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Everywhere at the End of Time

December 31, 2022

Everywhere at the End of Time[a] is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. The albums were produced in Krakow and released over six-month periods to "give a sense of time passing", with abstract album covers by his friend Ivan Seal. The series drew comparisons to the works of composer William Basinski and electronic musician Burial, while the later stages were influenced by avant-gardist composer John Cage.

Everywhere at the End of Time
Cover art for Stage 1
Studio album series by
the Caretaker
Released
  • 22 September 2016 (2016-09-22) (Stage 1)
  • 6 April 2017 (Stage 2)
  • 28 September 2017 (Stage 3)
  • 5 April 2018 (Stage 4)
  • 20 September 2018 (Stage 5)
  • 14 March 2019 (Stage 6)
StudioKrakow, Poland
Genre
Length390:31
LabelHistory Always Favours the Winners
ProducerLeyland Kirby
The Caretaker chronology
Extra Patience (After Sebald)
(2012) 		Everywhere at the End of Time
(2016–2019) 		Everywhere, an Empty Bliss
(2019)

The series comprises six hours of music, portraying a range of emotions and characterised by noise throughout. Although the first three stages are similar to An Empty Bliss, the last three depart from Kirby's earlier ambient works. The albums reflect the patient's disorder and death, their feelings, and the phenomenon of terminal lucidity. To promote the series, anonymous visual artist Weirdcore created music videos for the first two stages. At first, concerned about whether the series would seem pretentious, Kirby thought of not creating Everywhere at all; he spent more time producing it than any of his other releases. The album covers received attention from a French art exhibition named after the Caretaker's Everywhere, an Empty Bliss (2019), a compilation of archived songs.

As each stage was released, the series received increasingly positive reviews from critics; its length and dementia-driven concept led many reviewers to feel emotional about the complete edition. Considered to be Kirby's magnum opus, Everywhere was one of the most praised music releases of the 2010s. Caregivers of people with dementia also praised the albums for increasing empathy for patients among younger listeners, although some medics felt the series was too linear. It became an Internet phenomenon in the early 2020s, emerging in TikTok videos as a listening challenge, being transformed into a mod for the video game Friday Night Funkin' (2020), and appearing in internet memes.

Background

 
Al Bowlly, a big band artist sampled on Everywhere at the End of Time

In 1999, English electronic musician Leyland Kirby adopted the pseudonym the Caretaker, whose work sampled big band records. Kirby drew influence from the haunted-ballroom scene of filmmaker Stanley Kubrick's work The Shining (1980), as heard on the debut release of the alias, Selected Memories from the Haunted Ballroom (1999).[1] His first records featured the ambient style that would be prominent in his last releases.[2] The project first explored memory loss in Theoretically Pure Anterograde Amnesia (2005), a three-hour-long album portraying the disease of the same name. By 2008, Persistent Repetition of Phrases saw the Caretaker alias gaining critical attention and a larger fanbase.[1]

In 2011, Kirby released An Empty Bliss Beyond This World, attaining acclaim for its exploration of Alzheimer's disease.[1] Although Kirby initially did not want to produce more music as the Caretaker, he said, "so many people liked An Empty Bliss. So I thought to myself, 'What can I do that's not just An Empty Bliss again?'" Kirby felt the only concept left to explore was the "stages of dementia".[2] It would be his final release as the Caretaker; Kirby said, "I just can't see where I can take it after this." Everywhere at the End of Time represents the "death" of the Caretaker alias itself,[1] with many samples from the pseudonym's earlier albums being used in it.[3]

Music and stages

"For to be capable of remembering this music as a real-time, living culture, you'd have to be in your nineties now. What Kirby presents here could be heard as the faint, faded memory-fragments of once-beloved tunes as they waver on in atrophying minds."[4]

— Simon Reynolds

The albums, which Kirby describes as exploring dementia's "advancement and totality", present poetic track titles and descriptions for each stage,[5][6] which represent a person with dementia and their feelings.[7][8][9] Ideas of deterioration, melancholy, confusion, and abstractness are present throughout;[10] according to writer Alexandra Weiss, Kirby's work "raises significant questions about Western attitudes toward death."[11] Tiny Mix Tapes suggested that, as the swan song of the Caretaker alias, Everywhere "threatens at every moment to give way to nothing."[12] The albums feature an avant-gardist, experimental concept,[13][14][15] with music magazine Fact noting a "hauntological link" between Everywhere's style and vaporwave's themes.[16] Author Sarah Nove praised Everywhere's lack of a physical form of aura, while Bandcamp Daily's Matt Mitchell wrote that the series ends in "ethereal catharsis".[17][18]

The series' exploration of decay drew comparisons to The Disintegration Loops (2002–2003) by musician William Basinski,[2][19] which, unlike Kirby's work, focuses on physical tape decay in coincidence with the September 11 attacks–not software-induced decay representative of a neurological disease.[10][20][21] Although positive of Basinski's works, Kirby said his own "aren't just loops breaking down. They're about why they're breaking down, and how."[2] The sound of Everywhere has also been compared to the style of electronic musician Burial;[10] author Matt Colquhoun wrote for The Quietus that both artists "highlight the 'broken time of the twenty-first century.'"[22] While reviewing the first stage, writers Adrian Mark Lore and Andrea Savage commended the record for enjoyers of Basinski, Stars of the Lid, and Brian Eno.[23] Certain samples return constantly throughout—in particular, the 1931 song "Heartaches" as covered by Al Bowlly—and become more degraded with each album.[10] In the last six minutes, a song from Selected Memories can be heard.[3]

The songs get more distorted with each stage, reflecting the patient's memory and its deterioration.[24] The jazz style of the first three stages is reminiscent of An Empty Bliss, using loops from vinyl records and wax cylinders. On Stage 3, the songs are shorter—some lasting for only one minute—and typically avoid fade-outs.[10][15] The Post-Awareness stages reflect Kirby's desire to "explore complete confusion, where everything starts breaking down."[14] The two penultimate stages present chaos in their music, representing the patient's altered perception of reality.[25] The final stage consists of drones, portraying the emptiness of the afflicted person's mind.[19] In its last 15 minutes, it features an organ, choral, and a minute of silence, portraying death.[19][26] Stages 4–6 are often highlighted as the focus of Everywhere's concept and composition: Miles Bowe of Pitchfork wrote about the contrast of the later stages to Kirby's other ambient works as "evolving its sound in new and often frightening ways",[27] while Kirby described the series to be "more about the last three [stages] than the first three."[2] In their Handbook of the Anthropology of Sound, Bloomsbury Academic describes the later stages as "a disorienting cut-up of slurred reminiscences bathing in a reverberant fog", relating them to amusia and its effects on musical memory.[28]

Stages 1–3

"It's Just a Burning Memory" redirects here. For the 1931 song itself, see Heartaches (song).
Everywhere at the End of Time – Stages 1–3
 
From left to right: Beaten Frowns After (2016), Pittor Pickgown in Khatheinstersper (2015) and Hag (2014)
Box set by
the Caretaker
Released
  • 22 September 2016 (2016-09-22) (Stage 1)
  • 6 April 2017 (Stage 2)
  • 28 September 2017 (Stage 3)
Genre
Length
  • 41:18 (Stage 1)
  • 41:48 (Stage 2)
  • 45:29 (Stage 3)
The Caretaker chronology
Extra Patience (After Sebald)
(2012) 		Everywhere at the End of Time – Stages 1–3
(2016–2017) 		Take Care. It's a Desert Out There...
(2017)
Audio sample
A1 – "It's Just a Burning Memory"[b]

Stage 1 is described as the initial signs of memory deterioration, being the closest album in the series to "a beautiful daydream".[5] On its vinyl release, it features inscripted text reading "Memories That Last a Lifetime".[29] Like An Empty Bliss,[30] Stage 1 features the opening seconds of records from the 1920s and 1930s, looped for long lengths. Its samples are altered with pitch changes, reverberation, overtones, and vinyl crackle.[31] The album features a range of emotions, mostly by the notions its song titles invoke;[10][32] names such as "Into each other's eyes" are sometimes interpreted as a romantic memory of the patient,[33] while more ominous titles, such as "We Don't Have Many Days", point to the patient recognising their own mortality.[34] Despite being an upbeat release by the Caretaker,[35] some of its joyful big band compositions are more distorted than others,[30][36] with one author finding it mildly melancholic.[37] One reviewer likened it to Stanley Kubrick's Eyes Wide Shut (1999) and the works of filmmaker Woody Allen, specifying the "elegance" of Kubrick's film and the dramatic avidity of Allen's work.[38]

Stage 2 is described as the "self-realisation that something is wrong and a refusal to accept that."[5] In contrast with the first stage's joyful sound, Kirby described the second stage as having "a massive difference between the moods";[1] "A Losing Battle Is Raging" represents a transition between the first and second stages.[33] The album features a more emotional tone than Stage 1, with more melancholic, degraded and droning samples.[10][39][40] Its source material features more abrupt endings, exploring a hauntological ambience.[40] Track titles, such as "Surrendering to Despair" and "Last Moments of Pure Recall", represent the patient's awareness of their disorder and the accompanying sorrow, with the name "The Way Ahead Feels Lonely" being directly lifted from a book on dementia by Sally Magnusson.[41] The songs play for longer times and feature fewer loops, but are more deteriorated in quality,[10] symbolising the patient's realisation of their faulty memory and the resulting feelings of denial.[42] Kirby described the second stage as one in which a person "probably tries and remember more than [they] usually would".[1]

Stage 3 is described as the patient experiencing "some of the last coherent memories before confusion fully rolls in and the grey mists form and fade away."[5] Samples from other works, such as those of An Empty Bliss, return with an underwater-like sound, portraying the patient's growing despair and struggle to keep their memories. While other stages presented common fade-outs on tracks, songs of Stage 3 end abruptly. The track titles become more abstract, combining the names of songs from previous stages and An Empty Bliss to create phrases such as "Hidden Sea Buried Deep", "To the Minimal Great Hidden", and "Drifting Time Misplaced". The record focuses on the patient's awareness, being the most similar record to An Empty Bliss of the series.[10] Kirby explained that Stage 3 is "the most like An Empty Bliss because it's the blissful stage where you're unaware you've actually got dementia."[2] The final tracks of the album are the last recognisable melodies, although some nearly lose their melodic qualities; in Kirby's description, Stage 3 represents "the last embers of awareness before we enter the post awareness stages."[5][34]

The opening track of Stage 1, "It's Just a Burning Memory", introduces the sample of Al Bowlly's "Heartaches" that gets degraded throughout the series;[10] according to Kirby, Bowlly is "one of the main guys" sampled in the Caretaker alias.[2] In the third track of Stage 2, "What Does It Matter How My Heart Breaks", "Heartaches" returns in a lethargic style,[10] using a different cover of the same song. This specific version, in contrast to its Stage 1 counterpart, sounded downbeat to Kirby.[1] The second track of Stage 3, "And Heart Breaks", contains the last coherent version of "Heartaches", where its horn aspects become more similar to white noise.[10] The songs sampling "Heartaches" take their title from the sample's lyrics, which surround themes of memory; Bowlly sings, "I can't believe it's just a burning memory / Heartaches, heartaches / What does it matter how my heart breaks?"[43]

Stages 4–6

Everywhere at the End of Time – Stages 4–6
 
Giltsholder (2017), Eptitranxisticemestionscers Descending (2017) and Necrotomigaud (2018)
Box set by
the Caretaker
Released
  • 5 April 2018 (2018-04-05) (Stage 4)
  • 20 September 2018 (Stage 5)
  • 14 March 2019 (Stage 6)
Genre
Length
  • 87:19 (Stage 4)
  • 88:19 (Stage 5)
  • 85:56 (Stage 6)
The Caretaker chronology
Take Care. It's a Desert Out There...
(2017) 		Everywhere at the End of Time – Stages 4–6
(2018–2019) 		Everywhere, an Empty Bliss
(2019)
Audio samples
H1 – "Post Awareness Confusions"
R1 – "Place in the World Fades Away"

Stage 4 is described as the point at which "the ability to recall singular memories gives way to confusions and horror."[5] It presents a style more akin to noise, in contrast to the first three stages, which featured the same style as An Empty Bliss.[10] Marking the start of the "Post-Awareness" stages,[44][45] its four compositions occupy whole vinyl sides.[46] Tracks G1, H1, and J1 are titled "Post Awareness Confusions", which Bowe felt were clinical names, while I1 is titled "Temporary Bliss State". The incoherent melodies introduce a surreal aspect, which some writers opine prepares the listener for the last two stages.[25][27] Most of the compositions ignore the alias' previous style and use far more distortion than do previous stages.[27] One specific segment of H1, known as the "Hell Sirens", presents a horn sample that Hazelwood called "one of the most horrifying moments of the series."[10] However, "Temporary Bliss State" is a track calmer than the "Post Awareness Confusions", featuring a more ethereal sound. The album's ambience has been likened to experimental musician Oval's album 94 Diskont (1995),[27] with Hazelwood claiming Stage 4's "aural horror" serves as the representation of "echoes of melody and memory".[10]

Stage 5 is described as having "more extreme entanglements, repetition and rupture [that] can give way to calmer moments."[5] The album expands its noise influence and has similarities with the works of Merzbow and John Wiese; coherent melodies lose significance, replaced by overlapped samples. Hazelwood interpreted it as "a traffic jam in audio form", likening it to neurons that become filled with beta amyloids. The record significantly differs from previous albums,[10] sometimes using source material reduced in volume to a whisper. According to Falisi, it lacks a sense of comfort; in contrast with Stage 1's first signs, Stage 5 presents complete disorder.[47] The record uses the most vocals of the series and includes recognisable English lyrics; near the end of the opening track, a man announces, "This selection will be a mandolin solo by Mr. James Fitzgerald."[48][49] Like Stage 4, Stage 5's track names are clinical, using neurological references such as plaque, entanglements, synapses, and the retrogenesis hypothesis; Hazelwood considered titles such as "Advanced Plaque Entanglements" and "Sudden Time Regression Into Isolation" to be documenting dementia's "inhumanity".[10]

Stage 6, according to Kirby, "is without description."[5] UWIRE's Esther Ju called it the most interpretative record of the series, and said "most would describe it as the sounds of the void."[50] While Stage 5 had snippets of instruments and voices, Stage 6 features drowned, empty compositions consisting of hissing and crackling, which Hazelwood interpreted as portraying the patient's apathy.[10][51][52] It generally consists of sound collages in which the music is audible, yet distant.[26][53] Its song titles feature less clinical and more emotional phrases, such as "A Confusion So Thick You Forget Forgetting" and "A Brutal Bliss Beyond This Empty Defeat".[10] It is the most distant from the sounds of An Empty Bliss and portrays strong anxiety.[19][54] After releasing Stage 6, Kirby commented on the YouTube video of the complete edition: "Thanks for the support through the years. May the ballroom remain eternal. C'est fini."[c][5]

The final track, "Place in the World Fades Away", features organ drones which have been compared to the 2014 film Interstellar's soundtrack.[55] The organ eventually gives way to a needle drop.[10][19][26] The climax of Everywhere, six minutes before the project's end, features a clearly audible choir sourced from a degraded vinyl record.[19] The series ends with a minute of silence representing the patient's death. Although the moment evoked varying interpretations from commentators, the most accepted theory by critics and medics is that it represents terminal lucidity, the phenomenon of patients experiencing clarity briefly before death.[10][56] Falisi considered it the movement of the patient's soul to the afterlife.[51] The last six minutes sample a performance of Bach's aria "Lasst Mich Ihn Nur Noch Einmal Küssen" ("Just Let Me Kiss Him One More Time") of the St Luke Passion, BWV 246. The sample was also used on the track "Friends Past Reunited" from Selected Memories.[3] This was interpreted by one reviewer as the Caretaker alias in a "full circle moment".[48]

Production

 
Leyland Kirby in 2019

Kirby produced Everywhere at the End of Time at his flat in Krakow using a computer "designed specifically for the production of music". He made more tracks for the first stage alone than in the alias' entire history. The albums were produced a year before their release; Stage 3's development began in September 2016 and Stage 6 began in May 2018.[1][57] Kirby stated that the first three stages have "subtle but crucial differences", presenting the same general style "based on the mood and the awareness that a person with the condition would feel."[58] Kirby wanted the mastering process, done by Andreas "Lupo" Lubich,[59] to be "consistent sounding all the way through". He said a compositional strategy was to use various covers of sampled songs to associate specific emotional messages with each. Rather than buying physical records as he did with An Empty Bliss, Kirby found most samples online, stating, "It's possible to find ten versions of one song now." Kirby noted that Stage 1 looped short sections of songs, while Stage 2 would let the samples fully play. Describing Stage 3 to be the most similar to An Empty Bliss, Kirby stated Stages 1–3 could be listened to on shuffle while remaining cohesive.[1] Between the release of the third and fourth stages, Kirby announced he was "moving house and studio".[60]

Kirby's production focus was on the last three stages;[1][2][61] he wanted to create what he called a "listenable chaos". Kirby added that, while producing Stage 4, he realised that the final three stages "had to be made from the viewpoint of post-awareness." Explaining the name, Kirby titled them "Post-Awareness" because they are when the patient is not aware of a disorder.[58] Kirby reported feeling pressured while working on the final three stages, saying, "I'd be finishing one stage, mastering another, all whilst starting another stage." In composing the fourth and fifth stages, Kirby claimed he possessed over 200 hours of music and "compiled it based on mood".[61] The Believer's Landon Bates likened Stage 4 to "Radio Music" (1956) by composer John Cage, to which Kirby responded that Cage's style of aleatoric music—music with random elements—inspired the later stages.[58] He said Stage 5 is "a distinct change" from Stage 4, writing that "it's not immediate but it's a crucial symptom."[1] According to Kirby, the production of the final stage was the hardest, due to the public's expectations and "the weight of the previous five [stages] falling all on this now."[58]

Artwork and packaging

"You can't trust any memories at all, can you? Because it's all glitched [and] nonsense in a way."[62]

— Ivan Seal

The album covers for Everywhere at the End of Time are abstract oil paintings by Kirby's long-time friend Ivan Seal.[63][64] They are minimalist and become less recognisable with each stage; each presents a single object and has no text.[36][65] Tiny Mix Tapes included Beaten Frowns After—the artwork for Stage 1—in their lists for best album covers of 2016 and of the 2010s.[66][67] Some have compared Kirby and Seal: both are English-born and have similar ways of producing art.[63] Seal paints objects based on memory, saying, "Art is always working from memory".[62]

 
Ivan Seal, the friend of Kirby who created the album covers

The first three album covers are titled Beaten Frowns After (2016), Pittor Pickgown in Khatheinstersper (2015) and Hag (2014), respectively.[68][69] Beaten Frowns After features a grey unravelling scroll on a vacant horizon, with newspaper folds similar to a brain's creases,[36] which Teen Ink writer Sydney Leahy likened to the patient's awareness of the disease's progression.[65] Pittor Pickgown in Khatheinstersper portrays four wilting flowers in an abstract rotten rock vase.[40][65][70] Hag presents a kelp plant distorted to the extreme, which Sam Goldner of Tiny Mix Tapes described as "a vase spilling out into ripples of disorder."[65][70]

The paintings for the final three stages are respectively titled Giltsholder (2017), Eptitranxisticemestionscers Desending (2017) and Necrotomigaud (2018).[69] Giltsholder is the first artwork to present a human figure, in the form of a blue-and-green bust with unrecognisable facial features. According to Goldner, the figure appears smiling when viewed from a distance;[70] Leahy interpreted it as representing the patient's lack of capability to recognise a person.[65] Considered the most abstract cover, Eptitranxisticemestionscers Desending depicts an abstract mass, which writers claim is a woman or a marble-like staircase. Hazelwood interpreted it as representing the patient's mind; although it once presented experiences, it is now unrecognisable.[10][65] Necrotomigaud presents an art board with a square of loosely attached blue tape, reflecting Stage 6's emotional emptiness.[26][65]

Seal's paintings and the Caretaker's music were featured in the 2019 French art exhibition Everywhere, an Empty Bliss by the company FRAC Auvergne, which featured documents about the duo's work and revealed the names of the album covers.[68][69][71] Previously, Seal's paintings were also featured near one of Kirby's performances in the 2019 exhibition Cukuwruums.[63] In 2018, when asked why the digital pages of the album detailed the concept with text but the physical packaging did not include such descriptions, Kirby said that Seal's paintings are important to each stage, and he was happy Kirby used them as the album covers. Writing about the overlap between their artistic visions, Kirby said that both "collide in a great way". He believed his liner notes would distract from Seal's art and kept them in digital form for listeners that "search a little deeper".[58]

Release and promotion

Kirby initially thought of not producing Everywhere at all. Six months before the release of the first stage, he talked about it to other people, explaining he "wanted to be sure it didn't come across as this highbrow, pretentious idea."[1] The albums were released over three years: the first stage in 2016,[72][73][74] the next two in 2017,[75][76][77] the penultimate two in 2018,[78][79][80] and the final one in 2019.[81][82][83] According to Kirby, the delays were made to "give a sense of time passing" to the listeners.[1] Although he expressed concern with dementia as a social problem, Kirby has said the disorder does not affect him "at a personal level", calling it "more of a fascination than a fear".[2][58][61] He noted that each dementia patient's experience is unique, asserting his portrayal was "only unique to the Caretaker".[61] Kirby stated his music is not available on Spotify due to his criticism of it, and the "constant devaluing of music by big business and streaming services."[84]

Stage 6 release note

"When work began on this series it was difficult to predict how the music would unravel itself. Dementia is an emotive subject for many and always a subject I have treated with maximum respect.

Stages have all been artistic reflections of specific symptoms which can be common with the progression and advancement of the different forms of Alzheimer's.

Thanks always for your support of this series of works remembered by The Caretaker."[15]

— Leyland Kirby

When releasing the first stage on 22 September 2016, Kirby announced the series' concept,[85] "diagnosing" the Caretaker alias with dementia through albums that reveal "progression, loss and disintegration" as they fell "towards the abyss of complete memory loss".[86][87] This statement misled some to believe that Kirby himself had been diagnosed with early-onset dementia, namely The Fader's Jordan Darville and Marvin Lin of Tiny Mix Tapes. Both publications updated their posts when Kirby clarified that he did not have dementia; only the Caretaker persona did.[87][88][89] He released Stage 3 and We, So Tired of All the Darkness in Our Lives on the same day, the latter under his own name.[60] Releasing Stage 5, Kirby's press release compared the series' progression to the then-ongoing Brexit process.[90] The Caretaker's final record, released alongside Stage 6, was Everywhere, an Empty Bliss (2019), a compilation album of work initially meant to be used on Everywhere.[91][92][93]

Anonymous visual artist Weirdcore created music videos for the first two stages, both uploaded to Kirby's YouTube channel vvmtest.[94][95] Released in September 2016 and 2017, they have effects such as time-stretching and delay. Weirdcore was known for creating visuals for ambient musician Aphex Twin.[96] Kirby said the visuals are important to his music and called them "otherworldly".[58] In 2020, Weirdcore's visuals were presented with Kirby's music in a YouTube video titled "[−0º]";[97] it was chosen as one of the best audiovisual works of the year by Fact.[98] As of 29 December 2022, there are no official music videos on vvmtest for the last four stages.[99]

 
The Krakow Barbican, where Kirby performed in 2017

In December 2017, Kirby performed at the Krakow Barbican for the Unsound Festival in Poland. The show was his first since 2011, featuring Seal's art and Weirdcore's visuals.[100][101][102] The music videos would be presented throughout the Caretaker's following shows. In March 2018, Kirby was featured at Festival Présences électronique [fr] in Paris,[103] where he played a version of the 1944 song "Ce Soir" by singer Tino Rossi.[57] He participated at Unsound's May 2019 "Solidarity" show, also set in Krakow.[104] In April 2020, he was due to perform live for the "[Re]setting" Rewire Festival, which would have occurred at the Hague in the Netherlands; the show was cancelled due to the COVID-19 pandemic.[105][106] However, Kirby has an interview and a performance on Rewire also at the Hague scheduled for 6–10 April 2023.[107][108][109] Kirby performed at Donaufestival Krems on 7 May 2022, and is expected to appear at Primavera Sound Barcelona on 3 June.[110][111] Previously expressing hesitation to perform,[2] Kirby said he would now make each show "a battle to make sense from the confusion". He added that Weirdcore would bring Seal's paintings "alive", with the visual art also exploring the idea of making the public "feel ill".[61]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic      (Stages 1–3)[34]
      (Stages 4–6)[48]
Ondarock [it]9/10 (Stage 1)[38]
8/10 (Stage 6)[53]
Pitchfork7.3/10 (Stage 1)[31]
7.9/10 (Stage 4)[27]
Resident Advisor4.3/5 (Stage 6)[26]
Tiny Mix Tapes4/5 (Stage 1)[36]
3.5/5 (Stage 2)[40]
4.5/5 (Stage 4)[70]
3.5/5 (Stage 5)[47]
4.5/5 (Stage 6)[51]

Everywhere at the End of Time received increasingly positive reactions as it progressed,[1][19] with one writer theorising that Kirby's expansion on the themes of An Empty Bliss was due to such concept being "loaded beyond the capacities of a 40-some-minute ambient record".[14] In March 2021, it peaked as the best-selling record on Boomkat,[112] the platform Kirby uses for his physical releases.[5] As of 29 December 2022, it remains one of Bandcamp's best-selling dark ambient records.[113] Initially, in response to "today's culture of instant reaction", Kirby said, "these parts have been looped for a specific reason ... which will become clear down the line."[1]

The first three stages of the series were criticised for their portrayal of dementia. Pitchfork contributor Brian Howe expressed concern that the first stage may be a romanticised, if not exploitative, view of a mental illness. He found Kirby's description inaccurate; Howe "watched [his] grandmother succumb to it for a decade before she died, and it was very little like a 'beautiful daydream.' In fact, there was nothing aesthetic about it."[31] Pat Beane of Tiny Mix Tapes considered Stage 1 the most "pleasurable listen from [t]he Caretaker",[36] although Falisi regarded Stage 2 as neither "decay or beauty", "diagnosis or cure".[40] In 2021, Hazelwood described Stage 3 as Kirby's default "bag of tricks", but argued that these "are essential to the journey"; she followed this up by calling the first three stages "easily-digested" and "so fast. Almost too fast." She argued that "without those stages and their comforts, the transition into Stage 4 wouldn't have the crushing impact it does."[10]

The last three stages' portrayal of dementia was generally described as better. Pitchfork contributor Miles Bowe described Stage 4 as avoiding "a risk of pale romanticisation",[27] and Goldner felt that the record had "broken the loop", although he added that "Temporary Bliss State" is not "real dementia".[70] Falisi, writing about Goldner, was critical of Stage 5, considering the loop to be "unspooling (endlessly) off the capstans and piling up until new shapes form." He described the album's sound as "the uncanny choke of absence", and argued, "If the thing is gone, why do I still feel it?"[47] Characterisations of Stage 6 ranged from "a mental descent rendered in agonisingly slow motion" to "something extra-ambient whose aches are of the cosmos."[26][51] Critics often described Stage 6 with additional praise; one called it a "jaw-dropping piece of sonic art" with "a unique force".[26][114]

Critics have also commented on the interpretative, "though-provoking" feelings evoked by the series as a whole.[21][115] Dave Gurney of Tiny Mix Tapes called it "disturbing",[116] while Hazelwood said that its music "sticks with you, its melodies haunting and infecting."[10] Luka Vukos, in his review for the blog HeadStuff, argued that the "empathy machine" of the series "is characterised not by words", and its power "rests in [Kirby's] marrying of [the vinyl record] with the most contemporary modes of digital recall and manipulation."[3] Having written about some of Kirby's earlier music, Simon Reynolds said the Caretaker "could have renamed himself the Caregiver, for on this project he resembles a sonic nurse in a hospice for the terminally ill." In his opinion, "titles are heartbreaking and often describe the music more effectively than the reviewer ever could."[4]

Accolades

Everywhere at the End of Time appeared the most on year-end lists of The Quietus and Tiny Mix Tapes. The latter reviewed each album, except for Stage 3, and gave the first, fourth and sixth stages the "EUREKA!" award, given to albums "explor[ing] the limits of noise and music" and "worthy of careful consideration".[36][51][70] Resident Advisor included Stage 6 in its listing of 2019's best albums.[117] Quietus contributor Maria Perevedentseva chose "We Don't Have Many Days" as one of the best songs of 2016;[118] Stage 5 would later be included in the publication's listing of the best music of September 2018.[119] Stage 6 was named the website's "Lead Review" of the week and the best "miscellaneous" music release of 2019.[19][120]

Accolades for Everywhere at the End of Time
Album Year Publication List Rank Ref.
Stage 1 2016 The Quietus Year-end 16 [121]
Tiny Mix Tapes 35 [122]
Stage 2 2017 The Quietus Semester-end 88 [123]
Stage 3 Year-end 39 [124]
Stage 4 2018 Tiny Mix Tapes 26 [125]
The Quietus Semester-end 37 [126]
Stage 5 Year-end 45 [127]
Stage 6 2019 Semester-end 59 [128]
Obscure Sound Year-end 19 [6]
Ondarock [it] 38 [129]
Il Giornale della Musica [it] 12 [130]
Stages 1–6 A Closer Listen Decade-end 4 [131]
Tiny Mix Tapes 41 [116]
Ondarock 42 [132]
Spex 133 [133]
Stages 4–6 The Wire Year-end 35 [134]

Impact and popularity

Considered some of the best albums of the 2010s,[116][135] Everywhere at the End of Time is regarded by several critics and musicians as Kirby's magnum opus.[136][137][138] One reviewer singled out the two penultimate stages, the most chaotic ones, as making listeners reflect on the feeling of having dementia.[25] Everywhere's conceptualisation also received acclaim: the portrayal of dementia was described by The Vinyl Factory as "remarkably emotive" and by Vogue's Corey Seymour as "life-changing".[8][139] Tiny Mix Tapes writer Jessie Dunn Rovinelli said Stage 6's "corny" ending gives "the release his concept might want to refuse but that our decaying, sappy minds want."[140] Inspired by the Caretaker,[141] the fan-made 100-track album Memories Overlooked was released in 2017 by vaporwave musicians whose elder relatives had dementia.[16][142][143] Daily Record writer Darren McGarvey claimed he felt "struck by a deep sense of gratitude" after finishing Everywhere, stating that is the "power of a proper piece of art",[144] and author Cole Quinn called Everywhere the greatest album of all time.[33]

 
The album cover of Memories Overlooked (2017)
 
Text from the thumbnail of a YouTube video about Everywhere
In 2017, vaporwave musicians whose elder relatives had Alzheimer's disease produced the seven-hour-long Memories Overlooked in tribute of the Caretaker.[143] In 2020, Internet users popularised the series for its 'breaking' reflection of dementia, and created creepypasta and meme-related content about it.[14]

In January 2020, YouTube user Solar Sands uploaded the video "Can You Name One Object In This Photo?"; exploring the aspects of Seal's work in Everywhere,[21] it received 3.5 million views as of 29 December 2022.[145] Later in October, users on the social media platform TikTok created a challenge of listening to the entire series in one sitting, due to its long length and existential themes.[146][147][148] Kirby knew about the phenomenon from an exponential growth of views on the series' YouTube upload (27 million as of 29 December 2022);[5] only 12% of them came from the platform's algorithm, whereas direct searches made up over 50%.[135][149] In a video some writers hypothesised as the cause of Everywhere's popularity, YouTuber A Bucket of Jake called the series "the darkest album I have ever heard".[14][150][151] Following its popularity, the series appeared often on Bandcamp's ambient recommendations.[152]

Some TikTok users shared fictional creepypasta stories of the series with claims that it cures patients or, conversely, that it introduces symptoms of dementia in people.[13][153] The claims and the listening challenge triggered a negative backlash from others, who felt it offended patients.[13][14][150] Kirby, however, did not feel this way, but rather saw the series as giving teenagers "an understanding into the symptoms a person with dementia may face."[135][149] Lazlo Rugoff of the Vinyl Factory found the TikTok phenomenon drew "an unlikely audience" of teenagers to Kirby's music,[146] and Everywhere was later called by TikTok's William Gruger a niche discovery and "unexpected hit".[154] The series has seen continued use as a meme throughout the early 2020s, coinciding with the period of the COVID-19 pandemic and its mental health issues on teenagers.[13][14] Several parodies of the albums have been created by new fans following this period, including one sampling the music library from SpongeBob SquarePants.[155]

In 2021, Everywhere gained attention among the modding community of the rhythm game Friday Night Funkin' (2020); the mod Everywhere at the End of Funk was described by Wren Romero of esports group Gamurs as "one of the most unique experiences of any FNF mod."[156] The series was also popularised for its relation to the Backrooms, a creepypasta about an endless empty office space, which writer Silvia Trevisson said stemmed from their similar portrayals of absurd states of mind.[157]

Scientific response

Within neurological research groups, Everywhere at the End of Time has been seen as a generally positive influence. One Iowa State University researcher found the series to present the "chilling reality" of Alzheimer's disease, highlighting the gradual progression of calmness into confusion.[158] Brian Browne, the president of Dementia Care Education, said Kirby's portrayal of Alzheimer's disease is "a much welcome thing" to caretakers of dementia patients. He praised the series' newfound attention, as "it produces the empathy that's needed."[13]

Browne concludes:

The composer of this music really was onto something in terms of being able to — through the medium of music — lead a younger generation on a journey through the sounds of what the brain is going through, through a dementing process.

Partially positive of Kirby's work, French neuropsychologist Hervé Platel praised Everywhere's approach and general faithfulness to the process of dementia. However, Platel also criticised the series for giving the impression of memory as a linear system, explaining that musical memory is the last to fade away.[159]

Track listing

Adapted from Bandcamp.[15] Total lengths and notes adapted from Kirby's YouTube uploads of Stages 1–3,[94][95][160] Stages 4–6,[49][161][162] and the complete edition.[5]

Stage 1
No.TitleLength
1."A1 – It's Just a Burning Memory"3:32
2."A2 – We Don't Have Many Days"3:30
3."A3 – Late Afternoon Drifting"3:35
4."A4 – Childishly Fresh Eyes"2:58
5."A5 – Slightly Bewildered"2:01
6."A6 – Things That Are Beautiful and Transient"4:34
7."B1 – All That Follows Is True"3:31
8."B2 – An Autumnal Equinox"2:46
9."B3 – Quiet Internal Rebellions"3:30
10."B4 – The Loves of My Entire Life"4:04
11."B5 – Into Each Others Eyes"4:36
12."B6 – My Heart Will Stop in Joy"2:41
Total length:41:18
Stage 2
No.TitleLength
13."C1 – A Losing Battle Is Raging"4:37
14."C2 – Misplaced in Time"4:42
15."C3 – What Does It Matter How My Heart Breaks"2:37
16."C4 – Glimpses of Hope in Trying Times"4:43
17."C5 – Surrendering to Despair"5:03
18."D1 – I Still Feel As Though I Am Me"4:07
19."D2 – Quiet Dusk Coming Early"3:36
20."D3 – Last Moments of Pure Recall"3:52
21."D4 – Denial Unravelling"4:16
22."D5 – The Way Ahead Feels Lonely" (titled "The Away [sic] Ahead Feels Lonely" on Weirdcore's video)4:15
Total length:41:48
Stage 3
No.TitleLength
23."E1 – Back There Benjamin"4:14
24."E2 – And Heart Breaks"4:05
25."E3 – Hidden Sea Buried Deep"1:20
26."E4 – Libet's All Joyful Camaraderie"3:12
27."E5 – To the Minimal Great Hidden"1:41
28."E6 – Sublime Beyond Loss"2:10
29."E7 – Bewildered in Other Eyes" (titled "Bewildered in Others Eyes" on the Stage 3 Boomkat page)1:51
30."E8 – Long Term Dusk Glimpses"3:33
31."F1 – Gradations of Arms Length"1:31
32."F2 – Drifting Time Misplaced" (titled "Drifting Time Replaced" on the Stage 3 YouTube upload)4:15
33."F3 – Internal Bewildered World"3:29
34."F4 – Burning Despair Does Ache"2:37
35."F5 – Aching Cavern Without Lucidity"1:19
36."F6 – An Empty Bliss Beyond This World"3:36
37."F7 – Libet Delay"3:57
38."F8 – Mournful Cameraderie"2:39
Total length:45:29
Stage 4
No.TitleLength
39."G1 – Post Awareness Confusions"22:09
40."H1 – Post Awareness Confusions"21:53
41."I1 – Temporary Bliss State"21:01
42."J1 – Post Awareness Confusions"22:16
Total length:87:19
Stage 5
No.TitleLength
43."K1 – Advanced Plaque Entanglements"22:35
44."L1 – Advanced Plaque Entanglements"22:48
45."M1 – Synapse Retrogenesis"20:48
46."N1 – Sudden Time Regression into Isolation"22:08
Total length:88:19
Stage 6
No.TitleLength
47."O1 – A Confusion So Thick You Forget Forgetting" (excludes the "A" on Boomkat)21:52
48."P1 – A Brutal Bliss Beyond This Empty Defeat"21:36
49."Q1 – Long Decline Is Over"21:09
50."R1 – Place in the World Fades Away"21:19
Total length:85:56

Personnel

Credits adapted from YouTube.[5]

Release history

All released worldwide by record label History Always Favours the Winners.

Stages 1–3
Date Format Catalog number Ref.
12 October 2017
HAFTWCD0103 [163]
7 April 2019 Triple LP HAFTW025026027-SET [164]
Stages 4–6
Date Format Catalog number Ref.
14 March 2019
  • Quadruple CD
  • digital download
 HAFTWCD0406 [165]
Sextuple LP HAFTW028029030-SET [166]

See also

Notes

  1. ^ Stylised in sentence case.
  2. ^ Lyrics from "Heartaches" (1931).
  3. ^ French for "It's all over."

References

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External links

  • Everywhere at the End of Time at Discogs
  • Everywhere at the End of Time at MusicBrainz
  • #EverywhereAtTheEndOfTime on TikTok
  • "We are in the Shadow of a Distant Fire" by Leyland Kirby

December 31, 2022
everywhere, time, eleventh, recording, caretaker, alias, english, electronic, musician, leyland, kirby, released, between, 2016, 2019, studio, albums, degrading, loops, sampled, ballroom, music, portray, progression, alzheimer, disease, inspired, success, empt. Everywhere at the End of Time a is the eleventh recording by the Caretaker an alias of English electronic musician Leyland Kirby Released between 2016 and 2019 its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer s disease Inspired by the success of An Empty Bliss Beyond This World 2011 Kirby produced Everywhere as his final major work under the alias The albums were produced in Krakow and released over six month periods to give a sense of time passing with abstract album covers by his friend Ivan Seal The series drew comparisons to the works of composer William Basinski and electronic musician Burial while the later stages were influenced by avant gardist composer John Cage Everywhere at the End of TimeCover art for Stage 1Studio album series by the CaretakerReleased22 September 2016 2016 09 22 Stage 1 6 April 2017 Stage 2 28 September 2017 Stage 3 5 April 2018 Stage 4 20 September 2018 Stage 5 14 March 2019 Stage 6 StudioKrakow PolandGenreAmbient avant garde dark ambient electronic experimental plunderphonicsLength390 31LabelHistory Always Favours the WinnersProducerLeyland KirbyThe Caretaker chronologyExtra Patience After Sebald 2012 Everywhere at the End of Time 2016 2019 Everywhere an Empty Bliss 2019 The series comprises six hours of music portraying a range of emotions and characterised by noise throughout Although the first three stages are similar to An Empty Bliss the last three depart from Kirby s earlier ambient works The albums reflect the patient s disorder and death their feelings and the phenomenon of terminal lucidity To promote the series anonymous visual artist Weirdcore created music videos for the first two stages At first concerned about whether the series would seem pretentious Kirby thought of not creating Everywhere at all he spent more time producing it than any of his other releases The album covers received attention from a French art exhibition named after the Caretaker s Everywhere an Empty Bliss 2019 a compilation of archived songs As each stage was released the series received increasingly positive reviews from critics its length and dementia driven concept led many reviewers to feel emotional about the complete edition Considered to be Kirby s magnum opus Everywhere was one of the most praised music releases of the 2010s Caregivers of people with dementia also praised the albums for increasing empathy for patients among younger listeners although some medics felt the series was too linear It became an Internet phenomenon in the early 2020s emerging in TikTok videos as a listening challenge being transformed into a mod for the video game Friday Night Funkin 2020 and appearing in internet memes Contents 1 Background 2 Music and stages 2 1 Stages 1 3 2 2 Stages 4 6 3 Production 4 Artwork and packaging 5 Release and promotion 6 Critical reception 6 1 Accolades 7 Impact and popularity 7 1 Scientific response 8 Track listing 9 Personnel 10 Release history 11 See also 12 Notes 13 References 14 External linksBackground Edit Al Bowlly a big band artist sampled on Everywhere at the End of Time In 1999 English electronic musician Leyland Kirby adopted the pseudonym the Caretaker whose work sampled big band records Kirby drew influence from the haunted ballroom scene of filmmaker Stanley Kubrick s work The Shining 1980 as heard on the debut release of the alias Selected Memories from the Haunted Ballroom 1999 1 His first records featured the ambient style that would be prominent in his last releases 2 The project first explored memory loss in Theoretically Pure Anterograde Amnesia 2005 a three hour long album portraying the disease of the same name By 2008 Persistent Repetition of Phrases saw the Caretaker alias gaining critical attention and a larger fanbase 1 In 2011 Kirby released An Empty Bliss Beyond This World attaining acclaim for its exploration of Alzheimer s disease 1 Although Kirby initially did not want to produce more music as the Caretaker he said so many people liked An Empty Bliss So I thought to myself What can I do that s not just An Empty Bliss again Kirby felt the only concept left to explore was the stages of dementia 2 It would be his final release as the Caretaker Kirby said I just can t see where I can take it after this Everywhere at the End of Time represents the death of the Caretaker alias itself 1 with many samples from the pseudonym s earlier albums being used in it 3 Music and stages Edit For to be capable of remembering this music as a real time living culture you d have to be in your nineties now What Kirby presents here could be heard as the faint faded memory fragments of once beloved tunes as they waver on in atrophying minds 4 Simon Reynolds The albums which Kirby describes as exploring dementia s advancement and totality present poetic track titles and descriptions for each stage 5 6 which represent a person with dementia and their feelings 7 8 9 Ideas of deterioration melancholy confusion and abstractness are present throughout 10 according to writer Alexandra Weiss Kirby s work raises significant questions about Western attitudes toward death 11 Tiny Mix Tapes suggested that as the swan song of the Caretaker alias Everywhere threatens at every moment to give way to nothing 12 The albums feature an avant gardist experimental concept 13 14 15 with music magazine Fact noting a hauntological link between Everywhere s style and vaporwave s themes 16 Author Sarah Nove praised Everywhere s lack of a physical form of aura while Bandcamp Daily s Matt Mitchell wrote that the series ends in ethereal catharsis 17 18 The series exploration of decay drew comparisons to The Disintegration Loops 2002 2003 by musician William Basinski 2 19 which unlike Kirby s work focuses on physical tape decay in coincidence with the September 11 attacks not software induced decay representative of a neurological disease 10 20 21 Although positive of Basinski s works Kirby said his own aren t just loops breaking down They re about why they re breaking down and how 2 The sound of Everywhere has also been compared to the style of electronic musician Burial 10 author Matt Colquhoun wrote for The Quietus that both artists highlight the broken time of the twenty first century 22 While reviewing the first stage writers Adrian Mark Lore and Andrea Savage commended the record for enjoyers of Basinski Stars of the Lid and Brian Eno 23 Certain samples return constantly throughout in particular the 1931 song Heartaches as covered by Al Bowlly and become more degraded with each album 10 In the last six minutes a song from Selected Memories can be heard 3 The songs get more distorted with each stage reflecting the patient s memory and its deterioration 24 The jazz style of the first three stages is reminiscent of An Empty Bliss using loops from vinyl records and wax cylinders On Stage 3 the songs are shorter some lasting for only one minute and typically avoid fade outs 10 15 The Post Awareness stages reflect Kirby s desire to explore complete confusion where everything starts breaking down 14 The two penultimate stages present chaos in their music representing the patient s altered perception of reality 25 The final stage consists of drones portraying the emptiness of the afflicted person s mind 19 In its last 15 minutes it features an organ choral and a minute of silence portraying death 19 26 Stages 4 6 are often highlighted as the focus of Everywhere s concept and composition Miles Bowe of Pitchfork wrote about the contrast of the later stages to Kirby s other ambient works as evolving its sound in new and often frightening ways 27 while Kirby described the series to be more about the last three stages than the first three 2 In their Handbook of the Anthropology of Sound Bloomsbury Academic describes the later stages as a disorienting cut up of slurred reminiscences bathing in a reverberant fog relating them to amusia and its effects on musical memory 28 Stages 1 3 Edit It s Just a Burning Memory redirects here For the 1931 song itself see Heartaches song Everywhere at the End of Time Stages 1 3 From left to right Beaten Frowns After 2016 Pittor Pickgown in Khatheinstersper 2015 and Hag 2014 Box set by the CaretakerReleased22 September 2016 2016 09 22 Stage 1 6 April 2017 Stage 2 28 September 2017 Stage 3 GenreBig band hauntology jazzLength41 18 Stage 1 41 48 Stage 2 45 29 Stage 3 The Caretaker chronologyExtra Patience After Sebald 2012 Everywhere at the End of Time Stages 1 3 2016 2017 Take Care It s a Desert Out There 2017 Audio sample source source track A1 It s Just a Burning Memory b filehelpStage 1 is described as the initial signs of memory deterioration being the closest album in the series to a beautiful daydream 5 On its vinyl release it features inscripted text reading Memories That Last a Lifetime 29 Like An Empty Bliss 30 Stage 1 features the opening seconds of records from the 1920s and 1930s looped for long lengths Its samples are altered with pitch changes reverberation overtones and vinyl crackle 31 The album features a range of emotions mostly by the notions its song titles invoke 10 32 names such as Into each other s eyes are sometimes interpreted as a romantic memory of the patient 33 while more ominous titles such as We Don t Have Many Days point to the patient recognising their own mortality 34 Despite being an upbeat release by the Caretaker 35 some of its joyful big band compositions are more distorted than others 30 36 with one author finding it mildly melancholic 37 One reviewer likened it to Stanley Kubrick s Eyes Wide Shut 1999 and the works of filmmaker Woody Allen specifying the elegance of Kubrick s film and the dramatic avidity of Allen s work 38 Stage 2 is described as the self realisation that something is wrong and a refusal to accept that 5 In contrast with the first stage s joyful sound Kirby described the second stage as having a massive difference between the moods 1 A Losing Battle Is Raging represents a transition between the first and second stages 33 The album features a more emotional tone than Stage 1 with more melancholic degraded and droning samples 10 39 40 Its source material features more abrupt endings exploring a hauntological ambience 40 Track titles such as Surrendering to Despair and Last Moments of Pure Recall represent the patient s awareness of their disorder and the accompanying sorrow with the name The Way Ahead Feels Lonely being directly lifted from a book on dementia by Sally Magnusson 41 The songs play for longer times and feature fewer loops but are more deteriorated in quality 10 symbolising the patient s realisation of their faulty memory and the resulting feelings of denial 42 Kirby described the second stage as one in which a person probably tries and remember more than they usually would 1 Stage 3 is described as the patient experiencing some of the last coherent memories before confusion fully rolls in and the grey mists form and fade away 5 Samples from other works such as those of An Empty Bliss return with an underwater like sound portraying the patient s growing despair and struggle to keep their memories While other stages presented common fade outs on tracks songs of Stage 3 end abruptly The track titles become more abstract combining the names of songs from previous stages and An Empty Bliss to create phrases such as Hidden Sea Buried Deep To the Minimal Great Hidden and Drifting Time Misplaced The record focuses on the patient s awareness being the most similar record to An Empty Bliss of the series 10 Kirby explained that Stage 3 is the most like An Empty Bliss because it s the blissful stage where you re unaware you ve actually got dementia 2 The final tracks of the album are the last recognisable melodies although some nearly lose their melodic qualities in Kirby s description Stage 3 represents the last embers of awareness before we enter the post awareness stages 5 34 The opening track of Stage 1 It s Just a Burning Memory introduces the sample of Al Bowlly s Heartaches that gets degraded throughout the series 10 according to Kirby Bowlly is one of the main guys sampled in the Caretaker alias 2 In the third track of Stage 2 What Does It Matter How My Heart Breaks Heartaches returns in a lethargic style 10 using a different cover of the same song This specific version in contrast to its Stage 1 counterpart sounded downbeat to Kirby 1 The second track of Stage 3 And Heart Breaks contains the last coherent version of Heartaches where its horn aspects become more similar to white noise 10 The songs sampling Heartaches take their title from the sample s lyrics which surround themes of memory Bowlly sings I can t believe it s just a burning memory Heartaches heartaches What does it matter how my heart breaks 43 Stages 4 6 Edit Everywhere at the End of Time Stages 4 6 Giltsholder 2017 Eptitranxisticemestionscers Descending 2017 and Necrotomigaud 2018 Box set by the CaretakerReleased5 April 2018 2018 04 05 Stage 4 20 September 2018 Stage 5 14 March 2019 Stage 6 GenreChoral drone noise sound collage surrealistLength87 19 Stage 4 88 19 Stage 5 85 56 Stage 6 The Caretaker chronologyTake Care It s a Desert Out There 2017 Everywhere at the End of Time Stages 4 6 2018 2019 Everywhere an Empty Bliss 2019 Audio samples source source H1 Post Awareness Confusions filehelp source source R1 Place in the World Fades Away filehelpStage 4 is described as the point at which the ability to recall singular memories gives way to confusions and horror 5 It presents a style more akin to noise in contrast to the first three stages which featured the same style as An Empty Bliss 10 Marking the start of the Post Awareness stages 44 45 its four compositions occupy whole vinyl sides 46 Tracks G1 H1 and J1 are titled Post Awareness Confusions which Bowe felt were clinical names while I1 is titled Temporary Bliss State The incoherent melodies introduce a surreal aspect which some writers opine prepares the listener for the last two stages 25 27 Most of the compositions ignore the alias previous style and use far more distortion than do previous stages 27 One specific segment of H1 known as the Hell Sirens presents a horn sample that Hazelwood called one of the most horrifying moments of the series 10 However Temporary Bliss State is a track calmer than the Post Awareness Confusions featuring a more ethereal sound The album s ambience has been likened to experimental musician Oval s album 94 Diskont 1995 27 with Hazelwood claiming Stage 4 s aural horror serves as the representation of echoes of melody and memory 10 Stage 5 is described as having more extreme entanglements repetition and rupture that can give way to calmer moments 5 The album expands its noise influence and has similarities with the works of Merzbow and John Wiese coherent melodies lose significance replaced by overlapped samples Hazelwood interpreted it as a traffic jam in audio form likening it to neurons that become filled with beta amyloids The record significantly differs from previous albums 10 sometimes using source material reduced in volume to a whisper According to Falisi it lacks a sense of comfort in contrast with Stage 1 s first signs Stage 5 presents complete disorder 47 The record uses the most vocals of the series and includes recognisable English lyrics near the end of the opening track a man announces This selection will be a mandolin solo by Mr James Fitzgerald 48 49 Like Stage 4 Stage 5 s track names are clinical using neurological references such as plaque entanglements synapses and the retrogenesis hypothesis Hazelwood considered titles such as Advanced Plaque Entanglements and Sudden Time Regression Into Isolation to be documenting dementia s inhumanity 10 Stage 6 according to Kirby is without description 5 UWIRE s Esther Ju called it the most interpretative record of the series and said most would describe it as the sounds of the void 50 While Stage 5 had snippets of instruments and voices Stage 6 features drowned empty compositions consisting of hissing and crackling which Hazelwood interpreted as portraying the patient s apathy 10 51 52 It generally consists of sound collages in which the music is audible yet distant 26 53 Its song titles feature less clinical and more emotional phrases such as A Confusion So Thick You Forget Forgetting and A Brutal Bliss Beyond This Empty Defeat 10 It is the most distant from the sounds of An Empty Bliss and portrays strong anxiety 19 54 After releasing Stage 6 Kirby commented on the YouTube video of the complete edition Thanks for the support through the years May the ballroom remain eternal C est fini c 5 The final track Place in the World Fades Away features organ drones which have been compared to the 2014 film Interstellar s soundtrack 55 The organ eventually gives way to a needle drop 10 19 26 The climax of Everywhere six minutes before the project s end features a clearly audible choir sourced from a degraded vinyl record 19 The series ends with a minute of silence representing the patient s death Although the moment evoked varying interpretations from commentators the most accepted theory by critics and medics is that it represents terminal lucidity the phenomenon of patients experiencing clarity briefly before death 10 56 Falisi considered it the movement of the patient s soul to the afterlife 51 The last six minutes sample a performance of Bach s aria Lasst Mich Ihn Nur Noch Einmal Kussen Just Let Me Kiss Him One More Time of the St Luke Passion BWV 246 The sample was also used on the track Friends Past Reunited from Selected Memories 3 This was interpreted by one reviewer as the Caretaker alias in a full circle moment 48 Production Edit Leyland Kirby in 2019 Kirby produced Everywhere at the End of Time at his flat in Krakow using a computer designed specifically for the production of music He made more tracks for the first stage alone than in the alias entire history The albums were produced a year before their release Stage 3 s development began in September 2016 and Stage 6 began in May 2018 1 57 Kirby stated that the first three stages have subtle but crucial differences presenting the same general style based on the mood and the awareness that a person with the condition would feel 58 Kirby wanted the mastering process done by Andreas Lupo Lubich 59 to be consistent sounding all the way through He said a compositional strategy was to use various covers of sampled songs to associate specific emotional messages with each Rather than buying physical records as he did with An Empty Bliss Kirby found most samples online stating It s possible to find ten versions of one song now Kirby noted that Stage 1 looped short sections of songs while Stage 2 would let the samples fully play Describing Stage 3 to be the most similar to An Empty Bliss Kirby stated Stages 1 3 could be listened to on shuffle while remaining cohesive 1 Between the release of the third and fourth stages Kirby announced he was moving house and studio 60 Kirby s production focus was on the last three stages 1 2 61 he wanted to create what he called a listenable chaos Kirby added that while producing Stage 4 he realised that the final three stages had to be made from the viewpoint of post awareness Explaining the name Kirby titled them Post Awareness because they are when the patient is not aware of a disorder 58 Kirby reported feeling pressured while working on the final three stages saying I d be finishing one stage mastering another all whilst starting another stage In composing the fourth and fifth stages Kirby claimed he possessed over 200 hours of music and compiled it based on mood 61 The Believer s Landon Bates likened Stage 4 to Radio Music 1956 by composer John Cage to which Kirby responded that Cage s style of aleatoric music music with random elements inspired the later stages 58 He said Stage 5 is a distinct change from Stage 4 writing that it s not immediate but it s a crucial symptom 1 According to Kirby the production of the final stage was the hardest due to the public s expectations and the weight of the previous five stages falling all on this now 58 Artwork and packaging Edit You can t trust any memories at all can you Because it s all glitched and nonsense in a way 62 Ivan Seal The album covers for Everywhere at the End of Time are abstract oil paintings by Kirby s long time friend Ivan Seal 63 64 They are minimalist and become less recognisable with each stage each presents a single object and has no text 36 65 Tiny Mix Tapes included Beaten Frowns After the artwork for Stage 1 in their lists for best album covers of 2016 and of the 2010s 66 67 Some have compared Kirby and Seal both are English born and have similar ways of producing art 63 Seal paints objects based on memory saying Art is always working from memory 62 Ivan Seal the friend of Kirby who created the album covers The first three album covers are titled Beaten Frowns After 2016 Pittor Pickgown in Khatheinstersper 2015 and Hag 2014 respectively 68 69 Beaten Frowns After features a grey unravelling scroll on a vacant horizon with newspaper folds similar to a brain s creases 36 which Teen Ink writer Sydney Leahy likened to the patient s awareness of the disease s progression 65 Pittor Pickgown in Khatheinstersper portrays four wilting flowers in an abstract rotten rock vase 40 65 70 Hag presents a kelp plant distorted to the extreme which Sam Goldner of Tiny Mix Tapes described as a vase spilling out into ripples of disorder 65 70 The paintings for the final three stages are respectively titled Giltsholder 2017 Eptitranxisticemestionscers Desending 2017 and Necrotomigaud 2018 69 Giltsholder is the first artwork to present a human figure in the form of a blue and green bust with unrecognisable facial features According to Goldner the figure appears smiling when viewed from a distance 70 Leahy interpreted it as representing the patient s lack of capability to recognise a person 65 Considered the most abstract cover Eptitranxisticemestionscers Desending depicts an abstract mass which writers claim is a woman or a marble like staircase Hazelwood interpreted it as representing the patient s mind although it once presented experiences it is now unrecognisable 10 65 Necrotomigaud presents an art board with a square of loosely attached blue tape reflecting Stage 6 s emotional emptiness 26 65 Seal s paintings and the Caretaker s music were featured in the 2019 French art exhibition Everywhere an Empty Bliss by the company FRAC Auvergne which featured documents about the duo s work and revealed the names of the album covers 68 69 71 Previously Seal s paintings were also featured near one of Kirby s performances in the 2019 exhibition Cukuwruums 63 In 2018 when asked why the digital pages of the album detailed the concept with text but the physical packaging did not include such descriptions Kirby said that Seal s paintings are important to each stage and he was happy Kirby used them as the album covers Writing about the overlap between their artistic visions Kirby said that both collide in a great way He believed his liner notes would distract from Seal s art and kept them in digital form for listeners that search a little deeper 58 Release and promotion EditKirby initially thought of not producing Everywhere at all Six months before the release of the first stage he talked about it to other people explaining he wanted to be sure it didn t come across as this highbrow pretentious idea 1 The albums were released over three years the first stage in 2016 72 73 74 the next two in 2017 75 76 77 the penultimate two in 2018 78 79 80 and the final one in 2019 81 82 83 According to Kirby the delays were made to give a sense of time passing to the listeners 1 Although he expressed concern with dementia as a social problem Kirby has said the disorder does not affect him at a personal level calling it more of a fascination than a fear 2 58 61 He noted that each dementia patient s experience is unique asserting his portrayal was only unique to the Caretaker 61 Kirby stated his music is not available on Spotify due to his criticism of it and the constant devaluing of music by big business and streaming services 84 Stage 6 release note When work began on this series it was difficult to predict how the music would unravel itself Dementia is an emotive subject for many and always a subject I have treated with maximum respect Stages have all been artistic reflections of specific symptoms which can be common with the progression and advancement of the different forms of Alzheimer s Thanks always for your support of this series of works remembered by The Caretaker 15 Leyland Kirby When releasing the first stage on 22 September 2016 Kirby announced the series concept 85 diagnosing the Caretaker alias with dementia through albums that reveal progression loss and disintegration as they fell towards the abyss of complete memory loss 86 87 This statement misled some to believe that Kirby himself had been diagnosed with early onset dementia namely The Fader s Jordan Darville and Marvin Lin of Tiny Mix Tapes Both publications updated their posts when Kirby clarified that he did not have dementia only the Caretaker persona did 87 88 89 He released Stage 3 and We So Tired of All the Darkness in Our Lives on the same day the latter under his own name 60 Releasing Stage 5 Kirby s press release compared the series progression to the then ongoing Brexit process 90 The Caretaker s final record released alongside Stage 6 was Everywhere an Empty Bliss 2019 a compilation album of work initially meant to be used on Everywhere 91 92 93 Anonymous visual artist Weirdcore created music videos for the first two stages both uploaded to Kirby s YouTube channel vvmtest 94 95 Released in September 2016 and 2017 they have effects such as time stretching and delay Weirdcore was known for creating visuals for ambient musician Aphex Twin 96 Kirby said the visuals are important to his music and called them otherworldly 58 In 2020 Weirdcore s visuals were presented with Kirby s music in a YouTube video titled 0º 97 it was chosen as one of the best audiovisual works of the year by Fact 98 As of 29 December 2022 there are no official music videos on vvmtest for the last four stages 99 The Krakow Barbican where Kirby performed in 2017 In December 2017 Kirby performed at the Krakow Barbican for the Unsound Festival in Poland The show was his first since 2011 featuring Seal s art and Weirdcore s visuals 100 101 102 The music videos would be presented throughout the Caretaker s following shows In March 2018 Kirby was featured at Festival Presences electronique fr in Paris 103 where he played a version of the 1944 song Ce Soir by singer Tino Rossi 57 He participated at Unsound s May 2019 Solidarity show also set in Krakow 104 In April 2020 he was due to perform live for the Re setting Rewire Festival which would have occurred at the Hague in the Netherlands the show was cancelled due to the COVID 19 pandemic 105 106 However Kirby has an interview and a performance on Rewire also at the Hague scheduled for 6 10 April 2023 107 108 109 Kirby performed at Donaufestival Krems on 7 May 2022 and is expected to appear at Primavera Sound Barcelona on 3 June 110 111 Previously expressing hesitation to perform 2 Kirby said he would now make each show a battle to make sense from the confusion He added that Weirdcore would bring Seal s paintings alive with the visual art also exploring the idea of making the public feel ill 61 Critical reception EditProfessional ratingsReview scoresSourceRatingAllMusic Stages 1 3 34 Stages 4 6 48 Ondarock it 9 10 Stage 1 38 8 10 Stage 6 53 Pitchfork7 3 10 Stage 1 31 7 9 10 Stage 4 27 Resident Advisor4 3 5 Stage 6 26 Tiny Mix Tapes4 5 Stage 1 36 3 5 5 Stage 2 40 4 5 5 Stage 4 70 3 5 5 Stage 5 47 4 5 5 Stage 6 51 Everywhere at the End of Time received increasingly positive reactions as it progressed 1 19 with one writer theorising that Kirby s expansion on the themes of An Empty Bliss was due to such concept being loaded beyond the capacities of a 40 some minute ambient record 14 In March 2021 it peaked as the best selling record on Boomkat 112 the platform Kirby uses for his physical releases 5 As of 29 December 2022 it remains one of Bandcamp s best selling dark ambient records 113 Initially in response to today s culture of instant reaction Kirby said these parts have been looped for a specific reason which will become clear down the line 1 The first three stages of the series were criticised for their portrayal of dementia Pitchfork contributor Brian Howe expressed concern that the first stage may be a romanticised if not exploitative view of a mental illness He found Kirby s description inaccurate Howe watched his grandmother succumb to it for a decade before she died and it was very little like a beautiful daydream In fact there was nothing aesthetic about it 31 Pat Beane of Tiny Mix Tapes considered Stage 1 the most pleasurable listen from t he Caretaker 36 although Falisi regarded Stage 2 as neither decay or beauty diagnosis or cure 40 In 2021 Hazelwood described Stage 3 as Kirby s default bag of tricks but argued that these are essential to the journey she followed this up by calling the first three stages easily digested and so fast Almost too fast She argued that without those stages and their comforts the transition into Stage 4 wouldn t have the crushing impact it does 10 The last three stages portrayal of dementia was generally described as better Pitchfork contributor Miles Bowe described Stage 4 as avoiding a risk of pale romanticisation 27 and Goldner felt that the record had broken the loop although he added that Temporary Bliss State is not real dementia 70 Falisi writing about Goldner was critical of Stage 5 considering the loop to be unspooling endlessly off the capstans and piling up until new shapes form He described the album s sound as the uncanny choke of absence and argued If the thing is gone why do I still feel it 47 Characterisations of Stage 6 ranged from a mental descent rendered in agonisingly slow motion to something extra ambient whose aches are of the cosmos 26 51 Critics often described Stage 6 with additional praise one called it a jaw dropping piece of sonic art with a unique force 26 114 Critics have also commented on the interpretative though provoking feelings evoked by the series as a whole 21 115 Dave Gurney of Tiny Mix Tapes called it disturbing 116 while Hazelwood said that its music sticks with you its melodies haunting and infecting 10 Luka Vukos in his review for the blog HeadStuff argued that the empathy machine of the series is characterised not by words and its power rests in Kirby s marrying of the vinyl record with the most contemporary modes of digital recall and manipulation 3 Having written about some of Kirby s earlier music Simon Reynolds said the Caretaker could have renamed himself the Caregiver for on this project he resembles a sonic nurse in a hospice for the terminally ill In his opinion titles are heartbreaking and often describe the music more effectively than the reviewer ever could 4 Accolades Edit Everywhere at the End of Time appeared the most on year end lists of The Quietus and Tiny Mix Tapes The latter reviewed each album except for Stage 3 and gave the first fourth and sixth stages the EUREKA award given to albums explor ing the limits of noise and music and worthy of careful consideration 36 51 70 Resident Advisor included Stage 6 in its listing of 2019 s best albums 117 Quietus contributor Maria Perevedentseva chose We Don t Have Many Days as one of the best songs of 2016 118 Stage 5 would later be included in the publication s listing of the best music of September 2018 119 Stage 6 was named the website s Lead Review of the week and the best miscellaneous music release of 2019 19 120 Accolades for Everywhere at the End of Time Album Year Publication List Rank Ref Stage 1 2016 The Quietus Year end 16 121 Tiny Mix Tapes 35 122 Stage 2 2017 The Quietus Semester end 88 123 Stage 3 Year end 39 124 Stage 4 2018 Tiny Mix Tapes 26 125 The Quietus Semester end 37 126 Stage 5 Year end 45 127 Stage 6 2019 Semester end 59 128 Obscure Sound Year end 19 6 Ondarock it 38 129 Il Giornale della Musica it 12 130 Stages 1 6 A Closer Listen Decade end 4 131 Tiny Mix Tapes 41 116 Ondarock 42 132 Spex 133 133 Stages 4 6 The Wire Year end 35 134 Impact and popularity EditConsidered some of the best albums of the 2010s 116 135 Everywhere at the End of Time is regarded by several critics and musicians as Kirby s magnum opus 136 137 138 One reviewer singled out the two penultimate stages the most chaotic ones as making listeners reflect on the feeling of having dementia 25 Everywhere s conceptualisation also received acclaim the portrayal of dementia was described by The Vinyl Factory as remarkably emotive and by Vogue s Corey Seymour as life changing 8 139 Tiny Mix Tapes writer Jessie Dunn Rovinelli said Stage 6 s corny ending gives the release his concept might want to refuse but that our decaying sappy minds want 140 Inspired by the Caretaker 141 the fan made 100 track album Memories Overlooked was released in 2017 by vaporwave musicians whose elder relatives had dementia 16 142 143 Daily Record writer Darren McGarvey claimed he felt struck by a deep sense of gratitude after finishing Everywhere stating that is the power of a proper piece of art 144 and author Cole Quinn called Everywhere the greatest album of all time 33 The album cover of Memories Overlooked 2017 Text from the thumbnail of a YouTube video about EverywhereIn 2017 vaporwave musicians whose elder relatives had Alzheimer s disease produced the seven hour long Memories Overlooked in tribute of the Caretaker 143 In 2020 Internet users popularised the series for its breaking reflection of dementia and created creepypasta and meme related content about it 14 In January 2020 YouTube user Solar Sands uploaded the video Can You Name One Object In This Photo exploring the aspects of Seal s work in Everywhere 21 it received 3 5 million views as of 29 December 2022 145 Later in October users on the social media platform TikTok created a challenge of listening to the entire series in one sitting due to its long length and existential themes 146 147 148 Kirby knew about the phenomenon from an exponential growth of views on the series YouTube upload 27 million as of 29 December 2022 5 only 12 of them came from the platform s algorithm whereas direct searches made up over 50 135 149 In a video some writers hypothesised as the cause of Everywhere s popularity YouTuber A Bucket of Jake called the series the darkest album I have ever heard 14 150 151 Following its popularity the series appeared often on Bandcamp s ambient recommendations 152 Some TikTok users shared fictional creepypasta stories of the series with claims that it cures patients or conversely that it introduces symptoms of dementia in people 13 153 The claims and the listening challenge triggered a negative backlash from others who felt it offended patients 13 14 150 Kirby however did not feel this way but rather saw the series as giving teenagers an understanding into the symptoms a person with dementia may face 135 149 Lazlo Rugoff of the Vinyl Factory found the TikTok phenomenon drew an unlikely audience of teenagers to Kirby s music 146 and Everywhere was later called by TikTok s William Gruger a niche discovery and unexpected hit 154 The series has seen continued use as a meme throughout the early 2020s coinciding with the period of the COVID 19 pandemic and its mental health issues on teenagers 13 14 Several parodies of the albums have been created by new fans following this period including one sampling the music library from SpongeBob SquarePants 155 In 2021 Everywhere gained attention among the modding community of the rhythm game Friday Night Funkin 2020 the mod Everywhere at the End of Funk was described by Wren Romero of esports group Gamurs as one of the most unique experiences of any FNF mod 156 The series was also popularised for its relation to the Backrooms a creepypasta about an endless empty office space which writer Silvia Trevisson said stemmed from their similar portrayals of absurd states of mind 157 Scientific response Edit Within neurological research groups Everywhere at the End of Time has been seen as a generally positive influence One Iowa State University researcher found the series to present the chilling reality of Alzheimer s disease highlighting the gradual progression of calmness into confusion 158 Brian Browne the president of Dementia Care Education said Kirby s portrayal of Alzheimer s disease is a much welcome thing to caretakers of dementia patients He praised the series newfound attention as it produces the empathy that s needed 13 Browne concludes The composer of this music really was onto something in terms of being able to through the medium of music lead a younger generation on a journey through the sounds of what the brain is going through through a dementing process Partially positive of Kirby s work French neuropsychologist Herve Platel praised Everywhere s approach and general faithfulness to the process of dementia However Platel also criticised the series for giving the impression of memory as a linear system explaining that musical memory is the last to fade away 159 Track listing EditAdapted from Bandcamp 15 Total lengths and notes adapted from Kirby s YouTube uploads of Stages 1 3 94 95 160 Stages 4 6 49 161 162 and the complete edition 5 Stage 1No TitleLength1 A1 It s Just a Burning Memory 3 322 A2 We Don t Have Many Days 3 303 A3 Late Afternoon Drifting 3 354 A4 Childishly Fresh Eyes 2 585 A5 Slightly Bewildered 2 016 A6 Things That Are Beautiful and Transient 4 347 B1 All That Follows Is True 3 318 B2 An Autumnal Equinox 2 469 B3 Quiet Internal Rebellions 3 3010 B4 The Loves of My Entire Life 4 0411 B5 Into Each Others Eyes 4 3612 B6 My Heart Will Stop in Joy 2 41Total length 41 18 Stage 2No TitleLength13 C1 A Losing Battle Is Raging 4 3714 C2 Misplaced in Time 4 4215 C3 What Does It Matter How My Heart Breaks 2 3716 C4 Glimpses of Hope in Trying Times 4 4317 C5 Surrendering to Despair 5 0318 D1 I Still Feel As Though I Am Me 4 0719 D2 Quiet Dusk Coming Early 3 3620 D3 Last Moments of Pure Recall 3 5221 D4 Denial Unravelling 4 1622 D5 The Way Ahead Feels Lonely titled The Away sic Ahead Feels Lonely on Weirdcore s video 4 15Total length 41 48 Stage 3No TitleLength23 E1 Back There Benjamin 4 1424 E2 And Heart Breaks 4 0525 E3 Hidden Sea Buried Deep 1 2026 E4 Libet s All Joyful Camaraderie 3 1227 E5 To the Minimal Great Hidden 1 4128 E6 Sublime Beyond Loss 2 1029 E7 Bewildered in Other Eyes titled Bewildered in Others Eyes on the Stage 3 Boomkat page 1 5130 E8 Long Term Dusk Glimpses 3 3331 F1 Gradations of Arms Length 1 3132 F2 Drifting Time Misplaced titled Drifting Time Replaced on the Stage 3 YouTube upload 4 1533 F3 Internal Bewildered World 3 2934 F4 Burning Despair Does Ache 2 3735 F5 Aching Cavern Without Lucidity 1 1936 F6 An Empty Bliss Beyond This World 3 3637 F7 Libet Delay 3 5738 F8 Mournful Cameraderie 2 39Total length 45 29 Stage 4No TitleLength39 G1 Post Awareness Confusions 22 0940 H1 Post Awareness Confusions 21 5341 I1 Temporary Bliss State 21 0142 J1 Post Awareness Confusions 22 16Total length 87 19 Stage 5No TitleLength43 K1 Advanced Plaque Entanglements 22 3544 L1 Advanced Plaque Entanglements 22 4845 M1 Synapse Retrogenesis 20 4846 N1 Sudden Time Regression into Isolation 22 08Total length 88 19 Stage 6No TitleLength47 O1 A Confusion So Thick You Forget Forgetting excludes the A on Boomkat 21 5248 P1 A Brutal Bliss Beyond This Empty Defeat 21 3649 Q1 Long Decline Is Over 21 0950 R1 Place in the World Fades Away 21 19Total length 85 56Personnel EditCredits adapted from YouTube 5 Leyland Kirby producer Ivan Seal artwork Andreas Lubich masteringRelease history EditAll released worldwide by record label History Always Favours the Winners Stages 1 3 Date Format Catalog number Ref 12 October 2017 Triple CDdigital download HAFTWCD0103 163 7 April 2019 Triple LP HAFTW025026027 SET 164 Stages 4 6 Date Format Catalog number Ref 14 March 2019 Quadruple CDdigital download HAFTWCD0406 165 Sextuple LP HAFTW028029030 SET 166 See also Edit Music portal Psychology portal Internet portalAlzheimer s disease in the media It s Such a Beautiful Day 2012 a film series portraying mental illness and immortality List of concept albums Music therapy for Alzheimer s disease William Utermohlen an artist with Alzheimer s disease who drew six self portraits to chronicle the disorder s advancementNotes Edit Stylised in sentence case Lyrics from Heartaches 1931 French for It s all over References Edit a b c d e f g h i j k l m n o Doran John 22 September 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2021 via YouTube a b Mineo Mike 17 December 2019 Best Albums of 2019 20 to 11 Obscure Sound sec 19 The Caretaker Everywhere at the End of Time Stage 6 Archived from the original on 14 June 2021 Retrieved 14 June 2021 Studarus Laura 26 May 2017 Big Ups Sondre Lerche Bandcamp Daily sec The Caretaker Archived from the original on 9 July 2021 Retrieved 8 July 2021 a b The 10 best new vinyl releases this week The Vinyl Factory 18 March 2019 sec The Caretaker Everywhere at the end of time Stage 6 Archived from the original on 28 June 2021 Retrieved 28 June 2021 Falisi Frank 8 December 2017 2017 Superficial Temporal Tiny Mix Tapes sec Dementia Everywhere at the End of Time Archived from the original on 6 May 2021 Retrieved 5 May 2021 a b c d e f g h i j k l m n o p q r s t u v w x Hazelwood Holly 18 January 2021 Rediscover The Caretaker Everywhere at the End of Time Spectrum Culture Archived from the original on 29 January 2021 Retrieved 4 March 2021 Weiss Alexandra 2019 Not Looking Back 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Alexandre 9 May 2018 The Caretaker PRESENCES electronique 2018 INA grm 3 36 Archived from the original on 15 May 2021 Retrieved 16 July 2021 via YouTube a b c d e f g Bates Landon 18 September 2018 The Process The Caretaker The Believer Archived from the original on 13 May 2021 Retrieved 7 April 2021 Lubich Andreas Loop O Archived from the original on 16 December 2021 Retrieved 14 February 2022 a b Lore Adrian Mark 17 November 2017 Where are they now Where aren t they yet Catching up with Leyland Kirby Uwire Text UWIRE p 1 Retrieved 14 February 2022 via Gale Academic OneFile a b c d e Melfi Daniel 7 October 2019 Leyland James Kirby On The Caretaker Alzheimer s Disease And His Show At Unsound Festival Telekom Electronic Beats Archived from the original on 2 January 2021 Retrieved 19 February 2021 a b Tan Declan 10 March 2018 The Noise In Between An Interview With Ivan Seal The Quietus para 19 Archived from the original on 17 July 2021 Retrieved 9 June 2021 a b c Battaglia Andy 14 November 2019 In Abandoned 14th Century Building in Poland a Painting Show Where the Art Aims to Disappear ARTnews Archived from the original on 21 April 2021 Retrieved 8 April 2021 Andersson Oliver Johansen Malin 31 August 2021 Hur kan demens illustreras battre inom film En studie om att visualisera det icke visuella How can dementia be better illustrated in film A study of visualizing the non visual in Swedish Blekinge Institute of Technology p 5 Retrieved 1 October 2022 via DiVA a href Template Cite web html title Template Cite web cite web a CS1 maint url status link a b c d e f g Leahy Sydney 8 May 2021 Everywhere at The End of Time Teen Ink Archived from the original on 11 May 2021 Retrieved 14 February 2022 Noel Jude 5 December 2019 2010s Favorite 50 Cover Art of the Decade Tiny Mix Tapes p 5 sec The Caretaker Everywhere at the end of time Archived from the original on 20 December 2019 Retrieved 5 May 2021 Reid Reed Scott 8 December 2016 2016 Favorite Cover Art Tiny Mix Tapes sec 17 The Caretaker Everywhere at the end of time Archived from the original on 25 February 2021 Retrieved 5 May 2021 a b IVAN SEAL THE CARETAKER everywhere an empty bliss DOSSIER PEDAGOGIQUE PDF FRAC Auvergne Archived PDF from the original on 6 May 2020 Retrieved 20 April 2021 a b c Ivan Seal The Caretaker everywhere an empty bliss DOSSIER DE PRESSE PDF FRAC Auvergne Archived PDF from the original on 1 July 2021 Retrieved 20 April 2021 a b c d e f Goldner Sam 30 April 2018 The Caretaker Everywhere at the end of time Stage 4 Music Review Tiny Mix Tapes Archived from the original on 23 April 2021 Retrieved 12 March 2021 Ivan Seal The Caretaker Everywhere an empty bliss FRAC Auvergne 6 April 2019 Archived from the original on 18 March 2021 Retrieved 2 June 2021 Bowe Miles 22 September 2016 The Caretaker to explore tragedy of memory loss with six album series over three years Fact Archived from the original on 13 May 2021 Retrieved 12 May 2021 Eede Christian 6 April 2017 The Caretaker s New Album Is Out Now The Quietus Archived from the original on 17 July 2021 Retrieved 8 June 2021 Carney Kyle 22 September 2016 The Caretaker announces new album series inspired by dementia Treblezine Archived from the original on 27 September 2016 Retrieved 31 March 2022 Bowe Miles 28 September 2017 Leyland James Kirby releases two new albums Fact Archived from the original on 4 May 2021 Retrieved 4 May 2021 Lin Marvin Mr P 28 September 2017 The Caretaker releases Stage 3 of his six album series on dementia reveals 3xCD collector set Tiny Mix Tapes Archived from the original on 28 April 2021 Retrieved 5 May 2021 Bowe Miles 6 April 2017 The Caretaker releases second installment of his six part final album Fact Archived from the original on 4 May 2021 Retrieved 4 May 2021 Lin Marvin Mr P 20 September 2018 The Caretaker releases Stage 5 of his six album series on dementia Everywhere at the end of time Tiny Mix Tapes Archived from the original on 11 May 2021 Retrieved 5 May 2021 Clarke 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Archived from the original on 17 July 2021 Retrieved 8 June 2021 Ryce Andrew 22 September 2016 The Caretaker returns with new album Everywhere At The End Of Time Resident Advisor Archived from the original on 7 May 2021 Retrieved 5 May 2021 Perez Rosa Ramirez 30 June 2021 Antes de que se desvanezca Encuentros y aproximaciones alternativas a la memoria en la practica artistica contemporanea Before it fades Encounters and alternative approaches to memory in contemporary artistic practice in Spanish University of Seville p 72 sec Aides des memoires Aided by memories Retrieved 13 November 2022 via Handle System a href Template Cite web html title Template Cite web cite web a CS1 maint url status link a b Strauss Matthew 22 September 2016 James Leyland Kirby Gives The Caretaker Alias Dementia Releases First of Final 6 Albums Pitchfork Archived from the original on 21 April 2021 Retrieved 5 April 2021 Darville Jordan 22 September 2016 This Musician Is Recreating Dementia s Progression Over Three Years With Six Albums The Fader Archived from the original on 21 April 2021 Retrieved 5 April 2021 Lin Marvin Mr P 22 September 2016 The Caretaker to release a six part series exploring dementia over the course of three years Tiny Mix Tapes Archived from the original on 5 May 2021 Retrieved 5 May 2021 Clarke Patrick 20 September 2018 Phase Five Of The Caretaker s Everywhere At The End Of Time The Quietus Archived from the original on 14 July 2021 Retrieved 3 May 2021 Eede Christian 14 March 2019 The Caretaker Releases Project s Final Stage The Quietus Archived from the original on 17 July 2021 Retrieved 11 May 2021 Final release for The Caretaker project after 20 years The Wire 19 March 2019 Archived from the original on 21 October 2020 Retrieved 26 May 2021 Bruce Jones Henry 14 March 2019 The Caretaker bids farewell with Everywhere At The End Of Time Stage 6 Fact Archived from the original on 28 June 2021 Retrieved 8 June 2021 a b Kirby Leyland 22 September 2016 The Caretaker 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2019 Releases XLR8R 19 December 2019 sec The Caretaker Everywhere at the End Of Time Stage 6 Archived from the original on 29 June 2021 Retrieved 29 June 2021 Schofield Michael Peter 2019 Re Animating Ghosts Materiality and Memory in Hauntological Appropriation International Journal of Film and Media Arts Repositorio Cientifico Lusofona Lusophone Scientific Repository p 4 Retrieved 24 July 2022 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link a b c Gurney Dave 19 December 2019 2010s Favorite 100 Music Releases of the Decade Tiny Mix Tapes p 3 sec 41 The Caretaker Everywhere at the end of time Archived from the original on 1 May 2021 Retrieved 29 April 2021 2019 s Best Albums Resident Advisor Archived from the original on 3 February 2021 Retrieved 14 July 2021 Perevedentseva Maria 21 December 2016 Tracks Of The Year 2016 The Quietus The Caretaker We Don t Have Many Days Archived from the original on 17 July 2021 Retrieved 8 July 2021 Clarke 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sec Unexpected Hits and Niche Discoveries Everywhere at the End of the World Archived from the original on 7 March 2021 Retrieved 6 April 2021 Seon woong Hwang 8 March 2022 비키니 시티를 배회하는 유령 The Spongetaker의 앨범 Everywhere At The End Of Bikini Bottom Ghosts roaming Bikini City album by The Spongetaker Everywhere At The End Of Bikini Bottom Visla Magazine in Korean Archived from the original on 8 November 2022 Retrieved 8 November 2022 Romero Wren 9 August 2021 The best mods for Friday Night Funkin Gamepur Gamurs sec Everywhere at the End of Funk Archived from the original on 9 August 2021 Retrieved 25 August 2021 Trevisson Silvia 30 April 2022 How backrooms became an urban legend of the digital age NSS Magazine para 6 Archived from the original on 4 August 2022 Retrieved 3 August 2022 Theis Emma Music amp Memory Music Therapy for People with Alzheimer s Disease PDF Iowa State University p 8 Retrieved 31 March 2022 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link AFP 19 September 2021 Un disque pour vivre la maladie d Alzheimer de l interieur A record to experience Alzheimer s disease from the inside Le Courrier picard fr in French La Une Archived from the original on 31 March 2022 Retrieved 31 March 2022 Kirby Leyland 28 September 2017 The Caretaker Everywhere at the end of time Stage 3 Full Album vvmtest Archived from the original on 3 June 2021 Retrieved 1 June 2021 via YouTube Kirby Leyland 5 April 2018 The Caretaker Everywhere At The End Of Time Stage 4 Full Album vvmtest Archived from the original on 3 June 2021 Retrieved 1 June 2021 via YouTube Kirby Leyland 14 March 2019 The Caretaker Everywhere At The End Of Time Stage 6 FULL ALBUM vvmtest Archived from the original on 3 June 2021 Retrieved 1 June 2021 via YouTube Kirby Leyland 12 October 2017 Everywhere At The End Of Time Stages 1 3 Boomkat Archived from the original on 22 November 2017 Retrieved 16 May 2021 Kirby Leyland 7 April 2019 Everywhere At The End Of Time Stages 1 3 Vinyl Set Boomkat Archived from the original on 20 October 2020 Retrieved 16 May 2021 Kirby Leyland 14 March 2019 Everywhere At The End Of Time Stages 4 6 4CD Set Boomkat Archived from the original on 31 March 2019 Retrieved 16 May 2021 Kirby Leyland 14 March 2019 Everywhere At The End Of Time Stages 4 6 Vinyl Set Boomkat Archived from the original on 31 March 2019 Retrieved 16 May 2021 External links EditEverywhere at the End of Time at Discogs Everywhere at the End of Time at MusicBrainz EverywhereAtTheEndOfTime on TikTok We are in the Shadow of a Distant Fire by Leyland Kirby Retrieved from https en wikipedia org w index php title Everywhere at the End of Time amp oldid 1130381834, wikipedia, wiki, book, books, library,

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