole Kamen Green engineering 24 27 David Hart engineering 24 27 30 Evan Smith engineering 24 27 30 Jack Antonoff engineering recording 24 27 30 John Rooney engineering engineering assistance 24 27 30 Laura Sisk engineering recording 24 27 30 Michael Riddleberger engineering 24 27 30 Mikey Freedom Hart engineering 24 27 30 Sean Hutchinson engineering 24 27 30 Jon Gautier engineering 30 David Payne recording 1 2 5 7 16 20 21 Aaron Sterling recording 3 18 Andy Thompson recording 3 18 John Mark Nelson recording 3 18 Sara Mulford recording 3 18 Jacknife Lee recording 10 Matt Bishop recording editing 10 Travis Ference recording additional engineering 12 15 17 editing 15 Butch Walker recording 14 Justin Derrico recording 15 additional engineering 12 15 17 Miles Hanson recording 18 Elvira Anderfjard recording 19 Jeremy Murphy recording 22 28 Espen Lind recording 29 Mike Hartung recording 29 Christopher Rowe vocal engineering Sam Holland vocal engineering 4 8 Robert Sellens vocal engineering 14 28 Tony Berg vocal production 23 Austin Brown editing engineering assistance 1 2 5 7 9 16 20 21 Dan Burns additional engineering 1 2 4 5 7 9 16 20 21 Paul Mirkovich additional engineering 12 15 17 Pete Amato additional engineering 15 Daniel Ficca additional engineering 18 Josh Kaufman additional engineering 26 Jeff Fitzpatrick engineering assistance 17 Jon Sher engineering assistance 24 27 30 Lauren Marquez engineering assistance 24 27 30 Michael Fahey engineering assistance 26 Charts editWeekly charts edit 2021 2022 weekly chart performance for Red Taylor s Version Chart 2021 2022 Peakposition Argentine Albums CAPIF 133 1 Australian Albums ARIA 134 1 Australian Country Albums ARIA 135 1 Belgian Albums Ultratop Flanders 136 3 Belgian Albums Ultratop Wallonia 137 5 Canadian Albums Billboard 138 1 Croatian International Albums HDU 139 4 Czech Albums CNS IFPI 140 32 Danish Albums Hitlisten 141 3 Dutch Albums Album Top 100 142 3 Finnish Albums Suomen virallinen lista 143 6 French Albums SNEP 144 10 Hungarian Albums MAHASZ 145 27 Icelandic Albums Plotutidindi 146 4 Irish Albums OCC 147 1 Italian Albums FIMI 148 8 Japanese Albums Oricon 116 15 Japanese Hot Albums Billboard Japan 117 16 Lithuanian Albums AGATA 149 4 New Zealand Albums RMNZ 150 1 Norwegian Albums VG lista 151 1 Portuguese Albums AFP 152 4 Scottish Albums OCC 153 1 Spanish Albums PROMUSICAE 154 3 Swedish Albums Sverigetopplistan 155 8 UK Albums OCC 156 1 US Billboard 200 157 1 US Top Country Albums Billboard 158 1 2023 weekly chart performance for Red Taylor s Version Chart 2023 note 5 Peakposition Austrian Albums O3 Austria 159 47 German Albums Offizielle Top 100 160 60 Year end charts edit 2021 year end charts for Red Taylor s Version Chart 2021 Position Australian Albums ARIA 161 19 Belgian Albums Ultratop Flanders 162 96 Dutch Albums Album Top 100 163 75 Irish Albums IRMA 164 37 New Zealand Albums RMNZ 165 39 Portuguese Albums AFP 166 49 Spanish Albums PROMUSICAE 167 75 UK Albums OCC 168 32 2022 year end charts for Red Taylor s Version Chart 2022 Position Australian Albums ARIA 169 23 Belgian Albums Ultratop Flanders 170 56 Canadian Albums Billboard 171 5 New Zealand Albums RMNZ 172 26 Portuguese Albums AFP 173 24 Spanish Albums PROMUSICAE 174 58 UK Albums OCC 175 52 US Billboard 200 176 5 US Top Country Albums Billboard 177 2 2023 year end charts for Red Taylor s Version Chart 2023 Position Australian Albums ARIA 178 29 Belgian Albums Ultratop Flanders 179 55 Canadian Albums Billboard 180 26 Dutch Albums Album Top 100 181 67 New Zealand Albums RMNZ 182 49 Spanish Albums PROMUSICAE 183 62 UK Albums OCC 184 51 US Billboard 200 185 17 US Top Country Albums Billboard 186 5Certifications editCertifications for Red Taylor s Version Region Certification Certified units sales Australia ARIA 187 Platinum 70 000 Denmark IFPI Danmark 188 Platinum 20 000 France SNEP 189 Gold 50 000 Italy FIMI 190 Gold 25 000 New Zealand RMNZ 191 2 Platinum 30 000 Poland ZPAV 192 Gold 10 000 Spain PROMUSICAE 193 Gold 20 000 United Kingdom BPI 194 Platinum 300 000 Sales streaming figures based on certification alone Release history editRelease dates and formats for Red Taylor s Version Region Date Version Format s Label Ref Various November 12 2021 Standard CDdigital downloadstreamingvinyl Republic 195 Japan November 13 2021 Deluxe CD Universal Music Japan 196 Brazil December 31 2021 Standard Universal Music Brasil 197 February 7 2022 Standard Cassette DeluxeSee also editList of Billboard 200 number one albums of 2021 List of UK Albums Chart number ones of the 2020s List of UK Album Downloads Chart number ones of the 2020s List of number one albums of 2021 Australia List of number one albums of 2021 Canada List of number one albums of 2021 Ireland List of number one albums from the 2020s New Zealand List of number one albums in NorwayFootnotes edit a b This article refers to these tracks as vault tracks hereafter for concision Both records were surpassed by Midnights Swift s tenth studio album on October 21 2022 94 Chart performance of State of Grace Acoustic Version Taylor s Version and All Too Well 10 Minute Version are combined with State of Grace Taylor s Version and All Too Well Taylor s Version respectively hence these 4 songs appear as 2 song entries on Billboard charts a b 30 the fourth studio album by English singer Adele surpassed the first week tally of Red Taylor s Version and garnered the biggest sales week of 2021 in the US and the UK 102 103 Such as Domino s Kansas City Chiefs M amp M s Olive Garden Oreo Panera Bread Skittles Sour Patch Kids Starbucks and Taco Bell After Red Taylor s Version was released in 2021 the original Red appeared on the Austrian and German charts with statistics combined with the re recording The re recording was separated into its own chart history in November 2023 References edit Spencer 2010 p 27 Sager Jessica November 12 2021 Everything We Know About Taylor Swift Re Recording Her Old Albums Parade Archived from the original on March 16 2023 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Her Cap on Album Cover Billboard Archived from the original on June 23 2021 Retrieved June 23 2021 Frey Kaitlyn October 25 2021 Taylor Swift s Close Friend Helps Design Replica of Ring from Red Taylor s Version Album Cover People Archived from the original on October 26 2021 Retrieved October 26 2021 a b c Willman Chris August 5 2021 Taylor Swift Teases Phoebe Bridgers Chris Stapleton Collaborations for Red Album in Word Puzzle Variety Archived from the original on August 9 2021 Retrieved August 5 2021 Kaufman Gil August 5 2021 Taylor Swift Teases Red Taylor s Version With Cryptic Video Word Jumbles Billboard Archived from the original on August 5 2021 Retrieved August 5 2021 a b Taylor Swift Made Fans Work to Uncover the Red Bonus Tracks Vulture August 6 2021 Archived from the original on August 5 2021 Retrieved August 6 2021 Skinner Tom October 23 2021 Taylor Swift shares preview of Red Taylor s Version title track NME Retrieved April 6 2024 Lynch Joe November 11 2021 Taylor Swift Teases Babe Solo Version on Tumblr Billboard Archived from the original on November 11 2021 Retrieved November 11 2021 Chan Tim November 12 2021 Taylor Swift s Re Recorded Version of Red is Out Now Here s Where to Find it Online Retrieved April 6 2024 a href Template Cite magazine html title Template Cite magazine cite magazine a Cite magazine requires magazine help Unknown parameter magazind ignored help Morrow Brendan May 14 2022 Why Taylor Swift keeps releasing all those re recorded albums The Week Retrieved April 6 2024 Red Taylor s Version Could You Be The One Chapter EP Apple Music US January 13 2022 Archived from the original on January 21 2022 Retrieved January 15 2022 Red Taylor s Version She Wrote A Song About Me Chapter EP Apple Music US January 18 2022 Archived from the original on January 21 2022 Retrieved January 18 2022 Quinn Dave November 12 2021 Taylor Swift Officially Teams with Starbucks Making It Swift for Fans to Order Taylor s Latte People Archived from the original on November 12 2021 Retrieved November 12 2021 Willman Chris November 4 2021 Taylor Swift Locks Down Jimmy Fallon Seth Meyers Appearances for Red Release Night Variety Archived from the original on November 5 2021 Retrieved November 7 2021 Espinoza Joshua November 12 2021 Taylor Swift Delivers Red Taylor s Version Along With All Too Well Short Film Complex Retrieved April 6 2024 Pina Christy November 12 2021 Taylor Swift Performs All Too Well 10 Minute Version for the First Time at Short Film Premiere The Hollywood Reporter Archived from the original on April 15 2022 Retrieved March 1 2022 Otterson Joe November 2 2021 Jonathan Majors Simu Liu to Host SNL Taylor Swift to Return as Musical Guest Variety Archived from the original on November 2 2021 Retrieved November 2 2021 Trust Gary November 22 2021 Taylor Swift s All Too Well Taylor s Version Soars in at No 1 on Billboard Hot 100 Billboard Archived from the original on November 23 2021 Retrieved November 26 2021 Future Releases for Country Radio Stations All Access Archived from the original on November 12 2021 Retrieved November 12 2021 Hudak Joseph November 12 2021 Taylor Swift and Chris Stapleton Take Down Her Ex on Collab I Bet You Think About Me Rolling Stone Retrieved April 6 2024 Trust Gary November 29 2021 Adele s Easy on Me Rebounds for Fifth Week Atop Billboard Hot 100 Oh My God Debuts at No 5 Billboard Archived from the original on December 3 2021 Retrieved December 10 2021 Red Taylor s Version by Taylor Swift AnyDecentMusic Archived from the original on November 12 2021 Retrieved November 13 2021 a b Critic Reviews for Red Taylor s Version Metacritic Archived from the original on November 13 2021 Retrieved November 12 2021 a b Kirlbride Beth November 12 2021 Taylor Swift Red Taylor s Version Clash Archived from the original on November 12 2021 Retrieved November 12 2021 a b c Bridgewater Paul November 12 2021 Taylor Swift s Reworking of Red Finds Even More Magic in Her Pop Blueprint The Line of Best Fit Archived from the original on November 12 2021 Retrieved November 12 2021 a b Burgham Lydia November 13 2021 Red Taylor s Version Review Why Red Is Taylor Swift s Magnum Opus The New Zealand Herald Archived from the original on November 12 2021 Retrieved November 13 2021 a b Mayfield Katy November 16 2021 Taylor Swift Didn t Just Re Record an Album She Reclaimed Her Humanity Ms Archived from the original on February 23 2022 Retrieved February 23 2022 a b Von Pip Andy December 2 2021 Red Taylor s Version Under the Radar Archived from the original on December 4 2021 Retrieved December 4 2021 Solomon Kate November 12 2021 Taylor Swift Red Taylor s Version Review How Brilliant She Is When Her Heart Is in Tatters i Archived from the original on November 12 2021 Retrieved November 13 2021 Olivier Bobby November 12 2021 Taylor Swift Remakes Heartbreak Odyssey with Red Taylor s Version Spin Archived from the original on November 12 2021 Retrieved November 12 2021 Leszkiewicz Anna November 12 2021 Why Red is the definitive Taylor Swift album New Statesman Retrieved April 8 2024 Ribeiro Ana Clara December 16 2021 Taylor Swift Re Immortalizes Classic Red Taylor s Version PopMatters Retrieved April 8 2024 Keefe Jonathan November 17 2021 Review Taylor Swift s Red Redux Flaunts the Singer s Refined Pop Instincts Slant Magazine Archived from the original on November 17 2021 Retrieved November 17 2021 Kornhaber Spencer November 14 2021 On SNL Taylor Swift Stopped Time The Atlantic Archived from the original on November 20 2021 Retrieved November 29 2021 Willman Chris November 12 2021 On Red Taylor s Version Taylor Swift s Vault Tracks Are All Too Swell Album Review Variety Archived from the original on November 13 2021 Retrieved November 16 2021 a b Shafer Elise May 15 2022 Billboard Music Awards 2022 Full Winners Variety Archived from the original on May 16 2022 Retrieved May 16 2022 a b Atkinson Katie November 21 2022 Here Are All the 2022 AMAs Winners Billboard 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Full List Billboard Archived from the original on February 1 2023 Retrieved February 1 2023 Shafer Ellise October 21 2022 Taylor Swift s Midnights Breaks Spotify Record for Most Streamed Album in a Single Day Variety Archived from the original on October 21 2022 Retrieved October 23 2022 Iasimone Ashley November 14 2021 Taylor Swift Breaks Spotify Single Day Streaming Records With Red Taylor s Version Billboard Archived from the original on November 15 2021 Retrieved November 14 2021 Huff Lauren November 22 2021 Taylor Swift s 10 minute version of All Too Well is the longest song to ever top the Hot 100 Yahoo Finance Archived from the original on December 20 2021 Retrieved November 23 2021 Billboard Global 200 Chart Billboard Archived from the original on March 2 2022 Retrieved November 24 2021 Hosken Patrick Bad Bunny And Taylor Swift Are Spotify s Most Streamed Global Artists Of 2021 MTV News Archived from the original on February 1 2022 Retrieved December 23 2021 BTS named Global Recording Artist of the Year by IFPI for second straight year Music Business Worldwide February 24 2022 Archived from the original on February 24 2022 Retrieved February 24 2022 Global Top 10 Album Sales Chart 2021 PDF International Federation of the Phonographic Industry p 9 Archived PDF from the original on March 23 2022 Retrieved March 22 2022 Caulfield Keith November 18 2021 Taylor Swift s Red Taylor s Version Surpasses Half Million Units in First Five Days in U S Billboard Archived from the original on November 18 2021 Retrieved November 18 2021 Caulfield Keith November 23 2021 Adele s 30 Is 2021 s Top Selling Album in U S After Only Three Days Billboard Archived from the original on November 24 2021 Retrieved November 23 2021 Griffiths George November 26 2021 Adele scores Official Charts Double as 30 makes record breaking Number 1 debut Official Charts Company Archived from the original on November 27 2021 Retrieved November 27 2021 Caulfield Keith November 21 2021 Taylor Swift Scores 10th No 1 Album on Billboard 200 Chart With Red Taylor s Version Billboard Archived from the original on November 23 2021 Retrieved November 22 2021 Asker Jim November 23 2021 Taylor Swift Rules Country Charts With Re Recorded Red Album amp All Too Well Single Billboard Archived from the original on December 2 2021 Retrieved November 26 2021 Berkowitz Brittany Shania Twain praises Taylor Swift for breaking one of her chart records Good Morning America Archived from the original on January 8 2022 Retrieved January 8 2022 Caulfield Keith January 6 2022 Dua Lipa s Levitating Is Most Streamed Song of 2021 In U S Morgan Wallen s Dangerous The Double Album Is MRC Data s Top Album Billboard Archived from the original on January 6 2022 Retrieved January 17 2022 Lipshutz Jason July 6 2023 7 Key Stats Proving That Taylor Swift s First Two Taylor s Version Re Recordings Have Been Dominant Billboard Archived from the original on January 6 2022 Retrieved July 16 2023 Zelinder Xander November 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2021 Taylor Swift Snags Australian Chart Double Billboard Archived from the original on November 19 2021 Retrieved November 19 2021 a b Oricon Top 50 Albums 2021 11 22 in Japanese Oricon Retrieved November 17 2021 a b Hot Albums 2021 11 17 公開 Billboard Japan in Japanese Archived from the original on November 17 2021 Retrieved November 17 2021 a b Docter Loeb Hannah November 24 2021 The Day Brands Became Swifties on Twitter Paper Archived from the original on March 1 2022 Retrieved March 1 2022 Kimble Lindsay December 25 2021 Peloton Announces Collaboration with Taylor Swift for Exclusive Red Taylor s Version Classes People Archived from the original on December 25 2021 Retrieved December 25 2021 Haden Jeff November 18 2021 Taylor Swift Just Proved Her Marketing Genius Once Again and Brands From Starbucks to Sour Patch Kids Want Her Stardust Inc com Archived from the original on March 1 2022 Retrieved March 1 2022 Taylor Swift s Red Taylor s Version release sees searches for Red Lipstick spike Yahoo Style November 16 2021 Archived from the original on November 17 2021 Retrieved November 17 2021 Sources on Sad Girl Autumn Langford Jackson November 18 2021 Taylor Swift shares Sad Girl Autumn version of All Too Well NME Archived from the original on December 29 2021 Retrieved December 29 2021 Campbell Erica December 6 2021 In Defense of Sad Girl Autumn Paste Archived from the original on December 29 2021 Retrieved December 29 2021 Wong Wilson November 18 2021 Adele Mitski and Taylor Swift usher in Sad Girl Autumn with new music NBC News Archived from the original on December 29 2021 Retrieved December 29 2021 Longman Molly Cry Your Heart Out To Adele Why Sad Girl Fall Is The Best Time To Break Up Refinery29 Archived from the original on December 29 2021 Retrieved December 29 2021 How Taylor Swift Adele and Other Pop Musicians Ushered in the Era of Sad Girl Autumn Distractify November 18 2021 Archived from the original on December 29 2021 Retrieved December 29 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Swift Red Taylor s Version in Finnish Musiikkituottajat IFPI Finland Retrieved July 14 2023 Lescharts com Taylor Swift Red Taylor s Version Hung Medien Retrieved November 22 2021 Album Top 40 slagerlista 2021 47 het in Hungarian MAHASZ Retrieved December 3 2021 Tonlistinn Plotur Vika 46 2021 The Music Albums Week 46 2021 in Icelandic Plotutidindi Archived from the original on November 21 2021 Retrieved November 21 2021 Official Irish Albums Chart Top 50 Official Charts Company Retrieved November 19 2021 Album Classifica settimanale WK 46 dal 12 11 2021 al 18 11 2021 in Italian Federazione Industria Musicale Italiana Archived from the original on November 15 2019 Retrieved November 20 2021 2021 46 os savaites klausomiausi Top 100 in Lithuanian AGATA November 19 2021 Archived from the original on November 19 2021 Retrieved November 19 2021 Charts nz Taylor Swift Red Taylor s Version Hung Medien Retrieved July 14 2023 Norwegiancharts com Taylor Swift Red Taylor s Version Hung Medien Retrieved July 14 2023 Portuguesecharts com Taylor Swift Red Taylor s Version Hung Medien Retrieved December 4 2021 Official Scottish Albums Chart Top 100 Official Charts Company Retrieved November 20 2021 Spanishcharts com Taylor Swift Red Taylor s Version Hung Medien Retrieved July 14 2023 Swedishcharts com Taylor Swift Red Taylor s Version Hung Medien Retrieved July 14 2023 Official Albums Chart Top 100 Official Charts Company Retrieved November 19 2021 Taylor Swift Chart History Billboard 200 Billboard Retrieved December 7 2021 Taylor Swift Chart History Top Country Albums Billboard Retrieved November 23 2021 Austriancharts at Taylor Swift Red Taylor s Version in German Hung Medien Retrieved November 9 2023 Offiziellecharts de Taylor Swift Red Taylor s Version in German GfK Entertainment Charts Retrieved November 3 2023 ARIA Top 100 Albums for 2021 Australian Recording Industry Association Archived from the original on January 12 2022 Retrieved January 13 2022 Jaaroverzichten 2021 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October 27 2023 Danish album certifications Taylor Swift Red Taylor s Version IFPI Danmark Retrieved April 30 2024 French album certifications Taylor Swift Red Taylor s Version in French Syndicat National de l Edition Phonographique Retrieved January 29 2024 Italian album certifications Taylor Swift Red Taylor s Version in Italian Federazione Industria Musicale Italiana Retrieved July 31 2023 New Zealand album certifications Taylor Swift Red Taylor s Version Recorded Music NZ Retrieved October 14 2023 OLiS oficjalna lista wyroznien in Polish Polish Society of the Phonographic Industry Retrieved October 4 2023 Click TYTUL and enter Red Taylor s Version in the search box Spanish album certifications Taylor Swift Red Taylor s Version El portal de Musica Productores de Musica de Espana March 2023 Retrieved March 7 2023 British album certifications Taylor Swift Red Taylor s Version British Phonographic Industry Retrieved November 10 2023 Red Taylor s Version release formats RED Taylor s Version CD Taylor Swift Official Store Archived from the original on August 5 2021 Retrieved August 5 2021 Red Taylor s Version digital album explicit Taylor Swift Official Store Archived from the original on June 19 2021 Retrieved June 18 2021 Red Taylor s Version Vinyl Taylor Swift Official Store Archived from the original on August 23 2021 Retrieved August 23 2021 レッド テイラーズ ヴァージョン デラックス エディション in Japanese Oricon Archived from the original on November 12 2021 Retrieved November 12 2021 RED TAYLOR S VERSION 2CD Umusic Store in Brazilian Portuguese Archived from the original on August 6 2021 Retrieved August 7 2021 Cited literature edit McNutt Myles 2020 From Mine to Ours Gendered Hierarchies of Authorship and the Limits of Taylor Swift s Paratextual Feminism Communication Culture and Critique 13 1 72 91 doi 10 1093 ccc tcz042 Spencer Liv 2010 Taylor Swift Every Day Is a Fairytale The Unofficial Story ECW Press ISBN 978 1 55022 931 8 Tanner Grafton 2020 The Circle of the Snake Nostalgia and Utopia in the Age of Big Tech John Hunt Publishing ISBN 978 1789040234 External links editRed Taylor s Version at Discogs list of releases Retrieved from https en wikipedia org w index php title Red Taylor 27s Version amp oldid 1222807619, wikipedia, wiki, book, books, library,

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