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La Monnaie

January 01, 1970

The Royal Theatre of La Monnaie (French: Théâtre Royal de la Monnaie, pronounced [te.atʁ ʁwa.jal də la mɔ.nɛ]; Dutch: Koninklijke Muntschouwburg; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions to receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments.

La Monnaie
De Munt
  • Théâtre Royal de la Monnaie (French)
  • Koninklijke Muntschouwburg (Dutch)
The Royal Theatre of La Monnaie seen from the Place de la Monnaie/Muntplein
Former namesThéâtre de la Monnoye (1700–1819)[1]
AddressPlace de la Monnaie / Muntplein
1000 City of Brussels, Brussels-Capital Region
Belgium
Coordinates50°50′59″N 4°21′14″E / 50.84972°N 4.35389°E / 50.84972; 4.35389
Public transit
OwnerRégie des Bâtiments
OperatorPeter de Caluwe[1]
TypeOpera house[2]
Genre(s)Opera, concert, recital, dance[2]
Seating typeArmchairs
Capacity1,152
Construction
Built1695–1700
Opened17 October 1700 (1700-10-17)
Renovated1856, 1985, 2017
ArchitectLouis Damesme (1819) and Joseph Poelaert (1856)[1]
Website
Official website

La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 1986. The foyer and auditorium date from 1856, but almost every other element of the present building was extensively renovated in the 1980s. It is served by the metro and premetro (underground tram) station De Brouckère on lines 1, 3, 4 and 5.

History edit

The theatre of Gio-Paolo Bombarda (1700–1818) edit

The first permanent public theatre for opera performances of the court and City of Brussels was built between 1695 and 1700 by the Venetian architects Paolo and Pietro Bezzi, as part of a rebuilding plan following the bombardment of Brussels of 1695 by the French army.[3] It was erected on the site of a building that had served to mint coins.[4][5] The name of this site—La Monnaie (originally spelled La Monnoye[1]) in French or De Munt in Dutch (both meaning "The Mint")—remained attached to the theatre for the centuries to come.[5] The construction of the theatre had been ordered by Maximilian II Emanuel, Elector of Bavaria, at that time Governor of the Habsburg Netherlands.[6][7] The Elector had charged his treasurer and architect, the Italian Gio Paolo Bombarda, with the task of financing and supervising the enterprise.[8][3]

 
The first Theatre of La Monnaie (then spelled La Monnoye), c. 1700

The exact date of the first performance in 1700 remains unknown, but the first showing mentioned in the local newspapers was Jean-Baptiste Lully's Atys, which was given on 19 November 1700.[9] The French operatic repertoire would dominate the Brussels stage throughout the following century, though performances of Venetian operas and other non-French repertoire were also performed on a regular basis.[10] Until the middle of the 19th century, plays were performed along with opera, ballet and concerts.[11]

By the 18th century, La Monnaie was considered the second French-speaking stage after the most prominent theatres in Paris. Under the rule of Prince Charles Alexander of Lorraine, who acted as a very generous patron of the arts, the theatre greatly flourished. At that time, it housed an opera company, a ballet and an orchestra.[12] The splendour of the performances diminished during the last years of Austrian rule, due to the severe politics of Emperor Joseph II.[10]

After 1795, when the French Revolutionary forces occupied the Belgian provinces, the theatre became a French departmental institution. Amongst other cuts in its expenses, the theatre had to abolish its Corps de Ballet. During this period, many famous French actors and singers gave regular performances in the theatre whilst touring the country's provinces. Then-consul Napoleon, visiting Brussels, judged the old theatre too dilapidated for one of the most prestigious cities of his future Empire. He ordered plans to replace the old building with a new and more monumental edifice, but these plans would only be carried out and Bombarda's building demolished in 1818, under the auspices of the new United Kingdom of the Netherlands.[13]

The theatre of Louis Damesme (1818–1855) edit

The new theatre was a neoclassical building designed by the French architect Louis Damesme.[8][13] Unlike Bombarda's building, which was situated along the street and completely surrounded by other buildings, the new theatre was placed in the middle of a newly constructed square.[14][15] While this also gave it a monumental appearance, the main concern was safety: the building was now more accessible to firemen, and the chance of any fire spreading was reduced. The new auditorium was inaugurated on 25 May 1819 with the opera La Caravane du Caire by the composer André Ernest Modeste Grétry.[16]

 
Painting of the second Theatre of La Monnaie, c. 1825–1855

As the most important French theatre of the newly established United Kingdom of the Netherlands, La Monnaie had national and international significance. The theatre came under the supervision of the City of Brussels, which had the right to appoint a director charged with its management. In this period, famous actors like François-Joseph Talma and singers like Maria Malibran performed at La Monnaie. The Corps de Ballet was reintroduced and came under the supervision of the dancer and choreographer Jean-Antoine Petipa, father of the famous Marius Petipa.[17]

La Monnaie would play a prominent role in the formation of the Kingdom of Belgium. Daniel Auber's opera La Muette de Portici was scheduled in August 1830 after it had been banned from the stage by King William I of the Netherlands, fearing its inciting content. At a performance of this opera on the evening of 25 August 1830, a riot broke out, which became the signal for the Belgian Revolution that ultimately led to the country's independence.[18][19][7]

Damesme's building continued to serve for more than two decades as Belgium's principal theatre and opera house until it burnt to the ground on 21 January 1855, leaving only the outside walls and portico.[19][13]

 
Contemporary illustration of the 1855 fire at La Monnaie, published in L'Illustration

The theatre of Joseph Poelaert (1856–present) edit

After the fire of January 1855, the theatre was reconstructed after the designs of Joseph Poelaert within a period of fourteen months.[19][13] The auditorium (with 1,200 seats) and the foyer were decorated in a then-popular Eclectic style, a mixture of neo-Baroque, neo-Rococo and neo-Renaissance styles. The lavish decoration made excessive use of gilded carton-pierre decorations and sculptures, red velvet and brocade. The auditorium was lit by a huge crystal chandelier made of gilded bronze and Venetian crystals, which still hangs in the centre of the domed ceiling today.[20] The new Théâtre Royal de la Monnaie opened on 28 March 1856 with Fromental Halévy's Jaguarita l'Indienne.[21]

The original dome painting, representing Belgium Protecting the Arts,[20] was produced in the Parisian workshop of François-Joseph Nolau and Auguste Alfred Rubé, two famous decorators of the Paris Opera House. In 1887, this dome painting was completely repainted by Rubé himself and his new associate Philippe-Marie Chaperon,[19] because it was mostly tainted by CO2 emissions from the chandelier. This dome painting stayed untouched until 1985, when it was taken down during extensive rebuilding activities and replaced by a bad copy, painted by the painter Xavier Crolls.[19] From 1988 until 1998, the dome painting of Rubé and Chaperon was in restoration, until its final reinstatement in 1999.[11] The sober whitewashed exterior seen today was done many decades later. Poelaert never intended to whitewash these outer walls — in 1856, the exterior did not have any whitewashing at all, as proved by many photographs of that time.

 
The reconstructed La Monnaie, c. 1890–1900

In the middle of the 19th century, the repertoire was dominated by popular French composers such as Halévy, Daniel Auber, and Giacomo Meyerbeer, as well as Italian composers like Gioachino Rossini, Gaetano Donizetti, Vincenzo Bellini and Giuseppe Verdi, who had considerable success in Paris.

The opera house in the 20th century edit

Renovations on Poelaert's building were required shortly after opening due to faulty foundation work. The early 20th century saw the addition of a storey, and in the 1950s, of a new stage building. By 1985, it was determined that a complete renovation was needed.[11] Features such as raising the roofline by 4 metres (13 ft) and scooping out the stage building area—in addition to creating a steel frame to strengthen the load-bearing walls and increasing backstage space—characterised this two-year project. However, the red and gold auditorium remained largely identical. The canvas of the ceiling painting was temporarily removed for restoration and only put back in 1999.[11] It was temporarily replaced by a copy in much brighter colours, which was painted directly on the stucco ceiling.

 
La Monnaie as it appears today

The entrance hall and the grand staircase underwent a radical makeover, although original features such as the monument by the sculptor Paul Du Bois honouring the Manager and Music Director Dupont (1910), and a number of monumental paintings (1907–1933) by Emile Fabry were preserved.[20] The Liège architect Charles Vandenhove created a new architectural concept for the entrance in 1985–1986. He asked two American artists to make a contribution: Sol LeWitt designed a fan-shaped floor in black and white marble, while Sam Francis painted an abstract triptych mounted to the ceiling.[20] Vandenhove also designed a new interior decoration for the Salon Royal, a reception room connected to the Royal Box. For this project, he collaborated with the French artist Daniel Buren.[22] Now seating 1,125, the renovated opera house was inaugurated on 12 November 1986 with a performance of Beethoven's Symphony No. 9.[23]

In 1998, the major part of the vacant Vanderborght department store building (c. 20,000 m2 (220,000 sq ft)) and a neoclassical mansion, both situated directly behind the opera house, were acquired by La Monnaie. The edifices were renovated and adapted to house La Monnaie's technical and administrative facilities, previously spread all over the city.[11] The building also contains large rehearsal halls for opera, the Malibran, and orchestra, the Fiocco. They can also be adapted for presenting public performances.[24]

La Monnaie in the 21st century edit

 
Grand Room at La Monnaie

In the last three decades, La Monnaie has reclaimed its place amongst the foremost opera houses in Europe thanks to the efforts of the successive directors Gerard Mortier and Bernard Foccroulle and Music Directors Sylvain Cambreling and Antonio Pappano.[25]

The opera house was renovated again from May 2015 to September 2017: the stage was levelled, a new fly system was put in place, and two scene lifts were installed. This allowed the opera house to stage more technically demanding productions. Although most of the renovations took place backstage, the opera house used this opportunity to replace all of its worn-out seats with new velour seats.[26][27][28]

Directors edit

See also: List of directors of the Théâtre de la Monnaie
 
Ignaz Vitzthumb, Music Director of La Monnaie in the 18th century[10]

During the 1980s, Gerard Mortier was General Director of La Monnaie. Bernard Foccroulle succeeded Mortier in 1991 and served for fifteen seasons, maintaining and even expanding the reputation Mortier had gained in the 1980s. The current General Director is Peter de Caluwe, who has been in the post since 2007, and is scheduled to conclude his tenure on 1 July 2025. In June 2023, the company announced the appointment of Christina Scheppelmann as its next General Director, effective 1 July 2025, with an initial contract of six years.[29]

La Monnaie's Music Directors have always played a major role in Belgium's musical life, since the orchestra also performed in regularly organised concerts, and the quality of the orchestra reached a peak at the end of the 19th century under the baton of composer and musicologist Sylvain Dupuis. La Monnaie gave regular performances of the major works of Richard Wagner as well. During the late 19th century, important French composers such as Jules Massenet and Vincent d'Indy directed the world premieres of some of their operas at this theatre. The high musical quality of renditions was maintained under Corneil de Thoran between the two World Wars, but diminished gradually from the 1950s onwards.[25]

At the beginning of the 1980s, Gérard Mortier hired Sylvain Cambreling as La Monnaie's Music Director, and Cambreling restored the orchestra to its former playing level. From 1990, Bernd Loebe was Artistic Director. Antonio Pappano became Music Director in 1991, and during his tenure, the orchestra's symphonic repertoire was further extended and it appeared more often in concerts outside the opera. In addition, Pappano made several recordings with the orchestra.[25] He left in 2002 to become Music Director of the Royal Opera House, Covent Garden in London.[30]

Beginning in 2002, Kazushi Ono served as Music Director.[25] At the end of the 2007–2008 season, Ono was scheduled to relinquish his position as La Monnaie's Music Director to Mark Wigglesworth, the two having worked together during that season.[31] However, in April 2008, La Monnaie announced that Wigglesworth would not take up the position of Music Director, after reports of opposition to him from the orchestra.[32] In June 2011, the company announced the appointment of Ludovic Morlot as its next Music Director, as of the 2012–2013 season, with an initial contract of five years.[33] In December 2014, citing artistic differences, Morlot resigned from the La Monnaie's music directorship, effective 31 December 2014.[34] In September 2015, the company announced the appointment of Alain Altinoglu as its next Music Director, effective January 2016.[35]

For performances of Baroque operas, La Monnaie mostly engages guest orchestras specialising in authentic performances on period instruments. Over the past decades, René Jacobs and his Concerto Vocale have been regular guests at the theatre.[36]

Dance at La Monnaie edit

See also: List of dance directors at La Monnaie

Dance and ballet always had their place on the stage of La Monnaie, and during a major part of its history, the theatre housed its own Corps de Ballet. Several members of the Petipa family left their mark in Brussels in the 19th century, but the enthusiasm of the public for traditional ballet performances diminished in the 1950s.

In 1959, director Maurice Huisman embarked on a cooperation with the young avant-garde choreographer Maurice Béjart. This resulted in the creation of the new Ballet of the 20th Century,[37] which became the theatre's new ballet company until 1987, when Béjart and his Ballet left La Monnaie after a conflict with Gerard Mortier. In 1988, Mortier hired the New York choreographer Mark Morris and his Mark Morris Dance Group. For three years, they were known as the Monnaie Dance Group Mark Morris. Morris directed several productions in Brussels until 1991. Under Bernard Foccroulle, Anne Teresa De Keersmaeker and her company Rosas became the dance company in residence.

Notable world premieres edit

See also edit

References edit

Citations edit

  1. ^ a b c d Pouget 2017.
  2. ^ a b "La Monnaie / De Munt". La Monnaie / De Munt. 11 May 2023.
  3. ^ a b Demey 2013, p. 402–403.
  4. ^ Mardaga 1993, p. 506–507.
  5. ^ a b Demey 2013, p. 401–402.
  6. ^ Demey 2013, p. 402.
  7. ^ a b Gérard 2023, p. 18.
  8. ^ a b Mardaga 1993, p. 507–508.
  9. ^ Liebrecht 1923, p. 129.
  10. ^ a b c Couvreur 1996.
  11. ^ a b c d e "The Opera House". La Monnaie / De Munt. Retrieved 22 February 2024.
  12. ^ Van Aelbrouck 2021.
  13. ^ a b c d Demey 2013, p. 405.
  14. ^ Mardaga 1993, p. 507.
  15. ^ Demey 2013, p. 406.
  16. ^ Demey 2013, p. 405–406.
  17. ^ "La Monnaie - Bruxelles". Forum Opéra (in French). 12 March 2015. Retrieved 22 February 2024.
  18. ^ Slatin 1979, p. 53–54.
  19. ^ a b c d e Mardaga 1993, p. 508.
  20. ^ a b c d Mardaga 1993, p. 510.
  21. ^ Realfonzo, Ugo (21 January 2023). "Today in History: Théâtre de la Monnaie destroyed by fire". The Brussels Times. Retrieved 22 February 2024.
  22. ^ Mardaga 1993, p. 511.
  23. ^ Cixous, Hélène and Claus, Hugo, Réouverture de La Monnaie - Heropening Van de Munt (in French–Dutch), BeBa, Brussels, 1986
  24. ^ "La Monnaie Workshops". La Monnaie / De Munt. Retrieved 22 February 2024.
  25. ^ a b c d "Histoire(s) d'orchestre | Acte I". La Monnaie / De Munt (in French). 25 September 2022. Retrieved 23 February 2024.
  26. ^ NWS, VRT (29 August 2017). "Gerenoveerde Muntschouwburg behoudt grandeur en verhoogt comfort". vrtnws.be.
  27. ^ "Le Théâtre royal de la Monnaie retrouve sa salle entièrement rénovée (photos et vidéo)". Le Soir (in French). 29 August 2017. Retrieved 4 February 2024.
  28. ^ Houdmont, Cyprien (29 August 2017). "Le Théâtre royal de la Monnaie retrouve sa salle rénovée". BX1 (in French). Retrieved 4 February 2024.
  29. ^ "Christina Scheppelmann nommée Directrice Générale et Artistique du Théâtre royal de la Monnaie" (Press release). Théâtre royal de la Monnaie. 22 June 2023. Retrieved 28 June 2023.
  30. ^ Tonkin, Boyd (6 July 2013). "Sir Antonio Pappano: 'I had no ambition to conduct'". The Independent. Independent News and Media. Retrieved 8 November 2014.
  31. ^ Schweitzer, Vivien (20 April 2006). "Mark Wigglesworth Appointed music director of Belgium's la Monnaie". Playbill Arts. Retrieved 29 August 2007.
  32. ^ Apthorp, Shirley (10 April 2008). "Feisty Orchestra Fuels Brussels Opera Changes". Bloomberg News. Retrieved 10 April 2008.
  33. ^ Bargreen, Melinda (30 June 2011). "New Seattle Symphony music director to moonlight in Belgium". Seattle Times. Retrieved 2 July 2011.
  34. ^ Martin, Serge (12 December 2014). "Ludovic Morlot quitte la Monnaie". Le Soir. Retrieved 3 September 2015.
  35. ^ (PDF) (Press release). Théâtre Royal de la Monnaie. 2 September 2015. Archived from the original (PDF) on 4 March 2016. Retrieved 3 September 2015.
  36. ^ "René Jacobs". harmonia mundi. 21 February 2024. Retrieved 23 February 2024.
  37. ^ Lynn Garafola (28 January 2005). Legacies of Twentieth-Century Dance. Wesleyan University Press. pp. 192–. ISBN 978-0-8195-6674-4.

Bibliography edit

  • Couvreur, Manuel (1996). Le théâtre de la Monnaie au XVIIIe siècle (in French). Brussels: Cahiers du Gram.
  • Demey, Thierry (2013). Bruxelles, des remparts aux boulevards (in French). Brussels: Badeaux. ISBN 978-2-930609-02-7.
  • Gérard, Hervé (2023). Bruxelles et ses places (in French). Brussels: 180° éditions. ISBN 978-2-940721-32-0.
  • Liebrecht, Henri (1923). Histoire du théâtre français à Bruxelles aux XVIIe et XVIIIe siècles (in French). Paris: Édouard Champion.
  • Pouget, Isabelle (2017). Les Mots de la Monnaie (in French). Brussels: Mardaga. ISBN 978-2-8047-0179-6.
  • Slatin, Sonia (1979). "Opera and Revolution: La Muette de Portici and the Belgian Revolution of 1830 Revisited". Journal of Musicological Research. 3 (3): 45–62. doi:10.1080/01411897908574506.
  • Van Aelbrouck, Jean-Philippe (2021). "Acteurs et troupes du Théâtre de la Monnaie sous Charles de Lorraine (1749-1780)". Cahiers Bruxellois – Brusselse Cahiers (in French). 2. Brussels: Musées et Archives de la Ville de Bruxelles: 13–45. doi:10.3917/brux.052.0013.
  • Le Patrimoine monumental de la Belgique: Bruxelles (PDF) (in French). Vol. 1B: Pentagone E-M. Liège: Pierre Mardaga. 1993.

Further reading edit

  • Busine, Laurent; al. (2000), L'opéra, un chant d'étoiles: exposition, Ateliers de la Monnaie, Bruxelles, du 16 janvier au 2 juillet 2000 (in French), Brussels & Tournai{{citation}}: CS1 maint: location missing publisher (link)
  • Cabris, Eric (1996), De Munt: drie eeuwen geschiedenis van het gebouw (in Dutch), Tielt: Lannoo
  • Cabris, Eric (1996), La Monnaie, chronique architecturale de 1696 à nos jours (in French), Brussels: Racine
  • Couvreur, Manuel (1998), La Monnaie wagnérienne (in French), Brussels: Cahiers du Gram
  • Couvreur, Manuel; Dufour, Valérie (2010), La Monnaie entre-deux-guerres (in French), Brussels: Le Livre Timperman
  • De Gers, Arthur (1926), Théâtre royal de la Monnaie, 1856–1926 (in French), Brussels: Dykmans
  • De Laubier, Guillaume; Pecqueur, Antoine (2013), Die schönsten Opernhäuser der Welt. (in German), Munich: Knesebeck, pp. 221–229, ISBN 978-3-86873-641-0
  • Faber, Frédéric (1878), Histoire du Théâtre français en Belgique depuis son origine jusqu'à ce jour (in French), vol. 5, Brussels: Fr. J. Olivier
  • Gantelme, Claude (1981), Théâtre royal de la Monnaie, Opéra national, Ballet du XXe siècle, de 1959 à nos jours (in French), Brussels: Paul Legrain
  • Isnardon, Jacques (1980), Le Théâtre de la Monnaie (in French), Brussels: Schott Frères
  • Mortier, Gerard; Van Dam, José; Piemme, Jean-Marie (1986), Opera tot theater maken: het team van Gerard Mortier in de Munt (in Dutch), Gembloux: Duculot
  • Renieu, Lionel (1928), Histoire des théâtres de Bruxelles (in French), Paris: Duchartre & Van Buggenhoudt
  • Salès, Jules (1971), Théâtre royal de la Monnaie, 1856–1970 (in French), Nivelles: Havaux
  • Van der Hoeven, Roland (2000), Le théâtre de la Monnaie au XIXe siècle: contraintes d'exploitation d'un théâtre lyrique 1830–1914 (in French), Brussels: Cahiers du Gram
  • Van der Hoeven, Roland; Couvreur, Manuel (2003), La Monnaie symboliste (in French), Brussels: Cahiers du Gram
  • Van Oostveldt, Bram; Van Schoor, Jaak (1986), The Théâtre de la Monnaie and theatre life in the 18th century Austrian Netherlands: from a courtly-aristocratic to a civil-enlightened discourse, Ghent: Academia Press

External links edit

  •   Media related to De Munt/La Monnaie at Wikimedia Commons
  • Official website
  • CARMEN – La Monnaie's digital archives
  • La Monnaie on Google Arts & Culture

January 01, 1970
monnaie, royal, theatre, french, théâtre, royal, monnaie, pronounced, atʁ, ʁwa, dutch, koninklijke, muntschouwburg, both, translating, royal, theatre, mint, opera, house, central, brussels, belgium, national, opera, belgium, federal, institution, takes, name, . The Royal Theatre of La Monnaie French Theatre Royal de la Monnaie pronounced te atʁ ʁwa jal de la mɔ nɛ Dutch Koninklijke Muntschouwburg both translating as the Royal Theatre of the Mint is an opera house in central Brussels Belgium The National Opera of Belgium a federal institution takes the name of this theatre in which it is housed La Monnaie in French or De Munt in Dutch referring both to the building as well as the opera company As Belgium s leading opera house it is one of the few cultural institutions to receive financial support from the Federal Government of Belgium Other opera houses in Belgium such as the Vlaamse Opera and the Opera Royal de Wallonie are funded by regional governments La Monnaie De MuntTheatre Royal de la Monnaie French Koninklijke Muntschouwburg Dutch The Royal Theatre of La Monnaie seen from the Place de la Monnaie MuntpleinFormer namesTheatre de la Monnoye 1700 1819 1 AddressPlace de la Monnaie Muntplein1000 City of Brussels Brussels Capital RegionBelgiumCoordinates50 50 59 N 4 21 14 E 50 84972 N 4 35389 E 50 84972 4 35389Public transitMetro De Brouckere lines 1 and 5 Premetro De Brouckere lines 3 and 4 OwnerRegie des BatimentsOperatorPeter de Caluwe 1 TypeOpera house 2 Genre s Opera concert recital dance 2 Seating typeArmchairsCapacity1 152ConstructionBuilt1695 1700Opened17 October 1700 1700 10 17 Renovated1856 1985 2017ArchitectLouis Damesme 1819 and Joseph Poelaert 1856 1 WebsiteOfficial website La Monnaie is located on the Place de la Monnaie Muntplein not far from the Rue Neuve Nieuwstraat and the Place de Brouckere De Brouckereplein The current edifice is the third theatre on the site The facade dates from 1818 with major alterations made in 1856 and 1986 The foyer and auditorium date from 1856 but almost every other element of the present building was extensively renovated in the 1980s It is served by the metro and premetro underground tram station De Brouckere on lines 1 3 4 and 5 Contents 1 History 1 1 The theatre of Gio Paolo Bombarda 1700 1818 1 2 The theatre of Louis Damesme 1818 1855 1 3 The theatre of Joseph Poelaert 1856 present 1 4 The opera house in the 20th century 1 5 La Monnaie in the 21st century 2 Directors 3 Dance at La Monnaie 4 Notable world premieres 5 See also 6 References 6 1 Citations 6 2 Bibliography 7 Further reading 8 External linksHistory editThe theatre of Gio Paolo Bombarda 1700 1818 edit The first permanent public theatre for opera performances of the court and City of Brussels was built between 1695 and 1700 by the Venetian architects Paolo and Pietro Bezzi as part of a rebuilding plan following the bombardment of Brussels of 1695 by the French army 3 It was erected on the site of a building that had served to mint coins 4 5 The name of this site La Monnaie originally spelled La Monnoye 1 in French or De Munt in Dutch both meaning The Mint remained attached to the theatre for the centuries to come 5 The construction of the theatre had been ordered by Maximilian II Emanuel Elector of Bavaria at that time Governor of the Habsburg Netherlands 6 7 The Elector had charged his treasurer and architect the Italian Gio Paolo Bombarda with the task of financing and supervising the enterprise 8 3 nbsp The first Theatre of La Monnaie then spelled La Monnoye c 1700 The exact date of the first performance in 1700 remains unknown but the first showing mentioned in the local newspapers was Jean Baptiste Lully s Atys which was given on 19 November 1700 9 The French operatic repertoire would dominate the Brussels stage throughout the following century though performances of Venetian operas and other non French repertoire were also performed on a regular basis 10 Until the middle of the 19th century plays were performed along with opera ballet and concerts 11 By the 18th century La Monnaie was considered the second French speaking stage after the most prominent theatres in Paris Under the rule of Prince Charles Alexander of Lorraine who acted as a very generous patron of the arts the theatre greatly flourished At that time it housed an opera company a ballet and an orchestra 12 The splendour of the performances diminished during the last years of Austrian rule due to the severe politics of Emperor Joseph II 10 After 1795 when the French Revolutionary forces occupied the Belgian provinces the theatre became a French departmental institution Amongst other cuts in its expenses the theatre had to abolish its Corps de Ballet During this period many famous French actors and singers gave regular performances in the theatre whilst touring the country s provinces Then consul Napoleon visiting Brussels judged the old theatre too dilapidated for one of the most prestigious cities of his future Empire He ordered plans to replace the old building with a new and more monumental edifice but these plans would only be carried out and Bombarda s building demolished in 1818 under the auspices of the new United Kingdom of the Netherlands 13 The theatre of Louis Damesme 1818 1855 edit The new theatre was a neoclassical building designed by the French architect Louis Damesme 8 13 Unlike Bombarda s building which was situated along the street and completely surrounded by other buildings the new theatre was placed in the middle of a newly constructed square 14 15 While this also gave it a monumental appearance the main concern was safety the building was now more accessible to firemen and the chance of any fire spreading was reduced The new auditorium was inaugurated on 25 May 1819 with the opera La Caravane du Caire by the composer Andre Ernest Modeste Gretry 16 nbsp Painting of the second Theatre of La Monnaie c 1825 1855 As the most important French theatre of the newly established United Kingdom of the Netherlands La Monnaie had national and international significance The theatre came under the supervision of the City of Brussels which had the right to appoint a director charged with its management In this period famous actors like Francois Joseph Talma and singers like Maria Malibran performed at La Monnaie The Corps de Ballet was reintroduced and came under the supervision of the dancer and choreographer Jean Antoine Petipa father of the famous Marius Petipa 17 La Monnaie would play a prominent role in the formation of the Kingdom of Belgium Daniel Auber s opera La Muette de Portici was scheduled in August 1830 after it had been banned from the stage by King William I of the Netherlands fearing its inciting content At a performance of this opera on the evening of 25 August 1830 a riot broke out which became the signal for the Belgian Revolution that ultimately led to the country s independence 18 19 7 Damesme s building continued to serve for more than two decades as Belgium s principal theatre and opera house until it burnt to the ground on 21 January 1855 leaving only the outside walls and portico 19 13 nbsp Contemporary illustration of the 1855 fire at La Monnaie published in L Illustration The theatre of Joseph Poelaert 1856 present edit After the fire of January 1855 the theatre was reconstructed after the designs of Joseph Poelaert within a period of fourteen months 19 13 The auditorium with 1 200 seats and the foyer were decorated in a then popular Eclectic style a mixture of neo Baroque neo Rococo and neo Renaissance styles The lavish decoration made excessive use of gilded carton pierre decorations and sculptures red velvet and brocade The auditorium was lit by a huge crystal chandelier made of gilded bronze and Venetian crystals which still hangs in the centre of the domed ceiling today 20 The new Theatre Royal de la Monnaie opened on 28 March 1856 with Fromental Halevy s Jaguarita l Indienne 21 The original dome painting representing Belgium Protecting the Arts 20 was produced in the Parisian workshop of Francois Joseph Nolau and Auguste Alfred Rube two famous decorators of the Paris Opera House In 1887 this dome painting was completely repainted by Rube himself and his new associate Philippe Marie Chaperon 19 because it was mostly tainted by CO2 emissions from the chandelier This dome painting stayed untouched until 1985 when it was taken down during extensive rebuilding activities and replaced by a bad copy painted by the painter Xavier Crolls 19 From 1988 until 1998 the dome painting of Rube and Chaperon was in restoration until its final reinstatement in 1999 11 The sober whitewashed exterior seen today was done many decades later Poelaert never intended to whitewash these outer walls in 1856 the exterior did not have any whitewashing at all as proved by many photographs of that time nbsp The reconstructed La Monnaie c 1890 1900 In the middle of the 19th century the repertoire was dominated by popular French composers such as Halevy Daniel Auber and Giacomo Meyerbeer as well as Italian composers like Gioachino Rossini Gaetano Donizetti Vincenzo Bellini and Giuseppe Verdi who had considerable success in Paris The opera house in the 20th century edit Renovations on Poelaert s building were required shortly after opening due to faulty foundation work The early 20th century saw the addition of a storey and in the 1950s of a new stage building By 1985 it was determined that a complete renovation was needed 11 Features such as raising the roofline by 4 metres 13 ft and scooping out the stage building area in addition to creating a steel frame to strengthen the load bearing walls and increasing backstage space characterised this two year project However the red and gold auditorium remained largely identical The canvas of the ceiling painting was temporarily removed for restoration and only put back in 1999 11 It was temporarily replaced by a copy in much brighter colours which was painted directly on the stucco ceiling nbsp La Monnaie as it appears today The entrance hall and the grand staircase underwent a radical makeover although original features such as the monument by the sculptor Paul Du Bois honouring the Manager and Music Director Dupont 1910 and a number of monumental paintings 1907 1933 by Emile Fabry were preserved 20 The Liege architect Charles Vandenhove created a new architectural concept for the entrance in 1985 1986 He asked two American artists to make a contribution Sol LeWitt designed a fan shaped floor in black and white marble while Sam Francis painted an abstract triptych mounted to the ceiling 20 Vandenhove also designed a new interior decoration for the Salon Royal a reception room connected to the Royal Box For this project he collaborated with the French artist Daniel Buren 22 Now seating 1 125 the renovated opera house was inaugurated on 12 November 1986 with a performance of Beethoven s Symphony No 9 23 In 1998 the major part of the vacant Vanderborght department store building c 20 000 m2 220 000 sq ft and a neoclassical mansion both situated directly behind the opera house were acquired by La Monnaie The edifices were renovated and adapted to house La Monnaie s technical and administrative facilities previously spread all over the city 11 The building also contains large rehearsal halls for opera the Malibran and orchestra the Fiocco They can also be adapted for presenting public performances 24 La Monnaie in the 21st century edit nbsp Grand Room at La Monnaie In the last three decades La Monnaie has reclaimed its place amongst the foremost opera houses in Europe thanks to the efforts of the successive directors Gerard Mortier and Bernard Foccroulle and Music Directors Sylvain Cambreling and Antonio Pappano 25 The opera house was renovated again from May 2015 to September 2017 the stage was levelled a new fly system was put in place and two scene lifts were installed This allowed the opera house to stage more technically demanding productions Although most of the renovations took place backstage the opera house used this opportunity to replace all of its worn out seats with new velour seats 26 27 28 Directors editSee also List of directors of the Theatre de la Monnaie nbsp Ignaz Vitzthumb Music Director of La Monnaie in the 18th century 10 During the 1980s Gerard Mortier was General Director of La Monnaie Bernard Foccroulle succeeded Mortier in 1991 and served for fifteen seasons maintaining and even expanding the reputation Mortier had gained in the 1980s The current General Director is Peter de Caluwe who has been in the post since 2007 and is scheduled to conclude his tenure on 1 July 2025 In June 2023 the company announced the appointment of Christina Scheppelmann as its next General Director effective 1 July 2025 with an initial contract of six years 29 La Monnaie s Music Directors have always played a major role in Belgium s musical life since the orchestra also performed in regularly organised concerts and the quality of the orchestra reached a peak at the end of the 19th century under the baton of composer and musicologist Sylvain Dupuis La Monnaie gave regular performances of the major works of Richard Wagner as well During the late 19th century important French composers such as Jules Massenet and Vincent d Indy directed the world premieres of some of their operas at this theatre The high musical quality of renditions was maintained under Corneil de Thoran between the two World Wars but diminished gradually from the 1950s onwards 25 At the beginning of the 1980s Gerard Mortier hired Sylvain Cambreling as La Monnaie s Music Director and Cambreling restored the orchestra to its former playing level From 1990 Bernd Loebe was Artistic Director Antonio Pappano became Music Director in 1991 and during his tenure the orchestra s symphonic repertoire was further extended and it appeared more often in concerts outside the opera In addition Pappano made several recordings with the orchestra 25 He left in 2002 to become Music Director of the Royal Opera House Covent Garden in London 30 Beginning in 2002 Kazushi Ono served as Music Director 25 At the end of the 2007 2008 season Ono was scheduled to relinquish his position as La Monnaie s Music Director to Mark Wigglesworth the two having worked together during that season 31 However in April 2008 La Monnaie announced that Wigglesworth would not take up the position of Music Director after reports of opposition to him from the orchestra 32 In June 2011 the company announced the appointment of Ludovic Morlot as its next Music Director as of the 2012 2013 season with an initial contract of five years 33 In December 2014 citing artistic differences Morlot resigned from the La Monnaie s music directorship effective 31 December 2014 34 In September 2015 the company announced the appointment of Alain Altinoglu as its next Music Director effective January 2016 35 For performances of Baroque operas La Monnaie mostly engages guest orchestras specialising in authentic performances on period instruments Over the past decades Rene Jacobs and his Concerto Vocale have been regular guests at the theatre 36 Dance at La Monnaie editSee also List of dance directors at La Monnaie Dance and ballet always had their place on the stage of La Monnaie and during a major part of its history the theatre housed its own Corps de Ballet Several members of the Petipa family left their mark in Brussels in the 19th century but the enthusiasm of the public for traditional ballet performances diminished in the 1950s In 1959 director Maurice Huisman embarked on a cooperation with the young avant garde choreographer Maurice Bejart This resulted in the creation of the new Ballet of the 20th Century 37 which became the theatre s new ballet company until 1987 when Bejart and his Ballet left La Monnaie after a conflict with Gerard Mortier In 1988 Mortier hired the New York choreographer Mark Morris and his Mark Morris Dance Group For three years they were known as the Monnaie Dance Group Mark Morris Morris directed several productions in Brussels until 1991 Under Bernard Foccroulle Anne Teresa De Keersmaeker and her company Rosas became the dance company in residence Notable world premieres editJules Massenet Herodiade 19 December 1881 Ernest Reyer Sigurd 7 January 1884 Emanuel Chabrier Gwendoline 10 April 1886 Benjamin Godard Jocelyn 25 February 1888 Ernest Reyer Salammbo 10 February 1890 Vincent d Indy Fervaal 12 March 1897 Vincent d Indy L Etranger 7 January 1903 Ernest Chausson Le Roi Arthus 30 November 1903 Darius Milhaud Les Malheurs d Orphee 7 May 1926 Arthur Honegger Antigone 28 December 1927 Sergei Prokofiev Igrok The Gambler 29 April 1929 Philippe Boesmans La Passion de Gilles 18 October 1983 Mark Morris L Allegro il Penseroso ed il Moderato 22 November 1988 Mark Morris The Hard Nut 1991 John Adams The Death of Klinghoffer 19 March 1991 Philippe Boesmans Reigen 4 March 1993 Philippe Boesmans Wintermarchen 10 December 1999 Philippe Boesmans Julie 8 March 2005 Nicholas Lens Shell Shock 24 October 2014 See also edit nbsp Belgium portal History of Brussels Culture of Belgium Belgium in the long nineteenth centuryReferences editCitations edit a b c d Pouget 2017 a b La Monnaie De Munt La Monnaie De Munt 11 May 2023 a b Demey 2013 p 402 403 Mardaga 1993 p 506 507 a b Demey 2013 p 401 402 Demey 2013 p 402 a b Gerard 2023 p 18 a b Mardaga 1993 p 507 508 Liebrecht 1923 p 129 a b c Couvreur 1996 a b c d e The Opera House La Monnaie De Munt Retrieved 22 February 2024 Van Aelbrouck 2021 a b c d Demey 2013 p 405 Mardaga 1993 p 507 Demey 2013 p 406 Demey 2013 p 405 406 La Monnaie Bruxelles Forum Opera in French 12 March 2015 Retrieved 22 February 2024 Slatin 1979 p 53 54 a b c d e Mardaga 1993 p 508 a b c d Mardaga 1993 p 510 Realfonzo Ugo 21 January 2023 Today in History Theatre de la Monnaie destroyed by fire The Brussels Times Retrieved 22 February 2024 Mardaga 1993 p 511 Cixous Helene and Claus Hugo Reouverture de La Monnaie Heropening Van de Munt in French Dutch BeBa Brussels 1986 La Monnaie Workshops La Monnaie De Munt Retrieved 22 February 2024 a b c d Histoire s d orchestre Acte I La Monnaie De Munt in French 25 September 2022 Retrieved 23 February 2024 NWS VRT 29 August 2017 Gerenoveerde Muntschouwburg behoudt grandeur en verhoogt comfort vrtnws be Le Theatre royal de la Monnaie retrouve sa salle entierement renovee photos et video Le Soir in French 29 August 2017 Retrieved 4 February 2024 Houdmont Cyprien 29 August 2017 Le Theatre royal de la Monnaie retrouve sa salle renovee BX1 in French Retrieved 4 February 2024 Christina Scheppelmann nommee Directrice Generale et Artistique du Theatre royal de la Monnaie Press release Theatre royal de la Monnaie 22 June 2023 Retrieved 28 June 2023 Tonkin Boyd 6 July 2013 Sir Antonio Pappano I had no ambition to conduct The Independent Independent News and Media Retrieved 8 November 2014 Schweitzer Vivien 20 April 2006 Mark Wigglesworth Appointed music director of Belgium s la Monnaie Playbill Arts Retrieved 29 August 2007 Apthorp Shirley 10 April 2008 Feisty Orchestra Fuels Brussels Opera Changes Bloomberg News Retrieved 10 April 2008 Bargreen Melinda 30 June 2011 New Seattle Symphony music director to moonlight in Belgium Seattle Times Retrieved 2 July 2011 Martin Serge 12 December 2014 Ludovic Morlot quitte la Monnaie Le Soir Retrieved 3 September 2015 Alain Altinoglu Music Director of La Monnaie PDF Press release Theatre Royal de la Monnaie 2 September 2015 Archived from the original PDF on 4 March 2016 Retrieved 3 September 2015 Rene Jacobs harmonia mundi 21 February 2024 Retrieved 23 February 2024 Lynn Garafola 28 January 2005 Legacies of Twentieth Century Dance Wesleyan University Press pp 192 ISBN 978 0 8195 6674 4 Bibliography edit Couvreur Manuel 1996 Le theatre de la Monnaie au XVIIIe siecle in French Brussels Cahiers du Gram Demey Thierry 2013 Bruxelles des remparts aux boulevards in French Brussels Badeaux ISBN 978 2 930609 02 7 Gerard Herve 2023 Bruxelles et ses places in French Brussels 180 editions ISBN 978 2 940721 32 0 Liebrecht Henri 1923 Histoire du theatre francais a Bruxelles aux XVIIe et XVIIIe siecles in French Paris Edouard Champion Pouget Isabelle 2017 Les Mots de la Monnaie in French Brussels Mardaga ISBN 978 2 8047 0179 6 Slatin Sonia 1979 Opera and Revolution La Muette de Portici and the Belgian Revolution of 1830 Revisited Journal of Musicological Research 3 3 45 62 doi 10 1080 01411897908574506 Van Aelbrouck Jean Philippe 2021 Acteurs et troupes du Theatre de la Monnaie sous Charles de Lorraine 1749 1780 Cahiers Bruxellois Brusselse Cahiers in French 2 Brussels Musees et Archives de la Ville de Bruxelles 13 45 doi 10 3917 brux 052 0013 Le Patrimoine monumental de la Belgique Bruxelles PDF in French Vol 1B Pentagone E M Liege Pierre Mardaga 1993 Further reading editBusine Laurent al 2000 L opera un chant d etoiles exposition Ateliers de la Monnaie Bruxelles du 16 janvier au 2 juillet 2000 in French Brussels amp Tournai a href Template Citation html title Template Citation citation a CS1 maint location missing publisher link Cabris Eric 1996 De Munt drie eeuwen geschiedenis van het gebouw in Dutch Tielt Lannoo Cabris Eric 1996 La Monnaie chronique architecturale de 1696 a nos jours in French Brussels Racine Couvreur Manuel 1998 La Monnaie wagnerienne in French Brussels Cahiers du Gram Couvreur Manuel Dufour Valerie 2010 La Monnaie entre deux guerres in French Brussels Le Livre Timperman De Gers Arthur 1926 Theatre royal de la Monnaie 1856 1926 in French Brussels Dykmans De Laubier Guillaume Pecqueur Antoine 2013 Die schonsten Opernhauser der Welt in German Munich Knesebeck pp 221 229 ISBN 978 3 86873 641 0 Faber Frederic 1878 Histoire du Theatre francais en Belgique depuis son origine jusqu a ce jour in French vol 5 Brussels Fr J Olivier Gantelme Claude 1981 Theatre royal de la Monnaie Opera national Ballet du XXe siecle de 1959 a nos jours in French Brussels Paul Legrain Isnardon Jacques 1980 Le Theatre de la Monnaie in French Brussels Schott Freres Mortier Gerard Van Dam Jose Piemme Jean Marie 1986 Opera tot theater maken het team van Gerard Mortier in de Munt in Dutch Gembloux Duculot Renieu Lionel 1928 Histoire des theatres de Bruxelles in French Paris Duchartre amp Van Buggenhoudt Sales Jules 1971 Theatre royal de la Monnaie 1856 1970 in French Nivelles Havaux Van der Hoeven Roland 2000 Le theatre de la Monnaie au XIXe siecle contraintes d exploitation d un theatre lyrique 1830 1914 in French Brussels Cahiers du Gram Van der Hoeven Roland Couvreur Manuel 2003 La Monnaie symboliste in French Brussels Cahiers du Gram Van Oostveldt Bram Van Schoor Jaak 1986 The Theatre de la Monnaie and theatre life in the 18th century Austrian Netherlands from a courtly aristocratic to a civil enlightened discourse Ghent Academia PressExternal links edit nbsp Media related to De Munt La Monnaie at Wikimedia Commons Official website CARMEN La Monnaie s digital archives La Monnaie on Google Arts amp Culture Images of the 1999 renovation with text in English Dutch and French from aboutrestoration eu Retrieved from https en wikipedia org w index php title La Monnaie amp 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