Neo-expressionism is a style of late modernist or early-postmodern painting and sculpture that emerged in the late 1970s. Neo-expressionists were sometimes called Transavantgarde, Junge Wilde or Neue Wilden ('The new wild ones'; 'New Fauves' would better meet the meaning of the term). It is characterized by intense subjectivity and rough handling of materials.[1]
Neo-expressionism developed as a reaction against conceptual art and minimal art of the 1970s. Neo-expressionists returned to portraying recognizable objects, such as the human body (although sometimes in an abstract manner), in a rough and violently emotional way, often using vivid colors.[2] It was overtly inspired by German Expressionist painters, such as Emil Nolde, Max Beckmann, George Grosz, Ernst Ludwig Kirchner, James Ensor and Edvard Munch. It is also related to American Lyrical Abstraction painting of the 1960s and 1970s, The Hairy Who movement in Chicago, the Bay Area Figurative School of the 1950s and 1960s, the continuation of Abstract Expressionism, precedents in Pop Painting,[3] and New Image Painting: a vague late 1970s term applied to painters who employed a strident figurative style with cartoon-like imagery and abrasive handling owing something to Neo-Expressionism. The New Image Painting term was given currency by a 1978 exhibition entitled New Image Painting held at the Whitney Museum.[4]
Neo-expressionism dominated the art market until the mid-1980s.[5] The style emerged internationally and was viewed by many critics, such as Achille Bonito Oliva and Donald Kuspit, as a revival of traditional themes of self-expression in European art after decades of American dominance. The social and economic value of the movement was hotly debated.[6] From the point of view of the history of Modern Art, art critic Robert Hughes dismissed Neo-Expressionist painting as retrograde, as a failure of radical imagination, and as a lamentable capitulation to the art market.[7]
Critics such as Benjamin Buchloh, Hal Foster, Craig Owens, and Mira Schor were highly critical of its relation to the marketability of painting on the rapidly expanding art market, celebrity, the backlash against feminism, anti-intellectualism, and a return to mythic subjects and individualist methods they deemed outmoded.[8][6] Women were notoriously marginalized in the movement,[9] and painters such as Elizabeth Murray[10] and Maria Lassnig were omitted from many of its key exhibitions, most notoriously the 1981 New Spirit in Painting exhibition in London which included 38 male painters but no female painters.[11]
expressionism, style, late, modernist, early, postmodern, painting, sculpture, that, emerged, late, 1970s, expressionists, were, sometimes, called, transavantgarde, junge, wilde, neue, wilden, wild, ones, fauves, would, better, meet, meaning, term, characteriz. Neo expressionism is a style of late modernist or early postmodern painting and sculpture that emerged in the late 1970s Neo expressionists were sometimes called Transavantgarde Junge Wilde or Neue Wilden The new wild ones New Fauves would better meet the meaning of the term It is characterized by intense subjectivity and rough handling of materials 1 Neo expressionism developed as a reaction against conceptual art and minimal art of the 1970s Neo expressionists returned to portraying recognizable objects such as the human body although sometimes in an abstract manner in a rough and violently emotional way often using vivid colors 2 It was overtly inspired by German Expressionist painters such as Emil Nolde Max Beckmann George Grosz Ernst Ludwig Kirchner James Ensor and Edvard Munch It is also related to American Lyrical Abstraction painting of the 1960s and 1970s The Hairy Who movement in Chicago the Bay Area Figurative School of the 1950s and 1960s the continuation of Abstract Expressionism precedents in Pop Painting 3 and New Image Painting a vague late 1970s term applied to painters who employed a strident figurative style with cartoon like imagery and abrasive handling owing something to Neo Expressionism The New Image Painting term was given currency by a 1978 exhibition entitled New Image Painting held at the Whitney Museum 4 Contents 1 Critical reception 2 Neo expressionism around the world 3 See also 4 References 5 External linksCritical reception editNeo expressionism dominated the art market until the mid 1980s 5 The style emerged internationally and was viewed by many critics such as Achille Bonito Oliva and Donald Kuspit as a revival of traditional themes of self expression in European art after decades of American dominance The social and economic value of the movement was hotly debated 6 From the point of view of the history of Modern Art art critic Robert Hughes dismissed Neo Expressionist painting as retrograde as a failure of radical imagination and as a lamentable capitulation to the art market 7 Critics such as Benjamin Buchloh Hal Foster Craig Owens and Mira Schor were highly critical of its relation to the marketability of painting on the rapidly expanding art market celebrity the backlash against feminism anti intellectualism and a return to mythic subjects and individualist methods they deemed outmoded 8 6 Women were notoriously marginalized in the movement 9 and painters such as Elizabeth Murray 10 and Maria Lassnig were omitted from many of its key exhibitions most notoriously the 1981 New Spirit in Painting exhibition in London which included 38 male painters but no female painters 11 Neo expressionism around the world editThe movement became known as Transavanguardia in Italy and Neue Wilden in Germany and the group Figuration Libre was formed in France in 1981 12 See also editExpressionism Postmodernism Postmodern art New European PaintingReferences edit Chilvers Ian and John Glaves Smith A Dictionary of Modern and Contemporary Art Oxford University Press 2009 p 503 Graham Thompson American Culture in the 1980s Edinburgh University Press 2007 p 73 Chilvers Ian and John Glaves Smith A Dictionary of Modern and Contemporary Art Oxford University Press 2009 p 503 504 1 New Image Painting Oxford Reference Graham Thompson American Culture in the 1980s Edinburgh University Press 2007 p 70 a b Kurczynski Karen 2011 Neo Expressionism in America Grove Art Online doi 10 1093 gao 9781884446054 article T2090601 Graham Thompson American Culture in the 1980s Edinburgh University Press 2007 p 71 Graham Thompson American Culture in the 1980s Edinburgh University Press 2007 p 30 Cohen Alina 2019 03 01 The Bad Boy Artists of the 1980s Owe a Debt to Their Feminist Predecessors Artsy Retrieved 2021 05 07 Jones Amelia 2009 02 09 A Companion to Contemporary Art Since 1945 John Wiley amp Sons ISBN 978 1 4051 5235 8 A New Spirit of Painting makes a comeback with one woman artist this time www theartnewspaper com Retrieved 2021 05 06 Tate Neo expressionism Tate Retrieved 2023 02 20 External links edit Retrieved from https en wikipedia org w index php title Neo expressionism amp oldid 1177260166, wikipedia, wiki, book, books, library,
