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Portrait of an American Family

Portrait of an American Family is the debut studio album by American rock band Marilyn Manson. It was released on July 19, 1994, by Nothing and Interscope Records. The group was formed in 1989 by vocalist Marilyn Manson and guitarist Daisy Berkowitz, whose names were created by combining the given name of a pop culture icon with the surname of a serial killer: a naming convention which all other band members would conform to for the next seven years. The most prominent lineup of musicians during their formative years included keyboardist Madonna Wayne Gacy, bassist Gidget Gein and drummer Sara Lee Lucas.

Portrait of an American Family
Studio album by
ReleasedJuly 19, 1994 (1994-07-19)
RecordedAugust–December 1993
Studio
Genre
Length60:52
Label
Producer
Marilyn Manson chronology
The Manson Family Album
(1993)
Portrait of an American Family
(1994)
Smells Like Children
(1995)
Singles from Portrait of an American Family
  1. "Get Your Gunn"
    Released: June 9, 1994
  2. "Lunchbox"
    Released: February 6, 1995

The band's highly visualized concerts earned them a loyal fanbase in the South Florida punk and hardcore music scene, eventually gaining the attention of Nine Inch Nails vocalist Trent Reznor, who signed them to his Nothing Records vanity label. The album was initially produced by Roli Mosimann at Criteria Studios in Miami under the title The Manson Family Album. However, the band was unhappy with his production, and this material was then re-produced and remixed in various Los Angeles recording studios by Manson and Reznor, along with assistant producers Sean Beavan and Alan Moulder. Parts of the album were re-recorded at Reznor's home studio at 10050 Cielo Drive, where members of the Manson Family infamously committed the Tate murders in 1969.

Gidget Gein was not invited to the L.A. recording sessions. He had been fired from the band in late 1993 due to his ongoing addiction to heroin. Gein was replaced by Twiggy Ramirez. Despite this, Gein is credited with performing the entirety of the bass work on the album, while the majority of Sara Lee Lucas' live drumming was replaced with electronic drum programming from Nine Inch Nails keyboardist Charlie Clouser. The record contains a wide array of cultural references; Interscope delayed its release on several occasions due to the inclusion of references to Charles Manson, and also because of objections to its controversial artwork.

Portrait of an American Family was released to limited commercial success and mostly positive reviews; in 2017, Rolling Stone deemed the album one of the greatest in the history of heavy metal music. The group embarked on several concert tours to promote the release, including appearing as an opening act on Nine Inch Nails' "Self Destruct Tour", as well as the "Portrait of an American Family Tour". "Get Your Gunn" and "Lunchbox" were issued as commercial singles, while "Dope Hat" was released as a promotional single. The record was certified gold by the Recording Industry Association of America in 2003 for shipments of over 500,000 units in the United States.

Background edit

Marilyn Manson and the Spooky Kids was formed in December 1989 when vocalist Marilyn Manson met guitarist Daisy Berkowitz at the Reunion Room,[4] a small nightclub in Fort Lauderdale, Florida.[5] The two were writing original compositions by the beginning of 1990, with Manson the sole lyricist and Berkowitz composing the majority of music.[4] Until 1996, the names of band members were derived from combining the first name of a pop culture icon with the surname of a serial killer.[6] The earliest incarnation of the band also included Olivia Newton Bundy on bass guitar,[7] and Zsa Zsa Speck on keyboards, along with an electronic drum machine.[8] Speck was hired by the band on a temporary basis as their original choice for keyboardist, Madonna Wayne Gacy, was unable to obtain a keyboard.[8] The original lineup was retained for two performances, the first of which took place at Churchill's Hideaway in Miami, with 20 audience members in attendance.[9] As Gacy could still not afford to purchase an instrument, he appeared on-stage at their second show – at the Reunion Room – playing with toy soldiers.[9] Speck and Bundy both exited the group sometime after this performance.[10]

 
Trent Reznor signed the band to Nothing Records.

The band's highly visualized concerts primarily drew from elements of shock art.[11] Their live shows routinely featured naked women nailed to crucifixes, young children locked in cages,[12] amateur pyrotechnics and sadomasochism,[11] as well as piñatas filled with butchered animal remains and experiments in reverse psychology.[N 1] These concerts quickly earned them a loyal fanbase among the South Florida punk and hardcore music scene, and were playing sold-out shows in 300-capacity nightclubs throughout Florida within six months of forming.[5] In February 1990, while working as a journalist at 25th Parallel, Manson interviewed Trent Reznor of Nine Inch Nails.[5] The pair remained friends afterwards, and Reznor was eventually presented with a compilation of the band's demo recordings.[13] After being impressed by the material, Reznor offered the group a spot opening for Nine Inch Nails and Meat Beat Manifesto at Club Nu in Miami on July 3, 1990.[5]

In early 1991, the group signed a record deal with Sony Music. However, Berkowitz later recalled that the president of A&R at the label, Richard Griffin, "personally rejected us within minutes, saying he liked the show and the idea but 'didn't like the singer'". They used the proceeds of the deal to fund the recording of subsequent demo tapes.[14] Bassist Gidget Gein and live drummer Sara Lee Lucas would eventually join the band, and they continued touring and releasing EPs independently for the next two years.[12] In November 1992, Reznor invited the band's vocalist to attend "strategic talks" in Los Angeles,[5] and to appear as a guitarist in a music video for the Nine Inch Nails track "Gave Up".[15] By the end of the year, Marilyn Manson and the Spooky Kids were the first act signed by Reznor's vanity label, Nothing Records,[16] shortening their name to Marilyn Manson in the beginning of 1993.[17]

Recording edit

"When we were finally finished, Roli had done the opposite of what I'd expected. I thought he was going to bring out some sort of darker element. But he was trying to polish all the rough edges and make us more of a rock band, a pop band, which at the time I wasn't interested in at all. I thought the record we did with him came out bland and lifeless. Trent thought the same thing so he volunteered to help us repair what had been damaged."

—Marilyn Manson discussing the aftermath of the album's initial recording sessions.[18]

Marilyn Manson held recording sessions for their debut album, then titled The Manson Family Album, in July 1993 at Criteria Studios in Miami with producer Roli Mosimann.[19] The album consisted of re-recorded versions of songs originally demoed by the group during their formative years.[12] According to Loudwire, Mosimann's original production aimed for a "sleazy, groove-laden" sound.[19] Sessions concluded several months later in the autumn.[20] At this point, Mosimann created a radio edit of "Snake Eyes and Sissies", indicating that this song was intended to be released as the lead single.[21] However, the band was unhappy with Mosimann's production, claiming it to be unrepresentative of their live performances,[18] while Manson claimed the songs sounded too polished, saying: "I thought, 'This really sucks.' So I played it for Trent, and he thought it sucked."[12]

Before reworking the album in Los Angeles, the band played shows in Florida under the name Mrs. Scabtree,[22] which consisted of members of Marilyn Manson, Amboog-a-Lard, Jack Off Jill and The Itch. Manson had produced various releases by both of the latter bands in 1993.[23] The band then travelled to the Record Plant in L.A. to remix The Manson Family Album over a seven-week period with Reznor,[19] with Manson explaining: "We spent seven weeks redoing, fixing, sometimes starting from scratch. That was our band's first experience in a real studio on a project this big. We didn't know what to expect. It was fifteen-hour days, with a team – Trent, Alan Moulder, Sean Beavan, and me – bringing out the sound."[12] Berkowitz was initially reluctant to re-record the album, saying: "I felt doing this was unnecessary, and worried it would make us look like a Nine Inch Nails/Reznor spin-off. The final result, however, is a very high-quality piece of work."[24]

Berkowitz re-recorded some of his guitar work in L.A., and the vast majority of Sara Lee Lucas' live drumming was replaced with drum programming created by Nine Inch Nails keyboardist Charlie Clouser.[19] Gidget Gein was not invited to these sessions.[19] He had been fired from the band a few days before Christmas 1993 due to his heroin addiction. Berkowitz clarified that this was "the second or third time [he was being fired], for being a junkie and not showing up. And playing really horribly live."[5] He was replaced by Jeordie White of Amboog-a-Lard, who was renamed Twiggy Ramirez.[12] Despite this, Gein is credited with performing the entirety of the bass work on the album,[12] with Ramirez credited for "base tendencies".[25] Gein later died of a heroin overdose in 2008.[26] Following this period of re-recording, The Manson Family Album was retitled to Portrait of an American Family.[19] Mosimann was listed in the liner notes as an engineer, with no mention of his original production role.[25]

Sections of the album were recorded and mixed at 10050 Cielo Drive: the address of the house where members of the Manson Family committed the Tate murders in 1969.[27] Reznor rented the property in 1992 and built a recording studio inside the residence, which he named 'Pig'—a reference to that word being written with Sharon Tate's blood on the front door of the house on the night of the massacre.[28][29] The studio is credited as 'Le Pig' in the album's liner notes.[25] Reznor denied renting the property in an attempt to have the infamy of the massacre associated with his music, and chastised Manson for doing so, saying: "I wasn't trying to create some manufactured spooky thing. Any shock value to what I was doing was about trying to sneak subversive things to a wide audience. With [Manson] ... he knew exactly what he was doing and exactly what would be shocking. Those were very conscious decisions on his part. What I was doing wasn't the same thing."[30] The house was demolished in late 1994,[31] with Reznor transporting the original "Pig" door to New Orleans, where it was installed as the entrance to his subsequent recording studio, Nothing Studios.[32]

Composition and style edit

 
Three songs – "Cake and Sodomy", "Dogma" and "Misery Machine" – contain excerpts of dialogue from the John Waters films Pink Flamingos (1972) and Desperate Living (1977).

The record contains a wide array of cultural references,[25] beginning with the first track: the poem recited in "Prelude (The Family Trip)" is an adaption of a poem originally from the 1964 novel Charlie and the Chocolate Factory, which later appeared during the tunnel boat ride scene from Willy Wonka & the Chocolate Factory.[33][34] In his autobiography, The Long Hard Road Out of Hell, Manson explained that the lyrics to the second song on the album, "Cake and Sodomy", were inspired by a trip to New York City in 1990. He said that he wrote its lyrics in a hotel room after spending several hours viewing public-access cable television and "watching Pat Robertson preach about society's evils and then ask people to call him with their credit card number. On the adjacent channel, a guy was greasing up his cock with Vaseline and asking people to call and give him their credit card number."[35] The song's intro contains several samples, including Marlon Brando in the 1972 film Last Tango in Paris saying "Go on and smile, you cunt!", and Mink Stole's character from John Waters' 1977 film Desperate Living repeatedly screaming "White trash!".[25]

"Lunchbox" was inspired by a 1972 law introduced by the Florida Legislature, which made it illegal to carry a metal lunch-box on school grounds.[36] It tells the story of a bullied child who uses a lunch-box as a defensive weapon, and proclaims that one day he will be a "big rock 'n' roll star".[37] The track incorporates elements from The Crazy World of Arthur Brown's 1968 single "Fire".[25] "Organ Grinder" makes use of various dialogue excerpts of the Child Catcher from the 1968 film Chitty Chitty Bang Bang, while "Cyclops" contains a distorted sample of the preacher from Poltergeist II: The Other Side (1986).[25][38] "Dope Hat" contains various samples of dialogue spoken by Charles Nelson Reilly – the actor who portrayed Horatio J. HooDoo – in Sid and Marty Krofft's television series Lidsville (1971–73).[25] The lyrics to "Get Your Gunn" were inspired by the murder of Dr. David Gunn, who was killed by a self-proclaimed pro-life activist.[19] Manson later described his murder as "the ultimate hypocrisy I witnessed growing up: that these people killed someone in the name of being 'pro-life'."[39] The song also features audio from the televised suicide of Pennsylvania Treasurer R. Budd Dwyer.[3][40][41]

"We were using a computer because we had a lot of samples and sequencing. While we were working on that song the Charles Manson samples from 'My Monkey' started appearing in the mix. All of a sudden we'd hear, 'Why are the children doing what they're doing? Why does a child reach up and kill his mom and dad and murder his two little sisters and then cut his throat?' And we couldn't figure what was going on. The chorus of 'Wrapped in Plastic' is, 'Come into our home/Won't you stay?' And we're in the Sharon Tate house, just me and Sean Beavan. We got scared and were like, 'We are done for the night.' We came back the next day and it was fine. The Charles Manson samples weren't even on the tape anymore. There's no real logical or technological explanation for why they appeared. It was a truly supernatural moment that freaked me out."

—Marilyn Manson discussing paranormal activity during the mixing of "Wrapped in Plastic".[42]

The title of "Wrapped in Plastic" is a reference to David Lynch's television series Twin Peaks, specifically the scene in the pilot episode where Laura Palmer's dead body is discovered wrapped in sheets of plastic. The song includes audio clips of Laura Palmer's reverse speech and screaming. [19] "Dogma" contains a sample of dialogue from John Waters' 1972 film Pink Flamingos. Although the clips from Desperate Living on "Cake and Sodomy" and "Misery Machine" are credited in the liner notes, this clip is not; Waters is additionally thanked in the album credits.[25] "Sweet Tooth" is the only song on the record for which former bassist Gidget Gein wrote both guitar and bass parts.[25]

A line of dialogue spoken at the start of "Snake Eyes and Sissies" – "Killing is killing whether done for duty, profit or fun" – is a quote taken from an interview with serial killer Richard Ramirez.[43] "My Monkey" contains numerous samples of interviews from Charles Manson;[44] several of its verses are derived from "Mechanical Man", a song from his 1970 album Lie: The Love and Terror Cult.[45] Its lyrics are credited simply to "Manson".[25] The song also contains vocals from Robert Pierce, who was six years old at the time of its recording.[46] He was the son of Rambler guitarist Richard Pierce, and was introduced to Marilyn Manson when both bands shared a rehearsal space in Florida.[47] Robert Pierce is also heard in begging for "Lunchbox".

"Misery Machine" is the thirteenth and final track on the album, and contains a sample from "Beep Beep" by The Playmates.[25] The title is a direct reference to the Mystery Machine from the animated television series Scooby-Doo,[19] while a phrase contained in the song, "We're gonna ride to the Abbey of Thelema", is a reference to Aleister Crowley's spiritual philosophy of Thelema: "Do what thou wilt shall be the whole of the Law. Love is the law, love under will."[48] An untitled hidden track begins a few seconds after "Misery Machine", and consists of Stole in Desperate Living screaming "Go home to your mother! Doesn't she ever watch you!? Tell her this isn't some Communist daycare center! Tell your mother I hate her! Tell your mother I hate you!". After this, a telephone rings for several minutes, followed by an irate answering machine message from the mother of a Manson fan.[25]

The band's vocalist discussed his thoughts on Portrait of an American Family in retrospect with Empyrean Magazine, circa May/June 1995:

Well, the whole point of the album was that I wanted to say a lot of the things I've said in interviews. But now I feel like I fell short, like I didn't say it right. Maybe I was too vague, or maybe the songs weren't good enough, or whatever. But I wanted to address the hypocrisy of talk show America, how morals are worn as a badge to make you look good and how it's so much easier to talk about your beliefs than to live up to them. I was very much wrapped up in the concept that as kids growing up, a lot of the things that we're presented with have deeper meanings than our parents would like us to see, like Willy Wonka and the Brothers Grimm. So what I was trying to point out was that when our parents hide the truth from us, it's more damaging than if they were to expose us to things like Marilyn Manson in the first place. My point was that in this way I'm an anti-hero. I think I'll be able to say it better on the next album."[49]

Cover and packaging edit

The four-member family depicted on the album cover were created by Manson using papier-mâché and human hair.[12] In The Long Hard Road Out of Hell, the vocalist said that a painting by John Wayne Gacy was originally set to feature as the cover; the same painting later appeared on the cover of Acid Bath's 1994 album When the Kite String Pops.[50] Also set to appear as part of the album's interior artwork was an image of himself as a child sitting naked on a living room couch.[16] Although the photograph was taken by his mother with no vulgar intent, and no genitalia is shown, Interscope's parent company Time Warner demanded it be removed on the grounds that it could constitute child pornography.[N 2] Manson explained the background of the image: "When I was six years old, that was when Burt Reynolds had posed for Playgirl. My mom thought it'd be funny to have me do that pose, lying on a couch. It's only sick if you have a sick mind. It was innocent."[12] Another piece of interior photography consisted of an image of a Blythe doll surrounded by Polaroid pictures of a mutilated female body, purportedly faked by Manson and several of his friends.[50]

Release and promotion edit

When the record was presented to Nothing's parent company Interscope in January 1994, executives at the label refused to release it unless all references to Charles Manson were removed. This included altering the band's name, and omitting the song "My Monkey".[N 3] The vocalist explained: "I think the Axl Rose/Charles Manson thing panicked them. The heat came from the name of our band. They apparently hadn't looked into it very carefully, and they had this knee-jerk reaction to what we're about."[12] Guns N' Roses had faced widespread criticism over the inclusion of "Look at Your Game, Girl" – a cover of a Charles Manson song – as a hidden track on their 1993 album "The Spaghetti Incident?".[51]

During this period, the band's management attempted to have it issued through other labels and distributors.[12] They met with Guy Oseary and Freddy DeMann from Maverick Records, Madonna's vanity label, who were initially worried that their lyrics or image included antisemitism,[N 4] although they found this was not the case. Afterward, Maverick offered the band an alternate deal.[53] Before this deal could be finalized, Interscope agreed to release the album,[12] which was issued in the United States on July 19, 1994.[19] The Honolulu Star-Bulletin reported that Members of the British Parliament tried to ban the album in the United Kingdom and called it an "outrage against society."[54] Portrait of an American Family was preceded by the release of "Get Your Gunn" as the lead single on June 9.[55] Its music video was directed by Rod Chong.[56]

 
Twiggy Ramirez and Marilyn Manson performing at the Slammie Awards show in Fort Lauderdale, Florida, on July 3, 1994.

Marilyn Manson performed as one of the opening acts on Nine Inch Nails' "Self Destruct Tour" throughout 1994.[30] They embarked on their first national headlining tour in December,[57] with Monster Voodoo Machine and Arab on Radar supporting.[58] The tour would be problematic, however. The band's vocalist was arrested after the tour's first date, in Jacksonville, for allegedly violating Florida's Adult Entertainment Code by simulating sex on stage while wearing a strap-on dildo.[27] He narrowly avoided arrest four nights later – on New Year's Eve in Fort Lauderdale – after Nine Inch Nails guitarist Robin Finck jumped on stage wearing a g-string and attempted to play an unspecified practical joke on the singer involving powdered sugar. Manson reacted by tearing the g-string off and placing Finck's penis in his mouth. He hid from local police in a backstage bathroom.[N 5]

This would also be drummer Sara Lee Lucas' final tour with the band. Tensions developed between him and Manson as the tour progressed and, during the second-to-last show, Manson doused Lucas' drum kit in lighter fluid and set it ablaze.[60] He was immediately replaced by Kenneth Wilson, who joined the group as Ginger Fish.[N 6] The "Lunchbox" EP was released on February 6, 1995, containing several remixes of the song created by Charlie Clouser as well as a cover of Gary Numan's "Down in the Park".[62] Richard Kern directed the music video for the track.[56] Marilyn Manson toured again in the spring of 1995, opening for Danzig alongside Korn.[63][64]

"Dope Hat" was issued as a promotional single in the summer of 1995.[65] Its music video was directed by Tom Stern,[66] and was based on the tunnel boat ride scene from Willy Wonka.[67] The band entered Reznor's Nothing Studios in New Orleans to record b-sides for the song's release as a commercial single. However, the release was cancelled, as the material recorded during these sessions was compiled into a standalone EP of cover versions, remixes and interludes titled Smells Like Children.[65] Portrait of an American Family was re-released in 2009 as a limited edition green-colored vinyl LP box set, which also contained a T-shirt emblazoned with the album cover.[68]

Critical reception and legacy edit

Professional ratings
Review scores
SourceRating
AllMusic     [69]
Encyclopedia of Popular Music     [70]
MusicHound Rock     [71]
Rolling Stone     [72]

The album received mostly positive reviews. Stephen Thomas Erlewine of AllMusic said that "Beneath all the camp shock, there are signs of [Manson's] unerring eye for genuine outrage and musical talent, particularly on the trio of 'Cake and Sodomy', 'Lunchbox', and 'Dope Hat'."[73] Rolling Stone was negative, saying that the album was not the "sharply rendered cultural critique of America [Manson would] like you to think it is. Most of the record comes off like some low-budget horror movie."[72] The publication later revised its view of the record; it was included at number 68 on their 2017 list of The 100 Greatest Metal Albums of All Time.[74] Guitar World ranked the album at number thirteen in their list of the 50 Iconic Albums That Defined 1994,[75] although they also featured "Cyclops" at number 47 on their list of the 100 Worst Guitar Solos.[76] Manson himself has been dismissive of the album, ranking it in last place of the band's entire discography in a 2018 list compiled for Kerrang!.[77] Conversely, Kristy Loye of the Houston Press dubbed it the best album of the band's career, writing: "This album's impact on music at the time of release cannot really be underestimated, nor can it be accurately described in a short blurb. Like it or not, Marilyn Manson and the Spooky Kids gave rock the dark shot in the arm that was needed at the time when music had given itself completely over to the bland and self-indulgent emotional ballads of alt-rock kings like Pearl Jam. Music needed a balance of dark and light and Manson brought the darkness like few were doing at the time when suddenly metal was barely breathing."[78]

In a feature written for the twentieth anniversary of the record, Tom Breihan of Stereogum praised the album's production and quality of the band's songwriting, but said that Portrait of an American Family had aged badly, and was critical of Manson's vocals and the amount of samples used throughout. However, he went on to argue: "What still resonates about Manson isn't really his music, though 1998's Mechanical Animals still stands as a pretty incredible album. Manson was a culture-war agitator for our side: someone willing to jar and frighten the fuck out of the power structures that seemed there to keep teenagers in their place. His whole thing was a violent, overblown rejection of vast forces of oppression and control, and his tactics made him a target, both of mass-culture disdain and of superior alt-culture snark. All that was by design. He put himself out there to take those attacks. And, on some level, he's a saint for that. Simply by existing, and by moving the baseline, he made lives easier for hundreds of thousands of teenagers. That, rather than 'Cake and Sodomy', is his legacy."[33]

Commercial performance edit

Portrait of an American Family failed to chart upon release. Manson later complained: "Well, there was always a real chip on our shoulder that the album never really got the push from the record label that we thought it deserved. It was all about us touring our fucking asses off. We toured for two years solid, opening up for Nine Inch Nails for a year and then doing our own club tours. It was all just about perseverance."[79] It eventually peaked at number 35 on Billboard's Top Heatseekers chart, on the issue dated March 25, 1995.[80] The record was certified gold by the Recording Industry Association of America in May 2003 for shipments in excess of 500,000 units.[81] As of 2015, it has sold over 645,000 copies in the United States.[82] Despite never entering the top 100 of the UK Albums Chart,[83] in 2013 the record was certified silver by the British Phonographic Industry, indicating sales[84] in excess of 60,000 copies in that country.[85]

Track listing edit

All lyrics written by Marilyn Manson, except track 1 by Manson and Roald Dahl,[25] and track 12 by Marilyn Manson and Charles Manson (uncredited).[8]

Portrait of an American Family – Original edition
No.TitleMusicLength
1."Prelude (The Family Trip)"1:20
2."Cake and Sodomy"Daisy Berkowitz3:46
3."Lunchbox"
4:32
4."Organ Grinder"
  • Gein
  • Berkowitz
4:22
5."Cyclops"
  • Berkowitz
  • Gein
  • Gacy
3:32
6."Dope Hat"
  • Manson
  • Berkowitz
  • Gacy
4:18
7."Get Your Gunn"
  • Berkowitz
  • Gein
3:18
8."Wrapped in Plastic"Berkowitz5:35
9."Dogma"Berkowitz3:22
10."Sweet Tooth"
  • Gacy
  • Gein
5:03
11."Snake Eyes and Sissies"
  • Gacy
  • Berkowitz
  • Gein
4:07
12."My Monkey"Berkowitz4:29
13."Misery Machine" ("Misery Machine" ends at 5:09, an excerpt from "Desperate Living" is played until 5:28. Telephone ringing is heard for 7:10, until an answering machine message from an irate mother is heard at 12:38.)
  • Gein
  • Berkowitz
  • Gacy
13:08
Total length:60:52
Portrait of an American Family – 1997 Argentinian release[86]
No.TitleWriter(s)Length
14."Down in the Park"Gary Numan5:00
15."Brown Bag" (Remix of "Lunchbox" by Charlie Clouser)
  • Manson
  • Berkowitz
  • Gein
6:19
Total length:72:11

Sample credits[25][38]

Personnel edit

Credits adapted from AllMusic[87] and the liner notes of Portrait of an American Family.[25]

Marilyn Manson

Production, technical and additional personnel

Charts edit

Chart (1995) Peak
position
US Heatseekers Albums (Billboard)[88] 35

Certifications edit

Region Certification Certified units/sales
United Kingdom (BPI)[85] Silver 60,000^
United States (RIAA)[81] Gold 645,000[82]

^ Shipments figures based on certification alone.

References edit

Notes

  1. ^ "In an attempt to reiterate the lesson of Willy Wonka in my own style during shows, I hung a donkey piñata over the crowd and put a stick on the edge of the stage. Then I would warn, 'Please, don't break that open. I beg you not to.' Human psychology being what it is, kids in the crowd would invariably grab the stick and smash the piñata apart, forcing everyone to suffer the consequence, which would be a shower of cow brains, chicken livers and pig intestines from [the] disemboweled donkey."[11]
  2. ^ "I wanted to use a photo in the booklet of me naked on a couch when I was a kid. When you hold up something to people, usually what they see in it is what's inside them in the first place. And that's what happened because the lawyers at Interscope said, 'First off, that picture's going to be considered child pornography, and not only will no stores carry the album but we're subject to legal retribution from it.' They said if a judge were to look at it, the law states that if a photograph of a minor elicits sexual excitement then it's considered child pornography. I said, 'That's exactly my point. This is a photograph that was taken by my mother, and it's extremely innocent and very normal. But if you see it as sexual, then why am I the guilty person? You're the one who's got a hard-on. Why aren't you punished?' That's still a point I'd like to make."[50]
  3. ^ "[After "The Spaghetti Incident?" was released, Axl Rose] started getting all that heat from Sharon Tate's sister and everyone. When our album was finished after that, we had the song 'My Monkey' on it but we had this six-year-old kid Robert Pierce singing the Charles Manson lyrics. That was the great irony of it: here's a kid that's singing a song that to him is an innocuous nursery rhyme but to everyone else is this horrible thing. After we turned the album in, I got this call from Trent and John Malm, who's Trent's manager and runs Nothing Records. And they're like 'Are you willing to put out your album without 'My Monkey' on it?' I asked, 'Why?!' And they said, 'Well, Interscope is having problems because of the shit that Axl Rose has gotten himself into. He's had to donate the proceeds of the song to the victims' families.' I said, 'Well I don't have a problem doing that. Just explain to me what's going to happen.' (The entire song wasn't Charles Manson's song. I just borrowed a few lyrics and the rest were my own.) In the end, Interscope insisted that we take the song off. I said 'No', so they told us they weren't going to put the album out at all."[46]
  4. ^ "While everything was in the air, Trent backed us up and stood behind us. He told us not to worry because he had an option to put out a record with any other label as part of his contract with Interscope, even though it technically owned Nothing. So we had Guy Oseary from Maverick Records down to see us and he brought Freddy DeMann, Madonna's manager. The funniest thing about those guys was the first thing they said to me after the show was 'Are you guys Jewish?' And our keyboard player said, 'Yeah, I'm Jewish, but I'm not religious. I don't practise it.' And they said 'Yeah, okay, that's cool. We gotta stick together.' We had this whole bonding thing. Then they went back to New York and our manager got a call two days later. They asked, 'We don't really have a problem with Manson's image, the tattoos, the association with the occult and Satanism. But there's something we need to know: Does Manson have any swastikas tattooed on him?' And he's like, 'No. What are you talking about?' They said, 'Well, we just wanted to check because if there's any sort of antisemitic message then it's not something we want to be involved in.' Everything I was doing was so much about sticking up for the underdog that I couldn't understand how they could misassociate what I was doing like that. It was weird. After my tattoos checked out, they actually offered us a deal. It must have lit a fire under Interscope's ass because all of a sudden Interscope came back and told us they were willing to put out the record and even pay for it. We agreed because we had always wanted Interscope from the beginning. I had faith in that label. I still do. They had a deal with Time Warner, who were the ones causing the problems."[52]
  5. ^ "But what happened was while we were performing, Robin [Finck], the guitarist in Nine Inch Nails, ran out on stage in a g-string with some kind of powdered confectionery item he planned to dump on me for whatever reason. In the midst of this sabotage attempt, I grabbed him and tore his g-string off and placed his limp, salty penis in my mouth and, um, teethed on it for a moment, but not long enough to really constitute a blow-job. ...I didn't have a hard-on, which should relieve me of any accusations of it being a degenerate homosexual act. Afterwards, he ran off stage sort of embarrassed and I had to flee from the cops when the show ended. They came backstage looking for me, and I hid in the bathroom where, conveniently, some drugs had been stashed. Luckily, they never issued a warrant for my arrest or prosecuted me for that particular incident."[59]
  6. ^ "Everybody knew that Freddy was going to be fired except for Freddy because just a week before, while he was polishing his spokes or something, we auditioned a quiet, older drummer from Las Vegas named Kenneth Wilson and asked him to join the band as Ginger Fish. He actually rode the tour bus with us one night and we told Freddy that he was just a friend of our tour manager. He bought it. We didn't want to be cruel to Freddy because we liked him as a person. We just felt obliged to make his last show with the band a memorable one. ... We sacrificed Freddy by setting his bass drum on fire, but the whole drum kit burst into flames, followed by Freddy. As Freddy escapes backstage to find a fire extinguisher we started smashing everything."[61]

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Bibliography

portrait, american, family, debut, studio, album, american, rock, band, marilyn, manson, released, july, 1994, nothing, interscope, records, group, formed, 1989, vocalist, marilyn, manson, guitarist, daisy, berkowitz, whose, names, were, created, combining, gi. Portrait of an American Family is the debut studio album by American rock band Marilyn Manson It was released on July 19 1994 by Nothing and Interscope Records The group was formed in 1989 by vocalist Marilyn Manson and guitarist Daisy Berkowitz whose names were created by combining the given name of a pop culture icon with the surname of a serial killer a naming convention which all other band members would conform to for the next seven years The most prominent lineup of musicians during their formative years included keyboardist Madonna Wayne Gacy bassist Gidget Gein and drummer Sara Lee Lucas Portrait of an American FamilyStudio album by Marilyn MansonReleasedJuly 19 1994 1994 07 19 RecordedAugust December 1993StudioCriteria Miami Le Pig Beverly Hills The Record Plant and The Village Recorder Los Angeles GenreIndustrial metal 1 2 alternative metal 3 Length60 52LabelNothingInterscopeProducerRoli MosimannMarilyn MansonTrent ReznorMarilyn Manson chronologyThe Manson Family Album 1993 Portrait of an American Family 1994 Smells Like Children 1995 Singles from Portrait of an American Family Get Your Gunn Released June 9 1994 Lunchbox Released February 6 1995The band s highly visualized concerts earned them a loyal fanbase in the South Florida punk and hardcore music scene eventually gaining the attention of Nine Inch Nails vocalist Trent Reznor who signed them to his Nothing Records vanity label The album was initially produced by Roli Mosimann at Criteria Studios in Miami under the title The Manson Family Album However the band was unhappy with his production and this material was then re produced and remixed in various Los Angeles recording studios by Manson and Reznor along with assistant producers Sean Beavan and Alan Moulder Parts of the album were re recorded at Reznor s home studio at 10050 Cielo Drive where members of the Manson Family infamously committed the Tate murders in 1969 Gidget Gein was not invited to the L A recording sessions He had been fired from the band in late 1993 due to his ongoing addiction to heroin Gein was replaced by Twiggy Ramirez Despite this Gein is credited with performing the entirety of the bass work on the album while the majority of Sara Lee Lucas live drumming was replaced with electronic drum programming from Nine Inch Nails keyboardist Charlie Clouser The record contains a wide array of cultural references Interscope delayed its release on several occasions due to the inclusion of references to Charles Manson and also because of objections to its controversial artwork Portrait of an American Family was released to limited commercial success and mostly positive reviews in 2017 Rolling Stone deemed the album one of the greatest in the history of heavy metal music The group embarked on several concert tours to promote the release including appearing as an opening act on Nine Inch Nails Self Destruct Tour as well as the Portrait of an American Family Tour Get Your Gunn and Lunchbox were issued as commercial singles while Dope Hat was released as a promotional single The record was certified gold by the Recording Industry Association of America in 2003 for shipments of over 500 000 units in the United States Contents 1 Background 2 Recording 3 Composition and style 4 Cover and packaging 5 Release and promotion 6 Critical reception and legacy 7 Commercial performance 8 Track listing 9 Personnel 10 Charts 11 Certifications 12 ReferencesBackground editMarilyn Manson and the Spooky Kids was formed in December 1989 when vocalist Marilyn Manson met guitarist Daisy Berkowitz at the Reunion Room 4 a small nightclub in Fort Lauderdale Florida 5 The two were writing original compositions by the beginning of 1990 with Manson the sole lyricist and Berkowitz composing the majority of music 4 Until 1996 the names of band members were derived from combining the first name of a pop culture icon with the surname of a serial killer 6 The earliest incarnation of the band also included Olivia Newton Bundy on bass guitar 7 and Zsa Zsa Speck on keyboards along with an electronic drum machine 8 Speck was hired by the band on a temporary basis as their original choice for keyboardist Madonna Wayne Gacy was unable to obtain a keyboard 8 The original lineup was retained for two performances the first of which took place at Churchill s Hideaway in Miami with 20 audience members in attendance 9 As Gacy could still not afford to purchase an instrument he appeared on stage at their second show at the Reunion Room playing with toy soldiers 9 Speck and Bundy both exited the group sometime after this performance 10 nbsp Trent Reznor signed the band to Nothing Records The band s highly visualized concerts primarily drew from elements of shock art 11 Their live shows routinely featured naked women nailed to crucifixes young children locked in cages 12 amateur pyrotechnics and sadomasochism 11 as well as pinatas filled with butchered animal remains and experiments in reverse psychology N 1 These concerts quickly earned them a loyal fanbase among the South Florida punk and hardcore music scene and were playing sold out shows in 300 capacity nightclubs throughout Florida within six months of forming 5 In February 1990 while working as a journalist at 25th Parallel Manson interviewed Trent Reznor of Nine Inch Nails 5 The pair remained friends afterwards and Reznor was eventually presented with a compilation of the band s demo recordings 13 After being impressed by the material Reznor offered the group a spot opening for Nine Inch Nails and Meat Beat Manifesto at Club Nu in Miami on July 3 1990 5 In early 1991 the group signed a record deal with Sony Music However Berkowitz later recalled that the president of A amp R at the label Richard Griffin personally rejected us within minutes saying he liked the show and the idea but didn t like the singer They used the proceeds of the deal to fund the recording of subsequent demo tapes 14 Bassist Gidget Gein and live drummer Sara Lee Lucas would eventually join the band and they continued touring and releasing EPs independently for the next two years 12 In November 1992 Reznor invited the band s vocalist to attend strategic talks in Los Angeles 5 and to appear as a guitarist in a music video for the Nine Inch Nails track Gave Up 15 By the end of the year Marilyn Manson and the Spooky Kids were the first act signed by Reznor s vanity label Nothing Records 16 shortening their name to Marilyn Manson in the beginning of 1993 17 Recording edit When we were finally finished Roli had done the opposite of what I d expected I thought he was going to bring out some sort of darker element But he was trying to polish all the rough edges and make us more of a rock band a pop band which at the time I wasn t interested in at all I thought the record we did with him came out bland and lifeless Trent thought the same thing so he volunteered to help us repair what had been damaged Marilyn Manson discussing the aftermath of the album s initial recording sessions 18 Marilyn Manson held recording sessions for their debut album then titled The Manson Family Album in July 1993 at Criteria Studios in Miami with producer Roli Mosimann 19 The album consisted of re recorded versions of songs originally demoed by the group during their formative years 12 According to Loudwire Mosimann s original production aimed for a sleazy groove laden sound 19 Sessions concluded several months later in the autumn 20 At this point Mosimann created a radio edit of Snake Eyes and Sissies indicating that this song was intended to be released as the lead single 21 However the band was unhappy with Mosimann s production claiming it to be unrepresentative of their live performances 18 while Manson claimed the songs sounded too polished saying I thought This really sucks So I played it for Trent and he thought it sucked 12 Before reworking the album in Los Angeles the band played shows in Florida under the name Mrs Scabtree 22 which consisted of members of Marilyn Manson Amboog a Lard Jack Off Jill and The Itch Manson had produced various releases by both of the latter bands in 1993 23 The band then travelled to the Record Plant in L A to remix The Manson Family Album over a seven week period with Reznor 19 with Manson explaining We spent seven weeks redoing fixing sometimes starting from scratch That was our band s first experience in a real studio on a project this big We didn t know what to expect It was fifteen hour days with a team Trent Alan Moulder Sean Beavan and me bringing out the sound 12 Berkowitz was initially reluctant to re record the album saying I felt doing this was unnecessary and worried it would make us look like a Nine Inch Nails Reznor spin off The final result however is a very high quality piece of work 24 Berkowitz re recorded some of his guitar work in L A and the vast majority of Sara Lee Lucas live drumming was replaced with drum programming created by Nine Inch Nails keyboardist Charlie Clouser 19 Gidget Gein was not invited to these sessions 19 He had been fired from the band a few days before Christmas 1993 due to his heroin addiction Berkowitz clarified that this was the second or third time he was being fired for being a junkie and not showing up And playing really horribly live 5 He was replaced by Jeordie White of Amboog a Lard who was renamed Twiggy Ramirez 12 Despite this Gein is credited with performing the entirety of the bass work on the album 12 with Ramirez credited for base tendencies 25 Gein later died of a heroin overdose in 2008 26 Following this period of re recording The Manson Family Album was retitled to Portrait of an American Family 19 Mosimann was listed in the liner notes as an engineer with no mention of his original production role 25 Sections of the album were recorded and mixed at 10050 Cielo Drive the address of the house where members of the Manson Family committed the Tate murders in 1969 27 Reznor rented the property in 1992 and built a recording studio inside the residence which he named Pig a reference to that word being written with Sharon Tate s blood on the front door of the house on the night of the massacre 28 29 The studio is credited as Le Pig in the album s liner notes 25 Reznor denied renting the property in an attempt to have the infamy of the massacre associated with his music and chastised Manson for doing so saying I wasn t trying to create some manufactured spooky thing Any shock value to what I was doing was about trying to sneak subversive things to a wide audience With Manson he knew exactly what he was doing and exactly what would be shocking Those were very conscious decisions on his part What I was doing wasn t the same thing 30 The house was demolished in late 1994 31 with Reznor transporting the original Pig door to New Orleans where it was installed as the entrance to his subsequent recording studio Nothing Studios 32 Composition and style edit nbsp Three songs Cake and Sodomy Dogma and Misery Machine contain excerpts of dialogue from the John Waters films Pink Flamingos 1972 and Desperate Living 1977 The record contains a wide array of cultural references 25 beginning with the first track the poem recited in Prelude The Family Trip is an adaption of a poem originally from the 1964 novel Charlie and the Chocolate Factory which later appeared during the tunnel boat ride scene from Willy Wonka amp the Chocolate Factory 33 34 In his autobiography The Long Hard Road Out of Hell Manson explained that the lyrics to the second song on the album Cake and Sodomy were inspired by a trip to New York City in 1990 He said that he wrote its lyrics in a hotel room after spending several hours viewing public access cable television and watching Pat Robertson preach about society s evils and then ask people to call him with their credit card number On the adjacent channel a guy was greasing up his cock with Vaseline and asking people to call and give him their credit card number 35 The song s intro contains several samples including Marlon Brando in the 1972 film Last Tango in Paris saying Go on and smile you cunt and Mink Stole s character from John Waters 1977 film Desperate Living repeatedly screaming White trash 25 Lunchbox was inspired by a 1972 law introduced by the Florida Legislature which made it illegal to carry a metal lunch box on school grounds 36 It tells the story of a bullied child who uses a lunch box as a defensive weapon and proclaims that one day he will be a big rock n roll star 37 The track incorporates elements from The Crazy World of Arthur Brown s 1968 single Fire 25 Organ Grinder makes use of various dialogue excerpts of the Child Catcher from the 1968 film Chitty Chitty Bang Bang while Cyclops contains a distorted sample of the preacher from Poltergeist II The Other Side 1986 25 38 Dope Hat contains various samples of dialogue spoken by Charles Nelson Reilly the actor who portrayed Horatio J HooDoo in Sid and Marty Krofft s television series Lidsville 1971 73 25 The lyrics to Get Your Gunn were inspired by the murder of Dr David Gunn who was killed by a self proclaimed pro life activist 19 Manson later described his murder as the ultimate hypocrisy I witnessed growing up that these people killed someone in the name of being pro life 39 The song also features audio from the televised suicide of Pennsylvania Treasurer R Budd Dwyer 3 40 41 We were using a computer because we had a lot of samples and sequencing While we were working on that song the Charles Manson samples from My Monkey started appearing in the mix All of a sudden we d hear Why are the children doing what they re doing Why does a child reach up and kill his mom and dad and murder his two little sisters and then cut his throat And we couldn t figure what was going on The chorus of Wrapped in Plastic is Come into our home Won t you stay And we re in the Sharon Tate house just me and Sean Beavan We got scared and were like We are done for the night We came back the next day and it was fine The Charles Manson samples weren t even on the tape anymore There s no real logical or technological explanation for why they appeared It was a truly supernatural moment that freaked me out Marilyn Manson discussing paranormal activity during the mixing of Wrapped in Plastic 42 The title of Wrapped in Plastic is a reference to David Lynch s television series Twin Peaks specifically the scene in the pilot episode where Laura Palmer s dead body is discovered wrapped in sheets of plastic The song includes audio clips of Laura Palmer s reverse speech and screaming 19 Dogma contains a sample of dialogue from John Waters 1972 film Pink Flamingos Although the clips from Desperate Living on Cake and Sodomy and Misery Machine are credited in the liner notes this clip is not Waters is additionally thanked in the album credits 25 Sweet Tooth is the only song on the record for which former bassist Gidget Gein wrote both guitar and bass parts 25 A line of dialogue spoken at the start of Snake Eyes and Sissies Killing is killing whether done for duty profit or fun is a quote taken from an interview with serial killer Richard Ramirez 43 My Monkey contains numerous samples of interviews from Charles Manson 44 several of its verses are derived from Mechanical Man a song from his 1970 album Lie The Love and Terror Cult 45 Its lyrics are credited simply to Manson 25 The song also contains vocals from Robert Pierce who was six years old at the time of its recording 46 He was the son of Rambler guitarist Richard Pierce and was introduced to Marilyn Manson when both bands shared a rehearsal space in Florida 47 Robert Pierce is also heard in begging for Lunchbox Misery Machine is the thirteenth and final track on the album and contains a sample from Beep Beep by The Playmates 25 The title is a direct reference to the Mystery Machine from the animated television series Scooby Doo 19 while a phrase contained in the song We re gonna ride to the Abbey of Thelema is a reference to Aleister Crowley s spiritual philosophy of Thelema Do what thou wilt shall be the whole of the Law Love is the law love under will 48 An untitled hidden track begins a few seconds after Misery Machine and consists of Stole in Desperate Living screaming Go home to your mother Doesn t she ever watch you Tell her this isn t some Communist daycare center Tell your mother I hate her Tell your mother I hate you After this a telephone rings for several minutes followed by an irate answering machine message from the mother of a Manson fan 25 The band s vocalist discussed his thoughts on Portrait of an American Family in retrospect with Empyrean Magazine circa May June 1995 Well the whole point of the album was that I wanted to say a lot of the things I ve said in interviews But now I feel like I fell short like I didn t say it right Maybe I was too vague or maybe the songs weren t good enough or whatever But I wanted to address the hypocrisy of talk show America how morals are worn as a badge to make you look good and how it s so much easier to talk about your beliefs than to live up to them I was very much wrapped up in the concept that as kids growing up a lot of the things that we re presented with have deeper meanings than our parents would like us to see like Willy Wonka and the Brothers Grimm So what I was trying to point out was that when our parents hide the truth from us it s more damaging than if they were to expose us to things like Marilyn Manson in the first place My point was that in this way I m an anti hero I think I ll be able to say it better on the next album 49 Cover and packaging editThe four member family depicted on the album cover were created by Manson using papier mache and human hair 12 In The Long Hard Road Out of Hell the vocalist said that a painting by John Wayne Gacy was originally set to feature as the cover the same painting later appeared on the cover of Acid Bath s 1994 album When the Kite String Pops 50 Also set to appear as part of the album s interior artwork was an image of himself as a child sitting naked on a living room couch 16 Although the photograph was taken by his mother with no vulgar intent and no genitalia is shown Interscope s parent company Time Warner demanded it be removed on the grounds that it could constitute child pornography N 2 Manson explained the background of the image When I was six years old that was when Burt Reynolds had posed for Playgirl My mom thought it d be funny to have me do that pose lying on a couch It s only sick if you have a sick mind It was innocent 12 Another piece of interior photography consisted of an image of a Blythe doll surrounded by Polaroid pictures of a mutilated female body purportedly faked by Manson and several of his friends 50 Release and promotion editWhen the record was presented to Nothing s parent company Interscope in January 1994 executives at the label refused to release it unless all references to Charles Manson were removed This included altering the band s name and omitting the song My Monkey N 3 The vocalist explained I think the Axl Rose Charles Manson thing panicked them The heat came from the name of our band They apparently hadn t looked into it very carefully and they had this knee jerk reaction to what we re about 12 Guns N Roses had faced widespread criticism over the inclusion of Look at Your Game Girl a cover of a Charles Manson song as a hidden track on their 1993 album The Spaghetti Incident 51 During this period the band s management attempted to have it issued through other labels and distributors 12 They met with Guy Oseary and Freddy DeMann from Maverick Records Madonna s vanity label who were initially worried that their lyrics or image included antisemitism N 4 although they found this was not the case Afterward Maverick offered the band an alternate deal 53 Before this deal could be finalized Interscope agreed to release the album 12 which was issued in the United States on July 19 1994 19 The Honolulu Star Bulletin reported that Members of the British Parliament tried to ban the album in the United Kingdom and called it an outrage against society 54 Portrait of an American Family was preceded by the release of Get Your Gunn as the lead single on June 9 55 Its music video was directed by Rod Chong 56 nbsp Twiggy Ramirez and Marilyn Manson performing at the Slammie Awards show in Fort Lauderdale Florida on July 3 1994 Marilyn Manson performed as one of the opening acts on Nine Inch Nails Self Destruct Tour throughout 1994 30 They embarked on their first national headlining tour in December 57 with Monster Voodoo Machine and Arab on Radar supporting 58 The tour would be problematic however The band s vocalist was arrested after the tour s first date in Jacksonville for allegedly violating Florida s Adult Entertainment Code by simulating sex on stage while wearing a strap on dildo 27 He narrowly avoided arrest four nights later on New Year s Eve in Fort Lauderdale after Nine Inch Nails guitarist Robin Finck jumped on stage wearing a g string and attempted to play an unspecified practical joke on the singer involving powdered sugar Manson reacted by tearing the g string off and placing Finck s penis in his mouth He hid from local police in a backstage bathroom N 5 This would also be drummer Sara Lee Lucas final tour with the band Tensions developed between him and Manson as the tour progressed and during the second to last show Manson doused Lucas drum kit in lighter fluid and set it ablaze 60 He was immediately replaced by Kenneth Wilson who joined the group as Ginger Fish N 6 The Lunchbox EP was released on February 6 1995 containing several remixes of the song created by Charlie Clouser as well as a cover of Gary Numan s Down in the Park 62 Richard Kern directed the music video for the track 56 Marilyn Manson toured again in the spring of 1995 opening for Danzig alongside Korn 63 64 Dope Hat was issued as a promotional single in the summer of 1995 65 Its music video was directed by Tom Stern 66 and was based on the tunnel boat ride scene from Willy Wonka 67 The band entered Reznor s Nothing Studios in New Orleans to record b sides for the song s release as a commercial single However the release was cancelled as the material recorded during these sessions was compiled into a standalone EP of cover versions remixes and interludes titled Smells Like Children 65 Portrait of an American Family was re released in 2009 as a limited edition green colored vinyl LP box set which also contained a T shirt emblazoned with the album cover 68 Critical reception and legacy editProfessional ratingsReview scoresSourceRatingAllMusic nbsp nbsp nbsp nbsp nbsp 69 Encyclopedia of Popular Music nbsp nbsp nbsp nbsp nbsp 70 MusicHound Rock nbsp nbsp nbsp nbsp nbsp 71 Rolling Stone nbsp nbsp nbsp nbsp nbsp 72 The album received mostly positive reviews Stephen Thomas Erlewine of AllMusic said that Beneath all the camp shock there are signs of Manson s unerring eye for genuine outrage and musical talent particularly on the trio of Cake and Sodomy Lunchbox and Dope Hat 73 Rolling Stone was negative saying that the album was not the sharply rendered cultural critique of America Manson would like you to think it is Most of the record comes off like some low budget horror movie 72 The publication later revised its view of the record it was included at number 68 on their 2017 list of The 100 Greatest Metal Albums of All Time 74 Guitar World ranked the album at number thirteen in their list of the 50 Iconic Albums That Defined 1994 75 although they also featured Cyclops at number 47 on their list of the 100 Worst Guitar Solos 76 Manson himself has been dismissive of the album ranking it in last place of the band s entire discography in a 2018 list compiled for Kerrang 77 Conversely Kristy Loye of the Houston Press dubbed it the best album of the band s career writing This album s impact on music at the time of release cannot really be underestimated nor can it be accurately described in a short blurb Like it or not Marilyn Manson and the Spooky Kids gave rock the dark shot in the arm that was needed at the time when music had given itself completely over to the bland and self indulgent emotional ballads of alt rock kings like Pearl Jam Music needed a balance of dark and light and Manson brought the darkness like few were doing at the time when suddenly metal was barely breathing 78 In a feature written for the twentieth anniversary of the record Tom Breihan of Stereogum praised the album s production and quality of the band s songwriting but said that Portrait of an American Family had aged badly and was critical of Manson s vocals and the amount of samples used throughout However he went on to argue What still resonates about Manson isn t really his music though 1998 s Mechanical Animals still stands as a pretty incredible album Manson was a culture war agitator for our side someone willing to jar and frighten the fuck out of the power structures that seemed there to keep teenagers in their place His whole thing was a violent overblown rejection of vast forces of oppression and control and his tactics made him a target both of mass culture disdain and of superior alt culture snark All that was by design He put himself out there to take those attacks And on some level he s a saint for that Simply by existing and by moving the baseline he made lives easier for hundreds of thousands of teenagers That rather than Cake and Sodomy is his legacy 33 Commercial performance editPortrait of an American Family failed to chart upon release Manson later complained Well there was always a real chip on our shoulder that the album never really got the push from the record label that we thought it deserved It was all about us touring our fucking asses off We toured for two years solid opening up for Nine Inch Nails for a year and then doing our own club tours It was all just about perseverance 79 It eventually peaked at number 35 on Billboard s Top Heatseekers chart on the issue dated March 25 1995 80 The record was certified gold by the Recording Industry Association of America in May 2003 for shipments in excess of 500 000 units 81 As of 2015 it has sold over 645 000 copies in the United States 82 Despite never entering the top 100 of the UK Albums Chart 83 in 2013 the record was certified silver by the British Phonographic Industry indicating sales 84 in excess of 60 000 copies in that country 85 Track listing editAll lyrics written by Marilyn Manson except track 1 by Manson and Roald Dahl 25 and track 12 by Marilyn Manson and Charles Manson uncredited 8 Portrait of an American Family Original editionNo TitleMusicLength1 Prelude The Family Trip MansonMadonna Wayne Gacy1 202 Cake and Sodomy Daisy Berkowitz3 463 Lunchbox BerkowitzGidget Gein4 324 Organ Grinder GeinBerkowitz4 225 Cyclops BerkowitzGeinGacy3 326 Dope Hat MansonBerkowitzGacy4 187 Get Your Gunn BerkowitzGein3 188 Wrapped in Plastic Berkowitz5 359 Dogma Berkowitz3 2210 Sweet Tooth GacyGein5 0311 Snake Eyes and Sissies GacyBerkowitzGein4 0712 My Monkey Berkowitz4 2913 Misery Machine Misery Machine ends at 5 09 an excerpt from Desperate Living is played until 5 28 Telephone ringing is heard for 7 10 until an answering machine message from an irate mother is heard at 12 38 GeinBerkowitzGacy13 08Total length 60 52 Portrait of an American Family 1997 Argentinian release 86 No TitleWriter s Length14 Down in the Park Gary Numan5 0015 Brown Bag Remix of Lunchbox by Charlie Clouser MansonBerkowitzGein6 19Total length 72 11 Sample credits 25 38 Prelude The Family Trip contains an adaption of The Rowing Song by Roald Dahl Lunchbox contains a vocal sample from Fire by The Crazy World of Arthur Brown My Monkey contains an adaption of Mechanical Man by Charles Manson Misery Machine contains an interpolation of Beep Beep by The Playmates The record additionally features excerpts of dialogue from Last Tango in Paris Desperate Living Chitty Chitty Bang Bang Poltergeist II The Other Side Lidsville Twin Peaks and Pink Flamingos Personnel editCredits adapted from AllMusic 87 and the liner notes of Portrait of an American Family 25 Marilyn Manson Marilyn Manson vocals brass loops production lyrical adaption musical composition artwork logo credited as accusations child manipulations backwards masking polaroids doll family album design Daisy Berkowitz lead rhythm acoustic and wah wah guitars musical composition credited as psychoacoustical guitars Gidget Gein bass and musical composition Madonna Wayne Gacy keyboards calliope Hammond organ theremin saxophone sound effects loops musical composition credited as Hammond organ theremin saxophone calliopenis brass babies distorted muzette loops Maria the pitiful pot pie brass section Sara Lee Lucas drums and sound effects credited as hitting Production technical and additional personnel Tom Baker mastering at Future Disc Los Angeles Sean Beavan brass track 12 digital audio editing programming engineering assistant producer mixing Frank Callari tour manager for TCO Group Charlie Clouser drums track 8 African drums drum programming digital audio editing Donovan tattoos Mark Freegard mixing Barry Goldberg assistant engineer Marc Gruber assistant engineer Roli Mosimann engineering and original production Alan Moulder engineering assistant producer mixing Chris Meyer live sound Hope Nicholls saxophone track 7 background vocals track 9 Robin Perine photography Robert Pierce aged 6 vocals tracks 3 and 12 Brian Pollack assistant engineer Twiggy Ramirez live bass for the Portrait of an American Family Tour credited as base tendencies Trent Reznor bionic guitar track 3 brass track 12 digital audio editing programming production executive producer mixing Melissa Romero aged 19 violation on Wrapped in Plastic Brian Scheuble assistant engineer Albert Sgambati tattoos Gary Talpas packaging John Tovar management for TCO Group Chris Vrenna credited as Podboy percussion track 6 credited as skull on track 10 programming assistant engineer Jeff Weiss album cover image and additional photography Wade Wright mood lighting Sioux Z publicity for Formula Charts editChart 1995 PeakpositionUS Heatseekers Albums Billboard 88 35Certifications editRegion Certification Certified units salesUnited Kingdom BPI 85 Silver 60 000 United States RIAA 81 Gold 645 000 82 Shipments figures based on certification alone References editNotes In an attempt to reiterate the lesson of Willy Wonka in my own style during shows I hung a donkey pinata over the crowd and put a stick on the edge of the stage Then I would warn Please don t break that open I beg you not to Human psychology being what it is kids in the crowd would invariably grab the stick and smash the pinata apart forcing everyone to suffer the consequence which would be a shower of cow brains chicken livers and pig intestines from the disemboweled donkey 11 I wanted to use a photo in the booklet of me naked on a couch when I was a kid When you hold up something to people usually what they see in it is what s inside them in the first place And that s what happened because the lawyers at Interscope said First off that picture s going to be considered child pornography and not only will no stores carry the album but we re subject to legal retribution from it They said if a judge were to look at it the law states that if a photograph of a minor elicits sexual excitement then it s considered child pornography I said That s exactly my point This is a photograph that was taken by my mother and it s extremely innocent and very normal But if you see it as sexual then why am I the guilty person You re the one who s got a hard on Why aren t you punished That s still a point I d like to make 50 After The Spaghetti Incident was released Axl Rose started getting all that heat from Sharon Tate s sister and everyone When our album was finished after that we had the song My Monkey on it but we had this six year old kid Robert Pierce singing the Charles Manson lyrics That was the great irony of it here s a kid that s singing a song that to him is an innocuous nursery rhyme but to everyone else is this horrible thing After we turned the album in I got this call from Trent and John Malm who s Trent s manager and runs Nothing Records And they re like Are you willing to put out your album without My Monkey on it I asked Why And they said Well Interscope is having problems because of the shit that Axl Rose has gotten himself into He s had to donate the proceeds of the song to the victims families I said Well I don t have a problem doing that Just explain to me what s going to happen The entire song wasn t Charles Manson s song I just borrowed a few lyrics and the rest were my own In the end Interscope insisted that we take the song off I said No so they told us they weren t going to put the album out at all 46 While everything was in the air Trent backed us up and stood behind us He told us not to worry because he had an option to put out a record with any other label as part of his contract with Interscope even though it technically owned Nothing So we had Guy Oseary from Maverick Records down to see us and he brought Freddy DeMann Madonna s manager The funniest thing about those guys was the first thing they said to me after the show was Are you guys Jewish And our keyboard player said Yeah I m Jewish but I m not religious I don t practise it And they said Yeah okay that s cool We gotta stick together We had this whole bonding thing Then they went back to New York and our manager got a call two days later They asked We don t really have a problem with Manson s image the tattoos the association with the occult and Satanism But there s something we need to know Does Manson have any swastikas tattooed on him And he s like No What are you talking about They said Well we just wanted to check because if there s any sort of antisemitic message then it s not something we want to be involved in Everything I was doing was so much about sticking up for the underdog that I couldn t understand how they could misassociate what I was doing like that It was weird After my tattoos checked out they actually offered us a deal It must have lit a fire under Interscope s ass because all of a sudden Interscope came back and told us they were willing to put out the record and even pay for it We agreed because we had always wanted Interscope from the beginning I had faith in that label I still do They had a deal with Time Warner who were the ones causing the problems 52 But what happened was while we were performing Robin Finck the guitarist in Nine Inch Nails ran out on stage in a g string with some kind of powdered confectionery item he planned to dump on me for whatever reason In the midst of this sabotage attempt I grabbed him and tore his g string off and placed his limp salty penis in my mouth and um teethed on it for a moment but not long enough to really constitute a blow job I didn t have a hard on which should relieve me of any accusations of it being a degenerate homosexual act Afterwards he ran off stage sort of embarrassed and I had to flee from the cops when the show ended They came backstage looking for me and I hid in the bathroom where conveniently some drugs had been stashed Luckily they never issued a warrant for my arrest or prosecuted me for that particular incident 59 Everybody knew that Freddy was going to be fired except for Freddy because just a week before while he was polishing his spokes or something we auditioned a quiet older drummer from Las Vegas named Kenneth Wilson and asked him to join the band as Ginger Fish He actually rode the tour bus with us one night and we told Freddy that he was just a friend of our tour manager He bought it We didn t want to be cruel to Freddy because we liked him as a person We just felt obliged to make his last show with the band a memorable one We sacrificed Freddy by setting his bass drum on fire but the whole drum kit burst into flames followed by Freddy As Freddy escapes backstage to find a fire extinguisher we started smashing everything 61 References Marilyn Manson Biography Rolling Stone Archived from the original on August 29 2016 Retrieved August 12 2017 Kot Greg 2004 Marilyn Manson In Brackett Nathan Hoard Christian eds The New Rolling Stone Album Guide 4th ed Simon amp Schuster pp 513 514 ISBN 0 7432 0169 8 a b Schafer Joseph April 8 2015 The 10 Best Marilyn Manson Songs Stereogum Archived from the original on July 9 2017 Retrieved May 30 2018 a b Tron Gina April 10 2014 Daisy Berkowitz Portrait of an American Ex Marilyn Manson Member Vice Archived from the original on April 2 2016 Retrieved September 27 2017 a b c d e f Stratton Jeff April 15 2004 Manson Family Feud New Times Broward Palm Beach Voice Media Group Archived from the original on October 9 2016 Retrieved September 27 2017 Wartofsky Alona May 9 1997 Manson Family Values The Washington Post Archived from the original on June 26 2018 Retrieved June 25 2018 Manson amp Strauss 1998 p 84 a b c Manson amp Strauss 1998 p 87 a b Manson amp Strauss 1998 p 90 Manson amp Strauss 1998 p 91 a b c Manson amp Strauss 1998 pp 93 94 116 a b c d e f g h i j k l Baker Greg July 20 1994 Manson Family Values Miami New Times Voice Media Group Archived from the original on May 4 2016 Retrieved September 27 2017 Rock Revolt Staff November 28 2015 Interview SMP Scott Mitchel Putesky Daisy Berkowitz Rock Revolt Magazine Archived from the original on August 28 2016 Retrieved September 28 2017 Putesky Scott August 9 2009 When Marilyn Manson Left His Kids Behind Sun Sentinel Archived from the original on January 22 2018 Retrieved February 18 2018 Manson amp Strauss 1998 pp 141 143 a b Kissell Ted B February 11 1999 Manson The Florida Years Cleveland Scene Euclid Media Group Archived from the original on August 9 2016 Retrieved September 27 2017 Manson amp Strauss 1998 p 122 a b Manson amp Strauss 1998 p 144 a b c d e f g h i j Wiederhorn Jon 23 Years Ago Marilyn Manson Issues Portrait of an American Family Loudwire Townsquare Media Archived from the original on May 1 2017 Retrieved September 27 2017 Manson amp Strauss 1998 p 123 Manson amp Strauss 1998 p 128 Baker Greg February 9 1994 Program Notes Miami New Times Village Voice Media Archived from the original on August 4 2016 Retrieved March 24 2016 Baker Greg March 16 1993 Program Notes 48 Miami New Times Village Voice Media Archived from the original on January 12 2016 Retrieved March 24 2016 Hawk Mike January 7 2013 Scott Mitchell Putesky Daisy Berkowitz Interview page 1 Blankman Inc Archived from the original on June 20 2013 Retrieved March 24 2016 a b c d e f g h i j k l m n o p Portrait of an American Family CD liner notes Marilyn Manson Interscope Records 1994 INTD 92344 a href Template Cite AV media notes html title Template Cite AV media notes cite AV media notes a CS1 maint others in cite AV media notes link Kaufman Gil October 13 2008 Former Marilyn Manson Bassist Gidget Gein Dead At 39 MTV Viacom Media Networks Archived from the original on June 29 2015 Retrieved September 28 2017 a b O Hagan Sean November 4 2000 Weekend Sean O Hagan meets Marilyn Manson The Guardian Archived from the original on February 4 2018 Retrieved June 15 2018 Novak Matt October 14 2014 This Nine Inch Nails Video Was Shot At The Scene of An Infamous Murder Gizmodo Univision Communications Archived from the original on December 11 2017 Retrieved June 23 2018 Chua Eoan Howard March 1 2007 The Tate Labianca Murders 1969 Time Meredith Corporation Archived from the original on March 13 2018 Retrieved June 23 2018 a b Marchese David July 26 2017 Trent Reznor in conversation Vulture New York Media Archived from the original on May 29 2018 Retrieved June 15 2018 Kiefer Peter August 27 2019 To Re create Sharon Tate s Benedict Canyon House Quentin Tarantino Turned to an L A Tour Guide Hollywood Reporter Retrieved December 9 2020 Bozza Anthony October 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ed essay Rolling Stone No 815 Wenner Media LLC Archived from the original on July 21 2012 Christopher Michael August 15 2017 1987 Week Televised suicide of R Budd Dwyer inspires morbid musical memories Vanyaland Archived from the original on December 12 2017 Retrieved May 30 2018 Louvau Jim May 30 2013 Marilyn Manson I Like To Smoke and Hang Out With The Gangsta Rappers Phoenix New Times Voice Media Group Archived from the original on March 19 2016 Retrieved May 30 2018 Manson amp Strauss 1998 p 147 Goodman William July 19 2019 The Birth of Marilyn Manson Portrait of An American Family Turns 25 Billboard Archived from the original on July 19 2019 Retrieved August 12 2019 Schonfeld Zach November 27 2017 Charles Manson s murders haunted the music world for decades Newsweek Archived from the original on May 30 2018 Retrieved June 2 2018 Garber Paul Elisabeth August 9 2016 Charles Manson s Musical Legacy A Murderer s Words in 9 Tracks Rolling Stone Archived from the original on March 12 2018 Retrieved June 2 2018 a b Manson amp Strauss 1998 p 148 Cohen Howard August 25 2017 Obituary Richard Pierce guitarist for rock band Rambler dies at 57 Southern rocker who was shot and killed was a force on local music scene Miami Herald The McClatchy Company Archived from the original on December 24 2017 Retrieved June 8 2018 Irizarry Katy April 9 2018 10 Evil Rock Metal Songs Inspired by Aleister Crowley Loudwire Townsquare Media Archived from the original on May 3 2018 Retrieved June 6 2018 Manson amp Strauss 1998 p 151 a b c Manson amp Strauss 1998 p 150 Associated Press December 1 1993 Guns N Roses in Manson flap Variety Archived from the original on January 13 2016 Retrieved June 12 2018 Manson amp Strauss 1998 p 149 Epstein Dan July 19 2018 Marilyn Manson s Portrait of an American Family 8 Insane Stories Revolver ISSN 1527 408X Retrieved July 22 2018 Bueno Greg March 24 1997 Marilyn Manson Sweet To The End Honolulu Star Bulletin Oahu Publications Inc Subsidiary of Black Press Ltd Archived from the original on February 1 2019 Retrieved February 1 2019 Erlewine Stephen Thomas Get Your Gunn Marilyn Manson Songs Reviews Credits AllMusic All Media Network Archived from the original on July 16 2017 Retrieved June 15 2018 a b Young Simon January 5 2016 The 13 best Marilyn Manson videos LouderSound Metal Hammer Archived from the original on June 26 2018 Retrieved June 15 2018 Manson amp Strauss 1998 p 154 Paul Eric March 11 2015 Satan has a new name tonight it s Arab on Radar Impose Archived from the original on September 21 2017 Retrieved June 16 2018 Manson amp Strauss 1998 p 155 Finn Natalie August 5 2007 Marilyn Manson Accused of Bilking the Band E Archived from the original on May 8 2016 Retrieved March 24 2016 Manson amp Strauss 1998 pp 161 162 Erlewine Stephen Thomas Lunchbox Marilyn Manson Songs Reviews Credits AllMusic All Media Network Archived from the original on January 17 2018 Retrieved June 15 2018 Manson amp Strauss 1998 p 178 Childers Chad May 24 2018 Marilyn Manson Recalls Pissing on Korn s Catering Loudwire Townsquare Media Archived from the original on May 25 2018 Retrieved June 17 2018 a b Manson amp Strauss 1998 pp 190 191 Ford Chris January 3 2014 10 Best Marilyn Manson Videos Noisecreep Townsquare Media Archived from the original on November 3 2016 Retrieved June 16 2018 Garis Mary Grace October 27 2015 13 Creepy Music Videos Perfect For Halloween That Are Even Better Than Watching A Movie Bustle Archived from the original on October 23 2017 Retrieved June 16 2018 Portrait of an American Family Limited Edition Vinyl Box set with T Shirt Amazon Retrieved June 17 2018 Erlewine Stephen Thomas Portrait of an American Family Marilyn Manson Songs Reviews Credits AllMusic All Media Guide Retrieved June 19 2018 Larkin Colin ed 2007 Marilyn Manson The Encyclopedia of Popular Music 5th concise ed MUZE Omnibus Press pp 907 908 ISBN 978 1 84609 856 7 Deggans Eric 1999 Marilyn Manson MusicHound Rock The Essential Album Guide Visible Ink Press p 714 ISBN 1 57859 061 2 a b Marilyn Manson Album Guide Rolling Stone Wenner Media LLC Archived from the original on April 11 2014 Retrieved June 19 2018 Erlewine Stephen Thomas Portrait of an American Family review AllMusic All Media Guide Rovi Retrieved June 28 2011 Considine J D June 21 2016 The 100 Greatest Metal Albums of All Time Rolling Stone Wenner Media LLC Archived from the original on June 26 2018 Retrieved June 19 2018 Maxwell Jackson July 14 2014 Superunknown 50 Iconic Albums That Defined 1994 Guitar World NewBay Media Archived from the original on December 29 2017 Retrieved June 19 2018 Bienstock Richard Bosso Joe Epstein Dan Gill Chris Paul Alan Wiederhorn Jon July 14 2014 100 Worst Guitar Solos Guitar World Future US ISSN 1045 6295 Archived from the original on June 21 2018 Retrieved June 19 2018 Originally printed in the December 2004 issue of Guitar World Magazine Brannigan Paul Manson Marilyn January 4 2018 We Asked Marilyn Manson To Rank His Albums 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2013 the BPI relied on a record company to request an award Under the new system sales figures are automatically recognised as soon as a record passes the relevant threshold a b British album certifications Marilyn Manson Portrait of an American Family British Phonographic Industry July 22 2013 Retrieved April 21 2019 Portrait of an American Family CD liner notes Marilyn Manson Universal Music Group 1997 INTD 90009 a href Template Cite AV media notes html title Template Cite AV media notes cite AV media notes a CS1 maint others in cite AV media notes link Portrait of an American Family Marilyn Manson Credits AllMusic All Media Network Retrieved May 25 2018 Marilyn Manson Chart History Heatseekers Albums Billboard Retrieved June 20 2017 Bibliography Manson Marilyn Strauss Neil February 14 1998 The Long Hard Road Out of Hell New York HarperCollins division ReganBooks ISBN 0 06 039258 4 The Long Hard Road Out of Hell Retrieved from https en wikipedia org w index php title Portrait of an American Family amp oldid 1213911975, wikipedia, wiki, book, books, library,

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