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Mayabazar

January 20, 2023

For other uses, see Mayabazar (disambiguation).

Mayabazar (transl. Market of Illusions)[3] is a 1957 Indian epic Hindu mythological film[4] directed by K. V. Reddy. It was produced by Nagi Reddi and Chakrapani under their banner, Vijaya Productions. The film was shot simultaneously in Telugu and Tamil, with a few differences in the cast. The story is an adaptation of the folk tale Sasirekha Parinayam, which is based on the characters of the epic Mahabharata. It revolves around the roles of Krishna (N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna's son Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan) with his love, Balarama's daughter (Savitri). The Telugu version features Gummadi, Mukkamala, Ramana Reddy, and Relangi in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version.

Mayabazar
Theatrical release poster of the Telugu version
Directed byK. V. Reddy
Screenplay byK. V. Reddy
Story byPingali Nagendra Rao
Dialogue by
  • Pingali Nagendra Rao
Based onSasirekha Parinayam
Produced byNagi Reddi
Chakrapani
StarringN. T. Rama Rao
Akkineni Nageswara Rao (Telugu)
Gemini Ganesan (Tamil)
Savitri
S. V. Ranga Rao
CinematographyMarcus Bartley
Edited byC. P. Jambulingam
G. Kalyanasundaram
Music byGhantasala
Production
company
Release date
  • 27 March 1957 (1957-03-27)
Running time
184 minutes
(Telugu)[1]
174 minutes
(Tamil)[2]
CountryIndia
Languages
  • Telugu
  • Tamil

The first mythological film produced by their studio, Mayabazar marked a milestone for Nagi Reddi and Chakrapani. In addition to the technical crew, 400 studio workers – including light men, carpenters, and painters – participated in the development of the film. Director Reddy was meticulous with the pre-production and casting phases, which took nearly a year to complete. Though Rama Rao was initially reluctant to play the lead role, his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films.[a] The soundtrack features twelve songs, with most of the musical score composed by Ghantasala. Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N. Ramaiah Dass. One of those songs, Lahiri Lahiri, was accompanied by the first illusion of moonlight in Indian cinema, shot by cinematographer Marcus Bartley.

Mayabazar's Telugu version was released on 27 March 1957; the Tamil version was released two weeks later, on 12 April. Both were critically and commercially successful, with a theatrical run of 100 days in 24 theatres, and it became a silver-jubilee film. The Telugu version of Mayabazar was also dubbed into Kannada. The film is considered a landmark in both Telugu and Tamil cinema, with praise for its cast and technical aspects, despite the limitations of technology at the time. On the centenary of Indian cinema in 2013, CNN-IBN included Mayabazar in its list of "100 greatest Indian films of all time".[5] In an online poll conducted by CNN-IBN among those 100 films, Mayabazar was voted by the public as the "greatest Indian film of all time."[6]

Mayabazar became the first Telugu film to be digitally remastered and colourised, at an estimated cost of ₹7.5 crore (valued at about US$1.7 million in 2010), after Hyderabad-based company Goldstone Technologies acquired world negative rights to fourteen films including that of Mayabazar in late November 2007. The updated version was released on 30 January 2010 in 45 theatres in Andhra Pradesh. It was a commercial success that generated mostly positive reviews, with one critic expressing a preference for the original.

Plot

This plot summary refers to the Telugu version of the film.

Subhadra (the sister of Balarama and Krishna) marries a Pandava[b] named Arjuna. Their son Abhimanyu falls in love with Balarama's daughter, Sasirekha. The families consent to their marrying when they reach adulthood. When Abhimanyu and Sasirekha have grown up, Krishna introduces them to each other. One day, the Pandavas are invited by Duryodhana, the eldest of the Kauravas[c] to join in a game of dice. Duryodhana's uncle, Shakuni, manipulates the results of the game, thereby costing the Pandavas their wealth, their liberty, and their wife Draupadi. [d] Duryodhana's brother, Dushasana, attempts to disrobe Draupadi. He is seen by Krishna, who, furious, comes to her rescue. On hearing what happened to the Pandavas, Balarama decides to teach the Kauravas a lesson and travels to their capital Hastinapuram. Shakuni and Duryodhana approach Balarama in an insincere respectful manner, then seek his approval of a marriage between Sasirekha and Duryodhana's son Lakshmana Kumara. Their true goal is to force Balarama and Krishna to support them if the Pandavas wage war. Unaware of their real intentions, Balarama agrees to the marriage.

Because of the Pandavas' ruined financial state, Balarama's wife, Revati, refuses to honor her commitment to marry Sasirekha and Abhimanyu and expresses her support for the alliance with the Kauravas. Krishna, who is aware of Duryodhana and Shakuni's real intentions, orders his charioteer Daaruka to take Subhadra and Abhimanyu through the forests to Ghatotkacha's hermitage. Ghatotkacha, who happens to be Abhimanyu's cousin, at first thinks they are intruders in his forest and attacks them but later apologizes for the misunderstanding. When Subhadra explains the change in the marriage arrangements, Ghatotkacha decides to wage war against both the Kauravas and Balarama. At the urging of his mother, Hidimbi, and Subhadra, Ghatotkacha abandons his plans and is advised instead to try some trickery in Dvaraka. With the knowledge of Krishna and Sasirekha's servant, he carries the sleeping Sasirekha in her bed from Dwaraka and flies to his hermitage. Assuming Sasirekha's form, he returns to Dvaraka and, with the help of his assistants Chinnamaya, Lambu, and Jambu, wreaks havoc on her wedding to Lakshmana Kumara, preventing the marriage from being carried out.

With the help of Chinnamaya, Lambu, and Jambu, Ghatotkacha creates a magical town consisting of an illusory marketplace and palace. He names the town Mayabazar and invites the Kauravas to stay there. Chinnamaya, Lambu, and Jambu introduce themselves to the Kauravas as servants appointed by Balarama to look after them. They manage to trick Sarma and Sastry, Shakuni's lackeys. Ghatotkacha (in Sasirekha's form) makes Duryodhana's wife rethink the marriage arrangement and teases Lakshmana Kumara. He plans the wedding of the real Sasirekha and Abhimanyu in his hermitage which is attended by Krishna. Using his divine powers, Krishna also attends as a guest for the marriage taking place in the Mayabazar.

On the wedding day, Ghatotkacha appears before Lakshmana Kumara as Sasirekha in disguise, and the fake Sasirekha keeps on scaring Lakshmana Kumara during the wedding. While, at the hermitage, the real Sasirekha marries Abhimanyu. When Shakuni discovers what has happened, he blames Krishna. Satyaki, Arjuna's disciple, asks Shakuni to speak while standing on a magical box. He proceeds to stand on the box, which makes him involuntarily explain the Kauravas' real intentions behind the marriage proposal. Ghatotkacha then reveals his identity. After humiliating the Kauravas, Ghatotkacha sends them back to Hastinapuram. Sasirekha's parents accept her marriage. They thank Ghatotkacha, who credits Krishna as the mastermind behind everything, including Abhimanyu and Sasirekha's marriage. Ghatotkacha sings in praises of Krishna and Krishna, pleased by his singing, comes to his real form of Vishnu. Everyone folds their hands in prayer.

Cast

Cast for both Telugu and Tamil versions

Production

 
A production still of Mayabazar

Development

After the success of Pathala Bhairavi (1951), the production company, Vijaya Productions, selected the film's technical crew for an adaptation of Sasirekha Parinayam (1936), also known as Mayabazar. The eighth adaptation of the folk tale Sasirekha Parinayam,[10][e] it was the studio's first mythological film.[11]

K. V. Reddy wrote and directed Mayabazar, assisted by Singeetam Srinivasa Rao,[12] and it was produced by Nagi Reddi and Chakrapani of Vijaya Productions. Nearly a year was spent on pre-production and casting.[11] Pingali Nagendrarao assisted with the story, script, and lyrics.[13] Ghantasala composed the film's score, and Marcus Bartley was the cinematographer.[14] Mayabazar was edited by C. P. Jambulingam and G. Kalyanasundaram; Madhavapeddi Gokhale and Kaladhar were the film's art directors.[1]

Casting

The film was produced in Telugu and Tamil versions, with a slightly different cast for each. Gemini Ganesan appeared as Abhimanyu in the Tamil version, which was portrayed by Akkineni Nageswara Rao in Telugu. Savitri was retained as the female lead in Tamil also, where her character was named Vatsala instead of Sasirekha.[15] Sachu played the younger version of the character in Tamil.[16] N. T. Rama Rao, hesitant to play Krishna after a negative response to his cameo appearance in Sonta Ooru (1956), agreed at K. V. Reddy's insistence and special care was taken with his costume and body language;[11][17] Mayabazar was the first of Rama Rao's many appearances as Krishna.[18] According to Rama Rao's widow Lakshmi Parvathi, Nagi Reddy and Chakrapani had initially rejected K. V. Reddy's proposal to cast Rama Rao as Krishna, but he persuaded them into believing that Rama Rao was good for the role.[19] As Rama Rao had a broad chest, K. V. Reddy suggested a slight narrowing to look apt as Krishna. In addition to following other suggestions by K. V. Reddy, Rama Rao read the Mahabharata, the Bhagavata and other puranas to understand Krishna's character and present it properly.[19] S. V. Ranga Rao, described by Nageswara Rao as the film's male lead in interviews, played the character of Ghatotkacha.[20]

In the Telugu version, Gummadi and Mikkilineni were cast as Balarama and Karna, respectively, whilst Sita had a supporting role as Sasirekha's maid.[21] Relangi portrayed Lakshmana Kumara, Duryodhana's son; his popularity inspired a song with him and Savitri.[22] Allu Rama Lingaiah and Vangara Venkata Subbaiah enacted the parts of Shakuni's lackeys, Sarma and Sastry.[23][24] Kanchi Narasimha Rao played Krishna, disguised as an old man who stops Ghatotkacha when he enters Dwaraka.[25] The playback singer Madhavapeddi Satyam made a cameo appearance as Daaruka, singing "Bhali Bhali Bhali Deva". Ramana Reddy portrayed Chinnamayya, a tantrik who teaches witchcraft at Ghatotkacha's ashram, with Chadalavada and Nalla Ramamurthy playing his apprentices Lambu and Jambu. Nagabhushanam played Satyaki. Valluri Balakrishna was cast as Sarathi, and appeared only in the Telugu version of the film.[11]

Filming

During rehearsals, K. V. Reddy timed his actors with a stopwatch, calculating the length of each scene (including songs) to determine the film's length.[11] D. S. Ambu Rao, Bartley's assistant, said that Mayabazar was shot according to the screenplay and Bartley's lighting.[26] The song "Lahiri Lahiri" was shot at Adyar River, Chennai.[27] Its outdoor filming lasted for 10 to 15 seconds. Bartley then created an illusion of moonlight, which according to Ambu Rao was a first for an Indian film.[26] Nageswara Rao was injured on the film's set, and action sequences featuring himself and Ranga Rao were shot only after his recovery, causing a three-month delay in the release of the film.[28] Ganesan volunteered to act as Nageswara Rao's body double in a scene where Abhimanyu would jump from a second-floor balcony.[29]

In addition to the principal technicians and actors, a crew of 400, including light men, carpenters, and painters, worked on Mayabazar during production.[11] For the Dvaraka set, 300 unique miniature houses were created in an approximately 50-by-60-foot (15 m × 18 m) electrified space at Vauhini Studios under the supervision of Madhavapeddi Gokhale and Kaladhar.[11][26] The desired effect in the "laddoo gobbling" shots of Ghatotkacha in the song "Vivaha Bhojanambu" took four days to film.[11][f] The entire song was filmed using stop motion animation.[31] In the scene where Ghatotkacha (disguised as Sasirekha) stamps Lakshmana Kumara's foot with his own, the expression is Savitri's; the stamping foot belongs to choreographer Pasumarthy Krishnamurthy, who pasted false hair on his foot to make it appear demonic.[11]

Music

Main article: Mayabazar: Music from the Motion Picture

After writing the music for four songs – "Srikarulu Devathalu", "Lahiri Lahiri", "Choopulu Kalasina Subhavela" and "Neekosame" – S. Rajeswara Rao left the project.[g] Following his departure, Ghantasala orchestrated and recorded Rajeswara Rao's compositions with N. C. Sen Gupta and A. Krishnamurthy, and composed the rest of the film's score.[1][11]

The soundtrack album has 12 songs with lyrics by Pingali Nagendrarao and Thanjai N. Ramaiah Dass for the Telugu and Tamil versions, respectively, and was mixed by A. Krishnan and Siva Ram. The album was engineered by N. C. Sen Gupta and orchestrated by A. Krishnamurthy.[1] P. Leela said in an interview that one of her songs took 28 takes to record, and her fifth song was finished by Ghantasala.[32] "Lahiri Lahiri" ("Aaga Inba Nilavinile" in Tamil) was based on the Mohanam raga.[33]

"Vivaha Bhojanambu" ("Kalyana Samayal Saadham" in Tamil) was heavily based on lyrics from Surabhi Nataka Samajam's 1950s plays, which were influenced by 1940s Janaki Sapadham harikatha records by B. Nagarajakumari.[34] Nagarajakumari was inspired by a song composed by Gali Penchala Narasimha Rao for Sasirekha Parinayam (1936), directed by P. V. Das. That song's melody was inspired by Charles Penrose's 1922 song "The Laughing Policeman", written by Penrose under the pseudonym of Charles Jolly.[34]

According to M. L. Narasimham of The Hindu, music "flowed at its mellifluous best" in Mayabazar. He added that Ghantasala "gave a new lease of life" to the song "Vivaha Bhojanambu", despite it being a borrowed tune.[11]

Release

The Telugu version of Mayabazar was released on 27 March 1957,[11] and the Tamil version two weeks later on 12 April.[35][36] Both versions have a film-reel length of 5,888 metres (19,318 ft).[1] A commercial success, Mayabazar had a theatrical run of 100 days in 24 theatres and went on to become a silver jubilee film.[11][h] After the film's release, 40,000 colour calendars of Rama Rao as Krishna were distributed to the public.[11] The Telugu version of Mayabazar was dubbed into Kannada with the same name in 1965; it remained the last Indian film to be dubbed into Kannada until the announcement of a dubbed version of Kochadaiiyaan (2014) after 50 years.[38]

Dasari Narayana Rao remade the film later with the same title.[39] Mayabazar was shown at the Public Gardens in Hyderabad on 7 April 2007 for the film's 50th anniversary,[40] at a celebration organised by the Andhra Pradesh Department of Culture, the Film, TV and Theatre Development Corporation and Kinnera Art Theatres.[41] Nageswara Rao and C. Narayana Reddy, who were associated with the film, were honoured on the occasion.[40] The former released a book written by Raavi Kondala Rao at Lalitha Kala Thoranam located in the Public Gardens. Kondala Rao novelised the film's script based on K. V. Reddy's screenplay.[42]

Critical reception

The film received positive reviews from critics, particularly for the work of its technical crew. In 2006, W. Chandrakanth of The Hindu wrote:

The greatness of the director lies here – he successfully reduces all characters to ordinary mortals displaying all the follies of human beings except Ghatothkacha or Krishna. And then he injects into the Yadava household a Telugu atmosphere, full with its simile, imagery, adage, sarcasm and wit. The result – a feast for the eyes and soul. That is Mayabazar for you.[14]

Vijaysree Venkatraman wrote for The Hindu in 2008 that the "special effects in this summer's Hollywood superhero movies were spectacular, but, for me, the mythological Maya Bazaar [sic] hasn't lost any of its magic", adding, "If watching the genial half-demon polish off a wedding feast single-handedly remains a treat, seeing the greedy duo from the groom's side get whacked alternately by the furniture and the wilful carpet has me in splits".[43] The Hindu film critic M. L. Narasimham wrote: "Though there were several movie versions in various Indian languages, the 1957 Vijaya Productions' Mayabazar is still considered the best for its all round excellence".[11] According to The Times of India, "With a powerful cast and a strong script, this movie is a stealer. Savitri, NTR [N. T. Rama Rao], ANR [Akkineni Nageswara Rao], SV Rangarao and not to mention Suryakantam add layers to their characters. Of course, the language and the dialogues, simply unbeatable. Some of the scenes are simply hilarious."[44]

In his 2013 book Bollywood Nation: India through Its Cinema, Vamsee Juluri wrote, "Maya Bazar's appeal is of course as much in its story as in its stars. But the performances and the beautiful songs and sets aside, the film also reveals an interesting feature of the Telugu mythological in its Golden Age—it is a story about something not very important from a doctrinal view of religion at all". Juluri also termed Ranga Rao's performance as "mighty and majestic".[45] In April 2013, News18 referred to Mayabazar as a "pioneer in every sense". They praised its cinematography and music, adding that Rama Rao "proved his calibre as a method actor".[5] In their 2015 book, Transcultural Negotiations of Gender: Studies in (Be)longing, Saugata Bhaduri and Indrani Mukherjee opined that Mayabazar "both breaks and perpetuates the stereotypes for masculine and feminine bhavas by making a single female actor Savitri perform both the set of emotions".[46]

Colourisation

 
A still from the song "Vivaha Bhojanambu" ("Kalyana Samayal Saadham" in Tamil) in the digitally-remastered, coloured version; Mohan said this song was one of the most challenging sequences, since he wanted the food to look more realistic after colourisation.

Vijaya Productions was not keen on selling just Mayabazar. The rates of all their other films put together worked out to just 10–15 per cent more than what I had to pay for Mayabazar. I purchased the entire lot.

 —C. Jagan Mohan of Goldstone Technologies[47]

Mayabazar was the first colourised Telugu film,[48] with its audio remastered from monaural to a DTS 5.1-channel system.[49] In late November 2007 a Hyderabad company, Goldstone Technologies, acquired world negative rights to 14 Telugu films produced by Vijaya Vauhini Studios, including that of Mayabazar, to digitally remaster them in colour.[11][50] C. Jagan Mohan of Goldstone Technologies' experience at All India Radio gave him the idea of converting the film's audio to DTS.[47] The audio was restored, sound effects remastered, distortion eliminated, and the volume of the vocals increased, and musicians re-recorded the film's background music on seven tracks instead of one.[47]

A team of 165 people worked for eight months; Mohan used 180,000 shades of colour to create a tone similar to human skin, and employed 16.7-million-shade colour technology.[47] Apart from colouring clothing and jewellery, Mohan said that the song "Vivaha Bhojanambu" and the wedding scene in the climax were the most challenging sequences, and that the food should look more realistic after colourisation. In the wedding scene, Mohan explained: "Each and every rose petal strewn on the pathway had to be coloured. Further, each frame in the climax has many actors. In technical parlance, we refer to a set of colours used for skin tone, clothes, jewelry and so on as different masks. If five or six masks were used on one character, the presence of many actors in a frame called for that much more work."[47] Three songs ("Bhali Bhali Deva", "Vinnavamma Yashodha" and "Choopulu Kalisina Subha Vela") and many poems were cut from the remastered colour version to maintain print quality.[49]

Re-release

With an estimated digitalisation budget of ₹7.5 crore (valued at about US$1.7 million in 2010),[i] Mayabazar was released in colour on 30 January 2010 in 45 Andhra Pradesh theatres.[52][53] The colourised version was distributed by R. B. Choudary under his production banner, Super Good Films.[52] Nageswara Rao, Gummadi Venkateswara Rao, Mikkilineni Radhakrishna Murthy and Sita were the only cast members still alive for the release of the digitally remastered version.[21] The colour version received positive reviews and was commercially successful.[53] M. L. Narasimham of The Hindu called the new version "laudable, but the soul was missing", adding, "Get a DVD of the original (Black & White) movie, watch it and you will agree with ANR [Akkineni Nageswara Rao] who while talking about Mayabazar once exclaimed, 'What a picture it was!'".[11]

According to a 29 January 2010 government order, the remastered version was exempted from entertainment tax, although theatre owners charged full price because they and other film producers were uncertain of the order's validity.[54] Despite Mayabazar's success, Mohan decided not to remaster the remaining 14 films; according to him, most producers who sold negative rights to TV channels lost control of them, and he cited legal and copyright issues.[55]

The Film Heritage Foundation announced in March 2015 that they would be restoring Mayabazar, along with a few other Indian films from 1931 to 1965, as a part of their restoration projects carried out in India and abroad in accordance with international parameters. The foundation opposed digital colourisation, stating that they "believe in the original repair as the way the master or the creator had seen it".[56]

Legacy

 
Mayabazar's success made N. T. Rama Rao (statue pictured) reprise the role of Krishna in many Telugu films.

Mayabazar is considered a classic of Telugu cinema, particularly in its use of technology.[57] The film is memorable for Nagendra Rao's dialogue: "Evaru puttinchakunte maatalela pudathayi" ("How would words emerge if no one invented them?") and "Subhadra, aagadalu, aghaaityalu naaku paniki raavu" ("Subhadra, these atrocities mean nothing to me."). Various words and phrases, such as "antha alamalame kada" ("Is everything fine?"), "Asamadiyulu" ("Friends"), "Tasamadiyulu" ("Enemies"), "Gilpam" and "Gimbali" ("bed-" and "room-mat"), later became part of Telugu vernacular.[14] The success of Donga Ramudu (1955) and Mayabazar prompted K. V. Reddy to produce the 1958 Telugu film Pellinaati Pramanalu (Vazhkai Oppantham in Tamil). It recovered its investment and won the silver medal at the annual National Film Awards.[58]

A 1987 Telugu film directed by Jandhyala and a 2011 Telugu film directed by Veerabhadram Chowdary were named after the song "Aha Naa Pellanta" from the film; both were successful.[59] Jandhyala named his 1988 Telugu films Vivaha Bhojanambu and Choopulu Kalasina Subhavela after the songs of the same name.[60] Telugu comedian Mallikarjuna Rao considered Mayabazar to be the "greatest comedy film ever", adding that it represents "one of the most transcendental and joyful experiences any movie-lover can hope for".[61] Telugu director Mohan Krishna Indraganti named his second film Mayabazar (2006, also a fantasy film). Regarding his title, Indraganti said he was a fan of Mayabazar and named his film (produced by B. Satyanarayana) at the insistence of writer D. V. Narasaraju.[62]

In January 2007, M. L. Narasimham of The Hindu listed Mayabazar with Mala Pilla (1938), Raithu Bidda (1939), Vara Vikrayam (1939), Bhakta Potana (1942), Shavukaru (1950), Malliswari (1951) Peddamanushulu (1954) and Lava Kusa (1963) as films that have influenced society and Telugu cinema.[63] Rama Rao reprised the role of Krishna in several films over a two-decade career.[64][a]

Singeetam Srinivasa Rao used Mayabazar's storyline in his 2008 multilingual animation film Ghatothkach.[68] Director Krishna Vamsi called Mayabazar more an "epic, than a mere classic" and said that the film's tagline, "Sasirekha Parinayam", inspired the title of his 2009 Telugu film.[69] In February 2010, acting coach and director L. Satyanand compared Mayabazar to films such as The Ten Commandments (1956), Ben-Hur (1959), Sholay (1975) and Avatar (2009), saying that they "are evergreen and never fade away from the mind", with continued appeal.[70] Satyanand praised Bartley's cinematography, saying that the film

... was definitely ahead of its time. It is still a mystery how Marcus Bartley could morph Sasirekha through the ripples in the pond. It was an absolute masterpiece, considering the equipment in use, those days. In the absence of hi-def cameras, computer generated visual effects and high-end computers, the direction, cinematography and visual effects were efforts of sheer human genius.[70]

In the period drama Rajanna (2011), the central character Mallamma (played by Baby Annie) listens to Mayabazar's songs. Although this was criticised as anachronistic, director V. Vijayendra Prasad said that Rajanna was set in 1958, a year after Mayabazar's release.[71] In Ram Gopal Varma's Katha Screenplay Darsakatvam Appalaraju (2011), its protagonist Appalaraju (played by Sunil), an aspiring director, is shown enjoying a sequence from the song "Lahiri Lahiri" in the song "Mayabazaaru".[72] In her article "The making of Tollywood", commemorating the 81st anniversary of the Indian Telugu film industry, Sunita Raghu of The New Indian Express called Mayabazar the "tour de force" of Telugu cinema.[73] In November 2012, The Times of India listed Mayabazar along with other unrelated films such as Missamma (1955), Gundamma Katha (1962), Nartanasala (1963), and Bommarillu (2006) in the list "Telugu classics to watch along with family this Deepavali".[44] On the centenary of Indian cinema in 2013, CNN-IBN included Mayabazar in its list of "100 greatest Indian films of all time".[5] In an online poll conducted among the aforementioned 100 films, Mayabazar was voted by the public as the "greatest Indian film ever."[6] In commemoration of the centennial of Indian cinema, The Hindu listed Mayabazar along with Pathala Bhairavi (1951), Missamma, Gundamma Katha, Maduve Madi Nodu (1965), Ram Aur Shyam (1967), Julie (1975), and Shriman Shrimati (1982) as the iconic films produced by Nagi Reddy.[74]

I was 7-8 years old when I first saw it [Mayabazaar] as a kid, I loved it immensely. Later, when I came to the film industry, I kept thinking about how KV Reddy and his team made the film back in those days. I was mesmerised by the visual effects in that film. Later, while making Yamadonga, my VFX supervisor and I spent two days just to figure out how KV Reddy had pulled off such amazing special effects back then. The more I explored the world of Mayabazaar, my respect for KV Reddy kept growing.

 — S. S. Rajamouli about Mayabazar.[75]

News18 included Mayabazar on its February 2014 list of "12 Indian films that would make great books",[76] and in May 2014 Rediff included the film on its list of "The Best Mythological Films of Tamil Cinema".[77] The Tamil film Kalyana Samayal Saadham (2013) was named after the song of the same name.[78] The Andhra Pradesh state government planned to introduce the film as part of the tenth standard English syllabus in 2014. The fourth unit of the English textbook, "Films and Theatres", mentions Mayabazar and its actors and has two stills from the film.[79] In March 2012, film historian Mohan Raman stated in an interview with The Times of India that Mayabazar, which "perfected the art of trick photography", was "among the significant black and white films of yore", along with Andha Naal (1954) and Uthama Puthiran (1940).[80]

The scene in which Krishna reveals his identity to Ghatotkacha at Dvaraka was used in Gopala Gopala (2015), with Pawan Kalyan as Krishna.[81] References were made to Shakuni's character in the film Pataas (2015) starring Rama Rao's grandson Nandamuri Kalyan Ram.[82] Director S. S. Rajamouli told film critic Subhash K. Jha that K. V. Reddy's work in Mayabazar was a "huge inspiration" for him to make Baahubali: The Beginning (2015) and Baahubali: The Conclusion.[83] Writing for DailyO, an online opinion platform from the India Today Group, actor Rana Daggubati opined that films like Mayabazar were "truly cutting edge" and added, "Considering the technological limitations technicians were working with back then, these were phenomenally commendable instances of the Indian cinema".[84] In an interview with The Hindu in November 2015, actor Kamal Haasan noted, "Visual appeal has always gone hand-in-hand with content, since the days of Chandralekha and Maya Bazaar [sic], not just after Baahubali."[85] A 90-minute theatrical adaptation of the film was staged in December 2016 by Bangalore Little Theatre.[86]

Notes

  1. ^ a b Rama Rao reprised the role of Krishna in the Tamil film Karnan (1964),[65] and various unrelated Telugu films such as Vinayaka Chaviti (1957), Sati Anasuya (1957), Deepavali (1960), Sri Krishnarjuna Yuddham (1962), Sri Krishna Pandaveeyam (1966), Sri Krishna Tulabharam (1966), Sri Krishnavataram (1967), Sri Krishna Vijayam (1971), Sri Krishna Satya (1972), Sri Krishnanjaneya Yuddham (1972) and Daana Veera Soora Karna (1977).[64][66][67]
  2. ^ The Pandavas are a group of five brothers named Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva. They are the protagonists in the epic Mahabharata.[7]
  3. ^ The Kaurava are a group of hundred brothers, and are the cousins of the Pandavas. They are the antagonists in the epic Mahabharata.[8]
  4. ^ Yudhishthira staked his brothers, himself, and his wife Draupadi after staking his material wealth.[9]
  5. ^ Other alternative titles for the film included Surekhaapaharan, Veera Ghatotkacha and Vastala Kalyanam.[10]
  6. ^ Laddu, alternatively spelt as Laddoo, is a ball-shaped confection made of flour, ghee and jaggery/sugar. It is typically found on the Indian subcontinent.[30]
  7. ^ M. L. Narasimham does not mention why S. Rajeswara Rao opted out of the project.[11]
  8. ^ A Silver Jubilee film is one that completes a theatrical run of 175 days (25 weeks).[37]
  9. ^ The exchange rate in 2010 was 45.09 Indian rupees (₹) per 1 US dollar (US$).[51]

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Bibliography

External links

January 20, 2023
mayabazar, other, uses, disambiguation, transl, market, illusions, 1957, indian, epic, hindu, mythological, film, directed, reddy, produced, nagi, reddi, chakrapani, under, their, banner, vijaya, productions, film, shot, simultaneously, telugu, tamil, with, di. For other uses see Mayabazar disambiguation Mayabazar transl Market of Illusions 3 is a 1957 Indian epic Hindu mythological film 4 directed by K V Reddy It was produced by Nagi Reddi and Chakrapani under their banner Vijaya Productions The film was shot simultaneously in Telugu and Tamil with a few differences in the cast The story is an adaptation of the folk tale Sasirekha Parinayam which is based on the characters of the epic Mahabharata It revolves around the roles of Krishna N T Rama Rao and Ghatotkacha S V Ranga Rao as they try to reunite Arjuna s son Abhimanyu Telugu Akkineni Nageswara Rao Tamil Gemini Ganesan with his love Balarama s daughter Savitri The Telugu version features Gummadi Mukkamala Ramana Reddy and Relangi in supporting roles with D Balasubramaniam R Balasubramaniam V M Ezhumalai and K A Thangavelu playing those parts in the Tamil version MayabazarTheatrical release poster of the Telugu versionDirected byK V ReddyScreenplay byK V ReddyStory byPingali Nagendra RaoDialogue byPingali Nagendra RaoBased onSasirekha ParinayamProduced byNagi ReddiChakrapaniStarringN T Rama RaoAkkineni Nageswara Rao Telugu Gemini Ganesan Tamil SavitriS V Ranga RaoCinematographyMarcus BartleyEdited byC P JambulingamG KalyanasundaramMusic byGhantasalaProductioncompanyVijaya ProductionsRelease date27 March 1957 1957 03 27 Running time184 minutes Telugu 1 174 minutes Tamil 2 CountryIndiaLanguagesTeluguTamilThe first mythological film produced by their studio Mayabazar marked a milestone for Nagi Reddi and Chakrapani In addition to the technical crew 400 studio workers including light men carpenters and painters participated in the development of the film Director Reddy was meticulous with the pre production and casting phases which took nearly a year to complete Though Rama Rao was initially reluctant to play the lead role his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films a The soundtrack features twelve songs with most of the musical score composed by Ghantasala Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N Ramaiah Dass One of those songs Lahiri Lahiri was accompanied by the first illusion of moonlight in Indian cinema shot by cinematographer Marcus Bartley Mayabazar s Telugu version was released on 27 March 1957 the Tamil version was released two weeks later on 12 April Both were critically and commercially successful with a theatrical run of 100 days in 24 theatres and it became a silver jubilee film The Telugu version of Mayabazar was also dubbed into Kannada The film is considered a landmark in both Telugu and Tamil cinema with praise for its cast and technical aspects despite the limitations of technology at the time On the centenary of Indian cinema in 2013 CNN IBN included Mayabazar in its list of 100 greatest Indian films of all time 5 In an online poll conducted by CNN IBN among those 100 films Mayabazar was voted by the public as the greatest Indian film of all time 6 Mayabazar became the first Telugu film to be digitally remastered and colourised at an estimated cost of 7 5 crore valued at about US 1 7 million in 2010 after Hyderabad based company Goldstone Technologies acquired world negative rights to fourteen films including that of Mayabazar in late November 2007 The updated version was released on 30 January 2010 in 45 theatres in Andhra Pradesh It was a commercial success that generated mostly positive reviews with one critic expressing a preference for the original Contents 1 Plot 2 Cast 3 Production 3 1 Development 3 2 Casting 3 3 Filming 4 Music 5 Release 6 Critical reception 7 Colourisation 8 Re release 9 Legacy 10 Notes 11 References 12 Bibliography 13 External linksPlot EditThis plot summary refers to the Telugu version of the film Subhadra the sister of Balarama and Krishna marries a Pandava b named Arjuna Their son Abhimanyu falls in love with Balarama s daughter Sasirekha The families consent to their marrying when they reach adulthood When Abhimanyu and Sasirekha have grown up Krishna introduces them to each other One day the Pandavas are invited by Duryodhana the eldest of the Kauravas c to join in a game of dice Duryodhana s uncle Shakuni manipulates the results of the game thereby costing the Pandavas their wealth their liberty and their wife Draupadi d Duryodhana s brother Dushasana attempts to disrobe Draupadi He is seen by Krishna who furious comes to her rescue On hearing what happened to the Pandavas Balarama decides to teach the Kauravas a lesson and travels to their capital Hastinapuram Shakuni and Duryodhana approach Balarama in an insincere respectful manner then seek his approval of a marriage between Sasirekha and Duryodhana s son Lakshmana Kumara Their true goal is to force Balarama and Krishna to support them if the Pandavas wage war Unaware of their real intentions Balarama agrees to the marriage Because of the Pandavas ruined financial state Balarama s wife Revati refuses to honor her commitment to marry Sasirekha and Abhimanyu and expresses her support for the alliance with the Kauravas Krishna who is aware of Duryodhana and Shakuni s real intentions orders his charioteer Daaruka to take Subhadra and Abhimanyu through the forests to Ghatotkacha s hermitage Ghatotkacha who happens to be Abhimanyu s cousin at first thinks they are intruders in his forest and attacks them but later apologizes for the misunderstanding When Subhadra explains the change in the marriage arrangements Ghatotkacha decides to wage war against both the Kauravas and Balarama At the urging of his mother Hidimbi and Subhadra Ghatotkacha abandons his plans and is advised instead to try some trickery in Dvaraka With the knowledge of Krishna and Sasirekha s servant he carries the sleeping Sasirekha in her bed from Dwaraka and flies to his hermitage Assuming Sasirekha s form he returns to Dvaraka and with the help of his assistants Chinnamaya Lambu and Jambu wreaks havoc on her wedding to Lakshmana Kumara preventing the marriage from being carried out With the help of Chinnamaya Lambu and Jambu Ghatotkacha creates a magical town consisting of an illusory marketplace and palace He names the town Mayabazar and invites the Kauravas to stay there Chinnamaya Lambu and Jambu introduce themselves to the Kauravas as servants appointed by Balarama to look after them They manage to trick Sarma and Sastry Shakuni s lackeys Ghatotkacha in Sasirekha s form makes Duryodhana s wife rethink the marriage arrangement and teases Lakshmana Kumara He plans the wedding of the real Sasirekha and Abhimanyu in his hermitage which is attended by Krishna Using his divine powers Krishna also attends as a guest for the marriage taking place in the Mayabazar On the wedding day Ghatotkacha appears before Lakshmana Kumara as Sasirekha in disguise and the fake Sasirekha keeps on scaring Lakshmana Kumara during the wedding While at the hermitage the real Sasirekha marries Abhimanyu When Shakuni discovers what has happened he blames Krishna Satyaki Arjuna s disciple asks Shakuni to speak while standing on a magical box He proceeds to stand on the box which makes him involuntarily explain the Kauravas real intentions behind the marriage proposal Ghatotkacha then reveals his identity After humiliating the Kauravas Ghatotkacha sends them back to Hastinapuram Sasirekha s parents accept her marriage They thank Ghatotkacha who credits Krishna as the mastermind behind everything including Abhimanyu and Sasirekha s marriage Ghatotkacha sings in praises of Krishna and Krishna pleased by his singing comes to his real form of Vishnu Everyone folds their hands in prayer Cast EditCast for both Telugu and Tamil versionsN T Rama Rao as Krishna S V Ranga Rao as Ghatotkacha Savitri as Sasirekha Telugu and Vatsala Tamil Akkineni Nageswara Rao Telugu and Gemini Ganesan Tamil as Abhimanyu Gummadi Telugu and D Balasubramaniam Tamil as Balarama Mukkamala Telugu and R Balasubramaniam Tamil as Duryodhana C S R Anjaneyulu Telugu and M N Nambiar Tamil as Shakuni Relangi Telugu and K A Thangavelu Tamil as Lakshmana Kumara Rushyendramani as Subhadra Sandhya Rani as Rukmini Nagabhushanam as Satyaki Mikkilineni Telugu and V K Srinivasan Tamil as Karna Chhaya Devi Telugu and Lakshmi Prabha Tamil as Revati R Nageswara Rao Telugu and E R Sahadevan Tamil as Dushasana Suryakantham Telugu and C T Rajakantham Tamil as Hidimbi Ramana Reddy Telugu and V M Ezhumalai Tamil as Chinnamaya Chadalavada as Lambu Nalla Ramamurthy as Jambu Allu Ramalingaiah as Sarma Vangara as Sastry Madhavapeddi Satyam as Daaruka Valluri Balakrishna as Sarathi Telugu Kanchi Narasimha Rao as an old man Krishna in disguise Boddapati as Sankuteerthulu Baby Saraswati as young Sasirekha Telugu Vatsala Tamil Master Anand as young Abhimanyu Rajani as Bhanumati Master Babji as young Krishna in a play Kakinada Rajaratnam as Yashoda in a play Guru Gopinath as Bhasmasura in Mohini Bhasmasura dance drama Mukku Raju as Vishnu in Mohini Bhasmasura dance dramaProduction Edit A production still of Mayabazar Development Edit After the success of Pathala Bhairavi 1951 the production company Vijaya Productions selected the film s technical crew for an adaptation of Sasirekha Parinayam 1936 also known as Mayabazar The eighth adaptation of the folk tale Sasirekha Parinayam 10 e it was the studio s first mythological film 11 K V Reddy wrote and directed Mayabazar assisted by Singeetam Srinivasa Rao 12 and it was produced by Nagi Reddi and Chakrapani of Vijaya Productions Nearly a year was spent on pre production and casting 11 Pingali Nagendrarao assisted with the story script and lyrics 13 Ghantasala composed the film s score and Marcus Bartley was the cinematographer 14 Mayabazar was edited by C P Jambulingam and G Kalyanasundaram Madhavapeddi Gokhale and Kaladhar were the film s art directors 1 Casting Edit The film was produced in Telugu and Tamil versions with a slightly different cast for each Gemini Ganesan appeared as Abhimanyu in the Tamil version which was portrayed by Akkineni Nageswara Rao in Telugu Savitri was retained as the female lead in Tamil also where her character was named Vatsala instead of Sasirekha 15 Sachu played the younger version of the character in Tamil 16 N T Rama Rao hesitant to play Krishna after a negative response to his cameo appearance in Sonta Ooru 1956 agreed at K V Reddy s insistence and special care was taken with his costume and body language 11 17 Mayabazar was the first of Rama Rao s many appearances as Krishna 18 According to Rama Rao s widow Lakshmi Parvathi Nagi Reddy and Chakrapani had initially rejected K V Reddy s proposal to cast Rama Rao as Krishna but he persuaded them into believing that Rama Rao was good for the role 19 As Rama Rao had a broad chest K V Reddy suggested a slight narrowing to look apt as Krishna In addition to following other suggestions by K V Reddy Rama Rao read the Mahabharata the Bhagavata and other puranas to understand Krishna s character and present it properly 19 S V Ranga Rao described by Nageswara Rao as the film s male lead in interviews played the character of Ghatotkacha 20 In the Telugu version Gummadi and Mikkilineni were cast as Balarama and Karna respectively whilst Sita had a supporting role as Sasirekha s maid 21 Relangi portrayed Lakshmana Kumara Duryodhana s son his popularity inspired a song with him and Savitri 22 Allu Rama Lingaiah and Vangara Venkata Subbaiah enacted the parts of Shakuni s lackeys Sarma and Sastry 23 24 Kanchi Narasimha Rao played Krishna disguised as an old man who stops Ghatotkacha when he enters Dwaraka 25 The playback singer Madhavapeddi Satyam made a cameo appearance as Daaruka singing Bhali Bhali Bhali Deva Ramana Reddy portrayed Chinnamayya a tantrik who teaches witchcraft at Ghatotkacha s ashram with Chadalavada and Nalla Ramamurthy playing his apprentices Lambu and Jambu Nagabhushanam played Satyaki Valluri Balakrishna was cast as Sarathi and appeared only in the Telugu version of the film 11 Filming Edit During rehearsals K V Reddy timed his actors with a stopwatch calculating the length of each scene including songs to determine the film s length 11 D S Ambu Rao Bartley s assistant said that Mayabazar was shot according to the screenplay and Bartley s lighting 26 The song Lahiri Lahiri was shot at Adyar River Chennai 27 Its outdoor filming lasted for 10 to 15 seconds Bartley then created an illusion of moonlight which according to Ambu Rao was a first for an Indian film 26 Nageswara Rao was injured on the film s set and action sequences featuring himself and Ranga Rao were shot only after his recovery causing a three month delay in the release of the film 28 Ganesan volunteered to act as Nageswara Rao s body double in a scene where Abhimanyu would jump from a second floor balcony 29 In addition to the principal technicians and actors a crew of 400 including light men carpenters and painters worked on Mayabazar during production 11 For the Dvaraka set 300 unique miniature houses were created in an approximately 50 by 60 foot 15 m 18 m electrified space at Vauhini Studios under the supervision of Madhavapeddi Gokhale and Kaladhar 11 26 The desired effect in the laddoo gobbling shots of Ghatotkacha in the song Vivaha Bhojanambu took four days to film 11 f The entire song was filmed using stop motion animation 31 In the scene where Ghatotkacha disguised as Sasirekha stamps Lakshmana Kumara s foot with his own the expression is Savitri s the stamping foot belongs to choreographer Pasumarthy Krishnamurthy who pasted false hair on his foot to make it appear demonic 11 Music EditMain article Mayabazar Music from the Motion Picture After writing the music for four songs Srikarulu Devathalu Lahiri Lahiri Choopulu Kalasina Subhavela and Neekosame S Rajeswara Rao left the project g Following his departure Ghantasala orchestrated and recorded Rajeswara Rao s compositions with N C Sen Gupta and A Krishnamurthy and composed the rest of the film s score 1 11 The soundtrack album has 12 songs with lyrics by Pingali Nagendrarao and Thanjai N Ramaiah Dass for the Telugu and Tamil versions respectively and was mixed by A Krishnan and Siva Ram The album was engineered by N C Sen Gupta and orchestrated by A Krishnamurthy 1 P Leela said in an interview that one of her songs took 28 takes to record and her fifth song was finished by Ghantasala 32 Lahiri Lahiri Aaga Inba Nilavinile in Tamil was based on the Mohanam raga 33 Vivaha Bhojanambu Kalyana Samayal Saadham in Tamil was heavily based on lyrics from Surabhi Nataka Samajam s 1950s plays which were influenced by 1940s Janaki Sapadham harikatha records by B Nagarajakumari 34 Nagarajakumari was inspired by a song composed by Gali Penchala Narasimha Rao for Sasirekha Parinayam 1936 directed by P V Das That song s melody was inspired by Charles Penrose s 1922 song The Laughing Policeman written by Penrose under the pseudonym of Charles Jolly 34 According to M L Narasimham of The Hindu music flowed at its mellifluous best in Mayabazar He added that Ghantasala gave a new lease of life to the song Vivaha Bhojanambu despite it being a borrowed tune 11 Release EditThe Telugu version of Mayabazar was released on 27 March 1957 11 and the Tamil version two weeks later on 12 April 35 36 Both versions have a film reel length of 5 888 metres 19 318 ft 1 A commercial success Mayabazar had a theatrical run of 100 days in 24 theatres and went on to become a silver jubilee film 11 h After the film s release 40 000 colour calendars of Rama Rao as Krishna were distributed to the public 11 The Telugu version of Mayabazar was dubbed into Kannada with the same name in 1965 it remained the last Indian film to be dubbed into Kannada until the announcement of a dubbed version of Kochadaiiyaan 2014 after 50 years 38 Dasari Narayana Rao remade the film later with the same title 39 Mayabazar was shown at the Public Gardens in Hyderabad on 7 April 2007 for the film s 50th anniversary 40 at a celebration organised by the Andhra Pradesh Department of Culture the Film TV and Theatre Development Corporation and Kinnera Art Theatres 41 Nageswara Rao and C Narayana Reddy who were associated with the film were honoured on the occasion 40 The former released a book written by Raavi Kondala Rao at Lalitha Kala Thoranam located in the Public Gardens Kondala Rao novelised the film s script based on K V Reddy s screenplay 42 Critical reception EditThe film received positive reviews from critics particularly for the work of its technical crew In 2006 W Chandrakanth of The Hindu wrote The greatness of the director lies here he successfully reduces all characters to ordinary mortals displaying all the follies of human beings except Ghatothkacha or Krishna And then he injects into the Yadava household a Telugu atmosphere full with its simile imagery adage sarcasm and wit The result a feast for the eyes and soul That is Mayabazar for you 14 Vijaysree Venkatraman wrote for The Hindu in 2008 that the special effects in this summer s Hollywood superhero movies were spectacular but for me the mythological Maya Bazaar sic hasn t lost any of its magic adding If watching the genial half demon polish off a wedding feast single handedly remains a treat seeing the greedy duo from the groom s side get whacked alternately by the furniture and the wilful carpet has me in splits 43 The Hindu film critic M L Narasimham wrote Though there were several movie versions in various Indian languages the 1957 Vijaya Productions Mayabazar is still considered the best for its all round excellence 11 According to The Times of India With a powerful cast and a strong script this movie is a stealer Savitri NTR N T Rama Rao ANR Akkineni Nageswara Rao SV Rangarao and not to mention Suryakantam add layers to their characters Of course the language and the dialogues simply unbeatable Some of the scenes are simply hilarious 44 In his 2013 book Bollywood Nation India through Its Cinema Vamsee Juluri wrote Maya Bazar s appeal is of course as much in its story as in its stars But the performances and the beautiful songs and sets aside the film also reveals an interesting feature of the Telugu mythological in its Golden Age it is a story about something not very important from a doctrinal view of religion at all Juluri also termed Ranga Rao s performance as mighty and majestic 45 In April 2013 News18 referred to Mayabazar as a pioneer in every sense They praised its cinematography and music adding that Rama Rao proved his calibre as a method actor 5 In their 2015 book Transcultural Negotiations of Gender Studies in Be longing Saugata Bhaduri and Indrani Mukherjee opined that Mayabazar both breaks and perpetuates the stereotypes for masculine and feminine bhavas by making a single female actor Savitri perform both the set of emotions 46 Colourisation Edit A still from the song Vivaha Bhojanambu Kalyana Samayal Saadham in Tamil in the digitally remastered coloured version Mohan said this song was one of the most challenging sequences since he wanted the food to look more realistic after colourisation Vijaya Productions was not keen on selling just Mayabazar The rates of all their other films put together worked out to just 10 15 per cent more than what I had to pay for Mayabazar I purchased the entire lot C Jagan Mohan of Goldstone Technologies 47 Mayabazar was the first colourised Telugu film 48 with its audio remastered from monaural to a DTS 5 1 channel system 49 In late November 2007 a Hyderabad company Goldstone Technologies acquired world negative rights to 14 Telugu films produced by Vijaya Vauhini Studios including that of Mayabazar to digitally remaster them in colour 11 50 C Jagan Mohan of Goldstone Technologies experience at All India Radio gave him the idea of converting the film s audio to DTS 47 The audio was restored sound effects remastered distortion eliminated and the volume of the vocals increased and musicians re recorded the film s background music on seven tracks instead of one 47 A team of 165 people worked for eight months Mohan used 180 000 shades of colour to create a tone similar to human skin and employed 16 7 million shade colour technology 47 Apart from colouring clothing and jewellery Mohan said that the song Vivaha Bhojanambu and the wedding scene in the climax were the most challenging sequences and that the food should look more realistic after colourisation In the wedding scene Mohan explained Each and every rose petal strewn on the pathway had to be coloured Further each frame in the climax has many actors In technical parlance we refer to a set of colours used for skin tone clothes jewelry and so on as different masks If five or six masks were used on one character the presence of many actors in a frame called for that much more work 47 Three songs Bhali Bhali Deva Vinnavamma Yashodha and Choopulu Kalisina Subha Vela and many poems were cut from the remastered colour version to maintain print quality 49 Re release EditWith an estimated digitalisation budget of 7 5 crore valued at about US 1 7 million in 2010 i Mayabazar was released in colour on 30 January 2010 in 45 Andhra Pradesh theatres 52 53 The colourised version was distributed by R B Choudary under his production banner Super Good Films 52 Nageswara Rao Gummadi Venkateswara Rao Mikkilineni Radhakrishna Murthy and Sita were the only cast members still alive for the release of the digitally remastered version 21 The colour version received positive reviews and was commercially successful 53 M L Narasimham of The Hindu called the new version laudable but the soul was missing adding Get a DVD of the original Black amp White movie watch it and you will agree with ANR Akkineni Nageswara Rao who while talking about Mayabazar once exclaimed What a picture it was 11 According to a 29 January 2010 government order the remastered version was exempted from entertainment tax although theatre owners charged full price because they and other film producers were uncertain of the order s validity 54 Despite Mayabazar s success Mohan decided not to remaster the remaining 14 films according to him most producers who sold negative rights to TV channels lost control of them and he cited legal and copyright issues 55 The Film Heritage Foundation announced in March 2015 that they would be restoring Mayabazar along with a few other Indian films from 1931 to 1965 as a part of their restoration projects carried out in India and abroad in accordance with international parameters The foundation opposed digital colourisation stating that they believe in the original repair as the way the master or the creator had seen it 56 Legacy Edit Mayabazar s success made N T Rama Rao statue pictured reprise the role of Krishna in many Telugu films Mayabazar is considered a classic of Telugu cinema particularly in its use of technology 57 The film is memorable for Nagendra Rao s dialogue Evaru puttinchakunte maatalela pudathayi How would words emerge if no one invented them and Subhadra aagadalu aghaaityalu naaku paniki raavu Subhadra these atrocities mean nothing to me Various words and phrases such as antha alamalame kada Is everything fine Asamadiyulu Friends Tasamadiyulu Enemies Gilpam and Gimbali bed and room mat later became part of Telugu vernacular 14 The success of Donga Ramudu 1955 and Mayabazar prompted K V Reddy to produce the 1958 Telugu film Pellinaati Pramanalu Vazhkai Oppantham in Tamil It recovered its investment and won the silver medal at the annual National Film Awards 58 A 1987 Telugu film directed by Jandhyala and a 2011 Telugu film directed by Veerabhadram Chowdary were named after the song Aha Naa Pellanta from the film both were successful 59 Jandhyala named his 1988 Telugu films Vivaha Bhojanambu and Choopulu Kalasina Subhavela after the songs of the same name 60 Telugu comedian Mallikarjuna Rao considered Mayabazar to be the greatest comedy film ever adding that it represents one of the most transcendental and joyful experiences any movie lover can hope for 61 Telugu director Mohan Krishna Indraganti named his second film Mayabazar 2006 also a fantasy film Regarding his title Indraganti said he was a fan of Mayabazar and named his film produced by B Satyanarayana at the insistence of writer D V Narasaraju 62 In January 2007 M L Narasimham of The Hindu listed Mayabazar with Mala Pilla 1938 Raithu Bidda 1939 Vara Vikrayam 1939 Bhakta Potana 1942 Shavukaru 1950 Malliswari 1951 Peddamanushulu 1954 and Lava Kusa 1963 as films that have influenced society and Telugu cinema 63 Rama Rao reprised the role of Krishna in several films over a two decade career 64 a Singeetam Srinivasa Rao used Mayabazar s storyline in his 2008 multilingual animation film Ghatothkach 68 Director Krishna Vamsi called Mayabazar more an epic than a mere classic and said that the film s tagline Sasirekha Parinayam inspired the title of his 2009 Telugu film 69 In February 2010 acting coach and director L Satyanand compared Mayabazar to films such as The Ten Commandments 1956 Ben Hur 1959 Sholay 1975 and Avatar 2009 saying that they are evergreen and never fade away from the mind with continued appeal 70 Satyanand praised Bartley s cinematography saying that the film was definitely ahead of its time It is still a mystery how Marcus Bartley could morph Sasirekha through the ripples in the pond It was an absolute masterpiece considering the equipment in use those days In the absence of hi def cameras computer generated visual effects and high end computers the direction cinematography and visual effects were efforts of sheer human genius 70 In the period drama Rajanna 2011 the central character Mallamma played by Baby Annie listens to Mayabazar s songs Although this was criticised as anachronistic director V Vijayendra Prasad said that Rajanna was set in 1958 a year after Mayabazar s release 71 In Ram Gopal Varma s Katha Screenplay Darsakatvam Appalaraju 2011 its protagonist Appalaraju played by Sunil an aspiring director is shown enjoying a sequence from the song Lahiri Lahiri in the song Mayabazaaru 72 In her article The making of Tollywood commemorating the 81st anniversary of the Indian Telugu film industry Sunita Raghu of The New Indian Express called Mayabazar the tour de force of Telugu cinema 73 In November 2012 The Times of India listed Mayabazar along with other unrelated films such as Missamma 1955 Gundamma Katha 1962 Nartanasala 1963 and Bommarillu 2006 in the list Telugu classics to watch along with family this Deepavali 44 On the centenary of Indian cinema in 2013 CNN IBN included Mayabazar in its list of 100 greatest Indian films of all time 5 In an online poll conducted among the aforementioned 100 films Mayabazar was voted by the public as the greatest Indian film ever 6 In commemoration of the centennial of Indian cinema The Hindu listed Mayabazar along with Pathala Bhairavi 1951 Missamma Gundamma Katha Maduve Madi Nodu 1965 Ram Aur Shyam 1967 Julie 1975 and Shriman Shrimati 1982 as the iconic films produced by Nagi Reddy 74 I was 7 8 years old when I first saw it Mayabazaar as a kid I loved it immensely Later when I came to the film industry I kept thinking about how KV Reddy and his team made the film back in those days I was mesmerised by the visual effects in that film Later while making Yamadonga my VFX supervisor and I spent two days just to figure out how KV Reddy had pulled off such amazing special effects back then The more I explored the world of Mayabazaar my respect for KV Reddy kept growing S S Rajamouli about Mayabazar 75 News18 included Mayabazar on its February 2014 list of 12 Indian films that would make great books 76 and in May 2014 Rediff included the film on its list of The Best Mythological Films of Tamil Cinema 77 The Tamil film Kalyana Samayal Saadham 2013 was named after the song of the same name 78 The Andhra Pradesh state government planned to introduce the film as part of the tenth standard English syllabus in 2014 The fourth unit of the English textbook Films and Theatres mentions Mayabazar and its actors and has two stills from the film 79 In March 2012 film historian Mohan Raman stated in an interview with The Times of India that Mayabazar which perfected the art of trick photography was among the significant black and white films of yore along with Andha Naal 1954 and Uthama Puthiran 1940 80 The scene in which Krishna reveals his identity to Ghatotkacha at Dvaraka was used in Gopala Gopala 2015 with Pawan Kalyan as Krishna 81 References were made to Shakuni s character in the film Pataas 2015 starring Rama Rao s grandson Nandamuri Kalyan Ram 82 Director S S Rajamouli told film critic Subhash K Jha that K V Reddy s work in Mayabazar was a huge inspiration for him to make Baahubali The Beginning 2015 and Baahubali The Conclusion 83 Writing for DailyO an online opinion platform from the India Today Group actor Rana Daggubati opined that films like Mayabazar were truly cutting edge and added Considering the technological limitations technicians were working with back then these were phenomenally commendable instances of the Indian cinema 84 In an interview with The Hindu in November 2015 actor Kamal Haasan noted Visual appeal has always gone hand in hand with content since the days of Chandralekha and Maya Bazaar sic not just after Baahubali 85 A 90 minute theatrical adaptation of the film was staged in December 2016 by Bangalore Little Theatre 86 Notes Edit a b Rama Rao reprised the role of Krishna in the Tamil film Karnan 1964 65 and various unrelated Telugu films such as Vinayaka Chaviti 1957 Sati Anasuya 1957 Deepavali 1960 Sri Krishnarjuna Yuddham 1962 Sri Krishna Pandaveeyam 1966 Sri Krishna Tulabharam 1966 Sri Krishnavataram 1967 Sri Krishna Vijayam 1971 Sri Krishna Satya 1972 Sri Krishnanjaneya Yuddham 1972 and Daana Veera Soora Karna 1977 64 66 67 The Pandavas are a group of five brothers named Yudhishthira Bhima Arjuna Nakula and Sahadeva They are the protagonists in the epic Mahabharata 7 The Kaurava are a group of hundred brothers and are the cousins of the Pandavas They are the antagonists in the epic Mahabharata 8 Yudhishthira staked his brothers himself and his wife Draupadi after staking his material wealth 9 Other alternative titles for the film included Surekhaapaharan Veera Ghatotkacha and Vastala Kalyanam 10 Laddu alternatively spelt as Laddoo is a ball shaped confection made of flour ghee and jaggery sugar It is typically found on the Indian subcontinent 30 M L Narasimham does not mention why S Rajeswara Rao opted out of the project 11 A Silver Jubilee film is one that completes a theatrical run of 175 days 25 weeks 37 The exchange rate in 2010 was 45 09 Indian rupees per 1 US dollar US 51 References Edit a b c d e Mayabazar Telugu Motion picture India Shalimar Telugu amp Hindi Movies Mayabazar Tamil Motion picture India Modern Cinema Nag Kushali 23 May 2012 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Encyclopaedia of Indian Cinema eBook 2nd ed Hoboken New Jersey Routledge ISBN 978 1 57958 146 6 OCLC 884014660 Lyden John 2009 The Routledge Companion to Religion and Film London Routledge ISBN 978 0 415 60187 0 OCLC 237881008 External links EditMayabazar at IMDb Mayabazar at Rotten Tomatoes Retrieved from https en wikipedia org w index php title Mayabazar amp oldid 1130037991, wikipedia, wiki, book, books, library,

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