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Darius Milhaud

March 28, 2023

"Milhaud" redirects here. For the commune in the Gard, see Milhaud, Gard. For other uses, see Milhaud (disambiguation).

Darius Milhaud (French: [daʁjys mijo]; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as The Group of Six—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.[1] A renowned teacher, he taught many future jazz and classical composers, including Burt Bacharach, Dave Brubeck, Philip Glass, Steve Reich, Karlheinz Stockhausen and Iannis Xenakis among others.

Darius Milhaud
Milhaud in 1923
Born(1892-09-04)4 September 1892
Marseille, France
Died22 June 1974(1974-06-22) (aged 81)
Geneva, Switzerland
EducationParis Conservatory
Occupations
  • Composer
  • Conductor
  • Academic teacher
WorksList of compositions
SpouseMadeleine Milhaud Milhaud
Children1

Life and career

Milhaud was born in Marseille, the son of Sophie (Allatini) and Gad Gabriel Milhaud.[2] According to Neil W. Levin 'Milhaud was born in Marseilles but grew up in Aix-en-Provence, which he regarded as his true ancestral city. His was a long-established Jewish family of the Comtat Venaissin—a secluded region of Provence—with roots traceable there at least to the 15th century. On his father’s side, Milhaud’s Jewish lineage was thus neither Ashkenazi nor Sephardi (i.e., stemming neither from medieval German-Rhineland nor from pre-16th-century Spanish/Iberian Jewry), but rather, specifically Provençal—dating to Jewish settlement in that part of southern France as early as the first centuries of the Common Era'...'Milhaud’s mother, however, was partly Sephardi on her father’s side'; according to the obituary in the NYT, his mother was from a Sephardi Jewish family from Italy.[3][4] Milhaud began as a violinist, later turning to composition instead. Milhaud studied in Paris at the Paris Conservatory where he met his fellow group members Arthur Honegger and Germaine Tailleferre. He studied composition under Charles Widor and harmony and counterpoint with André Gedalge. He also studied privately with Vincent d'Indy. From 1917 to 1919, he served as secretary to Paul Claudel, the eminent poet and dramatist who was then the French ambassador to Brazil, and with whom Milhaud collaborated for many years, setting music for many of Claudel's poems and plays. While in Brazil, they collaborated on a ballet, L'Homme et son désir.[5]

On his return to France, Milhaud composed works influenced by the Brazilian popular music he had heard, including compositions of Brazilian pianist and composer Ernesto Nazareth. Le bœuf sur le toit includes melodies by Nazareth and other popular Brazilian composers of the time, and evokes the sounds of Carnaval. Among the melodies is, in fact, a Carnaval tune by the name of "The Bull on the Roof" (in Portuguese, which he translated to French 'Le boeuf sur le toit', known in English as 'The Ox on the Roof'). He also produced Saudades do Brasil, a suite of twelve dances evoking twelve neighborhoods in Rio de Janeiro. Shortly after the original piano version appeared, he orchestrated the suite.

Contemporary European influences were also important. Milhaud dedicated his Fifth String Quartet (1920) to Arnold Schoenberg,[6] and the following year conducted both the French and British premieres of Pierrot lunaire after multiple rehearsals.[7] And on a trip to the United States in 1922, Milhaud heard "authentic" jazz for the first time, on the streets of Harlem,[8] which left a great impact on his musical outlook. The following year, he completed his composition La création du monde (The Creation of the World), using ideas and idioms from jazz, cast as a ballet in six continuous dance scenes.[8]

In 1925, Milhaud married his cousin, Madeleine (1902–2008), an actress and reciter. In 1930 she gave birth to a son, the painter and sculptor Daniel Milhaud, who was the couple's only child.[9]

The invasion of France by Nazi Germany forced the Milhauds to leave France in 1940[10] and emigrate to the United States (his Jewish background made it impossible for Milhaud to return to his native country until after its liberation).[11] He secured a teaching post at Mills College in Oakland, California, where he composed the opera Bolivar (1943) and collaborated with Henri Temianka and the Paganini Quartet. In an extraordinary concert there in 1949, the Budapest Quartet performed the composer's 14th String Quartet, followed by the Paganini Quartet's performance of his 15th; and then both ensembles played the two pieces together as an octet.[12] The following year, these same pieces were performed at the Aspen Music Festival in Colorado, by the Paganini and Juilliard String Quartets.[13]

Jazz pianist Dave Brubeck became one of Milhaud's most famous students when Brubeck furthered his music studies at Mills College in the late 1940s. In a February 2010 interview with JazzWax, Brubeck said he attended Mills, a women's college (men were allowed in graduate programs), specifically to study with Milhaud, saying, "Milhaud was an enormously gifted classical composer and teacher who loved jazz and incorporated it into his work. My older brother Howard was his assistant and had taken all of his classes."[14] Brubeck named his first son Darius.

In 1947 Milhaud was among the founders of the Music Academy of the West summer conservatory,[15] where popular songwriter Burt Bacharach was among his students.[16] Milhaud told Bacharach, "Don't be afraid of writing something people can remember and whistle. Don't ever feel discomfited by a melody."[17]

From 1947 to 1971, he taught alternate years at Mills and the Paris Conservatoire, until poor health, which caused him to use a wheelchair during his later years (beginning in the 1930s), compelled him to retire. He also taught on the faculty of the Aspen Music Festival and School. As well as Brubeck, his students included William Bolcom, Steve Reich, Katharine Mulky Warne, and Regina Hansen Willman. He died in Geneva at the age of 81, and he was buried in the Saint-Pierre Cemetery in Aix-en-Provence.[18]

Works

See also: List of compositions by Darius Milhaud
Suite d'après corrette (0:29)
Suite for oboe, clarinet and bassoon, Op. 161b (1937); after the incidental music Jules César, Op. 158 (1936)

Darius Milhaud was very prolific and composed for a wide range of genres. His opus list ended at 443.

Milhaud (like such contemporaries as Hindemith, Malipiero, Henry Cowell, Hovhaness, Martinů, and Villa-Lobos) was an extremely rapid creator, for whom the art of writing music seemed almost as natural as breathing. His most popular works include Le bœuf sur le toit (a ballet that lent its name to the legendary cabaret frequented by Milhaud and other members of Les Six), La création du monde (a ballet for small orchestra with solo saxophone, influenced by jazz), Scaramouche (a suite for two pianos, also for alto saxophone or clarinet and orchestra), and Saudades do Brasil (a dance suite). His autobiography is titled Notes sans musique (Notes Without Music), later revised as Ma vie heureuse (My Happy Life).

Notable students

For Milhaud's notable students, see List of music students by teacher: K to M § Darius Milhaud.

Archival collections

Selected filmography

Legacy

Writing in his Guide to Twentieth Century Music, critic Mark Morris described Milhaud's work as "one of the unassessed quantities of 20th century music. For as one of its most prolific composers (around 450 works), the quality of his music is so patently uneven that the reputation for the banal and the shallow has masked what is or might be (given the paucity of performances) both inspired and fascinating."[21] For a composer of acknowledged influence and significance, a number of his pieces lack contemporary professional recordings, such as the second Viola Concerto – a consequence perhaps of his prolific and uneven output.

Lycée intercommunal Darius-Milhaud near Paris is named after him.

Bibliography

  • Deborah Mawer: Darius Milhaud. Modality and Structure in Music of the 1920s (Aldershot: Ashgate, 1997)
  • Barbara L. Kelly: Tradition and Style in the Works of Darius Milhaud (1912–1939) (Aldershot: Ashgate, 2003)

References

  1. ^ Reinhold Brinkmann & Christoph Wolff, Driven into Paradise: The Musical Migration from Nazi Germany to the United States (Berkeley, California: University of California Press, 1999), 133. ISBN 0-520-21413-7.
  2. ^ Portrait(s) of Darius Milhaud. Darius Milhaud Society. 24 January 2002. ISBN 978-0-9719037-0-8 – via Google Books.
  3. ^ "Darius Milhaud". Milken Archive of Jewish Music.
  4. ^ "Darius Milhaud, Rebel Composer, Dies". The New York Times. 25 June 1974.
  5. ^ Milhaud 1967, p. [page needed].
  6. ^ "Milhaud Quartets Volume 2 TROUBADISC TRO-CD 01410 [JW] Classical Music Reviews: July 2020 - MusicWeb-International". www.musicweb-international.com.
  7. ^ British Music and Modernism, 1895–1960, Riley, Matthew (ed), pp. 225–226]
  8. ^ a b . Pomona College, Department of Music. 1999. Archived from the original on 1 September 2006. Retrieved 25 October 2006..
  9. ^ The Independent. Obituary, 31 March 2008. London.
  10. ^ "Darius Milhaud" in The New Grove Dictionary of Music and Musicians, vol. 3, ed. Stanley Sadie (Oxford University Press, 2001)
  11. ^ Madeleine and Darius Milhaud, Hélène and Henri Hoppenot, Conversation: Correspondance 1918–1974, complétée par des pages du Journal d'Hélène Hoppenot, ed. Marie France Mousli (Paris: Gallimard, 2006), pp. 182–184.
  12. ^ Mills College program of 10 August 1949, in Archives of Henri Temianka Estate.
  13. ^ Aspen Institute program of 26 July 1950, in Archives of Henri Temianka Estate.
  14. ^ Brubeck interview.
  15. ^ Greenberg, Robert (26 August 2019). . robertgreenbergmusic.com. Archived from the original on 7 February 2020. Retrieved 7 February 2020.
  16. ^ Cucos 2005, p. 200.
  17. ^ Cucos 2005, p. 205.
  18. ^ .
  19. ^ "Seymour Fromer collection on Darius Milhaud's David, 1954–1975", Western Jewish History Center
  20. ^ "Making Things Happen: The American Premiere of Darius Milhaud's Opera David (1956) 11 August 2021 at the Wayback Machine, Western Jewish History Center
  21. ^ "Mark Morris's Guide to Twentieth Century Composers – MusicWeb-International".

Sources

  • Cucos, Mihai (Winter 2005). "A Few Points about Burt Bacharach ...". Perspectives of New Music. 43 (1): 198–211. doi:10.1353/pnm.2005.0004. JSTOR 25164577.
  • Milhaud, Darius (1967). Notes Without Music: An Autobiography. Translated by Donald Evans. London: Calder and Boyars. (French version published in 1953)

External links

 
Wikimedia Commons has media related to Darius Milhaud.

March 28, 2023
darius, milhaud, milhaud, redirects, here, commune, gard, milhaud, gard, other, uses, milhaud, disambiguation, french, daʁjys, mijo, september, 1892, june, 1974, french, composer, conductor, teacher, member, also, known, group, most, prolific, composers, 20th,. Milhaud redirects here For the commune in the Gard see Milhaud Gard For other uses see Milhaud disambiguation Darius Milhaud French daʁjys mijo 4 September 1892 22 June 1974 was a French composer conductor and teacher He was a member of Les Six also known as The Group of Six and one of the most prolific composers of the 20th century His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality Milhaud is considered one of the key modernist composers 1 A renowned teacher he taught many future jazz and classical composers including Burt Bacharach Dave Brubeck Philip Glass Steve Reich Karlheinz Stockhausen and Iannis Xenakis among others Darius MilhaudMilhaud in 1923Born 1892 09 04 4 September 1892Marseille FranceDied22 June 1974 1974 06 22 aged 81 Geneva SwitzerlandEducationParis ConservatoryOccupationsComposerConductorAcademic teacherWorksList of compositionsSpouseMadeleine Milhaud MilhaudChildren1 Contents 1 Life and career 2 Works 3 Notable students 4 Archival collections 5 Selected filmography 6 Legacy 7 Bibliography 8 References 9 External linksLife and career EditMilhaud was born in Marseille the son of Sophie Allatini and Gad Gabriel Milhaud 2 According to Neil W Levin Milhaud was born in Marseilles but grew up in Aix en Provence which he regarded as his true ancestral city His was a long established Jewish family of the Comtat Venaissin a secluded region of Provence with roots traceable there at least to the 15th century On his father s side Milhaud s Jewish lineage was thus neither Ashkenazi nor Sephardi i e stemming neither from medieval German Rhineland nor from pre 16th century Spanish Iberian Jewry but rather specifically Provencal dating to Jewish settlement in that part of southern France as early as the first centuries of the Common Era Milhaud s mother however was partly Sephardi on her father s side according to the obituary in the NYT his mother was from a Sephardi Jewish family from Italy 3 4 Milhaud began as a violinist later turning to composition instead Milhaud studied in Paris at the Paris Conservatory where he met his fellow group members Arthur Honegger and Germaine Tailleferre He studied composition under Charles Widor and harmony and counterpoint with Andre Gedalge He also studied privately with Vincent d Indy From 1917 to 1919 he served as secretary to Paul Claudel the eminent poet and dramatist who was then the French ambassador to Brazil and with whom Milhaud collaborated for many years setting music for many of Claudel s poems and plays While in Brazil they collaborated on a ballet L Homme et son desir 5 On his return to France Milhaud composed works influenced by the Brazilian popular music he had heard including compositions of Brazilian pianist and composer Ernesto Nazareth Le bœuf sur le toit includes melodies by Nazareth and other popular Brazilian composers of the time and evokes the sounds of Carnaval Among the melodies is in fact a Carnaval tune by the name of The Bull on the Roof in Portuguese which he translated to French Le boeuf sur le toit known in English as The Ox on the Roof He also produced Saudades do Brasil a suite of twelve dances evoking twelve neighborhoods in Rio de Janeiro Shortly after the original piano version appeared he orchestrated the suite Contemporary European influences were also important Milhaud dedicated his Fifth String Quartet 1920 to Arnold Schoenberg 6 and the following year conducted both the French and British premieres of Pierrot lunaire after multiple rehearsals 7 And on a trip to the United States in 1922 Milhaud heard authentic jazz for the first time on the streets of Harlem 8 which left a great impact on his musical outlook The following year he completed his composition La creation du monde The Creation of the World using ideas and idioms from jazz cast as a ballet in six continuous dance scenes 8 In 1925 Milhaud married his cousin Madeleine 1902 2008 an actress and reciter In 1930 she gave birth to a son the painter and sculptor Daniel Milhaud who was the couple s only child 9 The invasion of France by Nazi Germany forced the Milhauds to leave France in 1940 10 and emigrate to the United States his Jewish background made it impossible for Milhaud to return to his native country until after its liberation 11 He secured a teaching post at Mills College in Oakland California where he composed the opera Bolivar 1943 and collaborated with Henri Temianka and the Paganini Quartet In an extraordinary concert there in 1949 the Budapest Quartet performed the composer s 14th String Quartet followed by the Paganini Quartet s performance of his 15th and then both ensembles played the two pieces together as an octet 12 The following year these same pieces were performed at the Aspen Music Festival in Colorado by the Paganini and Juilliard String Quartets 13 Jazz pianist Dave Brubeck became one of Milhaud s most famous students when Brubeck furthered his music studies at Mills College in the late 1940s In a February 2010 interview with JazzWax Brubeck said he attended Mills a women s college men were allowed in graduate programs specifically to study with Milhaud saying Milhaud was an enormously gifted classical composer and teacher who loved jazz and incorporated it into his work My older brother Howard was his assistant and had taken all of his classes 14 Brubeck named his first son Darius In 1947 Milhaud was among the founders of the Music Academy of the West summer conservatory 15 where popular songwriter Burt Bacharach was among his students 16 Milhaud told Bacharach Don t be afraid of writing something people can remember and whistle Don t ever feel discomfited by a melody 17 From 1947 to 1971 he taught alternate years at Mills and the Paris Conservatoire until poor health which caused him to use a wheelchair during his later years beginning in the 1930s compelled him to retire He also taught on the faculty of the Aspen Music Festival and School As well as Brubeck his students included William Bolcom Steve Reich Katharine Mulky Warne and Regina Hansen Willman He died in Geneva at the age of 81 and he was buried in the Saint Pierre Cemetery in Aix en Provence 18 Works EditSee also List of compositions by Darius Milhaud Suite d apres corrette 0 29 source source Suite for oboe clarinet and bassoon Op 161b 1937 after the incidental music Jules Cesar Op 158 1936 Darius Milhaud was very prolific and composed for a wide range of genres His opus list ended at 443 Milhaud like such contemporaries as Hindemith Malipiero Henry Cowell Hovhaness Martinu and Villa Lobos was an extremely rapid creator for whom the art of writing music seemed almost as natural as breathing His most popular works include Le bœuf sur le toit a ballet that lent its name to the legendary cabaret frequented by Milhaud and other members of Les Six La creation du monde a ballet for small orchestra with solo saxophone influenced by jazz Scaramouche a suite for two pianos also for alto saxophone or clarinet and orchestra and Saudades do Brasil a dance suite His autobiography is titled Notes sans musique Notes Without Music later revised as Ma vie heureuse My Happy Life Notable students EditFor Milhaud s notable students see List of music students by teacher K to M Darius Milhaud Archival collections EditThere is a Darius Milhaud Collection at Mills College in California Papers for the Darius Milhaud Society formed by Milhaud s student Katharine Mulky Warne are archived at Cleveland State University There is another Darius Milhaud Collection at the New York Public Library for the Performing Arts in New York City Seymore Fromer Collection 19 at the Western Jewish History Center of the Judah L Magnes Museum in Berkeley California has librettos for Milhaud s opera David as well as a program for its American premiere in Los Angeles at the Hollywood Bowl 20 and photocopies of newspaper coverage in the B nai B rith Messenger of Los Angeles of this event 1956 Selected filmography EditThis section does not cite any sources Please help improve this section by adding citations to reliable sources Unsourced material may be challenged and removed September 2021 Learn how and when to remove this template message The Beloved Vagabond 1915 L Inhumaine 1924 Land Without Bread 1933 Madame Bovary 1934 The Beloved Vagabond 1936 The Citadel of Silence 1937 Rasputin 1938 Mollenard 1938 Espoir Sierra de Teruel 1945 The Private Affairs of Bel Ami 1947 Dreams That Money Can Buy 1947 Dieu a choisi Paris fr 1969 Legacy EditWriting in his Guide to Twentieth Century Music critic Mark Morris described Milhaud s work as one of the unassessed quantities of 20th century music For as one of its most prolific composers around 450 works the quality of his music is so patently uneven that the reputation for the banal and the shallow has masked what is or might be given the paucity of performances both inspired and fascinating 21 For a composer of acknowledged influence and significance a number of his pieces lack contemporary professional recordings such as the second Viola Concerto a consequence perhaps of his prolific and uneven output Lycee intercommunal Darius Milhaud near Paris is named after him Bibliography EditDeborah Mawer Darius Milhaud Modality and Structure in Music of the 1920s Aldershot Ashgate 1997 Barbara L Kelly Tradition and Style in the Works of Darius Milhaud 1912 1939 Aldershot Ashgate 2003 References Edit Reinhold Brinkmann amp Christoph Wolff Driven into Paradise The Musical Migration from Nazi Germany to the United States Berkeley California University of California Press 1999 133 ISBN 0 520 21413 7 Portrait s of Darius Milhaud Darius Milhaud Society 24 January 2002 ISBN 978 0 9719037 0 8 via Google Books Darius Milhaud Milken Archive of Jewish Music Darius Milhaud Rebel Composer Dies The New York Times 25 June 1974 Milhaud 1967 p page needed Milhaud Quartets Volume 2 TROUBADISC TRO CD 01410 JW Classical Music Reviews July 2020 MusicWeb International www musicweb international com British Music and Modernism 1895 1960 Riley Matthew ed pp 225 226 a b Milhaud La creation du monde Pomona College Department of Music 1999 Archived from the original on 1 September 2006 Retrieved 25 October 2006 The Independent Obituary 31 March 2008 London Darius Milhaud in The New Grove Dictionary of Music and Musicians vol 3 ed Stanley Sadie Oxford University Press 2001 Madeleine and Darius Milhaud Helene and Henri Hoppenot Conversation Correspondance 1918 1974 completee par des pages du Journal d Helene Hoppenot ed Marie France Mousli Paris Gallimard 2006 pp 182 184 Mills College program of 10 August 1949 in Archives of Henri Temianka Estate Aspen Institute program of 26 July 1950 in Archives of Henri Temianka Estate Brubeck interview Greenberg Robert 26 August 2019 Music History Monday Lotte Lehmann robertgreenbergmusic com Archived from the original on 7 February 2020 Retrieved 7 February 2020 Cucos 2005 p 200 Cucos 2005 p 205 Centre Darius Milhaud Cimetiere Saint Pierre Seymour Fromer collection on Darius Milhaud s David 1954 1975 Western Jewish History Center Making Things Happen The American Premiere of Darius Milhaud s Opera David 1956 Archived 11 August 2021 at the Wayback Machine Western Jewish History Center Mark Morris s Guide to Twentieth Century Composers MusicWeb International Sources Cucos Mihai Winter 2005 A Few Points about Burt Bacharach Perspectives of New Music 43 1 198 211 doi 10 1353 pnm 2005 0004 JSTOR 25164577 Milhaud Darius 1967 Notes Without Music An Autobiography Translated by Donald Evans London Calder and Boyars French version published in 1953 External links Edit Wikimedia Commons has media related to Darius Milhaud Complete categorized list of Darius Milhaud s composed works with opus numbers Darius Milhaud biography and works Universal Edition Biography and audio from Service Sacree Milken Archive of American Jewish Music Darius Milhaud 1892 1974 by Ronald Crichton The Musical Times August 1974 The Boeuf Chronicles How the ox got on the roof Darius Milhaud and the Brazilian sources of Le Boeuf sur le Toit by Daniella Thompson Darius Milhaud s maximum card from Israel Archived 16 January 2009 at the Wayback Machine Darius Milhaud biography works resources in French and English IRCAM Free scores by Darius Milhaud at the International Music Score Library Project IMSLP Portals Biography Classical music Retrieved from https en wikipedia org w index php title Darius Milhaud amp oldid 1146421632, wikipedia, wiki, book, books, library,

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