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Billing (performing arts)

Billing is a performing arts term used in referring to the order and other aspects of how credits are presented for plays, films, television, or other creative works. Information given in billing usually consists of the companies, actors, directors, producers, and other crew members.

Man on a ladder, changing the billing on a marquee in Chapel Hill, North Carolina.

Films edit

History edit

From the beginning of motion pictures in the 1900s to the early 1920s, the moguls that owned or managed big film studios did not want to bill the actors appearing in their films because they did not want to recreate the star system that was prevalent on Broadway at that time.[citation needed] They also feared that, once actors were billed on film, they would be more popular and would seek large salaries. Actors themselves did not want to reveal their film careers to their stage counterparts via billing on film, because at that time working in the movies was unacceptable to stage actors.[citation needed] As late as the 1910s, stars as famous as Mary Pickford and Charlie Chaplin were not known by name to moviegoers. According to Mary Pickford's biography Doug and Mary,[1] she was referred to by the public as "the Biograph girl" in all of her films before 1905.

Before Mary Pickford, the public used to call Florence Lawrence the "Biograph girl". In 1910, Lawrence was lured away from Biograph by Carl Laemmle when he started the Independent Motion Picture Company (IMP). Laemmle wanted Lawrence to be his star attraction, so he offered her more money (US$250 per week (equivalent to $8,175 in 2023)) and marquee billing, something Biograph did not allow. She signed on; with the release of her first IMP film, The Broken Oath (1910), she became the first film star to receive billing on the credits of her film.[citation needed] From then on, actors received billing on film. Also originating during that time was the system of billing above and below the title, to delineate the status of the players. Big stars such as Pickford, Fairbanks, and Chaplin were billed above the title, while lesser stars and supporting players were billed below the title.[citation needed]

During the era of the studio system, on-screen billing was presented at the beginning of a film; only a restatement of the cast and possibly additional players appeared at the end, because the studios had actors under contract and could decide billing. The studios still followed the billing system of the silent era.[citation needed]

After the studio system's collapse in the 1950s, actors and their agents fought for billing on a film-by-film basis. This, combined with changes in union contracts and copyright laws, led to more actors and crew members being included in the credits sequence, expanding its size significantly. As a result, since the late 1960s,[citation needed] a significant amount of the billing is reserved for the closing credits of the film, which generally includes a recap of the billing shown at the beginning. In addition, more stars began to demand top billing.[citation needed]

Billing demands even extended to publicity materials, down to the height of the letters and the position of names.[citation needed]

By the 1990s, some films had moved all billing to the film's end, with the exception of company logos and the title. Although popularised by the Star Wars series (see below) and used sporadically in films such as The Godfather (1972) and Ghostbusters (1984), this "title-only" billing became an established form for summer blockbusters in 1989, with Ghostbusters II (1989), Lethal Weapon 2 (1989), and The Abyss (1989) following the practice.[2] Occasionally, even the title is left to the end, such as in The Passion of the Christ (2004), Avatar (2009), Inception (2010), and the Dark Knight trilogy.[citation needed]

Billing order edit

The order in which credits are billed generally signify their importance. While there are numerous variations, most opening credits use some variation of the following basic order.[3] In the absence of opening credits, these roles will often be credited in reverse order at the beginning of the closing credits.

Studio vs. production company edit

The name of the studio that is normally credited is the one that distributed the film. However, a studio may not necessarily be the party that produced it. Instead, a separate production company may have actually made the film or financed a substantial part of the film. For instance, on the 1979 film The China Syndrome, the opening titles bill Columbia Pictures as presenting the film, but the actual production was handled by Michael Douglas/IPC Films; IPC Films was a production company of Jane Fonda, one of the three main stars (the others were Douglas and Jack Lemmon), and director James Bridges got the possessory credit ("A James Bridges Film").

Possessory credits edit

Depending on their standing, the director may be granted an extra, prominent credit before the film's title (as in "A Ridley Scott Film"); this practice began with directors such as Otto Preminger, David Lean, and John Frankenheimer in the mid-1960s. Sometimes the producer or writer may also get a possessory credit. Up until the establishment of the director's possessive credit, in the early 1970s, some directors were so highly regarded that they received what seems to be a producer's credit, even if they did not produce the film. Victor Fleming was one such director: his films usually featured the credit "A Victor Fleming Production", even when someone else produced the film. James Whale was similarly credited.[4]

Director Kevin Smith refuses to use a possessory credit, such as "A Kevin Smith Film", feeling that a movie is made by everyone involved and not the product of just the director.[5]

Top and above-title billing edit

The actors whose names appear first are said to have "top billing". They usually play the principal characters in the film and have the most screen time. Frequently, top-billed actors are also named in advertising material such as trailers, posters, billboards, and TV spots.

The two or three top-billed actors in a movie will usually be announced prior to the title of the movie; this is referred to as "above-title billing". For an actor to receive it, he/she will generally have to be well-established, with box-office drawing power. Those introduced afterward are generally considered to be the supporting cast. Well-known actors may be given top billing for publicity or contractual purposes if juvenile, lesser-known, or first-time performers appear in a larger role: e.g., Marlon Brando and Gene Hackman were both credited before the title in Superman (1978), while Christopher Reeve, the then-unknown actor who played the title character and protagonist, was not, even though Brando only appears in the introduction while Hackman was the main antagonist. Similarly in Apocalypse Now, Brando was billed first even though he only appears at the end as the film's chief antagonist, while Robert Duvall was billed second despite a brief supporting role that earned him an Oscar nomination for Best Supporting Actor, and Martin Sheen, who portrayed the main character, was billed third.

It used to be common practice to give top billing based on a person's level of fame, regardless of the significance of their role in the film. For example, Marlon Brando received top billing in The Godfather (although he had less on-screen time than Al Pacino's character; Pacino was displeased that he was only nominated for the Best Supporting Actor Oscar while Brando received the Oscar for Best Actor in a Leading Role), Apocalypse Now (see above), and Superman (also see above). Maximilian Schell was billed fifth in Judgment at Nuremberg after Spencer Tracy, Burt Lancaster, Richard Widmark, and Marlene Dietrich, yet Schell went on to win the Oscar for Best Actor in a Leading Role. In recent decades, however, the practice of giving top billing to a star actor has largely been discontinued especially if they only play a bit part (see [[#Last billing|]]); some major actors may have a cameo where they are only noted within the other cast during the end credits.

If an unfamiliar actor has the lead role, they may be listed last in the list of principal supporting actors, their name prefixed with "and introducing" (as Peter O'Toole was in Lawrence of Arabia). However "and introducing" is now mostly used in feature films by a young actor (usually a child) who appears for the first time in a motion picture. Sometimes, they may not receive special billing even if their role is crucial. For example, the then-unknown William Warfield, who played Joe and sang "Ol' Man River" in the 1951 film version of Show Boat, received tenth billing as if he were merely a bit player, while Paul Robeson, an established star who played the same role in the 1936 film version of the musical, received fourth billing in the 1936 film.

If more than one name appears at the same time or of a similar size, then those actors are said to have "equal billing", with their importance decreasing from left to right. However, an instance of "equal importance" is The Towering Inferno (1974) starring Steve McQueen and Paul Newman. The two names appear simultaneously with Newman's on the right side of the screen and raised slightly higher than McQueen's, to indicate the comparable status of both actors' characters (this also features on the advertising poster). A similar situation occurred in 2002 with Chicago, where Renee Zellweger and Catherine Zeta-Jones received "stacked billing" on the film's poster, where a person reading from left to right would read Zeta-Jones' name first and a person reading from top to bottom would read Zellweger's name first.

If a film has an ensemble cast with no clear lead role, it is traditional to bill the participants alphabetically or in the order of their on-screen appearance. An example of the former is A Bridge Too Far (1977), which featured 14 roles played by established stars, any one of whom would have ordinarily received top billing as an individual.[citation needed] The cast of the Harry Potter films includes many recognized stars in supporting roles who are billed alphabetically, but after the three principals who were initially child actors.

In the case of the Kenneth Branagh Hamlet, there were many famous actors playing supporting or bit roles, and these actors were given prominent billing in the posters along with the film's actual stars: Branagh, Derek Jacobi, Julie Christie, and Kate Winslet. In the actual film's credits, they (along with the other actors in the film) were listed in alphabetical order and in the same size typeface.

If an actor is not an established star, he or she may not receive above-the-title billing, or even "star" billing; they may just be listed at the head of the cast. This is the way that all of the actors were listed in the opening credits to The Wizard of Oz; Judy Garland, although listed first, was given equal billing to all the others, with the cast list reading "with Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley", etc. F. Murray Abraham, a supporting actor at the time of Amadeus, did not receive special star billing although he played the lead role of Antonio Salieri; his onscreen credit reads "with F. Murray Abraham", although his name does appear first in the cast.

In some cases, the position of a name in the credits roll can become a sticking point for both cast and crew. Such was the case on the 1960s TV sitcom Gilligan's Island, where two of the stars were only mentioned by name in the closing credits. In fact, the characters of The Professor (Russell Johnson) and Mary Ann (Dawn Wells) were the only ones whose mention in the opening theme song was abbreviated simply as "the rest" in the show's first season. Bob Denver, who played Gilligan, was so upset with this treatment that he reportedly told the producers that since his contract stipulated that his name could appear anywhere in the credits that he wished, he wanted to be moved to the end credits with his co-stars. From the show's second season, the studio capitulated, and moved Denver's co-stars to the opening credits of the show, and also changed the theme song's lyrics to include "The Professor and Mary Ann" instead of saying "and the rest".[citation needed]

Competitive top billing edit

Sometimes actors can become highly competitive over the order of billing. For example:

Spencer Tracy was originally cast to play the lead opposite Humphrey Bogart in The Desperate Hours (1955), but when neither actor would relinquish top billing, Tracy withdrew and was replaced by Fredric March, who took second billing to Bogart. Bogart's role in the film had earlier been played on Broadway by Paul Newman but the young actor was not considered for the movie version since Newman, viewed by studios at the time as mainly a stage and television actor only beginning his movie career, was in no position to compete with Bogart. Tracy would also later back out of costarring in the 1965 film The Cincinnati Kid when he learned he would have to take second billing behind the film's star, Steve McQueen. The role Tracy had been cast in went instead to Edward G. Robinson, whom McQueen had idolized from childhood. Whenever it was pointed out to Tracy that he routinely took top billing in his films with Katharine Hepburn, he responded, "It's a movie, not a lifeboat."

Clark Gable had a top billing clause written into his MGM contract and made three major films in the 1930s with Tracy in supporting roles (San Francisco, Test Pilot, and Boom Town), but when Tracy renegotiated his contract during World War II, he had a similar clause included in his own contract, effectively ending the hugely popular Gable-Tracy team.

In the opening credits of The Bridge on the River Kwai (1957), Alec Guinness, who is generally regarded as the main character in the film, receives third billing, after William Holden (who demanded top billing) and Jack Hawkins (who does not even appear until halfway through the picture). In the closing credits, Guinness is billed second, with Hawkins third.

 
John Wayne was billed second on posters and in trailers but first in the film itself for The Man Who Shot Liberty Valance (1962).

For The Man Who Shot Liberty Valance (1962), James Stewart was given top billing over John Wayne in the movie's posters and the previews (trailers) shown in cinemas and on television prior to the film's release, but in the film itself, Wayne is accorded top billing. Their names are displayed on pictures of signposts, one after the other, with Wayne's name shown first with his sign mounted slightly higher on its post than Stewart's. Director John Ford remarked in an interview with Peter Bogdanovich that he made it apparent to the audience that Vera Miles' character had never entirely recovered from an abortive romance with Wayne's gunslinging rancher because "I wanted Wayne to be the lead."[6] Dustin Hoffman and Robert Redford used precisely the same billing formula for All the President's Men (1976), with Redford receiving top billing in posters and trailers while Hoffman was billed over Redford in the film itself.[7] In 2021, Don't Look Up used exactly the same approach, with Leonardo DiCaprio receiving top billing on the posters and in the trailers while Jennifer Lawrence was accorded top billing at the beginning of the film itself.[8]

As both Tony Curtis and Jerry Lewis wanted top billing for Boeing Boeing (1965), their animated names appeared in a spinning, circular fashion in front of an airplane engine's rotating nacelle.[9] For the trailer, the circular animation of the two names was repeated and neither name was spoken aloud. For the posters, the names made an X, Lewis' going up from the bottom left and Curtis' going down from the upper left.

For the film The Towering Inferno (1974), Steve McQueen, Paul Newman and William Holden all tried to obtain top billing. Holden was refused as his diminished star power was no longer considered to be in the league of McQueen's and Newman's. To provide dual top billing and mollify McQueen, the credits were arranged diagonally, with McQueen at the lower left and Newman at the upper right. Thus, each actor appeared to have top billing depending on whether the poster was read from left to right or top to bottom.[10] Technically, McQueen has top billing and is mentioned first in the film's trailers; however, at the end of the movie, as the cast's names roll from the bottom of the screen, Newman's name is fully visible first, giving him top billing in the closing credits. This was the first time that this type of "staggered but equal" billing had been used for a movie, although the same thing had been discussed for the same two actors five years earlier when McQueen was going to play the Sundance Kid in Butch Cassidy and the Sundance Kid (1969). McQueen ultimately passed on the part and was replaced by Robert Redford, who did not enjoy McQueen's status and took second billing to Newman. Today, it has become understood that whoever's name appears to the left has top billing,[citation needed] but this was by no means the case when The Towering Inferno was produced. This same approach has often been used subsequently, including Cruel Intentions (1999), Sky Captain and the World of Tomorrow (2004), and Righteous Kill (2008) starring Robert De Niro and Al Pacino.[11]

In The Bonfire of the Vanities (1990), F. Murray Abraham asked for above-title billing. This was rejected as too many other stars were getting it (Tom Hanks, Bruce Willis, Melanie Griffith). Thus, Abraham asked for his name to be completely removed, even from the closing credits. That same year, Raúl Juliá requested above the title billing alongside Robert Redford and Lena Olin for the drama Havana. When the producers rejected this, he decided to go uncredited. Eleven years later, Don Cheadle did exactly the same thing when his name was not allowed to appear above the title in Ocean's Eleven (2001), presumably because his name would have alphabetically preceded George Clooney's and, unlike with the later sequels, the cast above the title was presented alphabetically (Clooney, Matt Damon, Andy García, Brad Pitt, and Julia Roberts). Cheadle removed his name from the credits.[12] The producers apparently wanted Clooney, not Cheadle, to be the first name a casual viewer of the advertising would see.

In Batman (1989), Jack Nicholson demanded top billing and a share of the film's earnings (including associated merchandise), even though Michael Keaton played the titular character while Nicholson's Joker was the antagonist.[13][14]

In the film Miami Vice (2006), Colin Farrell originally received top billing. However, after Jamie Foxx won an Academy Award he demanded top billing and received it despite his role actually being much smaller than Farrell's. Foxx's name appears first in the opening credits, while Farrell still receives top billing in the closing credits.

In a comedic commercial for Michael and Michael Have Issues (2009), the aforementioned characters mock-argue over who gets top billing for their show.

Last billing edit

An actor may receive "last billing", which usually designates a smaller role played by a famous actor. They are usually credited after the rest of the lead cast, prefixed by "and" or "with". In some cases, for extra emphasis the actor's name is followed by "as" and the name of the character (thus called an "and-as" credit).

An early example of last billing is found in the 1931 classic Frankenstein, which simply listed a question mark (?) as portraying the monster. Reissued prints add actor Boris Karloff to the end credit listings, as the film made him a huge star, such that the credits of the film's first sequel The Bride of Frankenstein credits him only by his last name.[citation needed]

One of the first "and-as" credits was given to Spencer Tracy ("as Lieutenant Colonel James H. Doolittle") in the 1944 World War II film Thirty Seconds Over Tokyo, since another top box office star of the time, Van Johnson, had top billing, but Tracy was too big a star to receive second billing. In promotional posters and screen credits, Tracy's name is displayed in larger letters than Johnson's.

Occasionally, films have both an "and-as" credit and a separate last billing credit, such as the Irwin Allen 1978 disaster film The Swarm, the opening credits of which, after listing a large cast of stars, concludes with "Fred MacMurray as Clarence ... and Henry Fonda".

Unbilled appearances edit

An actor may go uncredited and not be listed in the credits at all, or may forgo a listing in the opening credits and only be listed in the closing credits. Reasons for this may vary. Some examples include:

  • As Gary Oldman appeared under heavy make-up in Hannibal, he requested that his name be completely removed from the billing and credits in order to "do it anonymously".[15] However, Nathan Murray is still credited as "Mr. Oldman's assistant" and Oldman's name was added to the end credits upon the film's home video release.[citation needed]
  • Even though Gene Hackman had a prominent role in The Firm he chose not to receive any billing credit because Tom Cruise was afforded sole, above the title, top billing with the letters of his name equal to that of the film title.
  • For suspense purposes, Kevin Spacey, in Seven, requested not to be credited in the opening titles or in any advertising for the film.[16] His name appears in the closing credits.
  • In the 1995 Star Trek: Deep Space Nine episode "Heart of Stone," Salome Jens agreed to be listed in the end credits (rather than in the opening credits as usual) to avoid spoiling the surprise that her recurring character was impersonating one of the lead characters. She was listed as "Special Guest Star" rather than "Guest Star."[17]
  • Also on Star Trek: Deep Space Nine, Frank Langella declined to be credited in three episodes despite playing a central guest role. He did not want to give the impression he had taken the role for money or exposure, as he had actually taken it to please his children.[17]
  • In the opening of 1931's Frankenstein, the credit for "The Monster" is a question mark. Boris Karloff is named in the closing credits.
  • Ashton Kutcher appears as Hank in the 2003 family comedy Cheaper by the Dozen and is uncredited, although he is one of the film's main characters.
  • In the 1974 film Earthquake, Walter Matthau agreed to provide a cameo performance without compensation on the condition that he not be credited under his real name; he was credited under a fictitious name of his choosing, "Walter Matuschanskayasky".
  • Because he played the part without pay, Bruce Willis is not credited for his prominent role in the portion of Four Rooms directed by Quentin Tarantino.
  • Owen Wilson does not receive credit for his "Jedidiah" character in Night at the Museum, though he receives credit in the sequel, Battle of the Smithsonian.
  • John Wayne was billed as "Michael Morris" in two cameo television appearances directed by John Ford, an episode of Wagon Train titled "The Colter Craven Story" and an anthology installment called Flashing Spikes starring James Stewart. Wayne's real name, before it was changed for the 1930 widescreen film The Big Trail, was Marion Robert Morrison (his widely reported middle name of Michael was apparently a change made by studio publicists after he became famous as Wayne).
  • For his cameo appearances in Cabin Boy and Beavis and Butt-head Do America, David Letterman was billed as "Earl Hofert".
  • In Interstellar, Matt Damon's casting was kept secret during production, and he is not credited in the film. This was a deliberate decision by the director Christopher Nolan, as he uses the audience's familiarity with Matt Damon as a 'good guy' actor to hide his character's true intentions.[18]
  • David Hyde Pierce declined to be credited for his voice-acting role in Hellboy because he felt it was the physical performance of Doug Jones, and not his own voice, which ultimately brought the character of Abe Sapien to life.[19]

Other unbilled roles feature famous actors or actresses who pop up in a movie as a face in a crowd, a man on a bench, or other 'background' characters, who are given screen time for a brief, but recognizable, moment, such as Bing Crosby and Bob Hope momentarily appearing in a circus audience during The Greatest Show on Earth. They can be recognized, but sometimes are not credited for financial reasons – if they receive credit, they would be due payment commensurate with their fame.[citation needed]

An example of this is James Cagney being clearly glimpsed during the opening scenes of MGM's Mutiny on the Bounty (1935) starring Charles Laughton and Clark Gable. Cagney was contracted to Warner Bros. at the time and was arguably their biggest star but appears briefly as an unbilled and presumably unpaid extra at the beginning of the rival studio's seagoing epic.

Screenwriters billing edit

Writing credits for films and TV shows written under the jurisdiction of the Writers Guild of America (WGA) use the WGA screenwriting credit system. For writers who belong to the WGA, the writing credits affect reputation, union membership, and income. Under the rules, the film producer must first submit the proposed writing credits for the project to both the WGA and all the participating writers. If any participating writer objects to the proposed credits, it then enters arbitration, with the WGA being the final arbiter.

The WGA rules help dictate whether a screenplay should be classified as "original" or is instead based on another source. If based on another source, an additional "Based on a book/play/other source by" is generally required. In the case of a sequel to the film, the credited writers of the original motion picture may be entitled to a "Based on characters created by" credit.

The WGA's rules also outlines when credits can be apportioned separately for the story, and for the screenplay itself when all writers were not equally involved in the creation of both. When the same writers are entitled to both "Screenplay by" and "Story by" credit, they will instead by listed under one "Written by" credit.

For writing teams of two, they are credited as one, separated on the credits by an ampersand ("X & Y"). If each works independently on the script (the most common system), they are separated by an "and". If more than two persons worked on the screenplay, the credits may read something like "screenplay by X & Y and Z and W", where X and Y worked as a team, but Z and W worked separately.[20]

The WGA system also puts limits on the number of writers: on films, "Screenplay by", "Teleplay by", and "Written by" credit each can list no more than three writers (or writing teams).

Director billing edit

The Directors Guild of America (DGA) requires that a film lists only one director, even if more than one director has worked on the film,[3] with few exceptions, such as for directing teams such as the Coen brothers.[21] If the main credits occur at the beginning, then the director's name is last to be shown before the film's narrative starts, as a result of an agreement between the DGA and motion picture producers in 1939. If all billing is shown at the end, the director's name will be displayed first, immediately followed by the writing credits.

Billing block edit

 
Reynold Brown's poster for Attack of the 50 Foot Woman (1958), with a billing block at the bottom.

The "billing block" is the "list of names that adorn the bottom portion of the official poster (or 'one sheet', as it is called in the movie industry) of the movie".[24] In the layout of film posters and other film advertising copy, the billing block is usually set in a highly condensed typeface (one in which the height of characters is several times the width).[25]

By convention, the point size of the billing block is 15 to 35 percent of the average height of each letter in the title logo. Typefaces used include Univers 39, Univers 49, and Bee.[26] Inclusion in the credits and the billing block is generally a matter of detailed contracts between Hollywood labor unions representing creative talent and the producer or film distributor. The labor union contracts specify minimum requirements for presenting actors, writers and directors.[27] But star talent is free to individually negotiate larger name presentations, such as when a star actor or director has his or her name above a movie's title. The union contracts also cover billing blocks in trailers, outdoor billboards, TV commercials, newspaper advertising and online advertising. Using a condensed typeface allows the heights of the characters to meet contractual constraints while still allowing enough horizontal space to include all the required text.[28]

See also edit

References edit

Specific references:

  1. ^ Doug & Mary: A biography of Douglas Fairbanks & Mary Pickford, by Gary Carey, E.P. Dutton, 1977, ISBN 978-0-525-09512-5 p. 21
  2. ^ Keyword 'no opening credits' from IMDb
  3. ^ a b Glatzer, Robert (October 1998). . Salon.com. Archived from the original on December 20, 2010.
  4. ^ "James Whale - IMDb". IMDb.
  5. ^ Enhanced Playback Trivia Track (2004). Clerks. X Tenth Anniversary Edition (DVD). Buena Vista Home Entertainment.
  6. ^ Who The Devil Made It: Conversations with Legendary Film Directors by Peter Bogdanovich
  7. ^ "All the President's Men Movie Poster". ImpAwards.com.
  8. ^ McKay, Adam (director) (5 December 2021). Don't Look Up (Motion picture). Netflix. Event occurs at 11:28. Retrieved 26 April 2022.
  9. ^ Private Screenings: Tony Curtis. Turner Classic Movies, 19 Jan 1999.
  10. ^ . Archived from the original on 2004-12-28. Retrieved 2010-01-09.
  11. ^ "Righteous Kill Movie Poster (#1 of 9)".
  12. ^ "Ocean's Eleven Movie Poster (#2 of 5)".
  13. ^ "Top ten Batman villains on screen". The Times. July 17, 2012. Retrieved January 16, 2020. Nicholson... demanded top-billing and a deal that gave him royalties on merchandise.(subscription required)
  14. ^ Hochman, David (March 3, 2000). "The biggest movie payoffs". Entertainment Weekly. Retrieved January 16, 2020.
  15. ^ Interview with Gary Oldman 2009-02-26 at the Wayback Machine from IGN
  16. ^ Seven Trivia – IMDb
  17. ^ a b Erdmann, Terry J.; Block, Paula M. (2000). Star Trek: Deep Space Nine Companion. New York: Pocket Books. p. 208. ISBN 9780671501068.
  18. ^ Nepales, Ruben V. (November 14, 2014). "Chris Nolan explains why he kept actor's casting a secret". Inquirer.net.
  19. ^ Jones, Doug (May 11, 2007). "Doug Jones – Exclusive Interview". Horror.com (transcript). Interviewed by Staci Layne. Retrieved 2008-06-11.
  20. ^ "Glatzer (October 1998) "Movie credits 101"".
  21. ^ a b Engber, Daniel (8 April 2005). "Why not quit the Directors Guild?". Slate Magazine.
  22. ^ . YouTube. Archived from the original on 2017-02-10. Retrieved 2016-12-01.
  23. ^ Coyle, Jake. . Lexington Herald. Associated Press. Archived from the original on 2005-04-19.
  24. ^ Crabb, Kelly (2005). The Movie Business: The Definitive Guide to the Legal and Financial Secrets of Getting Your Movie Made. Simon and Schuster. p. 72. ISBN 9780743264921.
  25. ^ "Credit Where Credit is Due". Posterwire.com. March 21, 2005. Retrieved 2012-05-29.
  26. ^ Jaramillo, Brian (March 4, 2009). "Corey Holmes watches the Watchmen". Lettercult. Retrieved 2012-10-04.
  27. ^ Marich, Robert (2013) Marketing To Moviegoers: Third Edition (2013), SIU Press, p. 18-20
  28. ^ Schott, Ben (February 23, 2013). "Assembling the Billing Block". The New York Times.

General references:

  • Glatzer, Robert (October 1998). . Salon.com. Archived from the original on April 22, 2009.
  • "Egos: Watch My Line". Time. January 5, 1962. Archived from the original on February 4, 2013.

billing, performing, arts, this, article, multiple, issues, please, help, improve, discuss, these, issues, talk, page, learn, when, remove, these, template, messages, this, article, missing, information, about, billing, plays, television, other, creative, work. This article has multiple issues Please help improve it or discuss these issues on the talk page Learn how and when to remove these template messages This article is missing information about billing for plays television and other creative works Please expand the article to include this information Further details may exist on the talk page December 2009 This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Billing performing arts news newspapers books scholar JSTOR December 2009 Learn how and when to remove this template message Learn how and when to remove this template message Billing is a performing arts term used in referring to the order and other aspects of how credits are presented for plays films television or other creative works Information given in billing usually consists of the companies actors directors producers and other crew members Man on a ladder changing the billing on a marquee in Chapel Hill North Carolina Contents 1 Films 1 1 History 1 2 Billing order 1 3 Studio vs production company 1 4 Possessory credits 1 5 Top and above title billing 1 5 1 Competitive top billing 1 6 Last billing 1 7 Unbilled appearances 1 8 Screenwriters billing 1 9 Director billing 2 Billing block 3 See also 4 ReferencesFilms editHistory edit From the beginning of motion pictures in the 1900s to the early 1920s the moguls that owned or managed big film studios did not want to bill the actors appearing in their films because they did not want to recreate the star system that was prevalent on Broadway at that time citation needed They also feared that once actors were billed on film they would be more popular and would seek large salaries Actors themselves did not want to reveal their film careers to their stage counterparts via billing on film because at that time working in the movies was unacceptable to stage actors citation needed As late as the 1910s stars as famous as Mary Pickford and Charlie Chaplin were not known by name to moviegoers According to Mary Pickford s biography Doug and Mary 1 she was referred to by the public as the Biograph girl in all of her films before 1905 Before Mary Pickford the public used to call Florence Lawrence the Biograph girl In 1910 Lawrence was lured away from Biograph by Carl Laemmle when he started the Independent Motion Picture Company IMP Laemmle wanted Lawrence to be his star attraction so he offered her more money US 250 per week equivalent to 8 175 in 2023 and marquee billing something Biograph did not allow She signed on with the release of her first IMP film The Broken Oath 1910 she became the first film star to receive billing on the credits of her film citation needed From then on actors received billing on film Also originating during that time was the system of billing above and below the title to delineate the status of the players Big stars such as Pickford Fairbanks and Chaplin were billed above the title while lesser stars and supporting players were billed below the title citation needed During the era of the studio system on screen billing was presented at the beginning of a film only a restatement of the cast and possibly additional players appeared at the end because the studios had actors under contract and could decide billing The studios still followed the billing system of the silent era citation needed After the studio system s collapse in the 1950s actors and their agents fought for billing on a film by film basis This combined with changes in union contracts and copyright laws led to more actors and crew members being included in the credits sequence expanding its size significantly As a result since the late 1960s citation needed a significant amount of the billing is reserved for the closing credits of the film which generally includes a recap of the billing shown at the beginning In addition more stars began to demand top billing citation needed Billing demands even extended to publicity materials down to the height of the letters and the position of names citation needed By the 1990s some films had moved all billing to the film s end with the exception of company logos and the title Although popularised by the Star Wars series see below and used sporadically in films such as The Godfather 1972 and Ghostbusters 1984 this title only billing became an established form for summer blockbusters in 1989 with Ghostbusters II 1989 Lethal Weapon 2 1989 and The Abyss 1989 following the practice 2 Occasionally even the title is left to the end such as in The Passion of the Christ 2004 Avatar 2009 Inception 2010 and the Dark Knight trilogy citation needed Billing order edit See also Opening credits Common opening credits order The order in which credits are billed generally signify their importance While there are numerous variations most opening credits use some variation of the following basic order 3 In the absence of opening credits these roles will often be credited in reverse order at the beginning of the closing credits Name of the film studio s Production company ies Possessory credits Above title billed actor s Film title Main cast Last billed actor s Casting director s Composer s Visual effects supervisor s Costume designer s Film editor s Production designer s Director s of Photography Producer s and Executive Producer s Screenwriter s Director s Studio vs production company edit The name of the studio that is normally credited is the one that distributed the film However a studio may not necessarily be the party that produced it Instead a separate production company may have actually made the film or financed a substantial part of the film For instance on the 1979 film The China Syndrome the opening titles bill Columbia Pictures as presenting the film but the actual production was handled by Michael Douglas IPC Films IPC Films was a production company of Jane Fonda one of the three main stars the others were Douglas and Jack Lemmon and director James Bridges got the possessory credit A James Bridges Film Possessory credits edit Main article Possessory credit Depending on their standing the director may be granted an extra prominent credit before the film s title as in A Ridley Scott Film this practice began with directors such as Otto Preminger David Lean and John Frankenheimer in the mid 1960s Sometimes the producer or writer may also get a possessory credit Up until the establishment of the director s possessive credit in the early 1970s some directors were so highly regarded that they received what seems to be a producer s credit even if they did not produce the film Victor Fleming was one such director his films usually featured the credit A Victor Fleming Production even when someone else produced the film James Whale was similarly credited 4 Director Kevin Smith refuses to use a possessory credit such as A Kevin Smith Film feeling that a movie is made by everyone involved and not the product of just the director 5 Top and above title billing edit For the South African TV show see Top Billing TV programme The actors whose names appear first are said to have top billing They usually play the principal characters in the film and have the most screen time Frequently top billed actors are also named in advertising material such as trailers posters billboards and TV spots The two or three top billed actors in a movie will usually be announced prior to the title of the movie this is referred to as above title billing For an actor to receive it he she will generally have to be well established with box office drawing power Those introduced afterward are generally considered to be the supporting cast Well known actors may be given top billing for publicity or contractual purposes if juvenile lesser known or first time performers appear in a larger role e g Marlon Brando and Gene Hackman were both credited before the title in Superman 1978 while Christopher Reeve the then unknown actor who played the title character and protagonist was not even though Brando only appears in the introduction while Hackman was the main antagonist Similarly in Apocalypse Now Brando was billed first even though he only appears at the end as the film s chief antagonist while Robert Duvall was billed second despite a brief supporting role that earned him an Oscar nomination for Best Supporting Actor and Martin Sheen who portrayed the main character was billed third It used to be common practice to give top billing based on a person s level of fame regardless of the significance of their role in the film For example Marlon Brando received top billing in The Godfather although he had less on screen time than Al Pacino s character Pacino was displeased that he was only nominated for the Best Supporting Actor Oscar while Brando received the Oscar for Best Actor in a Leading Role Apocalypse Now see above and Superman also see above Maximilian Schell was billed fifth in Judgment at Nuremberg after Spencer Tracy Burt Lancaster Richard Widmark and Marlene Dietrich yet Schell went on to win the Oscar for Best Actor in a Leading Role In recent decades however the practice of giving top billing to a star actor has largely been discontinued especially if they only play a bit part see Last billing some major actors may have a cameo where they are only noted within the other cast during the end credits If an unfamiliar actor has the lead role they may be listed last in the list of principal supporting actors their name prefixed with and introducing as Peter O Toole was in Lawrence of Arabia However and introducing is now mostly used in feature films by a young actor usually a child who appears for the first time in a motion picture Sometimes they may not receive special billing even if their role is crucial For example the then unknown William Warfield who played Joe and sang Ol Man River in the 1951 film version of Show Boat received tenth billing as if he were merely a bit player while Paul Robeson an established star who played the same role in the 1936 film version of the musical received fourth billing in the 1936 film If more than one name appears at the same time or of a similar size then those actors are said to have equal billing with their importance decreasing from left to right However an instance of equal importance is The Towering Inferno 1974 starring Steve McQueen and Paul Newman The two names appear simultaneously with Newman s on the right side of the screen and raised slightly higher than McQueen s to indicate the comparable status of both actors characters this also features on the advertising poster A similar situation occurred in 2002 with Chicago where Renee Zellweger and Catherine Zeta Jones received stacked billing on the film s poster where a person reading from left to right would read Zeta Jones name first and a person reading from top to bottom would read Zellweger s name first If a film has an ensemble cast with no clear lead role it is traditional to bill the participants alphabetically or in the order of their on screen appearance An example of the former is A Bridge Too Far 1977 which featured 14 roles played by established stars any one of whom would have ordinarily received top billing as an individual citation needed The cast of the Harry Potter films includes many recognized stars in supporting roles who are billed alphabetically but after the three principals who were initially child actors In the case of the Kenneth Branagh Hamlet there were many famous actors playing supporting or bit roles and these actors were given prominent billing in the posters along with the film s actual stars Branagh Derek Jacobi Julie Christie and Kate Winslet In the actual film s credits they along with the other actors in the film were listed in alphabetical order and in the same size typeface If an actor is not an established star he or she may not receive above the title billing or even star billing they may just be listed at the head of the cast This is the way that all of the actors were listed in the opening credits to The Wizard of Oz Judy Garland although listed first was given equal billing to all the others with the cast list reading with Judy Garland Frank Morgan Ray Bolger Bert Lahr Jack Haley etc F Murray Abraham a supporting actor at the time of Amadeus did not receive special star billing although he played the lead role of Antonio Salieri his onscreen credit reads with F Murray Abraham although his name does appear first in the cast In some cases the position of a name in the credits roll can become a sticking point for both cast and crew Such was the case on the 1960s TV sitcom Gilligan s Island where two of the stars were only mentioned by name in the closing credits In fact the characters of The Professor Russell Johnson and Mary Ann Dawn Wells were the only ones whose mention in the opening theme song was abbreviated simply as the rest in the show s first season Bob Denver who played Gilligan was so upset with this treatment that he reportedly told the producers that since his contract stipulated that his name could appear anywhere in the credits that he wished he wanted to be moved to the end credits with his co stars From the show s second season the studio capitulated and moved Denver s co stars to the opening credits of the show and also changed the theme song s lyrics to include The Professor and Mary Ann instead of saying and the rest citation needed Competitive top billing edit Sometimes actors can become highly competitive over the order of billing For example Spencer Tracy was originally cast to play the lead opposite Humphrey Bogart in The Desperate Hours 1955 but when neither actor would relinquish top billing Tracy withdrew and was replaced by Fredric March who took second billing to Bogart Bogart s role in the film had earlier been played on Broadway by Paul Newman but the young actor was not considered for the movie version since Newman viewed by studios at the time as mainly a stage and television actor only beginning his movie career was in no position to compete with Bogart Tracy would also later back out of costarring in the 1965 film The Cincinnati Kid when he learned he would have to take second billing behind the film s star Steve McQueen The role Tracy had been cast in went instead to Edward G Robinson whom McQueen had idolized from childhood Whenever it was pointed out to Tracy that he routinely took top billing in his films with Katharine Hepburn he responded It s a movie not a lifeboat Clark Gable had a top billing clause written into his MGM contract and made three major films in the 1930s with Tracy in supporting roles San Francisco Test Pilot and Boom Town but when Tracy renegotiated his contract during World War II he had a similar clause included in his own contract effectively ending the hugely popular Gable Tracy team In the opening credits of The Bridge on the River Kwai 1957 Alec Guinness who is generally regarded as the main character in the film receives third billing after William Holden who demanded top billing and Jack Hawkins who does not even appear until halfway through the picture In the closing credits Guinness is billed second with Hawkins third nbsp John Wayne was billed second on posters and in trailers but first in the film itself for The Man Who Shot Liberty Valance 1962 For The Man Who Shot Liberty Valance 1962 James Stewart was given top billing over John Wayne in the movie s posters and the previews trailers shown in cinemas and on television prior to the film s release but in the film itself Wayne is accorded top billing Their names are displayed on pictures of signposts one after the other with Wayne s name shown first with his sign mounted slightly higher on its post than Stewart s Director John Ford remarked in an interview with Peter Bogdanovich that he made it apparent to the audience that Vera Miles character had never entirely recovered from an abortive romance with Wayne s gunslinging rancher because I wanted Wayne to be the lead 6 Dustin Hoffman and Robert Redford used precisely the same billing formula for All the President s Men 1976 with Redford receiving top billing in posters and trailers while Hoffman was billed over Redford in the film itself 7 In 2021 Don t Look Up used exactly the same approach with Leonardo DiCaprio receiving top billing on the posters and in the trailers while Jennifer Lawrence was accorded top billing at the beginning of the film itself 8 As both Tony Curtis and Jerry Lewis wanted top billing for Boeing Boeing 1965 their animated names appeared in a spinning circular fashion in front of an airplane engine s rotating nacelle 9 For the trailer the circular animation of the two names was repeated and neither name was spoken aloud For the posters the names made an X Lewis going up from the bottom left and Curtis going down from the upper left For the film The Towering Inferno 1974 Steve McQueen Paul Newman and William Holden all tried to obtain top billing Holden was refused as his diminished star power was no longer considered to be in the league of McQueen s and Newman s To provide dual top billing and mollify McQueen the credits were arranged diagonally with McQueen at the lower left and Newman at the upper right Thus each actor appeared to have top billing depending on whether the poster was read from left to right or top to bottom 10 Technically McQueen has top billing and is mentioned first in the film s trailers however at the end of the movie as the cast s names roll from the bottom of the screen Newman s name is fully visible first giving him top billing in the closing credits This was the first time that this type of staggered but equal billing had been used for a movie although the same thing had been discussed for the same two actors five years earlier when McQueen was going to play the Sundance Kid in Butch Cassidy and the Sundance Kid 1969 McQueen ultimately passed on the part and was replaced by Robert Redford who did not enjoy McQueen s status and took second billing to Newman Today it has become understood that whoever s name appears to the left has top billing citation needed but this was by no means the case when The Towering Inferno was produced This same approach has often been used subsequently including Cruel Intentions 1999 Sky Captain and the World of Tomorrow 2004 and Righteous Kill 2008 starring Robert De Niro and Al Pacino 11 In The Bonfire of the Vanities 1990 F Murray Abraham asked for above title billing This was rejected as too many other stars were getting it Tom Hanks Bruce Willis Melanie Griffith Thus Abraham asked for his name to be completely removed even from the closing credits That same year Raul Julia requested above the title billing alongside Robert Redford and Lena Olin for the drama Havana When the producers rejected this he decided to go uncredited Eleven years later Don Cheadle did exactly the same thing when his name was not allowed to appear above the title in Ocean s Eleven 2001 presumably because his name would have alphabetically preceded George Clooney s and unlike with the later sequels the cast above the title was presented alphabetically Clooney Matt Damon Andy Garcia Brad Pitt and Julia Roberts Cheadle removed his name from the credits 12 The producers apparently wanted Clooney not Cheadle to be the first name a casual viewer of the advertising would see In Batman 1989 Jack Nicholson demanded top billing and a share of the film s earnings including associated merchandise even though Michael Keaton played the titular character while Nicholson s Joker was the antagonist 13 14 In the film Miami Vice 2006 Colin Farrell originally received top billing However after Jamie Foxx won an Academy Award he demanded top billing and received it despite his role actually being much smaller than Farrell s Foxx s name appears first in the opening credits while Farrell still receives top billing in the closing credits In a comedic commercial for Michael and Michael Have Issues 2009 the aforementioned characters mock argue over who gets top billing for their show Last billing edit An actor may receive last billing which usually designates a smaller role played by a famous actor They are usually credited after the rest of the lead cast prefixed by and or with In some cases for extra emphasis the actor s name is followed by as and the name of the character thus called an and as credit An early example of last billing is found in the 1931 classic Frankenstein which simply listed a question mark as portraying the monster Reissued prints add actor Boris Karloff to the end credit listings as the film made him a huge star such that the credits of the film s first sequel The Bride of Frankenstein credits him only by his last name citation needed One of the first and as credits was given to Spencer Tracy as Lieutenant Colonel James H Doolittle in the 1944 World War II film Thirty Seconds Over Tokyo since another top box office star of the time Van Johnson had top billing but Tracy was too big a star to receive second billing In promotional posters and screen credits Tracy s name is displayed in larger letters than Johnson s Occasionally films have both an and as credit and a separate last billing credit such as the Irwin Allen 1978 disaster film The Swarm the opening credits of which after listing a large cast of stars concludes with Fred MacMurray as Clarence and Henry Fonda Unbilled appearances edit An actor may go uncredited and not be listed in the credits at all or may forgo a listing in the opening credits and only be listed in the closing credits Reasons for this may vary Some examples include As Gary Oldman appeared under heavy make up in Hannibal he requested that his name be completely removed from the billing and credits in order to do it anonymously 15 However Nathan Murray is still credited as Mr Oldman s assistant and Oldman s name was added to the end credits upon the film s home video release citation needed Even though Gene Hackman had a prominent role in The Firm he chose not to receive any billing credit because Tom Cruise was afforded sole above the title top billing with the letters of his name equal to that of the film title For suspense purposes Kevin Spacey in Seven requested not to be credited in the opening titles or in any advertising for the film 16 His name appears in the closing credits In the 1995 Star Trek Deep Space Nine episode Heart of Stone Salome Jens agreed to be listed in the end credits rather than in the opening credits as usual to avoid spoiling the surprise that her recurring character was impersonating one of the lead characters She was listed as Special Guest Star rather than Guest Star 17 Also on Star Trek Deep Space Nine Frank Langella declined to be credited in three episodes despite playing a central guest role He did not want to give the impression he had taken the role for money or exposure as he had actually taken it to please his children 17 In the opening of 1931 s Frankenstein the credit for The Monster is a question mark Boris Karloff is named in the closing credits Ashton Kutcher appears as Hank in the 2003 family comedy Cheaper by the Dozen and is uncredited although he is one of the film s main characters In the 1974 film Earthquake Walter Matthau agreed to provide a cameo performance without compensation on the condition that he not be credited under his real name he was credited under a fictitious name of his choosing Walter Matuschanskayasky Because he played the part without pay Bruce Willis is not credited for his prominent role in the portion of Four Rooms directed by Quentin Tarantino Owen Wilson does not receive credit for his Jedidiah character in Night at the Museum though he receives credit in the sequel Battle of the Smithsonian John Wayne was billed as Michael Morris in two cameo television appearances directed by John Ford an episode of Wagon Train titled The Colter Craven Story and an anthology installment called Flashing Spikes starring James Stewart Wayne s real name before it was changed for the 1930 widescreen film The Big Trail was Marion Robert Morrison his widely reported middle name of Michael was apparently a change made by studio publicists after he became famous as Wayne For his cameo appearances in Cabin Boy and Beavis and Butt head Do America David Letterman was billed as Earl Hofert In Interstellar Matt Damon s casting was kept secret during production and he is not credited in the film This was a deliberate decision by the director Christopher Nolan as he uses the audience s familiarity with Matt Damon as a good guy actor to hide his character s true intentions 18 David Hyde Pierce declined to be credited for his voice acting role in Hellboy because he felt it was the physical performance of Doug Jones and not his own voice which ultimately brought the character of Abe Sapien to life 19 Other unbilled roles feature famous actors or actresses who pop up in a movie as a face in a crowd a man on a bench or other background characters who are given screen time for a brief but recognizable moment such as Bing Crosby and Bob Hope momentarily appearing in a circus audience during The Greatest Show on Earth They can be recognized but sometimes are not credited for financial reasons if they receive credit they would be due payment commensurate with their fame citation needed An example of this is James Cagney being clearly glimpsed during the opening scenes of MGM s Mutiny on the Bounty 1935 starring Charles Laughton and Clark Gable Cagney was contracted to Warner Bros at the time and was arguably their biggest star but appears briefly as an unbilled and presumably unpaid extra at the beginning of the rival studio s seagoing epic Screenwriters billing edit Main article WGA screenwriting credit system Writing credits for films and TV shows written under the jurisdiction of the Writers Guild of America WGA use the WGA screenwriting credit system For writers who belong to the WGA the writing credits affect reputation union membership and income Under the rules the film producer must first submit the proposed writing credits for the project to both the WGA and all the participating writers If any participating writer objects to the proposed credits it then enters arbitration with the WGA being the final arbiter The WGA rules help dictate whether a screenplay should be classified as original or is instead based on another source If based on another source an additional Based on a book play other source by is generally required In the case of a sequel to the film the credited writers of the original motion picture may be entitled to a Based on characters created by credit The WGA s rules also outlines when credits can be apportioned separately for the story and for the screenplay itself when all writers were not equally involved in the creation of both When the same writers are entitled to both Screenplay by and Story by credit they will instead by listed under one Written by credit For writing teams of two they are credited as one separated on the credits by an ampersand X amp Y If each works independently on the script the most common system they are separated by an and If more than two persons worked on the screenplay the credits may read something like screenplay by X amp Y and Z and W where X and Y worked as a team but Z and W worked separately 20 The WGA system also puts limits on the number of writers on films Screenplay by Teleplay by and Written by credit each can list no more than three writers or writing teams Director billing edit The Directors Guild of America DGA requires that a film lists only one director even if more than one director has worked on the film 3 with few exceptions such as for directing teams such as the Coen brothers 21 If the main credits occur at the beginning then the director s name is last to be shown before the film s narrative starts as a result of an agreement between the DGA and motion picture producers in 1939 If all billing is shown at the end the director s name will be displayed first immediately followed by the writing credits In 1980 George Lucas resigned from the DGA after it insisted against his wishes that Irvin Kershner the director of The Empire Strikes Back be credited at the beginning of the film because the company name Lucasfilm was there it had previously allowed the original Star Wars 1977 which had a similar opening sequence to go unchallenged because the writer director credit George Lucas matched the company name Lucasfilm Ltd Ben Hur is one of the few MGM films in which the director receives very prominent billing in the posters advertising the movie the posters state William Wyler s Production of although the same credit does not appear in the actual on screen credits 22 A similar example is David Lean whose Doctor Zhivago and Ryan s Daughter both carry the credit David Lean s Film of followed by the title Stanley Kubrick received prominent title billing from Dr Strangelove 1964 onwards and from A Clockwork Orange 1971 he generally received main billing with the actors only listed in the billing block Advertising materials for Kubrick s Eyes Wide Shut featured the billing CRUISE KIDMAN KUBRICK Filmmaker and playwright Tyler Perry always inserts his name into the title of each of his films and television shows For instance Tyler Perry s Why Did I Get Married or Tyler Perry s Meet the Browns To date the only film he has not done this with is For Colored Girls which is an adaptation of the Ntozake Shange play For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf citation needed In 2004 Robert Rodriguez quit the DGA because he wanted to credit Frank Miller as co director on the film Sin City 23 21 Billing block edit nbsp Reynold Brown s poster for Attack of the 50 Foot Woman 1958 with a billing block at the bottom The billing block is the list of names that adorn the bottom portion of the official poster or one sheet as it is called in the movie industry of the movie 24 In the layout of film posters and other film advertising copy the billing block is usually set in a highly condensed typeface one in which the height of characters is several times the width 25 By convention the point size of the billing block is 15 to 35 percent of the average height of each letter in the title logo Typefaces used include Univers 39 Univers 49 and Bee 26 Inclusion in the credits and the billing block is generally a matter of detailed contracts between Hollywood labor unions representing creative talent and the producer or film distributor The labor union contracts specify minimum requirements for presenting actors writers and directors 27 But star talent is free to individually negotiate larger name presentations such as when a star actor or director has his or her name above a movie s title The union contracts also cover billing blocks in trailers outdoor billboards TV commercials newspaper advertising and online advertising Using a condensed typeface allows the heights of the characters to meet contractual constraints while still allowing enough horizontal space to include all the required text 28 See also editAcknowledgment creative arts Alan Smithee pseudonym used by directors who do not want their name associated with the final project Closing credits Credit creative arts Opening credits Possessory credit Title sequence WGA screenwriting credit systemReferences editSpecific references Doug amp Mary A biography of Douglas Fairbanks amp Mary Pickford by Gary Carey E P Dutton 1977 ISBN 978 0 525 09512 5 p 21 Keyword no opening credits from IMDb a b Glatzer Robert October 1998 Movie credits 101 Salon com Archived from the original on December 20 2010 James Whale IMDb IMDb Enhanced Playback Trivia Track 2004 Clerks X Tenth Anniversary Edition DVD Buena Vista Home Entertainment Who The Devil Made It Conversations with Legendary Film Directors by Peter Bogdanovich All the President s Men Movie Poster ImpAwards com McKay Adam director 5 December 2021 Don t Look Up Motion picture Netflix Event occurs at 11 28 Retrieved 26 April 2022 Private Screenings Tony Curtis Turner Classic Movies 19 Jan 1999 The Towering Inferno Masterprint at Art com Archived from the original on 2004 12 28 Retrieved 2010 01 09 Righteous Kill Movie Poster 1 of 9 Ocean s Eleven Movie Poster 2 of 5 Top ten Batman villains on screen The Times July 17 2012 Retrieved January 16 2020 Nicholson demanded top billing and a deal that gave him royalties on merchandise subscription required Hochman David March 3 2000 The biggest movie payoffs Entertainment Weekly Retrieved January 16 2020 Interview with Gary Oldman Archived 2009 02 26 at the Wayback Machine from IGN Seven Trivia IMDb a b Erdmann Terry J Block Paula M 2000 Star Trek Deep Space Nine Companion New York Pocket Books p 208 ISBN 9780671501068 Nepales Ruben V November 14 2014 Chris Nolan explains why he kept actor s casting a secret Inquirer net Jones Doug May 11 2007 Doug Jones Exclusive Interview Horror com transcript Interviewed by Staci Layne Retrieved 2008 06 11 Glatzer October 1998 Movie credits 101 a b Engber Daniel 8 April 2005 Why not quit the Directors Guild Slate Magazine YouTube YouTube Archived from the original on 2017 02 10 Retrieved 2016 12 01 Coyle Jake When Robert Rodriguez approached Frank Miller about adapting Sin City he knew he needed a great pitch Lexington Herald Associated Press Archived from the original on 2005 04 19 Crabb Kelly 2005 The Movie Business The Definitive Guide to the Legal and Financial Secrets of Getting Your Movie Made Simon and Schuster p 72 ISBN 9780743264921 Credit Where Credit is Due Posterwire com March 21 2005 Retrieved 2012 05 29 Jaramillo Brian March 4 2009 Corey Holmes watches the Watchmen Lettercult Retrieved 2012 10 04 Marich Robert 2013 Marketing To Moviegoers Third Edition 2013 SIU Press p 18 20 Schott Ben February 23 2013 Assembling the Billing Block The New York Times General references Glatzer Robert October 1998 Movie credits 101 Salon com Archived from the original on April 22 2009 Egos Watch My Line Time January 5 1962 Archived from the original on February 4 2013 Retrieved from https en wikipedia org w index php title Billing performing arts amp oldid 1220909750, wikipedia, wiki, book, books, library,

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