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Faust ballets

Faust ballets are a set of ballets, choreographed between the 18th and 20th centuries, based on the legend of Faust. As early as 1723, London-based John Rich put on a Faust-inspired ballet pantomime called The Necromancer at the Lincoln's Inn Fields Theatre. In the 19th century several productions took Faust as their subject matter including August Bournonville's 1832 production Faust for the Royal Danish Ballet.[1]

Marie Taglioni in her brother Paul Taglioni's ballet Satanella oder Metamorphosen

In 1833, Andre Deshayes' Faust premiered in London with music by Adolphe Adam.[2]

On 12 February 1848, a Faust ballet premiered at the Ballet of the Teatro alla Scala in Milan. This version featured choreography and libretto by Jules Perrot and music by Giacomo Panizza, Michael Andrew Costa, and Niccolò Bajetti, with Fanny Elssler (as Marguerite), Perrot (as Mephistophelis), Effisio Catte (as Faust), and Ekaterina Costantini (as Bambo, Queen of the Demons). Perrot revived the ballet three times between 1848 and 1854, the last featuring a revised score by Cesare Pugni. In 1867, Marius Petipa revived this version again for the Imperial Bolshoi Kamenny Theatre, St. Petersburg, using the revised Pugni score.

In 1852 Paul Taglioni, brother of Maria Taglioni (the first ballerina to dance en pointe), choreographed Satanella oder Metamorphosen with music by composed by Peter Ludwig Hertel. A few years later, Julius Reisinger's Mephistophelia premiered in Hamburg and Meyer Lutz composed the score for Joseph Lanner's 1895 production.[3]

The trend continued into the 20th century with ballets created by Remislav Remislavsky, Heiner Luipart and female choreographer Nina Kirsanova based on an unstaged 19th century libretto Der Doktor Faust, written by Heinrich Heine. Romantic composer Berlioz's La Damnation de Faust was staged by French choreographer Maurice Béjart for the Paris Opera Ballet in 1964). Béjart's 1975 production Notre Faust was set to Bach's B minor Mass.[1] Béjart himself danced in Notre Faust at its New York City premiere in 1977.[4]

Fanny Elssler in Faust with "Herr Carey" as Mephistopheles

References edit

  1. ^ a b "Faust ballets". Oxford Reference. Retrieved 2018-04-29.
  2. ^ Kant, Marion (2007-06-07). The Cambridge Companion to Ballet. Cambridge University Press. ISBN 978-0-521-53986-9.
  3. ^ Carter, Alexandra (2017-11-28). Dance and Dancers in the Victorian and Edwardian Music Hall Ballet. Routledge. ISBN 978-1-351-16362-0.
  4. ^ New York Magazine. 18 April 1977. Retrieved 2018-04-29.

faust, ballets, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, february, 2. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Faust ballets news newspapers books scholar JSTOR February 2022 Learn how and when to remove this message Faust ballets are a set of ballets choreographed between the 18th and 20th centuries based on the legend of Faust As early as 1723 London based John Rich put on a Faust inspired ballet pantomime called The Necromancer at the Lincoln s Inn Fields Theatre In the 19th century several productions took Faust as their subject matter including August Bournonville s 1832 production Faust for the Royal Danish Ballet 1 Marie Taglioni in her brother Paul Taglioni s ballet Satanella oder Metamorphosen In 1833 Andre Deshayes Faust premiered in London with music by Adolphe Adam 2 On 12 February 1848 a Faust ballet premiered at the Ballet of the Teatro alla Scala in Milan This version featured choreography and libretto by Jules Perrot and music by Giacomo Panizza Michael Andrew Costa and Niccolo Bajetti with Fanny Elssler as Marguerite Perrot as Mephistophelis Effisio Catte as Faust and Ekaterina Costantini as Bambo Queen of the Demons Perrot revived the ballet three times between 1848 and 1854 the last featuring a revised score by Cesare Pugni In 1867 Marius Petipa revived this version again for the Imperial Bolshoi Kamenny Theatre St Petersburg using the revised Pugni score In 1852 Paul Taglioni brother of Maria Taglioni the first ballerina to dance en pointe choreographed Satanella oder Metamorphosen with music by composed by Peter Ludwig Hertel A few years later Julius Reisinger s Mephistophelia premiered in Hamburg and Meyer Lutz composed the score for Joseph Lanner s 1895 production 3 The trend continued into the 20th century with ballets created by Remislav Remislavsky Heiner Luipart and female choreographer Nina Kirsanova based on an unstaged 19th century libretto Der Doktor Faust written by Heinrich Heine Romantic composer Berlioz s La Damnation de Faust was staged by French choreographer Maurice Bejart for the Paris Opera Ballet in 1964 Bejart s 1975 production Notre Faust was set to Bach s B minor Mass 1 Bejart himself danced in Notre Faust at its New York City premiere in 1977 4 Fanny Elssler in Faust with Herr Carey as MephistophelesReferences edit a b Faust ballets Oxford Reference Retrieved 2018 04 29 Kant Marion 2007 06 07 The Cambridge Companion to Ballet Cambridge University Press ISBN 978 0 521 53986 9 Carter Alexandra 2017 11 28 Dance and Dancers in the Victorian and Edwardian Music Hall Ballet Routledge ISBN 978 1 351 16362 0 New York Magazine 18 April 1977 Retrieved 2018 04 29 Retrieved from https en wikipedia org w index php title Faust ballets amp oldid 1184605126, wikipedia, wiki, book, books, library,

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