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Ubermorgen

January 01, 1970

UBERMORGEN.COM is a Swiss-Austrian-American artist duo founded in 1995 and consisting of lizvlx and Luzius Bernhard.[2] They live and work in Basel, S-chanf near St. Moritz and in Vienna, where both are professors at the University of Applied Arts Vienna.[3][4]

UBERMORGEN.COM
UBERMORGEN.COM lizvlx & Luzius Bernhard with Guantanamo Bay Prison Guard Chris Arendt
BornEstablished 1995
Nationality (legal)AT/CH/USA
EducationUniversity of Applied Arts Vienna, Vienna University of Economics and Business
Known forInstallation, Internet Art, Video, Photography, Performance
Notable workVoteauction, Nazi~Line, EKMRZ-Trilogy, Generator Tetralogy, CLICKISTAN, Asylabwehramt, Superenhanced, WOPPOW
MovementMedia Hacking,[1] Conceptual Art
AwardsARCO Beep, Ars Electronica, IBM, Swiss Art Award
Vote-Auction Seal, 200 x 200 cm, digital print on canvas, 2000
GWEI – Google Will Eat Itself – Installation, The Premises Gallery, Johannensburg, 2005
TORTURE CLASSICS Installation Basel, mixed media, 2011
Lizvlx & Billie-Ada from UBERMORGEN.COM during a performance in Damascus, Syria
Luzius Bernhard inside Sound of eBay Installation, Madrid, 2009

Work edit

Their main body of work consists of internet art/net.art, installation, video art,[5][6][citation needed] photography, software art,[7] performance and uses the convergence of digital media[8] to produce and publish online and offline.[9][10]

Their early works were media hacking[11][12] projects using low-tech tools to reach very large audiences. During the work on their best known project Voteauction (2000) CNN.com called them "Maverick Austrian Businessmen".[13] The project resulted in an onslaught of lawsuits issued by Illinois, Texas, Arizona, California, Missouri, Massachusetts, and Wisconsin.[14]

In 2001, they started a collaboration with Christoph Schlingensief for the development and staging of a Hamlet project in Zurich: NAZI~LINE, a bigger than life fake neo-Nazi helpline and exit strategy finding agency.

In 2005 they started the EKMRZ Trilogy, a series of conceptual hacks (GWEI[15][16] – Google Will Eat Itself, Amazon Noir and The Sound of eBay).

Between 2007–2011 their focus went into research-based productions (Superenhanced, WOPPOW, KRAFT Series)[17] and Rock Art productions such as TORTURE CLASSICS[18] and CLICKISTAN (commissioned by the Whitney Museum of American Art).[19] They started to work extensively with video during this period.

Since 1999 their work has been shown in museums and galleries in Europe, America, Africa, Australia and Asia and include venues such as SFMOMA, Centre Pompidou, Konsthall Malmoe, NTT ICC Museum Tokyo, Gwangju Design Biennale, ZKM Karlsruhe, MUMOK Vienna, Ars Electronica Linz, WRO Media Art Biennale Wroclaw, MoCA Taipei, Witte de With Rotterdam, Lentos Art Museum Linz, Biennale of Sydney, ARCO Madrid and the New Museum New York.[20]

They have been represented by Fabio Paris Brescia, [DAM] Berlin and Carroll / Fletcher London.

Injunction generator edit

The Injunction Generator is an artistic software module by Ubermorgen which claims to generate on request legal injunctions and personalized documentation in .rtf/.pdf format to force a website into taking its contents offline.

Carrying on with their principles of "radical corporative marketing strategy" (media hacking), the artists produced an effective and credible interface which helps creating one's own documented cease-and-desist request, which is then automatically sent to the DNS administrators, to the site's owner and to some journalists to trick them into supporting the "public trial".

The project is published at ipnic.org, an acronym which mimics the official protocols (Internet Protocol - Network Information Center), revisited as "Internet Partnership for No Internet Content".

This sarcastic provocation (a "public shutdown service") was conceived after experiencing a similar mishap during the Voteauction art project, which in 2000 invited American citizens to put up their vote for auction. At the time an email injunction by an American court was sent to the Swiss internet service provider hosting the site, who immediately took them offline even though emailed documents aren't legally considered official and even though Switzerland is outside of American jurisdiction.

Life and career edit

Lizvlx and Luzius Bernhard are an artist duo[21][22] but also a couple in private life.[23] They are engaged and have two children, Billie-Ada (2003) and Lola Mae (2007).

Lizvlx was born in Linz (AT) and grew up in Wels, Salzburg and Elmira (Upstate New York). Luzius Bernhard was born at the Yale University Hospital in New Haven (USA), grew up in New Haven and Basel (CH) and moved to Vienna (AT) to study with Prof. Peter Weibel, and later on with Prof. Lev Manovich (UCSD), Prof. Peter Lunenfeld (Art Center College of Design) Pasadena and Prof. Bazon Brock (emeritus) de:Bazon Brock (Wuppertal) and completed his studies in 1999.

Due to his drug abuse and a manic episode in Cape Town 2002, Luzius Bernhard was diagnosed bipolar.[24][25][26]

Their earliest works were part of the avantgarde Net.art movement (etoy,[27][28] 1994–1998, 194.152.164.137,[29] 1996) and were exclusively shown online (World Wide Web/WWW).[30][31] This work became part of the Internet art and Digital art history and is researched at universities (dissertations, thesis)[32][33] and taught in (Art history).[34]

The collaboration with both their children (Superenhanced[35][36] & Spielendes Baby – Schlafendes Baby (original title)[37]), the inclusion of Luzius's mental illness and the merger of private and public life led some critics and academics to consider UBERMORGEN.COM as a Gesamtkunstwerk.[38]

Important personal and artistic influences were early meetings with Jean Tinguely, Joseph Beuys, Daniel Spoerri and Eberhard W. Kornfeld in the Basel art scene of the 1980s and with Niki de Saint Phalle[39] in St. Moritz, and the long-time relationship (going back to 1916 during the first world war and the purchase of a Giovanni Giacometti painting by the grand-grandfather of Luzius Bernhard) with the Giacometti family (Giovanni Giacometti, Alberto Giacometti) in the nearby mountain valleys Val Bregaglia and Engadin in the canton Grisons in Switzerland.[40]

Network edit

Over the last 15 years UBERMORGEN.COM has been part of the global contemporary technology art scene. Some mentionable connections and collaborations from this period: Net.Artists Alexei Shulgin,[41] Heath Bunting,[42] Olia Lialina, Vuk Ćosić and with contemporary artists Aram Bartholl, Paolo Cirio, James Powderly[43] and Evan Roth from Free Art and Technology Lab and Graffiti Research Lab, Franco and Eva Mattes (0100101110101101.org), IRWIN, Franz West, Janez Janša, Johannes Grenzfurthner (monochrom), Carsten Nicolai, Minerva Cuevas, The Yes Men,[44] Zhang Peili, Jodi, Miltos Manetas, Rafael Lozano-Hemmer, Trevor Paglen, Douglas Rushkoff, Lev Manovich, Olga Goriunova and Nicolas Bourriaud.

Publications edit

  • Domenico Quaranta (ed), UBERMORGEN.COM, FPEditions, Brescia 2009 (ISBN 978-8890330858)
  • Alessandro Ludovico (ed), UBERMORGEN.COM – MEDIA HACKING VS. CONCEPTUAL ART, Christoph Merian Verlag, Basel 2009 (ISBN 978-3856164607)
  • Coded Cultures – New Creative Practices out of Diversity", Series: Edition Angewandte, Russegger, Georg; Tarasiewicz, Matthias; Wlodkowski, Michal (Eds.), SpringerWienNewYork Publisher, 1st Edition., 2011, 384 p. 50 illus, Softcover, ISBN 978-3-7091-0457-6, p. 334–355, "From Somebody's Desire to Everyone's Responsibility", Yukiko Shikata/UBERMORGEN.COM,
  • This is a magazine, Pink Laser Beam, Compendium #6, [39] [40] [41], "Pink Laser Beam" Paper, Plastic, Glue, Thread, Metal-foil, Edition of 666, 2009, "Amazon Noir project" (with Alessandro Ludovico and Paolo Cirio).

Awards edit

References and notes edit

  1. ^ [1] Carina Plath, Westfälischer Kunstverein (ed), Futurologischer Kongress, Frankfurt am Main 2006 (ISBN 978-3-86588-468-8)
  2. ^ [2] Adam Wishart, Regula Bochsler, Leaving Reality Behind: etoy vs eToys.com & other battles to control cyberspace, Ecco, 2003 (ISBN 978-0066210766)
  3. ^ Haas, Liz Univ.-Prof. Mag. rer. soc. oec. - Contact - dieAngewandte
  4. ^ Bernhard, Luzius Univ.-Prof. Mag.art. - Contact - dieAngewandte
  5. ^ Gamescenes: the book, M. Bittanti, D. Quaranta (eds), GameScenes. Art in the Age of Videogames, Milan, Johan & Levi Editore, Milano 2006 (ISBN 978-8860100108)
  6. ^ Domenico Quaranta, Yves Bernard (eds), Holy Fire. Art of the Digital Age, FPEditions, Brescia 2008 (ISBN 978-8890330865)
  7. ^ Olga Goriunova, Alexei Shulgin (eds), THE READ_ME Software Art & Cultures, Aarhus 2004 (ISBN 978-87-988440-4-4)
  8. ^ UBERMORGEN.COM at CRE/Chaos Radio with Tim Pritlove (German)
  9. ^ WMMNA/we-make-money-not-art UBERMORGEN.COM Interview
  10. ^ Christine Böhler, Literatur im Netz, Triton Verlag, Wien 2001 (ISBN 3-85486-103-6), p92, Interview with UBERMORGEN.COM
  11. ^ Lentos Museum of Modern Art (ed), Just do it!, Edition Selene, Vienna 2005 (ISBN 3-85266-267-2)
  12. ^ "Netzpiraten. Die Kultur des elektronischen Verbrechens", Armin Medosch and Janko Röttgers, Heise / Telepolis, [V]ote-auction, Ars Electronica Jury-Hack and etoy, p. 69-88 (ISBN 388229-188-5)
  13. ^ . CNN.com. August 2000. Archived from the original on October 23, 2012.
  14. ^ Steinberg, Monica (July 3, 2021). "Coercive Disobedience: Art and Simulated Transgression". Art Journal. 80 (3): 78–99. doi:10.1080/00043249.2021.1920288. ISSN 0004-3249. S2CID 237576098.
  15. ^ Slavo Krekovic, Will Google Eat Itself?, Springerin.at
  16. ^ Culture Jamming – Interview with Hans Bernhard
  17. ^ UBERMORGEN.COM Manifesto, RC1 (release-copy 1) presented at "Positions in Flux" Symposium, The Netherlands Media Art Institute Amsterdam, 8.5.2009, published online Vienna, 28.7.2009
  18. ^ TORTURE CLASSICS PROJECT 2010, UBERMORGEN.COM feat. James Powderly
  19. ^ CLICKISTAN PROJECT 2010
  20. ^ [3][4] Alessandro Ludovico (ed), UBERMORGEN.COM – MEDIA HACKING VS. CONCEPTUAL ART, Christoph Merian Verlag, Basel 2009 (ISBN 978-3856164607), p.198-299
  21. ^ [5] Art Daily "Artist Duo Ubermorgen.com Celebrate Tenth Anniversary with New Book"
  22. ^ [6] AG Borderline-Kongress (ed), BORDERLINE – Strategien u. Taktiken f. Kunst u. soziale Praxis, Wiesbaden 2002, p.21-32 (ISBN 3-8311-3775-7)
  23. ^ [7] Media Art Net / Medienkunstnetz, artist biography UBERMORGEN.COM
  24. ^ [8] HOLY FIRE, Art at the digital age, Psych|OS project, Courtesy Fabio Paris Art Gallery, Brescia
  25. ^ [9] Scriptum, first UM.COM/Hans Bernhard lecture on "Drugs&Art" after the manic episode 2002, University of Applied Arts Vienna
  26. ^ [10] Psych|OS Cycle by UBERMORGEN.COM, 2001–2010
  27. ^ [11] The Guardian, Excerpted from Leaving Reality Behind by Adam Wishart and Regula Bochsler (Fourth Estate)
  28. ^ [12] AG Borderline-Kongress (ed), BORDERLINE – Strategien u. Taktiken f. Kunst u. soziale Praxis, Wiesbaden 2002, p.33-42, Reinhold Grether on"Wie die etoy Kampagne gefuehrt wurde – ein Agentenbericht" (ISBN 3-8311-3775-7)
  29. ^ [13] Authorized copy of 194.152.164.137, a collaborative project by lizvlx and Andrea Mayr
  30. ^ [14] Christian Ulrik Andersen, Soeren Bro Pold (eds), Interface Criticism. Aesthetics Beyond Buttons, Aarhus University Press, Aarhus 2011 (ISBN 978-8779345041)
  31. ^ [15] Exhibition Catalogue Connessioni Leggendarie, Net.Art 1995–2005, ready+made publisher, online version, PDF, [16] Digimag09/NOV05, Review by Marco Mancuso
  32. ^ [17] Whitney Museum of American Art, 2010 Annual Fund Project, About the artists
  33. ^ Das Kunstwerk der Zukunft Inga Reimers writes in her masters thesis "(Selbst-)Inszenierung – Praxis – Kunst. Eine kulturwissenschaftliche Annäherung an das „hybrid Gesamtkunstwerk ubermorgen.com“ about the relation of the "Gesamtkunstwerk" and Richard Wagner "Das Kunstwerk der Zukunft" [18], Universität Hamburg, 2009
  34. ^ [19] Interview with Wolf Lieser about: "WOLF LIESER – DIGITAL ART – NEUE WEGE IN DER KUNST/THE WORLD OF DIGITAL ART", h.f. ullmann publisher / DAM Berlin – Galerie für Digitale Kunst, 2010
  35. ^ [20] Superenhanced project, [21] Superenhanced Generator
  36. ^ [22] Keynote & Superenhanced Installation at [ISEA]09 in [Belfast], [Northern Ireland]
  37. ^ [23] [24] Project website and images, Installation exhibited 18.2. – 29.2.2004 at [Kunsthaus Graz]
  38. ^ [25] Cornelia Sollfrank, 2009, "Das Genie von übermorgen"
  39. ^ [26] Niki de Saint Phalle 29.10.1930 Neuilly – 21.5.2002 San Diego
  40. ^ Letters, photos, sales contract and the painting are in the ownership of the Bernhard/Pernisch/Plattner family, archived in S-Chanf and Basel/Switzerland
  41. ^ [27] Bringing Capitalism and Democracy Closer Together, HANS BERNHARD / Ubermorgen Interviewed by Olga Goriunova and Alexei Shulgin
  42. ^ [28] OVERGADEN Institute of Contemporary Art in collaboration with Artnode, parallel solo exhibitions Heath Bunting/UBERMORGEN.COM
  43. ^ [29] TORTURECLASSICS.COM, UBERMORGEN.COM feat. James Powderly, Korea music torture performance 2010 and Beerboarding Performance Ars Electronica Linz [30]
  44. ^ [31] Funding and collaboration "Salzburg" WTO/GATT.ORG Stunt, 2000
  45. ^ Art Foundation Pax, “Award Winners”.[32] HEK (Haus der Elektronischen Künste), Münchenstein/Basel, “PAX Art Awards 2023”.[33]
  46. ^ [34], [35] [36] Oldest and most prestigious Award for Swiss Artists, exhibition and award ceremony during ART Basel
  47. ^ .NewArt { foundation;}, “ARCO – BEEP Electronic Art Award”, Fourth edition.[37] „Am Kunstmarkt von Übermorgen“, in: Der Standard, 15.05.2009.[38]

External links edit

  • UBERMORGEN.COM
  • Injunction Generator

January 01, 1970
ubermorgen, ubermorgen, swiss, austrian, american, artist, founded, 1995, consisting, lizvlx, luzius, bernhard, they, live, work, basel, chanf, near, moritz, vienna, where, both, professors, university, applied, arts, vienna, ubermorgen, comubermorgen, lizvlx,. UBERMORGEN COM is a Swiss Austrian American artist duo founded in 1995 and consisting of lizvlx and Luzius Bernhard 2 They live and work in Basel S chanf near St Moritz and in Vienna where both are professors at the University of Applied Arts Vienna 3 4 UBERMORGEN COMUBERMORGEN COM lizvlx amp Luzius Bernhard with Guantanamo Bay Prison Guard Chris ArendtBornEstablished 1995Nationality legal AT CH USAEducationUniversity of Applied Arts Vienna Vienna University of Economics and BusinessKnown forInstallation Internet Art Video Photography PerformanceNotable workVoteauction Nazi Line EKMRZ Trilogy Generator Tetralogy CLICKISTAN Asylabwehramt Superenhanced WOPPOWMovementMedia Hacking 1 Conceptual ArtAwardsARCO Beep Ars Electronica IBM Swiss Art Award Vote Auction Seal 200 x 200 cm digital print on canvas 2000 GWEI Google Will Eat Itself Installation The Premises Gallery Johannensburg 2005 TORTURE CLASSICS Installation Basel mixed media 2011 Lizvlx amp Billie Ada from UBERMORGEN COM during a performance in Damascus Syria Luzius Bernhard inside Sound of eBay Installation Madrid 2009 Contents 1 Work 1 1 Injunction generator 2 Life and career 3 Network 4 Publications 5 Awards 6 References and notes 7 External linksWork editTheir main body of work consists of internet art net art installation video art 5 6 citation needed photography software art 7 performance and uses the convergence of digital media 8 to produce and publish online and offline 9 10 Their early works were media hacking 11 12 projects using low tech tools to reach very large audiences During the work on their best known project Voteauction 2000 CNN com called them Maverick Austrian Businessmen 13 The project resulted in an onslaught of lawsuits issued by Illinois Texas Arizona California Missouri Massachusetts and Wisconsin 14 In 2001 they started a collaboration with Christoph Schlingensief for the development and staging of a Hamlet project in Zurich NAZI LINE a bigger than life fake neo Nazi helpline and exit strategy finding agency In 2005 they started the EKMRZ Trilogy a series of conceptual hacks GWEI 15 16 Google Will Eat Itself Amazon Noir and The Sound of eBay Between 2007 2011 their focus went into research based productions Superenhanced WOPPOW KRAFT Series 17 and Rock Art productions such as TORTURE CLASSICS 18 and CLICKISTAN commissioned by the Whitney Museum of American Art 19 They started to work extensively with video during this period Since 1999 their work has been shown in museums and galleries in Europe America Africa Australia and Asia and include venues such as SFMOMA Centre Pompidou Konsthall Malmoe NTT ICC Museum Tokyo Gwangju Design Biennale ZKM Karlsruhe MUMOK Vienna Ars Electronica Linz WRO Media Art Biennale Wroclaw MoCA Taipei Witte de With Rotterdam Lentos Art Museum Linz Biennale of Sydney ARCO Madrid and the New Museum New York 20 They have been represented by Fabio Paris Brescia DAM Berlin and Carroll Fletcher London Injunction generator edit The Injunction Generator is an artistic software module by Ubermorgen which claims to generate on request legal injunctions and personalized documentation in rtf pdf format to force a website into taking its contents offline Carrying on with their principles of radical corporative marketing strategy media hacking the artists produced an effective and credible interface which helps creating one s own documented cease and desist request which is then automatically sent to the DNS administrators to the site s owner and to some journalists to trick them into supporting the public trial The project is published at ipnic org an acronym which mimics the official protocols Internet Protocol Network Information Center revisited as Internet Partnership for No Internet Content This sarcastic provocation a public shutdown service was conceived after experiencing a similar mishap during the Voteauction art project which in 2000 invited American citizens to put up their vote for auction At the time an email injunction by an American court was sent to the Swiss internet service provider hosting the site who immediately took them offline even though emailed documents aren t legally considered official and even though Switzerland is outside of American jurisdiction Life and career editLizvlx and Luzius Bernhard are an artist duo 21 22 but also a couple in private life 23 They are engaged and have two children Billie Ada 2003 and Lola Mae 2007 Lizvlx was born in Linz AT and grew up in Wels Salzburg and Elmira Upstate New York Luzius Bernhard was born at the Yale University Hospital in New Haven USA grew up in New Haven and Basel CH and moved to Vienna AT to study with Prof Peter Weibel and later on with Prof Lev Manovich UCSD Prof Peter Lunenfeld Art Center College of Design Pasadena and Prof Bazon Brock emeritus de Bazon Brock Wuppertal and completed his studies in 1999 Due to his drug abuse and a manic episode in Cape Town 2002 Luzius Bernhard was diagnosed bipolar 24 25 26 Their earliest works were part of the avantgarde Net art movement etoy 27 28 1994 1998 194 152 164 137 29 1996 and were exclusively shown online World Wide Web WWW 30 31 This work became part of the Internet art and Digital art history and is researched at universities dissertations thesis 32 33 and taught in Art history 34 The collaboration with both their children Superenhanced 35 36 amp Spielendes Baby Schlafendes Baby original title 37 the inclusion of Luzius s mental illness and the merger of private and public life led some critics and academics to consider UBERMORGEN COM as a Gesamtkunstwerk 38 Important personal and artistic influences were early meetings with Jean Tinguely Joseph Beuys Daniel Spoerri and Eberhard W Kornfeld in the Basel art scene of the 1980s and with Niki de Saint Phalle 39 in St Moritz and the long time relationship going back to 1916 during the first world war and the purchase of a Giovanni Giacometti painting by the grand grandfather of Luzius Bernhard with the Giacometti family Giovanni Giacometti Alberto Giacometti in the nearby mountain valleys Val Bregaglia and Engadin in the canton Grisons in Switzerland 40 Network editOver the last 15 years UBERMORGEN COM has been part of the global contemporary technology art scene Some mentionable connections and collaborations from this period Net Artists Alexei Shulgin 41 Heath Bunting 42 Olia Lialina Vuk Cosic and with contemporary artists Aram Bartholl Paolo Cirio James Powderly 43 and Evan Roth from Free Art and Technology Lab and Graffiti Research Lab Franco and Eva Mattes 0100101110101101 org IRWIN Franz West Janez Jansa Johannes Grenzfurthner monochrom Carsten Nicolai Minerva Cuevas The Yes Men 44 Zhang Peili Jodi Miltos Manetas Rafael Lozano Hemmer Trevor Paglen Douglas Rushkoff Lev Manovich Olga Goriunova and Nicolas Bourriaud Publications editDomenico Quaranta ed UBERMORGEN COM FPEditions Brescia 2009 ISBN 978 8890330858 Alessandro Ludovico ed UBERMORGEN COM MEDIA HACKING VS CONCEPTUAL ART Christoph Merian Verlag Basel 2009 ISBN 978 3856164607 Coded Cultures New Creative Practices out of Diversity Series Edition Angewandte Russegger Georg Tarasiewicz Matthias Wlodkowski Michal Eds SpringerWienNewYork Publisher 1st Edition 2011 384 p 50 illus Softcover ISBN 978 3 7091 0457 6 p 334 355 From Somebody s Desire to Everyone s Responsibility Yukiko Shikata UBERMORGEN COM This is a magazine Pink Laser Beam Compendium 6 39 40 41 Pink Laser Beam Paper Plastic Glue Thread Metal foil Edition of 666 2009 Amazon Noir project with Alessandro Ludovico and Paolo Cirio Awards editPax Art Award 2023 45 Swiss Art Award 2011 46 TORTURE CLASSICS 42 ARCO Beep Award 2009 47 EKMRZ Trilogy 43 IBM AWARD FOR NEW MEDIA Stuttgarter Filmwinter 2007 Amazon Noir citation needed Ars Electronica 2005 Award of Distinction for Vote Auction citation needed Ars Electronica Honorary Mentions for Injunction Generator 2003 and GWEI Google Will Eat Itself 2005 citation needed Ars Electronica 1996 Golden Nica for etoy digital hijack Luzius Bernhard citation needed References and notes edit 1 Carina Plath Westfalischer Kunstverein ed Futurologischer Kongress Frankfurt am Main 2006 ISBN 978 3 86588 468 8 2 Adam Wishart Regula Bochsler Leaving Reality Behind etoy vs eToys com amp other battles to control cyberspace Ecco 2003 ISBN 978 0066210766 Haas Liz Univ Prof Mag rer soc oec Contact dieAngewandte Bernhard Luzius Univ Prof Mag art Contact dieAngewandte Gamescenes the book M Bittanti D Quaranta eds GameScenes Art in the Age of Videogames Milan Johan amp Levi Editore Milano 2006 ISBN 978 8860100108 Domenico Quaranta Yves Bernard eds Holy Fire Art of the Digital Age FPEditions Brescia 2008 ISBN 978 8890330865 Olga Goriunova Alexei Shulgin eds THE READ ME Software Art amp Cultures Aarhus 2004 ISBN 978 87 988440 4 4 UBERMORGEN COM at CRE Chaos Radio with Tim Pritlove German WMMNA we make money not art UBERMORGEN COM Interview Christine Bohler Literatur im Netz Triton Verlag Wien 2001 ISBN 3 85486 103 6 p92 Interview with UBERMORGEN COM Lentos Museum of Modern Art ed Just do it Edition Selene Vienna 2005 ISBN 3 85266 267 2 Netzpiraten Die Kultur des elektronischen Verbrechens Armin Medosch and Janko Rottgers Heise Telepolis V ote auction Ars Electronica Jury Hack and etoy p 69 88 ISBN 388229 188 5 Vote selling Web site to be revived possibly offshore CNN com August 2000 Archived from the original on October 23 2012 Steinberg Monica July 3 2021 Coercive Disobedience Art and Simulated Transgression Art Journal 80 3 78 99 doi 10 1080 00043249 2021 1920288 ISSN 0004 3249 S2CID 237576098 Slavo Krekovic Will Google Eat Itself Springerin at Culture Jamming Interview with Hans Bernhard UBERMORGEN COM Manifesto RC1 release copy 1 presented at Positions in Flux Symposium The Netherlands Media Art Institute Amsterdam 8 5 2009 published online Vienna 28 7 2009 TORTURE CLASSICS PROJECT 2010 UBERMORGEN COM feat James Powderly CLICKISTAN PROJECT 2010 3 4 Alessandro Ludovico ed UBERMORGEN COM MEDIA HACKING VS CONCEPTUAL ART Christoph Merian Verlag Basel 2009 ISBN 978 3856164607 p 198 299 5 Art Daily Artist Duo Ubermorgen com Celebrate Tenth Anniversary with New Book 6 AG Borderline Kongress ed BORDERLINE Strategien u Taktiken f Kunst u soziale Praxis Wiesbaden 2002 p 21 32 ISBN 3 8311 3775 7 7 Media Art Net Medienkunstnetz artist biography UBERMORGEN COM 8 HOLY FIRE Art at the digital age Psych OS project Courtesy Fabio Paris Art Gallery Brescia 9 Scriptum first UM COM Hans Bernhard lecture on Drugs amp Art after the manic episode 2002 University of Applied Arts Vienna 10 Psych OS Cycle by UBERMORGEN COM 2001 2010 11 The Guardian Excerpted from Leaving Reality Behind by Adam Wishart and Regula Bochsler Fourth Estate 12 AG Borderline Kongress ed BORDERLINE Strategien u Taktiken f Kunst u soziale Praxis Wiesbaden 2002 p 33 42 Reinhold Grether on Wie die etoy Kampagne gefuehrt wurde ein Agentenbericht ISBN 3 8311 3775 7 13 Authorized copy of 194 152 164 137 a collaborative project by lizvlx and Andrea Mayr 14 Christian Ulrik Andersen Soeren Bro Pold eds Interface Criticism Aesthetics Beyond Buttons Aarhus University Press Aarhus 2011 ISBN 978 8779345041 15 Exhibition Catalogue Connessioni Leggendarie Net Art 1995 2005 ready made publisher online version PDF 16 Digimag09 NOV05 Review by Marco Mancuso 17 Whitney Museum of American Art 2010 Annual Fund Project About the artists Das Kunstwerk der Zukunft Inga Reimers writes in her masters thesis Selbst Inszenierung Praxis Kunst Eine kulturwissenschaftliche Annaherung an das hybrid Gesamtkunstwerk ubermorgen com about the relation of the Gesamtkunstwerk and Richard Wagner Das Kunstwerk der Zukunft 18 Universitat Hamburg 2009 19 Interview with Wolf Lieser about WOLF LIESER DIGITAL ART NEUE WEGE IN DER KUNST THE WORLD OF DIGITAL ART h f ullmann publisher DAM Berlin Galerie fur Digitale Kunst 2010 20 Superenhanced project 21 Superenhanced Generator 22 Keynote amp Superenhanced Installation at ISEA 09 in Belfast Northern Ireland 23 24 Project website and images Installation exhibited 18 2 29 2 2004 at Kunsthaus Graz 25 Cornelia Sollfrank 2009 Das Genie von ubermorgen 26 Niki de Saint Phalle 29 10 1930 Neuilly 21 5 2002 San Diego Letters photos sales contract and the painting are in the ownership of the Bernhard Pernisch Plattner family archived in S Chanf and Basel Switzerland 27 Bringing Capitalism and Democracy Closer Together HANS BERNHARD Ubermorgen Interviewed by Olga Goriunova and Alexei Shulgin 28 OVERGADEN Institute of Contemporary Art in collaboration with Artnode parallel solo exhibitions Heath Bunting UBERMORGEN COM 29 TORTURECLASSICS COM UBERMORGEN COM feat James Powderly Korea music torture performance 2010 and Beerboarding Performance Ars Electronica Linz 30 31 Funding and collaboration Salzburg WTO GATT ORG Stunt 2000 Art Foundation Pax Award Winners 32 HEK Haus der Elektronischen Kunste Munchenstein Basel PAX Art Awards 2023 33 34 35 36 Oldest and most prestigious Award for Swiss Artists exhibition and award ceremony during ART Basel NewArt foundation ARCO BEEP Electronic Art Award Fourth edition 37 Am Kunstmarkt von Ubermorgen in Der Standard 15 05 2009 38 External links editUBERMORGEN COM Injunction Generator Retrieved from https en wikipedia org w index php title Ubermorgen amp oldid 1220304773, wikipedia, wiki, book, books, library,

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