Tiv people

Tiv (or Tiiv)^[2] are a Tivoid ethnic group. They constitute approximately 2.4% of Nigeria's total population, and number over 5 million individuals throughout Nigeria and Cameroon.^[3] The Tiv language is spoken by over 5 million people in Nigeria with a few speakers in Cameroon. Most of the language's Nigerian speakers are found in Benue, Taraba, Nasarawa, Plateau, Cross rivers, Adamawa, Kaduna, and the Federal Capital Territory Abuja. The language is a branch of Benue–Congo and ultimately of the Niger–Congo phylum. In pre-colonial times, the Fulani ethnic group referred to the Tiv. They depend on agricultural produce for commerce and sustenance.

Tiv
Total population

Approx. 5 million^[1]
Regions with significant populations
Nigeria, Cameroon
Languages
Tiv, Tivoid languages, English, French
Religion
Predominantly Christian, Tiv Traditional religion
Related ethnic groups
Other Tivoid peoples

Tiv bride and groom

Tiv cultural dance, the cat dance

A group of Tiv chiefs at an event

The Mutual Union of Tivs (MUTA)

Some pastors and a member of the NKST

A Tiv and European Catholic priests in native Tiv attire

A 1960s kwagh-hir mask

A Tiv indyer at a burial

Bronze Tivi snuff-taker, c. 1932 (© The Trustees of the British museum)

Tiv attire

History edit

Nigeria in the 19th century showing the Tiv lands

The Tiv believe they emerged into their present location from the southeast. It is claimed^[4] that the Tiv wandered through southern, south-central and west-central Africa before arriving at the savannah lands of West African Sudan via the River Congo and Cameroon Mountains and settled at Swemkaragbe the region adjoining Cameron and Nigeria in the beginning of 1500 CE.^[4] "Coming down," as they put it, was in batches, some moved southward across Obudu mountains others moved northward spreading over Mdema and Waka district, while others moved into core benue valley present day core Central Nigeria. These dispersions took place in the early 1500 CE to 1600 CE, over time as social interactions began and new migrants came into Nigeria. The Tiv people were a free people without a king; hence every clan or kindred was administered by the eldest man called "Orya" they were amongst the first inhabitants of the Benue Valley according to Mark Cartwright record of Bantu migration before other tribes finally migrated to join them, Due to their peaceful disposition and dispersed nature of living, with no Central government nor king, they posed no threat to new migrants to the region who cohabited with them until the coming of the Europeans. The Europeans first contact with Tiv was in the 18th century. Note that the time of encounter with the European does not mean their time of migration, their late recognition was due to the lack of kingship which became a big disadvantage to Tiv in Nigeria because the colonial masters prefer working with kings, so when the Tiv were found on the banks of the Benue River and were discovered to be distinct from other ethnic minorities and were the major occupants of the Benue Valley. That was when kinship was later introduced to Tiv people by the European in the 1940s Benue.^[5] In 1879 their occupation of the riverbanks was about the same as in 1950. British forces entered Tivland from the east in 1906, when there was tension between Tiv and other minorities within the Benue valley. The Tiv said in 1950 that they had defeated this British force, then later invited the British in for negotiations. The southern area was penetrated from the south; what southern Tiv refer to as "the eruption" of the British there occurred in 1911.^{[citation needed]}

The Tiv came into contact with European culture during the colonial period. During November 1907 to spring 1908, an expedition of the Southern Nigeria Regiment led by Lieutenant-Colonel Hugh Trenchard came into contact with the Tiv. Trenchard brought gifts for the tribal chiefs. Subsequently, roads were built and trade links established between Europeans and the Tiv.^[6] But before construction of roads began, a missionary named Mary Slessor went throughout the region seeing to the people's needs.

Social and political organization edit

Most Tiv have a highly developed sense of genealogy, with descent being reckoned patrilineally. Ancestry is traced to an ancient individual named Tiv, who had two sons; all Tiv consider themselves a member either of Ichongo^[7] (descendants of son Chongo) or of Ipusu^[7] (descendants of son Pusu). Ichongo and Ipusu are each divided into several major branches, which in turn are divided into smaller branches. The smallest branch, or minimal lineage, is the ipaven.^[8] Members of an ipaven tend to live together, the local kin-based community being called the "tar".^[9] This form of social organisation, called a segmentary lineage, is seen in various parts of the world, but it is particularly well known from African societies (Middleton and Tait 1958). The Tiv are the best-known example in West Africa of a society of segmentary lineage, as documented by Laura Bohannan (1952) and by Paul and Laura Bohannan (1953); in East Africa, the best-known example is the Nuer, documented by E.E. Evans-Pritchard (1940).

The Tiv had no administrative divisions and no chiefs nor councils. Leadership was based on age, influence and affluence. The leaders' functions were to furnish safe conduct, arbitrate disputes within their lineages, sit on moots and lead their people in all external and internal affairs.^[10]

These socio-political arrangements caused great frustration to British attempts to incorporate the population into Colonial Nigeria and establish an administration on the lower Benue. The strategy of indirect rule, which the British felt to be highly successful in regards to ruling over the Hausa and Fulani populations in Northern Nigeria, was ineffective in a segmentary society like the Tiv (Dorward 1969). Colonial officers tried various approaches to administration, such as putting the Tiv under the control of the nearby Jukun, and trying to exert control through the councils of elders ("Jir Tamen"); these met with little success. The colonial administration in 1934 categorised the Tiv into Clans, Kindreds, and Family Groups. The British appointed native heads of these divisions as well.^{[citation needed]}

Members of the Tiv group are found in many areas across the globe, such as the United States and United Kingdom. In these countries, they hold unions, known as MUT^[11] (Mzough U Tiv, or Mutual Union of Tiv in English), where members can assemble and discuss issues concerning their people across the world, but especially back in Nigeria. The arm of the MUT serving the United States of America is known as MUTA (Mzough U Tiv ken Amerika, or Mutual Union of the Tiv in America), for instance.

Society and culture edit

National attire (A'nger) edit

The Tiv national attire is the black-and-white-striped anger. When the Tiv people arrived at their current location several centuries earlier, they discovered that the zebra they used to hunt for meat and skin, used for ceremonial attire, was not native to the area. When they acquired the skill of the loom, they decided to honor their heritage by weaving a cloth with black-and-white stripes, reminiscent of the zebra skin; this would then be made the preferred attire. Initially, it was a simple cloth to be draped around the torso. Nowadays, it is made into elaborate robes, such as those worn by the traditional rulers and elders – from the Tor Tiv^{[clarification needed]} downwards.

The black-and-white color of the necklaces worn by the traditional rulers has been chosen to match the robes.

Other Tiv cultural clothes are
Ivavtyo, Lishi, Gbev-whaa, Godo, Tugudu, Chado, Deremen, Gbagir, Anger etc.

Music and entertainment edit

Locally made musical instruments were traditionally used for political, ceremonial communication and entertainment. The key instruments follow.

Kakaki
The Kakaki is a royal trumpet used in many West African groups in Nigeria, Niger, Chad and Burkina Faso.^[12] This is an instrument used to convey special messages to the people of the community, such as the birth of the child of the King, his naming ceremony, the crowning of a new king, or to gather people together during the marriage ceremony of the king and the king's son's marriage ceremony.^[13] This instrument was used to convey all the messages to the people to assemble at the square for the ceremony. When there is an enemy attack on the community, a warning sound of the Kakaki is blown to alert those who can defend the society and every citizen to be alert.^[14]

Ilyu
A light wooden instrument, it was used to pass messages to the people of the village, probably for the invitation of the people for a particular meeting of the elders at the king's palace or for the people to gather at the market square for a message from or by the king. Up until today, it is the main instrument for the celebration of newly wedded couples (marriage reception ceremony or Kwase-kuhan).^[15]

Indyer
A heavy wooden instrument carved out of mahogany trunk through some mysterious way; myth has it that a chosen carver turns into a worm to create the large hollow in the cut trunk, leaving only a small opening (like in a medical operation). This belief is perhaps due to the fact that the carvers are reluctant to explain the technique employed for such artistic finesse. The Indyer, believed to be connected with high magico-spiritual potency, is not played for secular purposes except for special occasions as sanctioned by the elders. It is used to communicate the death of an important personality in the community or to communicate a serious happening in the community, like a call to war.

Akya
It is used together with Agbande (drums) combined with Ageda at festivals to pass a message across to the people for a call for the display of culture.

Adiguve
It is an instrument like a violin, used for music and dances in conjunction with Agbande (Agbande) at festivals and dance occasions, sometimes to announce the death of a leader or an elder of the community. During this period it is played sorrowfully for the mourning of the dead. It is mostly played at funerals.

Gbande
Agbande (plural) are a set of crafted wooden musical instruments used to complement agbande at festivals. They are particularly large and are played by the young men of the community. Special drum beats communicate special messages and music for the festivals to come and during the festivals, for instance, royal occasions such as the coronation and funeral.

Ortindin (Ortyom) – Messenger
Usually, he is chosen by the elders of the community to do errands for the elders and the leader of the community. He is sent out to the heads of the neighbouring families for a crucial meeting at the head of all the leaders of the community.

Kolugh ku Bua – Cow Horn
This is an instrument made out of cow horns. There are farmers' associations that use this instrument when they have a job to do; for instance, when they are invited to make ridges on a piece of land, the Public Relations Officer (PRO) of the association will use this medium to wake up the members for the work they have for that day.

Indigenous communication is not only vertical, from the rulers to the subjects, but is also horizontal. Individuals communicate with society through physical and metaphysical means. A farm owner, for example, may mount a charm conspicuously on his farm in order to stress private ownership and to scare off human intruders.

The fear of herbalists and witches influences social behaviour considerably.

Rainmakers communicate their power to disrupt events through various psychological means. Village sectors in Africa communicate mostly via the marketplace of ideas contributed by traditional religion, observances, divination, mythology, age-grades, the Chiefs courts, the elder's square, secret and title societies, the village market square, the village drum (gbande) men, indeed the total experiences of the villager in his environment.

Unlike the mass media, access to the native media is culturally determined and not economic. Only the selected group of young men or the elders can disseminate information generally. The young only disseminate general information about events and the social welfare of their communities using the media mentioned above.

The Tiv people of Benue state still practise some of this traditional system of communication, using the Kakais, Agbande, Indyer, Adiguve, Ilyu, etc. Nevertheless, the increase in the western world media is threatening the cultural communication system.

Many of the communities in Benue state still use these instruments to convey messages to the people of their community, and it is helping a great deal, since there is a language barrier between people with the introduction of the western world's means of communication, using a western language (English) to convey information.

Cuisine edit

The common Tiv food are mostly solid, cooked, pounded or prepared with hot water. They are mostly carbohydrates or byproducts of yams, cocoa-yam, cassava, beans, corn, etc. The Tiv are known to be the food basket of Nigeria.

Tiv have been identified by the British with the sesame seed as the British named it Beni-seed because it was the major cash crop exported to Europe and other colonies from the Benue valley.

Some common Tiv foods are ruam kumen (pounded yam), ruam nahan (turned food), akuto (sweet potato pottage), choko (dafa), akpukpa, etc.

soups
pocho, ager, genger^{[check spelling]}, atyever, tur, vambe, igyo, agbende a ashwe, mngishim, ashwe, Atuur, vegetables, ijôv, aninge, furum^{[check spelling]}, adenger, gbungu, angahar a ikyuna, gbande.

Tiv staples
roasted yams, ahuma, rice and beans (chingapa sha alev)

beverages
burukutu, ibyer

Snacks
peanuts and sesame (beni-seed), asondo (dried sweet potatoes), igbough ahi (roasted or boiled bambara nuts), mzembe (roasted pears), huu (roasted termites), alie and nyata, kuese (beans cake), N'gyata (groundnut paste)

Tiv cultural dishes^{[citation needed]}
pounded yam and assorted soup
Burukutu
peanuts and sesame
Ibyer
kyegh sha ishwa
Mzembe or pears
Roasted yam

Drama edit

The Tiv use a style of performing arts called Kwagh-hir.^[16] It's a storytelling method which uses carved masks and puppetry as a form of masquerade. Masquerade is used as a way for individuals of Tiv culture to express themselves. The Tiv use this style as a way to hide their identity and take the role of spiritual beings known as adzov.^[17] The performers hide their identities, only to be revealed by their individual styles at the end of the performances.^[18]

Tiv Plays edit

The Tiv used their plays as a way to tell traditional legends, retell events, and politics.^[19] A few popular plays in Tiv culture include:

A Close Shave- Chris Kyoive
Sons of Akpe- Boniface Leva

Demographics edit

Benue state edit

Tarkaa, Makurdi, Gwer East, Gwer west, Ukum, Logo, Konshisha, Gboko, Kwande, Vandeikya, Katsina Ala, Guma, Buruku, and Ushongo Local Government Areas.

Nasarawa state edit

Doma, Nasarawa, Lafia, Obi, Keana, and Awe Local Government Areas

Plateau state edit

Qua’an Pan and Shendam Local Government Areas

Taraba state edit

Bali, Donga, Ibi, Gassol, Takum, Gashaka, Kurmi and Wukari Local Government Areas

Cross River state edit

Yala, Bekwara, Obudu, and Obanliku Local Government Areas. ^[20]

Cameroon edit

There are 1700 Tiv households with approximately 11,000 people at the south-western border of Cameroon, Manyu division, north east of Akwaya on the Nigerian border, and bordering the Iyom tribes of Cameroon. Their paramount ruler is Zaki Abaajul, who has the Tiv and Ulitsi as his subjects. The Cameronian Tiv are well educated and live in anglophone^[21] Cameroon as their ancestral land, while a few others live in the francophone region. They are mostly farmers but others work in the government.^{[citation needed]}^[22]

Notable people edit

Civil servants, politicians and activists edit

J. S. Tarkaa, politician, human rights activist

Barnabas Gemade, former PDP presidential candidate

Gen. John Gbor, APGA presidential candidate for 2019 general elections

Joseph Tarka, politician, human rights activist
Barnabas Gemade, former PDP party chairman
Aper Aku, first civilian governor of Benue state
George Akume, former senate minority leader
Iyorchia Ayu, former senate president
Prof. Ignatius Akaayar Ayua, SAN, OFR, FNIALS,^{[citation needed]} former Permanent Secretary Ministry of Justice, first professor of Law and Senior Advocate of Nigeria from Benue state, Legal luminary, Author
Chaha Biam, former speaker house of representative
Gabriel Suswam, politician former governor of Benue state and a serving senator
Samuel Ortom, former State Governor
Hyacinth Alia, the current State Governor
James Ayatse, Tor-Tiv v
Daniel Saror, former minority leader
Michael Aondoakaa, former attorney general of Nigeria
Moses Adasu, politician, former Benue state governor
A. I. Katsina-Alu, former chief justice of Nigeria
Iyorwuese Hagher, former senate deputy chief whip, minister and envoy
Yima Sen, intellectual and radical political activist
Alfred Akawe Torkula, Tor Tiv IV

Military and law enforcement edit

Gideon Orkar, Nigerian Military officer.
Victor Malu, former Chief of Army Staff
Joseph Akahan, first Nigerian Chief of Army Staff
Joseph Akaagerger, Former Governor of Katsina state
John Mark Inienger, former ECOMOG commander
Farida Waziri, former EFCC Chairperson
John Kpera, Military governor of Anambra state.
General Gabriel Kpamber, former ECOMOG commander

Athletes edit

Terna Suswam, football player
Dominic Iorfa Sr, football player
Dominic Iorfa Jr football player
Timothy Anjembe, football player
David Tyavkase, football player
Jeff Varem, NBA D-league player
Terna Nande, American football player
Apollo Crews, WWE wrestler
Francisca Ordega, Nigerian national team soccer player
Fanendo Adi
Barnabas Imenger Jr., Nigerian super eagles striker
Russel "Russwole" Orhii, World Champion Powerlifter
Moses Kpakor Former BBL Hawks FC, BCC Lions FC, Electricity FC, Abiola Babes FC and Nigerian National team player.
John Agum Former BCC Lions and Nigerian National team player.
Amir Angwe Former BCC Lions, Julius Berger and Nigerian National team player.

Culture edit

Akiga Sai, autobiographer and historian
Tay Iwar, singer, record producer and song-writer
Augustine Tarker Golozo, Regarded as the No.1 Folk singer amongst the Tivs.
Zaaki Azzay, veteran Nigerian hip hop artist.
Akume Akume, award-winning Nollywood actor and model.

References edit

^ "Tiv - Minority Rights Group". Minority Rights Group. Retrieved 2017-08-10.
^ Duggan, E. de C. (1932). "Notes on the Munshi ('Tivi') Tribe of Northern Nigeria: Some Historical Outlines". Journal of the Royal African Society. 31 (123): 173–182. doi:10.1093/oxfordjournals.afraf.a101094. JSTOR 716707.
^ Emmy and Shamiga Dominic, Itx (January 2019). "The History of the TIV People Published by Agula Terdoo Emmanuel". What's Next for Computer Science in the Coming Decades?.
^ ^a ^b Mark Cartwright (11 April 2019). "Bantu Migration". World History Encyclopedia.
^ "Benue River - Knowledge Encyclopedia".
^ Boyle, Andrew (1962). Trenchard Man of Vision. St James's Place, London: Collins. pp. 88–90.
^ ^a ^b "Tiv Genealogy – Tiv Nation". Retrieved 2022-09-03.
^ Asante, Molefi Kete; Mazama, Ama (2008-11-26). Encyclopedia of African Religion. SAGE Publications. p. 915. ISBN 9781506317861.
^ Middleton, John; Tait, David (2013-11-05). Tribes Without Rulers: Studies in African Segmentary Systems. Routledge. p. 40. ISBN 9781136532139.
^ Okehie-Offoha, Marcellina Ulunma; Sadiku, Matthew N. O. (1996). Ethnic and Cultural Diversity in Nigeria. Africa World Press. p. 105. ISBN 9780865432833.
^ Nation, Tiv. "Mzough U Tiv U.K". Retrieved 2022-09-03.
^ Lere, Ismaila (2013-07-01). "Nigeria: The Mystique of the Kakaki". Daily Trust (Abuja). Retrieved 2018-06-01.
^ . www.dailytrust.com.ng. Archived from the original on 2017-08-10.
^ "Traditional Musical Instrument: The Royal-Blowing 'Kakaki' Trumpet | EveryEvery". everyevery.ng. 2020-10-06. Retrieved 2022-08-26.
^ "The Culture And Tradition Of The Tiv People Of Benue State, Nigeria". InfoGuideNigeria.com. 2015-12-22. Retrieved 2022-08-26.
^ Ikyer, Godwin Aondofa (2016). "The Tiv Typology". Matatu. 48 (2): 309–334. doi:10.1163/18757421-04802006.
^ Harding, Frances (Winter 1998). "'To Present the Self in a Special Way': Disguise and Display in Tiv 'Kwagh-hir' Performance". African Arts. 31 (1): 56–96. doi:10.2307/3337624. JSTOR 3337624.
^ Harding, Frances (1992). "R. C. Abraham and the Tiv People". African Languages and Cultures. Supplement (1): 147–161. JSTOR 586685.
^ Harper, Peggy (1 October 1997). "The Kwagh-hir of the People of Tiv: a Note on Dramatised History Telling and Constructions of Nature among the Tiv of Southern Nigeria". Environment and History. 3 (3): 371–376. doi:10.3197/096734097779555845.
^ Project, Joshua. "Tiv in Nigeria". joshuaproject.net. Retrieved 2021-07-26.
^ "Definition of ANGLOPHONE". www.merriam-webster.com. Retrieved 2022-08-30.
^ "Tiv | Joshua Project". www.joshuaproject.net. Retrieved 2021-07-26.

22. https://books.google.com/books?id=uMv0CAAAQBAJ&q=tiv+chongo+pusu&pg=PT915 reviewed 2023-7-5 by shamiga Dominic