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The Emancipation of Mimi

November 27, 2023

The Emancipation of Mimi is the tenth studio album by American R&B singer Mariah Carey, released through Island Records on April 12, 2005. The album was considered Carey's "comeback album" by critics and became her highest-selling release in the US in a decade.[1] In composing the album, Carey collaborated with many songwriters and producers throughout 2004, including Jermaine Dupri, Snoop Dogg, Kanye West, Twista, Nelly, Pharrell Williams, and James "Big Jim" Wright, many of whom appeared as featured guests on select tracks.

The Emancipation of Mimi
Standard edition cover
Studio album by
Mariah Carey
ReleasedApril 12, 2005 (2005-04-12)
Recorded2004
Studio
  • Right Track (Atlanta)
  • SouthSide (Atlanta)
  • Honeywest (New York City)
  • Record Plant (Hollywood)
  • Marsha and Jan (Los Angeles)
  • Capri (Capri)
  • CRC (Chicago)
  • Darkchild (Pleasantville)
  • Datkidcluescrib (New York City)
Genre
Length50:10
LabelIsland Def Jam
Producer
Mariah Carey chronology
The Remixes
(2003) 		The Emancipation of Mimi
(2005) 		E=MC²
(2008)
Singles from The Emancipation of Mimi
  1. "It's Like That"
    Released: January 25, 2005
  2. "We Belong Together"
    Released: March 15, 2005
  3. "Shake It Off"
    Released: July 12, 2005
  4. "Get Your Number"
    Released: October 3, 2005
  5. "Fly Like a Bird"
    Released: March 13, 2006
  6. "Say Somethin'"
    Released: April 3, 2006

Carey opted to use her personal nickname 'Mimi' in the title, revealing a more intimate side of the singer, as seen in the album's declarative theme of emancipation from her personal and commercial setbacks. Although it has similar vocal production to her previous works and an inclination towards her signature ballads, the album encompasses dance-oriented and uptempo styles in keeping with its celebratory motif. The Emancipation of Mimi garnered critical acclaim, with praise towards its production, Carey's vocal performance, with critics noting the theme of independence and lack of restraint, dubbing the album a "party" record.[2]

The album garnered eight nominations at the 48th Grammy Awards, including for Album of the Year, and won three awards, including Best Contemporary R&B Album. It became Carey's first album since Butterfly (1997) to debut at number one on the US Billboard 200, selling over 404,000 copies in its first week and becoming the country's best-selling album of 2005. Internationally, it topped the charts in Greece, and reached the top-five in Canada, Denmark, France, and Japan, and was the world's second best-selling album of the year. The Emancipation of Mimi has sold over 10 million copies worldwide making it one of the best-selling albums of the 21st century.[3]

"It's Like That" became one of her highest-charting songs in years, reaching the top twenty in several countries. "We Belong Together" accumulated 14 weeks at number one in the US, and was later hailed "song of the decade" by Billboard.[4] It reached number one in Australia, number two in the United Kingdom and New Zealand, and achieved top-five positions in several European countries. To promote the album, Carey embarked on her sixth concert tour, entitled The Adventures of Mimi, starting on July 22, 2006, and ending on October 28, 2006.

Background edit

In 2001, Carey had experienced critical, commercial, personal, and professional struggles, following the poor reception to her debut film Glitter (2001).[5] The picture was panned by critics and earned less than eight million dollars at the box office.[6][7] After posting a personally expressive letter on her official site, Carey checked into a hospital in Connecticut because of an "emotional and physical breakdown".[8] Following the film's and soundtrack's poor performance, Virgin Records America bought out Carey's unprecedented $100 million recording contract. The company paid her $28 million to part ways.[6] Carey flew to Capri, Italy, after her two-week hospitalization.[7] During her five-month stay, she began to write a new studio album, using experiences she had gone through in recent months as inspirational themes.[9] After being signed by Island Records and starting her own imprint, MonarC Entertainment, Carey released her intended "comeback" album Charmbracelet.[7] Critics deemed it a strong improvement over Glitter, but not something that would re-establish her popularity as in the early stages of her career.[6]

After enduring three years of "carping" from critics, Carey planned her return to music.[6] On November 18, 2004, she revealed on her website that the name of the album would be The Emancipation of Mimi.[10] While Carey was recording the album, Island Records executive L.A. Reid had learned that close friends referred to the singer as "Mimi". He had told Carey, "I feel your spirit on this record. You should use that name in the title, because that's the fun side of you that people don't get to see – the side that can laugh at the diva jokes, laugh at the breakdown jokes, laugh at whatever they want to say about you and just live life and enjoy it." Carey explained that Mimi is a "very personal nickname" only used by those in her inner circle, and thus the title meant she was letting her guard down and inviting her fans to be that much closer to her. She thought that naming her album The Emancipation of Mariah Carey would be "obnoxious".[7]

Writing and recording edit

During a visit to a recording studio, Carey was given a beat by the Legendary Traxster. On a later date, she met with American rapper Twista backstage after a show. When Carey mentioned the track, Twista told her that the beat had been originally intended for him, and that he had already written lyrics for it. They decided to collaborate on the track, which later was titled "One and Only".[11] In the following months, Carey wrote and co-produced several songs including "Say Somethin' (with Snoop Dogg and The Neptunes), "To the Floor" (with Nelly), and "Fly Like a Bird" with James "Big Jim" Wright.[12][13] By November, she felt that she had composed enough good material for The Emancipation of Mimi. After Reid listened to the album, however, he suggested the singer compose a few more "strong" singles to ensure the project's commercial success. Based on his recommendation, Carey met with Jermaine Dupri in Atlanta for a brief studio session, since Reid felt she had written some of her best work with him. During this two-day trip, Carey and Dupri wrote and produced "Shake It Off" and "Get Your Number", which were released as the album's third and fourth singles. Following this recording session, "Shake It Off" was briefly selected as the album's lead single, replacing the other contenders, "Stay The Night" and "Say Somethin'". Carey later returned to Atlanta for a second meeting with Dupri; they then penned the last two songs for the album: "We Belong Together" and "It's Like That".[14] In an interview for Billboard, Carey described her sentiments regarding "It's Like That" during the production stage:

I had the chills. I had a great feeling about it when we finished writing the song, and I was flying back from Atlanta at some crazy hour of the morning ... But we were listening to it on the plane ride on the way home, and even from the demo version, I really felt something very special.[15]

Carey and her management then decided to release "It's Like That" as the album's lead single, calling it "the right fire-starter". The singer has praised Dupri for being "focused", and felt that together they had composed some of her favorite songs on the album.[14] She has told MTV, "The album is not about making the older executives happy by making a bring-down-the-house, tearjerker ballad, or [something] steeped in the media dramas of my life. What I tried to do was keep the sessions very sparse, underproduced, like in '70s soul music ... "[16] According to Reid, Carey intended for the album to feature a more unpolished sound than her previous releases.[12] The singer had been frustrated with the overproduction on many of her previous records, due to the inclusion of what she considered unnecessary "bells and whistles". She opted to record the majority of The Emancipation of Mimi live, alongside the band. Reid agreed with this decision and felt that the live vocals made the album sound more authentic.[12]

Composition edit

The Emancipation of Mimi was Carey's most expressive album to that point according to Fox News; it signified her creative freedom, as she had been oppressed by the expectations of record executives in the past.[17] They noted the album's motif of professional and cultural emancipation throughout many songs. In an interview with the Hartford Courant, Carey spoke about the album's lack of creative restraint she felt was not featured on Charmbracelet.[18] The latter album harbored on reviving Carey's popularity among the adult contemporary radio audience, following her decline with Glitter, which found the singer sampling 1980s melodies.[19][20] While featuring ballads similar to those on Charmbracelet, the songs on The Emancipation of Mimi drew influence from R&B and hip hop, and were composed at an elevated tempo.[21] According to Dimitri Ehrlich, an editor from Vibe, the album includes many musical facets:

Mimi pulls Carey in two opposite directions. Most of the tracks find her paired with the hottest hip hop producers of the day; there, she exercises restraint and settles into a groove. But on the rest, she does what comes most naturally to her—belting to her heart's desire, perhaps to mollify those who don't care much for her detours into raunchier rap territory.[21]

The Emancipation of Mimi explores various genres; Greg Kot of the Chicago Tribune felt that the album effectively combines "elements of hip-hop and rhythm and blues into pop songs that appeal to a broad cross-section of listeners."[22] According to Billboard staff, "Carey's emancipation is drenched in hip-hop and old-school R&B ballads".[23] Alyssa Rashbaum of MTV deemed the record "a predominantly pop and R&B effort [...] tinged with hip-hop inflections.[24] Meanwhile, AllMusic's Stephen Thomas Erlewine considered The Emancipation of Mimi "a slick, highly crafted piece of dance-pop".[25] Aside from the ballads and uptempo tracks, The Emancipation of Mimi incorporates elements of soul and 1970s-inspired genres, as evident on the gospel-tinged closing track, "Fly Like a Bird".[26] While most tracks derive instrumentation from live bands and musical instruments, some of the uptempo songs feature computerized arrangements and synthesizers.[27] Stylistically, critics considered the album Carey's most diverse record in years, and one that highlighted many different production choices and techniques.[28]

 
"It's Like That"
This clip features the hand claps and whistles used throughout the song. It illustrates the strong bassline, aligned with piano and string notes. Dupri's ad-libs are heard toward the end of the sample, followed by Scoop's closing verse.[29]
"We Belong Together"
A sample of the final chorus of "We Belong Together". The sample highlights Carey's acclaimed vocal performance throughout the climax, as well as the instrumentation derived from finger-snaps, kick drums, and a strong piano-driven melody.[21]
Problems playing these files? See media help.

"It's Like That" was written and produced by Carey and Jermaine Dupri. It features hand claps and whistles, as well as ad-libs and verses from Dupri and Fat Man Scoop. The song's bassline and chord progression are aligned with piano and string notes.[29] Its lyrics are arranged to portray the singer during a celebration: "I came to have a party / Open off that Bacardi ... Purple taking me higher / I'm lifted and I like it."[29] Sal Cinquemani of Slant Magazine praised its lyrics and beat, and felt the song prepares listeners for the album's "party theme".[2] Lyrically, "We Belong Together" was described as a "broken-hearted lament for love";[21] it features finger-snaps, kick drums, and a piano-driven melody.[21] Carey composed the gospel-influenced ballad "Fly Like a Bird" with James Wright.[13][30] The lyrics are in the form of a prayer that conveys a message of unconditional love for God.[30][31] The song features a verbal recording of Carey's pastor, Clarence Keaton, who reads two verses from the Bible.[2] The singer wrote the album's fifth cut "Say Somethin'", which features rap verses from Snoop Dogg and was produced by The Neptunes. Vibe writer Dimitri Ehrlich described it as "a musical oddity", and characterized the production as "strange instrumentation, weird melodic shifts, hectic drum patterns and a bed of synths."[21] Lyrically, the protagonist makes sexual advances to a romantic interest with the line "If it's worth your while, do something good to me."[21] When interpreting the lyrics in the female role, Cummings noted "a shy woman who doesn't need to say anything at all to get a man's attention."[29]

Carey wrote "Mine Again" alongside producer James Poyser. The ballad has electronic keyboard notes, a rhythmic vinyl sound, and melodies from gospel and R&B genres.[21] "Stay the Night" was produced by Carey and Kanye West, and samples a piano loop from Ramsey Lewis's 1971 cover version of "Betcha by Golly, Wow". In the lyrics, the protagonist faces the dilemma of spending the night with an ex-lover, although he is in another relationship.[29] "Get Your Number" samples the hook from British band Imagination's 1982 single "Just an Illusion",[32] and derives its production from "'80s-esque synthesizers" and computerized musical instruments.[29][33] Lawrence Ferber from the Windy City Times described "Shake It Off" as a "playful approach to bitterness—and, more specifically, a cheatin' bad apple", with lyrics such as "I gotta shake you off / Just like a Calgon commercial". In an interview with Ferber, Carey described the track as her favorite from The Emancipation of Mimi: "'Shake It Off' can apply to anything. Whatever personal dramas we go through, put that song on and you lose the anxiety or intensity of the moment. I'll listen to that song when I've just come out of an annoying meeting. I gotta shake this off."[30] Editor Jon Pareles from The New York Times felt that the album follows a formula that was most apparent on "Shake It Off": "On this album, the verses stay in a narrow range, the choruses glide higher, and at the ends of some songs, Ms. Carey gives herself a few of her old sky-high notes as a background flourish."[34]

Release and promotion edit

 
Carey, pictured with former Island Records head L.A. Reid in 2005, at the release party for The Emancipation of Mimi

The Emancipation of Mimi was released by The Island Def Jam Music Group for download and as a CD in Mexico on April 12, 2005.[35] On April 4, 2005, the album was released in Australia and New Zealand.[36][37] In the United Kingdom, The Emancipation of Mimi was distributed through Mercury Records.[38] The following day, the album was made available in Canada through the Universal Music Group.[39] On April 12, 2005, it became available in France,[40] Japan,[41] and the United States,[42] and was released on May 11, 2005, in China.[43] On British and Japanese versions of the album, "Sprung" and "Secret Love" were included as bonus tracks.[44]

A reissue of The Emancipation of Mimi, subtitled Ultra Platinum Edition, was released on November 15, 2005, accompanied by the reissue's lead single "Don't Forget About Us". The reissue was released in two versions. The first was a CD with four bonus tracks: "Don't Forget About Us" (co-written and co-produced by Carey with Jermaine Dupri), the album's only single; "Makin' It Last All Night (What It Do)", featuring Dupri; the "We Belong Together" remix, featuring American rappers Styles P and Jadakiss; and a new version of the 2006 single "So Lonely" by Twista (which originally featured Carey), in which she sings an additional verse. The second version of the album was a limited-edition set of the CD and a DVD, which includes the videos from The Emancipation of Mimi that had then been released ("It's Like That", "We Belong Together", "Shake It Off", and "Get Your Number"), along with the then-recently filmed video for "Don't Forget About Us". The album became the first domestic release of the video for "Get Your Number", which had previously been released only in Europe.[45]"Sprung" and "Secret Love" were later included as bonus tracks in the 2020 digital reissue of Ultra Platinum Edition.[46]

Carey began a promotional tour in support of the album, beginning on April 2, 2005, at the German Echo Awards.[47][48] Two days later, she performed "It's Like That" on the game show Wetten, dass..?.[49] In the UK, the singer filmed a two-part appearance on the British music program Top of the Pops, performing the album's first three singles.[49] Carey launched the stateside release of the album on Good Morning America with an interview and a five-piece outdoor concert.[50] Taking place in Times Square and attracting the largest crowd to the plaza since the 2004 New Year's Eve celebration, the concert featured the first three singles from the album in addition to "Fly Like a Bird" and "Make It Happen" (1991).[51] During the following week, she performed "We Belong Together" at the 2005 BET Awards, and appeared at the annual VH1 Save the Music special, which was broadcast live on April 17.[52] Throughout May, Carey performed "We Belong Together" on the Late Show with David Letterman (May 5), The Tonight Show with Jay Leno (May 11), The Ellen DeGeneres Show (May 13) and on The Oprah Winfrey Show (May 24).[52][53]

During the 2005 MTV Video Music Awards, Carey performed at the National Hotel in South Beach.[54] Accompanied by Dupri, she sang "Shake It Off" and the official remix version of "We Belong Together".[55] She was a headlining performer at the 2005 Fashion Rocks, in Monaco.[56][57] On November 15, 2005, Carey performed "Shake It Off" and her newly released single from the album's re-release, "Don't Forget About Us", during half-time of the Thanksgiving game between the Detroit Lions and the Atlanta Falcons.[58][59] On November 22, 2005, she opened the 33rd annual American Music Awards with "Don't Forget About Us".[60] Two months later, she placed as the featured performer at the Times Square Ball drop on New Year's Eve in New York.[61] At the 48th Grammy Awards, on February 8, 2006, Carey returned to the Grammy stage for the first time since 1996.[62] Her performance began with a pre-taped video in which she discussed the importance of God and religion in her life.[63] She then came to the stage, and sang a shortened version of "We Belong Together", followed by "Fly like a Bird".[64] The performance induced the only standing ovation that night,[65] and earned praise from critics.[66][67]

Singles edit

 
Carey performing "Fly Like a Bird" on Good Morning America

"It's Like That" was released as the album's lead single on January 7, 2005. Critics predicted that the song would re-ignite Carey's popularity among MTV viewers.[21][27] It became her highest-charting song internationally in years, and peaked at number sixteen on the US Billboard Hot 100.[68][69][70]

"We Belong Together", the album's second single, became one of the biggest hits of Carey's career.[71] It became her sixteenth chart topping single in the US, spending fourteen weeks on the Hot 100's peak; the longest stay of any song during the 2000s.[72] Aside from breaking several Nielsen BDS records, the song was named "song of the 2000s decade" by Billboard.[4][73] "We Belong Together" also topped the charts in Australia and attained a top-five peak in New Zealand, the Netherlands, Denmark, Spain, Switzerland, and the UK.[74][75]

"Shake It Off" was the third single released from The Emancipation of Mimi. It peaked at number two on the Hot 100, being barred from the top position by Carey's previous single, "We Belong Together".[76] It became the first time in Billboard history that a female artist occupied the top two spots on the chart as a lead artist.[76] It was released as a double A-side with "Get Your Number" in the UK and Australia, where it reached the top ten.[77]

"Don't Forget About Us" was released as the lead single from Ultra Platinum Edition, and overall fourth single from the album.[78] The song became Carey's seventeenth chart topper in the US, tying her with Elvis Presley for the most number-one singles by a solo artist (a record she surpassed in 2008 with "Touch My Body").[78] "Fly Like a Bird" was released as the fifth single from the album in the US, followed by "Say Somethin'".[13] "Mine Again" was not released as a single, but peaked at number 73 on Billboard's Hot R&B/Hip-Hop Songs chart due to sales.[79]

Tour edit

Main article: The Adventures of Mimi
 
Carey focused on providing a balance between songs from her existing catalog and introducing her newer songs and 'Mimi' persona. The photo shows a stage prop with the tour's slogan, 'MIMI'.[80]

Sixteen months after the release of the album, Carey announced her first headlining tour in three years, named The Adventures of Mimi: The Voice, The Hits, The Tour after a "Carey-centric fan's" music diary.[80][81] Beginning on July 22, 2006, and ending on October 28, the tour spanned forty stops, with thirty-two in the US and Canada, two in Africa, and six in Japan.[82][83] The tour featured the singer's long-time friend Randy Jackson as the musical director.[84][85] In an interview for the Associated Press, Carey described the tour's direction, as well as the music she would perform:

With this tour, I'm going to be working on some different arrangements for some of the older songs, to ... give it a little more life to them. That's not to say they're going to sound totally different and to freak anybody out ... I love re-singing songs to different music. I genuinely want to tour with these new songs, as well as older hits. These new songs mean so much to me, this time of my life has been so wonderful for me, and I want to experience that with my fans.[80]

The tour received a generally mixed reception from critics who praised the singer's vocal performances but called the show's excesses, such as the singer's frequent costume changes and pre-filmed clips, distracting.[86][87] In Tunis, Carey played to 80,000 people during two concerts.[83] Midway through the tour, she booked a two-night concert in Hong Kong, scheduled for after her Japanese shows.[88] The performances were cancelled after tickets went on sale; Carey's then-manager Benny Medina said the cancellation was because the concert promoter refused to pay the agreed compensation.[88] The promoter blamed poor ticket sales (allegedly, only 4,000 tickets had sold) and "Carey's outrageous demands".[89] Medina later disputed the promoter's ticket sales figure, saying that 8,000 tickets had been sold. He said Carey would have performed as long as she was compensated, regardless of attendance.[89] Carey ultimately sued the promoter, claiming one million in damages for the concert's abrupt cancellation.[90]

Critical reception edit

Professional ratings
Aggregate scores
SourceRating
Metacritic64/100[91]
Review scores
SourceRating
AllMusic     [25]
Blender     [92]
Entertainment WeeklyB[31]
The Guardian     [93]
Los Angeles Times    [94]
NME2/10[95]
Rolling Stone     [96]
Slant Magazine     [2]
USA Today    [97]
Vibe4/5[98]

The Emancipation of Mimi received a 64 out of 100 (indicating "generally positive reviews") on Metacritic, a website that averages professional reviews from critics into a numerical score.[91] Stephen Thomas Erlewine of AllMusic called the album a "highly crafted piece of dance-pop" and "relative comeback" for Carey[25] Michael Paoletta from Billboard was less critical of her vocals, writing that "while her voice has lost some of the power through the years, Mimi deftly showcases her still-considerable pipes with strong lyrics and slick production." Paoletta praised The Emancipation of Mimi as Carey's best album since Butterfly (1997).[99] Michael Dougall Bell from the Calgary Sun called Carey's voice "very impressive". He concluded: "While Emancipation may not send Carey's stock or star back up to where it once was and where that voice deserves to be, at least she's not plummeting – she's merely levelled off."[100] Entertainment Weekly editor Tom Sinclair noted that almost every song "showcases Carey's undeniable vocal strengths". Reviewing "Fly Like a Bird", Sinclair concluded, "It's so moving that we'll resist the temptation to be crass and interpret the song as a plea for heightened record sales. Help from above is always welcome, but Emancipation sounds like it just might do fine all on its own."[31]

Jennifer Vineyard of MTV News considered the album's title to be influenced by Janet Jackson's Damita Jo, which was also based on an alternate persona.[10] According to Jenson Macey from BBC News, The Emancipation of Mimi was Carey's strongest effort from the 2000s; he said that the album "took her straight back to the top of the A-List."[101] Caroline Sullivan from The Guardian gave the album four stars out of five, calling it "cool, focused and urban."[93] The New York Times's Jon Pareles complimented how Carey wrote all of the album's material. He felt the record's sound was fresh and innovative: "on The Emancipation of Mimi, she disciplines herself into coherence, using fewer tricks and sounding more believable. She also finds what lesser singers can take for granted: a certain lightness that eases her constant sense of control."[34] Cummings from PopMatters gave the album seven stars out of ten, claiming it to be Carey's redemption from the manacles of her previous two releases. He praised the album's singles, but called some of its music "corny" and "unnecessarily overproduced".[29] Todd Burns from Stylus Magazine gave the album a B−, admiring its assortment of beats and tempos. Burns, however, called some of The Neptunes and Dupri's production "ill-advised".[33] He called some of Carey's vocals "strained, thin and airy".[33] While considering it as an improvement over her previous releases of the decade, he concluded that it "suffers from the fact that her vocals have deteriorated – a simple fact of the ravages that her voice has undergone in the past fifteen years."[33] Sal Cinquemani of Slant Magazine gave The Emancipation of Mimi three and a half stars out of five, calling it "redemption". He complimented its array of beats and its production.[2] Critic Andre Meyer of CBS News thought the material on the album was "stronger" than on Charmbracelet, and described it as a move in Carey's long-term plan for pop domination, while giving off the "jittery R&B vibe that made Destiny's Child so potent." He added that "Mariah has returned to singing – while still pushing the limits of good taste with her barely there outfits."[6] In the updated edition for The 500 Greatest Albums of All Time published in 2020 by American magazine Rolling Stone, the album ranked at number 389.[102]

Listicles edit

Publication Accolade Rank Ref.
Entertainment Weekly The 100 Best Albums From 1983 To 2008
21
[103]
The New Classics: Music
21
[104]
NPR The 150 Greatest Albums Made By Women
143
[105]
Rolling Stone The 50 Best Albums of 2005
43
[106]
The 500 Greatest Albums of All Time
389
[102]
Slant The 10 Best Albums of 2005
9
[107]
Soul in Stereo The 30 Best R&B Albums of the 2000s
3
[108]

Commercial performance edit

 
Carey performing "We Belong Together" live on Good Morning America

The Emancipation of Mimi became Carey's highest-selling album in the US since Daydream (1995).[1] In its first week of release, it debuted at number one on the Billboard 200 (ousting 50 Cent's The Massacre from the top position)[109] with 404,000 copies sold, the highest first-week sales in Carey's career, until E=MC² opened with 463,000 in 2008.[110] On its second week on the chart, the album moved a spot down to number two and moved a further 226,000 units.[111] It became her fifth number-one album in the country and her third album to debut at the top.[112] The album returned to number one in its eighth week after selling 172,000 copies.[113] It remained in the top ten for many months before dropping to number eleven on September 28, 2005.[114] The album remained in the top twenty for thirty-one consecutive weeks, and stayed on for 74 weeks in total.[115] It returned to the top five after the release of the Ultra Platinum Edition, which helped the album rebound to number four, with sales of 185,000 units.[116] The Emancipation of Mimi was the best-selling album in the US in 2005, with nearly five million units sold. By the last full week of the year, the album outsold The Massacre, which had been released more than six weeks earlier.[117] It was the first album by a solo female artist to become the year's best-selling album since Alanis Morissette's Jagged Little Pill in 1996.[118] It reached the six million sales mark in the US in October 2013, and in September 2022, the album was certified seven-times platinum by the Recording Industry Association of America.[119]

The Emancipation of Mimi entered the Australian Albums Chart on April 17, 2005, at number 13.[120] During the following week, it peaked at and spent one week at number six. The album spent a total of forty-six weeks on the chart.[120] It was certified platinum by the Australian Recording Industry Association (ARIA) – denoting shipments of 70,000 unit – and finished at number twenty-seven on the End of Year Chart.[121][122] In Canada The Emancipation of Mimi debuted and peaked at number two on the Canadian Albums Chart, with first-week sales of 11,000 units.[112][123] The album was certified triple platinum by the Canadian Recording Industry Association (CRIA) for shipments of 300,000 units.[124][125] The Emancipation of Mimi debuted at number seven on the UK Albums Chart dated April 6, 2005.[126] On July 23, fourteen weeks after its debut, the album once again reached its peak position of number seven.[127] After one re-entry, the album spent a combined forty-three weeks in the albums chart, being certified double-platinum by the British Phonographic Industry (BPI) for shipments of 600,000 copies. By May 2008, the album's British sales stood at 621,352 units.[128][129]

In France, the album debuted at its peak position of number four on April 9, 2005.[130] The record spent a total of fifty-one weeks in the chart, and was certified gold by the Syndicat National de l'Édition Phonographique (SNEP), signifying shipments of 100,000 copies.[131] Eight months after its release in Europe, the International Federation of the Phonographic Industry (IFPI) certified The Emancipation of Mimi platinum, denoting shipments of one million units throughout the continent.[132] In Hong Kong it was awarded a Gold Disc Award, which is issued to the ten best-selling foreign albums each year.[133] The Emancipation of Mimi debuted at number two on the Japanese Albums Chart, and was certified platinum (250,000 units shipped) by the Recording Industry Association of Japan (RIAJ).[134][135] At the end of 2005, the IFPI reported that The Emancipation of Mimi had sold 7.7 million copies globally, and was the second best-selling album of the year, after Coldplay's X&Y. It was the best-selling album by a solo and female artist.[136][137] As of October 2011, The Emancipation of Mimi has sold 10 million copies worldwide.[3]

The Emancipation of Mimi was ranked as the 52nd best album of all time on the Billboard Top 200 Albums of All Time.[138]

Accolades edit

The Emancipation of Mimi received many awards and nominations. It earned ten Grammy Award nominations in 2006–07: eight in 2006 for the original release (the most received by Carey in a single year), and two in 2007 for Ultra Platinum Edition. In 2006, Carey won Best Contemporary R&B Album for The Emancipation of Mimi, as well as Best Female R&B Vocal Performance and Best R&B Song for "We Belong Together". Carey was nominated for, Album of the Year (The Emancipation of Mimi), Record of the Year ("We Belong Together"), Song of the Year ("We Belong Together"), Best Female Pop Vocal Performance ("It's Like That"), and Best Traditional R&B Vocal Performance ("Mine Again").[139] In 2007, "Don't Forget About Us" was nominated for Best Female R&B Vocal Performance and Best R&B Song.[140]

The Emancipation of Mimi won the 2005 Soul Train Awards for Best R&B/Soul Album and Best Female R&B/Soul Album, and the 2005 Vibe Award for Album of the Year.[141][142] Rolling Stone ranked the album at number 43 on its 2005 list of the year's best albums,[143] and Entertainment Weekly ranked it at number 21 on their list of the "Top 100 Best Albums of the past 25 years".[144] "We Belong Together" won a Teen Choice Award,[145] a World Music Award,[146] five Billboard Music Awards,[147][148] four Radio Music Awards,[149] and three Bambi Awards.[150] "Shake It Off" and "Don't Forget About Us" won two additional Bambis.[150] After Carey received the Bambi, the award drew media attention after it was stolen from the singer's dressing room.[151]

Track listing edit

The Emancipation of Mimi – Standard edition
No.TitleWriter(s)Producer(s)Length
1."It's Like That"
  • Dupri
  • Carey
  • Seal
3:23
2."We Belong Together"
  • Dupri
  • Carey
  • Seal
3:21
3."Shake It Off"
  • Dupri
  • Carey
  • Cox
3:52
4."Mine Again"
  • Poyser
  • Carey
4:01
5."Say Somethin'" (featuring Snoop Dogg)
The Neptunes3:44
6."Stay the Night"
  • West
  • Carey
3:57
7."Get Your Number" (featuring Jermaine Dupri)
3:15
8."One and Only" (featuring Twista)
3:14
9."Circles"
  • Carey
  • Wright
3:30
10."Your Girl"
2:46
11."I Wish You Knew"
  • Carey
  • Wright
  • Carey
  • Wright
3:34
12."To the Floor" (featuring Nelly)
The Neptunes3:27
13."Joy Ride"
  • Carey
  • Jeffery Grier
  • Young Genius
  • Carey
4:03
14."Fly Like a Bird"
  • Carey
  • Walker
  • Wright
  • Carey
  • Wright
3:52
Total length:50:00
The Emancipation of Mimi – UK version (bonus track)[44]
No.TitleWriter(s)Producer(s)Length
15."Sprung"
3:26
Total length:53:25
The Emancipation of Mimi – Japanese version (bonus tracks)[152]
No.TitleWriter(s)Producer(s)Length
16."Secret Love"
  • Carey
  • Kaseem Dean
3:09
Total length:56:34
The Emancipation of Mimi: Ultra Platinum Edition[44][152]
No.TitleWriter(s)Producer(s)Length
15."Don't Forget About Us"
  • Carey
  • Dupri
  • Cox
  • Austin
  • Carey
  • Dupri
  • Cox
3:53
16."Makin' It Last All Night (What It Do)" (featuring Jermaine Dupri)
  • Carey
  • Dupri
  • Cox
  • Austin
  • Jarod Alston
  • Dalvin Degrate
  • Donald Degrate
  • Carey
  • Dupri
3:51
17."So Lonely (One and Only Part II)" (featuring Twista)
  • Carey
  • Darkchild
3:53
18."We Belong Together" (Remix) (featuring Jadakiss and Styles P)
  • Carey
  • DJ Clue
4:25
Total length:66:00
The Emancipation of Mimi: Ultra Platinum Edition – 2021 digital reissue (bonus tracks)[46]
No.TitleWriter(s)Producer(s)Length
19."Secret Love"
  • Carey
  • Dean
  • Carey
  • Swizz Beatz
3:09
20."Sprung"
  • Carey
  • Leeper
  • Jones
  • Sawyer
  • Carey
  • Mahogany Music
3:26


The Emancipation of Mimi – 2020 vinyl reissue (bonus tracks)
No.TitleWriter(s)Producer(s)Length
15."We Belong Together" (Remix) (featuring Jadakiss and Styles P)
  • Carey
  • Dupri
  • Seal
  • Austin
  • Edmonds
  • Bristol
  • DeWayne
  • Womack
  • Moten
  • Sully
  • (non-credited) Phillips
  • Styles
  • Carey
  • DJ Clue
4:25
16."Don't Forget About Us"
  • Carey
  • Dupri
  • Cox
  • Austin
  • Carey
  • Dupri
  • Cox
3:53
17."Makin' It Last All Night (What It Do)" (featuring Jermaine Dupri)
  • Carey
  • Dupri
  • Cox
  • Austin
  • Alston
  • Dalvin Degrate
  • Donald Degrate
  • Carey
  • Dupri
3:51
18."Sprung"
  • Carey
  • Leeper
  • Jones
  • Sawyer
  • Carey
  • Mahogany Music
3:26
19."Secret Love"
  • Carey
  • Dean
  • Carey
  • Swizz Beatz
3:09
Total length:68:44
The Emancipation of Mimi: Ultra Platinum Edition – (bonus DVD)[153]
No.TitleLength
1."It's Like That" (video) 
2."We Belong Together" (video) 
3."Shake It Off" (video) 
4."Get Your Number" (video) 
5."Don't Forget About Us" (video) 


Sample credits

Personnel edit

Credits for The Emancipation of Mimi are adapted from the album's liner notes.[154]

  • Mariah Carey – producer (tracks 1–4, 6–11, 13–14), executive producer, vocals (all tracks), background vocals (tracks 1–3, 6, 8–11, 13–14)
  • Courtney Bradley – background vocals (track 14)
  • Calvin Broadus – vocals (track 5)
  • Rick Brunermer – flute (tracks 4, 9, 11), tenor saxophone (9, 11)
  • Jason Carson – assistant recording engineer (tracks 5, 12)
  • Dana Jon Chappelle – recording engineer (tracks 4–6, 8–14)
  • Andrew Coleman – recording engineer (tracks 5, 12)
  • Bryan-Michael Cox – producer (track 3)
  • Jeff Dieterie – trombone (tracks 4, 9, 11), bass trombone (9, 11)
  • Darryl Dixon – alto saxophone (tracks 4, 9, 11)
  • Charley Drayton – drums (tracks 4, 9, 11)
  • Jermaine Dupri – producer (1–3, 7), audio mixing (3, 7), vocals (1, 3, 7)
  • Manuel Farolfi – assistant recording engineer (tracks 6, 8–9, 14)
  • Jason Finkel – assistant recording engineer (tracks 4, 6, 9, 11, 14)
  • Isaac Freeman – additional rap vocals (track 1)
  • Brian Frye – recording engineer (track 7)
  • Brian Garten – recording engineer (all tracks), audio mixing
  • Cornell Haynes – vocals (track 12)
  • Loris Holland – additional keyboards (tracks 9, 11, 14)
  • John Horesco – recording engineer (tracks 1–3, 7), audio mixing
  • Chops Horns – horn (tracks 4, 9, 11)
  • Chad Hugo – producer (tracks 5, 12)
  • Ken Duro Ifill – mixing
  • Randy Jackson – bass (tracks 4, 9, 11)
  • Jeffrey Lee Johnson – guitar (tracks 4, 9, 11)
  • Rev. Dr. Clarence Keaton – talking voice (track 14)
  • Michael Leedy – assistant recording engineer (tracks 4, 6, 9, 11, 14)
  • Samuel "Legendary Traxster" Lindley – producer (track 8)
  • Trey Lorenz – background vocals (tracks 7, 11, 13–14)
  • Manny Marroquin – audio mixing (track 6)
  • Carl Mitchell – vocals (track 8)
  • Mike Pierce – recording engineer (track 8)
  • James Phillips – producer (track 7)
  • Jason Phillips – vocals
  • Herb Power – mastering
  • James Poyser – producer, keyboard (track 4)
  • L.A. Reid – executive producer
  • Joe Romano – flugelhorn, trumpet (tracks 4, 9, 11)
  • Manuel Seal – producer (tracks 1–2)
  • Ernesto Shaw – mixing
  • Marc Shemer – producer (track 10)
  • Dexter Simmons – mixing
  • David Styles – vocals
  • Phil Tan – audio mixing (tracks 1–5, 7, 9, 11–14)
  • Maryann Tatum – background vocals (tracks 1, 9–11, 14)
  • Sherry Tatum – background vocals (tracks 1, 9, 11, 14)
  • Pat Viala – audio mixing (tracks 8, 10)
  • Jeff Villanueva – engineer
  • Kanye West – producer (track 6)
  • Pharrell Williams – producer, additional vocals (tracks 5, 12)
  • James Wright – producer (9, 11, 14), keyboards (9, 11)

Charts edit

Certifications and sales edit

Region Certification Certified units/sales
Australia (ARIA)[203] Platinum 70,000^
Brazil (Pro-Música Brasil)[205] Gold 60,000[204]
Canada (Music Canada)[206] 3× Platinum 300,000^
France (SNEP)[131] Gold 100,000*
Germany (BVMI)[207] Gold 100,000‡
Japan (RIAJ)[208] Platinum 259,275[191]
New Zealand (RMNZ)[209] Platinum 15,000^
South Korea — 15,239[210]
United Kingdom (BPI)[211] 2× Platinum 621,352[128]
United States (RIAA)[212] 7× Platinum 7,000,000‡
Summaries
Europe (IFPI)[213] Platinum 1,000,000*
Worldwide — 10,000,000[3]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

See also edit

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External links edit

November 27, 2023
emancipation, mimi, tenth, studio, album, american, singer, mariah, carey, released, through, island, records, april, 2005, album, considered, carey, comeback, album, critics, became, highest, selling, release, decade, composing, album, carey, collaborated, wi. The Emancipation of Mimi is the tenth studio album by American R amp B singer Mariah Carey released through Island Records on April 12 2005 The album was considered Carey s comeback album by critics and became her highest selling release in the US in a decade 1 In composing the album Carey collaborated with many songwriters and producers throughout 2004 including Jermaine Dupri Snoop Dogg Kanye West Twista Nelly Pharrell Williams and James Big Jim Wright many of whom appeared as featured guests on select tracks The Emancipation of MimiStandard edition coverStudio album by Mariah CareyReleasedApril 12 2005 2005 04 12 Recorded2004StudioRight Track Atlanta SouthSide Atlanta Honeywest New York City Record Plant Hollywood Marsha and Jan Los Angeles Capri Capri CRC Chicago Darkchild Pleasantville Datkidcluescrib New York City GenrePop dance pop hip hop R amp BLength50 10LabelIsland Def JamProducerMariah Carey Jermaine Dupri Manuel Seal Jr Bryan Michael Cox Swizz Beatz LRoc James Big Jim Wright The Neptunes Kanye West James Poyser Rodney Darkchild JerkinsMariah Carey chronologyThe Remixes 2003 The Emancipation of Mimi 2005 E MC 2008 Singles from The Emancipation of Mimi It s Like That Released January 25 2005 We Belong Together Released March 15 2005 Shake It Off Released July 12 2005 Get Your Number Released October 3 2005 Fly Like a Bird Released March 13 2006 Say Somethin Released April 3 2006Carey opted to use her personal nickname Mimi in the title revealing a more intimate side of the singer as seen in the album s declarative theme of emancipation from her personal and commercial setbacks Although it has similar vocal production to her previous works and an inclination towards her signature ballads the album encompasses dance oriented and uptempo styles in keeping with its celebratory motif The Emancipation of Mimi garnered critical acclaim with praise towards its production Carey s vocal performance with critics noting the theme of independence and lack of restraint dubbing the album a party record 2 The album garnered eight nominations at the 48th Grammy Awards including for Album of the Year and won three awards including Best Contemporary R amp B Album It became Carey s first album since Butterfly 1997 to debut at number one on the US Billboard 200 selling over 404 000 copies in its first week and becoming the country s best selling album of 2005 Internationally it topped the charts in Greece and reached the top five in Canada Denmark France and Japan and was the world s second best selling album of the year The Emancipation of Mimi has sold over 10 million copies worldwide making it one of the best selling albums of the 21st century 3 It s Like That became one of her highest charting songs in years reaching the top twenty in several countries We Belong Together accumulated 14 weeks at number one in the US and was later hailed song of the decade by Billboard 4 It reached number one in Australia number two in the United Kingdom and New Zealand and achieved top five positions in several European countries To promote the album Carey embarked on her sixth concert tour entitled The Adventures of Mimi starting on July 22 2006 and ending on October 28 2006 Contents 1 Background 2 Writing and recording 3 Composition 4 Release and promotion 4 1 Singles 4 2 Tour 5 Critical reception 5 1 Listicles 6 Commercial performance 7 Accolades 8 Track listing 9 Personnel 10 Charts 10 1 Weekly charts 10 2 Monthly charts 10 3 Year end charts 10 4 Decade end charts 10 5 All time charts 11 Certifications and sales 12 See also 13 References 14 External linksBackground editIn 2001 Carey had experienced critical commercial personal and professional struggles following the poor reception to her debut film Glitter 2001 5 The picture was panned by critics and earned less than eight million dollars at the box office 6 7 After posting a personally expressive letter on her official site Carey checked into a hospital in Connecticut because of an emotional and physical breakdown 8 Following the film s and soundtrack s poor performance Virgin Records America bought out Carey s unprecedented 100 million recording contract The company paid her 28 million to part ways 6 Carey flew to Capri Italy after her two week hospitalization 7 During her five month stay she began to write a new studio album using experiences she had gone through in recent months as inspirational themes 9 After being signed by Island Records and starting her own imprint MonarC Entertainment Carey released her intended comeback album Charmbracelet 7 Critics deemed it a strong improvement over Glitter but not something that would re establish her popularity as in the early stages of her career 6 After enduring three years of carping from critics Carey planned her return to music 6 On November 18 2004 she revealed on her website that the name of the album would be The Emancipation of Mimi 10 While Carey was recording the album Island Records executive L A Reid had learned that close friends referred to the singer as Mimi He had told Carey I feel your spirit on this record You should use that name in the title because that s the fun side of you that people don t get to see the side that can laugh at the diva jokes laugh at the breakdown jokes laugh at whatever they want to say about you and just live life and enjoy it Carey explained that Mimi is a very personal nickname only used by those in her inner circle and thus the title meant she was letting her guard down and inviting her fans to be that much closer to her She thought that naming her album The Emancipation of Mariah Carey would be obnoxious 7 Writing and recording editDuring a visit to a recording studio Carey was given a beat by the Legendary Traxster On a later date she met with American rapper Twista backstage after a show When Carey mentioned the track Twista told her that the beat had been originally intended for him and that he had already written lyrics for it They decided to collaborate on the track which later was titled One and Only 11 In the following months Carey wrote and co produced several songs including Say Somethin with Snoop Dogg and The Neptunes To the Floor with Nelly and Fly Like a Bird with James Big Jim Wright 12 13 By November she felt that she had composed enough good material for The Emancipation of Mimi After Reid listened to the album however he suggested the singer compose a few more strong singles to ensure the project s commercial success Based on his recommendation Carey met with Jermaine Dupri in Atlanta for a brief studio session since Reid felt she had written some of her best work with him During this two day trip Carey and Dupri wrote and produced Shake It Off and Get Your Number which were released as the album s third and fourth singles Following this recording session Shake It Off was briefly selected as the album s lead single replacing the other contenders Stay The Night and Say Somethin Carey later returned to Atlanta for a second meeting with Dupri they then penned the last two songs for the album We Belong Together and It s Like That 14 In an interview for Billboard Carey described her sentiments regarding It s Like That during the production stage I had the chills I had a great feeling about it when we finished writing the song and I was flying back from Atlanta at some crazy hour of the morning But we were listening to it on the plane ride on the way home and even from the demo version I really felt something very special 15 Carey and her management then decided to release It s Like That as the album s lead single calling it the right fire starter The singer has praised Dupri for being focused and felt that together they had composed some of her favorite songs on the album 14 She has told MTV The album is not about making the older executives happy by making a bring down the house tearjerker ballad or something steeped in the media dramas of my life What I tried to do was keep the sessions very sparse underproduced like in 70s soul music 16 According to Reid Carey intended for the album to feature a more unpolished sound than her previous releases 12 The singer had been frustrated with the overproduction on many of her previous records due to the inclusion of what she considered unnecessary bells and whistles She opted to record the majority of The Emancipation of Mimi live alongside the band Reid agreed with this decision and felt that the live vocals made the album sound more authentic 12 Composition editThe Emancipation of Mimi was Carey s most expressive album to that point according to Fox News it signified her creative freedom as she had been oppressed by the expectations of record executives in the past 17 They noted the album s motif of professional and cultural emancipation throughout many songs In an interview with the Hartford Courant Carey spoke about the album s lack of creative restraint she felt was not featured on Charmbracelet 18 The latter album harbored on reviving Carey s popularity among the adult contemporary radio audience following her decline with Glitter which found the singer sampling 1980s melodies 19 20 While featuring ballads similar to those on Charmbracelet the songs on The Emancipation of Mimi drew influence from R amp B and hip hop and were composed at an elevated tempo 21 According to Dimitri Ehrlich an editor from Vibe the album includes many musical facets Mimi pulls Carey in two opposite directions Most of the tracks find her paired with the hottest hip hop producers of the day there she exercises restraint and settles into a groove But on the rest she does what comes most naturally to her belting to her heart s desire perhaps to mollify those who don t care much for her detours into raunchier rap territory 21 The Emancipation of Mimi explores various genres Greg Kot of the Chicago Tribune felt that the album effectively combines elements of hip hop and rhythm and blues into pop songs that appeal to a broad cross section of listeners 22 According to Billboard staff Carey s emancipation is drenched in hip hop and old school R amp B ballads 23 Alyssa Rashbaum of MTV deemed the record a predominantly pop and R amp B effort tinged with hip hop inflections 24 Meanwhile AllMusic s Stephen Thomas Erlewine considered The Emancipation of Mimi a slick highly crafted piece of dance pop 25 Aside from the ballads and uptempo tracks The Emancipation of Mimi incorporates elements of soul and 1970s inspired genres as evident on the gospel tinged closing track Fly Like a Bird 26 While most tracks derive instrumentation from live bands and musical instruments some of the uptempo songs feature computerized arrangements and synthesizers 27 Stylistically critics considered the album Carey s most diverse record in years and one that highlighted many different production choices and techniques 28 nbsp It s Like That source source This clip features the hand claps and whistles used throughout the song It illustrates the strong bassline aligned with piano and string notes Dupri s ad libs are heard toward the end of the sample followed by Scoop s closing verse 29 We Belong Together source source track A sample of the final chorus of We Belong Together The sample highlights Carey s acclaimed vocal performance throughout the climax as well as the instrumentation derived from finger snaps kick drums and a strong piano driven melody 21 Problems playing these files See media help It s Like That was written and produced by Carey and Jermaine Dupri It features hand claps and whistles as well as ad libs and verses from Dupri and Fat Man Scoop The song s bassline and chord progression are aligned with piano and string notes 29 Its lyrics are arranged to portray the singer during a celebration I came to have a party Open off that Bacardi Purple taking me higher I m lifted and I like it 29 Sal Cinquemani of Slant Magazine praised its lyrics and beat and felt the song prepares listeners for the album s party theme 2 Lyrically We Belong Together was described as a broken hearted lament for love 21 it features finger snaps kick drums and a piano driven melody 21 Carey composed the gospel influenced ballad Fly Like a Bird with James Wright 13 30 The lyrics are in the form of a prayer that conveys a message of unconditional love for God 30 31 The song features a verbal recording of Carey s pastor Clarence Keaton who reads two verses from the Bible 2 The singer wrote the album s fifth cut Say Somethin which features rap verses from Snoop Dogg and was produced by The Neptunes Vibe writer Dimitri Ehrlich described it as a musical oddity and characterized the production as strange instrumentation weird melodic shifts hectic drum patterns and a bed of synths 21 Lyrically the protagonist makes sexual advances to a romantic interest with the line If it s worth your while do something good to me 21 When interpreting the lyrics in the female role Cummings noted a shy woman who doesn t need to say anything at all to get a man s attention 29 Carey wrote Mine Again alongside producer James Poyser The ballad has electronic keyboard notes a rhythmic vinyl sound and melodies from gospel and R amp B genres 21 Stay the Night was produced by Carey and Kanye West and samples a piano loop from Ramsey Lewis s 1971 cover version of Betcha by Golly Wow In the lyrics the protagonist faces the dilemma of spending the night with an ex lover although he is in another relationship 29 Get Your Number samples the hook from British band Imagination s 1982 single Just an Illusion 32 and derives its production from 80s esque synthesizers and computerized musical instruments 29 33 Lawrence Ferber from the Windy City Times described Shake It Off as a playful approach to bitterness and more specifically a cheatin bad apple with lyrics such as I gotta shake you off Just like a Calgon commercial In an interview with Ferber Carey described the track as her favorite from The Emancipation of Mimi Shake It Off can apply to anything Whatever personal dramas we go through put that song on and you lose the anxiety or intensity of the moment I ll listen to that song when I ve just come out of an annoying meeting I gotta shake this off 30 Editor Jon Pareles from The New York Times felt that the album follows a formula that was most apparent on Shake It Off On this album the verses stay in a narrow range the choruses glide higher and at the ends of some songs Ms Carey gives herself a few of her old sky high notes as a background flourish 34 Release and promotion edit nbsp Carey pictured with former Island Records head L A Reid in 2005 at the release party for The Emancipation of MimiThe Emancipation of Mimi was released by The Island Def Jam Music Group for download and as a CD in Mexico on April 12 2005 35 On April 4 2005 the album was released in Australia and New Zealand 36 37 In the United Kingdom The Emancipation of Mimi was distributed through Mercury Records 38 The following day the album was made available in Canada through the Universal Music Group 39 On April 12 2005 it became available in France 40 Japan 41 and the United States 42 and was released on May 11 2005 in China 43 On British and Japanese versions of the album Sprung and Secret Love were included as bonus tracks 44 A reissue of The Emancipation of Mimi subtitled Ultra Platinum Edition was released on November 15 2005 accompanied by the reissue s lead single Don t Forget About Us The reissue was released in two versions The first was a CD with four bonus tracks Don t Forget About Us co written and co produced by Carey with Jermaine Dupri the album s only single Makin It Last All Night What It Do featuring Dupri the We Belong Together remix featuring American rappers Styles P and Jadakiss and a new version of the 2006 single So Lonely by Twista which originally featured Carey in which she sings an additional verse The second version of the album was a limited edition set of the CD and a DVD which includes the videos from The Emancipation of Mimi that had then been released It s Like That We Belong Together Shake It Off and Get Your Number along with the then recently filmed video for Don t Forget About Us The album became the first domestic release of the video for Get Your Number which had previously been released only in Europe 45 Sprung and Secret Love were later included as bonus tracks in the 2020 digital reissue of Ultra Platinum Edition 46 Carey began a promotional tour in support of the album beginning on April 2 2005 at the German Echo Awards 47 48 Two days later she performed It s Like That on the game show Wetten dass 49 In the UK the singer filmed a two part appearance on the British music program Top of the Pops performing the album s first three singles 49 Carey launched the stateside release of the album on Good Morning America with an interview and a five piece outdoor concert 50 Taking place in Times Square and attracting the largest crowd to the plaza since the 2004 New Year s Eve celebration the concert featured the first three singles from the album in addition to Fly Like a Bird and Make It Happen 1991 51 During the following week she performed We Belong Together at the 2005 BET Awards and appeared at the annual VH1 Save the Music special which was broadcast live on April 17 52 Throughout May Carey performed We Belong Together on the Late Show with David Letterman May 5 The Tonight Show with Jay Leno May 11 The Ellen DeGeneres Show May 13 and on The Oprah Winfrey Show May 24 52 53 During the 2005 MTV Video Music Awards Carey performed at the National Hotel in South Beach 54 Accompanied by Dupri she sang Shake It Off and the official remix version of We Belong Together 55 She was a headlining performer at the 2005 Fashion Rocks in Monaco 56 57 On November 15 2005 Carey performed Shake It Off and her newly released single from the album s re release Don t Forget About Us during half time of the Thanksgiving game between the Detroit Lions and the Atlanta Falcons 58 59 On November 22 2005 she opened the 33rd annual American Music Awards with Don t Forget About Us 60 Two months later she placed as the featured performer at the Times Square Ball drop on New Year s Eve in New York 61 At the 48th Grammy Awards on February 8 2006 Carey returned to the Grammy stage for the first time since 1996 62 Her performance began with a pre taped video in which she discussed the importance of God and religion in her life 63 She then came to the stage and sang a shortened version of We Belong Together followed by Fly like a Bird 64 The performance induced the only standing ovation that night 65 and earned praise from critics 66 67 Singles edit nbsp Carey performing Fly Like a Bird on Good Morning America It s Like That was released as the album s lead single on January 7 2005 Critics predicted that the song would re ignite Carey s popularity among MTV viewers 21 27 It became her highest charting song internationally in years and peaked at number sixteen on the US Billboard Hot 100 68 69 70 We Belong Together the album s second single became one of the biggest hits of Carey s career 71 It became her sixteenth chart topping single in the US spending fourteen weeks on the Hot 100 s peak the longest stay of any song during the 2000s 72 Aside from breaking several Nielsen BDS records the song was named song of the 2000s decade by Billboard 4 73 We Belong Together also topped the charts in Australia and attained a top five peak in New Zealand the Netherlands Denmark Spain Switzerland and the UK 74 75 Shake It Off was the third single released from The Emancipation of Mimi It peaked at number two on the Hot 100 being barred from the top position by Carey s previous single We Belong Together 76 It became the first time in Billboard history that a female artist occupied the top two spots on the chart as a lead artist 76 It was released as a double A side with Get Your Number in the UK and Australia where it reached the top ten 77 Don t Forget About Us was released as the lead single from Ultra Platinum Edition and overall fourth single from the album 78 The song became Carey s seventeenth chart topper in the US tying her with Elvis Presley for the most number one singles by a solo artist a record she surpassed in 2008 with Touch My Body 78 Fly Like a Bird was released as the fifth single from the album in the US followed by Say Somethin 13 Mine Again was not released as a single but peaked at number 73 on Billboard s Hot R amp B Hip Hop Songs chart due to sales 79 Tour edit Main article The Adventures of Mimi nbsp Carey focused on providing a balance between songs from her existing catalog and introducing her newer songs and Mimi persona The photo shows a stage prop with the tour s slogan MIMI 80 Sixteen months after the release of the album Carey announced her first headlining tour in three years named The Adventures of Mimi The Voice The Hits The Tour after a Carey centric fan s music diary 80 81 Beginning on July 22 2006 and ending on October 28 the tour spanned forty stops with thirty two in the US and Canada two in Africa and six in Japan 82 83 The tour featured the singer s long time friend Randy Jackson as the musical director 84 85 In an interview for the Associated Press Carey described the tour s direction as well as the music she would perform With this tour I m going to be working on some different arrangements for some of the older songs to give it a little more life to them That s not to say they re going to sound totally different and to freak anybody out I love re singing songs to different music I genuinely want to tour with these new songs as well as older hits These new songs mean so much to me this time of my life has been so wonderful for me and I want to experience that with my fans 80 The tour received a generally mixed reception from critics who praised the singer s vocal performances but called the show s excesses such as the singer s frequent costume changes and pre filmed clips distracting 86 87 In Tunis Carey played to 80 000 people during two concerts 83 Midway through the tour she booked a two night concert in Hong Kong scheduled for after her Japanese shows 88 The performances were cancelled after tickets went on sale Carey s then manager Benny Medina said the cancellation was because the concert promoter refused to pay the agreed compensation 88 The promoter blamed poor ticket sales allegedly only 4 000 tickets had sold and Carey s outrageous demands 89 Medina later disputed the promoter s ticket sales figure saying that 8 000 tickets had been sold He said Carey would have performed as long as she was compensated regardless of attendance 89 Carey ultimately sued the promoter claiming one million in damages for the concert s abrupt cancellation 90 Critical reception editProfessional ratingsAggregate scoresSourceRatingMetacritic64 100 91 Review scoresSourceRatingAllMusic nbsp nbsp nbsp nbsp nbsp 25 Blender nbsp nbsp nbsp nbsp nbsp 92 Entertainment WeeklyB 31 The Guardian nbsp nbsp nbsp nbsp nbsp 93 Los Angeles Times nbsp nbsp nbsp nbsp 94 NME2 10 95 Rolling Stone nbsp nbsp nbsp nbsp nbsp 96 Slant Magazine nbsp nbsp nbsp nbsp nbsp 2 USA Today nbsp nbsp nbsp nbsp 97 Vibe4 5 98 The Emancipation of Mimi received a 64 out of 100 indicating generally positive reviews on Metacritic a website that averages professional reviews from critics into a numerical score 91 Stephen Thomas Erlewine of AllMusic called the album a highly crafted piece of dance pop and relative comeback for Carey 25 Michael Paoletta from Billboard was less critical of her vocals writing that while her voice has lost some of the power through the years Mimi deftly showcases her still considerable pipes with strong lyrics and slick production Paoletta praised The Emancipation of Mimi as Carey s best album since Butterfly 1997 99 Michael Dougall Bell from the Calgary Sun called Carey s voice very impressive He concluded While Emancipation may not send Carey s stock or star back up to where it once was and where that voice deserves to be at least she s not plummeting she s merely levelled off 100 Entertainment Weekly editor Tom Sinclair noted that almost every song showcases Carey s undeniable vocal strengths Reviewing Fly Like a Bird Sinclair concluded It s so moving that we ll resist the temptation to be crass and interpret the song as a plea for heightened record sales Help from above is always welcome but Emancipation sounds like it just might do fine all on its own 31 Jennifer Vineyard of MTV News considered the album s title to be influenced by Janet Jackson s Damita Jo which was also based on an alternate persona 10 According to Jenson Macey from BBC News The Emancipation of Mimi was Carey s strongest effort from the 2000s he said that the album took her straight back to the top of the A List 101 Caroline Sullivan from The Guardian gave the album four stars out of five calling it cool focused and urban 93 The New York Times s Jon Pareles complimented how Carey wrote all of the album s material He felt the record s sound was fresh and innovative on The Emancipation of Mimi she disciplines herself into coherence using fewer tricks and sounding more believable She also finds what lesser singers can take for granted a certain lightness that eases her constant sense of control 34 Cummings from PopMatters gave the album seven stars out of ten claiming it to be Carey s redemption from the manacles of her previous two releases He praised the album s singles but called some of its music corny and unnecessarily overproduced 29 Todd Burns from Stylus Magazine gave the album a B admiring its assortment of beats and tempos Burns however called some of The Neptunes and Dupri s production ill advised 33 He called some of Carey s vocals strained thin and airy 33 While considering it as an improvement over her previous releases of the decade he concluded that it suffers from the fact that her vocals have deteriorated a simple fact of the ravages that her voice has undergone in the past fifteen years 33 Sal Cinquemani of Slant Magazine gave The Emancipation of Mimi three and a half stars out of five calling it redemption He complimented its array of beats and its production 2 Critic Andre Meyer of CBS News thought the material on the album was stronger than on Charmbracelet and described it as a move in Carey s long term plan for pop domination while giving off the jittery R amp B vibe that made Destiny s Child so potent He added that Mariah has returned to singing while still pushing the limits of good taste with her barely there outfits 6 In the updated edition for The 500 Greatest Albums of All Time published in 2020 by American magazine Rolling Stone the album ranked at number 389 102 Listicles edit Publication Accolade Rank Ref Entertainment Weekly The 100 Best Albums From 1983 To 2008 21 103 The New Classics Music 21 104 NPR The 150 Greatest Albums Made By Women 143 105 Rolling Stone The 50 Best Albums of 2005 43 106 The 500 Greatest Albums of All Time 389 102 Slant The 10 Best Albums of 2005 9 107 Soul in Stereo The 30 Best R amp B Albums of the 2000s 3 108 Commercial performance edit nbsp Carey performing We Belong Together live on Good Morning AmericaThe Emancipation of Mimi became Carey s highest selling album in the US since Daydream 1995 1 In its first week of release it debuted at number one on the Billboard 200 ousting 50 Cent s The Massacre from the top position 109 with 404 000 copies sold the highest first week sales in Carey s career until E MC opened with 463 000 in 2008 110 On its second week on the chart the album moved a spot down to number two and moved a further 226 000 units 111 It became her fifth number one album in the country and her third album to debut at the top 112 The album returned to number one in its eighth week after selling 172 000 copies 113 It remained in the top ten for many months before dropping to number eleven on September 28 2005 114 The album remained in the top twenty for thirty one consecutive weeks and stayed on for 74 weeks in total 115 It returned to the top five after the release of the Ultra Platinum Edition which helped the album rebound to number four with sales of 185 000 units 116 The Emancipation of Mimi was the best selling album in the US in 2005 with nearly five million units sold By the last full week of the year the album outsold The Massacre which had been released more than six weeks earlier 117 It was the first album by a solo female artist to become the year s best selling album since Alanis Morissette s Jagged Little Pill in 1996 118 It reached the six million sales mark in the US in October 2013 and in September 2022 the album was certified seven times platinum by the Recording Industry Association of America 119 The Emancipation of Mimi entered the Australian Albums Chart on April 17 2005 at number 13 120 During the following week it peaked at and spent one week at number six The album spent a total of forty six weeks on the chart 120 It was certified platinum by the Australian Recording Industry Association ARIA denoting shipments of 70 000 unit and finished at number twenty seven on the End of Year Chart 121 122 In Canada The Emancipation of Mimi debuted and peaked at number two on the Canadian Albums Chart with first week sales of 11 000 units 112 123 The album was certified triple platinum by the Canadian Recording Industry Association CRIA for shipments of 300 000 units 124 125 The Emancipation of Mimi debuted at number seven on the UK Albums Chart dated April 6 2005 126 On July 23 fourteen weeks after its debut the album once again reached its peak position of number seven 127 After one re entry the album spent a combined forty three weeks in the albums chart being certified double platinum by the British Phonographic Industry BPI for shipments of 600 000 copies By May 2008 the album s British sales stood at 621 352 units 128 129 In France the album debuted at its peak position of number four on April 9 2005 130 The record spent a total of fifty one weeks in the chart and was certified gold by the Syndicat National de l Edition Phonographique SNEP signifying shipments of 100 000 copies 131 Eight months after its release in Europe the International Federation of the Phonographic Industry IFPI certified The Emancipation of Mimi platinum denoting shipments of one million units throughout the continent 132 In Hong Kong it was awarded a Gold Disc Award which is issued to the ten best selling foreign albums each year 133 The Emancipation of Mimi debuted at number two on the Japanese Albums Chart and was certified platinum 250 000 units shipped by the Recording Industry Association of Japan RIAJ 134 135 At the end of 2005 the IFPI reported that The Emancipation of Mimi had sold 7 7 million copies globally and was the second best selling album of the year after Coldplay s X amp Y It was the best selling album by a solo and female artist 136 137 As of October 2011 The Emancipation of Mimi has sold 10 million copies worldwide 3 The Emancipation of Mimi was ranked as the 52nd best album of all time on the Billboard Top 200 Albums of All Time 138 Accolades editThe Emancipation of Mimi received many awards and nominations It earned ten Grammy Award nominations in 2006 07 eight in 2006 for the original release the most received by Carey in a single year and two in 2007 for Ultra Platinum Edition In 2006 Carey won Best Contemporary R amp B Album for The Emancipation of Mimi as well as Best Female R amp B Vocal Performance and Best R amp B Song for We Belong Together Carey was nominated for Album of the Year The Emancipation of Mimi Record of the Year We Belong Together Song of the Year We Belong Together Best Female Pop Vocal Performance It s Like That and Best Traditional R amp B Vocal Performance Mine Again 139 In 2007 Don t Forget About Us was nominated for Best Female R amp B Vocal Performance and Best R amp B Song 140 The Emancipation of Mimi won the 2005 Soul Train Awards for Best R amp B Soul Album and Best Female R amp B Soul Album and the 2005 Vibe Award for Album of the Year 141 142 Rolling Stone ranked the album at number 43 on its 2005 list of the year s best albums 143 and Entertainment Weekly ranked it at number 21 on their list of the Top 100 Best Albums of the past 25 years 144 We Belong Together won a Teen Choice Award 145 a World Music Award 146 five Billboard Music Awards 147 148 four Radio Music Awards 149 and three Bambi Awards 150 Shake It Off and Don t Forget About Us won two additional Bambis 150 After Carey received the Bambi the award drew media attention after it was stolen from the singer s dressing room 151 Track listing editThe Emancipation of Mimi Standard editionNo TitleWriter s Producer s Length1 It s Like That Mariah CareyJermaine DupriManuel SealJohnta AustinDupriCareySeal3 232 We Belong Together CareyDupriSealAustinDarnell BristolKenneth EdmondsSidney DeWayneBobby WomackPatrick MotenSandra SullyDupriCareySeal3 213 Shake It Off CareyDupriBryan Michael CoxAustinDupriCareyCox3 524 Mine Again CareyAustinJames PoyserPoyserCarey4 015 Say Somethin featuring Snoop Dogg CareyPharrell WilliamsChad HugoCalvin BroadusThe Neptunes3 446 Stay the Night CareyKanye WestThom BellLinda CreedWestCarey3 577 Get Your Number featuring Jermaine Dupri CareyDupriJames PhillipsCoxAustinSteve JolleyTony SwainLeslie JohnAshley IngramDupriCareyLRoc3 158 One and Only featuring Twista CareySamuel LindleyCarl MitchellThe Legendary TraxsterCarey3 149 Circles CareyJames WrightCareyWright3 3010 Your Girl CareyMark ShemerScram JonesCarey2 4611 I Wish You Knew CareyWrightCareyWright3 3412 To the Floor featuring Nelly CareyWilliamsHugoCornell HaynesThe Neptunes3 2713 Joy Ride CareyJeffery GrierYoung GeniusCarey4 0314 Fly Like a Bird CareyWalkerWrightCareyWright3 52Total length 50 00 The Emancipation of Mimi UK version bonus track 44 No TitleWriter s Producer s Length15 Sprung CareyImsomie LeeperGloria JonesPamela SawyerCareyMahogany Music3 26Total length 53 25 The Emancipation of Mimi Japanese version bonus tracks 152 No TitleWriter s Producer s Length16 Secret Love CareyKaseem DeanCareySwizz Beatz3 09Total length 56 34 The Emancipation of Mimi Ultra Platinum Edition 44 152 No TitleWriter s Producer s Length15 Don t Forget About Us CareyDupriCoxAustinCareyDupriCox3 5316 Makin It Last All Night What It Do featuring Jermaine Dupri CareyDupriCoxAustinJarod AlstonDalvin DegrateDonald DegrateCareyDupri3 5117 So Lonely One and Only Part II featuring Twista Carl MitchellCareyRodney JerkinsAdonis ShropshireMakeba RiddickLaShawn DanielsCareyDarkchild3 5318 We Belong Together Remix featuring Jadakiss and Styles P CareyDupriSealAustinEdmondsBristolDeWayneWomackMotenSully non credited Jason PhillipsDavid StylesCareyDJ Clue4 25Total length 66 00 The Emancipation of Mimi Ultra Platinum Edition 2021 digital reissue bonus tracks 46 No TitleWriter s Producer s Length19 Secret Love CareyDeanCareySwizz Beatz3 0920 Sprung CareyLeeperJonesSawyerCareyMahogany Music3 26 The Emancipation of Mimi 2020 vinyl reissue bonus tracks No TitleWriter s Producer s Length15 We Belong Together Remix featuring Jadakiss and Styles P CareyDupriSealAustinEdmondsBristolDeWayneWomackMotenSully non credited PhillipsStylesCareyDJ Clue4 2516 Don t Forget About Us CareyDupriCoxAustinCareyDupriCox3 5317 Makin It Last All Night What It Do featuring Jermaine Dupri CareyDupriCoxAustinAlstonDalvin DegrateDonald DegrateCareyDupri3 5118 Sprung CareyLeeperJonesSawyerCareyMahogany Music3 2619 Secret Love CareyDeanCareySwizz Beatz3 09Total length 68 44 The Emancipation of Mimi Ultra Platinum Edition bonus DVD 153 No TitleLength1 It s Like That video 2 We Belong Together video 3 Shake It Off video 4 Get Your Number video 5 Don t Forget About Us video Sample credits It s Like That samples Hollis Crew by Run DMC and La Di Da Di by Doug E Fresh and MC Ricky D We Belong Together samples If You Think You re Lonely Now by Bobby Womack and Stares and Whispers by Renee Geyer Stay the Night samples Betcha by Golly Wow by Ramsey Lewis and Who s in the House by The 45 King Get You Number samples Just an Illusion by Imagination and Weak at the Knees by Steve Arrington Your Girl samples A Life with You by Adeaze Sprung samples Do it Again by The New Birth Makin It Last All Night What It Do samples Freek n You by Jodeci We Belong Together Remix samples Two Occasions by The Deele and If You Think You re Lonely Now by Bobby WomackPersonnel editCredits for The Emancipation of Mimi are adapted from the album s liner notes 154 Mariah Carey producer tracks 1 4 6 11 13 14 executive producer vocals all tracks background vocals tracks 1 3 6 8 11 13 14 Courtney Bradley background vocals track 14 Calvin Broadus vocals track 5 Rick Brunermer flute tracks 4 9 11 tenor saxophone 9 11 Jason Carson assistant recording engineer tracks 5 12 Dana Jon Chappelle recording engineer tracks 4 6 8 14 Andrew Coleman recording engineer tracks 5 12 Bryan Michael Cox producer track 3 Jeff Dieterie trombone tracks 4 9 11 bass trombone 9 11 Darryl Dixon alto saxophone tracks 4 9 11 Charley Drayton drums tracks 4 9 11 Jermaine Dupri producer 1 3 7 audio mixing 3 7 vocals 1 3 7 Manuel Farolfi assistant recording engineer tracks 6 8 9 14 Jason Finkel assistant recording engineer tracks 4 6 9 11 14 Isaac Freeman additional rap vocals track 1 Brian Frye recording engineer track 7 Brian Garten recording engineer all tracks audio mixing Cornell Haynes vocals track 12 Loris Holland additional keyboards tracks 9 11 14 John Horesco recording engineer tracks 1 3 7 audio mixing Chops Horns horn tracks 4 9 11 Chad Hugo producer tracks 5 12 Ken Duro Ifill mixing Randy Jackson bass tracks 4 9 11 Jeffrey Lee Johnson guitar tracks 4 9 11 Rev Dr Clarence Keaton talking voice track 14 Michael Leedy assistant recording engineer tracks 4 6 9 11 14 Samuel Legendary Traxster Lindley producer track 8 Trey Lorenz background vocals tracks 7 11 13 14 Manny Marroquin audio mixing track 6 Carl Mitchell vocals track 8 Mike Pierce recording engineer track 8 James Phillips producer track 7 Jason Phillips vocals Herb Power mastering James Poyser producer keyboard track 4 L A Reid executive producer Joe Romano flugelhorn trumpet tracks 4 9 11 Manuel Seal producer tracks 1 2 Ernesto Shaw mixing Marc Shemer producer track 10 Dexter Simmons mixing David Styles vocals Phil Tan audio mixing tracks 1 5 7 9 11 14 Maryann Tatum background vocals tracks 1 9 11 14 Sherry Tatum background vocals tracks 1 9 11 14 Pat Viala audio mixing tracks 8 10 Jeff Villanueva engineer Kanye West producer track 6 Pharrell Williams producer additional vocals tracks 5 12 James Wright producer 9 11 14 keyboards 9 11 Charts editWeekly charts edit Chart 2005 PeakpositionAustralian Albums ARIA 155 6Australian Urban Albums ARIA 156 1Austrian Albums O3 Austria 157 19Belgian Albums Ultratop Flanders 158 31Belgian Albums Ultratop Wallonia 159 26Canadian Albums Billboard 160 2Czech Albums CNS IFPI 161 74Danish Albums Hitlisten 162 2Dutch Albums Album Top 100 163 8European Albums Top 100 164 4French Albums SNEP 165 4German Albums Offizielle Top 100 166 14Greek Albums IFPI 167 1Irish Albums IRMA 168 18Italian Albums FIMI 169 15Japanese Albums Oricon 170 2New Zealand Albums RMNZ 171 12Polish Albums ZPAV 172 22Portuguese Albums AFP 173 25Scottish Albums OCC 174 31Singaporean Albums RIAS 175 4Spanish Albums PROMUSICAE 176 15Swedish Albums Sverigetopplistan 177 32Swiss Albums Schweizer Hitparade 178 9UK Albums OCC 179 7UK Jazz amp Blues Albums OCC 180 18UK R amp B Albums OCC 181 2US Billboard 200 182 1US Top R amp B Hip Hop Albums Billboard 183 1Monthly charts edit Chart 2005 PeakpositionSouth Korean Albums RIAK 184 3 Year end charts edit Chart 2005 PositionAustralian Albums ARIA 185 27Australian Urban Albums ARIA 186 4Belgian Albums Ultratop Wallonia 187 94Dutch Albums Album Top 100 188 47French Albums SNEP 189 58German Albums Offizielle Top 100 190 79Japanese Albums Oricon 191 51New Zealand Albums RMNZ 192 42Swiss Albums Schweizer Hitparade 193 78UK Albums OCC 194 31US Billboard 200 195 4US Top R amp B Hip Hop Albums Billboard 196 2Worldwide Albums IFPI 136 2Chart 2006 PositionAustralian Urban Albums ARIA 197 17US Billboard 200 198 11US Top R amp B Hip Hop Albums Billboard 198 7Decade end charts edit Chart 2000 09 PositionUS Billboard 200 199 27US Top R amp B Hip Hop Albums Billboard 200 6All time charts edit Chart PositionUS Billboard 200 201 52US Billboard 200 Women 202 19Certifications and sales editRegion Certification Certified units salesAustralia ARIA 203 Platinum 70 000 Brazil Pro Musica Brasil 205 Gold 60 000 204 Canada Music Canada 206 3 Platinum 300 000 France SNEP 131 Gold 100 000 Germany BVMI 207 Gold 100 000 Japan RIAJ 208 Platinum 259 275 191 New Zealand RMNZ 209 Platinum 15 000 South Korea 15 239 210 United Kingdom BPI 211 2 Platinum 621 352 128 United States RIAA 212 7 Platinum 7 000 000 SummariesEurope IFPI 213 Platinum 1 000 000 Worldwide 10 000 000 3 Sales figures based on certification alone Shipments figures based on certification alone Sales streaming figures based on certification alone See also editList of best selling albums by women List of best selling albums by year in the United StatesReferences edit a b Trust Gary January 7 2006 Ask Billboard Madonna vs Whitney vs Mariah Billboard Archived from the original on May 23 2013 Retrieved July 27 2011 a b c d e Cinquemani Sal April 5 2005 Mariah Carey The Emancipation Of Mimi Slant Magazine Archived from the original on June 15 2013 Retrieved February 21 2010 a b c The Business of Justin Bieber Hollywood Reporter October 2 2011 Archived from the original on October 18 2018 Retrieved April 16 2019 a b Trust Gary June 25 2010 Ask Billboard Katy Perry Christina Aguilera Lady Gaga Billboard Archived from the original on June 16 2013 Retrieved February 5 2011 Anderson Joan February 6 2006 Carey On Boston Globe 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Recording Industry Association Retrieved July 23 2017 No Brasil O Globo in Portuguese May 29 2006 ProQuest 334799919 Archived from the original on September 23 2022 Retrieved September 7 2022 via ProQuest Brazilian album certifications Mariah Carey The Emancipation of Mimi in Portuguese Pro Musica Brasil Retrieved July 23 2017 Canadian album certifications Mariah Carey The Emancipation of Mimi Music Canada Retrieved July 23 2017 Gold Platin Datenbank Mariah Carey The Emancipation of Mimi in German Bundesverband Musikindustrie Retrieved March 28 2023 Japanese album certifications Mariah Carey The Emancipation of Mimi in Japanese Recording Industry Association of Japan Retrieved July 23 2017 Select 2005年7月 on the drop down menu New Zealand album certifications Mariah Carey The Emancipation of Mimi Recorded Music NZ Retrieved July 23 2017 2005 6월 POP음반 판매량 in Korean Recording Industry Association Of Korea Archived from the original on November 12 2008 British album certifications Mariah Carey The Emancipation of Mimi British Phonographic Industry Retrieved July 23 2017 American album certifications Mariah Carey Emancipation of Mimi Recording Industry Association of America Retrieved September 26 2022 IFPI Platinum Europe Awards 2005 International Federation of the Phonographic Industry Retrieved July 23 2011 External links editThe Emancipation of Mimi at Metacritic Retrieved from https en wikipedia org w index php title The Emancipation of Mimi amp oldid 1185759307, wikipedia, wiki, book, books, library,

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