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The Dial

February 14, 2023

For the publishing house founded in 1923, see Dial Press.

The Dial was an American magazine published intermittently from 1840 to 1929. In its first form, from 1840 to 1844,[1] it served as the chief publication of the Transcendentalists. From the 1880s to 1919 it was revived as a political review and literary criticism magazine. From 1920 to 1929 it was an influential outlet for modernist literature in English.

The Dial
CategoriesPolitics, literature
Founded1840
Final issue1929
CountryUnited States
LanguageEnglish

Transcendentalist journal

 
July 1843 issue of The Dial, featuring Margaret Fuller's "The Great Lawsuit"

Members of the Hedge Club began talks for creating a vehicle for their essays and reviews in philosophy and religion in October 1839.[2] Other influential journals, including the North American Review and the Christian Examiner refused to accept their work for publication.[3] Orestes Brownson proposed utilizing his recently established periodical Boston Quarterly Review but members of the club decided a new publication was a better solution.[4] Frederick Henry Hedge, Theodore Parker, and Ralph Waldo Emerson were originally considered for the editor role.[2] On October 20, 1839, Margaret Fuller officially accepted the editorship, though she was unable to begin work on the publication until the first week of 1840.[4] George Ripley served as the managing editor.[5] Its first issue was published in July 1840 with an introduction by Emerson calling it a "Journal in a new spirit".[6] In this first form, the magazine remained in publication until 1844. Emerson wrote to Fuller on August 4, 1840, of his ambitions for the magazine:

I begin to wish to see a different Dial from that which I first imagined. I would not have it too purely literary. I wish we might make a Journal so broad & great in its survey that it should lead the opinion of this generation on every great interest & read the law on property, government, education, as well as on art, letters, & religion. A great Journal people must read. And it does not seem worth our while to work with any other than sovereign aims. So I wish we might court some of the good fanatics and publish chapters on every head in the whole Art of Living....I know the danger of such latitude of plan in any but the best conducted Journal. It becomes friendly to special modes of reform, partisan, bigoted, perhaps whimsical; not universal & poetic. But our round table is not, I fancy, in imminent peril of party & bigotry, & we shall bruise each the other's whims by the collision.[7]

 
"The moral influence of The Dial", a caricature by Christopher Pearse Cranch, ca. 1841-1844

The title of the journal, which was suggested by Amos Bronson Alcott, intended to evoke a sundial. The connotations of the image were expanded upon by Emerson in concluding his editorial introduction to the journal's first issue:

And so with diligent hands and good intent we set down our Dial on the earth. We wish it may resemble that instrument in its celebrated happiness, that of measuring no hours but those of sunshine. Let it be one cheerful rational voice amidst the din of mourners and polemics. Or to abide by our chosen image, let it be such a Dial, not as the dead face of a clock, hardly even such as the Gnomon in a garden, but rather such a Dial as is the Garden itself, in whose leaves and flowers the suddenly awakened sleeper is instantly apprised not what part of dead time, but what state of life and growth is now arrived and arriving.[8]

The Dial was heavily criticized, even by Transcendentalists. Ripley said, "They had expected hoofs and horns while it proved as gentle as any sucking dove".[9] The journal was never financially stable. In 1843, Elizabeth Peabody, acting as business manager, noted that the journal's income was not covering the cost of printing and that subscriptions totaled just over two hundred.[10] It ceased publication in April 1844. Horace Greeley, in the May 25 issue of the New-York Weekly Tribune, reported it as an end to the "most original and thoughtful periodical ever published in this country".[10]

Political review and literary criticism magazine

After a one-year revival in 1860, the third incarnation of The Dial, this time as a journal of both politics and literary criticism, began publication in 1880. This version of the magazine was founded by Francis Fisher Browne in Chicago. Browne claimed it to be a legitimate offspring of Emerson and Fuller's Dial. Browne would serve as its editor for over three decades. He envisioned his new literary journal in the genteel tradition of its predecessor, containing book reviews, articles about current trends in the sciences and humanities, and politics, as well as long lists of current book titles. It was in this form that Margaret Anderson, soon to be founder of The Little Review, worked for the magazine. Although Chicago was a city reputedly indifferent to literary pursuits, The Dial attained national prominence, absorbing The Chap-Book in 1898.

Francis Browne died in 1913 after elevating the magazine by its unswerving standard in design and content. Control of the magazine shifted to his siblings, and under their control, the magazine lost prominence because they lacked the editing and managing abilities of Francis. In 1916, rather than continuing the failing magazine, the Browne family sold The Dial to Martyn Johnson, who "set the magazine on a liberal, even increasingly radical course in politics and the arts as well as in literature."[11] Although The Dial was, at the time, a reputable magazine with a noted Midwestern influence, Johnson decided to move to New York in 1918 to distance the magazine from the Midwest and reconnect with the city because many of the magazine's new editors had connections there. Johnson's Dial soon encountered financial problems, but future editor Scofield Thayer, heir to a New England wool fortune, invested in the magazine.[12] During this time, Thayer met Randolph Bourne, a contributing editor to The Dial.[13] Bourne's steadfast pacifism and aesthetic views of art inspired Thayer who reflected these philosophies in his life. After contributing to The Dial and sinking large sums of money into the company, Thayer hoped for some editorial control of the magazine. Johnson, however, would not yield any responsibilities, causing Thayer to leave the magazine in 1918.

During the latter stages of World War I, Bourne's followers at The Dial became opponents of John Dewey who advocated absolute violence as the sole means of ending the war. This, coupled with increasing financial problems, nearly ended the magazine. These internal conflicts over ideology and finances caused Johnson to put the magazine up for sale in 1919. Thayer had teamed with a friend from Harvard, James Sibley Watson, Jr., to buy The Dial late in 1919.[14] Watson, being an heir to the Western Union fortune, had ample money to buy the magazine with Thayer.[15]

Modernist literary magazine

In 1920, Scofield Thayer and Dr. James Sibley Watson. Jr. re-established The Dial as a literary magazine, the form for which it was most successful and best known. Under Watson's and Thayer's sway The Dial published remarkably influential artwork, poetry and fiction, including William Butler Yeats' "The Second Coming" and the first United States publication of T. S. Eliot's The Waste Land. The Waste Land, however, barely made it to the pages of The Dial. Ezra Pound, the magazine's foreign advisor/editor (1920–1923), suggested the poem for publication. Thayer, having never seen the work, approved it for the magazine based on this suggestion and because Eliot had been Thayer's classmate at Oxford.[16] Eliot became frustrated, however, at the small amount The Dial intended to pay for the poem. Thayer was relieved that Eliot was about to pull the deal off the table because he was weary of Eliot's style. Negotiations continued, however, until The Dial paid Eliot $2130 for the poem,[17] by also awarding the magazine's second annual prize, which carried an award of $2,000 (£450).[18] This was a substantial amount, approximately equal to Eliot's 1922 salary at Lloyds Bank (£500, $2,215),[19] and worth about $90,000 in 2006 dollars.[20]

The first year of the Watson/Thayer Dial alone saw the appearance of Sherwood Anderson, Djuna Barnes, Kenneth Burke, William Carlos Williams, Hart Crane, E. E. Cummings, Charles Demuth, Kahlil Gibran, Gaston Lachaise, Amy Lowell, Marianne Moore, Ezra Pound, Arthur Wilson later known as Winslow Wilson, Odilon Redon, Bertrand Russell, Carl Sandburg, Van Wyck Brooks, and W. B. Yeats.

The Dial published art as well as poetry and essays, with artists ranging from Vincent van Gogh, Renoir, Henri Matisse, and Odilon Redon, through Oskar Kokoschka, Constantin Brâncuși, and Edvard Munch, and Georgia O'Keeffe and Joseph Stella. The magazine also reported on the cultural life of European capitals, writers included T. S. Eliot from London, John Eglinton initially from Dublin, but after 1922 reporting on Dublin from a self-imposed exile in England, Ezra Pound from Paris, Thomas Mann from Germany, and Hugo von Hofmannsthal from Vienna.

Scofield Thayer was the magazine's editor-in-chief from 1920 to 1926, and Watson was publisher and president from 1920 until its end in 1929. Several managing editors worked for The Dial during the twenties: Gilbert Seldes (1922–23), Kenneth Burke (1923), Alyse Gregory (1923–25). Due to Thayer's nervous breakdown, he left The Dial in 1925 and formally resigned in 1926. Marianne Moore, a contributor to The Dial and advisor, became Managing Editor in 1925. She became the magazine's editor-in-chief upon Thayer's resignation.[21]

Ernest Hemingway published his poem The Soul of Spain With McAlmon and Bird the Publishers in the German magazine Der Querschnitt where he directly attacked The Dial in 1924. Der Querschnitt was seen as a German counterpart of The Dial by some.

Scofield Thayer's mental health continued to deteriorate, and he was hospitalized in 1927. Around this time, Watson began to delve into avant garde films, leaving Moore to her own auspices as editor-in-chief. Toward the end of the magazine's run, the staff felt that they were staying on because of an obligation to continue rather than a drive to be a strong, modern magazine. When the magazine ended in 1929, the staff was confident that the precedent they set would be carried on by other magazines.

In 1981, the Worcester Art Museum in Worcester, Massachusetts, held an exhibition titled "The Dial": Arts and Letters in the 1920s and published a catalog titled The Dial: Arts and Letters in the 1920s: An anthology of writings from The Dial magazine, 1920-29, Edited by Gaye L. Brown. ISBN 0-87023-407-2

The Dial Award

In June 1921, Thayer and Watson announced the creation of the Dial Award, $2000 to be presented to one of its contributors, acknowledging their "service to letters" in hopes of providing the artist with "leisure through which at least one artist may serve God (or go to the Devil) according to his own lights." The first of these awards was granted in January 1922 to Sherwood Anderson for work he had published in the magazine in 1921. Eight Dial Awards were given in all.

Notable contributors by volume

In its literary phase, The Dial was published monthly. Notable contributors for each of its volumes (six-month intervals) are summarized below.

References

  1. ^ Mary Biggs (January 1983). "Women's Literary Journals". The Library Quarterly: Information, Community, Policy. 53 (1). JSTOR 4307573.
  2. ^ a b Gura, Philip F. American Transcendentalism: A History. New York: Hill and Wang, 2007: 128. ISBN 978-0-8090-3477-2
  3. ^ Slater, Abby. In Search of Margaret Fuller. New York: Delacorte Press, 1978: 51. ISBN 978-0-440-03944-0
  4. ^ a b Von Mehren, Joan. Minerva and the Muse: A Life of Margaret Fuller. Amherst, Massachusetts: University of Massachusetts Press, 1994: 120. ISBN 978-1-55849-015-4
  5. ^ Slater, Abby. In Search of Margaret Fuller. New York: Delacorte Press, 1978: 61–62. ISBN 978-0-440-03944-0
  6. ^ Gura, Philip F. American Transcendentalism: A History. New York: Hill and Wang, 2007: 129. ISBN 978-0-8090-3477-2
  7. ^ Emerson, Ralph Waldo. Emerson's Prose and Poetry, ed. Porte and Morris. p. 549
  8. ^ The Transcendentalists, ed. Miller, p. 251
  9. ^ Golemba, Henry L. George Ripley. Boston: Twayne Publishers, 1977: 59. ISBN 978-0-8057-7181-7
  10. ^ a b Gura, Philip F. American Transcendentalism: A History. New York: Hill and Wang, 2007: 130. ISBN 978-0-8090-3477-2
  11. ^ Joost, Nicholas. Scofield Thayer and The Dial: An Illustrated History. Carbondale: Southern Illinois University P, 1964: 4
  12. ^ Joost, Nicholas. Scofield Thayer and The Dial: An Illustrated History. Carbondale: Southern Illinois University P, 1964: 6
  13. ^ Hoffman, Frederick, Charles Allen, and Carolyn Ulrich. The Little Magazine: A History and a Bibliography. Princeton: Princeton UP, 1946:198
  14. ^ Hoffman, Frederick, Charles Allen, and Carolyn Ulrich. The Little Magazine: A History and a Bibliography. Princeton: Princeton UP, 1946:196
  15. ^ Joost, Nicholas. Scofield Thayer and The Dial: An Illustrated History. Carbondale: Southern Illinois University P, 1964: 15
  16. ^ Seymour-Jones, Carol. Painted Shadow: The Life of Vivienne Eliot, First Wife of T. S. Eliot. New York: Knopf, 2003
  17. ^ Joost, Nicholas. Scofield Thayer and The Dial: An Illustrated History. Carbondale: Southern Illinois University P, 1964: 161
  18. ^ The Dial magazine's announcement of award to Eliot, Retrieved 28 February 2008
  19. ^ Eliot's 1922 salary: Gordon 2000 p. 165
  20. ^ Williamson, Samuel H. (2007) "Five Ways to Compute the Relative Value of a U.S. Dollar Amount, 1790–2006", MeasuringWorth.Com
  21. ^ Hoffman, Frederick, Charles Allen, and Carolyn Ulrich. The Little Magazine: A History and a Bibliography. Princeton: Princeton UP, 1946:200
  22. ^ "The Dial". HathiTrust. Retrieved July 4, 2021.{{cite web}}: CS1 maint: url-status (link)

External links

 
Wikisource has a volume list, with links to digitised editions:
The Dial

February 14, 2023
dial, publishing, house, founded, 1923, dial, press, american, magazine, published, intermittently, from, 1840, 1929, first, form, from, 1840, 1844, served, chief, publication, transcendentalists, from, 1880s, 1919, revived, political, review, literary, critic. For the publishing house founded in 1923 see Dial Press The Dial was an American magazine published intermittently from 1840 to 1929 In its first form from 1840 to 1844 1 it served as the chief publication of the Transcendentalists From the 1880s to 1919 it was revived as a political review and literary criticism magazine From 1920 to 1929 it was an influential outlet for modernist literature in English The DialCategoriesPolitics literatureFounded1840Final issue1929CountryUnited StatesLanguageEnglish Contents 1 Transcendentalist journal 2 Political review and literary criticism magazine 3 Modernist literary magazine 3 1 The Dial Award 3 2 Notable contributors by volume 4 References 5 External linksTranscendentalist journal Edit July 1843 issue of The Dial featuring Margaret Fuller s The Great Lawsuit Members of the Hedge Club began talks for creating a vehicle for their essays and reviews in philosophy and religion in October 1839 2 Other influential journals including the North American Review and the Christian Examiner refused to accept their work for publication 3 Orestes Brownson proposed utilizing his recently established periodical Boston Quarterly Review but members of the club decided a new publication was a better solution 4 Frederick Henry Hedge Theodore Parker and Ralph Waldo Emerson were originally considered for the editor role 2 On October 20 1839 Margaret Fuller officially accepted the editorship though she was unable to begin work on the publication until the first week of 1840 4 George Ripley served as the managing editor 5 Its first issue was published in July 1840 with an introduction by Emerson calling it a Journal in a new spirit 6 In this first form the magazine remained in publication until 1844 Emerson wrote to Fuller on August 4 1840 of his ambitions for the magazine I begin to wish to see a different Dial from that which I first imagined I would not have it too purely literary I wish we might make a Journal so broad amp great in its survey that it should lead the opinion of this generation on every great interest amp read the law on property government education as well as on art letters amp religion A great Journal people must read And it does not seem worth our while to work with any other than sovereign aims So I wish we might court some of the good fanatics and publish chapters on every head in the whole Art of Living I know the danger of such latitude of plan in any but the best conducted Journal It becomes friendly to special modes of reform partisan bigoted perhaps whimsical not universal amp poetic But our round table is not I fancy in imminent peril of party amp bigotry amp we shall bruise each the other s whims by the collision 7 The moral influence of The Dial a caricature by Christopher Pearse Cranch ca 1841 1844 The title of the journal which was suggested by Amos Bronson Alcott intended to evoke a sundial The connotations of the image were expanded upon by Emerson in concluding his editorial introduction to the journal s first issue And so with diligent hands and good intent we set down our Dial on the earth We wish it may resemble that instrument in its celebrated happiness that of measuring no hours but those of sunshine Let it be one cheerful rational voice amidst the din of mourners and polemics Or to abide by our chosen image let it be such a Dial not as the dead face of a clock hardly even such as the Gnomon in a garden but rather such a Dial as is the Garden itself in whose leaves and flowers the suddenly awakened sleeper is instantly apprised not what part of dead time but what state of life and growth is now arrived and arriving 8 The Dial was heavily criticized even by Transcendentalists Ripley said They had expected hoofs and horns while it proved as gentle as any sucking dove 9 The journal was never financially stable In 1843 Elizabeth Peabody acting as business manager noted that the journal s income was not covering the cost of printing and that subscriptions totaled just over two hundred 10 It ceased publication in April 1844 Horace Greeley in the May 25 issue of the New York Weekly Tribune reported it as an end to the most original and thoughtful periodical ever published in this country 10 Political review and literary criticism magazine EditAfter a one year revival in 1860 the third incarnation of The Dial this time as a journal of both politics and literary criticism began publication in 1880 This version of the magazine was founded by Francis Fisher Browne in Chicago Browne claimed it to be a legitimate offspring of Emerson and Fuller s Dial Browne would serve as its editor for over three decades He envisioned his new literary journal in the genteel tradition of its predecessor containing book reviews articles about current trends in the sciences and humanities and politics as well as long lists of current book titles It was in this form that Margaret Anderson soon to be founder of The Little Review worked for the magazine Although Chicago was a city reputedly indifferent to literary pursuits The Dial attained national prominence absorbing The Chap Book in 1898 Francis Browne died in 1913 after elevating the magazine by its unswerving standard in design and content Control of the magazine shifted to his siblings and under their control the magazine lost prominence because they lacked the editing and managing abilities of Francis In 1916 rather than continuing the failing magazine the Browne family sold The Dial to Martyn Johnson who set the magazine on a liberal even increasingly radical course in politics and the arts as well as in literature 11 Although The Dial was at the time a reputable magazine with a noted Midwestern influence Johnson decided to move to New York in 1918 to distance the magazine from the Midwest and reconnect with the city because many of the magazine s new editors had connections there Johnson s Dial soon encountered financial problems but future editor Scofield Thayer heir to a New England wool fortune invested in the magazine 12 During this time Thayer met Randolph Bourne a contributing editor to The Dial 13 Bourne s steadfast pacifism and aesthetic views of art inspired Thayer who reflected these philosophies in his life After contributing to The Dial and sinking large sums of money into the company Thayer hoped for some editorial control of the magazine Johnson however would not yield any responsibilities causing Thayer to leave the magazine in 1918 During the latter stages of World War I Bourne s followers at The Dial became opponents of John Dewey who advocated absolute violence as the sole means of ending the war This coupled with increasing financial problems nearly ended the magazine These internal conflicts over ideology and finances caused Johnson to put the magazine up for sale in 1919 Thayer had teamed with a friend from Harvard James Sibley Watson Jr to buy The Dial late in 1919 14 Watson being an heir to the Western Union fortune had ample money to buy the magazine with Thayer 15 Modernist literary magazine EditIn 1920 Scofield Thayer and Dr James Sibley Watson Jr re established The Dial as a literary magazine the form for which it was most successful and best known Under Watson s and Thayer s sway The Dial published remarkably influential artwork poetry and fiction including William Butler Yeats The Second Coming and the first United States publication of T S Eliot s The Waste Land The Waste Land however barely made it to the pages of The Dial Ezra Pound the magazine s foreign advisor editor 1920 1923 suggested the poem for publication Thayer having never seen the work approved it for the magazine based on this suggestion and because Eliot had been Thayer s classmate at Oxford 16 Eliot became frustrated however at the small amount The Dial intended to pay for the poem Thayer was relieved that Eliot was about to pull the deal off the table because he was weary of Eliot s style Negotiations continued however until The Dial paid Eliot 2130 for the poem 17 by also awarding the magazine s second annual prize which carried an award of 2 000 450 18 This was a substantial amount approximately equal to Eliot s 1922 salary at Lloyds Bank 500 2 215 19 and worth about 90 000 in 2006 dollars 20 The first year of the Watson Thayer Dial alone saw the appearance of Sherwood Anderson Djuna Barnes Kenneth Burke William Carlos Williams Hart Crane E E Cummings Charles Demuth Kahlil Gibran Gaston Lachaise Amy Lowell Marianne Moore Ezra Pound Arthur Wilson later known as Winslow Wilson Odilon Redon Bertrand Russell Carl Sandburg Van Wyck Brooks and W B Yeats The Dial published art as well as poetry and essays with artists ranging from Vincent van Gogh Renoir Henri Matisse and Odilon Redon through Oskar Kokoschka Constantin Brancuși and Edvard Munch and Georgia O Keeffe and Joseph Stella The magazine also reported on the cultural life of European capitals writers included T S Eliot from London John Eglinton initially from Dublin but after 1922 reporting on Dublin from a self imposed exile in England Ezra Pound from Paris Thomas Mann from Germany and Hugo von Hofmannsthal from Vienna Scofield Thayer was the magazine s editor in chief from 1920 to 1926 and Watson was publisher and president from 1920 until its end in 1929 Several managing editors worked for The Dial during the twenties Gilbert Seldes 1922 23 Kenneth Burke 1923 Alyse Gregory 1923 25 Due to Thayer s nervous breakdown he left The Dial in 1925 and formally resigned in 1926 Marianne Moore a contributor to The Dial and advisor became Managing Editor in 1925 She became the magazine s editor in chief upon Thayer s resignation 21 Ernest Hemingway published his poem The Soul of Spain With McAlmon and Bird the Publishers in the German magazine Der Querschnitt where he directly attacked The Dial in 1924 Der Querschnitt was seen as a German counterpart of The Dial by some Scofield Thayer s mental health continued to deteriorate and he was hospitalized in 1927 Around this time Watson began to delve into avant garde films leaving Moore to her own auspices as editor in chief Toward the end of the magazine s run the staff felt that they were staying on because of an obligation to continue rather than a drive to be a strong modern magazine When the magazine ended in 1929 the staff was confident that the precedent they set would be carried on by other magazines In 1981 the Worcester Art Museum in Worcester Massachusetts held an exhibition titled The Dial Arts and Letters in the 1920s and published a catalog titled The Dial Arts and Letters in the 1920s An anthology of writings from The Dial magazine 1920 29 Edited by Gaye L Brown ISBN 0 87023 407 2 The Dial Award Edit In June 1921 Thayer and Watson announced the creation of the Dial Award 2000 to be presented to one of its contributors acknowledging their service to letters in hopes of providing the artist with leisure through which at least one artist may serve God or go to the Devil according to his own lights The first of these awards was granted in January 1922 to Sherwood Anderson for work he had published in the magazine in 1921 Eight Dial Awards were given in all 1921 Sherwood Anderson 1922 T S Eliot 1923 Van Wyck Brooks 1924 Marianne Moore 1925 E E Cummings 1926 William Carlos Williams 1927 Ezra Pound 1928 Kenneth BurkeNotable contributors by volume Edit In its literary phase The Dial was published monthly Notable contributors for each of its volumes six month intervals are summarized below Vol 68 January June 1920 Sherwood Anderson Djuna Barnes Randolph Bourne Kenneth Burke Malcolm Cowley Hart Crane E E Cummings Charles Demuth Kahlil Gibran Gaston Lachaise Amy Lowell Edna St Vincent Millay 22 Marianne Moore Ezra Pound Odilon Redon Paul Rosenfeld Bertrand Russell Carl Sandburg Gilbert Seldes Sganarelle Van Wyck Brooks W B Yeats Vol 69 July December 1920 Richard Aldington Julien Benda Kenneth Burke Joseph Conrad Stewart Davis T S Eliot Ford Madox Ford Waldo Frank Paul Gauguin Remy de Gourmont James Joyce Henry McBride Ezra Pound Marcel Proust Arthur Rimbaud Vincent van Gogh William Carlos Williams William Butler Yeats Vol 70 January June 1921 Richard Aldington Sherwood Anderson Johan Bojer Jean Cocteau E E Cummings John Dos Passos T S Eliot Kahlil Gibran Remy de Gourmont Ford Maddox Ford Gaston Lachaise D H Lawrence Wyndham Lewis Vachel Lindsay Mina Loy Thomas Mann Henry McBride George Moore Marianne Moore Edwin Arlington Robinson Paul Rosenfeld Gilbert Seldes Arthur Wilson later known as Winslow Wilson Vol 71 July December 1921 Sherwood Anderson Padraic Colum Arthur Dove Anatole France D H Lawrence Wyndham Lewis Amy Lowell Marianne Moore J Middleton Murry Pablo Picasso Ezra Pound Logan Pearsall Smith Arthur Schnitzler Max Weber William Butler Yeats Vol 72 January June 1922 Conrad Aiken Sherwood Anderson Louis Aragon Alexander Archipenko Maxwell Bodenheim Ivan Bunin Kenneth Burke Ananda Coomaraswamy Hart Crane Thomas Jewell Craven S Foster Damon E E Cummings Alfeo Faggi Hermann Hesse A L Kroeber D H Lawrence Henri Matisse Henry McBride Raymond Mortimer Paul Rosenfeld Henri Rousseau Bertrand Russell Carl Sandburg George Santayana Gilbert Seldes May Sinclair Felix Timmermans Paul Valery Vol 73 July December 1922 Sherwood Anderson Constantin Brancuși Marc Chagall John Dos Passos John Eglinton T S Eliot Elie Faure Duncan Grant Hermann Hesse Hugo von Hofmannsthal D H Lawrence Mina Loy Franz Marc Henri Matisse Thomas Mann Raymond Mortimer Paul Rosenfeld Arthur Schnitzler Wallace Stevens Edmund Wilson William Butler Yeats Vol 74 January June 1923 Conrad Aiken Sherwood Anderson Malcolm Cowley E E Cummings Stuart Davis John Dewey Gerhart Hauptmann Hugo von Hofmannsthal Marie Laurencin D H Lawrence Thomas Mann Katherine Mansfield Frans Masereel Henry McBride George Moore Marianne Moore Raymond Mortimer Pablo Picasso Ezra Pound Paul Rosenfeld Henri Rousseau Edmund Wilson William Butler Yeats Stefan Zweig Vol 75 July December 1923 Djuna Barnes Pierre Bonnard Van Wyck Brooks Karel Capek Adolphe Dehn Andre Derain Roger Fry Alyse Gregory Knut Hamsun Manuel Komroff Alfred Kreymborg Julius Meier Graefe Marie Laurencin George Moore Paul Morand Luigi Pirandello Bertrand Russell Edward Sapir Georges Seurat Jean Toomer William Carlos Williams Edmund Wilson Virginia Woolf Vol 76 January June 1924 Marc Chagall Padraic Colum E E Cummings Jacob Epstein Elie Faure E M Forster Maxim Gorky Gaston Lachaise Marie Laurencin Aristide Maillol Heinrich Mann Thomas Mann John Marin H L Mencken Edvard Munch J Middleton Murry Pablo Picasso Raffaello Piccolli Herbert Read Edwin Arlington Robinson Herbert J Seligmann Miguel de Unamuno Maurice de Vlaminck Stefan Zweig Vol 77 July December 1924 Ernst Barlach Clive Bell Marc Chagall Thomas Craven Adolphe Dehn Andre Derain Jose Ortega y Gasset Maxim Gorky Duncan Grant Marianne Moore Edwin Muir Jules Romains Bertrand Russell Carl Sandburg Herbert J Seligmann Georges Seurat Logan Pearsall Smith Oswald Spengler Leo Stein Wallace Stevens Scofield Thayer Edmund Wilson Virginia Woolf Vol 78 January June 1925 Sherwood Anderson Clive Bell T S Eliot Hugo von Hofmannsthal Henri Matisse Henry McBride Marianne Moore Paul Morand Raymond Mortimer Lewis Mumford Edvard Munch Georgia O Keeffe Auguste Rodin Paul Rosenfeld George Santayana Oswald Spengler William Carlos Williams Virginia Woolf Vol 79 July December 1925 Thomas Hart Benton Pierre Bonnard Kenneth Burke Joseph Campbell Thomas Craven Malcolm Cowley E E Cummings Charles Demuth Dostoevsky Arthur Dove Elie Faure Waldo Frank Roger Fry Eduard von Keyserling Marie Laurencin D H Lawrence Mabel Dodge Luhan Thomas Mann Henry McBride Marianne Moore Georgia O Keeffe Logan Pearsall Smith Arthur Schnitzler Edouard Vuillard Vol 80 January June 1926 Alexander Archipenko Hart Crane E E Cummings Adolf Dehn Alfeo Faggi Anatole France Waldo Frank Robert Hillyer Augustus John Nikolai Leskov Aristide Maillol Henry McBride Pablo Picasso Rainer Maria Rilke Paul Rosenfeld Henri Rousseau George Saintsbury Gilbert Seldes Scofield Thayer Paul Valery Yvor Winters Vol 81 July December 1926 Paul Cezanne Hart Crane Thomas Craven John Eglinton Roger Fry Marie Laurencin D H Lawrence Thomas Mann Henri Matisse Paul Morand Pablo Picasso Raffaello Piccolli Auguste Renoir I A Richards Bertrand Russell George Saintsbury Herman George Scheffauer Gilbert Seldes Gertrude Stein William Carlos Williams William Butler Yeats Vol 82 January June 1927 Conrad Aiken Constantin Brancuși Paul Cezanne Hart Crane Benedetto Croce T S Eliot Ramon Fernandez Leon Srabian Herald Winslow Homer Oskar Kokoschka Thomas Mann Henry McBride Edvard Munch Paul Rosenfeld George Saintsbury George Santayana Meridel Le Sueur Sacheverell Sitwell Vincent van Gogh William Carlos Williams Jack Yeats Vol 83 July December 1927 Conrad Aiken Paul Cezanne Malcolm Cowley Hart Crane E E Cummings Andre Derain Marie Laurencin D H Lawrence Raymond Mortimer Pablo Picasso Bertrand Russell Leo Stein Charles Trueblood Paul Valery Vincent van Gogh William Butler Yeats Vol 84 January June 1928 Conrad Aiken Kenneth Burke Kwei Chen Padraic Colum T S Eliot Robert Hillyer Wyndham Lewis Henry McBride Pablo Picasso Ezra Pound Llewelyn Powys Odilon Redon William Carlos Williams William Butler Yeats Vol 85 July December 1928 Conrad Aiken Kenneth Burke Kwei Chen Paul Claudel Padraic Colum T S Eliot Waldo Frank Maxim Gorki Philip Littell Aristide Maillol Frans Masereel Elie Nadelman Pablo Picasso Ezra Pound Logan Pearsall Smith Joseph Stella Jean Toomer Charles K Trueblood Max Weber William Carlos Williams Louis Zukofsky Vol 86 January July 1929 Conrad Aiken Kenneth Burke Hart Crane Padraic Colum Maxim Gorki Duncan Grant Stanley Kunitz D H Lawrence Aristide Maillol Pablo Picasso Ezra Pound John Cowper Powys Llewelyn Powys Bertrand Russell William Carlos Williams Paul Valery Felix Albrecht HartaReferences Edit Mary Biggs January 1983 Women s Literary Journals The Library Quarterly Information Community Policy 53 1 JSTOR 4307573 a b Gura Philip F American Transcendentalism A History New York Hill and Wang 2007 128 ISBN 978 0 8090 3477 2 Slater Abby In Search of Margaret Fuller New York Delacorte Press 1978 51 ISBN 978 0 440 03944 0 a b Von Mehren Joan Minerva and the Muse A Life of Margaret Fuller Amherst Massachusetts University of Massachusetts Press 1994 120 ISBN 978 1 55849 015 4 Slater Abby In Search of Margaret Fuller New York Delacorte Press 1978 61 62 ISBN 978 0 440 03944 0 Gura Philip F American Transcendentalism A History New York Hill and Wang 2007 129 ISBN 978 0 8090 3477 2 Emerson Ralph Waldo Emerson s Prose and Poetry ed Porte and Morris p 549 The Transcendentalists ed Miller p 251 Golemba Henry L George Ripley Boston Twayne Publishers 1977 59 ISBN 978 0 8057 7181 7 a b Gura Philip F American Transcendentalism A History New York Hill and Wang 2007 130 ISBN 978 0 8090 3477 2 Joost Nicholas Scofield Thayer and The Dial An Illustrated History Carbondale Southern Illinois University P 1964 4 Joost Nicholas Scofield Thayer and The Dial An Illustrated History Carbondale Southern Illinois University P 1964 6 Hoffman Frederick Charles Allen and Carolyn Ulrich The Little Magazine A History and a Bibliography Princeton Princeton UP 1946 198 Hoffman Frederick Charles Allen and Carolyn Ulrich The Little Magazine A History and a Bibliography Princeton Princeton UP 1946 196 Joost Nicholas Scofield Thayer and The Dial An Illustrated History Carbondale Southern Illinois University P 1964 15 Seymour Jones Carol Painted Shadow The Life of Vivienne Eliot First Wife of T S Eliot New York Knopf 2003 Joost Nicholas Scofield Thayer and The Dial An Illustrated History Carbondale Southern Illinois University P 1964 161 The Dial magazine s announcement of award to Eliot Retrieved 28 February 2008 Eliot s 1922 salary Gordon 2000 p 165 Williamson Samuel H 2007 Five Ways to Compute the Relative Value of a U S Dollar Amount 1790 2006 MeasuringWorth Com Hoffman Frederick Charles Allen and Carolyn Ulrich The Little Magazine A History and a Bibliography Princeton Princeton UP 1946 200 The Dial HathiTrust Retrieved July 4 2021 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link External links Edit Wikisource has a volume list with links to digitised editions The Dial History of The Dial at American Transcendentalism Web Virginia Commonwealth University Works by or about The Dial at Internet Archive The Dial Thoreau s Life amp Writings at the Thoreau Institute at Walden Woods Editorials from The Dial public domain audiobook at LibriVox The Dial archives Full volume list with dates and links from the University of Pennsylvania library to issues hosted by the Internet Archive Retrieved from https en wikipedia org w index php title The Dial amp oldid 1129278341, wikipedia, wiki, book, books, library,

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