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Contemporary art

March 18, 2023

Not to be confused with Modern art.

Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality.

Contemporary art
Dona i Ocell, by Joan Miró
Rose, by Isa Genzken

In vernacular English, modern and contemporary are synonyms, resulting in some conflation and confusion of the terms modern art and contemporary art by non-specialists.[1]

Scope

Some define contemporary art as art produced within "our lifetime," recognising that lifetimes and life spans vary. However, there is a recognition that this generic definition is subject to specialized limitations.[2]

The classification of "contemporary art" as a special type of art, rather than a general adjectival phrase, goes back to the beginnings of Modernism in the English-speaking world. In London, the Contemporary Art Society was founded in 1910 by the critic Roger Fry and others, as a private society for buying works of art to place in public museums.[3] A number of other institutions using the term were founded in the 1930s, such as in 1938 the Contemporary Art Society of Adelaide, Australia,[4] and an increasing number after 1945.[5] Many, like the Institute of Contemporary Art, Boston changed their names from ones using "Modern art" in this period, as Modernism became defined as a historical art movement, and much "modern" art ceased to be "contemporary". The definition of what is contemporary is naturally always on the move, anchored in the present with a start date that moves forward, and the works the Contemporary Art Society bought in 1910 could no longer be described as contemporary.

Particular points that have been seen as marking a change in art styles include the end of World War II and the 1960s. There has perhaps been a lack of natural break points since the 1960s, and definitions of what constitutes "contemporary art" in the 2010s vary, and are mostly imprecise. Art from the past 20 years is very likely to be included, and definitions often include art going back to about 1970;[6] "the art of the late 20th and early 21st century";[7] "both an outgrowth and a rejection of modern art";[8] "Strictly speaking, the term "contemporary art" refers to art made and produced by artists living today";[9] "Art from the 1960s or [19]70s up until this very minute";[10] and sometimes further, especially in museum contexts, as museums which form a permanent collection of contemporary art inevitably find this aging. Many use the formulation "Modern and Contemporary Art", which avoids this problem.[11] Smaller commercial galleries, magazines and other sources may use stricter definitions, perhaps restricting the "contemporary" to work from 2000 onwards. Artists who are still productive after a long career, and ongoing art movements, may present a particular issue; galleries and critics are often reluctant to divide their work between the contemporary and non-contemporary.[citation needed]

Sociologist Nathalie Heinich draws a distinction between modern and contemporary art, describing them as two different paradigms which partially overlap historically. She found that while "modern art" challenges the conventions of representation, "contemporary art" challenges the very notion of an artwork.[12] She regards Duchamp's Fountain (which was made in the 1910s in the midst of the triumph of modern art) as the starting point of contemporary art, which gained momentum after World War II with Gutai's performances, Yves Klein's monochromes and Rauschenberg's Erased de Kooning Drawing.[13]

Themes

 
Irbid, Jordan, "We are Arabs. We are Humans". Inside Out is a global participatory art project, initiated by the French photographer JR, an example of Street art

Contemporary artwork is characterised by diversity: diversity of material, of form, of subject matter, and even time periods. It is "distinguished by the very lack of a uniform organizing principle, ideology, or - ism"[14] that is seen in many other art periods and movements. The focus of Modernism is self-referential. Impressionism looks at our perception of a moment through light and color, as opposed to the attempt to reflect stark reality in Realism. Contemporary art, on the other hand, does not have one, single objective or point of view, so it can be contradictory and open-ended. There are nonetheless several common themes that have appeared in contemporary works, such as identity politics, the body, globalization and migration, technology, contemporary society and culture, time and memory, and institutional and political critique.[15]

Institutions

 
The Château de Montsoreau-Museum of Contemporary Art (France), is a private institution based in a Renaissance castle.
 
Kiasma, a contemporary art museum in Helsinki, Finland

The functioning of the art world is dependent on art institutions, ranging from major museums to private galleries, non-profit spaces, art schools and publishers, and the practices of individual artists, curators, writers, collectors, and philanthropists. A major division in the art world is between the for-profit and non-profit sectors, although in recent years the boundaries between for-profit private and non-profit public institutions have become increasingly blurred.[citation needed] Most well-known contemporary art is exhibited by professional artists at commercial contemporary art galleries, by private collectors, art auctions, corporations, publicly funded arts organizations, contemporary art museums or by artists themselves in artist-run spaces.[16] Contemporary artists are supported by grants, awards, and prizes as well as by direct sales of their work. Career artists train at art school or emerge from other fields.[citation needed]

There are close relationships between publicly funded contemporary art organizations and the commercial sector. For instance, in 2005 the book Understanding International Art Markets and Management reported that in Britain a handful of dealers represented the artists featured in leading publicly funded contemporary art museums.[17] Commercial organizations include galleries and art fairs.[18]

Corporations have also integrated themselves into the contemporary art world, exhibiting contemporary art within their premises, organizing and sponsoring contemporary art awards, and building up extensive corporate collections.[19] Corporate advertisers frequently use the prestige associated with contemporary art and coolhunting to draw the attention of consumers to luxury goods.[20]

The institutions of art have been criticized for regulating what is designated as contemporary art. Outsider art, for instance, is literally contemporary art, in that it is produced in the present day. However, one critic has argued it is not considered so because the artists are self-taught and are thus assumed to be working outside of an art historical context.[21] Craft activities, such as textile design, are also excluded from the realm of contemporary art, despite large audiences for exhibitions.[22] Art critic Peter Timms has said that attention is drawn to the way that craft objects must subscribe to particular values in order to be admitted to the realm of contemporary art. "A ceramic object that is intended as a subversive comment on the nature of beauty is more likely to fit the definition of contemporary art than one that is simply beautiful."[23]

At any one time a particular place or group of artists can have a strong influence on subsequent contemporary art. For instance, The Ferus Gallery was a commercial gallery in Los Angeles and re-invigorated the Californian contemporary art scene in the late fifties and the sixties.

Public attitudes

Contemporary art can sometimes seem at odds with a public that does not feel that art and its institutions share its values.[24] In Britain, in the 1990s, contemporary art became a part of popular culture, with artists becoming stars, but this did not lead to a hoped-for "cultural utopia".[25] Some critics like Julian Spalding and Donald Kuspit have suggested that skepticism, even rejection, is a legitimate and reasonable response to much contemporary art.[26] Brian Ashbee in an essay called "Art Bollocks" criticizes "much installation art, photography, conceptual art, video and other practices generally called post-modern" as being too dependent on verbal explanations in the form of theoretical discourse.[27] However, the acceptance of non traditional art in museums has increased due to changing perspectives on what constitutes an art piece.[28]

Concerns

Main article: Classificatory disputes about art

A common concern since the early part of the 20th century has been the question of what constitutes art. In the contemporary period (1950 to now), the concept of avant-garde[29] may come into play in determining what art is noticed by galleries, museums, and collectors.

The concerns of contemporary art come in for criticism too. Andrea Rosen has said that some contemporary painters "have absolutely no idea of what it means to be a contemporary artist" and that they "are in it for all the wrong reasons."[30]

Prizes

Some competitions, awards, and prizes in contemporary art are:

History

This table lists art movements and styles by decade. It should not be assumed to be conclusive.

1950s

1960s

1970s

1980s

1990s

2000s

2010s

2020s

See also

Notes

  1. ^ NYU Steinhardt, Department of Art and Arts Professions, New York
  2. ^ Esaak, Shelley. "What is "Contemporary" Art?". About.com. Retrieved 28 April 2013.
  3. ^ Fry Roger, Ed. Craufurd D. Goodwin, Art and the Market: Roger Fry on Commerce in Art, 1999, University of Michigan Press, ISBN 0472109022, 9780472109029, google books
  4. ^ Also the Contemporary Arts Society of Montreal, 1939–1948
  5. ^ Smith, 257–258
  6. ^ Some definitions: "Art21 defines contemporary art as the work of artists who are living in the twenty-first century." Art21
  7. ^ "Contemporary art - Define Contemporary art at Dictionary.com". Dictionary.com.
  8. ^ . Archived from the original on 2013-07-20.
  9. ^ "About Contemporary Art (Education at the Getty)".
  10. ^ Shelley Esaak. "What is Contemporary Art?". About.com Education.
  11. ^ Examples of specializing museums include the Strasbourg Museum of Modern and Contemporary Art and Museum of Modern and Contemporary Art of Trento and Rovereto. The Oxford Dictionary of Modern and Contemporary Art is one of many book titles to use the phrase.
  12. ^ Heinich, Nathalie, Ed. Gallimard, Le paradigme de l'art contemporain : Structures d'une révolution artistique , 2014, ISBN 2070139239, 9782070139231, google books
  13. ^ Nathalie Heinich lecture "Contemporary art: an artistic revolution ? at 'Agora des savoirs' 21st edition, 6 May 2015.
  14. ^ Contemporary Art in Context. (2016). Retrieved December 11, 2016
  15. ^ Robertson, J., & McDaniel, C. (2012). Themes of Contemporary Art: Visual Art after 1980 (3rd ed.). Oxford: Oxford University Press.
  16. ^ "Largest Art & Language Collection Finds Home - artnet News". artnet News. 2015-06-23. Retrieved 2018-09-10.
  17. ^ Derrick Chong in Iain Robertson, Understanding International Art Markets And Management, Routledge, 2005, p95. ISBN 0-415-33956-1
  18. ^ Grishin, Sasha. "With commercial galleries an endangered species, are art fairs a necessary evil?". The Conversation. Retrieved 2019-12-05.
  19. ^ Chin-Tao Wu, Privatising Culture: Corporate Art Intervention Since the 1980s, Verso, 2002, p14. ISBN 1-85984-472-3
  20. ^ Jasmin Mosielski, Coolhunting: Evaluating the Capacity for Agency and Resistance in the Consumption of Mass Produced Culturally-Relevant Goods (Ph.D. diss., Carleton Univ., 2012); and Peter Andreas Gloor and Scott M. Cooper, Coolhunting: Chasing Down the Next Big Thing (NYC: AMACOM, 2007), 168-70. ISBN 0814400655
  21. ^ Gary Alan Fine, Everyday Genius: Self-Taught Art and the Culture of Authenticity, University of Chicago Press, 2004, pp42-43. ISBN 0-226-24950-6
  22. ^ Peter Dormer, The Culture of Craft: Status and Future, Manchester University Press, 1996, p175. ISBN 0-7190-4618-1
  23. ^ Peter Timms, What's Wrong with Contemporary Art?, UNSW Press, 2004, p17. ISBN 0-86840-407-1
  24. ^ Mary Jane Jacob and Michael Brenson, Conversations at the Castle: Changing Audiences and Contemporary Art, MIT Press, 1998, p30. ISBN 0-262-10072-X
  25. ^ Julian Stallabrass, High Art Lite: British Art in the 1990s, Verso, 1999, pp1-2. ISBN 1-85984-721-8
  26. ^ Spalding, Julian, The Eclipse of Art: Tackling the Crisis in Art Today, Prestel Publishing, 2003. ISBN 3-7913-2881-6
  27. ^ . Ipod.org.uk. 1990-05-05. Archived from the original on 16 July 2011. Retrieved 2011-08-17.
  28. ^ "What is Art? | Boundless Art History". courses.lumenlearning.com. Retrieved 2018-05-04.
  29. ^ Fred Orton & Griselda Pollock, Avant-Gardes and Partisans Reviewed. Manchester University, 1996. ISBN 0-7190-4399-9
  30. ^ Haas, Nancy (2000-03-05), "Stirring Up the Art World Again". The New York Times, [1].
  31. ^ . Archived from the original on 2014-11-06.
  32. ^ Jindřich Chalupecký Award 2007-09-27 at the Wayback Machine

References

Further reading

  • Altshuler, B. (2013). Biennials and Beyond: Exhibitions that Made Art History: 1962-2002. New York, N.Y.: Phaidon Press, ISBN 978-0714864952
  • Atkins, Robert (2013). Artspeak: A Guide To Contemporary Ideas, Movements, and Buzzwords, 1945 To the Present (3rd. ed.). New York: Abbeville Press. ISBN 978-0789211514.
  • Danto, A. C. (2013). What is art. New Haven: Yale University Press, ISBN 978-0300205718
  • Desai, V. N. (Ed.). (2007). Asian art history in the twenty-first century. Williamstown, Mass.: Sterling and Francine Clark Art Institute, ISBN 978-0300125535
  • Fullerton, E. (2016). Artrage! : the story of the BritArt revolution. London: Thames & Hudson Ltd, ISBN 978-0500239445
  • Gielen, Pascal (2009). The Murmuring of the Artistic Multitude: Global Art, Memory and Post-Fordism. Amsterdam: Valiz, ISBN 9789078088394
  • Gompertz, W. (2013). What Are You Looking At?: The Surprising, Shocking, and Sometimes Strange Story of 150 Years of Modern Art (2nd ed.). New York, N.Y.: Plume, ISBN 978-0142180297
  • Harris, J. (2011). Globalization and Contemporary Art. Hoboken, N.J.: Wiley-Blackwell, ISBN 978-1405179508
  • Lailach, M. (2007). Land Art. London: Taschen, ISBN 978-3822856130
  • Martin, S. (2006). Video Art. (U. Grosenick, Ed.). Los Angeles: Taschen, ISBN 978-3822829509
  • Mercer, K. (2008). Exiles, diasporas & strangers. Cambridge, Massachusetts: MIT Press, ISBN 978-0262633581
  • Robertson, J., & McDaniel, C. (2012). Themes of Contemporary Art: Visual Art after 1980 (3rd ed.). Oxford: Oxford University Press, ISBN 978-0199797073
  • Robinson, H. (Ed.). (2015). Feminism-art-theory : an anthology 1968-2014 (2nd ed.). Chichester, West Sussex: Wiley-Blackwell, ISBN 978-1118360590
  • Stiles, Kristine and Peter Howard Selz, Theories and Documents of Contemporary Art, A Sourcebook of Artists's Writings (1996), ISBN 0-520-20251-1
  • Strehovec, J. (2020).Contemporary Art Impacts on Scientific, Social, and Cultural Paradigms: Emerging Research and Opportunities. Hershey, PA: IGIGlobal.
  • Thompson, D. (2010). The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art. New York, N.Y.: St. Martin's Griffin, ISBN 978-0230620599
  • Thorton, S. (2009). Seven Days in the Art World. New York, N.Y.: W.W. Norton & Company, ISBN 978-0393337129
  • Wallace, Isabelle Loring and Jennie Hirsh, Contemporary Art and Classical Myth. Farnham: Ashgate (2011), ISBN 978-0-7546-6974-6
  • Warr, T. (Ed.). (2012). The Artist’s Body (Revised). New York, N.Y.: Phaidon Press, ISBN 978-0714863931
  • Wilson, M. (2013). How to read contemporary art : experiencing the art of the 21st century. New York, N.Y.: Abrams, ISBN 978-1419707537

External links

  •   Media related to Contemporary art at Wikimedia Commons

March 18, 2023
contemporary, confused, with, modern, today, produced, second, half, 20th, century, 21st, century, ists, work, globally, influenced, culturally, diverse, technologically, advancing, world, their, dynamic, combination, materials, methods, concepts, subjects, th. Not to be confused with Modern art Contemporary art is the art of today produced in the second half of the 20th century or in the 21st century Contemporary artists work in a globally influenced culturally diverse and technologically advancing world Their art is a dynamic combination of materials methods concepts and subjects that continue the challenging of boundaries that was already well underway in the 20th century Diverse and eclectic contemporary art as a whole is distinguished by the very lack of a uniform organising principle ideology or ism Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity family community and nationality Contemporary artDona i Ocell by Joan MiroRose by Isa Genzken In vernacular English modern and contemporary are synonyms resulting in some conflation and confusion of the terms modern art and contemporary art by non specialists 1 Contents 1 Scope 2 Themes 3 Institutions 4 Public attitudes 5 Concerns 6 Prizes 7 History 7 1 1950s 7 2 1960s 7 3 1970s 7 4 1980s 7 5 1990s 7 6 2000s 7 7 2010s 8 See also 9 Notes 10 References 11 Further reading 12 External linksScope EditSome define contemporary art as art produced within our lifetime recognising that lifetimes and life spans vary However there is a recognition that this generic definition is subject to specialized limitations 2 The classification of contemporary art as a special type of art rather than a general adjectival phrase goes back to the beginnings of Modernism in the English speaking world In London the Contemporary Art Society was founded in 1910 by the critic Roger Fry and others as a private society for buying works of art to place in public museums 3 A number of other institutions using the term were founded in the 1930s such as in 1938 the Contemporary Art Society of Adelaide Australia 4 and an increasing number after 1945 5 Many like the Institute of Contemporary Art Boston changed their names from ones using Modern art in this period as Modernism became defined as a historical art movement and much modern art ceased to be contemporary The definition of what is contemporary is naturally always on the move anchored in the present with a start date that moves forward and the works the Contemporary Art Society bought in 1910 could no longer be described as contemporary Charles Thomson Sir Nicholas Serota Makes an Acquisitions Decision 2000 Stuckism Particular points that have been seen as marking a change in art styles include the end of World War II and the 1960s There has perhaps been a lack of natural break points since the 1960s and definitions of what constitutes contemporary art in the 2010s vary and are mostly imprecise Art from the past 20 years is very likely to be included and definitions often include art going back to about 1970 6 the art of the late 20th and early 21st century 7 both an outgrowth and a rejection of modern art 8 Strictly speaking the term contemporary art refers to art made and produced by artists living today 9 Art from the 1960s or 19 70s up until this very minute 10 and sometimes further especially in museum contexts as museums which form a permanent collection of contemporary art inevitably find this aging Many use the formulation Modern and Contemporary Art which avoids this problem 11 Smaller commercial galleries magazines and other sources may use stricter definitions perhaps restricting the contemporary to work from 2000 onwards Artists who are still productive after a long career and ongoing art movements may present a particular issue galleries and critics are often reluctant to divide their work between the contemporary and non contemporary citation needed Sociologist Nathalie Heinich draws a distinction between modern and contemporary art describing them as two different paradigms which partially overlap historically She found that while modern art challenges the conventions of representation contemporary art challenges the very notion of an artwork 12 She regards Duchamp s Fountain which was made in the 1910s in the midst of the triumph of modern art as the starting point of contemporary art which gained momentum after World War II with Gutai s performances Yves Klein s monochromes and Rauschenberg s Erased de Kooning Drawing 13 Themes Edit Irbid Jordan We are Arabs We are Humans Inside Out is a global participatory art project initiated by the French photographer JR an example of Street art Contemporary artwork is characterised by diversity diversity of material of form of subject matter and even time periods It is distinguished by the very lack of a uniform organizing principle ideology or ism 14 that is seen in many other art periods and movements The focus of Modernism is self referential Impressionism looks at our perception of a moment through light and color as opposed to the attempt to reflect stark reality in Realism Contemporary art on the other hand does not have one single objective or point of view so it can be contradictory and open ended There are nonetheless several common themes that have appeared in contemporary works such as identity politics the body globalization and migration technology contemporary society and culture time and memory and institutional and political critique 15 Institutions EditThis section needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed February 2018 Learn how and when to remove this template message The Chateau de Montsoreau Museum of Contemporary Art France is a private institution based in a Renaissance castle The Museum of Contemporary Art in Miami Florida Kiasma a contemporary art museum in Helsinki Finland The functioning of the art world is dependent on art institutions ranging from major museums to private galleries non profit spaces art schools and publishers and the practices of individual artists curators writers collectors and philanthropists A major division in the art world is between the for profit and non profit sectors although in recent years the boundaries between for profit private and non profit public institutions have become increasingly blurred citation needed Most well known contemporary art is exhibited by professional artists at commercial contemporary art galleries by private collectors art auctions corporations publicly funded arts organizations contemporary art museums or by artists themselves in artist run spaces 16 Contemporary artists are supported by grants awards and prizes as well as by direct sales of their work Career artists train at art school or emerge from other fields citation needed There are close relationships between publicly funded contemporary art organizations and the commercial sector For instance in 2005 the book Understanding International Art Markets and Management reported that in Britain a handful of dealers represented the artists featured in leading publicly funded contemporary art museums 17 Commercial organizations include galleries and art fairs 18 Corporations have also integrated themselves into the contemporary art world exhibiting contemporary art within their premises organizing and sponsoring contemporary art awards and building up extensive corporate collections 19 Corporate advertisers frequently use the prestige associated with contemporary art and coolhunting to draw the attention of consumers to luxury goods 20 The institutions of art have been criticized for regulating what is designated as contemporary art Outsider art for instance is literally contemporary art in that it is produced in the present day However one critic has argued it is not considered so because the artists are self taught and are thus assumed to be working outside of an art historical context 21 Craft activities such as textile design are also excluded from the realm of contemporary art despite large audiences for exhibitions 22 Art critic Peter Timms has said that attention is drawn to the way that craft objects must subscribe to particular values in order to be admitted to the realm of contemporary art A ceramic object that is intended as a subversive comment on the nature of beauty is more likely to fit the definition of contemporary art than one that is simply beautiful 23 At any one time a particular place or group of artists can have a strong influence on subsequent contemporary art For instance The Ferus Gallery was a commercial gallery in Los Angeles and re invigorated the Californian contemporary art scene in the late fifties and the sixties Public attitudes EditContemporary art can sometimes seem at odds with a public that does not feel that art and its institutions share its values 24 In Britain in the 1990s contemporary art became a part of popular culture with artists becoming stars but this did not lead to a hoped for cultural utopia 25 Some critics like Julian Spalding and Donald Kuspit have suggested that skepticism even rejection is a legitimate and reasonable response to much contemporary art 26 Brian Ashbee in an essay called Art Bollocks criticizes much installation art photography conceptual art video and other practices generally called post modern as being too dependent on verbal explanations in the form of theoretical discourse 27 However the acceptance of non traditional art in museums has increased due to changing perspectives on what constitutes an art piece 28 Concerns EditMain article Classificatory disputes about art A common concern since the early part of the 20th century has been the question of what constitutes art In the contemporary period 1950 to now the concept of avant garde 29 may come into play in determining what art is noticed by galleries museums and collectors The concerns of contemporary art come in for criticism too Andrea Rosen has said that some contemporary painters have absolutely no idea of what it means to be a contemporary artist and that they are in it for all the wrong reasons 30 Prizes EditSome competitions awards and prizes in contemporary art are Emerging Artist Award awarded by The Aldrich Contemporary Art Museum Factor Prize in Southern Art Hugo Boss Prize awarded by the Solomon R Guggenheim Museum John Moore s Painting Prize Kandinsky Prize for Russian artists under 30 Marcel Duchamp Prize awarded by ADIAF and Centre Pompidou Ricard Prize for a French artist under 40 Turner Prize for British artists Participation in the Whitney Biennial Vincent Award The Vincent van Gogh Biennial Award for Contemporary Art in Europe The Winifred Shantz Award for Ceramists awarded by the Canadian Clay and Glass Gallery Asia Pacific Breweries Foundation Signature Art Prize 31 Jindrich Chalupecky Award for Czech artists under 35 32 History EditThis table lists art movements and styles by decade It should not be assumed to be conclusive 1950s Edit Abstract Expressionism American Figurative Expressionism American scene painting Antipodeans Bay Area Figurative Movement Brutalism COBRA avant garde movement Color Field Generacion de la Ruptura Gutai group Lenticular prints Les Plasticiens Lyrical Abstraction Abstract lyrique Modern traditional Balinese painting New York Figurative Expressionism New York School Serial art Situationist International Soviet Nonconformist Art Red Shirt School of Photography Tachisme Vienna School of Fantastic Realism Washington Color School 1960s Edit Abstract expressionism Abstract Imagists American Figurative Expressionism Art amp Language Bay Area Figurative Movement BMPT Chicago Imagists Chicano art movement Color field Computer art Conceptual art Fluxus Happenings Hard edge painting Lenticular prints Kinetic art Light and Space Lyrical Abstraction American version Minimalism Mono ha Neo Dada New York School Nouveau Realisme Op Art Performance art Plop Art Pop Art Postminimalism Post painterly Abstraction Psychedelic art Retro art Soft sculpture Street art Sustainable art Systems art Video art Zero 1970s Edit Arte Povera Ascii Art Bad Painting Body art Artist s book COUM Transmissions Environmental art Feminist art Froissage Holography Installation art Land Art Lowbrow art movement Mail art Papunya Tula Photorealism Postminimalism Process Art Robotic art Saint Soleil School Video art Funk art Pattern and Decoration Warli painting revival Wildstyle 1980s Edit NAMES Project AIDS Memorial Quilt Appropriation art Culture jamming Demoscene Electronic art Figuration Libre Fractal art Graffiti Art Late modernism Live art Neue Slowenische Kunst Postmodern art Neo conceptual art Neo expressionism Neo pop Sound art Street art Transavantgarde Transgressive art Vancouver School Video installation Institutional Critique Western and Central Desert art 1990s Edit Art intervention Bio art Cyberarts Cynical Realism Digital art Hyperrealism Information art Internet art Massurrealism Maximalism New Leipzig School New media art New European Painting Relational art Software art Toyism Tactical media Taring Padi Verdadism Western and Central Desert art Young British Artists 2000s Edit Altermodern Classical Realism Excessivism idea art Kitsch movement Post contemporary Metamodernism Pseudorealism Remodernism Renewable energy sculpture Stuckism Superflat Superstroke Urban art Videogame art VJ art Virtual art Walking Art2010s Edit Postinternet Vaporwave Art Resilience Corporate Memphis2020sSee also EditAcculturation Anti art and Anti anti art Art 21 Art in the 21st Century 2001 2016 a PBS series Criticism of postmodernism Classificatory disputes about art List of contemporary art museums List of contemporary artists Medium specificity Reductive art Value theory Visual arts Word art New media artNotes Edit NYU Steinhardt Department of Art and Arts Professions New York Esaak Shelley What is Contemporary Art About com Retrieved 28 April 2013 Fry Roger Ed Craufurd D Goodwin Art and the Market Roger Fry on Commerce in Art 1999 University of Michigan Press ISBN 0472109022 9780472109029 google books Also the Contemporary Arts Society of Montreal 1939 1948 Smith 257 258 Some definitions Art21 defines contemporary art as the work of artists who are living in the twenty first century Art21 Contemporary art Define Contemporary art at Dictionary com Dictionary com Yahoo Archived from the original on 2013 07 20 About Contemporary Art Education at the Getty Shelley Esaak What is Contemporary Art About com Education Examples of specializing museums include the Strasbourg Museum of Modern and Contemporary Art and Museum of Modern and Contemporary Art of Trento and Rovereto The Oxford Dictionary of Modern and Contemporary Art is one of many book titles to use the phrase Heinich Nathalie Ed Gallimard Le paradigme de l art contemporain Structures d une revolution artistique 2014 ISBN 2070139239 9782070139231 google books Nathalie Heinich lecture Contemporary art an artistic revolution at Agora des savoirs 21st edition 6 May 2015 Contemporary Art in Context 2016 Retrieved December 11 2016 Robertson J amp McDaniel C 2012 Themes of Contemporary Art Visual Art after 1980 3rd ed Oxford Oxford University Press Largest Art amp Language Collection Finds Home artnet News artnet News 2015 06 23 Retrieved 2018 09 10 Derrick Chong in Iain Robertson Understanding International Art Markets And Management Routledge 2005 p95 ISBN 0 415 33956 1 Grishin Sasha With commercial galleries an endangered species are art fairs a necessary evil The Conversation Retrieved 2019 12 05 Chin Tao Wu Privatising Culture Corporate Art Intervention Since the 1980s Verso 2002 p14 ISBN 1 85984 472 3 Jasmin Mosielski Coolhunting Evaluating the Capacity for Agency and Resistance in the Consumption of Mass Produced Culturally Relevant Goods Ph D diss Carleton Univ 2012 and Peter Andreas Gloor and Scott M Cooper Coolhunting Chasing Down the Next Big Thing NYC AMACOM 2007 168 70 ISBN 0814400655 Gary Alan Fine Everyday Genius Self Taught Art and the Culture of Authenticity University of Chicago Press 2004 pp42 43 ISBN 0 226 24950 6 Peter Dormer The Culture of Craft Status and Future Manchester University Press 1996 p175 ISBN 0 7190 4618 1 Peter Timms What s Wrong with Contemporary Art UNSW Press 2004 p17 ISBN 0 86840 407 1 Mary Jane Jacob and Michael Brenson Conversations at the Castle Changing Audiences and Contemporary Art MIT Press 1998 p30 ISBN 0 262 10072 X Julian Stallabrass High Art Lite British Art in the 1990s Verso 1999 pp1 2 ISBN 1 85984 721 8 Spalding Julian The Eclipse of Art Tackling the Crisis in Art Today Prestel Publishing 2003 ISBN 3 7913 2881 6 Art Bollocks Ipod org uk 1990 05 05 Archived from the original on 16 July 2011 Retrieved 2011 08 17 What is Art Boundless Art History courses lumenlearning com Retrieved 2018 05 04 Fred Orton amp Griselda Pollock Avant Gardes and Partisans Reviewed Manchester University 1996 ISBN 0 7190 4399 9 Haas Nancy 2000 03 05 Stirring Up the Art World Again The New York Times 1 Signature Art Prize Home Archived from the original on 2014 11 06 Jindrich Chalupecky Award Archived 2007 09 27 at the Wayback MachineReferences EditSmith Terry 2009 What Is Contemporary Art Chicago University of Chicago Press ISBN 978 0226764313 Retrieved 26 April 2013 Meyer Richard 2013 What Was Contemporary Art Cambridge MIT Press ISBN 978 0262135085 Retrieved 26 October 2014 Further reading EditAltshuler B 2013 Biennials and Beyond Exhibitions that Made Art History 1962 2002 New York N Y Phaidon Press ISBN 978 0714864952 Atkins Robert 2013 Artspeak A Guide To Contemporary Ideas Movements and Buzzwords 1945 To the Present 3rd ed New York Abbeville Press ISBN 978 0789211514 Danto A C 2013 What is art New Haven Yale University Press ISBN 978 0300205718 Desai V N Ed 2007 Asian art history in the twenty first century Williamstown Mass Sterling and Francine Clark Art Institute ISBN 978 0300125535 Fullerton E 2016 Artrage the story of the BritArt revolution London Thames amp Hudson Ltd ISBN 978 0500239445 Gielen Pascal 2009 The Murmuring of the Artistic Multitude Global Art Memory and Post Fordism Amsterdam Valiz ISBN 9789078088394 Gompertz W 2013 What Are You Looking At The Surprising Shocking and Sometimes Strange Story of 150 Years of Modern Art 2nd ed New York N Y Plume ISBN 978 0142180297 Harris J 2011 Globalization and Contemporary Art Hoboken N J Wiley Blackwell ISBN 978 1405179508 Lailach M 2007 Land Art London Taschen ISBN 978 3822856130 Martin S 2006 Video Art U Grosenick Ed Los Angeles Taschen ISBN 978 3822829509 Mercer K 2008 Exiles diasporas amp strangers Cambridge Massachusetts MIT Press ISBN 978 0262633581 Robertson J amp McDaniel C 2012 Themes of Contemporary Art Visual Art after 1980 3rd ed Oxford Oxford University Press ISBN 978 0199797073 Robinson H Ed 2015 Feminism art theory an anthology 1968 2014 2nd ed Chichester West Sussex Wiley Blackwell ISBN 978 1118360590 Stiles Kristine and Peter Howard Selz Theories and Documents of Contemporary Art A Sourcebook of Artists s Writings 1996 ISBN 0 520 20251 1 Strehovec J 2020 Contemporary Art Impacts on Scientific Social and Cultural Paradigms Emerging Research and Opportunities Hershey PA IGIGlobal Thompson D 2010 The 12 Million Stuffed Shark The Curious Economics of Contemporary Art New York N Y St Martin s Griffin ISBN 978 0230620599 Thorton S 2009 Seven Days in the Art World New York N Y W W Norton amp Company ISBN 978 0393337129 Wallace Isabelle Loring and Jennie Hirsh Contemporary Art and Classical Myth Farnham Ashgate 2011 ISBN 978 0 7546 6974 6 Warr T Ed 2012 The Artist s Body Revised New York N Y Phaidon Press ISBN 978 0714863931 Wilson M 2013 How to read contemporary art experiencing the art of the 21st century New York N Y Abrams ISBN 978 1419707537External links Edit Media related to Contemporary art at Wikimedia Commons Retrieved from https en wikipedia org w index php title Contemporary art amp oldid 1144939119, wikipedia, wiki, book, books, library,

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