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Dattatreya

Dattatreya (Sanskrit: दत्तात्रेय, IAST: Dattātreya), Dattā or Dattaguru, is a paradigmatic Sannyasi (monk) and one of the lords of yoga, venerated as a Hindu god.[8] He is considered to be an avatar and combined form of the three Hindu gods Brahma, Vishnu, and Shiva, who are also collectively known as the Trimurti, and as the manifestation of Parabrahma, the supreme being, in texts such as the Bhagavata Purana, the Markandeya Purana, and the Brahmanda Purana, though stories about his birth and origin vary from text to text.[9][10][11] Several Upanishads are dedicated to him, as are texts of the Vedanta-Yoga tradition in Hinduism.[12] One of the most important texts of Hinduism, namely Avadhuta Gita (literally, "song of the free soul") is attributed to Dattatreya.[13][14] Over time, Dattatreya has inspired many monastic movements in Shaivism, Vaishnavism, and Shaktism, particularly in the Deccan region of India, Maharashtra, Gujarat, Madhya Pradesh, Rajasthan and Himalayan regions where Shaivism is prevalent.[15] His pursuit of simple life, kindness to all, sharing of his knowledge and the meaning of life during his travels is reverentially mentioned in the poems by Tukaram, a saint-poet of the Bhakti movement.

Dattatreya
Dattatreya, Raja Ravi Varma painting (1890)[1]
AffiliationAvatar and combined form of the Trimurti, Manifestation of Parabrahma[2][3][4]
AbodeVaries per interpretation
SymbolsJapamala, Kamandalu, Trishula, Damaru, Panchajanya, and Sudarshana Chakra[5][6][7]
FestivalsDatta Jayanti
Personal information
Parents
SiblingsChandra and Durvasa
ConsortAnagha
ChildrenNimi (According to Shanti Parva of Mahabharata)

According to Rigopoulos, in the Nath tradition of Shaivism, Dattatreya is revered as the Adi-Guru (First Teacher) of the Adinath Sampradaya of the Nathas, the first "Lord of Yoga" with mastery of Tantra (techniques), although most traditions and scholars consider Adi Nath to be an epithet of Shiva.[16][17] According to Mallinson, Dattatreya is not the traditional guru of the Nath Sampradaya but instead was co-opted by the Nath tradition in about the 18th century as a guru, as a part of Vishnu-Shiva syncretism. This is evidenced by the Marathi text Navanathabhaktisara, states Mallinson, wherein there is syncretic fusion of the Nath Sampradaya with the Mahanubhava sect by identifying nine Naths with nine Narayanas.[18]

An annual festival in the Hindu calendar month of Mārgaśīrṣa (November/December) reveres Dattatreya and is known as Datta Jayanti.[19]

Life edit

In the Puranas, he was born in an Indian hermitage to Anasuya and her husband, the Vedic sage, Atri who is traditionally credited with making the largest contribution to the Rigveda.[20][21] It is said that they lived in Mahur, Nanded District, Maharashtra. Another states that his father lived in the western Deccan region.[21] A third claims he was born in the jungles of Kashmir near the sacred Amarnath Temple.[22] A fourth legend states he was born along with his brothers Durvasa and Chandra, to an unwed mother named Anusuya,[23] In a fifth myth, sage Atri was very old when young Anusuya married him and they sought the help of the trimurti gods for a child. As the trinity were pleased with them for having brought light and knowledge to the world, instantly granted the boon, which led Dattatreya to be born with characteristics of all three.[24]

While his origins are unclear, stories about his life are clearer. He is described in the Mahabharata as an exceptional Rishi (sage) with extraordinary insights and knowledge, who is adored and raised to a Guru and an Avatar of Vishnu in the Puranas.[25] Dattatreya is stated in these texts to having renounced the world and leaving his home at an early age to lead a monastic life. One myth claims he meditated immersed in water for a long time,[23] another has him wandering from childhood and the young Dattatreya footprints have been preserved on a lonely peak at Girnar (Junagadh, Gujarat).[26] and Dattatray make a tapa for 12000 years over there. The Tripura-rahasya refers to the disciple Parasurama finding Dattatreya meditating on Gandhamadana mountain, Near Rameswaram, Tamil Nadu.[27]

Dattatreya is said to have his lunch daily by taking alms at a holy place Pithapuram, Andhra Pradesh, where he was born as Sripada Sri Vallabha (his first avatar).

Self-education: The 24 Gurus of Dattatreya edit

The young Dattatreya is famous in the Hindu texts as the one who started with nothing and without teachers, yet reached self-awareness by observing nature during his Sannyasi wanderings, and treating these natural observations as his twenty four teachers.[28] This legend has been emblematic in the Hindu belief, particularly among artists and Yogis, that ideas, teachings and practices come from all sources, that self effort is a means to learning.[29][30] The 24 teachers of Dattatreya are:[28][31]

The 24 teachers from nature[28][31][32]
Serial Number Guru Observation Dattatreya's Learning
1. Earth Steadfastly productive, does its dharma, gets abused, heals and is steady in giving nourishment. forbearance, remain undisturbed even if oppressed, keep healing even if others injure you
2. Wind Passes through everything and everyone, unchanged, unattached, like Truth; sometimes becomes a gale, disturbs and changes the world, like Truth. be free like the wind, yet resolute true to your own force
3. Sky the highest has no boundaries, no limits, is unaffected even if clouds and thunderstorms come and go the highest within oneself, the Atman (self, soul) has no limits, it is undifferentiated non-dual no matter what, let the clouds of materiality pass, be one with your soul and the Universal Self
4. Water serves all without pride, discrimination; is transparent to everyone; purifies and gives life to everyone it touches a saint discriminates against no one and is never arrogant, lets other give him impurity, yet he always remains pure and cleanses
5. Fire purifies and reforms everything it comes in contact with, its energy shapes things the heat of knowledge reforms everything it comes in contact with, to shape oneself one needs the energy of learning
6. Moon waxes and wanes but its oneness doesn't change birth, death, rebirth and the cycle of existence does not change the oneness of soul, like moon it is a continuous eternal reality
7. Sun source of light and gives its gift to all creatures as a sense of duty; in rain puddles it reflects and seems like distinct in each puddle, yet it is the same one Sun the soul may appear different in different bodies, yet everyone is connected and the soul is same in all; like Sun, one must share one's gifts as a sense of duty
8. Pigeons they suffer losses in the hands of violent hunters, warn against obsessive attachments to anyone or to material things in this world do not be obsessive, don't focus on transient things such as damage or personal loss, human life is a rare privilege to learn, discover one's soul and reach moksha
9. Python eats whatever comes its way, makes the most from what it consumes be content with what you have, make the most from life's gifts
10. Bumblebee active, works hard to build and create its reserve by directly visiting the flowers, but is selective and uses discretion, harmonious with flowers and never kills or over consumes be active, go directly to the sources of knowledge, seek wisdom from all sources but choose the nectar, be gentle, live harmoniously and leave others or other ideologies alone when you must
11. Beekeeper profits from honeybees don't crave for material pleasures or in piling up treasures, neither the body nor material wealth ever lasts
12. Hawk picks up a large chunk of food, but other birds harass him, when it drops its food other birds leave him alone take what you need, not more
13. Ocean lucid at the surface, but deep and undisturbed within; receives numerous rivers yet remains the same let rivers of sensory input not bother who you are deep inside, know your depths, seek self-knowledge, be unperturbed by life, equipoise
14. Moth is deceived by its senses, it runs to the fire in misunderstanding which kills it question your senses, question what others are telling you, question what you see, know senses can deceive, seek reason
15. Elephant is deceived by his lust, runs after the smell of a possible mate, and falls into a pit made by mahouts then fettered and used don't lust after something or someone, don't fall into traps of others or of sensory gratification
16. Deer is deceived by his fear, by hunters who beat drums and scare him into a waiting net fear not the noise, and do not succumb to pressure others design for you
17. Fish is deceived by bait and so lured to its death greed not the crumbs someone places before you, there are plenty of healthy opportunities everywhere
18. Courtesan exchanges transient pleasure with body, but feels dejected with meaningless life, ultimately moves on many prostitute their time, self-respect and principles for various reasons but feel dejected with their career and circumstances, seek meaning and spirituality in life, move on to doing things you love to do
19. Child lives a life of innocent bliss be a child, curious, innocent, blissful
20. Maiden she is poor yet tries her best to feed her family and guest, as she cooks she avoids attracting attention to her kitchen and poverty, by breaking all her bangles except one on each wrist don't seek attention, a yogi accomplishes and shares more through solitude
21. Snake lives in whatever hole that comes his way, willingly leaves bad skin and molts a yogi can live in any place, must be ready to molt old ideas and body for rebirth of his spirit
22. Arrowsmith the best one was so lost in his work that he failed to notice the king's procession that passed his way concentrate on what you love to do, intense concentration is the way to self-realization
23. Spider builds a beautiful web, destroys and abandons the web, then restarts again don't get entangled by your own web, be ready to abandon it, go with your Atman
24. Caterpillar starts out closed in a tiny nest but ultimately becomes a butterfly long journeys start small, a disciple starts out as insignificant but ultimately becomes a spiritual master

Iconography edit

 
 
Dattatreya is typically shown with three heads and six hands, while very few show him with one head and four hands. Left: Icon with three heads; Right: with one head.

Dattatreya is typically shown with three heads and six hands, one head each for Brahma, Vishnu and Shiva who represent the Trimurti, the 3 main gods in Hinduism, and one pair of hands holding the symbolic items associated with each of these gods: Japamala and Kamandalu of Brahma, Shakha and Sudarshana Chakra of Vishnu, Trishula and Damaru of Shiva. He is typically dressed as a simple monk, situated in a forest or wilderness suggestive of his renunciation of worldly goods and pursuit of a meditative yogic lifestyle. In paintings and some large carvings, he is surrounded by four dogs and a cow, which symbolise the four Vedas and mother earth who nourishes all living beings.[33][34][35]

In very few older medieval temples of Dattatreya show him with just one head, such as the one in Mahur, one at Narayanpur on Pune Satara Road, Near Pune, and another in Pandharpur, both in southern Maharashtra.[36] Very few texts such as Agni Purana describe the architectural features for building murti, and for Dattatreya, it recommends him with one head and two hands.[37] In Varanasi, Nepal, north Himalayan foothill states of India, 15th-century Nath temples of Dattatreya show him with just one face. In most parts of India and world, the syncretic six armed and three faced iconography is more common.[38]

He is the motif of the '"honey bee" Yogin who has realized advaita knowledge. Dattatreya as the archetypal model of syncretism:[39]

Furthermore, the unfolding of the Dattātreya icon illustrates the development of Yoga as a synthetic and inclusive body of ideologies and practices. Although fundamentally a jñāna-mūrti, Dattātreya is a "honey bee" Yogin: one whose character and teachings are developed by gathering varieties of Yoga's flowers. For all religious groups whose propensity it is to include ideas, practices, and teaching from the ocean of traditions, Dattātreya is truly a paradigm.

— Antonio Rigopoulos, Dattātreya: the immortal guru, yogin, and avatāra[40]

Another distinctive aspect of Dattatreya iconography is that it includes four dogs and a cow. The four dogs represent the Vedas,[41] as trustworthy all-weather friends, company and guardians, while the cow is a metaphor for mother earth who silently and always provides nourishment.[42]

Alternate iconography edit

Dattatreya's sculptures with alternate iconography have been identified in 1st millennium CE cave temples and archaeological sites related to Hinduism.[43] For example, in the Badami temple (Karnataka), Dattatreya is shown to be with single head and four hands like Vishnu, but seated in a serene Yoga posture (padmasana). Carved with him are the emblems (lañchana) of the Trimurti, namely the swan of Brahma, the Garuda of Vishnu and the Nandi of Shiva. The right earlobe jewelry and hair decoration in this art work of Dattatreya is of Shiva, but on his left the details are those of Vishnu.[44] Rigopoulos dates this Badami sculpture to be from the 10th to 12th century.[43]

A sculpture similar to Badami, but with some differences, has been discovered in Ajmer (Rajasthan). The Ajmer art work is a free statue where Dattatreya is standing, has one head and four hands. In his various hands, he carries a Trishula of Shiva, a Chakra of Vishnu, a Kamandalu of Brahma, and a rosary common to all three.[45] Like the Badami relief work, the Ajmer iconography of Dattatreya shows the swan of Brahma, the Garuda of Vishnu and the Nandi of Shiva carved on the pedestal with him.[45]

Some scholars such as James Harle and TA Gopinatha Rao consider iconography that presents Brahma-Vishnu-Shiva together as Hari Hara Pitamaha to be synonymous with or equivalent to Dattatreya.[46][47] Antonio Rigopoulos questions this identification, and suggests that Harihara Pitamaha iconography may have been a prelude to and something that evolved into Dattatreya iconography.[43]

Symbolism edit

Always be learning

The investigators of the true nature of the world are uplifted by their own efforts in this world. The self is the infallible guide of the self: through direct perception and through analogy one can work out one's salvation.

– Dattatreya, Bhagavata Purana XI.7
Translated by Klaus Klostermaier[30]

The historic Indian literature has interpreted the representation of Dattatreya symbolically. His three heads are symbols of the Gunas (qualities in Samkhya school of Hinduism). The three Gunas are Sattva, Rajas and Tamas. The six hands have ethical symbolism, namely Yamas, Niyama, Sama, Dama, Daya and Shanti (axiology in Yoga and Vedanta school of Hinduism).[48]

The Kamadhenu cow is symbolic Panchabutas, the four dogs are inner forces of a human being: Iccha, Vasana, Asha and Trishna. In these interpretations, Dattatreya is that yogi Guru (teacher) who has perfected all these, rules them rather than is ruled by them, and is thus the Guru Dattatreya is beyond them.[48]

Texts edit

The Dattatreya Upanishad (tantra-focussed), Darshana Upanishad (yoga-focussed) and particularly the Avadhuta Upanishad (advaita-focussed) present the philosophy of the Dattatreya tradition.[49][50] Dattatreya is also mentioned in the classic text on Yoga, the Shandilya Upanishad.[51]

Other Upanishads where Dattatreya's name appears in lists of ancient Hindu monks revered for their insights on renunciation are Jabala Upanishad, Naradaparivrajaka Upanishad, Bhikshuka Upanishad and Yajnavalkya Upanishad.[52][53] Of these, his mention in the Jabala Upanishad is chronologically significant because this ancient text is dated to have been complete between the 3rd century BCE and 3rd century CE.[54]

Tripura Rahasya is also an important ancient text attributed to Dattatreya.

Dattatreya is mentioned in the Mahabharata[55] and the Ramayana.[citation needed]

Dattatreya is mentioned in the ancient chapter 9 of the Sattvata Samhita and chapter 5 of the Ahirbudhnya Samhita, both among the oldest layer of texts in the Vaishnava Agama tradition (Pancaratra).[56] Schrader states these texts and the chronology of Dattatreya are older than the Mahabharata, but Rigopoulos disagrees with him on the chronology.[56]

In the Hindu tradition, Dattatreya is the author of Avadhuta Gita, or the "Song of the free".[57][58] The text's poetry is based on the principles of Advaita Vedanta, one of the subschools of Hindu philosophy.[13][14][59]

The extant manuscripts have been dated to approximately the 9th or 10th century,[60] but it may have existed earlier as part of an oral tradition.[61] It consists of 289 shlokas (metered verses), divided into eight chapters.[57][62]

P.P. Vasudevanand Saraswati Tembe Swami Maharaj has written an extensive literature on Lord Dattatreya and his incarnations including Sripada Srivallabha of Pithapur, Andhra Pradesh and Shri Nrusimhsaraswati Swami Maharaj of Ganagapur, Karnataka. The literature mainly includes Stotras-Hymns that praise lord Dattatreya and various deities, books on Lord Dattatreya.[citation needed]

Dattatreya traditions edit

 
Lord Dattatreya Idol in Maharashtra
 
Murti of Dattatreya

Several Hindu monastic and yoga traditions are linked to Dattatreya:[63]

  • Nath sampradaya: The Nath yogis, that metamorphosed into a warrior ascetic group, consider Dattatreya as their theological founder.[64] This group grew and became particularly prominent during the Islamic invasions and Hindu-Muslim wars in South Asia, from about the 14th to 18th century, although the Dattatreya roots of the peaceful Nath yogis go back to about the 10th century. The group was most active in Rajasthan, Gujarat, Maharashtra, Madhya Pradesh, Uttar Pradesh and Nepal. The tradition believes that the legendary Nath sampradaya yogi and Hatha Yoga innovator Gorakshanath was inspired and shaped by Dattatreya.[64] Regional efforts and texts of the Nath tradition such as Yogi sampradaya vishkriti discussed Dattatreya.[65][66]
  • Avadhuta sampradaya: The nine Narayanas of the Avadhuta sampradaya are attributed to Dattatreya, an idea also found in the Natha sampradaya.[67] A panth started by Pantmaharaj Balekundrikar of Balekundri near Belgavi is related to this. Also a saint named Shri Prabhakar Keshavrao motiwale follows the same path from years, and also Datt sampradaya is followed in his ashram located at kanadia, indore (Madhya Pradesh)[63]
  • Dasanami sampradaya and Shakti pithas: Dattatreya is revered in Dasanami and goddess-oriented Shaktism traditions.[68][69]
  • Bhakti traditions: Dattatetreya's theology emphasizing simple life, kindness to all, questioning the status quo, self pursuit of knowledge and seeking spiritual meaning of life appealed to Bhakti sant-poets of Hinduism such as Tukaram[39] and Eknath,[70] during an era of political and social upheavel caused by Islamic invasion in the Deccan region of India. They reverentially mentioned Dattatreya in their poems. The use of his symbolism was one of the many syncretic themes of this period where the ideas of Vaishnavism and Shaivism holistically fused in popular imagination.[71]
  • Mahanubhava tradition: Along with Krishna, the Mahanubhava tradition considers Dattatreya as their divine inspiration. The Mahanubhava Panth, propagated by Sri Chakradhar Swami, has five Krishnas, of which Dattatreya is one as their Adi Guru (the original Guru), as well as the early teachers in their tradition (Chakradhar, Gundam, Changdev).[72] They worship Dattatreya as single headed with two arms. He has a temple dedicated in Mahur by this tradition.[36]
  • Gurucharitra tradition: This tradition is named after the Marathi text Gurucharitra consisting of 51 chapters, containing the life stories of 14th-century Datta Avatar Sripada Srivallabha and 15th-century Datta Avatar Narasimha Saraswati.[73] The text was composed by Sarasvati Gangadhara, consists of three sections called Jnanakanda (chapters 1–24), Karmakanda (25–37) and Bhaktikanda (38–51), and is considered a sacred mantra-filled text in the Gurucharita tradition in parts of Maharashtra, north Karnataka and Gujarat. Ganagapur in kalaburagi north Karnataka is an important pilgrimage center in this tradition.[73]
  • Manik Prabhu (Sakalamata) Sampradaya: In this tradition, Dattatreya is worshipped with his Shakti, known as Madhumati. This tradition was started by the 19th century saint Shri Manik Prabhu, who is considered an Avatar of Dattatreya. Manik Nagar is the spiritual headquarters of this Sampradaya. Shri Manik Prabhu also established a Guru Parampara at Maniknagar for the spiritual guidance of devotees. Shri Manik Prabhu and his successors have written many abhangas and bhajans in Marathi & Kannada in praise of lord Dattatreya which are regularly sung at Manik Nagar.[74]
  • Lal Padris: another Hindu yogi group from western India with roots in the 10th-century and with ideas similar to Nath and Kanphata sampradaya, traces Dattatreya as the basis of their spiritual ideas.[75]
  • Around 1550 CE, Dattatreya Yogi taught the Dattatreya philosophy to his disciple Das Gosavi in Marathi. Das Gosavi then taught this philosophy to his two Telugu disciples Gopalbhatt and Sarvaved who studied and translated Das Gosavi's book of Vedantavyavaharsangraha into Telugu language. According to Prof. R. C. Dhere, Dattatreya Yogi and Das Gosavi are the original gurus in the Telugu Dattatreya tradition. Prof. Venkata Rao states that Dattatreya Shatakamu was written by Paramanandateertha who is equally important in his contributions to the Telugu tradition of Dattatreya. He was a proponent of Advaita philosophy and dedicated his two epics, Anubhavadarpanamu and Shivadnyanamanjari to Shri Dattatreya. His famous Vivekachintamani book was translated into Kannada by Nijashivagunayogi and Lingayat saint Shanatalingaswami translated this into Marathi.[76]

See also edit

References edit

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  45. ^ a b T. A. Gopinatha Rao (1993). Elements of Hindu iconography. Motilal Banarsidass. pp. 251 (figure 2), 255. ISBN 978-81-208-0878-2. from the original on 26 April 2017. Retrieved 10 October 2016.
  46. ^ James C. Harle (1994). The Art and Architecture of the Indian Subcontinent. Yale University Press. p. 236. ISBN 978-0-300-06217-5.
  47. ^ T. A. Gopinatha Rao (1993). Elements of Hindu iconography. Motilal Banarsidass. pp. 238, 252–253. ISBN 978-81-208-0878-2. from the original on 26 April 2017. Retrieved 10 October 2016.
  48. ^ a b Antonio Rigopoulos (1994). Dattatreya: The Immortal Guru, Yogin, and Avatara: A Study of the Transformative and Inclusive Character of a Multi-faceted Hindu tradition Deity. State University of New York Press. pp. 243 footnote 40. ISBN 978-1-4384-1733-2. from the original on 29 March 2018. Retrieved 10 October 2016.
  49. ^ Rigopoulos 1998, pp. 64–71, 223.
  50. ^ Olivelle 1992, pp. 273–277.
  51. ^ Larson, Gerald James; Bhattacharya, Ram Shankar (2008). Yoga : India's Philosophy of Meditation. Motilal Banarsidass. p. 608=harv. ISBN 978-81-208-3349-4. from the original on 8 January 2017. Retrieved 10 October 2016.
  52. ^ Rigopoulos 1998, p. 57.
  53. ^ Olivelle 1992, pp. 145, 184, 237, 278–280 (see first three sections).
  54. ^ Olivelle 1992, pp. 5–11.
  55. ^ Vanaparva 115.12, Shantiparva 49.36–37, Anushasanparva 152.5 and 153.12
  56. ^ a b Rigopoulos 1998, p. 43.
  57. ^ a b Rigopoulos 1998, p. 195.
  58. ^ John A. Grimes (1996). A Concise Dictionary of Indian Philosophy: Sanskrit Terms Defined in English. State University of New York Press. p. 110. ISBN 978-0-7914-3067-5. from the original on 21 December 2019. Retrieved 3 October 2016.
  59. ^ Katz, Jerry (2007). One: essential writings on nonduality. Sentient Publications. ISBN 978-1-59181-053-7, ISBN 978-1-59181-053-7. Source
  60. ^ Rigopoulos 1998, pp. 195–196.
  61. ^ Swami Abhayananda (1992, 2007). Dattatreya: Song of the Avadhut: An English Translation of the 'Avadhuta Gita' (with Sanskrit Transliteration). Classics of mystical literature series. ISBN 978-0-914557-15-9 (paper), p.10
  62. ^ Hattangadi 2000.
  63. ^ a b Joshi, Dr. P. N. (2000) Shri Dattatreya Dnyankosh. Pune: Shri Dattatreya Dnyankosh Prakashan.
  64. ^ a b Rigopoulos 1998, pp. 99–104, 218.
  65. ^ Karine Schomer; W. H. McLeod (1987). The Sants: Studies in a Devotional Tradition of India. Motilal Banarsidass. pp. 220–221. ISBN 978-81-208-0277-3. from the original on 30 December 2019. Retrieved 10 October 2016.
  66. ^ David N. Lorenzen; Adrián Muñoz (2011). Yogi Heroes and Poets: Histories and Legends of the Naths. State University of New York Press. pp. 59–61. ISBN 978-1-4384-3892-4. from the original on 26 December 2019. Retrieved 10 October 2016.
  67. ^ Rigopoulos 1998, p. 99.
  68. ^ Rigopoulos 1998, pp. xiii, 89, 94–95.
  69. ^ Raeside, I. M. P. (1982). "Dattātreya". Bulletin of the School of Oriental and African Studies. 45 (3): 489–499. doi:10.1017/S0041977X00041537. S2CID 246637651.
  70. ^ Karine Schomer; W. H. McLeod (1987). The Sants: Studies in a Devotional Tradition of India. Motilal Banarsidass. pp. 95–102, 220–221. ISBN 978-81-208-0277-3. from the original on 30 December 2019. Retrieved 10 October 2016.
  71. ^ Karine Schomer; W. H. McLeod (1987). The Sants: Studies in a Devotional Tradition of India. Motilal Banarsidass. pp. 215–224. ISBN 978-81-208-0277-3. from the original on 30 December 2019. Retrieved 10 October 2016.
  72. ^ Antonio Rigopoulos (2005). The Mahanubhavs. Firenze University Press. pp. 9–10. ISBN 978-88-8453-264-0. from the original on 27 December 2019. Retrieved 10 October 2016.
  73. ^ a b Antonio Rigopoulos (1993). The Life And Teachings of Sai Baba of Shirdi: The Conflicting Origins, Impacts, and Futures of the Community College. State University of New York Press. pp. 18, 29 note 12, 269–272. ISBN 978-0-7914-1267-1. from the original on 28 December 2019. Retrieved 12 July 2017.
  74. ^ "Sakalmat Sampradaya > Shri Manik Prabhu Samsthan". Shri Manik Prabhu Samsthan. Retrieved 14 March 2021.
  75. ^ George Weston Briggs (1998). Gorakhnāth and the Kānphaṭa Yogīs. Motilal Banarsidass. pp. 74–75. ISBN 978-81-208-0564-4. from the original on 7 May 2018. Retrieved 10 October 2016.
  76. ^ Works relating to the Dattatreya Cult in Telugu Literature: N. Venkata Rao (Essays in Philosophy presented to Dr. T. M. P. Mahadevan, Madras, 1962. pp464-475).

Bibliography edit

  • Abhayananda, S., Dattatreya's Song of the Avadhut. ATMA Books (Olympia, Wash), 2000. ISBN 81-7030-675-2.
  • Hariprasad Shivprasad Joshi (1965). Origin and Development of Dattātreya Worship in India 4 March 2012 at the Wayback Machine. The Maharaja Sayajirao University of Baroda.
  • Dalal, Roshen (2010). Hinduism: An Alphabetical Guide. Penguin Books. ISBN 978-0-14-341421-6. from the original on 29 December 2019. Retrieved 3 October 2016.
  • K P Gietz; et al. (1992), Epic and Puranic Bibliography (Up to 1985) Annoted and with Indexes: Part I: A – R, Part II: S – Z, Indexes, Otto Harrassowitz Verlag, ISBN 978-3-447-03028-1, from the original on 8 January 2017, retrieved 3 October 2016
  • Harper, Katherine Anne; Brown, Robert L. (2002). The Roots of Tantra. New York: State University of New York Press. ISBN 978-0-7914-5305-6.
  • Kambhampati, Parvathi Kumar (2000). (1st ed.). Visakhapatnam: Dhanishta. ISBN 9788189467173. Archived from the original on 27 May 2008. Retrieved 2 December 2020.
  • Rigopoulos, Antonio (1998). Dattatreya: The Immortal Guru, Yogin, and Avatara. New York: State University of New York Press. ISBN 0-7914-3696-9.
  • Subramanian K. N., Wisdom of Sri Dattatreya. Sura Books, 2006. ISBN 81-7478-390-3.
  • Guru Gita, BAPU (Prabhakar Motiwale, Indore), chaitanya ashram, Datta Shakti Pith
  • Hattangadi, Sunder (2000). "अवधूतोपनिषत् (Avadhuta Upanishad)" (PDF) (in Sanskrit). (PDF) from the original on 6 March 2016. Retrieved 4 March 2016.
  • Mallinson, James (2012). "Nāth Sampradāya". In Knut A. Jacobsen; Helene Basu; Angelika Malinar; Vasudha Narayanan (eds.). Brill's Encyclopedia of Hinduism. Vol. 3. Brill Academic.
  • Olivelle, Patrick (1992). The Samnyasa Upanisads. Oxford University Press. ISBN 978-0-19-507045-3.
  • Olivelle, Patrick (1993). The Asrama System. Oxford University Press. ISBN 978-0-19-508327-9.
  • Rigopoulos, Antonio (1998). Dattatreya: The Immortal Guru, Yogin, and Avatara: A Study of the Transformative and Inclusive Character of a Multi-faceted Hindu Deity. State University of New York Press. ISBN 978-0-7914-3696-7.

External links edit

  • Dattatreya, Shiva-Shakti, Mahendranath Paramahams
  • The Avadhuta Gita on Wikisource
  • Sree Datta Vaibhavam | A path for spiritualistic and materialistic life improvement
  • Dattatreya Birth Temple 30 December 2019 at the Wayback Machine,

dattatreya, sanskrit, दत, iast, dattātreya, dattā, dattaguru, paradigmatic, sannyasi, monk, lords, yoga, venerated, hindu, considered, avatar, combined, form, three, hindu, gods, brahma, vishnu, shiva, also, collectively, known, trimurti, manifestation, parabr. Dattatreya Sanskrit दत त त र य IAST Dattatreya Datta or Dattaguru is a paradigmatic Sannyasi monk and one of the lords of yoga venerated as a Hindu god 8 He is considered to be an avatar and combined form of the three Hindu gods Brahma Vishnu and Shiva who are also collectively known as the Trimurti and as the manifestation of Parabrahma the supreme being in texts such as the Bhagavata Purana the Markandeya Purana and the Brahmanda Purana though stories about his birth and origin vary from text to text 9 10 11 Several Upanishads are dedicated to him as are texts of the Vedanta Yoga tradition in Hinduism 12 One of the most important texts of Hinduism namely Avadhuta Gita literally song of the free soul is attributed to Dattatreya 13 14 Over time Dattatreya has inspired many monastic movements in Shaivism Vaishnavism and Shaktism particularly in the Deccan region of India Maharashtra Gujarat Madhya Pradesh Rajasthan and Himalayan regions where Shaivism is prevalent 15 His pursuit of simple life kindness to all sharing of his knowledge and the meaning of life during his travels is reverentially mentioned in the poems by Tukaram a saint poet of the Bhakti movement DattatreyaDattatreya Raja Ravi Varma painting 1890 1 AffiliationAvatar and combined form of the Trimurti Manifestation of Parabrahma 2 3 4 AbodeVaries per interpretationSymbolsJapamala Kamandalu Trishula Damaru Panchajanya and Sudarshana Chakra 5 6 7 FestivalsDatta JayantiPersonal informationParentsAtri father Anasuya mother SiblingsChandra and DurvasaConsortAnaghaChildrenNimi According to Shanti Parva of Mahabharata According to Rigopoulos in the Nath tradition of Shaivism Dattatreya is revered as the Adi Guru First Teacher of the Adinath Sampradaya of the Nathas the first Lord of Yoga with mastery of Tantra techniques although most traditions and scholars consider Adi Nath to be an epithet of Shiva 16 17 According to Mallinson Dattatreya is not the traditional guru of the Nath Sampradaya but instead was co opted by the Nath tradition in about the 18th century as a guru as a part of Vishnu Shiva syncretism This is evidenced by the Marathi text Navanathabhaktisara states Mallinson wherein there is syncretic fusion of the Nath Sampradaya with the Mahanubhava sect by identifying nine Naths with nine Narayanas 18 An annual festival in the Hindu calendar month of Margasirṣa November December reveres Dattatreya and is known as Datta Jayanti 19 Contents 1 Life 1 1 Self education The 24 Gurus of Dattatreya 2 Iconography 2 1 Alternate iconography 2 2 Symbolism 3 Texts 4 Dattatreya traditions 5 See also 6 References 6 1 Bibliography 7 External linksLife editIn the Puranas he was born in an Indian hermitage to Anasuya and her husband the Vedic sage Atri who is traditionally credited with making the largest contribution to the Rigveda 20 21 It is said that they lived in Mahur Nanded District Maharashtra Another states that his father lived in the western Deccan region 21 A third claims he was born in the jungles of Kashmir near the sacred Amarnath Temple 22 A fourth legend states he was born along with his brothers Durvasa and Chandra to an unwed mother named Anusuya 23 In a fifth myth sage Atri was very old when young Anusuya married him and they sought the help of the trimurti gods for a child As the trinity were pleased with them for having brought light and knowledge to the world instantly granted the boon which led Dattatreya to be born with characteristics of all three 24 While his origins are unclear stories about his life are clearer He is described in the Mahabharata as an exceptional Rishi sage with extraordinary insights and knowledge who is adored and raised to a Guru and an Avatar of Vishnu in the Puranas 25 Dattatreya is stated in these texts to having renounced the world and leaving his home at an early age to lead a monastic life One myth claims he meditated immersed in water for a long time 23 another has him wandering from childhood and the young Dattatreya footprints have been preserved on a lonely peak at Girnar Junagadh Gujarat 26 and Dattatray make a tapa for 12000 years over there The Tripura rahasya refers to the disciple Parasurama finding Dattatreya meditating on Gandhamadana mountain Near Rameswaram Tamil Nadu 27 Dattatreya is said to have his lunch daily by taking alms at a holy place Pithapuram Andhra Pradesh where he was born as Sripada Sri Vallabha his first avatar Self education The 24 Gurus of Dattatreya edit The young Dattatreya is famous in the Hindu texts as the one who started with nothing and without teachers yet reached self awareness by observing nature during his Sannyasi wanderings and treating these natural observations as his twenty four teachers 28 This legend has been emblematic in the Hindu belief particularly among artists and Yogis that ideas teachings and practices come from all sources that self effort is a means to learning 29 30 The 24 teachers of Dattatreya are 28 31 The 24 teachers from nature 28 31 32 Serial Number Guru Observation Dattatreya s Learning1 Earth Steadfastly productive does its dharma gets abused heals and is steady in giving nourishment forbearance remain undisturbed even if oppressed keep healing even if others injure you2 Wind Passes through everything and everyone unchanged unattached like Truth sometimes becomes a gale disturbs and changes the world like Truth be free like the wind yet resolute true to your own force3 Sky the highest has no boundaries no limits is unaffected even if clouds and thunderstorms come and go the highest within oneself the Atman self soul has no limits it is undifferentiated non dual no matter what let the clouds of materiality pass be one with your soul and the Universal Self4 Water serves all without pride discrimination is transparent to everyone purifies and gives life to everyone it touches a saint discriminates against no one and is never arrogant lets other give him impurity yet he always remains pure and cleanses5 Fire purifies and reforms everything it comes in contact with its energy shapes things the heat of knowledge reforms everything it comes in contact with to shape oneself one needs the energy of learning6 Moon waxes and wanes but its oneness doesn t change birth death rebirth and the cycle of existence does not change the oneness of soul like moon it is a continuous eternal reality7 Sun source of light and gives its gift to all creatures as a sense of duty in rain puddles it reflects and seems like distinct in each puddle yet it is the same one Sun the soul may appear different in different bodies yet everyone is connected and the soul is same in all like Sun one must share one s gifts as a sense of duty8 Pigeons they suffer losses in the hands of violent hunters warn against obsessive attachments to anyone or to material things in this world do not be obsessive don t focus on transient things such as damage or personal loss human life is a rare privilege to learn discover one s soul and reach moksha9 Python eats whatever comes its way makes the most from what it consumes be content with what you have make the most from life s gifts10 Bumblebee active works hard to build and create its reserve by directly visiting the flowers but is selective and uses discretion harmonious with flowers and never kills or over consumes be active go directly to the sources of knowledge seek wisdom from all sources but choose the nectar be gentle live harmoniously and leave others or other ideologies alone when you must11 Beekeeper profits from honeybees don t crave for material pleasures or in piling up treasures neither the body nor material wealth ever lasts12 Hawk picks up a large chunk of food but other birds harass him when it drops its food other birds leave him alone take what you need not more13 Ocean lucid at the surface but deep and undisturbed within receives numerous rivers yet remains the same let rivers of sensory input not bother who you are deep inside know your depths seek self knowledge be unperturbed by life equipoise14 Moth is deceived by its senses it runs to the fire in misunderstanding which kills it question your senses question what others are telling you question what you see know senses can deceive seek reason15 Elephant is deceived by his lust runs after the smell of a possible mate and falls into a pit made by mahouts then fettered and used don t lust after something or someone don t fall into traps of others or of sensory gratification16 Deer is deceived by his fear by hunters who beat drums and scare him into a waiting net fear not the noise and do not succumb to pressure others design for you17 Fish is deceived by bait and so lured to its death greed not the crumbs someone places before you there are plenty of healthy opportunities everywhere18 Courtesan exchanges transient pleasure with body but feels dejected with meaningless life ultimately moves on many prostitute their time self respect and principles for various reasons but feel dejected with their career and circumstances seek meaning and spirituality in life move on to doing things you love to do19 Child lives a life of innocent bliss be a child curious innocent blissful20 Maiden she is poor yet tries her best to feed her family and guest as she cooks she avoids attracting attention to her kitchen and poverty by breaking all her bangles except one on each wrist don t seek attention a yogi accomplishes and shares more through solitude21 Snake lives in whatever hole that comes his way willingly leaves bad skin and molts a yogi can live in any place must be ready to molt old ideas and body for rebirth of his spirit22 Arrowsmith the best one was so lost in his work that he failed to notice the king s procession that passed his way concentrate on what you love to do intense concentration is the way to self realization23 Spider builds a beautiful web destroys and abandons the web then restarts again don t get entangled by your own web be ready to abandon it go with your Atman24 Caterpillar starts out closed in a tiny nest but ultimately becomes a butterfly long journeys start small a disciple starts out as insignificant but ultimately becomes a spiritual masterIconography edit nbsp nbsp Dattatreya is typically shown with three heads and six hands while very few show him with one head and four hands Left Icon with three heads Right with one head Dattatreya is typically shown with three heads and six hands one head each for Brahma Vishnu and Shiva who represent the Trimurti the 3 main gods in Hinduism and one pair of hands holding the symbolic items associated with each of these gods Japamala and Kamandalu of Brahma Shakha and Sudarshana Chakra of Vishnu Trishula and Damaru of Shiva He is typically dressed as a simple monk situated in a forest or wilderness suggestive of his renunciation of worldly goods and pursuit of a meditative yogic lifestyle In paintings and some large carvings he is surrounded by four dogs and a cow which symbolise the four Vedas and mother earth who nourishes all living beings 33 34 35 In very few older medieval temples of Dattatreya show him with just one head such as the one in Mahur one at Narayanpur on Pune Satara Road Near Pune and another in Pandharpur both in southern Maharashtra 36 Very few texts such as Agni Purana describe the architectural features for building murti and for Dattatreya it recommends him with one head and two hands 37 In Varanasi Nepal north Himalayan foothill states of India 15th century Nath temples of Dattatreya show him with just one face In most parts of India and world the syncretic six armed and three faced iconography is more common 38 He is the motif of the honey bee Yogin who has realized advaita knowledge Dattatreya as the archetypal model of syncretism 39 Furthermore the unfolding of the Dattatreya icon illustrates the development of Yoga as a synthetic and inclusive body of ideologies and practices Although fundamentally a jnana murti Dattatreya is a honey bee Yogin one whose character and teachings are developed by gathering varieties of Yoga s flowers For all religious groups whose propensity it is to include ideas practices and teaching from the ocean of traditions Dattatreya is truly a paradigm Antonio Rigopoulos Dattatreya the immortal guru yogin and avatara 40 Another distinctive aspect of Dattatreya iconography is that it includes four dogs and a cow The four dogs represent the Vedas 41 as trustworthy all weather friends company and guardians while the cow is a metaphor for mother earth who silently and always provides nourishment 42 Alternate iconography edit Dattatreya s sculptures with alternate iconography have been identified in 1st millennium CE cave temples and archaeological sites related to Hinduism 43 For example in the Badami temple Karnataka Dattatreya is shown to be with single head and four hands like Vishnu but seated in a serene Yoga posture padmasana Carved with him are the emblems lanchana of the Trimurti namely the swan of Brahma the Garuda of Vishnu and the Nandi of Shiva The right earlobe jewelry and hair decoration in this art work of Dattatreya is of Shiva but on his left the details are those of Vishnu 44 Rigopoulos dates this Badami sculpture to be from the 10th to 12th century 43 A sculpture similar to Badami but with some differences has been discovered in Ajmer Rajasthan The Ajmer art work is a free statue where Dattatreya is standing has one head and four hands In his various hands he carries a Trishula of Shiva a Chakra of Vishnu a Kamandalu of Brahma and a rosary common to all three 45 Like the Badami relief work the Ajmer iconography of Dattatreya shows the swan of Brahma the Garuda of Vishnu and the Nandi of Shiva carved on the pedestal with him 45 Some scholars such as James Harle and TA Gopinatha Rao consider iconography that presents Brahma Vishnu Shiva together as Hari Hara Pitamaha to be synonymous with or equivalent to Dattatreya 46 47 Antonio Rigopoulos questions this identification and suggests that Harihara Pitamaha iconography may have been a prelude to and something that evolved into Dattatreya iconography 43 Symbolism edit Always be learningThe investigators of the true nature of the world are uplifted by their own efforts in this world The self is the infallible guide of the self through direct perception and through analogy one can work out one s salvation Dattatreya Bhagavata Purana XI 7Translated by Klaus Klostermaier 30 The historic Indian literature has interpreted the representation of Dattatreya symbolically His three heads are symbols of the Gunas qualities in Samkhya school of Hinduism The three Gunas are Sattva Rajas and Tamas The six hands have ethical symbolism namely Yamas Niyama Sama Dama Daya and Shanti axiology in Yoga and Vedanta school of Hinduism 48 The Kamadhenu cow is symbolic Panchabutas the four dogs are inner forces of a human being Iccha Vasana Asha and Trishna In these interpretations Dattatreya is that yogi Guru teacher who has perfected all these rules them rather than is ruled by them and is thus the Guru Dattatreya is beyond them 48 Texts editThe Dattatreya Upanishad tantra focussed Darshana Upanishad yoga focussed and particularly the Avadhuta Upanishad advaita focussed present the philosophy of the Dattatreya tradition 49 50 Dattatreya is also mentioned in the classic text on Yoga the Shandilya Upanishad 51 Other Upanishads where Dattatreya s name appears in lists of ancient Hindu monks revered for their insights on renunciation are Jabala Upanishad Naradaparivrajaka Upanishad Bhikshuka Upanishad and Yajnavalkya Upanishad 52 53 Of these his mention in the Jabala Upanishad is chronologically significant because this ancient text is dated to have been complete between the 3rd century BCE and 3rd century CE 54 Tripura Rahasya is also an important ancient text attributed to Dattatreya Dattatreya is mentioned in the Mahabharata 55 and the Ramayana citation needed Dattatreya is mentioned in the ancient chapter 9 of the Sattvata Samhita and chapter 5 of the Ahirbudhnya Samhita both among the oldest layer of texts in the Vaishnava Agama tradition Pancaratra 56 Schrader states these texts and the chronology of Dattatreya are older than the Mahabharata but Rigopoulos disagrees with him on the chronology 56 In the Hindu tradition Dattatreya is the author of Avadhuta Gita or the Song of the free 57 58 The text s poetry is based on the principles of Advaita Vedanta one of the subschools of Hindu philosophy 13 14 59 The extant manuscripts have been dated to approximately the 9th or 10th century 60 but it may have existed earlier as part of an oral tradition 61 It consists of 289 shlokas metered verses divided into eight chapters 57 62 P P Vasudevanand Saraswati Tembe Swami Maharaj has written an extensive literature on Lord Dattatreya and his incarnations including Sripada Srivallabha of Pithapur Andhra Pradesh and Shri Nrusimhsaraswati Swami Maharaj of Ganagapur Karnataka The literature mainly includes Stotras Hymns that praise lord Dattatreya and various deities books on Lord Dattatreya citation needed Dattatreya traditions edit nbsp Lord Dattatreya Idol in Maharashtra nbsp Murti of DattatreyaSeveral Hindu monastic and yoga traditions are linked to Dattatreya 63 Nath sampradaya The Nath yogis that metamorphosed into a warrior ascetic group consider Dattatreya as their theological founder 64 This group grew and became particularly prominent during the Islamic invasions and Hindu Muslim wars in South Asia from about the 14th to 18th century although the Dattatreya roots of the peaceful Nath yogis go back to about the 10th century The group was most active in Rajasthan Gujarat Maharashtra Madhya Pradesh Uttar Pradesh and Nepal The tradition believes that the legendary Nath sampradaya yogi and Hatha Yoga innovator Gorakshanath was inspired and shaped by Dattatreya 64 Regional efforts and texts of the Nath tradition such as Yogi sampradaya vishkriti discussed Dattatreya 65 66 Avadhuta sampradaya The nine Narayanas of the Avadhuta sampradaya are attributed to Dattatreya an idea also found in the Natha sampradaya 67 A panth started by Pantmaharaj Balekundrikar of Balekundri near Belgavi is related to this Also a saint named Shri Prabhakar Keshavrao motiwale follows the same path from years and also Datt sampradaya is followed in his ashram located at kanadia indore Madhya Pradesh 63 Dasanami sampradaya and Shakti pithas Dattatreya is revered in Dasanami and goddess oriented Shaktism traditions 68 69 Bhakti traditions Dattatetreya s theology emphasizing simple life kindness to all questioning the status quo self pursuit of knowledge and seeking spiritual meaning of life appealed to Bhakti sant poets of Hinduism such as Tukaram 39 and Eknath 70 during an era of political and social upheavel caused by Islamic invasion in the Deccan region of India They reverentially mentioned Dattatreya in their poems The use of his symbolism was one of the many syncretic themes of this period where the ideas of Vaishnavism and Shaivism holistically fused in popular imagination 71 Mahanubhava tradition Along with Krishna the Mahanubhava tradition considers Dattatreya as their divine inspiration The Mahanubhava Panth propagated by Sri Chakradhar Swami has five Krishnas of which Dattatreya is one as their Adi Guru the original Guru as well as the early teachers in their tradition Chakradhar Gundam Changdev 72 They worship Dattatreya as single headed with two arms He has a temple dedicated in Mahur by this tradition 36 Gurucharitra tradition This tradition is named after the Marathi text Gurucharitra consisting of 51 chapters containing the life stories of 14th century Datta Avatar Sripada Srivallabha and 15th century Datta Avatar Narasimha Saraswati 73 The text was composed by Sarasvati Gangadhara consists of three sections called Jnanakanda chapters 1 24 Karmakanda 25 37 and Bhaktikanda 38 51 and is considered a sacred mantra filled text in the Gurucharita tradition in parts of Maharashtra north Karnataka and Gujarat Ganagapur in kalaburagi north Karnataka is an important pilgrimage center in this tradition 73 Manik Prabhu Sakalamata Sampradaya In this tradition Dattatreya is worshipped with his Shakti known as Madhumati This tradition was started by the 19th century saint Shri Manik Prabhu who is considered an Avatar of Dattatreya Manik Nagar is the spiritual headquarters of this Sampradaya Shri Manik Prabhu also established a Guru Parampara at Maniknagar for the spiritual guidance of devotees Shri Manik Prabhu and his successors have written many abhangas and bhajans in Marathi amp Kannada in praise of lord Dattatreya which are regularly sung at Manik Nagar 74 Lal Padris another Hindu yogi group from western India with roots in the 10th century and with ideas similar to Nath and Kanphata sampradaya traces Dattatreya as the basis of their spiritual ideas 75 Around 1550 CE Dattatreya Yogi taught the Dattatreya philosophy to his disciple Das Gosavi in Marathi Das Gosavi then taught this philosophy to his two Telugu disciples Gopalbhatt and Sarvaved who studied and translated Das Gosavi s book of Vedantavyavaharsangraha into Telugu language According to Prof R C Dhere Dattatreya Yogi and Das Gosavi are the original gurus in the Telugu Dattatreya tradition Prof Venkata Rao states that Dattatreya Shatakamu was written by Paramanandateertha who is equally important in his contributions to the Telugu tradition of Dattatreya He was a proponent of Advaita philosophy and dedicated his two epics Anubhavadarpanamu and Shivadnyanamanjari to Shri Dattatreya His famous Vivekachintamani book was translated into Kannada by Nijashivagunayogi and Lingayat saint Shanatalingaswami translated this into Marathi 76 See also editAdvaita Vedanta Bhedabheda Dattatreya Yoga Shastra Dvaita Vedanta Upanishads TriglavReferences edit Dattatreya Ravi Varma Press Google Arts amp Culture Retrieved 30 August 2023 Tulsidas Goswami 2020 Srimad Bhagavata Mahapurana Gorakhpur Gita Press Gorakhpur Gita Press 2015 Sankshipta Markandeya Puran Gorakhpur Gita Press J L Shastri G P Bhatt G V Tagare Brahmanda Purana Ancient Indian Tradition And Mythology Tulsidas Goswami 2020 Srimad Bhagavata Mahapurana Gorakhpur Gita Press Gorakhpur Gita Press 2015 Sankshipta Markandeya Puran Gorakhpur Gita Press J L Shastri G P Bhatt G V Tagare Brahmanda Purana Ancient Indian Tradition And Mythology James G Lochtefeld 2002 The Illustrated Encyclopedia of Hinduism A M The Rosen Publishing Group p 176 ISBN 978 0 8239 3179 8 Archived from the original on 1 April 2017 Retrieved 10 October 2016 Tulsidas Goswami 2020 Srimad Bhagavata Mahapurana Gorakhpur Gita Press Gorakhpur Gita Press 2015 Sankshipta Markandeya Puran Gorakhpur Gita Press J L Shastri G P Bhatt G V Tagare Brahmanda Purana Ancient Indian Tradition And Mythology Antonio Rigopoulos 1998 Dattatreya The Immortal Guru Yogin and Avatara A Study of the Transformative and Inclusive Character of a Multi faceted Hindu Deity State University of New York Press pp 57 68 ISBN 978 0 7914 3696 7 Archived from the original on 19 April 2017 Retrieved 10 October 2016 a b Dalal 2010 p 50 a b K P Gietz 1992 p 58 note 318 Maxine Berntsen 1988 The Experience of Hinduism Essays on Religion in Maharashtra State University of New York Press pp 96 106 ISBN 978 0 88706 662 7 Archived from the original on 17 March 2017 Retrieved 10 October 2016 Rigopoulos 1998 p 77 Harper amp Brown 2002 p 155 Mallinson 2012 pp 407 411 Gudrun Buhnemann 1988 Puja A study in Smarta Ritual University of Vienna Be Nobili Editor G Oberhammer page 126 Gopal Madan 1990 K S Gautam ed India through the ages Publication Division Ministry of Information and Broadcasting Government of India p 73 a b Antonio Rigopoulos 1998 Dattatreya The Immortal Guru Yogin and Avatara State University of New York Press pp 1 3 ISBN 978 0 7914 3696 7 Archived from the original on 8 January 2017 Retrieved 10 October 2016 Mandeep March 2013 Who is Lord Dattatreya Archived from the original on 1 April 2015 Retrieved 27 April 2015 a b Antonio Rigopoulos 1998 Dattatreya The Immortal Guru Yogin and Avatara State University of New York Press pp 6 7 ISBN 978 0 7914 3696 7 Archived from the original on 8 January 2017 Retrieved 10 October 2016 Antonio Rigopoulos 1998 Dattatreya The Immortal Guru Yogin and Avatara State University of New York Press pp 8 11 ISBN 978 0 7914 3696 7 Archived from the original on 8 January 2017 Retrieved 10 October 2016 Antonio Rigopoulos 1998 Dattatreya The Immortal Guru Yogin and Avatara State University of New York Press pp 27 28 ISBN 978 0 7914 3696 7 Archived from the original on 8 January 2017 Retrieved 10 October 2016 Jain trust files plea in HC over Girnar shrine row Archived from the original on 20 October 2019 Retrieved 16 September 2019 Mahendranath Shri Gurudev The Pathless Path to Immortality The Wisdom of Bhagavan Dattatreya Archived 24 January 2011 at the Wayback Machine in 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Wayback Machine Canadian Journal of Environmental Education Vol 12 pages 131 135 YH Yadav 1991 Glimpses of Greatness 3rd Edition Bharatiya Vidya Bhavan pages 33 55 Tulsidas Goswami 2020 Srimad Bhagavata Mahapurana Gorakhpur Gita Press Gorakhpur Gita Press 2015 Sankshipta Markandeya Puran Gorakhpur Gita Press J L Shastri G P Bhatt G V Tagare Brahmanda Purana Ancient Indian Tradition And Mythology a b Rigopoulos 1998 pp 223 224 Rigopoulos 1998 p 224 Rigopoulos 1998 pp 224 226 a b Maxine Berntsen 1988 The Experience of Hinduism Essays on Religion in Maharashtra State University of New York Press pp 95 96 ISBN 978 0 88706 662 7 Archived from the original on 1 April 2017 Retrieved 10 October 2016 Rigopoulos Antonio 1998 Dattatreya the immortal guru yogin and avatara a study of the transformative and inclusive character of a multi faceted Hindu deity Archived 26 December 2019 at the Wayback Machine State University of New York Press ISBN 978 0 7914 3695 0 accessed Saturday February 6 2010 Werness Hope B 2004 The Continuum encyclopedia of animal symbolism in art Illustrated edition Continuum International Publishing Group ISBN 0 8264 1525 3 ISBN 978 0 8264 1525 7 Source 1 Archived 28 December 2019 at the Wayback Machine accessed Thursday February 11 2010 p 138 Antonio Rigopoulos 1994 Dattatreya The Immortal Guru Yogin and Avatara A Study of the Transformative and Inclusive Character of a Multi faceted Hindu Deity State University of New York Press pp xiv 228 237 ISBN 978 1 4384 1733 2 Archived from the original on 29 March 2018 Retrieved 10 October 2016 a b c Rigopoulos 1998 pp 227 228 T A Gopinatha Rao 1993 Elements of Hindu iconography Motilal Banarsidass pp 252 255 ISBN 978 81 208 0878 2 Archived from the original on 26 April 2017 Retrieved 10 October 2016 a b T A Gopinatha Rao 1993 Elements of Hindu iconography Motilal Banarsidass pp 251 figure 2 255 ISBN 978 81 208 0878 2 Archived from the original on 26 April 2017 Retrieved 10 October 2016 James C Harle 1994 The Art and Architecture of the Indian Subcontinent Yale University Press p 236 ISBN 978 0 300 06217 5 T A Gopinatha Rao 1993 Elements of Hindu iconography Motilal Banarsidass pp 238 252 253 ISBN 978 81 208 0878 2 Archived from the original on 26 April 2017 Retrieved 10 October 2016 a b Antonio Rigopoulos 1994 Dattatreya The Immortal Guru Yogin and Avatara A Study of the Transformative and Inclusive Character of a Multi faceted Hindu tradition Deity State University of New York Press pp 243 footnote 40 ISBN 978 1 4384 1733 2 Archived from the original on 29 March 2018 Retrieved 10 October 2016 Rigopoulos 1998 pp 64 71 223 Olivelle 1992 pp 273 277 Larson Gerald James Bhattacharya Ram Shankar 2008 Yoga India s Philosophy of Meditation Motilal Banarsidass p 608 harv ISBN 978 81 208 3349 4 Archived from the original on 8 January 2017 Retrieved 10 October 2016 Rigopoulos 1998 p 57 Olivelle 1992 pp 145 184 237 278 280 see first three sections Olivelle 1992 pp 5 11 Vanaparva 115 12 Shantiparva 49 36 37 Anushasanparva 152 5 and 153 12 a b Rigopoulos 1998 p 43 a b Rigopoulos 1998 p 195 John A Grimes 1996 A Concise Dictionary of Indian Philosophy Sanskrit Terms Defined in English State University of New York Press p 110 ISBN 978 0 7914 3067 5 Archived from the original on 21 December 2019 Retrieved 3 October 2016 Katz Jerry 2007 One essential writings on nonduality Sentient Publications ISBN 978 1 59181 053 7 ISBN 978 1 59181 053 7 Source Rigopoulos 1998 pp 195 196 Swami Abhayananda 1992 2007 Dattatreya Song of the Avadhut An English Translation of the Avadhuta Gita with Sanskrit Transliteration Classics of mystical literature series ISBN 978 0 914557 15 9 paper p 10 Hattangadi 2000 a b Joshi Dr P N 2000 Shri Dattatreya Dnyankosh Pune Shri Dattatreya Dnyankosh Prakashan a b Rigopoulos 1998 pp 99 104 218 Karine Schomer W H McLeod 1987 The Sants Studies in a Devotional Tradition of India Motilal Banarsidass pp 220 221 ISBN 978 81 208 0277 3 Archived from the original on 30 December 2019 Retrieved 10 October 2016 David N Lorenzen Adrian Munoz 2011 Yogi Heroes and Poets Histories and Legends of the Naths State University of New York Press pp 59 61 ISBN 978 1 4384 3892 4 Archived from the original on 26 December 2019 Retrieved 10 October 2016 Rigopoulos 1998 p 99 Rigopoulos 1998 pp xiii 89 94 95 Raeside I M P 1982 Dattatreya Bulletin of the School of Oriental and African Studies 45 3 489 499 doi 10 1017 S0041977X00041537 S2CID 246637651 Karine Schomer W H McLeod 1987 The Sants Studies in a Devotional Tradition of India Motilal Banarsidass pp 95 102 220 221 ISBN 978 81 208 0277 3 Archived from the original on 30 December 2019 Retrieved 10 October 2016 Karine Schomer W H McLeod 1987 The Sants Studies in a Devotional Tradition of India Motilal Banarsidass pp 215 224 ISBN 978 81 208 0277 3 Archived from the original on 30 December 2019 Retrieved 10 October 2016 Antonio Rigopoulos 2005 The Mahanubhavs Firenze University Press pp 9 10 ISBN 978 88 8453 264 0 Archived from the original on 27 December 2019 Retrieved 10 October 2016 a b Antonio Rigopoulos 1993 The Life And Teachings of Sai Baba of Shirdi The Conflicting Origins Impacts and Futures of the Community College State University of New York Press pp 18 29 note 12 269 272 ISBN 978 0 7914 1267 1 Archived from the original on 28 December 2019 Retrieved 12 July 2017 Sakalmat Sampradaya gt Shri Manik Prabhu Samsthan Shri Manik Prabhu Samsthan Retrieved 14 March 2021 George Weston Briggs 1998 Gorakhnath and the Kanphaṭa Yogis Motilal Banarsidass pp 74 75 ISBN 978 81 208 0564 4 Archived from the original on 7 May 2018 Retrieved 10 October 2016 Works relating to the Dattatreya Cult in Telugu Literature N Venkata Rao Essays in Philosophy presented to Dr T M P Mahadevan Madras 1962 pp464 475 Bibliography edit Abhayananda S Dattatreya s Song of the Avadhut ATMA Books Olympia Wash 2000 ISBN 81 7030 675 2 Hariprasad Shivprasad Joshi 1965 Origin and Development of Dattatreya Worship in India Archived 4 March 2012 at the Wayback Machine The Maharaja Sayajirao University of Baroda Dalal Roshen 2010 Hinduism An Alphabetical Guide Penguin Books ISBN 978 0 14 341421 6 Archived from the original on 29 December 2019 Retrieved 3 October 2016 K P Gietz et al 1992 Epic and Puranic Bibliography Up to 1985 Annoted and with Indexes Part I A R Part II S Z Indexes Otto Harrassowitz Verlag ISBN 978 3 447 03028 1 archived from the original on 8 January 2017 retrieved 3 October 2016 Harper Katherine Anne Brown Robert L 2002 The Roots of Tantra New York State University of New York Press ISBN 978 0 7914 5305 6 Kambhampati Parvathi Kumar 2000 Sri Dattatreya The Symbol amp the Significance 1st ed Visakhapatnam Dhanishta ISBN 9788189467173 Archived from the original on 27 May 2008 Retrieved 2 December 2020 Rigopoulos Antonio 1998 Dattatreya The Immortal Guru Yogin and Avatara New York State University of New York Press ISBN 0 7914 3696 9 Subramanian K N Wisdom of Sri Dattatreya Sura Books 2006 ISBN 81 7478 390 3 Guru Gita BAPU Prabhakar Motiwale Indore chaitanya ashram Datta Shakti Pith Hattangadi Sunder 2000 अवध त पन षत Avadhuta Upanishad PDF in Sanskrit Archived PDF from the original on 6 March 2016 Retrieved 4 March 2016 Mallinson James 2012 Nath Sampradaya In Knut A Jacobsen Helene Basu Angelika Malinar Vasudha Narayanan eds Brill s Encyclopedia of Hinduism Vol 3 Brill Academic Olivelle Patrick 1992 The Samnyasa Upanisads Oxford University Press ISBN 978 0 19 507045 3 Olivelle Patrick 1993 The Asrama System Oxford University Press ISBN 978 0 19 508327 9 Rigopoulos Antonio 1998 Dattatreya The Immortal Guru Yogin and Avatara A Study of the Transformative and Inclusive Character of a Multi faceted Hindu Deity State University of New York Press ISBN 978 0 7914 3696 7 External links edit nbsp Wikimedia Commons has media related to Dattatreya Dattatreya Shiva Shakti Mahendranath Paramahams The Avadhuta Gita on Wikisource Sree Datta Vaibhavam A path for spiritualistic and materialistic life 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