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Samhain

Samhain (/ˈsɑːwɪn/ SAH-win, /ˈsɪn/ SOW-in, Irish: [ˈsˠəunʲ], Scottish Gaelic: [ˈs̪ãũ.ɪɲ]; Manx: Sauin [ˈsoːɪnʲ]) is a Gaelic festival on 1 November[1] marking the end of the harvest season and beginning of winter[1] or "darker half" of the year. Celebrations begin on the evening of 31 October, since the Celtic day began and ended at sunset.[1] This is about halfway between the autumnal equinox and winter solstice. It is one of the four Gaelic seasonal festivals along with Imbolc, Beltaine and Lughnasa. Historically it was widely observed throughout Ireland, Scotland, Galicia and the Isle of Man (where it is spelled Sauin). A similar festival was held by the Brittonic Celtic people, called Calan Gaeaf in Wales, Kalan Gwav in Cornwall and Kalan Goañv in Brittany.

Samhain
A Neopagan celebration of Samhain
Observed byHistorically: Gaels
Today:
Type
  • Cultural
  • Pagan ()
SignificanceEnd of the harvest season, beginning of winter
Celebrations
Date31 October
(or 1 May for Neopagans in the Southern hemisphere)
FrequencyAnnual
Related to

Samhain is believed to have Celtic pagan origins and some Neolithic passage tombs in Ireland are aligned with the sunrise at the time of Samhain.[2] It is first mentioned in the earliest Irish literature, from the 9th century, and is associated with many important events in Irish mythology. The early literature says Samhain was marked by great gatherings and feasts and was when the ancient burial mounds were open, which were seen as portals to the Otherworld. Some of the literature also associates Samhain with bonfires and sacrifices.

The festival was not recorded in detail until the early modern era. It was when cattle were brought down from the summer pastures and when livestock were slaughtered. As at Beltaine, special bonfires were lit. These were deemed to have protective and cleansing powers and there were rituals involving them.[3] Like Beltaine, Samhain was a liminal or threshold festival, when the boundary between this world and the Otherworld thinned, meaning the Aos Sí (the 'spirits' or 'fairies') could more easily come into our world. Most scholars see the Aos Sí as remnants of pagan gods. At Samhain, they were appeased with offerings of food and drink, to ensure the people and their livestock survived the winter. The souls of dead kin were also thought to revisit their homes seeking hospitality, and a place was set at the table for them during a meal. Mumming and guising were part of the festival from at least the early modern era, whereby people went door-to-door in costume reciting verses in exchange for food. The costumes may have been a way of imitating, and disguising oneself from, the Aos Sí. Divination was also a big part of the festival and often involved nuts and apples. In the late 19th century John Rhys and James Frazer suggested it had been the "Celtic New Year", but that is disputed.[4]

In the 9th century the Western Church endorsed 1 November as the date of All Saints' Day, possibly due to the influence of Alcuin, and 2 November later became All Souls' Day. It is believed that over time Samhain and All Saints'/All Souls' influenced each other and eventually syncretised into the modern Halloween.[5] Most American Halloween traditions were inherited from Irish and Scottish immigrants.[6] Folklorists have used the name 'Samhain' to refer to Gaelic 'Halloween' customs up until the 19th century.[7]

Since the later 20th century Celtic neopagans and Wiccans have observed Samhain, or something based on it, as a religious holiday.[8]

Etymology

In Modern Irish and Scottish Gaelic the name is Samhain, while the traditional Manx Gaelic name is Sauin.[9] It is usually written with the definite article An tSamhain (Irish), An t-Samhain (Scottish Gaelic) and Yn Tauin (Manx). Older forms of the word include the Scottish Gaelic spellings Samhainn and Samhuinn.[10][11][12] The Gaelic names for the month of November are derived from Samhain.[13]

These names all come from the Middle Irish Samain or Samuin [ˈsaṽɨnʲ], the name for the festival held on 1 November in medieval Ireland, which has been traditionally derived from Proto-Indo-European (PIE) *semo- ('summer').[14][15] As John T. Koch notes, however, it is unclear why a festival marking the beginning of winter should include the word for 'summer'.[16] Joseph Vendryes also contends that it is unrelated because the Celtic summer ended in August.[17] According to linguists Xavier Delamarre and Ranko Matasović, links to Proto-Celtic *samon- ('summer') appear to be folk etymologies. According to them, Gaulish Samon- and Middle Irish Samain should rather be derived from Proto-Celtic *samoni- (< PIE *smHon- 'reunion, assembly'), whose original meaning is best explained as 'assembly, [feast of the] first month of the year' (cf. Old Irish -samain 'swarm'), perhaps referring to an 'assembly of the living and the dead'.[18][19]

Coligny calendar

 
Samonios on the Coligny calendar

On Gaulish Coligny calendar, dating from the 1st century BCE, the month name SAMONI is likely related to the word Samain.[20] A festival of some kind may have been held during the "three nights of Samoni" (Gaulish TRINOX SAMONI). The month name GIAMONI, six months later, likely includes the word for "winter", but the starting point of the calendar is unclear.[21]

Origins

Samain or Samuin was the name of the festival (feis) marking the beginning of winter in Gaelic Ireland. It is attested in the earliest Old Irish literature, which dates from the 9th century onward. It was one of four Gaelic seasonal festivals: Samhain (~1 November), Imbolc (~1 February), Bealtaine (~1 May) and Lughnasa (~1 August). Samhain and Bealtaine, at opposite sides of the year, are thought to have been the most important. Sir James George Frazer wrote in his 1890 book, The Golden Bough: A Study in Magic and Religion, that 1 May and 1 November are of little importance to European crop-growers, but of great importance to herdsmen practising seasonal transhumance. It is at the beginning of summer that cattle are driven to the upland summer pastures and the beginning of winter that they are led back. Thus, Frazer suggests that halving the year at 1 May and 1 November dates from when the Celts were a mainly pastoral people, dependent on their herds.[22]

Some Neolithic passage tombs in Ireland are aligned with the sunrise around the times of Samhain and Imbolc. These include the Mound of the Hostages (Dumha na nGiall) at the Hill of Tara,[23] and Cairn L at Slieve na Calliagh.[24]

In Irish mythology

 
The hero Fionn fighting Aillen, who is said to have burned Tara each Samhain

While Irish mythology was originally a spoken tradition, much of it was eventually written down in the Middle Ages by Christian monks.[25][26] The tenth-century tale Tochmarc Emire ('The Wooing of Emer') lists Samhain as the first of the four seasonal festivals of the year.[27] The literature says a peace would be declared and there were great gatherings where they held meetings, feasted, drank alcohol,[28] and held contests.[27] These gatherings are a popular setting for early Irish tales.[27] The tale Echtra Cormaic ('Cormac's Adventure') says that the Feast of Tara was held every seventh Samhain, hosted by the High King of Ireland, during which new laws and duties were ordained; anyone who broke the laws established during this time would be banished.[29][30]

According to Irish mythology, Samhain (like Bealtaine) was a time when the 'doorways' to the Otherworld opened, allowing supernatural beings and the souls of the dead to come into our world; while Bealtaine was a summer festival for the living, Samhain "was essentially a festival for the dead".[31] The Boyhood Deeds of Fionn says that the sídhe (fairy mounds or portals to the Otherworld) "were always open at Samhain".[32] Each year the fire-breather Aillen emerges from the Otherworld and burns down the palace of Tara during the Samhain festival after lulling everyone to sleep with his music. One Samhain, the young Fionn mac Cumhaill is able to stay awake and slays Aillen with a magical spear, for which he is made leader of the fianna. In a similar tale, one Samhain the Otherworld being Cúldubh comes out of the burial mound on Slievenamon and snatches a roast pig. Fionn kills Cúldubh with a spear throw as he re-enters the mound. Fionn's thumb is caught between the door and the post as it shuts, and he puts it in his mouth to ease the pain. As his thumb had been inside the Otherworld, Fionn is bestowed with great wisdom. This may refer to gaining knowledge from the ancestors.[33] Acallam na Senórach ('Colloquy of the Elders') tells how three female werewolves emerge from the cave of Cruachan (an Otherworld portal) each Samhain and kill livestock. When Cas Corach plays his harp, they take on human form, and the fianna warrior Caílte then slays them with a spear.[34]

Some tales suggest that offerings or sacrifices were made at Samhain. In the Lebor Gabála Érenn (or 'Book of Invasions'), each Samhain the people of Nemed had to give two-thirds of their children, their corn and their milk to the monstrous Fomorians. The Fomorians seem to represent the harmful or destructive powers of nature; personifications of chaos, darkness, death, blight and drought.[35][36] This tribute paid by Nemed's people may represent a "sacrifice offered at the beginning of winter, when the powers of darkness and blight are in the ascendant".[37] According to the later Dindsenchas and the Annals of the Four Masters—which were written by Christian monks—Samhain in ancient Ireland was associated with a god or idol called Crom Cruach. The texts claim that a first-born child would be sacrificed at the stone idol of Crom Cruach in Magh Slécht. They say that King Tigernmas, and three-fourths of his people, died while worshiping Crom Cruach there one Samhain.[38]

 
Neopagans in Ireland celebrating Samhain

The legendary kings Diarmait mac Cerbaill and Muirchertach mac Ercae each die a threefold death on Samhain, which involves wounding, burning and drowning, and of which they are forewarned. In the tale Togail Bruidne Dá Derga ('The Destruction of Dá Derga's Hostel'), king Conaire Mór also meets his death on Samhain after breaking his geasa (prohibitions or taboos). He is warned of his impending doom by three undead horsemen who are messengers of Donn, god of the dead.[39] The Boyhood Deeds of Fionn tells how each Samhain the men of Ireland went to woo a beautiful maiden who lives in the fairy mound on Brí Eile (Croghan Hill). It says that each year someone would be killed "to mark the occasion", by persons unknown.[40] Some academics suggest that these tales recall human sacrifice,[41] and argue that several ancient Irish bog bodies (such as Old Croghan Man) appear to have been kings who were ritually killed,[42] some of them around the time of Samhain.[43]

In the Echtra Neraí ('The Adventure of Nera'), King Ailill of Connacht sets his retinue a test of bravery on Samhain night. He offers a prize to whoever can make it to a gallows and tie a band around a hanged man's ankle. Each challenger is thwarted by demons and runs back to the king's hall in fear. However, Nera succeeds, and the dead man then asks for a drink. Nera carries him on his back and they stop at three houses. They enter the third, where the dead man drinks and spits it on the householders, killing them. Returning, Nera sees a fairy host burning the king's hall and slaughtering those inside. He follows the host through a portal into the Otherworld. Nera learns that what he saw was only a vision of what will happen the next Samhain unless something is done. He is able to return to the hall and warns the king.[44][45]

The tale Aided Chrimthainn maic Fidaig ('The Killing of Crimthann mac Fidaig') tells how Mongfind kills her brother, king Crimthann of Munster, so that one of her sons might become king. Mongfind offers Crimthann a poisoned drink at a feast, but he asks her to drink from it first. Having no other choice but to drink the poison, she dies on Samhain eve. The Middle Irish writer notes that Samhain is also called Féile Moingfhinne (the Festival of Mongfind or Mongfhionn), and that "women and the rabble make petitions to her" at Samhain.[46][47]

Many other events in Irish mythology happen or begin on Samhain. The invasion of Ulster that makes up the main action of the Táin Bó Cúailnge ('Cattle Raid of Cooley') begins on Samhain. As cattle-raiding typically was a summer activity, the invasion during this off-season surprised the Ulstermen.[48] The Second Battle of Magh Tuireadh also begins on Samhain.[49] The Morrígan and The Dagda meet and have sex before the battle against the Fomorians; in this way the Morrígan acts as a sovereignty figure and gives the victory to the Dagda's people, the Tuatha Dé Danann. In Aislinge Óengusa ('The Dream of Óengus') it is when he and his bride-to-be switch from bird to human form, and in Tochmarc Étaíne ('The Wooing of Étaín') it is the day on which Óengus claims the kingship of Brú na Bóinne.[41]

 
The 'Cave of Cruachan', one of the many 'gateways to the Otherworld' whence beings and spirits were said to have emerged on Samhain.

Several sites in Ireland are especially linked to Samhain. Each Samhain a host of otherworldly beings was said to emerge from the Cave of Cruachan in County Roscommon.[50] The Hill of Ward (or Tlachtga) in County Meath is thought to have been the site of a great Samhain gathering and bonfire;[28] the Iron Age ringfort is said to have been where the goddess or druid Tlachtga gave birth to triplets and where she later died.[51]

In The Stations of the Sun: A History of the Ritual Year in Britain (1996), Ronald Hutton writes: "No doubt there were [pagan] religious observances as well, but none of the tales ever portrays any". The only historic reference to pagan religious rites is in the work of Geoffrey Keating (died 1644), but his source is unknown. Hutton says it may be that no religious rites are mentioned because, centuries after Christianization, the writers had no record of them.[27] Hutton suggests Samhain may not have been particularly associated with the supernatural. He says that the gatherings of royalty and warriors on Samhain may simply have been an ideal setting for such tales, in the same way that many Arthurian tales are set at courtly gatherings at Christmas or Pentecost.[52]

Historic customs

Samhain was one of the four main festivals of the Gaelic calendar, marking the end of the harvest and beginning of winter.[28] Samhain customs are mentioned in several medieval texts. In Serglige Con Culainn ('Cúchulainn's Sickbed'), it is said that the festival of the Ulaid at Samhain lasted a week: Samhain itself, and the three days before and after. It involved great gatherings at which they held meetings, feasted, drank alcohol, and held contests.[27] The Togail Bruidne Dá Derga notes that bonfires were lit at Samhain and stones cast into the fires.[53] It is mentioned in Geoffrey Keating's Foras Feasa ar Éirinn, which was written in the early 1600s but draws on earlier medieval sources, some of which are unknown. He claims that the feis of Tara was held for a week every third Samhain, when the nobles and ollams of Ireland met to lay down and renew the laws, and to feast.[54] He also claims that the druids lit a sacred bonfire at Tlachtga and made sacrifices to the gods, sometimes by burning their sacrifices. He adds that all other fires were doused and then re-lit from this bonfire.[55]

Ritual bonfires

 
Bonfires are a big part of the festival in many areas (pictured is a Beltane bonfire in Scotland)

Similar to Bealtaine, bonfires were lit on hilltops at Samhain and there were rituals involving them.[28] By the early modern era, they were most common in parts of the Scottish Highlands, on the Isle of Man, in north and mid Wales, and in parts of Ulster.[56] F. Marian McNeill says that a force-fire (or need-fire) was the traditional way of lighting them, but notes that this method gradually died out.[57] Likewise, only certain kinds of wood were traditionally used, but later records show that many kinds of flammable material were burnt.[58] It is suggested that the fires were a kind of imitative or sympathetic magic—they mimicked the Sun, helping the "powers of growth" and holding back the decay and darkness of winter.[57][59][60] They may also have served to symbolically "burn up and destroy all harmful influences".[60] Accounts from the 18th and 19th centuries suggest that the fires (as well as their smoke and ashes) were deemed to have protective and cleansing powers.[61]

In 19th-century Moray, boys asked for bonfire fuel from each house in the village. When the fire was lit, "one after another of the youths laid himself down on the ground as near to the fire as possible so as not to be burned, and in such a position as to let the smoke roll over him. The others ran through the smoke and jumped over him". When the bonfire burnt down, they scattered the ashes, vying with each other who should scatter them most.[61] In some areas, two bonfires would be built side by side, and the people—sometimes with their livestock—would walk between them as a cleansing ritual. The bones of slaughtered cattle were said to have been cast upon bonfires. In the Gaelic world, cattle were the main form of wealth and were the center of agricultural and pastoral life.[62]

People also took flames from the bonfire back to their homes. During the 19th century in parts of Scotland, torches of burning fir or turf were carried sunwise around homes and fields to protect them.[56] In some places, people doused their hearth fires on Samhain night. Each family then solemnly re-lit its hearth from the communal bonfire, thus bonding the community together.[3][57] The 17th century writer Geoffrey Keating claimed that this was an ancient tradition, instituted by the druids.[27] Dousing the old fire and bringing in the new may have been a way of banishing evil, which was part of New Year festivals in many countries.[59]

Divination

 
Snap-Apple Night (1833), painted by Daniel Maclise, shows people playing divination games on 31 October in Ireland

The bonfires were used in divination rituals, although not all divination involved fire. In 18th-century Ochtertyre, a ring of stones—one for each person—was laid round the fire, perhaps on a layer of ash. Everyone then ran round it with a torch, "exulting". In the morning, the stones were examined and if any were mislaid it was said that the person it represented would not live out the year. A similar custom was observed in northern Wales[61] and in Brittany.[63] James Frazer suggests this may come from "an older custom of actually burning them" (i.e. human sacrifice) or it may have always been symbolic.[64] Divination has likely been a part of the festival since ancient times,[28] and it has survived in some rural areas.[65]

 
Samhain Celebrations

At household festivities throughout the Gaelic regions and Wales, there were many rituals intended to divine the future of those gathered, especially with regard to death and marriage.[28][66] Apples and hazelnuts were often used in these divination rituals and games. In Celtic mythology, apples were strongly associated with the Otherworld and immortality, while hazelnuts were associated with divine wisdom.[67] One of the most common games was apple bobbing. Another involved hanging a small wooden rod from the ceiling at head height, with a lit candle on one end and an apple hanging from the other. The rod was spun round and everyone took turns to try to catch the apple with their teeth.[68] Apples were peeled in one long strip, the peel tossed over the shoulder, and its shape was said to form the first letter of the future spouse's name.[69]

Two hazelnuts were roasted near a fire; one named for the person roasting them and the other for the person they desired. If the nuts jumped away from the heat, it was a bad sign, but if the nuts roasted quietly it foretold a good match.[70][71] Items were hidden in food—usually a cake, barmbrack, cranachan, champ or sowans—and portions of it served out at random. A person's future was foretold by the item they happened to find; for example a ring meant marriage and a coin meant wealth.[72] A salty oatmeal bannock was baked; the person ate it in three bites and then went to bed in silence without anything to drink. This was said to result in a dream in which their future spouse offers them a drink to quench their thirst.[72] Egg whites were dropped in water, and the shapes foretold the number of future children. Children would also chase crows and divine some of these things from the number of birds or the direction they flew.[3][72][58]

Spirits and souls

As noted earlier, Samhain was seen as a liminal time, when the boundary between this world and the Otherworld could more easily be crossed.[73] This meant the aos sí, the 'spirits' or 'fairies' (the little folk), could more easily come into our world. Many scholars see the aos sí as remnants of pagan gods and nature spirits.[74][75] At Samhain, it was believed that the aos sí needed to be propitiated to ensure that the people and their livestock survived the winter. Offerings of food and drink would be left outside for the aos sí,[76][77] and portions of the crops might be left in the ground for them.[78]

One custom—described a "blatant example" of a "pagan rite surviving into the Christian epoch"—was recorded in the Outer Hebrides and Iona in the 17th century. On the night of 31 October, fishermen and their families would go down to the shore. One man would wade into the water up to his waist, where he would pour out a cup of ale and ask 'Seonaidh' ('Shoney'), whom he called "god of the sea", to bestow on them a good catch. The custom was ended in the 1670s after a campaign by ministers, but the ceremony shifted to the springtime and survived until the early 19th century.[56]

 
Neopagans honouring the dead at Samhain

People also took special care not to offend the aos sí and sought to ward-off any who were out to cause mischief. They stayed near to home or, if forced to walk in the darkness, turned their clothing inside-out or carried iron or salt to keep them at bay.[28] In southern Ireland, it was customary on Samhain to weave a small cross of sticks and straw called a 'parshell' or 'parshall', which was similar to the Brigid's cross and God's eye. It was fixed over the doorway to ward-off bad luck, sickness and witchcraft, and would be replaced each Samhain.[79]

The dead were also honoured at Samhain. The beginning of winter may have been seen as the most fitting time to do so, as it was a time of 'dying' in nature.[80] The souls of the dead were thought to revisit their homes seeking hospitality. Places were set at the dinner table and by the fire to welcome them.[3][81] The belief that the souls of the dead return home on one night of the year and must be appeased seems to have ancient origins and is found in many cultures throughout the world.[82] James Frazer suggests "It was perhaps a natural thought that the approach of winter should drive the poor, shivering, hungry ghosts from the bare fields and the leafless woodlands to the shelter of the cottage".[83] However, the souls of thankful kin could return to bestow blessings just as easily as that of a wronged person could return to wreak revenge.[84]

Mumming and guising

 
A Mari Lwyd, the Welsh equivalent of the Láir Bhán

In some areas, mumming and guising was a part of Samhain. It was first recorded in 16th century Scotland[85] and later in parts of Ireland, Mann and Wales.[86] It involved people going from house to house in costume (or in disguise), usually reciting songs or verses in exchange for food.[86] It may have evolved from a tradition whereby people impersonated the aos sí, or the souls of the dead, and received offerings on their behalf.[86] Impersonating these spirits or souls was also believed to protect oneself from them.[87] S. V. Peddle suggests the guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[88] McNeill suggests that the ancient festival included people in masks or costumes representing these spirits and that the modern custom came from this.[89] In Ireland, costumes were sometimes worn by those who went about before nightfall collecting for a Samhain feast.[86]

In Scotland, young men went house-to-house with masked, veiled, painted or blackened faces,[58][90] often threatening to do mischief if they were not welcomed.[86] This was common in the 16th century in the Scottish countryside and persisted into the 20th.[91] It is suggested that the blackened faces comes from using the bonfire's ashes for protection.[89] In Ireland in the late 18th century, peasants carrying sticks went house-to-house on Samhain collecting food for the feast. Charles Vallancey wrote that they demanded this in the name of St Colm Cille, asking people to "lay aside the fatted calf, and to bring forth the black sheep".[92] In parts of southern Ireland during the 19th century, the guisers included a hobby horse known as the Láir Bhán (white mare). A man covered in a white sheet and carrying a decorated horse skull would lead a group of youths, blowing on cow horns, from farm to farm. At each they recited verses, some of which "savoured strongly of paganism", and the farmer was expected to donate food. If the farmer donated food he could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[93] This is akin to the Mari Lwyd (grey mare) procession in Wales, which takes place at Midwinter. In Wales the white horse is often seen as an omen of death.[94] Elsewhere in Europe, costumes, mumming and hobby horses were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[86]

 
A plaster cast of an Irish Seán na Gealaí turnip lantern from the early 20th century at the Museum of Country Life

Hutton writes: "When imitating malignant spirits it was a very short step from guising to playing pranks". Playing pranks at Samhain is recorded in the Scottish Highlands as far back as 1736 and was also common in Ireland, which led to Samhain being nicknamed "Mischief Night" in some parts.[86] Wearing costumes at Halloween spread to England in the 20th century, as did the custom of playing pranks, though there had been mumming at other festivals.[86] At the time of mass transatlantic Irish and Scottish immigration, which popularised Halloween in North America, Halloween in Ireland and Scotland had a strong tradition of guising and pranks.[95] Trick-or-treating may have come from the custom of going door-to-door collecting food for Samhain feasts, fuel for Samhain bonfires and/or offerings for the aos sí. Alternatively, it may have come from the Allhallowtide custom of collecting soul cakes.[citation needed]

The "traditional illumination for guisers or pranksters abroad on the night in some places was provided by turnips or mangel wurzels, hollowed out to act as lanterns and often carved with grotesque faces".[86] They were also set on windowsills. By those who made them, the lanterns were variously said to represent the spirits or supernatural beings,[96] or were used to ward off evil spirits.[90][97][98] These were common in parts of Ireland and the Scottish Highlands in the 19th century.[86] They were also found in Somerset (see Punkie Night). In the 20th century they spread to other parts of Britain and became generally known as jack-o'-lanterns.[86]

Livestock

Traditionally, Samhain was a time to take stock of the herds and food supplies. Cattle were brought down to the winter pastures after six months in the higher summer pastures (see transhumance).[28] It was also the time to choose which animals would be slaughtered. This custom is still observed by many who farm and raise livestock.[3][57] It is thought that some of the rituals associated with the slaughter have been transferred to other winter holidays. On St. Martin's Day (11 November) in Ireland, an animal—usually a rooster, goose or sheep—would be slaughtered and some of its blood sprinkled on the threshold of the house. It was offered to Saint Martin, who may have taken the place of a god or gods,[59] and it was then eaten as part of a feast. This custom was common in parts of Ireland until the 19th century,[99] and was found in some other parts of Europe. At New Year in the Hebrides, a man dressed in a cowhide would circle the township sunwise. A bit of the hide would be burnt and everyone would breathe in the smoke.[59] These customs were meant to keep away bad luck, and similar customs were found in other Celtic regions.[59]

Celtic Revival

During the late 19th and early 20th century Celtic Revival, there was an upswell of interest in Samhain and the other Celtic festivals. Sir John Rhys put forth that it had been the "Celtic New Year". He inferred it from contemporary folklore in Ireland and Wales, which he felt was "full of Hallowe'en customs associated with new beginnings". He visited Mann and found that the Manx sometimes called 31 October "New Year's Night" or Hog-unnaa. The Tochmarc Emire, written in the Middle Ages, reckoned the year around the four festivals at the beginning of the seasons, and put Samhain at the beginning of those. However, Hutton says that the evidence for it being the Celtic or Gaelic New Year's Day is flimsy.[100] Rhys's theory was popularised by Sir James George Frazer, though at times he did acknowledge that the evidence is inconclusive. Frazer also put forth that Samhain had been the pagan Celtic festival of the dead and that it had been Christianized as All Saints and All Souls.[100] Since then, Samhain has been popularly seen as the Celtic New Year and an ancient festival of the dead. The calendar of the Celtic League, for example, begins and ends at Samhain.[101]

Related festivals

 
Samhuinn Wikipedia editathon at the University of Edinburgh, 2016

In the Brittonic branch of the Celtic languages, Samhain is known as the "calends of winter". The Brittonic lands of Wales, Cornwall and Brittany held festivals on 31 October similar to the Gaelic one. In Wales it is Calan Gaeaf, in Cornwall it is Allantide or Kalan Gwav and in Brittany it is Kalan Goañv.[41]

The Manx celebrate Hop-tu-Naa on 31 October, which is a celebration of the original New Year's Eve. Traditionally, children carve turnips rather than pumpkins and carry them around the neighbourhood singing traditional songs relating to hop-tu-naa.[102]

Allhallowtide

In 609, Pope Boniface IV endorsed 13 May as a holy day commemorating all Christian martyrs.[103] By 800, there is evidence that churches in Ireland,[104] Northumbria (England) and Bavaria (Germany) were holding a feast commemorating all saints on 1 November, which became All Saints' Day.[103][105][106] Alcuin of Northumbria commended his friend Arno of Salzburg, Bavaria for holding the feast on this date.[104] James Frazer suggests this date was a Celtic idea (being the date of Samhain), while Ronald Hutton suggests it was a Germanic idea, writing that the Irish church commemorated all saints on 20 April. Some manuscripts of the Irish Martyrology of Tallaght and Martyrology of Óengus, which date to this time, have a commemoration of all saints "of Europe" on 20 April, but a commemoration of all saints of the world on 1 November.[107] It is suggested that Alcuin, a member of Charlemagne's court, introduced the 1 November date of All Saints in the Frankish Empire.[108] In 835, the 1 November date was officially adopted in the Frankish Empire.[103] In the 11th century, 2 November became established as All Souls' Day. This created the three-day observance known as Allhallowtide: All Hallows' Eve (31 October), All Hallows' Day (1 November), and All Souls' Day (2 November).

It is widely believed that many of the modern secular customs of All Hallows' Eve (Halloween) were influenced by the festival of Samhain.[109][110] Other scholars argue that Samhain's influence has been exaggerated, and that All Hallows' also influenced Samhain itself.[111]

Most American Halloween traditions were brought over by Irish and Scottish immigrants in the 19th century.[6][112] Then, through American influence, these Halloween traditions spread to many other countries by the late 20th century.[113]

Neopaganism

 
Neopagans celebrating Samhain around a bonfire

Samhain and Samhain-based festivals are held by some Neopagans. As there are many kinds of Neopaganism, their Samhain celebrations can be very different despite the shared name. Some try to emulate the historic festival as much as possible. Other Neopagans base their celebrations on sundry unrelated sources, Gaelic culture being only one of the sources.[8][114][115] Folklorist Jenny Butler[116] describes how Irish pagans pick some elements of historic Samhain celebrations and meld them with references to the Celtic past, making a new festival of Samhain that is inimitably part of neo-pagan culture.

Neopagans usually celebrate Samhain on 31 October–1 November in the Northern Hemisphere and 30 April–1 May in the Southern Hemisphere, beginning and ending at sundown.[117][118][119][120] Some Neopagans celebrate it at the astronomical midpoint between the autumnal equinox and winter solstice (or the full moon nearest this point), which is usually around 6 or 7 November in the Northern hemisphere.[121]

Celtic Reconstructionism

Like other Reconstructionist traditions, Celtic Reconstructionist Pagans (CRs) emphasize historical accuracy. They base their celebrations and rituals on traditional lore as well as research into the beliefs of the polytheistic Celts.[115][122] They celebrate Samhain around 1 November, but may adjust the date to suit their regional climate, such as when the first winter frost arrives.[123] Their traditions include saining the home and lighting bonfires.[123] Some follow the old tradition of building two bonfires, which celebrants and animals then pass between as a ritual of purification.[3][57] For CRs, it is a time when the dead are especially honoured. Though CRs make offerings at all times of year, Samhain is a time when more elaborate offerings are made to specific ancestors.[123] This may involve making a small altar or shrine. They often have a meal, where a place for the dead is set at the table and they are invited to join. An untouched portion of food and drink is then left outside as an offering. Traditional tales may be told and traditional songs, poems and dances performed. A western-facing door or window may be opened and a candle left burning on the windowsill to guide the dead home. Divination for the coming year is often done, whether in all solemnity or as games. The more mystically inclined may also see this as a time for deeply communing with their deities, especially those seen as being particularly linked with this festival.[3][57][115][122][123]

Wicca

Wiccans celebrate a variation of Samhain as one of their yearly Sabbats of the Wheel of the Year. It is deemed by most Wiccans to be the most important of the four "greater Sabbats.” Samhain is seen by some Wiccans as a time to celebrate the lives of those who have died, and it often involves paying respect to ancestors, family members, elders of the faith, friends, pets and other loved ones who have died. In some rituals the spirits of the dead are invited to attend the festivities. It is seen as a festival of darkness, which is balanced at the opposite point of the wheel by the spring festival of Beltane, which Wiccans celebrate as a festival of light and fertility.[124] Wiccans believe that at Samhain the veil between this world and the afterlife is at its thinnest point of the whole year, making it easier to communicate with those who have left this world.[125]

See also

References

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Secondary sources

  • Arnold, Bettina (31 October 2001). "Bettina Arnold – Halloween Lecture: Halloween Customs in the Celtic World". Halloween Inaugural Celebration. University of Wisconsin–Milwaukee: Center for Celtic Studies. Archived from the original on 4 January 2018. Retrieved 4 January 2018.
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  • Danaher, Kevin. "Irish Folk Tradition and the Celtic Calendar." In The Celtic Consciousness, ed. Robert O'Driscoll. New York: Braziller, 1981. pp. 217–42. ISBN 0-8076-1136-0. On specific customs and rituals.
  • Delamarre, Xavier (2003). Dictionnaire de la langue gauloise: Une approche linguistique du vieux-celtique continental. Errance. ISBN 9782877723695.
  • Matasović, Ranko (2009). Etymological Dictionary of Proto-Celtic. Brill. ISBN 9789004173361.
  • Ross, Anne "Material Culture, Myth and Folk Memory". In The Celtic Consciousness, ed. Robert O'Driscoll. New York: Braziller, 1981. 197–216. ISBN 0-8076-1136-0.
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Further reading

samhain, this, article, about, gaelic, holiday, other, uses, disambiguation, ɑː, irish, ˈsˠəunʲ, scottish, gaelic, ãũ, ɪɲ, manx, sauin, ˈsoːɪnʲ, gaelic, festival, november, marking, harvest, season, beginning, winter, darker, half, year, celebrations, begin, e. This article is about the Gaelic holiday For other uses see Samhain disambiguation Samhain ˈ s ɑː w ɪ n SAH win ˈ s aʊ ɪ n SOW in Irish ˈsˠeunʲ Scottish Gaelic ˈs aũ ɪɲ Manx Sauin ˈsoːɪnʲ is a Gaelic festival on 1 November 1 marking the end of the harvest season and beginning of winter 1 or darker half of the year Celebrations begin on the evening of 31 October since the Celtic day began and ended at sunset 1 This is about halfway between the autumnal equinox and winter solstice It is one of the four Gaelic seasonal festivals along with Imbolc Beltaine and Lughnasa Historically it was widely observed throughout Ireland Scotland Galicia and the Isle of Man where it is spelled Sauin A similar festival was held by the Brittonic Celtic people called Calan Gaeaf in Wales Kalan Gwav in Cornwall and Kalan Goanv in Brittany SamhainA Neopagan celebration of SamhainObserved byHistorically GaelsToday Celtic neopagansWiccansIrish peopleScottish peopleManx peopleGalician peopleTypeCulturalPagan Celtic polytheismCeltic neopaganismWicca SignificanceEnd of the harvest season beginning of winterCelebrationsBonfiresGuising or MummingDivinationSainingVeneration of the deadFeastingDate31 October or 1 May for Neopagans in the Southern hemisphere FrequencyAnnualRelated toAllantideAll Saints DayAll Souls DayCalan GaeafDay of the DeadDziadyHalloweenHop tu NaaKekriSamhain is believed to have Celtic pagan origins and some Neolithic passage tombs in Ireland are aligned with the sunrise at the time of Samhain 2 It is first mentioned in the earliest Irish literature from the 9th century and is associated with many important events in Irish mythology The early literature says Samhain was marked by great gatherings and feasts and was when the ancient burial mounds were open which were seen as portals to the Otherworld Some of the literature also associates Samhain with bonfires and sacrifices The festival was not recorded in detail until the early modern era It was when cattle were brought down from the summer pastures and when livestock were slaughtered As at Beltaine special bonfires were lit These were deemed to have protective and cleansing powers and there were rituals involving them 3 Like Beltaine Samhain was a liminal or threshold festival when the boundary between this world and the Otherworld thinned meaning the Aos Si the spirits or fairies could more easily come into our world Most scholars see the Aos Si as remnants of pagan gods At Samhain they were appeased with offerings of food and drink to ensure the people and their livestock survived the winter The souls of dead kin were also thought to revisit their homes seeking hospitality and a place was set at the table for them during a meal Mumming and guising were part of the festival from at least the early modern era whereby people went door to door in costume reciting verses in exchange for food The costumes may have been a way of imitating and disguising oneself from the Aos Si Divination was also a big part of the festival and often involved nuts and apples In the late 19th century John Rhys and James Frazer suggested it had been the Celtic New Year but that is disputed 4 In the 9th century the Western Church endorsed 1 November as the date of All Saints Day possibly due to the influence of Alcuin and 2 November later became All Souls Day It is believed that over time Samhain and All Saints All Souls influenced each other and eventually syncretised into the modern Halloween 5 Most American Halloween traditions were inherited from Irish and Scottish immigrants 6 Folklorists have used the name Samhain to refer to Gaelic Halloween customs up until the 19th century 7 Since the later 20th century Celtic neopagans and Wiccans have observed Samhain or something based on it as a religious holiday 8 Contents 1 Etymology 1 1 Coligny calendar 2 Origins 3 In Irish mythology 4 Historic customs 4 1 Ritual bonfires 4 2 Divination 4 3 Spirits and souls 4 4 Mumming and guising 4 5 Livestock 5 Celtic Revival 6 Related festivals 6 1 Allhallowtide 7 Neopaganism 7 1 Celtic Reconstructionism 7 2 Wicca 8 See also 9 References 10 Secondary sources 11 Further readingEtymology EditIn Modern Irish and Scottish Gaelic the name is Samhain while the traditional Manx Gaelic name is Sauin 9 It is usually written with the definite article An tSamhain Irish An t Samhain Scottish Gaelic and Yn Tauin Manx Older forms of the word include the Scottish Gaelic spellings Samhainn and Samhuinn 10 11 12 The Gaelic names for the month of November are derived from Samhain 13 These names all come from the Middle Irish Samain or Samuin ˈsaṽɨnʲ the name for the festival held on 1 November in medieval Ireland which has been traditionally derived from Proto Indo European PIE semo summer 14 15 As John T Koch notes however it is unclear why a festival marking the beginning of winter should include the word for summer 16 Joseph Vendryes also contends that it is unrelated because the Celtic summer ended in August 17 According to linguists Xavier Delamarre and Ranko Matasovic links to Proto Celtic samon summer appear to be folk etymologies According to them Gaulish Samon and Middle Irish Samain should rather be derived from Proto Celtic samoni lt PIE smHon reunion assembly whose original meaning is best explained as assembly feast of the first month of the year cf Old Irish samain swarm perhaps referring to an assembly of the living and the dead 18 19 Coligny calendar Edit Further information Celtic calendar Samonios on the Coligny calendar On Gaulish Coligny calendar dating from the 1st century BCE the month name SAMONI is likely related to the word Samain 20 A festival of some kind may have been held during the three nights of Samoni Gaulish TRINOX SAMONI The month name GIAMONI six months later likely includes the word for winter but the starting point of the calendar is unclear 21 Origins EditSamain or Samuin was the name of the festival feis marking the beginning of winter in Gaelic Ireland It is attested in the earliest Old Irish literature which dates from the 9th century onward It was one of four Gaelic seasonal festivals Samhain 1 November Imbolc 1 February Bealtaine 1 May and Lughnasa 1 August Samhain and Bealtaine at opposite sides of the year are thought to have been the most important Sir James George Frazer wrote in his 1890 book The Golden Bough A Study in Magic and Religion that 1 May and 1 November are of little importance to European crop growers but of great importance to herdsmen practising seasonal transhumance It is at the beginning of summer that cattle are driven to the upland summer pastures and the beginning of winter that they are led back Thus Frazer suggests that halving the year at 1 May and 1 November dates from when the Celts were a mainly pastoral people dependent on their herds 22 Some Neolithic passage tombs in Ireland are aligned with the sunrise around the times of Samhain and Imbolc These include the Mound of the Hostages Dumha na nGiall at the Hill of Tara 23 and Cairn L at Slieve na Calliagh 24 In Irish mythology Edit The hero Fionn fighting Aillen who is said to have burned Tara each Samhain While Irish mythology was originally a spoken tradition much of it was eventually written down in the Middle Ages by Christian monks 25 26 The tenth century tale Tochmarc Emire The Wooing of Emer lists Samhain as the first of the four seasonal festivals of the year 27 The literature says a peace would be declared and there were great gatherings where they held meetings feasted drank alcohol 28 and held contests 27 These gatherings are a popular setting for early Irish tales 27 The tale Echtra Cormaic Cormac s Adventure says that the Feast of Tara was held every seventh Samhain hosted by the High King of Ireland during which new laws and duties were ordained anyone who broke the laws established during this time would be banished 29 30 According to Irish mythology Samhain like Bealtaine was a time when the doorways to the Otherworld opened allowing supernatural beings and the souls of the dead to come into our world while Bealtaine was a summer festival for the living Samhain was essentially a festival for the dead 31 The Boyhood Deeds of Fionn says that the sidhe fairy mounds or portals to the Otherworld were always open at Samhain 32 Each year the fire breather Aillen emerges from the Otherworld and burns down the palace of Tara during the Samhain festival after lulling everyone to sleep with his music One Samhain the young Fionn mac Cumhaill is able to stay awake and slays Aillen with a magical spear for which he is made leader of the fianna In a similar tale one Samhain the Otherworld being Culdubh comes out of the burial mound on Slievenamon and snatches a roast pig Fionn kills Culdubh with a spear throw as he re enters the mound Fionn s thumb is caught between the door and the post as it shuts and he puts it in his mouth to ease the pain As his thumb had been inside the Otherworld Fionn is bestowed with great wisdom This may refer to gaining knowledge from the ancestors 33 Acallam na Senorach Colloquy of the Elders tells how three female werewolves emerge from the cave of Cruachan an Otherworld portal each Samhain and kill livestock When Cas Corach plays his harp they take on human form and the fianna warrior Cailte then slays them with a spear 34 Some tales suggest that offerings or sacrifices were made at Samhain In the Lebor Gabala Erenn or Book of Invasions each Samhain the people of Nemed had to give two thirds of their children their corn and their milk to the monstrous Fomorians The Fomorians seem to represent the harmful or destructive powers of nature personifications of chaos darkness death blight and drought 35 36 This tribute paid by Nemed s people may represent a sacrifice offered at the beginning of winter when the powers of darkness and blight are in the ascendant 37 According to the later Dindsenchas and the Annals of the Four Masters which were written by Christian monks Samhain in ancient Ireland was associated with a god or idol called Crom Cruach The texts claim that a first born child would be sacrificed at the stone idol of Crom Cruach in Magh Slecht They say that King Tigernmas and three fourths of his people died while worshiping Crom Cruach there one Samhain 38 Neopagans in Ireland celebrating Samhain The legendary kings Diarmait mac Cerbaill and Muirchertach mac Ercae each die a threefold death on Samhain which involves wounding burning and drowning and of which they are forewarned In the tale Togail Bruidne Da Derga The Destruction of Da Derga s Hostel king Conaire Mor also meets his death on Samhain after breaking his geasa prohibitions or taboos He is warned of his impending doom by three undead horsemen who are messengers of Donn god of the dead 39 The Boyhood Deeds of Fionn tells how each Samhain the men of Ireland went to woo a beautiful maiden who lives in the fairy mound on Bri Eile Croghan Hill It says that each year someone would be killed to mark the occasion by persons unknown 40 Some academics suggest that these tales recall human sacrifice 41 and argue that several ancient Irish bog bodies such as Old Croghan Man appear to have been kings who were ritually killed 42 some of them around the time of Samhain 43 In the Echtra Nerai The Adventure of Nera King Ailill of Connacht sets his retinue a test of bravery on Samhain night He offers a prize to whoever can make it to a gallows and tie a band around a hanged man s ankle Each challenger is thwarted by demons and runs back to the king s hall in fear However Nera succeeds and the dead man then asks for a drink Nera carries him on his back and they stop at three houses They enter the third where the dead man drinks and spits it on the householders killing them Returning Nera sees a fairy host burning the king s hall and slaughtering those inside He follows the host through a portal into the Otherworld Nera learns that what he saw was only a vision of what will happen the next Samhain unless something is done He is able to return to the hall and warns the king 44 45 The tale Aided Chrimthainn maic Fidaig The Killing of Crimthann mac Fidaig tells how Mongfind kills her brother king Crimthann of Munster so that one of her sons might become king Mongfind offers Crimthann a poisoned drink at a feast but he asks her to drink from it first Having no other choice but to drink the poison she dies on Samhain eve The Middle Irish writer notes that Samhain is also called Feile Moingfhinne the Festival of Mongfind or Mongfhionn and that women and the rabble make petitions to her at Samhain 46 47 Many other events in Irish mythology happen or begin on Samhain The invasion of Ulster that makes up the main action of the Tain Bo Cuailnge Cattle Raid of Cooley begins on Samhain As cattle raiding typically was a summer activity the invasion during this off season surprised the Ulstermen 48 The Second Battle of Magh Tuireadh also begins on Samhain 49 The Morrigan and The Dagda meet and have sex before the battle against the Fomorians in this way the Morrigan acts as a sovereignty figure and gives the victory to the Dagda s people the Tuatha De Danann In Aislinge oengusa The Dream of oengus it is when he and his bride to be switch from bird to human form and in Tochmarc Etaine The Wooing of Etain it is the day on which oengus claims the kingship of Bru na Boinne 41 The Cave of Cruachan one of the many gateways to the Otherworld whence beings and spirits were said to have emerged on Samhain Several sites in Ireland are especially linked to Samhain Each Samhain a host of otherworldly beings was said to emerge from the Cave of Cruachan in County Roscommon 50 The Hill of Ward or Tlachtga in County Meath is thought to have been the site of a great Samhain gathering and bonfire 28 the Iron Age ringfort is said to have been where the goddess or druid Tlachtga gave birth to triplets and where she later died 51 In The Stations of the Sun A History of the Ritual Year in Britain 1996 Ronald Hutton writes No doubt there were pagan religious observances as well but none of the tales ever portrays any The only historic reference to pagan religious rites is in the work of Geoffrey Keating died 1644 but his source is unknown Hutton says it may be that no religious rites are mentioned because centuries after Christianization the writers had no record of them 27 Hutton suggests Samhain may not have been particularly associated with the supernatural He says that the gatherings of royalty and warriors on Samhain may simply have been an ideal setting for such tales in the same way that many Arthurian tales are set at courtly gatherings at Christmas or Pentecost 52 Historic customs EditSamhain was one of the four main festivals of the Gaelic calendar marking the end of the harvest and beginning of winter 28 Samhain customs are mentioned in several medieval texts In Serglige Con Culainn Cuchulainn s Sickbed it is said that the festival of the Ulaid at Samhain lasted a week Samhain itself and the three days before and after It involved great gatherings at which they held meetings feasted drank alcohol and held contests 27 The Togail Bruidne Da Derga notes that bonfires were lit at Samhain and stones cast into the fires 53 It is mentioned in Geoffrey Keating s Foras Feasa ar Eirinn which was written in the early 1600s but draws on earlier medieval sources some of which are unknown He claims that the feis of Tara was held for a week every third Samhain when the nobles and ollams of Ireland met to lay down and renew the laws and to feast 54 He also claims that the druids lit a sacred bonfire at Tlachtga and made sacrifices to the gods sometimes by burning their sacrifices He adds that all other fires were doused and then re lit from this bonfire 55 Ritual bonfires Edit Bonfires are a big part of the festival in many areas pictured is a Beltane bonfire in Scotland Similar to Bealtaine bonfires were lit on hilltops at Samhain and there were rituals involving them 28 By the early modern era they were most common in parts of the Scottish Highlands on the Isle of Man in north and mid Wales and in parts of Ulster 56 F Marian McNeill says that a force fire or need fire was the traditional way of lighting them but notes that this method gradually died out 57 Likewise only certain kinds of wood were traditionally used but later records show that many kinds of flammable material were burnt 58 It is suggested that the fires were a kind of imitative or sympathetic magic they mimicked the Sun helping the powers of growth and holding back the decay and darkness of winter 57 59 60 They may also have served to symbolically burn up and destroy all harmful influences 60 Accounts from the 18th and 19th centuries suggest that the fires as well as their smoke and ashes were deemed to have protective and cleansing powers 61 In 19th century Moray boys asked for bonfire fuel from each house in the village When the fire was lit one after another of the youths laid himself down on the ground as near to the fire as possible so as not to be burned and in such a position as to let the smoke roll over him The others ran through the smoke and jumped over him When the bonfire burnt down they scattered the ashes vying with each other who should scatter them most 61 In some areas two bonfires would be built side by side and the people sometimes with their livestock would walk between them as a cleansing ritual The bones of slaughtered cattle were said to have been cast upon bonfires In the Gaelic world cattle were the main form of wealth and were the center of agricultural and pastoral life 62 People also took flames from the bonfire back to their homes During the 19th century in parts of Scotland torches of burning fir or turf were carried sunwise around homes and fields to protect them 56 In some places people doused their hearth fires on Samhain night Each family then solemnly re lit its hearth from the communal bonfire thus bonding the community together 3 57 The 17th century writer Geoffrey Keating claimed that this was an ancient tradition instituted by the druids 27 Dousing the old fire and bringing in the new may have been a way of banishing evil which was part of New Year festivals in many countries 59 Divination Edit Snap Apple Night 1833 painted by Daniel Maclise shows people playing divination games on 31 October in Ireland The bonfires were used in divination rituals although not all divination involved fire In 18th century Ochtertyre a ring of stones one for each person was laid round the fire perhaps on a layer of ash Everyone then ran round it with a torch exulting In the morning the stones were examined and if any were mislaid it was said that the person it represented would not live out the year A similar custom was observed in northern Wales 61 and in Brittany 63 James Frazer suggests this may come from an older custom of actually burning them i e human sacrifice or it may have always been symbolic 64 Divination has likely been a part of the festival since ancient times 28 and it has survived in some rural areas 65 Samhain Celebrations At household festivities throughout the Gaelic regions and Wales there were many rituals intended to divine the future of those gathered especially with regard to death and marriage 28 66 Apples and hazelnuts were often used in these divination rituals and games In Celtic mythology apples were strongly associated with the Otherworld and immortality while hazelnuts were associated with divine wisdom 67 One of the most common games was apple bobbing Another involved hanging a small wooden rod from the ceiling at head height with a lit candle on one end and an apple hanging from the other The rod was spun round and everyone took turns to try to catch the apple with their teeth 68 Apples were peeled in one long strip the peel tossed over the shoulder and its shape was said to form the first letter of the future spouse s name 69 Two hazelnuts were roasted near a fire one named for the person roasting them and the other for the person they desired If the nuts jumped away from the heat it was a bad sign but if the nuts roasted quietly it foretold a good match 70 71 Items were hidden in food usually a cake barmbrack cranachan champ or sowans and portions of it served out at random A person s future was foretold by the item they happened to find for example a ring meant marriage and a coin meant wealth 72 A salty oatmeal bannock was baked the person ate it in three bites and then went to bed in silence without anything to drink This was said to result in a dream in which their future spouse offers them a drink to quench their thirst 72 Egg whites were dropped in water and the shapes foretold the number of future children Children would also chase crows and divine some of these things from the number of birds or the direction they flew 3 72 58 Spirits and souls Edit As noted earlier Samhain was seen as a liminal time when the boundary between this world and the Otherworld could more easily be crossed 73 This meant the aos si the spirits or fairies the little folk could more easily come into our world Many scholars see the aos si as remnants of pagan gods and nature spirits 74 75 At Samhain it was believed that the aos si needed to be propitiated to ensure that the people and their livestock survived the winter Offerings of food and drink would be left outside for the aos si 76 77 and portions of the crops might be left in the ground for them 78 One custom described a blatant example of a pagan rite surviving into the Christian epoch was recorded in the Outer Hebrides and Iona in the 17th century On the night of 31 October fishermen and their families would go down to the shore One man would wade into the water up to his waist where he would pour out a cup of ale and ask Seonaidh Shoney whom he called god of the sea to bestow on them a good catch The custom was ended in the 1670s after a campaign by ministers but the ceremony shifted to the springtime and survived until the early 19th century 56 Neopagans honouring the dead at Samhain People also took special care not to offend the aos si and sought to ward off any who were out to cause mischief They stayed near to home or if forced to walk in the darkness turned their clothing inside out or carried iron or salt to keep them at bay 28 In southern Ireland it was customary on Samhain to weave a small cross of sticks and straw called a parshell or parshall which was similar to the Brigid s cross and God s eye It was fixed over the doorway to ward off bad luck sickness and witchcraft and would be replaced each Samhain 79 The dead were also honoured at Samhain The beginning of winter may have been seen as the most fitting time to do so as it was a time of dying in nature 80 The souls of the dead were thought to revisit their homes seeking hospitality Places were set at the dinner table and by the fire to welcome them 3 81 The belief that the souls of the dead return home on one night of the year and must be appeased seems to have ancient origins and is found in many cultures throughout the world 82 James Frazer suggests It was perhaps a natural thought that the approach of winter should drive the poor shivering hungry ghosts from the bare fields and the leafless woodlands to the shelter of the cottage 83 However the souls of thankful kin could return to bestow blessings just as easily as that of a wronged person could return to wreak revenge 84 Mumming and guising Edit A Mari Lwyd the Welsh equivalent of the Lair Bhan In some areas mumming and guising was a part of Samhain It was first recorded in 16th century Scotland 85 and later in parts of Ireland Mann and Wales 86 It involved people going from house to house in costume or in disguise usually reciting songs or verses in exchange for food 86 It may have evolved from a tradition whereby people impersonated the aos si or the souls of the dead and received offerings on their behalf 86 Impersonating these spirits or souls was also believed to protect oneself from them 87 S V Peddle suggests the guisers personify the old spirits of the winter who demanded reward in exchange for good fortune 88 McNeill suggests that the ancient festival included people in masks or costumes representing these spirits and that the modern custom came from this 89 In Ireland costumes were sometimes worn by those who went about before nightfall collecting for a Samhain feast 86 In Scotland young men went house to house with masked veiled painted or blackened faces 58 90 often threatening to do mischief if they were not welcomed 86 This was common in the 16th century in the Scottish countryside and persisted into the 20th 91 It is suggested that the blackened faces comes from using the bonfire s ashes for protection 89 In Ireland in the late 18th century peasants carrying sticks went house to house on Samhain collecting food for the feast Charles Vallancey wrote that they demanded this in the name of St Colm Cille asking people to lay aside the fatted calf and to bring forth the black sheep 92 In parts of southern Ireland during the 19th century the guisers included a hobby horse known as the Lair Bhan white mare A man covered in a white sheet and carrying a decorated horse skull would lead a group of youths blowing on cow horns from farm to farm At each they recited verses some of which savoured strongly of paganism and the farmer was expected to donate food If the farmer donated food he could expect good fortune from the Muck Olla not doing so would bring misfortune 93 This is akin to the Mari Lwyd grey mare procession in Wales which takes place at Midwinter In Wales the white horse is often seen as an omen of death 94 Elsewhere in Europe costumes mumming and hobby horses were part of other yearly festivals However in the Celtic speaking regions they were particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers 86 A plaster cast of an Irish Sean na Gealai turnip lantern from the early 20th century at the Museum of Country Life Hutton writes When imitating malignant spirits it was a very short step from guising to playing pranks Playing pranks at Samhain is recorded in the Scottish Highlands as far back as 1736 and was also common in Ireland which led to Samhain being nicknamed Mischief Night in some parts 86 Wearing costumes at Halloween spread to England in the 20th century as did the custom of playing pranks though there had been mumming at other festivals 86 At the time of mass transatlantic Irish and Scottish immigration which popularised Halloween in North America Halloween in Ireland and Scotland had a strong tradition of guising and pranks 95 Trick or treating may have come from the custom of going door to door collecting food for Samhain feasts fuel for Samhain bonfires and or offerings for the aos si Alternatively it may have come from the Allhallowtide custom of collecting soul cakes citation needed The traditional illumination for guisers or pranksters abroad on the night in some places was provided by turnips or mangel wurzels hollowed out to act as lanterns and often carved with grotesque faces 86 They were also set on windowsills By those who made them the lanterns were variously said to represent the spirits or supernatural beings 96 or were used to ward off evil spirits 90 97 98 These were common in parts of Ireland and the Scottish Highlands in the 19th century 86 They were also found in Somerset see Punkie Night In the 20th century they spread to other parts of Britain and became generally known as jack o lanterns 86 Livestock Edit Traditionally Samhain was a time to take stock of the herds and food supplies Cattle were brought down to the winter pastures after six months in the higher summer pastures see transhumance 28 It was also the time to choose which animals would be slaughtered This custom is still observed by many who farm and raise livestock 3 57 It is thought that some of the rituals associated with the slaughter have been transferred to other winter holidays On St Martin s Day 11 November in Ireland an animal usually a rooster goose or sheep would be slaughtered and some of its blood sprinkled on the threshold of the house It was offered to Saint Martin who may have taken the place of a god or gods 59 and it was then eaten as part of a feast This custom was common in parts of Ireland until the 19th century 99 and was found in some other parts of Europe At New Year in the Hebrides a man dressed in a cowhide would circle the township sunwise A bit of the hide would be burnt and everyone would breathe in the smoke 59 These customs were meant to keep away bad luck and similar customs were found in other Celtic regions 59 Celtic Revival EditDuring the late 19th and early 20th century Celtic Revival there was an upswell of interest in Samhain and the other Celtic festivals Sir John Rhys put forth that it had been the Celtic New Year He inferred it from contemporary folklore in Ireland and Wales which he felt was full of Hallowe en customs associated with new beginnings He visited Mann and found that the Manx sometimes called 31 October New Year s Night or Hog unnaa The Tochmarc Emire written in the Middle Ages reckoned the year around the four festivals at the beginning of the seasons and put Samhain at the beginning of those However Hutton says that the evidence for it being the Celtic or Gaelic New Year s Day is flimsy 100 Rhys s theory was popularised by Sir James George Frazer though at times he did acknowledge that the evidence is inconclusive Frazer also put forth that Samhain had been the pagan Celtic festival of the dead and that it had been Christianized as All Saints and All Souls 100 Since then Samhain has been popularly seen as the Celtic New Year and an ancient festival of the dead The calendar of the Celtic League for example begins and ends at Samhain 101 Related festivals EditFurther information Halloween Samhuinn Wikipedia editathon at the University of Edinburgh 2016 In the Brittonic branch of the Celtic languages Samhain is known as the calends of winter The Brittonic lands of Wales Cornwall and Brittany held festivals on 31 October similar to the Gaelic one In Wales it is Calan Gaeaf in Cornwall it is Allantide or Kalan Gwav and in Brittany it is Kalan Goanv 41 The Manx celebrate Hop tu Naa on 31 October which is a celebration of the original New Year s Eve Traditionally children carve turnips rather than pumpkins and carry them around the neighbourhood singing traditional songs relating to hop tu naa 102 Allhallowtide Edit In 609 Pope Boniface IV endorsed 13 May as a holy day commemorating all Christian martyrs 103 By 800 there is evidence that churches in Ireland 104 Northumbria England and Bavaria Germany were holding a feast commemorating all saints on 1 November which became All Saints Day 103 105 106 Alcuin of Northumbria commended his friend Arno of Salzburg Bavaria for holding the feast on this date 104 James Frazer suggests this date was a Celtic idea being the date of Samhain while Ronald Hutton suggests it was a Germanic idea writing that the Irish church commemorated all saints on 20 April Some manuscripts of the Irish Martyrology of Tallaght and Martyrology of oengus which date to this time have a commemoration of all saints of Europe on 20 April but a commemoration of all saints of the world on 1 November 107 It is suggested that Alcuin a member of Charlemagne s court introduced the 1 November date of All Saints in the Frankish Empire 108 In 835 the 1 November date was officially adopted in the Frankish Empire 103 In the 11th century 2 November became established as All Souls Day This created the three day observance known as Allhallowtide All Hallows Eve 31 October All Hallows Day 1 November and All Souls Day 2 November It is widely believed that many of the modern secular customs of All Hallows Eve Halloween were influenced by the festival of Samhain 109 110 Other scholars argue that Samhain s influence has been exaggerated and that All Hallows also influenced Samhain itself 111 Most American Halloween traditions were brought over by Irish and Scottish immigrants in the 19th century 6 112 Then through American influence these Halloween traditions spread to many other countries by the late 20th century 113 Neopaganism EditSee also Wheel of the Year Neopagans celebrating Samhain around a bonfire Samhain and Samhain based festivals are held by some Neopagans As there are many kinds of Neopaganism their Samhain celebrations can be very different despite the shared name Some try to emulate the historic festival as much as possible Other Neopagans base their celebrations on sundry unrelated sources Gaelic culture being only one of the sources 8 114 115 Folklorist Jenny Butler 116 describes how Irish pagans pick some elements of historic Samhain celebrations and meld them with references to the Celtic past making a new festival of Samhain that is inimitably part of neo pagan culture Neopagans usually celebrate Samhain on 31 October 1 November in the Northern Hemisphere and 30 April 1 May in the Southern Hemisphere beginning and ending at sundown 117 118 119 120 Some Neopagans celebrate it at the astronomical midpoint between the autumnal equinox and winter solstice or the full moon nearest this point which is usually around 6 or 7 November in the Northern hemisphere 121 Celtic Reconstructionism Edit Like other Reconstructionist traditions Celtic Reconstructionist Pagans CRs emphasize historical accuracy They base their celebrations and rituals on traditional lore as well as research into the beliefs of the polytheistic Celts 115 122 They celebrate Samhain around 1 November but may adjust the date to suit their regional climate such as when the first winter frost arrives 123 Their traditions include saining the home and lighting bonfires 123 Some follow the old tradition of building two bonfires which celebrants and animals then pass between as a ritual of purification 3 57 For CRs it is a time when the dead are especially honoured Though CRs make offerings at all times of year Samhain is a time when more elaborate offerings are made to specific ancestors 123 This may involve making a small altar or shrine They often have a meal where a place for the dead is set at the table and they are invited to join An untouched portion of food and drink is then left outside as an offering Traditional tales may be told and traditional songs poems and dances performed A western facing door or window may be opened and a candle left burning on the windowsill to guide the dead home Divination for the coming year is often done whether in all solemnity or as games The more mystically inclined may also see this as a time for deeply communing with their deities especially those seen as being particularly linked with this festival 3 57 115 122 123 Wicca Edit Wiccans celebrate a variation of Samhain as one of their yearly Sabbats of the Wheel of the Year It is deemed by most Wiccans to be the most important of the four greater Sabbats Samhain is seen by some Wiccans as a time to celebrate the lives of those who have died and it often involves paying respect to ancestors family members elders of the faith friends pets and other loved ones who have died In some rituals the spirits of the dead are invited to attend the festivities It is seen as a festival of darkness which is balanced at the opposite point of the wheel by the spring festival of Beltane which Wiccans celebrate as a festival of light and fertility 124 Wiccans believe that at Samhain the veil between this world and the afterlife is at its thinnest point of the whole year making it easier to communicate with those who have left this world 125 See also EditHolidays Bealtaine Imbolc Lammas Lughnasadh Calendars Celtic calendar Irish calendar Welsh Holidays Early Irish literature Serglige Con Culainn Togail Bruidne Da Derga Cath Maige Tuired Mesca Ulad Tochmarc Etaine Christianisation of saints and feasts Samhain in popular culture Diwali Kali PujaReferences Edit a b c o hogain Daithi Myth Legend and Romance An Encyclopaedia of the Irish Folk Tradition Prentice Hall Press 1991 p 402 Quote The basic Irish division of the year was into two parts the summer half beginning at Bealtaine May 1st and the winter half at Samhain November 1st The festivals properly began at sunset on the day before the actual date evincing the Celtic tendency to regard the night as preceding the day Meehan Padraig September 2012 A Possible Astronomical Alignment marking Seasonal Transitions at Listoghil Sligo Ireland Internet Archaeology 32 a b c d e f g O Driscoll Robert ed 1981 The Celtic Consciousness New York Braziller ISBN 0 8076 1136 0 pp 197 216 Ross Anne Material Culture Myth and Folk Memory on modern survivals pp 217 42 Danaher Kevin Irish Folk Tradition and the Celtic Calendar on specific customs and rituals Hutton Ronald 1996 Stations of the Sun A History of the Ritual Year in Britain Oxford Oxford University Press ISBN 0 19 288045 4 p 363 Simpson John Weiner Edmund 1989 Oxford English Dictionary second ed London Oxford University Press ISBN 0 19 861186 2 OCLC 17648714 a b Brunvand Jan editor American Folklore An Encyclopedia Routledge 2006 p 749 Hutton Ronald The Stations of the Sun A History of the Ritual Year in Britain Oxford University Press 1996 pp 365 69 a b Hutton Ronald 1993 The Pagan Religions of the Ancient British Isles Their Nature and Legacy Oxford Blackwell pp 327 41 ISBN 0 631 18946 7 Rhys John 1901 Celtic Folklore Welsh and Manx Cambridge University Press 2016 pp 315 16 Macbain Alexander 1911 An Etymological Dictionary of the Gaelic Language Samhuinn Halloween festival to be staged on Edinburgh s Calton Hill The Scotsman 26 September 2018 Samhainn Am Faclair Beag Koch Celtic Culture p 331 Pokorny Julius IEW 1959 s v sem 3 p 905 Rogers Nicholas 2002 Samhain and the Celtic Origins of Halloween Halloween From Pagan Ritual to Party Night pp 11 21 New York Oxford University Press ISBN 0 19 516896 8 Koch Celtic Culture p 1558 Vendryes Lexique Etymologique de l Irlandais Ancien 1959 page needed Delamarre 2003 p 267 Matasovic 2009 p 322 Stuber Karin The historical morphology of n stems in Celtic National University of Ireland Maynooth 1998 p 111 Koch Celtic Culture p 464 Frazer Sir James George The Golden Bough A Study in Magic and Religion Forgotten Books 2008 p 644 Murphy Anthony Moore Richard 2006 Island of the Setting Sun In Search of Ireland s Ancient Astronomers Bentonville Arkansas Liffey Press p 81 ASIN B01HCARQ1G Brennan Martin The Stones of Time Calendars Sundials and Stone Chambers of Ancient Ireland Inner Traditions 1994 pp 110 11 Harpur James 2016 Celtic Myth A Treasury of Legends Art and History London Routledge ISBN 978 1317475286 Leeming David 2003 From Olympus to Camelot The World of European Mythology OUP US ISBN 978 0195143614 a b c d e f Hutton Ronald 1996 Stations of the Sun A History of the Ritual Year in Britain Oxford Oxford University Press ISBN 0 19 288045 4 p 361 a b c d e f g h Monaghan p 407 Cormac s adventure in the Land of Promise and the decision as to Cormac s sword Section 55 Cormac s adventure in the Land of Promise and the decision as to Cormac s sword Section 56 Monaghan Patricia 2004 The Encyclopedia of Celtic Mythology and Folklore New York City Infobase Publishing p 41 ISBN 978 0816075560 Koch John T 2006 Celtic Culture A Historical Encyclopedia Santa Barbara California ABC CLIO p 388 ISBN 978 1851094400 o hogain Daithi 1991 Myth Legend and Romance An Encyclopaedia of the Irish Folk Tradition Upper Saddle River New Jersey Prentice Hall Press p 214 ISBN 978 0132759595 Dooley Ann Roe Harry eds 2005 Tales of the Elders of Ireland A new translation of Acallam na Senorach Oxford England Oxford University Press p 212 ISBN 978 0199549856 MacCulloch John Arnott 2009 The Religion of the Ancient Celts Portland Oregon The Floating Press pp 80 89 91 ISBN 978 1475164480 Smyth Daragh A Guide to Irish Mythology Irish Academic Press 1996 p 74 MacCulloch 2009 p 80 Annals of the Four Masters Part 6 at Corpus of Electronic Texts o hogain Daithi Myth Legend amp Romance An encyclopaedia of the Irish folk tradition Prentice Hall Press 1991 pp 165 66 Cross Tom P amp Clark Harris Slover ed amp trans 1936 The Boyhood Deeds of Fionn Ancient Irish Tales New York Henry Holt pp 360 69 a href Template Cite book html title Template Cite book cite book a CS1 maint multiple names authors list link a b c Koch John T Minard Antone 2012 The Celts History Life and Culture Santa Barbara California ABC CLIO p 690 ISBN 978 1598849646 Kelly Eamonn 2013 An Archaeological Interpretation of Irish Iron Age Bog Bodies In Ralph Sarah ed The Archaeology of Violence Albany New York SUNY Press pp 232 40 ISBN 978 1438444420 Bentley Diana March April 2015 The Dark Secrets of the Bog Bodies Minerva The International Review of Ancient Art amp Archaeology Nashville Tennessee Clear Media 34 37 Monaghan p 107 o hogain Daithi Myth Legend and Romance An Encyclopaedia of the Irish Folk Tradition Prentice Hall Press 1991 p 317 Stokes Whitley 1903 Revue Celtique Revue Celtique 24 179 Byrne Francis John Irish King and High Kings Four Courts Press 2001 p 75 Monaghan p 438 Monaghan p 345 O Halpin Andy Ireland An Oxford Archaeological Guide Oxford University Press 2006 p 236 Monaghan p 449 Hutton Ronald 1996 Stations of the Sun A History of the Ritual Year in Britain Oxford Oxford University Press ISBN 0 19 288045 4 p 362 The Destruction of Da Derga s Hostel Translated by Whitley Stokes Keating Geoffrey Foras Feasa ar Eirinn Section 26 Corpus of Electronic Texts Keating Geoffrey Foras Feasa ar Eirinn Section 39 Corpus of Electronic Texts a b c Hutton p 369 a b c d e f McNeill F Marian 1961 1990 The Silver Bough Vol 3 William MacLellan Glasgow ISBN 0 948474 04 1 pp 11 46 a b c Campbell John Gregorson 1900 1902 2005 The Gaelic Otherworld Edited by Ronald Black Edinburgh Birlinn Ltd ISBN 1 84158 207 7 pp 559 62 a b c d e MacCulloch John Arnott 1911 The Religion of the Ancient Celts Chapter 18 Festivals a b Frazer James George 1922 The Golden Bough A Study in Magic and Religion Chapter 63 Part 1 On the Fire festivals in general a b c Hutton pp 365 68 Nicholls Kenneth W 2008 1987 Chapter XIV Gaelic society and economy In Cosgrove Art ed A New History of Ireland Volume II Medieval Ireland 1169 1534 Oxford University Press pp 397 438 doi 10 1093 acprof oso 9780199539703 003 0015 ISBN 978 0 19 953970 3 Frazer p 647 Frazer pp 663 64 Danaher 1972 pp 218 27 Hutton p 380 MacLeod Sharon Celtic Myth and Religion McFarland 2011 pp 61 107 Danaher 1972 pp 202 05 Danaher 1972 p 223 McNeill 1961 The Silver Bough Volume III pp 33 34 Danaher 1972 p 219 a b c McNeill 1961 The Silver Bough Volume III p 34 Koch John T Celtic Culture A Historical Encyclopedia 2006 p 1557 Monaghan p 167 Santino Jack The Hallowed Eve Dimensions of Culture in a Calendar Festival of Northern Ireland University Press of Kentucky 1998 p 105 Evans Wentz Walter 1911 The Fairy Faith in Celtic Countries p 44 McNeill F Marian 1961 The Silver Bough Volume 3 p 34 Danaher 1972 p 200 Danaher Kevin The Year in Ireland Irish Calendar Customs Mercier Press 1972 pp 207 208 MacCulloch John Arnott 1911 The Religion of the Ancient Celts Chapter 10 The Cult of the Dead McNeill The Silver Bough Volume 3 pp 11 46 Miles Clement A 1912 Christmas in Ritual and Tradition Chapter 7 All Hallow Tide to Martinmas Frazer James George 1922 The Golden Bough A Study in Magic and Religion Chapter 62 Part 6 The Hallowe en Fires Monaghan p 120 McNeill F Marian Hallowe en its origin rites and ceremonies in the Scottish tradition Albyn Press 1970 pp 29 31 a b c d e f g h i j k Hutton pp 380 82 Hole Christina British Folk Customs Hutchinson 1976 p 91 Peddle S V 2007 Pagan Channel Islands Europe s Hidden Heritage p 54 a b McNeill F Marian Hallowe en its origin rites and ceremonies in the Scottish tradition Albyn Press 1970 pp 29 31 a b Arnold Bettina 31 October 2001 Bettina Arnold Halloween Lecture Halloween Customs in the Celtic World Halloween Inaugural Celebration University of Wisconsin Milwaukee Center for Celtic Studies Retrieved 16 October 2007 Bannatyne Lesley Pratt 1998 Forerunners to Halloween Pelican Publishing Company ISBN 1 56554 346 7 p 44 Frazer Sir James George 1913 The Golden Bough Third Edition Cambridge University Press 2012 p 241 Journal of the Royal Society of Antiquaries of Ireland Volume 2 1855 pp 308 09 Montserrat Prat Metamorphosis of a Folk Tradition in Simon Callow Andrew Green Rex Harley Clive Hicks Jenkins Kathe Koja Anita Mills Montserrat Prat Jacqueline Thalmann Damian Walford Davies and Marly Youmand Clive Hicks Jenkins Lund Humprhies 2011 pp 63 79 Rogers Nicholas 2002 Festive Rights Halloween in the British Isles Halloween From Pagan Ritual to Party Night pp 43 48 Oxford University Press Hutton Ronald The Stations of the Sun A History of the Ritual Year in Britain Oxford University Press 1996 pp 382 83 Palmer Kingsley Oral folk tales of Wessex David amp Charles 1973 pp 87 88 Wilson David Scofield Rooted in America Foodlore of Popular Fruits and Vegetables Univ of Tennessee Press 1999 p 154 Hutton The Stations of the Sun p 386 a b Hutton p 363 The Celtic League Calendar Celticleague org Archived from the original on 8 May 2009 Retrieved 5 March 2013 Hop Tu Naa isleofman com www isleofman com Retrieved 6 December 2019 a b c Hutton p 364 a b Farmer David The Oxford Dictionary of Saints Fifth Edition Revised Oxford University Press 2011 p 14 Pseudo Bede Homiliae subdititiae John Hennig The Meaning of All the Saints Mediaeval Studies 10 1948 147 61 All Saints Day The Oxford Dictionary of the Christian Church 3rd edition ed E A Livingstone Oxford Oxford University Press 1997 41 42 The New Catholic Encyclopedia eo loc Butler Alban Butler s Lives of the Saints New Full Edition Volume 11 November Revised by Sarah Fawcett Thomas Burns amp Oates 1997 pp 1 2 Quote Some manuscripts of the ninth century Felire or martyrology of St Oengus the Culdee and the Martyrology of Tallaght c 800 which have a commemoration of the martyrs on 17 April a feast of all the saints of the whole of Europe on 20 April and a feast of all saints of Africa on 23 December also refer to a celebration of all the saints on 1 November Smith C 2002 New Catholic Encyclopedia Vol 1 Second ed Thompson Gale pp 242 43 ISBN 0 7876 4004 2 BBC Religions Christianity All Hallows Eve British Broadcasting Corporation BBC 2010 Retrieved 1 November 2011 It is widely believed that many Hallowe en traditions have evolved from an ancient Celtic festival called Samhain which was Christianised by the early Church Merriam Webster s Encyclopaedia of World Religions Merriam Webster 1999 p 408 ISBN 978 0877790440 Retrieved 31 October 2011 Halloween also called All Hallows Eve holy or hallowed evening observed on October 31 the eve of All Saints Day The Irish pre Christian observances influenced the Christian festival of All Hallows Eve celebrated on the same date O Donnell Hugh Foley Malcolm 2008 Treat or Trick Halloween in a Globalising World Cambridge Scholars Publishing pp 91 92 ISBN 978 1 4438 0265 9 Santino Jack All Around the Year Holidays and Celebrations in American Life University of Illinois Press 1995 p 153 Colavito Jason Knowing Fear Science Knowledge and the Development of the Horror Genre McFarland 2007 pp 151 152 Adler Margot 1979 revised edition 2006 Drawing Down the Moon Witches Druids Goddess Worshippers and Other Pagans in America Today Boston Beacon Press ISBN 0 8070 3237 9 pp 3 243 99 a b c McColman Carl 2003 Complete Idiot s Guide to Celtic Wisdom Alpha Press ISBN 0 02 864417 4 pp 12 51 Butler Jenny 2009 Neo Pagan Celebrations of Samhain 67 82 in Foley M and O Donnell H ed Treat or Trick Halloween in a Globalising World Cambridge Cambridge Scholars Publishing ISBN 1 4438 0153 4 Nevill Drury 2009 The Modern Magical Revival Esbats and Sabbats In Pizza Murphy Lewis James R eds Handbook of Contemporary Paganism Leiden Netherlands Brill Publishers pp 63 67 ISBN 978 9004163737 Hume Lynne 1997 Witchcraft and Paganism in Australia Melbourne Melbourne University Press ISBN 978 0522847826 Vos Donna 2002 Dancing Under an African Moon Paganism and Wicca in South Africa Cape Town Zebra Press pp 79 86 ISBN 978 1868726530 Bodsworth Roxanne T 2003 Sunwyse Celebrating the Sacred Wheel of the Year in Australia Victoria Australia Hihorse Publishing ISBN 978 0909223038 Chart of 2020 equinox solstice and cross quarter dates and times worldwide from archaeoastronomy com Retrieved 24 October 2020 a b Bonewits Isaac 2006 Bonewits s Essential Guide to Druidism New York Kensington Publishing Group ISBN 0 8065 2710 2 pp 128 40 179 183 84 a b c d Kathryn NicDhana et al The CR FAQ An Introduction to Celtic Reconstructionist Paganism 2007 pp 97 98 Starhawk 1979 1989 The Spiral Dance A Rebirth of the Ancient Religion of the Great Goddess New York Harper and Row ISBN 0 06 250814 8 pp 193 96 revised edition Nevill Drury 2009 The Modern Magical Revival In Pizza Murphy Lewis James R eds Handbook of Contemporary Paganism Leiden Brill p 65 ISBN 978 9004163737 Secondary sources EditArnold Bettina 31 October 2001 Bettina Arnold Halloween Lecture Halloween Customs in the Celtic World Halloween Inaugural Celebration University of Wisconsin Milwaukee Center for Celtic Studies Archived from the original on 4 January 2018 Retrieved 4 January 2018 Campbell John Gregorson The Gaelic Otherworld edited by Ronald Black 1900 1902 2005 Birlinn Ltd pp 559 62 ISBN 1 84158 207 7 Danaher Kevin Irish Folk Tradition and the Celtic Calendar In The Celtic Consciousness ed Robert O Driscoll New York Braziller 1981 pp 217 42 ISBN 0 8076 1136 0 On specific customs and rituals Delamarre Xavier 2003 Dictionnaire de la langue gauloise Une approche linguistique du vieux celtique continental Errance ISBN 9782877723695 Matasovic Ranko 2009 Etymological Dictionary of Proto Celtic Brill ISBN 9789004173361 Ross Anne Material Culture Myth and Folk Memory In The Celtic Consciousness ed Robert O Driscoll New York Braziller 1981 197 216 ISBN 0 8076 1136 0 Stokes Whitley 1907 Irish etyma Zeitschrift fur vergleichende Sprachforschung 40 243 49 Vendryes J Lexique Etymologique de l Irlandais Ancien 1959 Further reading EditCarmichael Alexander 1992 Carmina Gadelica Lindisfarne Press ISBN 0 940262 50 9 Danaher Kevin 1972 The Year in Ireland Dublin Mercier ISBN 1 85635 093 2 Evans Wentz W Y 1966 1990 The Fairy Faith in Celtic Countries New York Citadel ISBN 0 8065 1160 5 MacKillop James 1998 Dictionary of Celtic Mythology Oxford University Press ISBN 0 19 280120 1 McCone Kim R 1980 Firinne agus torthulacht Leachtai Cholm Cille 11 136 73 McNeill F Marian 1959 The Silver Bough Vol 1 4 Glasgow William MacLellan Retrieved from https en wikipedia org w index php title Samhain amp oldid 1122922205, wikipedia, wiki, book, books, library,

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