Tsui Hark
Tsui Hark (Chinese: 徐克, Vietnamese: Từ Khắc, born 15 February 1950), born Tsui Man-kong (Vietnamese: Từ Văn Quang), is a Hong Kong film director, producer and screenwriter. Tsui has directed several influential Hong Kong films such as Zu Warriors from the Magic Mountain (1983), the Once Upon a Time in China film series (1991–1997) and The Blade (1995). Tsui also has been a prolific writer and producer;[1] his productions include A Better Tomorrow (1986), A Better Tomorrow II (1987), A Chinese Ghost Story (1987), The Killer (1989), The Legend of the Swordsman (1992), The Wicked City (1992), Iron Monkey (1993) and Black Mask (1996). He is viewed as a major figure in the Golden Age of Hong Kong cinema and is regarded by critics as "one of the masters of Asian cinematography".[2]
Tsui Hark | |||||||||||||
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徐克 | |||||||||||||
Tsui Hark at the New York Asian Film Festival, 10 July 2011 | |||||||||||||
| Born | Tsui Man-kong (徐文光) 15 February 1950 | ||||||||||||
| Occupation(s) | Film director, producer, presenter, screenwriter, actor | ||||||||||||
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| Chinese | 徐文光 | ||||||||||||
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| Alternative Chinese name | |||||||||||||
| Chinese | 徐克 | ||||||||||||
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In the late 1990s, Tsui had a short-lived career in the United States, directing the Jean-Claude Van Damme–led films Double Team (1997) and Knock Off (1998). Both films were commercially unsuccessful and critically panned; Tsui himself was unsatisfied with his lack of creative control and returned to Hong Kong to continue his career, where he found commercial and critical success with blockbusters such as the Detective Dee film series, Flying Swords of Dragon Gate (2011), and The Taking of Tiger Mountain (2014).
Early life edit
Tsui was born and raised in Saigon, Vietnam, to a large Chinese (Hoa) family with sixteen siblings.[3] Tsui showed an early interest in show business and films; when he was 10, he and some friends rented an 8 mm camera to film a magic show they put on at school. He also drew comic books, an interest that would influence his cinematic style. By the age of 13, he and his family immigrated to Hong Kong.[4]
Tsui started his secondary education in Hong Kong in 1966. He proceeded to study film in Texas, first at Southern Methodist University and then at the University of Texas at Austin, graduating in 1975. He claims to have told his parents he wanted to follow in his father's footsteps as a pharmacist, and that it was here he changed his given name to Hark ("overcoming").
After graduation, Tsui moved to New York City, where he worked on From Spikes to Spindles (1976), a noted documentary film by Christine Choy on the history of the city's Chinatown. He also worked as an editor for a Chinese newspaper, developed a community theatre group and worked in a Chinese cable TV station. He returned to Hong Kong in 1977.
Career edit
New Wave period edit
Upon turning to feature filmmaking, Tsui was quickly typed as a member of the "New Wave" of young, iconoclastic directors. His debut film, The Butterfly Murders (1979), was a technically challenging blend of wuxia, murder mystery and science fiction / fantasy elements. His second film, We're Going to Eat You (1980), was a blend of cannibal horror, black comedy and martial arts.
Tsui's third film, Dangerous Encounters of the First Kind (1980), was a nihilistic thriller about delinquent youths on a bombing spree. Heavily censored by the British colonial government, it was released in 1981 in a drastically altered version titled Dangerous Encounter – 1st Kind (or alternatively, Don't Play with Fire). It was not a financial success. However, it helped make Tsui a darling of film critics who had coined the New Wave label, and who were hopeful for a more aesthetically daring cinema more engaged with the realities of contemporary Hong Kong.[citation needed]
Cinema City edit
In 1981, Tsui joined Cinema City & Films Co., a production company founded by comedians Raymond Wong, Karl Maka and Dean Shek. Cinema City & Films Co. was instrumental in codifying the slick Hong Kong blockbuster films of the 1980s.[citation needed] Tsui played his part in the process with pictures like the crime farce All the Wrong Clues (1981), his first hit, and Aces Go Places 3 (1984), part of the studio's long-running spy spoof series.
In 1983, Tsui directed the wuxia fantasy film Zu Warriors from the Magic Mountain (1983) for the studio Golden Harvest. Tsui imported Hollywood technicians to help create special effects whose number and complexity were unprecedented in Chinese-language cinema.[citation needed]
Mogul edit
In 1984, Tsui formed the production company Film Workshop with Nansun Shi. He also developed a reputation as a hands-on and even intrusive producer of other directors' work, fuelled by public breaks with major filmmakers like John Woo and King Hu. His most longstanding and fruitful collaboration has probably been with Ching Siu-tung.[citation needed] As action choreographer and/or director on many Film Workshop productions, Ching made a major contribution to the well-known Tsui style.
Film Workshop releases became consistent box office hits in Hong Kong and around Asia, drawing audiences with their visual adventurousness, their broad commercial appeal, and hectic camerawork and pace. With Tsui having been called the 'Steven Spielberg of Asia', Film Workshop became the 'Amblin of Hong Kong'.[5] He produced John Woo's A Better Tomorrow (1986), which launched a craze for Heroic bloodshed movies, and Ching Siu-tung's A Chinese Ghost Story (1987), which did the same for period ghost fantasies. Zu Warriors from the Magic Mountain and The Swordsman (1990) birthed the modern-day special effects industry in Hong Kong.
In fact, Tsui's "movie brat" nostalgia is one of the main ingredients in his work. He often resurrects and revises classic films and genres: the murder mystery in The Butterfly Murders (1979); the Shanghai musical comedy in Shanghai Blues (1985). Peking Opera Blues (1986) plays with and pays tribute to the traditions of the Peking opera that his mother took him to see as a small boy and which had such a strong influence on Hong Kong action cinema. The Lovers (1994) adapts a retold, cross-dressing period romance, best known from Li Han-hsiang's 1963 opera film The Love Eterne. A Chinese Ghost Story remakes Li's supernatural romance The Enchanting Shadow (1959) as a special effects action movie.
The pattern is also seen in perhaps Tsui's most successful work to date, the Once Upon a Time in China film series (1991–97). Jet Li played the role of Chinese folk hero Wong Fei-hung in the first three films and the sixth, Once Upon a Time in China and America. This series is the clearest expression in his oeuvre of Tsui's Chinese nationalism and his passionate engagement with the upheavals of Chinese history, particularly in the face of Western power and influence.
Tsui also dabbled in acting, mostly for other directors. Notable roles include one-third of the comic relief trio in Corey Yuen's film Yes, Madam! (1985) and a villain in Patrick Tam's darkly comic crime story Final Victory (1987), written by Wong Kar-wai. He also made frequent cameo appearances in his own productions, such as a music judge in A Better Tomorrow and a phony FBI agent in Aces Go Places II.
In the face of an industry downturn in the '90s, he produced two expensive movies. Green Snake (1993) was a poetic and lyric movie based on a favourite Chinese fairy tale. The Blade (1995) was a gory, deliberately rough-hewn revision of the 1967 wuxia classic The One-Armed Swordsman.
American films edit
In the mid-to-late '90s, Tsui tried Hollywood with two films starring Jean-Claude Van Damme: Double Team (1997) and Knock Off (1998). In 2002, he made Black Mask 2: City of Masks, an American market sequel to Jet Li's 1996 film. It was released direct-to-video in the United States in December of that year before being theatrically released the next month in Hong Kong.
2000s edit
Tsui returned to directing at home in 2000 after not having made a local film since 1996. Time and Tide (2000) and The Legend of Zu (2001) were action extravaganzas with lavish computer-generated imagery that gained cult admirers but no mass success.
Tsui continues to push technical boundaries and revise old favourites. Master Q 2001 was Hong Kong's first combination of live action and Pixar-style 3D computer animation. Era of Vampires (2002; US title, "Tsui Hark's Vampire Hunters") reworked a subgenre popular in the '80s, hybrid martial arts / supernatural horror films featuring the "hopping corpses" of Chinese folk legend.
In 2005, Tsui launched the multimedia production Seven Swords, a film adaptation of Liang Yusheng's novels Saiwai Qixia Zhuan and Qijian Xia Tianshan. The film came with a television series counterpart (Seven Swordsmen), a comic book series, a cellphone game, clothing brand, and an online multi-player video game. The film was relatively successful, and in February 2006 Tsui announced plans to begin filming the second late in the year. As of 2008, Tsui continues to work on the script for Seven Swords 2 in between filming projects. In 2011 there has been no news nor plans about a Seven Swords 2. Rumors has it that due to lack of interest by the filmmakers of finishing the hexalogy lead the project into being cancelled.
In August 2008, Tsui provided art direction for the direct-to-video anime feature titled Kungfu Master (a.k.a. Wong Fei Hong vs Kungfu Panda), an apparent unofficial sequel to Kung Fu Panda, featuring Chinese folk hero Wong Fei-hung.[6] Also in 2008 was the thriller Missing starring Angelica Lee. His latest comedy film All About Women features wonky sound editing and comic graphics.
2010s edit
Tsui's latest work in 2010 is Detective Dee and the Mystery of the Phantom Flame, a rare but successful blend of wuxia, suspense-thriller, mystery, and comedy, which was in competition for the Golden Lion award and was also nominated and won numerous other awards.
In 2010 he announced his first 3-D film, The Flying Swords of Dragon Gate, which is a re-imagining of his 1992 film New Dragon Gate Inn starring Tony Leung Ka-Fai, Maggie Cheung and Brigitte Lin. In 2011 Huayi Brothers announced that Tsui will be making a prequel to Detective Dee and the Mystery of the Phantom Flame; shot in 3-D, it was released in 2013 as Young Detective Dee: Rise of the Sea Dragon.
In October 2011, Tsui received the Asian Filmmaker of the Year Award at the 16th Busan International Film Festival for his contributions to Hong Kong cinema. He is the fifth Chinese filmmaker to receive this award at Busan.[7]
His film The Taking of Tiger Mountain premiered in China in December 2014.[8]
2020s edit
Tsui worked on a film with Milkyway Image alongside Ann Hui, Ringo Lam, Patrick Tam, Johnnie To, Sammo Hung and Yuen Woo-Ping. Each director created a segment based on Hong Kong history.[9] The completed film, Septet: The Story of Hong Kong, was shown at the Busan International Film Festival on 21 October 2020 and at the annual Hong Kong International Film Festival in April 2021.[10]
In 2021 Tsui co-directed The Battle at Lake Changjin with Chen Kaige and Dante Lam.
Cultural references edit
Tsui was featured on a track which bore his name on the 1994 Sparks album Gratuitous Sax & Senseless Violins. (Sparks also provided a song, "It's a Knockoff," for the closing credits of Knock Off.)
Filmography edit
| Year | Title | Director | Writer | Producer | Notes |
|---|---|---|---|---|---|
| 1979 | The Butterfly Murders | Yes | No | No | |
| 1980 | We're Going to Eat You | Yes | Yes | No | Also known as Hell Has No Gates |
| Dangerous Encounters of the First Kind | Yes | Yes | No | ||
| 1981 | All the Wrong Clues for the Right Solution | Yes | Yes | No | |
| 1983 | Zu Warriors from the Magic Mountain | Yes | No | No | |
| Search for the Gods | Yes | No | No | ||
| 1984 | Shanghai Blues | Yes | No | Yes | |
| Aces Go Places 3 | Yes | No | No | Also known as Mad Mission 3 | |
| 1985 | Working Class | Yes | No | Yes | |
| 1986 | A Better Tomorrow | No | No | Yes | |
| Peking Opera Blues | Yes | No | Yes | ||
| 1987 | A Chinese Ghost Story | No | No | Yes | |
| A Better Tomorrow II | No | Yes | Yes | ||
| 1988 | The Big Heat | Uncredited | No | Yes | |
| I Love Maria | Uncredited | Uncredited | Yes | Also known as Roboforce | |
| 1989 | A Better Tomorrow III: Love & Death in Saigon | Yes | Yes | Yes | |
| The Killer | No | No | Yes | ||
| 1990 | Fight and Love with a Terracotta Warrior | No | No | Yes | |
| The Swordsman | Uncredited | No | Yes | ||
| Spygame | No | No | Yes | ||
| A Chinese Ghost Story II | No | No | Yes | Also editor | |
| 1991 | Once Upon a Time in China | Yes | Yes | Yes | |
| The Raid | Uncredited | Yes | Yes | ||
| A Chinese Ghost Story III | Uncredited | Yes | Yes | ||
| King of Chess | Uncredited | No | Executive | ||
| The Banquet | Yes[a] | Yes | No | ||
| 1992 | Twin Dragons | Yes[b] | Yes | No | Also known as Shuang long hui and Brother vs. Brother |
| Once Upon a Time in China II | Yes | Yes | Yes | ||
| The Master | Yes | Yes | Yes | Filmed in 1989 | |
| Swordsman II | No | Yes | Yes | Also known as The Legend of the Swordsman | |
| New Dragon Gate Inn | No | Yes | Yes | Also known as Dragon Inn | |
| The Wicked City | No | Yes | Yes | ||
| 1993 | Iron Monkey | No | Yes | Yes | |
| The East Is Red | No | Yes | Yes | Also known as Swordsman III | |
| Once Upon a Time in China III | Yes | Yes | Yes | ||
| Green Snake | Yes | Yes | Yes | ||
| Once Upon a Time in China IV | No | Yes | Yes | ||
| 1994 | Burning Paradise | No | No | Yes | |
| The Lovers | Yes | Yes | Yes | ||
| Once Upon a Time in China V | Yes | Yes | Yes | ||
| 1995 | The Chinese Feast | Yes | Yes | Yes | |
| Love in the Time of Twilight | Yes | Yes | Yes | ||
| The Blade | Yes | Yes | Yes | Also editor and production manager | |
| 1996 | Tristar | Yes | Yes | Yes | |
| Shanghai Grand | No | No | Yes | ||
| Black Mask | No | Yes | Yes | ||
| 1997 | Once Upon a Time in China and America | No | No | Yes | |
| Double Team | Yes | No | No | American and English-language debut | |
| A Chinese Ghost Story: The Tsui Hark Animation | No | Yes | Executive | Also editor | |
| 1998 | Knock Off | Yes | No | No | |
| 2000 | Time and Tide | Yes | Yes | Yes | |
| 2001 | The Legend of Zu | Yes | Yes | Yes | Also known as Zu Warriors |
| Old Master Q 2001 | No | No | Yes | ||
| 2002 | The Era of Vampires | No | Yes | Yes | Also known as Tsui Hark's Vampire Hunters |
| Black Mask 2: City of Masks | Yes | No | Yes | ||
| 2003 | 1:99 Shorts | Yes | No | No | 1 segment |
| 2004 | Xanda | No | Yes | Yes | Also known as Sanda |
| 2005 | Seven Swords | Yes | Yes | Yes | |
| 2006 | The Warrior | No | Yes | Yes | Also action director |
| 2007 | Triangle | Yes[c] | Yes | Yes | |
| 2008 | Missing | Yes | Yes | Yes | |
| All About Women | Yes | Yes | Yes | Also editor | |
| 2010 | Detective Dee and the Mystery of the Phantom Flame | Yes | No | Yes | |
| 2011 | Flying Swords of Dragon Gate | Yes | Yes | Yes | |
| 2013 | Sheng dan mei gui | No | No | Yes | |
| Young Detective Dee: Rise of the Sea Dragon | Yes | Yes | Yes | ||
| 2014 | The Taking of Tiger Mountain | Yes | Yes | No | |
| 2016 | Sword Master | No | Yes | Yes | |
| 2017 | Journey to the West: The Demons Strike Back | Yes | Yes | Yes | |
| The Thousand Faces of Dunjia | No | Yes | Executive | ||
| 2018 | Detective Dee: The Four Heavenly Kings | Yes | Story | Yes | |
| 2019 | The Climbers | No | No | Yes | |
| 2020 | Septet: The Story of Hong Kong | Yes | Yes | No | 1 segment, also acted as editor |
| 2021 | The Battle at Lake Changjin | Yes | No | Executive | Also editor |
| 2022 | The Battle at Lake Changjin II | Yes | No | Executive | |
| 2024 | Legend of the Condor Heroes: The Great Hero | Yes | Yes | TBA |
Television
| Year | Title | Director | Writer | Producer | Notes |
|---|---|---|---|---|---|
| 1986 | Spirit Chaser Aisha | Yes | No | Yes | |
| 1995–1996 | Wong Fei Hung Series | Yes | Yes | Yes | Episodes "The Final Victory" and "The Ideal Century" |
| 2005–2006 | Seven Swordsmen | No | Yes | Yes |
Acting roles edit
| Year | Title | Role | Notes |
|---|---|---|---|
| 1980 | Dangerous Encounters of the First Kind | Interpol Officer | Uncredited cameo |
| 1982 | Aces Go Places | Ballerina Director | Also known as Diamondfinger and Mad Mission |
| Yi jiu ling wu de dong tian | Li Shutong | ||
| 1983 | Zu Warriors from the Magic Mountain | Blue Army soldier fighting Fat Man | |
| Aces Go Places 2 | FBI | Also known as Mad Mission II | |
| Wo ai Ye Laixiang | Japanese Ambassador | ||
| 1984 | Shanghai Blues | Pedestrian Who Gets Soaked | |
| Aces Go Places 3 | Police Officer in Computer Room | Also known as Mad Mission 3 | |
| Run, Tiger, Run | Grandpa Steak | ||
| 1985 | Kung Hei Fat Choy | Gold Grabber | |
| Working Class | Sunny | ||
| Yes, Madam | Panadol | ||
| 1986 | A Better Tomorrow | Music Judge | |
| Happy Ghost III | Reincarnation Director | ||
| 1987 | Final Victory | Big Bo | |
| 1988 | The Big Heat | Inspector Yiuming Butt | Uncredited |
| I Love Maria | Whiskey | Also known as Roboforce | |
| 1989 | A Better Tomorrow III: Love & Death in Saigon | Police Officer in Computer Room | |
| 1992 | The Wicked City | Card player | |
| 1997 | A Chinese Ghost Story: The Tsui Hark Animation | Solid Gold (voice) | |
| 2000 | Time and Tide | Narrator (voice) | Uncredited cameo |
| 2008 | All About Women | Taxi driver | Uncredited cameo |
| 2011 | A Simple Life | Director Tsui | Also known as Sister Peach |
| The Great Magician | Warlord | ||
| 2016 | The Mermaid | Uncle Rich | Credited under the name "Ke Xu" |
| The Bodyguard | Old Man | ||
| 2017 | Journey to the West: The Demons Strike Back | Theater employee |
Other credits edit
| Year | Title | Role | Notes |
|---|---|---|---|
| 1983 | All the Wrong Spies | Production designer | |
| 1986 | Righting Wrongs | Action choreographer | Also known as Above the Law |
Awards and nominations edit
Golden Horse Awards edit
| Year | Category | Film | Result |
|---|---|---|---|
| 1981 | Best Director | All the Wrong Clues for the Right Solution | Won |
| 1992 | Best Adapted Screenplay | Swordsman II | Nominated |
| 1994 | Best Adapted Screenplay | The Lovers | Nominated |
| 1997 | Best Adapted Screenplay | A Chinese Ghost Story: The Tsui Hark Animation | Nominated |
| 2005 | Best Adapted Screenplay | Seven Swords | Nominated |
| 2014 | Best Director | The Taking of Tiger Mountain | Nominated |
Hong Kong Film Awards edit
| Year | Category | Film | Result |
|---|---|---|---|
| 1985 | Best Film | Shanghai Blues | Nominated |
| Best Director | Nominated | ||
| 1987 | Best Film | A Better Tomorrow | Won |
| Best Action Choreography | Righting Wrongs | Nominated | |
| 1988 | Best Film | A Chinese Ghost Story | Nominated |
| Best Supporting Actor | Final Victory | Nominated | |
| 1990 | Best Film | The Killer | Nominated |
| 1992 | Best Film | Once Upon a Time in China | Nominated |
| Best Director | Won | ||
| 1993 | Best Film | Once Upon a Time in China II | Nominated |
| Best Director | Nominated | ||
| 1995 | Best Director | The Lovers | Nominated |
| 2006 | Best Film | Seven Swords | Nominated |
| Best Director | Nominated | ||
| 2011 | Best Film | Detective Dee and the Mystery of the Phantom Flame | Nominated |
| Best Director | Won | ||
| 2012 | Best Film | Flying Swords of Dragon Gate | Nominated |
| Best Director | Nominated | ||
| 2016 | Best Director | The Taking of Tiger Mountain | Won |
Notes edit
- ^ Co-directed with Alfred Cheung, Joe Cheung and Clifton Ko
- ^ Co-directed with Ringo Lam
- ^ Co-directed with Ringo Lam and Johnnie To
References edit
- ^ Hendrix, Grady (26 April 2020). "Tsui Hark – Senses of Cinema". Retrieved 10 October 2020.
- ^ Phil Mills (26 October 2011). "Interview: Tsui Hark". Far East Films.
- ^ "Online Exclusive: An Annotated* Tsui Hark Interview". Film Comment.
- ^ "Online Exclusive: An Annotated* Tsui Hark Interview (Part II, aka Annotation Overload)". Film Comment.
- ^ CORLISS, Richard (2 July 2001). "He makes movies move That's why Tsui Hark is the Hong Kong Spielberg". Time. Retrieved 8 August 2021.
- ^ "Kungfu Master". Product listing. Sensasian. Retrieved 1 September 2008.
- ^ "Tsui Hark to receive Asian Filmmaker of the Year Award at Busan". Asia Pacific Arts. 9 February 2011.
- ^ Stephen Cremin (18 April 2014). . Film Business Asia. Archived from the original on 29 April 2014. Retrieved 20 May 2014.
- ^ Shackleton, Liz (6 February 2015). "Johnnie To assembles top Hong Kong talent". Screen Daily. Retrieved 9 February 2015.
- ^ "Must-watch Chinese film premieres at the 2021 Hong Kong International Film Festival". igafencu.com. 2021-04-07
Sources edit
- Bordwell, David. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Cambridge, Mass.: Harvard University Press, 2000. ISBN 0-674-00214-8.
- Dannen, Fredric, and Barry Long. Hong Kong Babylon: The Insider's Guide to the Hollywood of the East. New York: Miramax, 1997. ISBN 0-7868-6267-X.
- Hampton, Howard. "Once Upon a Time in Hong Kong: Tsui Hark and Ching Siu-tung". Film Comment July–August 1997: pp. 16–19 & 24–27.
- Morton, Lisa. The Cinema of Tsui Hark. Jefferson, NC: McFarland and Company, Inc., 2001. ISBN 0-7864-0990-8.
- Teo, Stephen. Hong Kong Cinema: The Extra Dimensions. London: British Film Institute, 1997. ISBN 0-85170-514-6.
- Yang, Jeff, and Dina Gan, Terry Hong and the staff of A. magazine. Eastern Standard Time: A Guide to Asian Influence on American Culture. Boston: Houghton Mifflin, 1997. ISBN 0-395-76341-X.
- Bringing a Wealth of Cinematic Knowledge to the Screen in 3-D
Further reading edit
- Ho, Sam, ed. The Swordsman and His Juang Hu: Tsui Hark and Hong Kong Film. Hong Kong University Press, 2002. ISBN 962-8050-15-X.
- Schroeder, Andrew. Tsui Hark's Zu: Warriors from the Magic Mountain. Hong Kong: Hong Kong University Press, 2004. ISBN 962-209-651-4.
External links edit
- Tsui Hark at IMDb