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Punch (magazine)

February 16, 2024

This article is about the British magazine. For other publications, see Punch § Periodicals.

Punch, or The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration. From 1850, John Tenniel was the chief cartoon artist at the magazine for over 50 years.

Punch, or The London Charivari
Cover of the first Punch, or The London Charivari, depicts Punch hanging a caricatured Devil, 1841 (see gallery below for enlarged detail)
CategoriesPolitics, culture, humour, satire
FrequencyWeekly
Founder
Founded1841
First issue17 July 1841
Final issue2002
CountryUnited Kingdom
Based inLondon
LanguageEnglish
Websitewww.punch.co.uk

After the 1940s, when its circulation peaked, it went into a long decline, closing in 1992. It was revived in 1996, but closed again in 2002.

History edit

Punch was founded on 17 July 1841 by Henry Mayhew and wood-engraver Ebenezer Landells, on an initial investment of £25. It was jointly edited by Mayhew and Mark Lemon. It was subtitled The London Charivari in homage to Charles Philipon's French satirical humour magazine Le Charivari.[1] Reflecting their satiric and humorous intent, the two editors took for their name and masthead the anarchic glove puppet, Mr. Punch, of Punch and Judy; the name also referred to a joke made early on about one of the magazine's first editors, Lemon, that "punch is nothing without lemon". Mayhew ceased to be joint editor in 1842 and became "suggestor in chief" until he severed his connection in 1845. The magazine initially struggled for readers, except for an 1842 "Almanack" issue which shocked its creators by selling 90,000 copies. In December 1842 due to financial difficulties, the magazine was sold to Bradbury and Evans, both printers and publishers. Bradbury and Evans capitalised on newly evolving mass printing technologies and also were the publishers for Charles Dickens and William Makepeace Thackeray.

Cartoon terminology edit

The term "cartoon" to refer to comic drawings was first used in Punch in 1843, when the Houses of Parliament were to be decorated with murals, and "cartoons" for the mural were displayed for the public; the term "cartoon" then meant a finished preliminary sketch on a large piece of cardboard, or cartone in Italian. Punch humorously appropriated the term to refer to its political cartoons, and the popularity of the Punch cartoons led to the term's widespread use.[2]

Artistry edit

Illustrator Archibald Henning designed the cover of the magazine's first issues. The cover design varied in the early years, though Richard Doyle designed what became the magazine's masthead in 1849. Artists who published in Punch during the 1840s and 1850s included John Leech, Doyle, John Tenniel, and Charles Keene. This group became known as "The Punch Brotherhood", which also included Charles Dickens, who joined Bradbury and Evans after leaving Chapman and Hall in 1843.[3] Punch's authors and artists also contributed to another Bradbury and Evans literary magazine called Once A Week (est. 1859), created in response to Dickens' departure from Household Words.[3]

Helen Hoppner Coode contributed nineteen drawings to Punch and is recognised as its first woman contributor.[4][5]

Liberal competition edit

In the 1860s and '70s, conservative Punch faced competition from upstart liberal journal Fun, but after about 1874, Fun's fortunes faded. At Evans's café in London, the two journals had "round tables" in competition with each other.[6]

Gaining a market and relations with other papers edit

After months of financial difficulty and lack of market success, Punch became a staple for British drawing rooms because of its sophisticated humour and absence of offensive material, especially when viewed against the satirical press of the time. The Times and the Sunday paper News of the World used small pieces from Punch as column fillers, giving the magazine free publicity and indirectly granting a degree of respectability, a privilege not enjoyed by any other comic publication. Punch shared a friendly relationship with not only The Times, but also journals aimed at intellectual audiences such as the Westminster Review, which published a 53-page illustrated article on Punch's first two volumes. Historian Richard Altick writes that "To judge from the number of references to it in the private letters and memoirs of the 1840s...Punch had become a household word within a year or two of its founding, beginning in the middle class and soon reaching the pinnacle of society, royalty itself".[7]

 
"True Humility": Bishop: "I'm afraid you've got a bad egg, Mr Jones"; Curate: "Oh, no, my Lord, I assure you! Parts of it are excellent!"

Increasing in readership and popularity throughout the remainder of the 1840s and '50s, Punch was the success story of a threepenny weekly paper that had become one of the most talked-about and enjoyed periodicals. Punch enjoyed an audience including Elizabeth Barrett, Robert Browning, Thomas Carlyle, Edward FitzGerald, Charlotte Brontë, Queen Victoria, Prince Albert, Ralph Waldo Emerson, Emily Dickinson, Herman Melville, Henry Wadsworth Longfellow, and James Russell Lowell. Punch gave several phrases to the English language, including The Crystal Palace, and the "Curate's egg" (first seen in an 1895 cartoon by George du Maurier). Several British humour classics were first serialised in Punch, such as the Diary of a Nobody and 1066 and All That. Towards the end of the 19th century, the artistic roster included Harry Furniss, Linley Sambourne, Francis Carruthers Gould, and Phil May.[3] Among the outstanding cartoonists of the following century were Bernard Partridge, H. M. Bateman, Bernard Hollowood (who also edited the magazine from 1957 to 1968), Kenneth Mahood, and Norman Thelwell.

Circulation broke the 100,000 mark around 1910, and peaked in 1947–1948 at 175,000 to 184,000. Sales declined steadily thereafter; ultimately, the magazine was forced to close in 2002 after 161 years of publication.[9]

Punch was widely emulated worldwide and was popular throughout the British Empire. The experience of Britons in British colonies, especially in India, influenced Punch and its iconography. Tenniel's Punch cartoons of the 1857 Sepoy Mutiny led to a surge in the magazine's popularity. India was frequently caricatured in Punch and was an important source of knowledge on the subcontinent for British readers.[10]

Later years edit

Punch material was collected in book formats from the late 19th century, which included Pick of the Punch annuals with cartoons and text features, Punch and the War (a 1941 collection of WWII-related cartoons), and A Big Bowl of Punch – which was republished a number of times. Many Punch cartoonists of the late 20th century published collections of their own, partly based on Punch contributions.

In early 1996, businessman Mohamed Al-Fayed bought the rights to the name, and Punch was relaunched later that year.[9][11] The new version of the magazine was intended to be a spoiler aimed at Private Eye, which had published many items critical of Fayed. Punch never became profitable in its new incarnation, and at the end of May 2002, it was announced as once more ceasing publication.[9] Press reports quoted a loss of £16 million over the six years of publication, with only 6,000 subscribers at the end.

Whereas the earlier version of Punch prominently featured the clownish character Punchinello (Punch of Punch and Judy) performing antics on front covers, the resurrected Punch did not use the character, but featured on its weekly covers a photograph of a boxing glove, thus informing its readers that the new magazine intended its name to mean "punch" in the sense of a boxing blow.

Punch table edit

In 2004, much of the archives was acquired by the British Library, including the Punch table. The long, oval, Victorian table was brought into the offices some time around 1855, and was used for staff meetings and on other occasions. The wooden surface is scarred with the carved initials of the magazine's long-term writers, artists, and editors, as well as six invited "strangers", including James Thurber and Charles III. Mark Twain declined the invitation, saying that the already-carved initials of William Makepeace Thackeray included his own.

Gallery of selected early covers edit

Contributors edit

 
Editorial meeting of Punch magazine in the late 19th century

Editors edit

Cartoonists edit

 
John Tenniel's "Our New 'First Lord' at Sea" for the 13 October 1877 issue
 

Authors edit

Influence edit

 
A whole-page cartoon from Punch in Canada, volume 1 issue 6 (31 March, 1849), by its founder John H. Walker

Punch was influential throughout the British Empire, and in countries including Turkey, India, Japan, and China, with Punch imitators appearing in Cairo, Yokohama, Tokyo, Hong Kong, and Shanghai.[21] A Canadian version, Punch in Canada, was launched on 1 January 1849, by John H. Walker (1831–99), a cartoonist and engraver. It ceased publication in 1850.[22]

  • Punch gave its name to the Lucknow-based satirical Urdu weekly Awadh Punch (1877–1936), which, in turn, inspired dozens of other "Punch" periodicals in India.
  • University of Pennsylvania humour magazine the Pennsylvania Punch Bowl derived its name from this magazine.
  • Australia's Melbourne Punch was inspired by the London original.
  • Charles Wirgman's Japan Punch (1862–1865, 1865–1887) was based on Punch and went on to inspire elements of modern manga.
  • China Punch, established in 1867 in Hong Kong, was the first humour magazine in greater China. It was followed in 1871 in treaty-port Shanghai by Puck, or the Shanghai Charivari.[23][24]
  • Punch along with founder Henry Mayhew were included in Terry Pratchett's non-Discworld novel Dodger.

See also edit

Notes edit

  1. ^ Appelbaum & Kelly 1981, p. 14.
  2. ^ Appelbaum & Kelly 1981, p. 15.
  3. ^ a b c Punch, or the London Charivari (1841–1992) — A British Institution, Philip V. Allingham; Contributing Editor, Victorian Web; Faculty of Education, Lakehead University, Thunder Bay, Ontario.
  4. ^ Spielman, M (1895). The History of 'Punch'. London.{{cite book}}: CS1 maint: location missing publisher (link)
  5. ^ "Coode, Helen Hoppner". Digital Victorian Periodical Poetry. from the original on 27 March 2023.
  6. ^ See Schoch, Richard, Performing Bohemia (2004) (copy downloaded 13 October 2006).[dead link]
  7. ^ See Altick, Richard. Punch: The Lively Youth of a British Institution, 1841–1851 (Ohio State University Press, 1997), 17.
  8. ^ Punch, 9 November 1895, p. 222
  9. ^ a b c John Morrish, Paul Bradshaw, Magazine Editing: In Print and Online. Routledge, 2012. ISBN 1136642072 (p. ƒƒ32).
  10. ^ Ritu G. Khanduri. Caricaturing Culture in India: Cartoons and History in the Modern World. 2014. Cambridge University Press
  11. ^ Whack! Whack! Whack! Reborn Punch Pounded Warren Hodge, The New York Times, 18 September 1996. Retrieved 16 March 2013.
  12. ^ . University of Kent. Archived from the original on 7 March 2016. Retrieved 11 December 2014.
  13. ^ henleystandard.co.uk 14 February 2016 at the Wayback Machine Retrieved February 2016
  14. ^ "Noel Ford's Cartoon and Humorous Illustration Portfolio". Ford Cartoons. Retrieved 11 December 2014.
  15. ^ . University of Kent. Archived from the original on 24 September 2015. Retrieved 11 December 2014.
  16. ^ . University of Kent. Archived from the original on 5 March 2016. Retrieved 11 December 2014.
  17. ^ Campbell, Jean (1986). "Benjamin Edwin Minns". Australian Dictionary of Biography. National Centre of Biography, Australian National University. ISSN 1833-7538. Retrieved 5 June 2012.
  18. ^ a b "The Correspondence of James McNeill Whistler: Biography of Raven-Hill". University of Glasgow. Retrieved 22 March 2014.
  19. ^ Spielmann, Marion Harry (1895). The history of "Punch", Volume 1. Cassell and company, limited. p. 412. The History of Punch Phillips.
  20. ^ . The Independent. 21 June 2007. Archived from the original on 2 January 2008. Retrieved 24 October 2010.
  21. ^ Harder, Hans, Mittler, Barbara, eds. Asian Punches: A Transcultural Affair. Berlin: Springer, 2013. Ebook ISBN 978-3-642-28607-0
  22. ^ @CanuckleGame (23 September 2023). (Tweet). Archived from the original on 25 September 2023. Retrieved 25 September 2023 – via Twitter.
  23. ^ Rea, Christopher G. (2013). "'He'll Roast All Subjects That May Need the Roasting': Puck and Mr Punch in Nineteenth-Century China". Asian Punches. Transcultural Research – Heidelberg Studies on Asia and Europe in a Global Context. pp. 389–422. doi:10.1007/978-3-642-28607-0_16. ISBN 978-3-642-28606-3.
  24. ^ Christopher G. Rea, "'He'll Roast All Subjects That May Need the Roasting': Puck and Mr Punch in Nineteenth-Century China", Asian Punches: A Transcultural Affair, edited by Hans Harder and Barbara Mittler (Berlin: Springer, 2013), pp 389–422.

Works cited edit

  • Appelbaum, Stanley; Kelly, Richard Michael (1981). Great Drawings and Illustrations from Punch, 1841–1901: 192 Works by Leech, Keene, Du Maurier, May and 21 Others. Courier Dover Publications. ISBN 978-0-486-24110-4.

External links edit

  • Mr Punch's Parliamentary Portrait Gallery – UK Parliament Living Heritage
  • Punch Magazine – Harry Furniss Biography – UK Parliament Living Heritage
 
Wikimedia Commons has media related to Punch, or the London Charivari.
 
Wikiquote has quotations related to Punch (magazine).
 
Wikisource has original text related to this article:
Punch
  • "Punch, or, The London Charivari, 1841". Science in the 19th Century Periodical. Retrieved 29 September 2013 from http://www.sciper.org/browse/PU_desc.html
  • Works by or about Punch magazine at Internet Archive
  • Punch at Project Gutenberg (plain text and HTML)
  • List of Punch volumes currently online
  • Hathi Trust. Punch, fulltext
  • The History of "Punch" by Marion H. Spielmann, 1895, from Project Gutenberg
  • Punch cartoon library, Official site of Punch Limited
  • British Cartoon Archive at University of Kent
  • , site with 600 of Leech's sketches
  • Beauty's Lisping Parasite, a Punch article decoded.
  • Ariadne In Naxos, a Punch cartoon analyzed.
  • Searchable archive

February 16, 2024
punch, magazine, this, article, about, british, magazine, other, publications, punch, periodicals, punch, london, charivari, british, weekly, magazine, humour, satire, established, 1841, henry, mayhew, wood, engraver, ebenezer, landells, historically, most, in. This article is about the British magazine For other publications see Punch Periodicals Punch or The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood engraver Ebenezer Landells Historically it was most influential in the 1840s and 1850s when it helped to coin the term cartoon in its modern sense as a humorous illustration From 1850 John Tenniel was the chief cartoon artist at the magazine for over 50 years Punch or The London CharivariCover of the first Punch or The London Charivari depicts Punch hanging a caricatured Devil 1841 see gallery below for enlarged detail CategoriesPolitics culture humour satireFrequencyWeeklyFounderHenry MayhewEbenezer LandellsFounded1841First issue17 July 1841Final issue2002CountryUnited KingdomBased inLondonLanguageEnglishWebsitewww wbr punch wbr co wbr ukAfter the 1940s when its circulation peaked it went into a long decline closing in 1992 It was revived in 1996 but closed again in 2002 Contents 1 History 1 1 Cartoon terminology 1 2 Artistry 1 3 Liberal competition 1 4 Gaining a market and relations with other papers 1 5 Later years 1 6 Punch table 2 Gallery of selected early covers 3 Contributors 3 1 Editors 3 2 Cartoonists 3 3 Authors 4 Influence 5 See also 6 Notes 7 Works cited 8 External linksHistory editPunch was founded on 17 July 1841 by Henry Mayhew and wood engraver Ebenezer Landells on an initial investment of 25 It was jointly edited by Mayhew and Mark Lemon It was subtitled The London Charivari in homage to Charles Philipon s French satirical humour magazine Le Charivari 1 Reflecting their satiric and humorous intent the two editors took for their name and masthead the anarchic glove puppet Mr Punch of Punch and Judy the name also referred to a joke made early on about one of the magazine s first editors Lemon that punch is nothing without lemon Mayhew ceased to be joint editor in 1842 and became suggestor in chief until he severed his connection in 1845 The magazine initially struggled for readers except for an 1842 Almanack issue which shocked its creators by selling 90 000 copies In December 1842 due to financial difficulties the magazine was sold to Bradbury and Evans both printers and publishers Bradbury and Evans capitalised on newly evolving mass printing technologies and also were the publishers for Charles Dickens and William Makepeace Thackeray Cartoon terminology edit The term cartoon to refer to comic drawings was first used in Punch in 1843 when the Houses of Parliament were to be decorated with murals and cartoons for the mural were displayed for the public the term cartoon then meant a finished preliminary sketch on a large piece of cardboard or cartone in Italian Punch humorously appropriated the term to refer to its political cartoons and the popularity of the Punch cartoons led to the term s widespread use 2 Artistry edit Illustrator Archibald Henning designed the cover of the magazine s first issues The cover design varied in the early years though Richard Doyle designed what became the magazine s masthead in 1849 Artists who published in Punch during the 1840s and 1850s included John Leech Doyle John Tenniel and Charles Keene This group became known as The Punch Brotherhood which also included Charles Dickens who joined Bradbury and Evans after leaving Chapman and Hall in 1843 3 Punch s authors and artists also contributed to another Bradbury and Evans literary magazine called Once A Week est 1859 created in response to Dickens departure from Household Words 3 Helen Hoppner Coode contributed nineteen drawings to Punch and is recognised as its first woman contributor 4 5 Liberal competition edit In the 1860s and 70s conservative Punch faced competition from upstart liberal journal Fun but after about 1874 Fun s fortunes faded At Evans s cafe in London the two journals had round tables in competition with each other 6 Gaining a market and relations with other papers edit After months of financial difficulty and lack of market success Punch became a staple for British drawing rooms because of its sophisticated humour and absence of offensive material especially when viewed against the satirical press of the time The Times and the Sunday paper News of the World used small pieces from Punch as column fillers giving the magazine free publicity and indirectly granting a degree of respectability a privilege not enjoyed by any other comic publication Punch shared a friendly relationship with not only The Times but also journals aimed at intellectual audiences such as the Westminster Review which published a 53 page illustrated article on Punch s first two volumes Historian Richard Altick writes that To judge from the number of references to it in the private letters and memoirs of the 1840s Punch had become a household word within a year or two of its founding beginning in the middle class and soon reaching the pinnacle of society royalty itself 7 nbsp True Humility Bishop I m afraid you ve got a bad egg Mr Jones Curate Oh no my Lord I assure you Parts of it are excellent George du Maurier 1895 8 Increasing in readership and popularity throughout the remainder of the 1840s and 50s Punch was the success story of a threepenny weekly paper that had become one of the most talked about and enjoyed periodicals Punch enjoyed an audience including Elizabeth Barrett Robert Browning Thomas Carlyle Edward FitzGerald Charlotte Bronte Queen Victoria Prince Albert Ralph Waldo Emerson Emily Dickinson Herman Melville Henry Wadsworth Longfellow and James Russell Lowell Punch gave several phrases to the English language including The Crystal Palace and the Curate s egg first seen in an 1895 cartoon by George du Maurier Several British humour classics were first serialised in Punch such as the Diary of a Nobody and 1066 and All That Towards the end of the 19th century the artistic roster included Harry Furniss Linley Sambourne Francis Carruthers Gould and Phil May 3 Among the outstanding cartoonists of the following century were Bernard Partridge H M Bateman Bernard Hollowood who also edited the magazine from 1957 to 1968 Kenneth Mahood and Norman Thelwell Circulation broke the 100 000 mark around 1910 and peaked in 1947 1948 at 175 000 to 184 000 Sales declined steadily thereafter ultimately the magazine was forced to close in 2002 after 161 years of publication 9 Punch was widely emulated worldwide and was popular throughout the British Empire The experience of Britons in British colonies especially in India influenced Punch and its iconography Tenniel s Punch cartoons of the 1857 Sepoy Mutiny led to a surge in the magazine s popularity India was frequently caricatured in Punch and was an important source of knowledge on the subcontinent for British readers 10 Later years edit Punch material was collected in book formats from the late 19th century which included Pick of the Punch annuals with cartoons and text features Punch and the War a 1941 collection of WWII related cartoons and A Big Bowl of Punch which was republished a number of times Many Punch cartoonists of the late 20th century published collections of their own partly based on Punch contributions In early 1996 businessman Mohamed Al Fayed bought the rights to the name and Punch was relaunched later that year 9 11 The new version of the magazine was intended to be a spoiler aimed at Private Eye which had published many items critical of Fayed Punch never became profitable in its new incarnation and at the end of May 2002 it was announced as once more ceasing publication 9 Press reports quoted a loss of 16 million over the six years of publication with only 6 000 subscribers at the end Whereas the earlier version of Punch prominently featured the clownish character Punchinello Punch of Punch and Judy performing antics on front covers the resurrected Punch did not use the character but featured on its weekly covers a photograph of a boxing glove thus informing its readers that the new magazine intended its name to mean punch in the sense of a boxing blow Punch table edit In 2004 much of the archives was acquired by the British Library including the Punch table The long oval Victorian table was brought into the offices some time around 1855 and was used for staff meetings and on other occasions The wooden surface is scarred with the carved initials of the magazine s long term writers artists and editors as well as six invited strangers including James Thurber and Charles III Mark Twain declined the invitation saying that the already carved initials of William Makepeace Thackeray included his own Gallery of selected early covers edit nbsp Detail of Punch hanging the Devil from first cover in 1841 nbsp 1843 1 July cover shows Punch straddling a trumpeter nbsp 1861 24 August cover shows Pope Pius IX delivering weapons to the Southern Italian brigands nbsp 1916 26 April cover shows Richard Doyle s 1849 masthead with colour and advertisements Contributors edit nbsp Editorial meeting of Punch magazine in the late 19th centuryEditors edit Mark Lemon 1841 1870 Henry Mayhew 1841 1842 Charles William Shirley Brooks 1870 1874 Tom Taylor 1874 1880 Sir Francis Burnand 1880 1906 Sir Owen Seaman 1906 1932 E V Knox 1932 1949 Kenneth Bird 1949 1952 Malcolm Muggeridge 1953 1957 Bernard Hollowood 1958 1968 William Davis 1969 1977 Alan Coren 1978 1987 David Taylor 1988 David Thomas 1989 1992 Peter McKay September 1996 1997 Paul Spike 1997 James Steen 1997 2001 Richard Brass 2001 2002 Cartoonists edit nbsp John Tenniel s Our New First Lord at Sea for the 13 October 1877 issueAcanthus Frank Hoar Arnold Wiles George Adamson Anton Antonia Yeoman Edward Ardizzone George Denholm Armour Murray Ball Lewis Baumer George Belcher C H Bennett Nicolas Bentley Alfred Bestall who also illustrated Rupert Bear Quentin Blake Russell Brockbank Eric Burgin Richard Burnie Clive Collins 12 Helen Hoppner Coode Bernard Cookson 13 Richard Doyle who also illustrated Charles Dickens Christmas books Stan Eales Rowland Emett ffolkes Michael Davies Noel Ford 14 Myles Birket Foster Fougasse Kenneth Bird Andre Francois Peter Fraser Pericle Giovannetti Alex Graham creator of Fred Basset William Haefeli J B Handelsman Harry Hargreaves Michael Heath William Hewison Martin Honeysett Leslie Gilbert Illingworth 15 Ionicus John Jensen 16 Charles Keene Graham Laidler a k a PONT David Langdon Larry Terrence Parkes John Leech Raymond Lowry George du Maurier also the author of Trilby Kenneth Mahood Norman Mansbridge Phil May Brooke McEldowney Rod McKie Ed McLachlan Arthur Wallis Mills Benjamin Minns 17 George Morrow Nick Newman Bernard Partridge 18 Frederick Pegram Matt Percival Roger Gamelyn Pettiward Bruce Petty John Phillips 19 Bertram Prance Pont Graham Laidler Matt Pritchett 20 Arthur Rackham Roy Raymonde Leonard Raven Hill 18 Edward Tennyson Reed Albert Rusling Edward Linley Sambourne Gerald Scarfe Ronald Searle Ralph Steadman E H Shepard who also illustrated Winnie the Pooh James Affleck Shepherd Robert Sherriffs C A Shepperson William Sillince George Sprod George Loraine Stampa John Tenniel who also illustrated Alice in Wonderland Norman Thelwell Herbert Samuel Bert Thomas Bill Tidy who attempted to buy Punch when it went out of publication F H Townsend Trog Wally Fawkes Arthur Watts Starr Wood nbsp Authors edit Gilbert Abbott A Beckett Kingsley Amis Alex Atkinson Joan Bakewell Nigel Balchin John Betjeman Basil Boothroyd Jono Coleman Quentin Crisp E M Delafield Hunter Davies Peter Dickinson Willard R Espy Rachel Ferguson Penelope Fitzgerald Alexander Frater Joyce Grenfell A P Herbert John Hollingshead Thomas Hood Chris Hutchins Douglas William Jerrold Dillie Keane C S Lewis under pseudonym N W E V Lucas Henry Lucy Olivia Manning Somerset Maugham George du Maurier George Melly John McCrae John McVicar A A Milne Sylvia Plath I S O Playfair Jessie Pope Anthony Powell W C Sellar Stevie Smith Jan Struther Mitchell Symons William Makepeace Thackeray Artemus Ward P G Wodehouse Keith Waterhouse R J YeatmanInfluence editThis section needs additional citations for verification Please help improve this article by adding citations to reliable sources in this section Unsourced material may be challenged and removed Find sources Punch magazine news newspapers books scholar JSTOR February 2018 Learn how and when to remove this template message nbsp A whole page cartoon from Punch in Canada volume 1 issue 6 31 March 1849 by its founder John H WalkerPunch was influential throughout the British Empire and in countries including Turkey India Japan and China with Punch imitators appearing in Cairo Yokohama Tokyo Hong Kong and Shanghai 21 A Canadian version Punch in Canada was launched on 1 January 1849 by John H Walker 1831 99 a cartoonist and engraver It ceased publication in 1850 22 Punch gave its name to the Lucknow based satirical Urdu weekly Awadh Punch 1877 1936 which in turn inspired dozens of other Punch periodicals in India University of Pennsylvania humour magazine the Pennsylvania Punch Bowl derived its name from this magazine Australia s Melbourne Punch was inspired by the London original Charles Wirgman s Japan Punch 1862 1865 1865 1887 was based on Punch and went on to inspire elements of modern manga China Punch established in 1867 in Hong Kong was the first humour magazine in greater China It was followed in 1871 in treaty port Shanghai by Puck or the Shanghai Charivari 23 24 Punch along with founder Henry Mayhew were included in Terry Pratchett s non Discworld novel Dodger See also editWorks originally published in Punch magazine Prehistoric Peeps cartoons by Edward Tennyson Reed William SyngeNotes edit Appelbaum amp Kelly 1981 p 14 Appelbaum amp Kelly 1981 p 15 a b c Punch or the London Charivari 1841 1992 A British Institution Philip V Allingham Contributing Editor Victorian Web Faculty of Education Lakehead University Thunder Bay Ontario Spielman M 1895 The History of Punch London a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link Coode Helen Hoppner Digital Victorian Periodical Poetry Archived from the original on 27 March 2023 See Schoch Richard Performing Bohemia 2004 copy downloaded 13 October 2006 dead link See Altick Richard Punch The Lively Youth of a British Institution 1841 1851 Ohio State University Press 1997 17 Punch 9 November 1895 p 222 a b c John Morrish Paul Bradshaw Magazine Editing In Print and Online Routledge 2012 ISBN 1136642072 p ƒƒ32 Ritu G Khanduri Caricaturing Culture in India Cartoons and History in the Modern World 2014 Cambridge University Press Whack Whack Whack Reborn Punch Pounded Warren Hodge The New York Times 18 September 1996 Retrieved 16 March 2013 Biography Clive Collins The British Cartoon Archive University of Kent Archived from the original on 7 March 2016 Retrieved 11 December 2014 henleystandard co uk Archived 14 February 2016 at the Wayback Machine Retrieved February 2016 Noel Ford s Cartoon and Humorous Illustration Portfolio Ford Cartoons Retrieved 11 December 2014 Biography Leslie Gilbert Illingworth The British Cartoon Archive University of Kent Archived from the original on 24 September 2015 Retrieved 11 December 2014 Biography John Jensen The British Cartoon Archive University of Kent Archived from the original on 5 March 2016 Retrieved 11 December 2014 Campbell Jean 1986 Benjamin Edwin Minns Australian Dictionary of Biography National Centre of Biography Australian National University ISSN 1833 7538 Retrieved 5 June 2012 a b The Correspondence of James McNeill Whistler Biography of Raven Hill University of Glasgow Retrieved 22 March 2014 Spielmann Marion Harry 1895 The history of Punch Volume 1 Cassell and company limited p 412 The History of Punch Phillips David Myers Award winning joke cartoonist The Independent 21 June 2007 Archived from the original on 2 January 2008 Retrieved 24 October 2010 Harder Hans Mittler Barbara eds Asian Punches A Transcultural Affair Berlin Springer 2013 Ebook ISBN 978 3 642 28607 0 CanuckleGame 23 September 2023 Canuckle 496 PUNCH Tweet Archived from the original on 25 September 2023 Retrieved 25 September 2023 via Twitter Rea Christopher G 2013 He ll Roast All Subjects That May Need the Roasting Puck and Mr Punch in Nineteenth Century China Asian Punches Transcultural Research Heidelberg Studies on Asia and Europe in a Global Context pp 389 422 doi 10 1007 978 3 642 28607 0 16 ISBN 978 3 642 28606 3 Christopher G Rea He ll Roast All Subjects That May Need the Roasting Puck and Mr Punch in Nineteenth Century China Asian Punches A Transcultural Affair edited by Hans Harder and Barbara Mittler Berlin Springer 2013 pp 389 422 Works cited editAppelbaum Stanley Kelly Richard Michael 1981 Great Drawings and Illustrations from Punch 1841 1901 192 Works by Leech Keene Du Maurier May and 21 Others Courier Dover Publications ISBN 978 0 486 24110 4 External links editMr Punch s Parliamentary Portrait Gallery UK Parliament Living Heritage Punch Magazine Harry Furniss Biography UK Parliament Living Heritage nbsp Wikimedia Commons has media related to Punch or the London Charivari nbsp Wikiquote has quotations related to Punch magazine nbsp Wikisource has original text related to this article Punch Punch or The London Charivari 1841 Science in the 19th Century Periodical Retrieved 29 September 2013 from http www sciper org browse PU desc html Works by or about Punch magazine at Internet Archive Punch at Project Gutenberg plain text and HTML List of Punch volumes currently online Hathi Trust Punch fulltext The History of Punch by Marion H Spielmann 1895 from Project Gutenberg Punch cartoon library Official site of Punch Limited British Cartoon Archive at University of Kent John Leech Sketch archives from Punch site with 600 of Leech s sketches Beauty s Lisping Parasite a Punch article decoded Ariadne In Naxos a Punch cartoon analyzed Searchable archive Retrieved from https en wikipedia org w index php title Punch magazine amp oldid 1197172521, wikipedia, wiki, book, books, library,

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