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Wikipedia

List of productions of The Nutcracker

April 18, 2024

Although the original 1892 Marius Petipa production was not a success, Pyotr Ilyich Tchaikovsky's ballet The Nutcracker began to slowly enjoy worldwide popularity after Balanchine first staged his production of it in 1954.[1] It may now be the most popular ballet in the world.

Miyako Yoshida and Steven McRae as the Sugar Plum Fairy and her Cavalier in a production of The Nutcracker by Peter Wright for The Royal Ballet (2009)

In Russia, choreographer Alexander Gorsky staged a new version of the work in 1919 that addressed many of the criticisms of the original 1892 production by casting adult dancers in the roles of Clara and the Prince, rather than children.[2] This not only introduced a love interest into the story by making Clara and the Prince adults, but provided the dancers portraying Clara and the Prince with more of an opportunity to participate in the dancing.

The first complete performance outside Russia took place in England in 1934,[3] staged by Nicholas Sergeyev after Petipa's original choreography. An abridged version of the ballet, performed by the Ballet Russe de Monte-Carlo, was staged in New York City in 1940 by Alexandra Fedorova[4] - again, after Petipa's version.[2][3]

The ballet's first complete United States performance was on 24 December 1944, by the San Francisco Ballet, staged by its artistic director Willam Christensen.[3] The New York City Ballet gave its first annual performance of George Balanchine's staging of The Nutcracker in 1954.[3] The tradition of performing the complete ballet at Christmas eventually spread to the rest of the United States. Since Vasili Vainonen's 1934 version in Russia, and Balanchine's 1954 New York City Ballet production, many other choreographers have made their own versions. Some institute the changes made by Gorsky and Vainonen respectively while others, like Balanchine, utilize the original libretto. Some notable productions include those by Rudolf Nureyev for the Royal Ballet, Yuri Grigorovich for the Bolshoi Ballet, Mikhail Baryshnikov for the American Ballet Theatre, and Peter Wright for the Royal Ballet and the Birmingham Royal Ballet. In recent years, revisionist productions, including those by Mark Morris, Matthew Bourne, and Mikhail Chemiakin have appeared, which depart radically from both the original 1892 libretto and Gorsky's revival.

In addition to annual live stagings of the work, many productions have also been televised and/or released on home video.[1] The ballet has also brought attention to "The Nutcracker and the Mouse King", the original 1816 story by E.T.A. Hoffmann, which is now the source material for various animated and live action films. Tchaikovsky's music, especially The Nutcracker Suite, a selection of eight pieces from the complete score, has become extremely popular. The suite (sans the Miniature Overture and the March) was featured in the popular 1940 Disney film Fantasia.

Stage edit

20th century edit

Snowflakes — Ivan Clustine/Anna Pavlova (1911) edit

When Anna Pavlova formed her own troupe, she adapted the Journey through the Pine Forest and Waltz of the Snowflakes scenes into a ballet called Snowflakes, with which she toured the United States and Europe from 1911 until her death in 1931.[1] Although only a small fraction of the complete work, Pavlova's adaptation is significant for being the first time the Journey through the Pine Forest music was used for a pas de deux between a Snow Queen and a Snow King.[2][3] This music would also later be utilized for a first act pas de deux between Clara and the Nutcracker Prince by Vasily Vainonen in his production for the Mariinsky Ballet, by Kurt Jacob for his German-American television production of the 1960s (see the section Television Presentations below), by Mikhail Baryshnikov for his famous production with American Ballet Theatre, by Kent Stowell for Pacific Northwest Ballet, and by Peter Wright for his Royal Ballet production and Birmingham Royal Ballet productions. The Snow Queen/King would later be featured in some subsequent productions, including Helgi Tomasson's for the San Francisco Ballet.

Alexander Gorsky (1919) edit

Russian choreographer Alexander Gorsky, who staged a production of The Nutcracker in Moscow in 1919, is credited with the idea of combining Clara and the Sugar Plum Fairy's roles (i.e. giving the Fairy's dances to Clara), eliminating the Sugar Plum Fairy's Cavalier, giving the Cavalier's dances to the Nutcracker Prince, and having the roles of Clara and the Nutcracker Prince danced by adults,[5][6] thereby introducing a reason for a love interest between the two characters that had not been present in the original ballet.

Vasily Vainonen (1934) edit

In 1934, Soviet choreographer Vasili Vainonen staged his complete version of the ballet in the USSR. Vainonen followed Gorsky in departing from the original 1892 production, particularly in his casting adult dancers in the roles of Clara (called Masha in this production) and the Prince, having them perform the second act Grand Pas de Deux originally intended for the Sugar Plum Fairy and her Cavalier (who are omitted from the production altogether), augmenting the role of Drosselmeyer, and concluding the ballet with Masha's realization that the fantasy sequences were a dream. Many subsequent productions, including those by Nureyev and Baryshnikov, have adopted these changes.[7]

The production was revived in 1954, and received a special staging at the Mariinsky Theatre in St. Petersburg (known as Leningrad during the Communist era) to commemorate the 100th anniversary of the ballet's premiere in 1992. In 1994, with sets and costumes first used in its 1954 revival, the Vainonen version was staged again, starring Larissa Lezhnina as Masha, Victor Baranov as the Nutcracker / Prince, and Piotr Russanov as Drosselmeyer. This revival was videotaped and released on DVD.[8]

Another revival of this production has been shown in movie theatres in 3D,[9] and a new DVD of it, starring Alina Somova and Vladimir Shklyarov, was released in December 2012, both in a regular version and on Blu-ray.[10] It was also telecast in 2012 and 2013 on Ovation Channel's "Battle of the Nutcrackers".

Alexandra Fedorova (1940) edit

Although abridged, this production is notable for being the first time The Nutcracker (beyond excerpts) was performed in America.[3]

Willam Christensen (1944) edit

Main article: The Nutcracker (Willam Christensen)

In 1944, Christensen created the first complete production in America with the help of George Balanchine (who would go on to choreograph his own production ten years later) and Alexandra Danilova. Both of them were familiar with the 1892 version:

"Ballet Russe passed through San Francisco and one evening I got Alexandra Danilova and Balanchine, then ballerina of Ballet Russe and ballet master respectively, to come to my apartment," recalls Christensen. "We had something to eat and drink, and then we got down to work with the conductor. Balanchine described the Maryinsky production: how the big doors opened on the tree, the mime of Drosselmeyer, all the details. At one point, Danilova started dancing Clara's variation, in her stocking feet and street dress. Balanchine put an end to that with his admonishment, 'No, no, Alexandra, don't try to show him the actual steps. Let him create his own choreography.' We worked all night, and that is how I got my first Nutcracker... I never intended it to become an annual production, but there you are, it is a tradition now!"[11]

— Willam Christensen, choreographer of San Francisco Ballet's 1944 Nutcracker

Christensen himself performed the role of the Cavalier.[12] Gisella Caccialanza, the wife of Lew Christensen, danced the rôle of the Sugar Plum Fairy.[11] One of the other dancers in the production was Onna White, who would later choreograph The Music Man on both stage and screen, as well as the 1968 film version of "Oliver!".[13]

The staging was a success, and one critic wrote: "We can't understand why a vehicle of such fantastic beauty and originality could be produced in Europe in 1892 with signal success [sic] and never be produced in its entirety in this country until 1944. Perhaps choreographers will make up for lost time from now on."[12] The company was the first in the U.S. to make the ballet an annual tradition, and for ten years, the only company in the United States performing the complete ballet. The company has performed The Nutcracker annually in subsequent versions by Lew Christensen and Helgi Tomasson respectively.

On New Year's Day, 1965, ABC-TV telecast a one-hour abridgment of Lew Christensen's 1964 version. Cynthia Gregory danced the role of the Sugar Plum Fairy and dancer Terry Orr was the Snow King.[14][better source needed]

George Balanchine (1954) edit

Main article: The Nutcracker (Balanchine)

In 1954 George Balanchine followed in Christensen's footsteps by choreographing and premiering his now-famous New York City Ballet version, adhering closely to the libretto of the original 1892 version (recollected from revivals in which he had performed the role of the Prince as a young boy in Russia):[2]

"[The Nutcracker] has almost become a kind of annual Christmas ritual in many American and Canadian cities. Of course, this was not always so. We used to rely on a touring company to give us a truncated version of this full-length work, a ballet people used to call Nutcracker Suite because people knew the music better than the ballet. Now all that is different... I have liked this ballet from the first time I danced in it as a boy when I did small roles in the Maryinsky Theatre production. When I was fifteen, I danced the Nutcracker Prince. Years later in New York, when our company decided to do an evening-long ballet, I preferred to turn to The Nutcracker, with which American audiences were not sufficiently familiar. I accordingly went back to the original score, restored cuts that had been made, and in the development of the story chose to use the original E.T.A. Hoffmann, although keeping the outlines of the dances as given at the Maryinsky. A prologue was added and the dances restaged."[16]

— George Balanchine, choreographer of the New York City Ballet's 1954 Nutcracker

This version remained faithful to the original production in its casting actual children in the roles of Marie (Clara) and the Nutcracker Prince, even reconstructing some of the original choreography for the Prince's pantomime and the Grand Pas de Deux for the Sugar Plum Fairy and her Cavalier in Act II. Balanchine made some musical edits for his production, adding an entr'acte originally composed for Act II of The Sleeping Beauty (used as a transition between the departure of the guests and the battle with the mice in Act I), moving the Dance of the Sugar Plum Fairy to earlier in Act II, and excising the Tarantella variation intended for the Cavalier during the Grand Pas de Deux. Balanchine also departed from the original production on some points. For instance, while in the original production the Waltz of the Flowers was performed by eighteen male-female couples, Balanchine utilized a group of fourteen female dancers led by a Dew Drop soloist.[2] Other changes reflect a return to Hoffmann's original tale. For instance, Balanchine used Hoffmann's original name for the heroine, Marie Stahlbaum (rather than Clara Silberhaus as in the 1892 production), and introduced a nephew for Drosselmeyer who appears in the party scene and later as the Nutcracker Prince.[16]

The production premiered on February 2, 1954 at the New York City Center, starring Alberta Grant as Marie, Michael Arshansky as Drosselmeyer, Paul Nickel as the Nutcracker Prince, Maria Tallchief as the Sugar Plum Fairy, Nicholas Magallanes as the Cavalier. It enjoyed huge popularity in New York and has been performed by the New York City Ballet every year since its premiere. Annual performances now take place at the David H. Koch Theater at Lincoln Center. This version has been broadcast three times on live television - first, in an abridged form in 1957, by CBS on the TV anthology The Seven Lively Arts.[17] This marked the first telecast not only of the Balanchine version but of any staging of the ballet. CBS's Playhouse 90 broadcast a more complete (but still abridged) version of the Balanchine Nutcracker, narrated by actress June Lockhart, who was then starring as the mother in CBS's Lassie, in 1958; it was the first Nutcracker broadcast in color.[18] There were only four commercial breaks.[5] This television production starred Diana Adams as the Sugar Plum Fairy, the then ten-year-old Bonnie Bedelia as Clara, and Robert Maiorano as the Nutcracker Prince.[19] The latest revival of the production was telecast on Live from Lincoln Center during the 2011 Christmas season on PBS. It was PBS's first-ever telecast of the Balanchine Nutcracker,[20] but was not seen in some areas because the local PBS stations there decided to substitute their own program choices (not necessarily artistic or musical). The Atlanta PBS stations, for instance, substituted self-help specials from Suze Orman and others, as they often do now during their pledge drives. This 2011 telecast of The Nutcracker has so far not appeared complete online, and has not been released on DVD because Live from Lincoln Center customarily refuses to release its programs on video, due to difficulties involving paying royalties to the various parties involved. This production was nominated for an Emmy Award.[21]

In addition to the New York City Ballet, Balanchine's version of The Nutcracker is currently performed annually by six other ballet companies in the United States: Alabama Ballet,[22] the Central Pennsylvania Youth Ballet,[23] the Miami City Ballet,[24] the Oregon Ballet Theatre,[25] The Pennsylvania Regional Ballet,[26] the Pennsylvania Ballet,[27] and since 2015, the Pacific Northwest Ballet.[28] It was previously performed at the Stamford Center for the Arts in Stamford, Connecticut and by the Pittsburgh Ballet Theatre.[29] From 1966 to 1994, the Atlanta Ballet staged the complete Balanchine version annually (after having performed only Act II for eight years); the company now performs choreographer John McFall's version.[30]

Rudolf Nureyev (1963) edit

In 1963, Rudolf Nureyev created his own version of Tchaikovsky's work with the Royal Ballet, in which he starred with Merle Park as Clara. Nureyev had previously performed the role of the Nutcracker Prince in Vainonen's version as a student at the Leningrad Ballet school in February 1958.[31] Nureyev's production adopts many of Gorsky and Vainonen's alterations to the original 1892 version, including casting adult dancers in the roles of Clara and the Prince, eliminating the Sugar Plum Fairy, and having Clara awaken to realize the fantasy sequences were a dream. Rostislav Doboujinsky created the mouse masks and costumes for the 1967 production in Stockholm.[32]

The production was videotaped for British television in 1968 and is available on DVD. As far as is known, it has never been telecast on U.S. television. Nureyev played the roles of Drosselmeyer and the Nutcracker Prince, while Wayne Sleep portrayed the Nutcracker. Some critics considered this a Freudian touch, taking it to mean that it is not the Nutcracker who turns into a Prince, but Drosselmeyer. However, this is not necessarily obvious to viewers of the DVD of this production.[33] This production was revived twice by the Paris Opera Ballet in a heavily revised version, in 1988 with Elisabeth Maurin as Clara and Laurent Hilaire as Drosselmeyer and the Prince, and in 2008 with Myriam Ould-Braham as Clara and Jérémie Bélingard in these roles.[34] Neither of those productions have been telecast on U.S. television.

Yuri Grigorovich (1966) edit

In 1966, Yuri Grigorovich created his own version of The Nutcracker for the Bolshoi Ballet, utilizing many of the changes made by Vasily Vainonen for his 1934 production, including the casting of adult dancers in the roles of the heroine (called Maria rather than Clara in this version) and the Nutcracker Prince, and the omission of the Sugar Plum Fairy and her Cavalier.[7] In this version, all of the toys take part in the Journey Through the Snow sequence, rather than being offstage while Maria and the Prince perform the dance. And, as in the Vainonen version, much of the company also dances along with Maria and the Prince as they perform the Adagio in the Act II Pas de Deux; in fact, Maria and the Prince never have the stage all alone to themselves. As a departure from the original 1892 production, Grigorovich omits the pantomime that the Prince performs "describing" his defeat of the Mouse King at the beginning of Act II. The music for the pantomime is used for the defeat of the Mouse King, who is not killed in the first act as in the original or Vainonen's version, but at the beginning of the second act. The entire score is used, which means that the Dance of the Clowns, cut from the earlier version, is reinstated, though Mother Ginger does not appear, nor do any clowns; the dance is performed by the same dancers who perform the other divertissements.

In this production, although Maria (or Clara) is outfitted with a bridal veil in the Final Waltz in anticipation to her impending wedding to the Nutcracker Prince, she then awakens to find that the fantasy sequences were a dream.

This version was first televised in the New York area only by WNBC-TV in 1977, only two days after CBS first telecast the famous Baryshnikov version. First Lady Betty Ford hosted, and the telecast was unique because the lead dancers had to be replaced halfway through due to injuries. This production was released on videocassette and videodisc in the early '80s by MGM/CBS Home Video, through CBS Video Enterprises; CBS released it on videocassette again in 1984, this time as part of CBS/Fox Video. A revival of it was recorded on video in 1987, with the same two stars of the 1977 Bolshoi production, husband-and-wife team Ekaterina Maximova as Maria and Vladimir Vasiliev as the Nutcracker Prince. Both versions are available on DVD, though the 1977 version, sourced from MGM/CBS's CED release, is considerably rarer than the 1987 version. Another revival of this version was recorded in 1989, starring Natalya Arkhipova as Clara, not Maria as in the earlier version, and Irek Mukhamedov as the Nutcracker Prince (but not the Nutcracker himself; that role is played by a female dancer, Marisa Okothnikova). In this revival the romance between Clara and the Prince is slightly more pronounced than in the earlier Bolshoi version. It is now available on DVD, and has been telecast in the U.S. as part of Ovation TV's annual "Battle of the Nutcrackers".[35]

The first widescreen high-definition revival of the Grigorovich Nutcracker was streamed live to movie theatres in Europe in 2010. The use of the new technique afforded moviegoers the chance to see the production in more vivid colors than had been featured in the earlier versions of the production, especially since the Bolshoi Theatre had been recently renovated. Nina Kaptsova starred as Marie (rather than Clara) and Artem Ovcharenko was the Nutcracker Prince.[36] In December 2018, Grigorovich's Nutcracker for the anniversary of the birth of Galina Ulanova was released on the official YouTube channel.[37]

Mikhail Baryshnikov (1976) edit

In 1976, the 28-year-old Mikhail Baryshnikov premiered a new version of the ballet for the American Ballet Theatre, with himself in the title role, Marianna Tcherkassky as Clara, and Alexander Minz as Drosselmeyer.[38] The production premiered at the Kennedy Center in Washington, D.C. in December 1976, and received its New York premiere on May 18, 1977 at the Metropolitan Opera House.[38]

Like Nureyev, Baryshnikov adopted many of the changes made by Gorsky and Vainonen, including the casting of adult dancers in the roles of Clara and the Nutcracker Prince, the elimination of the Sugar Plum Fairy while making Drosselmeyer's role more prominent, and a concluding scene in which Clara realizes the fantasy sequences were a dream.[39] This production also utilizes Vainonen's choreography for the Waltz of the Snowflakes. Other changes included having a drunken guest at the Christmas party be the one responsible for breaking the Nutcracker, not Clara's brother Fritz, who is portrayed fairly sympathetically in this version. Clara, meanwhile, does not throw her slipper at the Mouse King during the battle, but a candleholder instead.[40] The Grand Adagio of the Pas de Deux in Act II was made almost into a Pas de Trois, as Drosselmeyer enters the festivities at the Land of Sweets to coax Clara back to reality but she refuses to go. In order to provide a dramatic climax to the story, the adagio was made the penultimate dance in the ballet, coming just before the Final Waltz and Apotheosis.

This production achieved particular popularity when it was recorded for television in 1977, starring Gelsey Kirkland as Clara (one of her few roles captured on video), with Baryshnikov and Minz reprising their roles as the Nutcracker / Prince and Drosselmeyer respectively. The telecast was directed by multi-Emmy-winning choreographer and director Tony Charmoli. Although not televised now as often as it used to be, and despite the fact that it was not shot in high definition or widescreen, it retains its status as the most popular telecast of the ballet even today, having become a huge bestseller on DVD especially during the Christmas season. The television version was not a live performance from the Kennedy Center of the ballet, but a special presentation shot on videotape in a TV studio. NBC had already done this as early as 1955, with its Producers' Showcase version of Tchaikovsky's The Sleeping Beauty, starring Margot Fonteyn (which was, however, presented live in those days of no videotape). This method of presentation permitted far greater freedom of camera movement and more use of different camera angles. The Baryshnikov Nutcracker was videotaped in Toronto, Ontario, Canada. Due to time constraints and the necessity to bring the program in at ninety minutes (counting three commercial breaks), the television version of the Baryshnikov production had to eliminate the Arabian Dance altogether. It was first telecast by CBS in the U.S. as a Christmas season special with limited commercial interruption on December 16, 1977, pre-empting Wonder Woman and Logan's Run for that week.[41] It was re-broadcast by CBS several times, then afterwards many times annually by PBS, usually during their Christmas season pledge drives.[1] In 1997, a slightly edited version of it was telecast on the A&E Network, as part of their Breakfast with the Arts program.[42] The presentation was nominated for an Emmy Award for Outstanding Classical Program in the Performing Arts, and Baryshnikov himself was nominated for an Emmy for Special Classification of Outstanding Individual Achievement.[43] On September 28, 2004, the production was reissued on DVD, remastered and in both 2.0 and 5.1 stereo surround sound. In September 2012, it became one of the few 1970's programs originally recorded on videotape to be released on Blu-ray.

Kent Stowell/Maurice Sendak (1983) edit

In 1981, Kent Stowell, artistic director of the Pacific Northwest Ballet company in Seattle, approached children's author Maurice Sendak to design the sets and costumes for a new production of The Nutcracker:

"My immediate reaction to the request that I design Nutcracker was negative. I was flattered, but my reasons for saying no were plentiful. To begin with, who in the world needed another Nutcracker? ….Of course I did it. We did it together. Most of my doubts and worries were put to rest when Kent and I met for the first time early in 1981 in New York City. I liked him immediately for not wanting me to do Nutcracker for all the obvious reasons but rather because he wished me to join him in a leap into the unknown. He suggested we abandon the predictable Nutcracker and find a fresh version that did honor to Hoffman, Tchaikovsky, and ourselves. Later that year, Kent invited me to Seattle to see the company's old Nutcracker. By then I had fallen in love with the project and after that Christmas of 1981, I set to work in earnest."[44]

— Maurice Sendak, designer of Pacific Northwest Ballet's 1983 Nutcracker

The version they eventually created premiered in December 1983. Unlike previous versions, Stowell and Sendak turned to the original E.T.A. Hoffmann story for inspiration and incorporated some of the darker aspects of Hoffmann's tale. In this production, Clara is portrayed by a young girl up until the defeat of the Mouse King, after which the character is transformed into a young woman and performed by an adult dancer for the remainder of the ballet. Stowell dispenses with the Sugar Plum Fairy and the Confiturembourg setting for Act II altogether, opting instead, according to Sendak, for an exotic port containing a seraglio, in which the Grand Pasha (meant to resemble Drosselmeyer, played by the same performer) has his entourage perform for the couple in honor of their bravery. At the end of Act II, the boat on which Clara and the Prince journey to the Land of Sweets returns to take the Nutcracker and Clara away. Clara expresses reluctance to leave and the Pasha sends the boat away without her. As in the Vainonen, Clara wakes to realize the fantasy sequences were a dream.[45] Sendak and Stowell also added to the original score a duet from Tchaikovsky's opera Pique Dame, to be performed at the Christmas Party.

This production was extremely popular and has been revived in Seattle every year since its premiere. In 1986 it served as the basis for the feature film, Nutcracker: The Motion Picture. In 2014 it completed its 32-year run at McCaw Hall.

Peter Wright (1984 and 1990) edit

In 1984, dancer-choreographer Peter Wright created a new production based on the original 1892 production for the Royal Ballet. In doing so, he enlisted the aide of musicologist Roland John Wiley, who had done extensive research on Tchaikovsky's ballets and served as production consultant.[47] Together, they created a production that was closely based on the original by Lev Ivanov. For the Waltz of the Flowers, for instance, Wright utilized the floor patterns designed by Ivanov for the premiere and, unlike many productions, featured a Vivandière doll in Act I as in the original production.[48] Wright departed from the original in the casting of adult dancers in the roles of Clara and the Nutcracker Prince, and omitting Mother Gigogne and her Polichinelles. Unlike Vasily Vainonen's 1934 production, however, the roles of the Sugar Plum Fairy and her Cavalier remain intact. Wright's production, like Balanchine's, incorporates a nephew for Drosselmeyer, named Hans-Peter, but in this production he is actually the Nutcracker Prince, an element featured in the original story by E.T.A. Hoffmann. The sets and costumes were designed by Julia Trevelyan Oman, inspired by the Biedermeier era of 19th century Europe.[49]

This production premiered at the Royal Opera House in December 1984. In 1985, it was recorded by the BBC and televised in the U.S. by A&E, starring Julie Rose as Clara, Guy Niblett as Hans-Peter, Leslie Collier as the Sugar Plum Fairy, and Anthony Dowell as her Cavalier.[50] Wright has stated that of all his productions of the ballet, the 1984 one is the closest to the original, although Clara and Hans-Peter are played by adults. Wright even has the dancing dolls at the Christmas party bursting out of pies, as in the 1892 production.

Wright revised the production in 2001 for the newly renovated Royal Opera House to create an ending in which Clara first believes that she was dreaming her adventures; then in the epilogue, after meeting Hans-Peter again in the real world, she realizes that they actually happened. The revised production was videotaped and televised in the U.S. as part of PBS's Great Performances, starring Alina Cojocaru as Clara, Ivan Putrov as the Nutcracker Prince, Miyako Yoshida as the Sugar Plum Fairy, and Anthony Dowell (this time as Drosselmeyer).[51] These first two versions of the Wright production are available on DVD.

In 2008, again with a new cast (Iohna Loots as Clara, Ricardo Cervera as Hans-Peter, and Gary Avis as Drosselmeyer), the production was streamed live to movie theatres in England, and was presented as a high-definition film in select theatres throughout the U.S. during the 2009 Christmas season.[52] There exist two different versions of this revival. The first one, with Alexandra Ansanelli as the Sugar Plum Fairy,[53] was filmed in 2008, and another one, also with Loots, Cervera and Avis, but with Miyako Yoshida as the Sugar Plum Fairy,[54] was filmed in 2009 and also shown in theatres, and was released on DVD in 2010.

In the 2008 staging, romantic interest between Clara and Hans-Peter is more pronounced than in the other versions of this production: they kiss several times.

The 2009 revival of the Wright production was selected as a candidate in Ovation TV's 2010 "Battle of the Nutcrackers" contest — not the version with Alina Cojocaru as Clara, as has been erroneously stated on some websites. The 2009 production ultimately was chosen as the viewer favorite in the contest.[55] It made its U.S. TV debut on December 6, 2010. The 2010 contest marked the first time that this revival of the production was shown on U.S. television.[56]

Wright staged a new version of the ballet in 1990, when the Sadler Wells Royal Ballet moved to Birmingham and became the Birmingham Royal Ballet under his direction. For this production, Wright departed more freely from the 1892 original than in his 1984 Royal Ballet production. In this version, the fantasy sequences are once again a dream, Clara is a ballet student, and her mother is a former ballerina.[58] The production has been particularly praised for John Macfarlane's set designs.[59][60] In 1994, this version was filmed, starring Irek Mukhamedov as the Nutcracker Prince, Sandra Madgwick as Clara, and once again, Miyako Yoshida as the Sugar Plum Fairy, and was released on DVD by Kultur International Films (as of this writing, Ms. Yoshida has danced the role of the Sugar Plum Fairy more times on video than any other dancer). However, this Birmingham Ballet production has never been telecast in the U.S.

The Hard Nut — Mark Morris (1991) edit

Main article: The Hard Nut

In 1990, American dancer and choreographer Mark Morris began work on The Hard Nut, a contemporary version of The Nutcracker, taking inspiration from the horror-comic artist Charles Burns, whose artwork focuses on the archetypal concepts of guilt, childhood, adolescent sexuality, and poignant, nostalgic portrayals of post-war America. Morris enlisted a team of collaborators with whom he could evoke Burns’ black-and-white world: set designer Adrianne Lobel, lighting designer James F. Ingalls, and costume designer Martin Pakledinaz. The Hard Nut was the last of twelve pieces Mark Morris created during his time as Director of Dance at the National Opera House of Belgium.

The Hard Nut premiered on January 12, 1991 at the Théâtre Royal de la Monnaie in Brussels. It was chosen the favorite by viewer votes in 2007, 2008, and 2009 in Ovation TV's annual "Battle of the Nutcrackers".[35] Shortly after the premiere, MMDG returned to the United States, having finished their three-year residency at the Monnaie, but the company returned six months later with film crew in hand for encore performances in Belgium's national opera house, one of which was telecast on PBS in 1992 and was made available on VHS and Laserdisc. The Hard Nut was released on DVD in 2007. This production was nominated for two Emmy Awards.[62]

2010 marked the first year that The Hard Nut was not part of the annual "Battle of the Nutcrackers".[56]

Nutcracker! — Matthew Bourne (1992) edit

In 1992, choreographer Matthew Bourne staged a new version of the ballet as part of a double-bill with Tchaikovsky's one-act opera Iolanta (presented by Opera North) to celebrate the centenary of both works.[64] Bourne's version, while retaining Tchaikovsky's score (except the music for Mother Gigogne and her Polichinelles), reworks the traditional libretto. In this version, Clara lives in Dr. Sugar's orphanage. The Nutcracker in this version resembles the ventriloquist dummy Jerry Mahoney after coming to life, and turns into, not a Prince, but a shirtless, muscular man. The Sugar Plum Fairy is replaced by a character named Princess Sugar, a calculating, slutty woman who steals Clara's beau away from her. Instead of abandoning plot development for divertissement in Act II as in the original 1892 production, in Act II of Bourne's production, Clara must find her hunky beau in time to prevent him from marrying Princess Sugar. Clara ultimately awakens in the orphanage to find him hiding under the covers of her bed, ready to whisk her away for a happily-ever-after ending. [65]

"The classical Nutcracker has also become a Christmas tradition, particularly for Mothers and their young dancing school daughters; it’s often the first ballet that many people see. It can though, be a difficult story to follow and a bore for the men of the family. I’ve tried to tell a story for all the family. Adults, kids, girls and boys should all find something to thrill them and touch them in Clara’s adventure."[66]

— Matthew Bourne, choreographer of Nutcracker!

The original production was a success and was brought back to the Sadler's Wells Theatre in 1993 and 1994. It was nominated for a 1994 Laurence Olivier Award for "Best New Dance Production" and for a "Best of the Edinburgh Festival Award" by The Scotsman.[63] Bourne revised the production in 2002, which has since been performed in various locations in Britain and the U.S. In 2003, it was telecast on the Bravo channel. It was later released on DVD.[67]

21st century edit

Kirill Simonov / Mikhail Chemiakin (2001) edit

In 2001, Russian artist Mikhail Chemiakin joined with choreographer Kirill Simonov, at the request of conductor Valery Gergiev, to design a new production of the ballet:

"The music of The Nutcracker is multifaceted and, like all great works, inexhaustible. Each time we return to this music, more and more unexpected layers of this unique 'balletic symphony' unfold... I believe that this ballet has long needed to be freed of the pall of obvious 'childishness', the feeling of a children's matinee. Its music is immeasurably richer in content, more profound, more philosophical... The innovation of the musical interpretation attracted Chemiakin. We restored cuts, brought the tempos into line, and the music suddenly sounded totally different -- shattering the stereotypes and revealing new meanings... We intend to show this production in the world's major venues. We hope that our work will find a warm response in the hearts of theatregoers."[69]

— Valery Gergiev, conductor of the Mariinsky Theatre Orchestra

Like Maurice Sendak and Kent Stowell's 1983 production for the Pacific Northwest Ballet, they would draw on the original story by E.T.A. Hoffmann for inspiration. Chemiakin chose to emphasize some of Hoffmann's darker and more grotesque themes, including those of repressed imagination and childhood alienation (the heroine is shunned by her own parents in this version, although she isn't in the Hoffmann story). As in the original 1892 production, the fantasy sequences are not a dream and the Sugar Plum Fairy still appears (though, like Gorsky's version and Vainonen's 1934 version, Simonov gives her Grand Pas de Deux in Act II to the heroine, called Masha, and the Nutcracker Prince). In one case, Chemiakin deviated sharply from Hoffmann, who gave his story a happy ending by having the heroine marry the Nutcracker Prince, and presumably stay in the Kingdom of Sweets to live happily ever after with him. Instead of Hoffmann's ending or the Apotheosis of the original production, Masha and the Prince, who fall deeply in love and are married offstage, are turned into confections at the top of a giant wedding cake, in danger of being eaten by rats who are climbing and nibbling on it.[69]

The production premiered at the Mariinsky in February 2001, and was performed in the U.S. for the first time in 2003, at the Kennedy Center for the Performing Arts in Washington, D.C.[70] President George W. Bush and his wife Laura attended one of the performances. It was also shown in select movie theatres in high-definition.[71] It has proved highly controversial and has received many withering reviews, which nevertheless praise the dancing of ballerina Irina Golub, who portrays Masha on the DVD made of the production.[72] Russian dance critic Nina Alovert also commented disparagingly of the production, saying that it was "full of uncaring human beings and rats who eat people", and that "The one good person [meaning Masha] is turned into a sugar-coated doll".[73] In Dance View Times, critic George Jackson called it "The Gargoyle Nutcracker", and inexplicably termed Masha, the kindliest character in the production, a "brat" and a "minislut", perhaps partly because of the Act II Pas de Deux, which is made quite sensual in this production, some have even said sexual.[70] On the other hand, Stephen Smoliar published a favorable review of the production, in which he said of the Act II Pas de Deux, "Never before have I found such an erotically charged Pas de Deux (in any ballet)", stating that it represents the moment when Masha and the Nutcracker Prince consummate their relationship,[74] and he complimented Irina Golub for "dancing it so passionately".[74] He also praised choreographer Simonov, and stated that "never before has this eroticism [in the ballet] seemed so relevant."[74] (In the production, the Grand Adagio of the Pas de deux culminates in a passionate kiss between Masha and the Nutcracker Prince, and at the end of the dance, Masha, with a mischievous smile and a knowing glance, looks around the room as if trying to make sure that the others are preoccupied, then grabs the Prince's hand and runs offstage with him, perhaps to be alone with him in private; one blog has even suggested that at this point the couple makes love for the first time. It is left to the viewer to decide.) The ending of this version is quite horrifying, in that it implies that Masha and the Prince have been killed.

This production was filmed in 2007 and released on DVD in 2008, both on Blu-ray and regular format; however, the regular format version rapidly went out-of-print.

In the credits, Chemiakin's name is spelled Shemiakin.

Onstage, Golub and Natalya Sologub alternated in the rôle of Masha in the original stagings of this production, which is still staged by the Mariinsky Ballet.

This version made its U.S. TV debut in December 2011, on Ovation TV's annual "Battle of the Nutcrackers".[75]

Helgi Tomasson (2004) edit

In December 2004, artistic director Helgi Tomasson staged a new version of the ballet for the San Francisco Ballet set in San Francisco during the Panama–Pacific International Exposition. (Other productions, such as Robert Joffrey's for the Joffrey Ballet and Septime Webre's for the Washington Ballet have taken a similar route in transplanting the action to America.) Clara is played, for the most part, by a young girl rather than an adult woman.

This production utilizes the basic outline of the original 1892 version, with some departures. For example, as in the Chemiakin and Grigorovich versions, the Nutcracker first "comes to life" at the Christmas party before Clara's dream begins. Rather than a Soldier as in the original 1892 version, it is the Nutcracker that is Drosselmeyer's second life-sized doll. And, rather than throwing her slipper at the Mouse King, Clara humorously arranges with the help of the toy soldiers to get the Mouse King's tail caught in a huge mousetrap, thus enabling the Nutcracker to fatally stab him. Like the Sir Peter Wight production for the Royal Ballet it opens in Drosselmeyer's workplace.

In lieu of the Confiturembourg setting for Act II, Tomasson substitutes a Crystal Palace, like the one featured at the 1915 fair.

As the festivities draw to a close, the Sugar Plum Fairy and Drosselmeyer grant the young girl Clara her greatest Christmas wish and transform her into a beautiful woman to dance in the arms of her Prince, who is played by an adult in this version. Thus, as in Gorsky's version and Vasily Vainonen's 1934 version, the Grand Pas de Deux is danced, not by the Sugar Plum Fairy and her Cavalier, but by the Nutcracker Prince and Clara. Also, like Vainonen's production, Clara awakes on Christmas morning a young girl again, to find that the fantasy sequences were a dream.[76]

In 2007, this version was filmed by KQED and presented in select movie theatres throughout the U.S., Canada, and Europe.[77] The following winter, it was presented on PBS' Dance in America and subsequently released on DVD.[78]

Gelsey Kirkland / Michael Chernov (2013) edit

[80][81]

Other Productions edit

  • Mary Day/Martin Buckner (1961) — Among the first wave of productions in the U.S. after Christensen and Balanchine was the Washington Ballet's production, choreographed by Mary Day with Martin Buckner and Choo San Goh. The production premiered at DAR Constitution Hall with the National Symphony Orchestra in December 1961. The production was subsequently performed at various venues throughout Washington, D.C. including Lisner Auditorium and the Warner Theatre until Day's retirement in 2004, at which point the production was retired and replaced with a new version by Septime Webre, set in 19th century Georgetown.[82]
  • Ronald Hynd (1976) — Staged by the London Festival Ballet, Hynd's version of the story gives the heroine an older sister named Louise who falls in love with Drosselmeyer's nephew against the wishes of her parents.[83]
  • Robert Joffrey/Gerald Arpino (1987) — In 1987, Robert Joffrey and Gerald Arpino created a version of the ballet for the Joffrey Ballet set in Currier and Ives America. The production has been performed in cities nationwide, including New York City, Washington, D.C., Los Angeles, and ultimately in Chicago where the company established its permanent home in 1995.[84] In 1999, an abridged version of the production was televised on some PBS stations in U.S. as The Joffrey Nutcracker.[85]
  • Graeme Murphy (1992) — Graeme Murphy's version, entitled "Nutcracker: The Story of Clara", was created in 1992 for the Australian Ballet, released on video in 1994, and released on DVD in 2008. It retains Tchaikovsky's music, but throws out virtually all of the original story, adding some quite intense scenes not found in a usual Nutcracker. In this version, set in the 1950s, Clara is an aging Australian ballerina in a retirement home who recalls her past life in flashback, and dies of old age at the end. There are no magical enchantments in this version,[86] which made a surprise appearance as an additional offering in 2011's Battle of the Nutcrackers.
  • Anatoli Emilianov (1993) — Anatoli Emilianov has staged a version for the Moscow Ballet called The Great Russian Nutcracker, in which the second act is set in the "Land of Peace and Harmony". As in the Gorsky and Vainonen versions, Clara performs all of the dances usually performed by the Sugar Plum Fairy, and the Prince performs the Cavalier's dances. New York Times dance critic Alastair Macaulay has criticized what he calls "the production's emphasis on Love, Love, Love," claiming that a romance between Clara and the Nutcracker Prince makes The Nutcracker seem like too many other classical ballets, rather than a unique one which essentially does not have an adult love interest.[87]
  • Pär Isberg (1997) — Pär Isberg's version for the Royal Swedish Ballet, staged in 1997, uses most of Tchaikovsky's music, but bears little resemblance to the original ballet, although there still is a Mouse King. In this version, it is a charcoal burner who becomes a handsome Prince, and a housemaid falls in love with him and becomes his Princess. Instead of simply Clara visiting the Kingdom of Sweets, it is two children, Lotta and her brother Petter, who do so. (Some of the new libretto, co-written by Isberg and Erik Näslund, is inspired by Elsa Beskow's children's book "Peter and Lotta's Christmas".)[88][89] This version is available on DVD only in Great Britain.
  • Patrice Bart (1999) — Patrice Bart's version, available on DVD, created for the Berlin Staatsoper, and premiered there in 1999, reworks the libretto. The heroine (here called Marie) is an unhappy, traumatized child who finds herself in the care of the cruel Stahlbaum family after her mother is kidnapped by Russian Revolutionaries. Her only friend is Drosselmeyer who here is a young man who helps Marie remember and overcome her repressed trauma. The nutcracker toy, whose uniform reminds Marie of her father, becomes the catalyst for this experience. Drosselmeyer evokes in the revolutionaries (taking the place of the Mice from the traditional staging), enabling Marie to drive them off by throwing her toy nutcracker at them. The toy then explodes, comes to life, and almost immediately turns into a Prince. In the second act, Marie is reunited with her mother. As in Vainonen's 1934 version, there is no Sugar Plum Fairy or Cavalier; their dances are performed by Marie and the Nutcracker Prince. The finale is unclear about Marie and the Prince's fate, but her mother blesses their apparently forthcoming marriage, after which Drosselmeyer suddenly produces another nutcracker, which emits a strange light from its eyes. Most of the dancers suddenly begin moving like mechanical dolls, and through a cloud of smoke, Marie is seen to be seemingly flying off happily with the Prince, Mary Poppins-like, airborne on a giant umbrella. This production appeared on DVD with Nadja Saidakova as Marie and Vladimir Malakhov as the Nutcracker Prince. Daniel Barenboim conducts the orchestra. This version was also shown on U.S. TV in Ovation's 2010 "Battle of the Nutcrackers"[56] and won the 2016 "Battle of the Nutcrackers".
  • Maurice Béjart (2000) — Like the Graeme Murphy version, Maurice Béjart's 2000 production throws out the original story altogether, creating all-new characters. Béjart plants his own mother at the center of the story, depicting what looks like a mother and son's incestuous attraction to each other. Here, the main character is named Bim, and is intended to represent Béjart himself. Mephisto and Felix the Cat appear as characters. A piece of set design seen throughout the production resembles a woman's naked torso, with a visible uterus. There is, in addition to the suggestion of incest, a strong gay subtext throughout. The Act I Pas de Deux between Bim and his mother, originally meant to be performed at the point at which the Nutcracker turns into a Prince, is extremely suggestive sexually. The ballet is constantly interrupted by filmed commentary from Béjart himself, and French café songs are also inserted into the production. This one was also a candidate in 2010's "Battle of the Nutcrackers".[56]
  • Youri Vamos (2007) — Hungarian choreographer Youri Vámos has created The Nutcracker: A Christmas Story, a version of Tchaikovsky's ballet, released on DVD in 2007, which combines Hoffmann's story with elements from Charles Dickens's A Christmas Carol, to the point of including Ebenezer Scrooge, Bob Cratchit, Mrs. Cratchit, and the Spirit of Christmas as characters.[90] It won the Battle of the Nutcrackers in 2014.
  • Gary Harris (2010) - Choreographer Gary Harris has created a production for the New Zealand Ballet which takes place partly in a hospital ward to which Clara is taken after receiving a bump on the head, courtesy of her slingshot-wielding brother Fritz.[91]
  • Alexei Ratmansky (2010) — Russian choreographer Ratmansky's production of The Nutcracker, for American Ballet Theatre, premiered at the Brooklyn Academy of Music on Thursday, December 23, 2010, with principal dancers Gillian Murphy and David Hallberg. It uses the original plot, but in this production, during the Pas de deux, the little girl Clara and the boy Nutcracker Prince imagine themselves dancing it as adults, whereupon the principal dancers take over the roles until the Apotheosis of the ballet. The production follows Chemiakin's by beginning the ballet in the Stahlbaum's kitchen (where mice are hiding),[92] in making the snowflakes have a sinister quality,[92] and in having Clara and the Nutcracker Prince kiss onstage near the end. It follows the Bolshoi version in having attendants place a bridal veil on Clara after she accepts the Prince's marriage proposal during the Pas de Deux. And, like the Bolshoi version and many others, it all turns out to have been a dream at the end. The production has received mostly rave reviews, perhaps the best for an ABT "Nutcracker" since Baryshnikov's famous production.[93][94]
  • Cabaret Red Light (2010) — Cabaret Red Light created a burlesque-and-ballet version of The Nutcracker with original score by Rolf Lakaemper and Peter Gaffney, and choreography by Christine Fisler. Directed by Anna Frangiosa and Gaffney, the production draws on material from the original short story by E.T.A. Hoffmann, "The Nutcracker and the Mouse King," aiming to restore scenes, characters and other elements not included in Alexandre Dumas' French adaptation of the holiday classic, and presenting a version that is generally truer to the spirit and uncanny nature of Hoffmann's work. Using a variety of media - shadow puppets, kinetic sculptures, experimental music and narrative dance - Cabaret Red Light's NUTCRACKER revolves around the figure of Marie and her Godfather Drosselmeyer's efforts to warn her about the false promises and counterfeit values that mark the transition into adult life. The production premiered on December 16, 2010, at Painted Bride Art Center in Philadelphia.
  • Christopher Wheeldon (2016) - Joffrey Ballet commissioned Christopher Wheeldon to create a working-class version of The Nutcracker. Author Brian Selznick was brought in to create the story. In this version, set in the 1893 Chicago's World's Fair, Marie is a daughter of Polish immigrants, and is raised by her widowed mother. The mother is a sculptor who is sculpting the golden statue of the world's fair. The second act was Marie's fantasy of the world's fair, rather than Land of the Sweets. The Impresario, the Drosselmeyer character of this version and the architect of the world's fair, took Marie to the fair. Marie's mother becomes the golden sculpture, the Sugar Plum Fairy figure of this production. In 2016, the work had its tryouts in Iowa, then premiered in Chicago.[95][96][97]
  • Michael Pink's Production for Milwaukee Ballet 2003 - English Choreographer Highly regarded for its engaging narrative throughout. Drosselmeyer creates a fantasy journey in which Clara, her brother Fritz and elder sister Marie travel through with Drosselmeyer's nephew Karl. The choreographic invention is most noticeable in the snow pas de deux.[citation needed]

Film edit

Fantasia (1940) edit

Main article: Fantasia (1940 film)

Selections from the Nutcracker Suite were heard in the 1940 Disney animated film Fantasia. In this film, the music from The Nutcracker is accompanied by dancing fairies, mushrooms and fish, among others and, as host Deems Taylor mentions in live-action footage, the Nutcracker itself is nowhere in sight. One remark that strikes modern-day viewers strongly if they see the roadshow theatrical release of Fantasia (now on DVD) rather than the more commonly seen general release version, is Taylor's declaration that the full-length Nutcracker "wasn't much of a success and nobody performs it nowadays", a statement that had some validity in 1940, but is certainly not true now. (This remark was edited out of the general release version of Fantasia, which began playing theatres in 1946 and is the one released on VHS.)

As mentioned before, this suite should not be mistaken for the entire Nutcracker. The suite used in Fantasia is a slightly altered version of the Nutcracker Suite selected by the composer. As animated in Fantasia, it does not make use of a Christmas setting at all, although snow and ice are shown near the end of it. This version omits the Overture and the Marche, and the remaining dances are reordered (The accompanying animation is provided in parentheses):

1. Danses caractéristiques
a. Dance of the Sugar-Plum Fairy (Dew Fairies)
b. Chinese Dance (Chinese Mushrooms)
c. Reed-Flutes (Blossoms)
d. Arabian Dance (Goldfish)
e. Russian Dance (Thistles and Orchids)
2. Waltz of the Flowers (Autumn Fairies, Frost Fairies & Snow Fairies)

Schelkunchik (1973) edit

Main article: The Nutcracker (1973 film)

Schelkunchik (Nutcracker) is a 1973 Russian animated short based on the story with no dialogue, and features Tchaikovsky's music, not only from The Nutcracker, but also from Swan Lake and The Sleeping Beauty. In this version the heroine is not Clara, the daughter of a distinguished Town Council President, but a lonely chambermaid who works in a large house. When she kisses the Nutcracker, he comes to life, but is ashamed of his appearance. He must fight the Mouse King in order to break the spell placed upon him and become a Prince again. Dancer Mikhail Baryshnikov featured this version in his PBS television series Stories from My Childhood. The U.S. telecast added narration by Shirley MacLaine.

Nutcracker: The Motion Picture (1986) edit

Main article: Nutcracker: The Motion Picture

The film Nutcracker: The Motion Picture (referred to in the film credits as Pacific Northwest Ballet's Nutcracker) is a feature film based on Kent Stowell's 1983 production of The Nutcracker with sets and costume designs by Maurice Sendak and narration by Julie Harris as the adult voice of Clara. Directed by Carroll Ballard, it was released nationwide in the U.S. on Thanksgiving Day, in 1986.[98] As in the stage version, Clara was played by a young girl (Vanessa Sharp) during the Christmas party and the Battle with the Mice, and an adult dancer (Patricia Barker) throughout the remainder of the ballet (until Clara awakens from her dream). The Nutcracker and the Nutcracker Prince were also played by two dancers in the film: Jacob Rice before the toy's transformation into a Prince, and Wade Walthall throughout the rest of the film. The "Overture" shows Drosselmeyer in his workshop coming up with the idea for and then actually creating/building his special Christmas present. This version introduces hints of sexual tension between Clara and Drosselmeyer; during the Christmas Party, Clara is visibly uneasy around Drosselmeyer, who seems to be leering at her, and at one point even shrinks from his touch. In the dream sequence, there is an obvious rivalry between the Pasha (Drosselmeyer's dream counterpart) and the Nutcracker Prince as the Pasha tries to get Clara to sit with him, against the wishes of the Nutcracker Prince. The ending of the film departs from the stage version. As Clara and her Prince slowly swirl around wrapped in each other's arms while the Apotheosis plays, the Pasha magically levitates them higher and higher into the air as the other dancers wave goodbye. Suddenly, the jealous Pasha points his finger at the couple, which magically causes them to let go of each other. They suddenly begin to freefall, and the Prince again becomes a nutcracker. Just as both are about to hit the ground and presumably be seriously injured or killed, Clara (a young girl again) is jolted awake from her dream.[98] In the film, the Final Waltz is heard during the closing credits (although the Apotheosis is performed during the last moments of the ballet). Drosselmeyer is sleeping at his work desk (with the presumption that the dream was not Clara's but his), on which we see the dancers performing the waltz.

The Nutcracker Prince (1990) edit

Main article: The Nutcracker Prince

In 1990, a Canadian animated version, The Nutcracker Prince, starring the voices of Kiefer Sutherland, Megan Follows, and Peter O'Toole, among others, was released. This one also used Tchaikovsky's music, but was actually a straightforward full-length animated cartoon, not a ballet film. The plot follows E.T.A. Hoffmann's original storyline in having the Nutcracker actually be Drosselmeyer's nephew (named Hans in this version), and having Clara meet him in real life at the end. The fantasy elements really do occur in this film version, as in Hoffmann's story. New characters (one of them voiced by Peter O'Toole) are added to the plot.

George Balanchine's The Nutcracker (1993) edit

Main article: The Nutcracker (1993 film)

In 1993, George Balanchine's version for the New York City Ballet served as the basis for a full-length feature film called George Balanchine's The Nutcracker, made by Electra Entertainment and Regency Enterprises. It was distributed and released by Warner Bros. The film was directed by Emile Ardolino, with narration spoken by Kevin Kline. The cast includes Jessica Lynn Cohen as Marie, Macaulay Culkin as the Nutcracker, the Prince, and Drosselmeyer's nephew, Darci Kistler as the Sugar Plum Fairy, Kyra Nichols as Dew-Drop, Damian Woetzel as the Fairy's Cavalier, and Wendy Whelan as Coffee. The film was criticized by James Berardinelli for not capturing the excitement of a live performance, stating that it "opts to present a relatively mundane version of the stage production... utilizing almost none of the advantages offered by the (film) medium."[99] Roger Ebert of the Chicago Sun-Times criticized the film for not adapting the dance for a film audience and also its casting of Culkin who, he writes, "seems peripheral to all of the action, sort of like a celebrity guest or visiting royalty, nodding benevolently from the corners of shots."[100] In The Washington Post, Lucy Linfield echoed Ebert's criticism of Culkin, stating that "it's not so much that he can't act or dance; more important, the kid seems to have forgotten how to smile... All little Mac can muster is a surly grimace." She praised the dancing, however, as "strong, fresh and in perfect sync" and Kistler's Sugar Plum Fairy as "the Balanchinean ideal of a romantic, seemingly fragile beauty combined with a technique of almost startling strength, speed and knifelike precision."[101] The New York Times' Stephen Holden also criticized Culkin, calling his performance the film's "only serious flaw", but praised the cinematography as "very scrupulous in the way it establishes a mood of participatory excitement, then draws back far enough so that the classic ballet sequences choreographed by Balanchine and staged by Peter Martins can be seen in their full glory."[102]

The Nuttiest Nutcracker (1999) edit

Main article: The Nuttiest Nutcracker

In 1999, a comedy version entitled The Nuttiest Nutcracker became the first computer-animated film released straight to video. An example of the skewed tone that this version took may be inferred from the fact that Phyllis Diller provided the voice of an obese Sugar Plum Fairy. Some of Tchaikovsky's music was used.

Barbie in The Nutcracker (2001) edit

Main article: Barbie in the Nutcracker

This animated film uses generous chunks of Tchaikovsky's music, and is a direct-to-video digitally animated version of the story with, of course, Barbie the doll, released in 2001. (However, Barbie appears not as Clara, but as herself. Clara, though, looks exactly like Barbie, and is still the main character, and her story is told as a story-within-a-film). The film significantly alters the storyline of the Hoffmann tale, adding all sorts of perils not found in the original story, or the ballet. There is even a Stone Monster, sent by the Mouse King, that chases Clara and the Nutcracker. Drosselmeyer is not Clara's godfather but her grandfather, and is depicted as being notably grumpy. It is not Drosselmeyer who gives Clara the Nutcracker, but her aunt, and in this version, Clara is an orphan raised by her grandfather. The Nutcracker, rather than becoming a Prince after his victory in battle, must travel to the Sugar Plum Princess's castle in order for the spell to be broken; defeating the Mouse King is not enough. At the end, Clara turns out to be the Sugar Plum Princess, and her kiss breaks the spell that had been placed on the Nutcracker. Real New York City Ballet dancers were used in the production and rotoscoped in order to properly capture ballet movements - the Trepak, the Adagio from the pas de deux, and the Dance of the Sugar Plum Fairy are performed much as they would be in a live production of The Nutcracker. Peter Martins served as choreographer. In this version, the Prince asks Clara to stay on as his Queen, even telling her "I love you". But Clara is dreaming, and therefore must awaken. However, the couple is reunited in reality when Clara's aunt brings "the son of a friend" over to visit for Christmas. In this version, the Mouse King does not die until near the end. The film also features touches of (sometimes deliberately anachronistic) humor: after the battle with the mice, the Nutcracker, who has not yet regained his form as a Prince, says to Clara, "Thank you for saving my life, and for your superior nursing skills". During the early part of her adventures, Clara maintains a skeptical attitude, even saying "This is crazy" at one point.

The Nutcracker and the Mouse King (2004) edit

In 2004, Argus International in Moscow produced an animated version of "The Nutcracker and the Mouse King", based on the original story by E.T.A. Hoffmann. The English version was released in 2005 and features the voices of Leslie Nielsen as the Mouse King, Robert Hays as the mouse Squeak, Fred Willard as the mouse Bubble, and Eric Idle (of Monty Python fame) as the voice of Herr Drosselmeyer.

The Secret of the Nutcracker (2007) edit

The Secret of the Nutcracker, a 2007 Canadian made-for-television film which uses some of the ballet characters as well as Tchaikovsky's music, has never been telecast in the U.S., but has been released on DVD.[103] This version, a dramatic film which uses a new plot, features Brian Cox as Drosselmeyer. This "retelling" is set during World War II, and makes Clara's father a prisoner of war. Nazis also feature in this adaptation.

The Nutcracker in 3D (2010) edit

Main article: The Nutcracker in 3D

The Nutcracker in 3D (also known as Nutcracker: The Untold Story) is a feature-length musical variation in 3-D on the tale set in 1920s Vienna, featuring John Turturro as the Rat King, Elle Fanning as Mary (rather than Clara) and Nathan Lane as a young Albert Einstein, here known only as Uncle Albert. Originally scheduled to be released during the Christmas holiday season of 2009, it reportedly began showing in European countries as early as February 2009, and was released in the U.S. just before Thanksgiving in 2010. The film is written and directed by Andrei Konchalovsky.[104] The music for the songs in this film is adapted from different works by Tchaikovsky, and the lyrics are by Tim Rice. The film is set in 1920s Vienna. Konchalovsky evokes Adolf Hitler and the SS through the Rat King and his army. The film has received nearly unanimously unfavorable reviews.[105][106]

A Nutcracker Christmas (2016) edit

A Nutcracker Christmas is a Christmas film originally broadcast on the Hallmark Channel in 2016. The film premiered on Lifetime December 10, 2016. It stars Amy Acker as Lily, Sascha Radetsky as Mark, Sophia Lucia as Sadie. The film presents Lily's dreams and ballet career, and leads up to her Nutcracker performance as the Sugar Plum fairy. As a movie, only selected scenes of the entire 1892 two-act Nutcracker ballet are shown.

The Nutcracker and the Four Realms (2018) edit

Main article: The Nutcracker and the Four Realms

The Nutcracker and the Four Realms is a 2018 American fantasy adventure film released by Walt Disney Studios Motion Pictures in the United States on November 2, 2018 in RealD 3D and Dolby Cinema. The film was directed by Lasse Hallström and Joe Johnston and written by Ashleigh Powell, and is a retelling of E. T. A. Hoffmann's short story "The Nutcracker and the Mouse King" and Marius Petipa's The Nutcracker about a young girl who is gifted a locked egg from her deceased mother and sets out in a magical land to retrieve the key. The film stars Keira Knightley, Mackenzie Foy, Eugenio Derbez, Matthew Macfadyen, Richard E. Grant, and Misty Copeland, with Helen Mirren and Morgan Freeman.

Television Presentations edit

Please see the Stage section above for more information about televised versions by George Balanchine, Mikhail Baryshnikov, Matthew Bourne, Lew Christensen, Mark Morris, Rudolf Nureyev, Mikhail Chemiakin, Helgi Tomasson, and Peter Wright. Other televised versions are noted below:

  • In 1961, then-husband-and-wife Robert Goulet and Carol Lawrence starred in a musical ABC-TV Christmas special entitled The Enchanted Nutcracker, with a libretto by Samuel and Bella Spewack. It was directed by Jack Smight. Patrick Adiarte and Pierre Olaf co-starred. Very little information is currently available on this telecast, and no video clips have been made available, so it is difficult to know just what, if any, portions of the Tchaikovsky ballet were used. This special appears to have been notably unsuccessful, having been telecast only once and never being made available on VHS or DVD, or for that matter, online.[107]
  • A made-for-TV filmed color German-American production of The Nutcracker was first telecast in the United States as a Christmas season special by CBS on December 21, 1965.[108] Choreographed by Kurt Jacob, it featured a largely German, but still international cast made up from several companies, including Edward Villella (the Nutcracker/Prince), Patricia McBride (the dream Clara) and Melissa Hayden (the Sugar Plum Fairy) from the New York City Ballet. A little girl portrayed Clara in the "real" sequences. First televised in Germany in 1964, this production aired on CBS annually between 1965 and 1968, and then was withdrawn from American network television, but after more than forty years it has resurfaced nationally on a Warner Archive DVD.[109] Videotaped "wraparound" host segments in English, made in the style of those that CBS manufactured for their 1959 and 1960's telecasts of MGM's The Wizard of Oz, featured Eddie Albert (at that time starring in the CBS long-running hit Green Acres), as host; he also narrated the story offscreen. These segments were added to the program for its showings in the U.S. New opening and closing credits were also added in English. All of these are included on the DVD along with the actual film.[110] Famed German dancer Harald Kreutzberg appeared (in what was probably his last rôle) in the dual rôles of Drosselmeyer and the Snow King (though in one listing, Drosselmeyer has been re-christened Uncle Alex Hoffman — presumably a reference to E.T.A. Hoffmann, who wrote the original tale).[111]

This production cut the ballet down to a one-act version lasting slightly less than an hour, and drastically re-ordered all the dances, even to the point of altering the storyline to somewhat resemble that of The Wizard of Oz, which, at that time, was an enormously successful annual attraction on U.S. network television. The Mouse King, although having turned the Prince into a Nutcracker, does not even appear in this production. Instead, as Clara's dream begins, she and the Nutcracker must now journey to the Castle of the Sugar Plum Fairy, where the Fairy will wave her wand and turn him back into a Prince. Along the way, much like Oz's Dorothy, the couple encounters several fantastic characters - the waltzing snowflakes, the Russian Dancers, Mother Ginger and her Clowns, the Bluebirds, and the waltzing flowers. Villella does not wear a Nutcracker mask at all in this production; he is seen throughout as a normal-looking man, and the only way that one can tell that he has been transformed from a nutcracker into a prince is by his change in costume. The two bluebirds from Tchaikovsky's The Sleeping Beauty appear to perform the Dance of the Reed Flutes rather than Sleeping Beauty's Bluebird Pas de Deux. And curiously enough, the famous March is not heard during the actual ballet, but only during the new opening credits and hosting sequence devised by CBS. The March comes to a sudden halt as host Eddie Albert cracks a nut with a nutcracker that he has beside him on a table.[112]

Battle of the Nutcrackers edit

Ever since 2007, Ovation TV has held their annual "Battle of the Nutcrackers" viewing contest, giving their audience a choice of which Nutcracker to choose as the best.

In 2007, the competitors were George Balanchine's The Nutcracker (the 1993 film version with the New York City Ballet and Macaulay Culkin), the Bolshoi Ballet's The Nutcracker, Matthew Bourne's Nutcracker! and Mark Morris' The Hard Nut. The Hard Nut was the winner.[113]

In 2008, the competition included six competitors: Matthew Bourne’s Nutcracker!, the Bolshoi Ballet’s The Nutcracker, the 1993 film version of George Balanchine’s The Nutcracker, the Pacific Northwest Ballet's Nutcracker: The Motion Picture (with designs and costumes by Maurice Sendak), Bejart’s Nutcracker and Mark Morris’ The Hard Nut. The Hard Nut won for a second year.[113][114]

In Ovation's 2009 Battle, the competitors were Mark Morris’ The Hard Nut, the London Royal Ballet's The Nutcracker, the Ballet of Monte Carlo's Casse Noisette Circus[56] (Casse Noisette is French for "Nutcracker"), the Bolshoi Ballet's The Nutcracker, and Maurice Bejart's Nutcracker. Once again, the winner was The Hard Nut.[113]

The 2010 "Battle of the Nutcrackers" began its run on December 6, 2010. It included two very traditional versions - the 1989 Bolshoi Ballet's Nutcracker and the 2009 Royal Ballet Nutcracker - as well as the Berlin State Opera Ballet's Nutcracker, Maurice Bejart's Nutcracker, and the Ballet of Monte Carlo's Casse Noisette Circus. The winner was the Royal Ballet version.[113]

The 2011 lineup included the following competitors: the Mariinsky's The Nutcracker, the London Royal Ballet's The Nutcracker, the Berlin State Opera Ballet's Nutcracker, the Bolshoi Ballet's The Nutcracker and Matthew Bourne's Nutcracker!. An additional version, Nutcracker: The Story of Clara, another radical reworking of the ballet, was also telecast. As in 2010, the Royal Ballet version was the winner.

For 2012, contestants included the following: the London Royal Ballet's The Nutcracker, Matthew Bourne's Nutcracker!, the Bolshoi Ballet's The Nutcracker, Nutcracker: The Story of Clara, two Mariinsky Nutcrackers (2008 and 2012 respectively), and the San Francisco Ballet's The Nutcracker. The winner was the San Francisco version.

For 2013, the contestants once again included the Mariinsky's 2012 Nutcracker, Matthew Bourne's Nutcracker!, Nutcracker: The Story of Clara, and the San Francisco Ballet's The Nutcracker. The winner, shown on December 23, was the San Francisco version.[115]

For 2014, the contestants were Youri Vamos' The Nutcracker: A Christmas Story, the 2000 version of the London Royal Ballet's The Nutcracker, the Bolshoi Ballet's Nutcracker and the Mariinsky's 2012 Nutcracker. The winner, shown on December 22, was Youri Vamos' The Nutcracker: A Christmas Story.

For 2015, the contestants were the 1993 film version of the New York City Ballet's Nutcracker, the Dutch National Ballet's The Nutcracker and the Mouse King, Das Wiener Staatsballett's 2014 Nutcracker and the Bonn Ballet's Nutcracker. The winner, shown on December 21, was The Dutch National Ballet’s The Nutcracker And The Mouse King.

For 2016, the contestants were the Berlin State Opera-Malakhov's 1999 Nutcracker, the Bolshoi Ballet's Nutcracker, the Mariinsky's 2012 Nutcracker, Das Wiener Staatsballett's 2014 Nutcracker and the Semperoper Ballet's Nutcracker. The winner, shown on December 19, was the Berlin State Opera-Malakhov version.

For 2017, the announced contestants were the Australian Ballet's Peter Wright's The Nutcracker, the Dutch National Ballet's The Nutcracker and the Mouse King, the Semperoper Ballet's Nutcracker, the Berlin State Opera-Malakhov's 1999 Nutcracker and the Royal Opera House's 2016 Nutcracker. The winner, announced on December 18, was again the Berlin State Opera-Malahkov version.

For 2018, the contestants were the Berlin State Opera-Malakhov's 1999 Nutcracker, the Royal Opera House's 2016 Nutcracker, the Mariinsky's 2012 Nutcracker, the Czech National Ballet's 2017 The Nutcracker and the Cuddly Mouse and the Opernhaus Zurich's 2018 The Nutcracker. The winner, broadcast on December 24, was the Opernhaus Zurich production.

For 2019, the contestants were The Australian Ballet's production of Peter Wright's Nutcracker, the Royal Opera House's 2016 Nutcracker, the Mariinsky's 2012 Nutcracker, the Czech National Ballet's 2017 The Nutcracker and the Cuddly Mouse and the Opernhaus Zurich's 2018 The Nutcracker.

For 2020, the contestants are the Mariinsky's 2012 Nutcracker, the Czech National Ballet's 2017 The Nutcracker and the Cuddly Mouse and the Opernhaus Zurich's 2018 The Nutcracker.[116]

The 2021 version features the Redondo ballets version.

The 2021 version was the last year to do so.

Other versions edit

Animated edit

In addition to the ones mentioned above, there have been several other animated versions of the original story, but none can really be actually considered an animated version of the ballet itself. All of these invent characters that appear neither in the original E.T.A. Hoffmann story nor in the ballet.

  • In 1979, a stop-motion puppet version, entitled Nutcracker Fantasy, was released, using some of the Tchaikovsky music. This version featured the voices of Christopher Lee as Drosselmeyer, and Melissa Gilbert as Clara.
  • Care Bears: The Nutcracker was a 1988 animated short based extremely loosely on the original ballet. It was made for video, and was first shown on TV on the Disney Channel.
  • The Jetlag Productions animation studio produced its own version of the story in 1994 entitled, simply "The Nutcracker". The animated adaptation used some of Tchaikovsky's compositions as well as some original melodies and songs.

The Nutcracker on Ice edit

Various versions of the ballet featuring ice-skating have been made:

  • In The Nutcracker: a Fantasy on Ice, a television adaptation for ice skating from 1983 starring Dorothy Hamill and Robin Cousins, narrated by Lorne Greene, and telecast on HBO, Tchaikovsky's score underwent not only reordering, but also insertion of music from his other ballets and also of music from Mikhail Ippolitov-Ivanov's Caucasian Sketches. Drosselmeyer did not appear at all in this version. Some years later, Ms. Hamill and then-husband Kenneth Forsythe produced a more complete ice ballet version for the stage, which was broadcast (in somewhat abridged form) in 1990 on NBC's Sportsworld, co-narrated by Hamill herself and Merlin Olsen. This version featured Nathan Birch as the Prince, J. Scott Driscoll as the Nutcracker, and Tim Murphy as Drosselmeyer.
  • Another ice skating version, 1994's Nutcracker on Ice, starring Oksana Baiul as Clara and Victor Petrenko as Drosselmeyer, was originally telecast on NBC, and is now shown on several cable stations. It was also condensed to slightly less than an hour, radically altering and compressing both the music and the storyline.
  • Still another one-hour ice skating version, also called Nutcracker on Ice, was staged on television in 1995, starring Peggy Fleming as the Sugar Plum Fairy, Nicole Bobek as Clara, and Todd Eldredge as the Nutcracker.
  • And yet another version of Nutcracker on Ice, this one starring Tai Babilonia as Clara and Randy Gardner as the Nutcracker/ Prince, was released straight-to-video in 1998, appearing on DVD in 2007.
  • Another edition of Nutcracker on Ice, also only an hour in length, was made in 1996 and was telecast in some areas in December 2009. Debi Thomas appears as the Snow Queen, Calla Urbanski is Clara, Rocky Marval is the Nutcracker/ Prince, and Rudy Galindo is Drosselmeyer.[117] Music from other works by Tchaikovsky is added, and many of the divertissement dances are cut.

Satirical versions edit

  • One satirical version involves a group of gay boys constructing a show involving the "nut cracker". The stage version involves a chorus of singing parts and various out-of-character renditions of "fairies" and "dancing flowers"[118][119]
  • In 2008, The Slutcracker made its debut at the Somerville Theatre in Somerville, MA. The ballet, a satirical burlesque version of the classic, produced, choreographed and directed by Vanessa White (A.K.A. Sugar Dish) featured Boston-area actors, burlesque and can-can dancers, drag kings, hoopers, ballerinas, acrobats, and bellydancers. The plot recasts Clara as an adult, the "slutcracker" as an adult toy, and the rat king antagonist as her jealous boyfriend. Because of the show's sell-out popularity it has been booked at the same venue for extended performances in 2009, 2010, and for a limited run at the Théâtre Saint-Denis in Montréal.[120][121]

Footnotes edit

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April 18, 2024
list, productions, nutcracker, although, original, 1892, marius, petipa, production, success, pyotr, ilyich, tchaikovsky, ballet, nutcracker, began, slowly, enjoy, worldwide, popularity, after, balanchine, first, staged, production, 1954, most, popular, ballet. Although the original 1892 Marius Petipa production was not a success Pyotr Ilyich Tchaikovsky s ballet The Nutcracker began to slowly enjoy worldwide popularity after Balanchine first staged his production of it in 1954 1 It may now be the most popular ballet in the world Miyako Yoshida and Steven McRae as the Sugar Plum Fairy and her Cavalier in a production of The Nutcracker by Peter Wright for The Royal Ballet 2009 In Russia choreographer Alexander Gorsky staged a new version of the work in 1919 that addressed many of the criticisms of the original 1892 production by casting adult dancers in the roles of Clara and the Prince rather than children 2 This not only introduced a love interest into the story by making Clara and the Prince adults but provided the dancers portraying Clara and the Prince with more of an opportunity to participate in the dancing The first complete performance outside Russia took place in England in 1934 3 staged by Nicholas Sergeyev after Petipa s original choreography An abridged version of the ballet performed by the Ballet Russe de Monte Carlo was staged in New York City in 1940 by Alexandra Fedorova 4 again after Petipa s version 2 3 The ballet s first complete United States performance was on 24 December 1944 by the San Francisco Ballet staged by its artistic director Willam Christensen 3 The New York City Ballet gave its first annual performance of George Balanchine s staging of The Nutcracker in 1954 3 The tradition of performing the complete ballet at Christmas eventually spread to the rest of the United States Since Vasili Vainonen s 1934 version in Russia and Balanchine s 1954 New York City Ballet production many other choreographers have made their own versions Some institute the changes made by Gorsky and Vainonen respectively while others like Balanchine utilize the original libretto Some notable productions include those by Rudolf Nureyev for the Royal Ballet Yuri Grigorovich for the Bolshoi Ballet Mikhail Baryshnikov for the American Ballet Theatre and Peter Wright for the Royal Ballet and the Birmingham Royal Ballet In recent years revisionist productions including those by Mark Morris Matthew Bourne and Mikhail Chemiakin have appeared which depart radically from both the original 1892 libretto and Gorsky s revival In addition to annual live stagings of the work many productions have also been televised and or released on home video 1 The ballet has also brought attention to The Nutcracker and the Mouse King the original 1816 story by E T A Hoffmann which is now the source material for various animated and live action films Tchaikovsky s music especially The Nutcracker Suite a selection of eight pieces from the complete score has become extremely popular The suite sans the Miniature Overture and the March was featured in the popular 1940 Disney film Fantasia Contents 1 Stage 1 1 20th century 1 1 1 Snowflakes Ivan Clustine Anna Pavlova 1911 1 1 2 Alexander Gorsky 1919 1 1 3 Vasily Vainonen 1934 1 1 4 Alexandra Fedorova 1940 1 1 5 Willam Christensen 1944 1 1 6 George Balanchine 1954 1 1 7 Rudolf Nureyev 1963 1 1 8 Yuri Grigorovich 1966 1 1 9 Mikhail Baryshnikov 1976 1 1 10 Kent Stowell Maurice Sendak 1983 1 1 11 Peter Wright 1984 and 1990 1 1 12 The Hard Nut Mark Morris 1991 1 1 13 Nutcracker Matthew Bourne 1992 1 2 21st century 1 2 1 Kirill Simonov Mikhail Chemiakin 2001 1 2 2 Helgi Tomasson 2004 1 2 3 Gelsey Kirkland Michael Chernov 2013 1 3 Other Productions 2 Film 2 1 Fantasia 1940 2 2 Schelkunchik 1973 2 3 Nutcracker The Motion Picture 1986 2 4 The Nutcracker Prince 1990 2 5 George Balanchine s The Nutcracker 1993 2 6 The Nuttiest Nutcracker 1999 2 7 Barbie in The Nutcracker 2001 2 8 The Nutcracker and the Mouse King 2004 2 9 The Secret of the Nutcracker 2007 2 10 The Nutcracker in 3D 2010 2 11 A Nutcracker Christmas 2016 2 12 The Nutcracker and the Four Realms 2018 3 Television Presentations 3 1 Battle of the Nutcrackers 4 Other versions 4 1 Animated 4 2 The Nutcracker on Ice 4 3 Satirical versions 5 FootnotesStage edit20th century edit Snowflakes Ivan Clustine Anna Pavlova 1911 edit Choreography Ivan Clustine Company Anna Pavlova Premiere 1911When Anna Pavlova formed her own troupe she adapted the Journey through the Pine Forest and Waltz of the Snowflakes scenes into a ballet called Snowflakes with which she toured the United States and Europe from 1911 until her death in 1931 1 Although only a small fraction of the complete work Pavlova s adaptation is significant for being the first time the Journey through the Pine Forest music was used for a pas de deux between a Snow Queen and a Snow King 2 3 This music would also later be utilized for a first act pas de deux between Clara and the Nutcracker Prince by Vasily Vainonen in his production for the Mariinsky Ballet by Kurt Jacob for his German American television production of the 1960s see the section Television Presentations below by Mikhail Baryshnikov for his famous production with American Ballet Theatre by Kent Stowell for Pacific Northwest Ballet and by Peter Wright for his Royal Ballet production and Birmingham Royal Ballet productions The Snow Queen King would later be featured in some subsequent productions including Helgi Tomasson s for the San Francisco Ballet Alexander Gorsky 1919 edit Choreography Alexander Gorsky after Petipa Company Bolshoi Ballet Moscow Premiere 1919Russian choreographer Alexander Gorsky who staged a production of The Nutcracker in Moscow in 1919 is credited with the idea of combining Clara and the Sugar Plum Fairy s roles i e giving the Fairy s dances to Clara eliminating the Sugar Plum Fairy s Cavalier giving the Cavalier s dances to the Nutcracker Prince and having the roles of Clara and the Nutcracker Prince danced by adults 5 6 thereby introducing a reason for a love interest between the two characters that had not been present in the original ballet Vasily Vainonen 1934 edit Choreography Vasily Vainonen Company Mariinsky Ballet Premiere 1934 Mariinsky Theatre LeningradIn 1934 Soviet choreographer Vasili Vainonen staged his complete version of the ballet in the USSR Vainonen followed Gorsky in departing from the original 1892 production particularly in his casting adult dancers in the roles of Clara called Masha in this production and the Prince having them perform the second act Grand Pas de Deux originally intended for the Sugar Plum Fairy and her Cavalier who are omitted from the production altogether augmenting the role of Drosselmeyer and concluding the ballet with Masha s realization that the fantasy sequences were a dream Many subsequent productions including those by Nureyev and Baryshnikov have adopted these changes 7 The production was revived in 1954 and received a special staging at the Mariinsky Theatre in St Petersburg known as Leningrad during the Communist era to commemorate the 100th anniversary of the ballet s premiere in 1992 In 1994 with sets and costumes first used in its 1954 revival the Vainonen version was staged again starring Larissa Lezhnina as Masha Victor Baranov as the Nutcracker Prince and Piotr Russanov as Drosselmeyer This revival was videotaped and released on DVD 8 Another revival of this production has been shown in movie theatres in 3D 9 and a new DVD of it starring Alina Somova and Vladimir Shklyarov was released in December 2012 both in a regular version and on Blu ray 10 It was also telecast in 2012 and 2013 on Ovation Channel s Battle of the Nutcrackers Alexandra Fedorova 1940 edit Choreography Alexandra Fedorova after Lev Ivanov Company Ballet Russe de Monte Carlo Premiere October 17 1940 51st Street Theater New York CityAlthough abridged this production is notable for being the first time The Nutcracker beyond excerpts was performed in America 3 Willam Christensen 1944 edit Main article The Nutcracker Willam Christensen Choreography Willam Christensen Company San Francisco Ballet Premiere December 24 1944 San Francisco 11 In 1944 Christensen created the first complete production in America with the help of George Balanchine who would go on to choreograph his own production ten years later and Alexandra Danilova Both of them were familiar with the 1892 version Ballet Russe passed through San Francisco and one evening I got Alexandra Danilova and Balanchine then ballerina of Ballet Russe and ballet master respectively to come to my apartment recalls Christensen We had something to eat and drink and then we got down to work with the conductor Balanchine described the Maryinsky production how the big doors opened on the tree the mime of Drosselmeyer all the details At one point Danilova started dancing Clara s variation in her stocking feet and street dress Balanchine put an end to that with his admonishment No no Alexandra don t try to show him the actual steps Let him create his own choreography We worked all night and that is how I got my first Nutcracker I never intended it to become an annual production but there you are it is a tradition now 11 Willam Christensen choreographer of San Francisco Ballet s 1944 Nutcracker Christensen himself performed the role of the Cavalier 12 Gisella Caccialanza the wife of Lew Christensen danced the role of the Sugar Plum Fairy 11 One of the other dancers in the production was Onna White who would later choreograph The Music Man on both stage and screen as well as the 1968 film version of Oliver 13 The staging was a success and one critic wrote We can t understand why a vehicle of such fantastic beauty and originality could be produced in Europe in 1892 with signal success sic and never be produced in its entirety in this country until 1944 Perhaps choreographers will make up for lost time from now on 12 The company was the first in the U S to make the ballet an annual tradition and for ten years the only company in the United States performing the complete ballet The company has performed The Nutcracker annually in subsequent versions by Lew Christensen and Helgi Tomasson respectively On New Year s Day 1965 ABC TV telecast a one hour abridgment of Lew Christensen s 1964 version Cynthia Gregory danced the role of the Sugar Plum Fairy and dancer Terry Orr was the Snow King 14 better source needed George Balanchine 1954 edit Main article The Nutcracker Balanchine Choreography George Balanchine after Marius Petipa and Lev Ivanov Company New York City Ballet Premiere February 2 1954 City Center of Music and Drama New York City 15 In 1954 George Balanchine followed in Christensen s footsteps by choreographing and premiering his now famous New York City Ballet version adhering closely to the libretto of the original 1892 version recollected from revivals in which he had performed the role of the Prince as a young boy in Russia 2 The Nutcracker has almost become a kind of annual Christmas ritual in many American and Canadian cities Of course this was not always so We used to rely on a touring company to give us a truncated version of this full length work a ballet people used to call Nutcracker Suite because people knew the music better than the ballet Now all that is different I have liked this ballet from the first time I danced in it as a boy when I did small roles in the Maryinsky Theatre production When I was fifteen I danced the Nutcracker Prince Years later in New York when our company decided to do an evening long ballet I preferred to turn to The Nutcracker with which American audiences were not sufficiently familiar I accordingly went back to the original score restored cuts that had been made and in the development of the story chose to use the original E T A Hoffmann although keeping the outlines of the dances as given at the Maryinsky A prologue was added and the dances restaged 16 George Balanchine choreographer of the New York City Ballet s 1954 Nutcracker This version remained faithful to the original production in its casting actual children in the roles of Marie Clara and the Nutcracker Prince even reconstructing some of the original choreography for the Prince s pantomime and the Grand Pas de Deux for the Sugar Plum Fairy and her Cavalier in Act II Balanchine made some musical edits for his production adding an entr acte originally composed for Act II of The Sleeping Beauty used as a transition between the departure of the guests and the battle with the mice in Act I moving the Dance of the Sugar Plum Fairy to earlier in Act II and excising the Tarantella variation intended for the Cavalier during the Grand Pas de Deux Balanchine also departed from the original production on some points For instance while in the original production the Waltz of the Flowers was performed by eighteen male female couples Balanchine utilized a group of fourteen female dancers led by a Dew Drop soloist 2 Other changes reflect a return to Hoffmann s original tale For instance Balanchine used Hoffmann s original name for the heroine Marie Stahlbaum rather than Clara Silberhaus as in the 1892 production and introduced a nephew for Drosselmeyer who appears in the party scene and later as the Nutcracker Prince 16 The production premiered on February 2 1954 at the New York City Center starring Alberta Grant as Marie Michael Arshansky as Drosselmeyer Paul Nickel as the Nutcracker Prince Maria Tallchief as the Sugar Plum Fairy Nicholas Magallanes as the Cavalier It enjoyed huge popularity in New York and has been performed by the New York City Ballet every year since its premiere Annual performances now take place at the David H Koch Theater at Lincoln Center This version has been broadcast three times on live television first in an abridged form in 1957 by CBS on the TV anthology The Seven Lively Arts 17 This marked the first telecast not only of the Balanchine version but of any staging of the ballet CBS s Playhouse 90 broadcast a more complete but still abridged version of the Balanchine Nutcracker narrated by actress June Lockhart who was then starring as the mother in CBS s Lassie in 1958 it was the first Nutcracker broadcast in color 18 There were only four commercial breaks 5 This television production starred Diana Adams as the Sugar Plum Fairy the then ten year old Bonnie Bedelia as Clara and Robert Maiorano as the Nutcracker Prince 19 The latest revival of the production was telecast on Live from Lincoln Center during the 2011 Christmas season on PBS It was PBS s first ever telecast of the Balanchine Nutcracker 20 but was not seen in some areas because the local PBS stations there decided to substitute their own program choices not necessarily artistic or musical The Atlanta PBS stations for instance substituted self help specials from Suze Orman and others as they often do now during their pledge drives This 2011 telecast of The Nutcracker has so far not appeared complete online and has not been released on DVD because Live from Lincoln Center customarily refuses to release its programs on video due to difficulties involving paying royalties to the various parties involved This production was nominated for an Emmy Award 21 In addition to the New York City Ballet Balanchine s version of The Nutcracker is currently performed annually by six other ballet companies in the United States Alabama Ballet 22 the Central Pennsylvania Youth Ballet 23 the Miami City Ballet 24 the Oregon Ballet Theatre 25 The Pennsylvania Regional Ballet 26 the Pennsylvania Ballet 27 and since 2015 the Pacific Northwest Ballet 28 It was previously performed at the Stamford Center for the Arts in Stamford Connecticut and by the Pittsburgh Ballet Theatre 29 From 1966 to 1994 the Atlanta Ballet staged the complete Balanchine version annually after having performed only Act II for eight years the company now performs choreographer John McFall s version 30 Rudolf Nureyev 1963 edit Choreography Rudolf Nureyev after Vasily Vainonen Company Royal Ballet Premiere November 1967 Royal Opera House Covent Garden LondonIn 1963 Rudolf Nureyev created his own version of Tchaikovsky s work with the Royal Ballet in which he starred with Merle Park as Clara Nureyev had previously performed the role of the Nutcracker Prince in Vainonen s version as a student at the Leningrad Ballet school in February 1958 31 Nureyev s production adopts many of Gorsky and Vainonen s alterations to the original 1892 version including casting adult dancers in the roles of Clara and the Prince eliminating the Sugar Plum Fairy and having Clara awaken to realize the fantasy sequences were a dream Rostislav Doboujinsky created the mouse masks and costumes for the 1967 production in Stockholm 32 The production was videotaped for British television in 1968 and is available on DVD As far as is known it has never been telecast on U S television Nureyev played the roles of Drosselmeyer and the Nutcracker Prince while Wayne Sleep portrayed the Nutcracker Some critics considered this a Freudian touch taking it to mean that it is not the Nutcracker who turns into a Prince but Drosselmeyer However this is not necessarily obvious to viewers of the DVD of this production 33 This production was revived twice by the Paris Opera Ballet in a heavily revised version in 1988 with Elisabeth Maurin as Clara and Laurent Hilaire as Drosselmeyer and the Prince and in 2008 with Myriam Ould Braham as Clara and Jeremie Belingard in these roles 34 Neither of those productions have been telecast on U S television Yuri Grigorovich 1966 edit Choreography Yuri Grigorovich Company Bolshoi Ballet Premiere 1966 Bolshoi Theatre MoscowIn 1966 Yuri Grigorovich created his own version of The Nutcracker for the Bolshoi Ballet utilizing many of the changes made by Vasily Vainonen for his 1934 production including the casting of adult dancers in the roles of the heroine called Maria rather than Clara in this version and the Nutcracker Prince and the omission of the Sugar Plum Fairy and her Cavalier 7 In this version all of the toys take part in the Journey Through the Snow sequence rather than being offstage while Maria and the Prince perform the dance And as in the Vainonen version much of the company also dances along with Maria and the Prince as they perform the Adagio in the Act II Pas de Deux in fact Maria and the Prince never have the stage all alone to themselves As a departure from the original 1892 production Grigorovich omits the pantomime that the Prince performs describing his defeat of the Mouse King at the beginning of Act II The music for the pantomime is used for the defeat of the Mouse King who is not killed in the first act as in the original or Vainonen s version but at the beginning of the second act The entire score is used which means that the Dance of the Clowns cut from the earlier version is reinstated though Mother Ginger does not appear nor do any clowns the dance is performed by the same dancers who perform the other divertissements In this production although Maria or Clara is outfitted with a bridal veil in the Final Waltz in anticipation to her impending wedding to the Nutcracker Prince she then awakens to find that the fantasy sequences were a dream This version was first televised in the New York area only by WNBC TV in 1977 only two days after CBS first telecast the famous Baryshnikov version First Lady Betty Ford hosted and the telecast was unique because the lead dancers had to be replaced halfway through due to injuries This production was released on videocassette and videodisc in the early 80s by MGM CBS Home Video through CBS Video Enterprises CBS released it on videocassette again in 1984 this time as part of CBS Fox Video A revival of it was recorded on video in 1987 with the same two stars of the 1977 Bolshoi production husband and wife team Ekaterina Maximova as Maria and Vladimir Vasiliev as the Nutcracker Prince Both versions are available on DVD though the 1977 version sourced from MGM CBS s CED release is considerably rarer than the 1987 version Another revival of this version was recorded in 1989 starring Natalya Arkhipova as Clara not Maria as in the earlier version and Irek Mukhamedov as the Nutcracker Prince but not the Nutcracker himself that role is played by a female dancer Marisa Okothnikova In this revival the romance between Clara and the Prince is slightly more pronounced than in the earlier Bolshoi version It is now available on DVD and has been telecast in the U S as part of Ovation TV s annual Battle of the Nutcrackers 35 The first widescreen high definition revival of the Grigorovich Nutcracker was streamed live to movie theatres in Europe in 2010 The use of the new technique afforded moviegoers the chance to see the production in more vivid colors than had been featured in the earlier versions of the production especially since the Bolshoi Theatre had been recently renovated Nina Kaptsova starred as Marie rather than Clara and Artem Ovcharenko was the Nutcracker Prince 36 In December 2018 Grigorovich s Nutcracker for the anniversary of the birth of Galina Ulanova was released on the official YouTube channel 37 Mikhail Baryshnikov 1976 edit Choreography Mikhail Baryshnikov after Vasily Vainonen Company American Ballet Theatre Premiere December 21 1976 John F Kennedy Center for the Performing Arts Washington D C In 1976 the 28 year old Mikhail Baryshnikov premiered a new version of the ballet for the American Ballet Theatre with himself in the title role Marianna Tcherkassky as Clara and Alexander Minz as Drosselmeyer 38 The production premiered at the Kennedy Center in Washington D C in December 1976 and received its New York premiere on May 18 1977 at the Metropolitan Opera House 38 Like Nureyev Baryshnikov adopted many of the changes made by Gorsky and Vainonen including the casting of adult dancers in the roles of Clara and the Nutcracker Prince the elimination of the Sugar Plum Fairy while making Drosselmeyer s role more prominent and a concluding scene in which Clara realizes the fantasy sequences were a dream 39 This production also utilizes Vainonen s choreography for the Waltz of the Snowflakes Other changes included having a drunken guest at the Christmas party be the one responsible for breaking the Nutcracker not Clara s brother Fritz who is portrayed fairly sympathetically in this version Clara meanwhile does not throw her slipper at the Mouse King during the battle but a candleholder instead 40 The Grand Adagio of the Pas de Deux in Act II was made almost into a Pas de Trois as Drosselmeyer enters the festivities at the Land of Sweets to coax Clara back to reality but she refuses to go In order to provide a dramatic climax to the story the adagio was made the penultimate dance in the ballet coming just before the Final Waltz and Apotheosis This production achieved particular popularity when it was recorded for television in 1977 starring Gelsey Kirkland as Clara one of her few roles captured on video with Baryshnikov and Minz reprising their roles as the Nutcracker Prince and Drosselmeyer respectively The telecast was directed by multi Emmy winning choreographer and director Tony Charmoli Although not televised now as often as it used to be and despite the fact that it was not shot in high definition or widescreen it retains its status as the most popular telecast of the ballet even today having become a huge bestseller on DVD especially during the Christmas season The television version was not a live performance from the Kennedy Center of the ballet but a special presentation shot on videotape in a TV studio NBC had already done this as early as 1955 with its Producers Showcase version of Tchaikovsky s The Sleeping Beauty starring Margot Fonteyn which was however presented live in those days of no videotape This method of presentation permitted far greater freedom of camera movement and more use of different camera angles The Baryshnikov Nutcracker was videotaped in Toronto Ontario Canada Due to time constraints and the necessity to bring the program in at ninety minutes counting three commercial breaks the television version of the Baryshnikov production had to eliminate the Arabian Dance altogether It was first telecast by CBS in the U S as a Christmas season special with limited commercial interruption on December 16 1977 pre empting Wonder Woman and Logan s Run for that week 41 It was re broadcast by CBS several times then afterwards many times annually by PBS usually during their Christmas season pledge drives 1 In 1997 a slightly edited version of it was telecast on the A amp E Network as part of their Breakfast with the Arts program 42 The presentation was nominated for an Emmy Award for Outstanding Classical Program in the Performing Arts and Baryshnikov himself was nominated for an Emmy for Special Classification of Outstanding Individual Achievement 43 On September 28 2004 the production was reissued on DVD remastered and in both 2 0 and 5 1 stereo surround sound In September 2012 it became one of the few 1970 s programs originally recorded on videotape to be released on Blu ray Kent Stowell Maurice Sendak 1983 edit Choreography Kent Stowell Company Pacific Northwest Ballet Premiere December 13 1983 Seattle Center Opera House Seattle 44 In 1981 Kent Stowell artistic director of the Pacific Northwest Ballet company in Seattle approached children s author Maurice Sendak to design the sets and costumes for a new production of The Nutcracker My immediate reaction to the request that I design Nutcracker was negative I was flattered but my reasons for saying no were plentiful To begin with who in the world needed another Nutcracker Of course I did it We did it together Most of my doubts and worries were put to rest when Kent and I met for the first time early in 1981 in New York City I liked him immediately for not wanting me to do Nutcracker for all the obvious reasons but rather because he wished me to join him in a leap into the unknown He suggested we abandon the predictable Nutcracker and find a fresh version that did honor to Hoffman Tchaikovsky and ourselves Later that year Kent invited me to Seattle to see the company s old Nutcracker By then I had fallen in love with the project and after that Christmas of 1981 I set to work in earnest 44 Maurice Sendak designer of Pacific Northwest Ballet s 1983 Nutcracker The version they eventually created premiered in December 1983 Unlike previous versions Stowell and Sendak turned to the original E T A Hoffmann story for inspiration and incorporated some of the darker aspects of Hoffmann s tale In this production Clara is portrayed by a young girl up until the defeat of the Mouse King after which the character is transformed into a young woman and performed by an adult dancer for the remainder of the ballet Stowell dispenses with the Sugar Plum Fairy and the Confiturembourg setting for Act II altogether opting instead according to Sendak for an exotic port containing a seraglio in which the Grand Pasha meant to resemble Drosselmeyer played by the same performer has his entourage perform for the couple in honor of their bravery At the end of Act II the boat on which Clara and the Prince journey to the Land of Sweets returns to take the Nutcracker and Clara away Clara expresses reluctance to leave and the Pasha sends the boat away without her As in the Vainonen Clara wakes to realize the fantasy sequences were a dream 45 Sendak and Stowell also added to the original score a duet from Tchaikovsky s opera Pique Dame to be performed at the Christmas Party This production was extremely popular and has been revived in Seattle every year since its premiere In 1986 it served as the basis for the feature film Nutcracker The Motion Picture In 2014 it completed its 32 year run at McCaw Hall Peter Wright 1984 and 1990 edit Choreography Peter Wright after Lev Ivanov Company Royal Ballet Premiere December 20 1984 Royal Opera House Covent Garden London 46 In 1984 dancer choreographer Peter Wright created a new production based on the original 1892 production for the Royal Ballet In doing so he enlisted the aide of musicologist Roland John Wiley who had done extensive research on Tchaikovsky s ballets and served as production consultant 47 Together they created a production that was closely based on the original by Lev Ivanov For the Waltz of the Flowers for instance Wright utilized the floor patterns designed by Ivanov for the premiere and unlike many productions featured a Vivandiere doll in Act I as in the original production 48 Wright departed from the original in the casting of adult dancers in the roles of Clara and the Nutcracker Prince and omitting Mother Gigogne and her Polichinelles Unlike Vasily Vainonen s 1934 production however the roles of the Sugar Plum Fairy and her Cavalier remain intact Wright s production like Balanchine s incorporates a nephew for Drosselmeyer named Hans Peter but in this production he is actually the Nutcracker Prince an element featured in the original story by E T A Hoffmann The sets and costumes were designed by Julia Trevelyan Oman inspired by the Biedermeier era of 19th century Europe 49 This production premiered at the Royal Opera House in December 1984 In 1985 it was recorded by the BBC and televised in the U S by A amp E starring Julie Rose as Clara Guy Niblett as Hans Peter Leslie Collier as the Sugar Plum Fairy and Anthony Dowell as her Cavalier 50 Wright has stated that of all his productions of the ballet the 1984 one is the closest to the original although Clara and Hans Peter are played by adults Wright even has the dancing dolls at the Christmas party bursting out of pies as in the 1892 production Wright revised the production in 2001 for the newly renovated Royal Opera House to create an ending in which Clara first believes that she was dreaming her adventures then in the epilogue after meeting Hans Peter again in the real world she realizes that they actually happened The revised production was videotaped and televised in the U S as part of PBS s Great Performances starring Alina Cojocaru as Clara Ivan Putrov as the Nutcracker Prince Miyako Yoshida as the Sugar Plum Fairy and Anthony Dowell this time as Drosselmeyer 51 These first two versions of the Wright production are available on DVD In 2008 again with a new cast Iohna Loots as Clara Ricardo Cervera as Hans Peter and Gary Avis as Drosselmeyer the production was streamed live to movie theatres in England and was presented as a high definition film in select theatres throughout the U S during the 2009 Christmas season 52 There exist two different versions of this revival The first one with Alexandra Ansanelli as the Sugar Plum Fairy 53 was filmed in 2008 and another one also with Loots Cervera and Avis but with Miyako Yoshida as the Sugar Plum Fairy 54 was filmed in 2009 and also shown in theatres and was released on DVD in 2010 In the 2008 staging romantic interest between Clara and Hans Peter is more pronounced than in the other versions of this production they kiss several times The 2009 revival of the Wright production was selected as a candidate in Ovation TV s 2010 Battle of the Nutcrackers contest not the version with Alina Cojocaru as Clara as has been erroneously stated on some websites The 2009 production ultimately was chosen as the viewer favorite in the contest 55 It made its U S TV debut on December 6 2010 The 2010 contest marked the first time that this revival of the production was shown on U S television 56 Choreography Peter Wright Company Birmingham Royal Ballet Premiere December 29 1990 Birmingham Hippodrome Birmingham 57 Wright staged a new version of the ballet in 1990 when the Sadler Wells Royal Ballet moved to Birmingham and became the Birmingham Royal Ballet under his direction For this production Wright departed more freely from the 1892 original than in his 1984 Royal Ballet production In this version the fantasy sequences are once again a dream Clara is a ballet student and her mother is a former ballerina 58 The production has been particularly praised for John Macfarlane s set designs 59 60 In 1994 this version was filmed starring Irek Mukhamedov as the Nutcracker Prince Sandra Madgwick as Clara and once again Miyako Yoshida as the Sugar Plum Fairy and was released on DVD by Kultur International Films as of this writing Ms Yoshida has danced the role of the Sugar Plum Fairy more times on video than any other dancer However this Birmingham Ballet production has never been telecast in the U S The Hard Nut Mark Morris 1991 edit Main article The Hard Nut Choreography Mark Morris Company Mark Morris Dance Group Premiere January 12 1991 Theatre Royal de la Monnaie Brussels 61 In 1990 American dancer and choreographer Mark Morris began work on The Hard Nut a contemporary version of The Nutcracker taking inspiration from the horror comic artist Charles Burns whose artwork focuses on the archetypal concepts of guilt childhood adolescent sexuality and poignant nostalgic portrayals of post war America Morris enlisted a team of collaborators with whom he could evoke Burns black and white world set designer Adrianne Lobel lighting designer James F Ingalls and costume designer Martin Pakledinaz The Hard Nut was the last of twelve pieces Mark Morris created during his time as Director of Dance at the National Opera House of Belgium The Hard Nut premiered on January 12 1991 at the Theatre Royal de la Monnaie in Brussels It was chosen the favorite by viewer votes in 2007 2008 and 2009 in Ovation TV s annual Battle of the Nutcrackers 35 Shortly after the premiere MMDG returned to the United States having finished their three year residency at the Monnaie but the company returned six months later with film crew in hand for encore performances in Belgium s national opera house one of which was telecast on PBS in 1992 and was made available on VHS and Laserdisc The Hard Nut was released on DVD in 2007 This production was nominated for two Emmy Awards 62 2010 marked the first year that The Hard Nut was not part of the annual Battle of the Nutcrackers 56 Nutcracker Matthew Bourne 1992 edit Choreography Matthew Bourne Company Adventures in Motion Pictures Premiere August 26 1992 Edinburgh Festival Edinburgh 63 In 1992 choreographer Matthew Bourne staged a new version of the ballet as part of a double bill with Tchaikovsky s one act opera Iolanta presented by Opera North to celebrate the centenary of both works 64 Bourne s version while retaining Tchaikovsky s score except the music for Mother Gigogne and her Polichinelles reworks the traditional libretto In this version Clara lives in Dr Sugar s orphanage The Nutcracker in this version resembles the ventriloquist dummy Jerry Mahoney after coming to life and turns into not a Prince but a shirtless muscular man The Sugar Plum Fairy is replaced by a character named Princess Sugar a calculating slutty woman who steals Clara s beau away from her Instead of abandoning plot development for divertissement in Act II as in the original 1892 production in Act II of Bourne s production Clara must find her hunky beau in time to prevent him from marrying Princess Sugar Clara ultimately awakens in the orphanage to find him hiding under the covers of her bed ready to whisk her away for a happily ever after ending 65 The classical Nutcracker has also become a Christmas tradition particularly for Mothers and their young dancing school daughters it s often the first ballet that many people see It can though be a difficult story to follow and a bore for the men of the family I ve tried to tell a story for all the family Adults kids girls and boys should all find something to thrill them and touch them in Clara s adventure 66 Matthew Bourne choreographer of Nutcracker The original production was a success and was brought back to the Sadler s Wells Theatre in 1993 and 1994 It was nominated for a 1994 Laurence Olivier Award for Best New Dance Production and for a Best of the Edinburgh Festival Award by The Scotsman 63 Bourne revised the production in 2002 which has since been performed in various locations in Britain and the U S In 2003 it was telecast on the Bravo channel It was later released on DVD 67 21st century edit Kirill Simonov Mikhail Chemiakin 2001 edit Choreography Kirill Simonov Company Mariinsky Ballet Premiere February 12 2001 Mariinsky Theatre St Petersburg 68 In 2001 Russian artist Mikhail Chemiakin joined with choreographer Kirill Simonov at the request of conductor Valery Gergiev to design a new production of the ballet The music of The Nutcracker is multifaceted and like all great works inexhaustible Each time we return to this music more and more unexpected layers of this unique balletic symphony unfold I believe that this ballet has long needed to be freed of the pall of obvious childishness the feeling of a children s matinee Its music is immeasurably richer in content more profound more philosophical The innovation of the musical interpretation attracted Chemiakin We restored cuts brought the tempos into line and the music suddenly sounded totally different shattering the stereotypes and revealing new meanings We intend to show this production in the world s major venues We hope that our work will find a warm response in the hearts of theatregoers 69 Valery Gergiev conductor of the Mariinsky Theatre Orchestra Like Maurice Sendak and Kent Stowell s 1983 production for the Pacific Northwest Ballet they would draw on the original story by E T A Hoffmann for inspiration Chemiakin chose to emphasize some of Hoffmann s darker and more grotesque themes including those of repressed imagination and childhood alienation the heroine is shunned by her own parents in this version although she isn t in the Hoffmann story As in the original 1892 production the fantasy sequences are not a dream and the Sugar Plum Fairy still appears though like Gorsky s version and Vainonen s 1934 version Simonov gives her Grand Pas de Deux in Act II to the heroine called Masha and the Nutcracker Prince In one case Chemiakin deviated sharply from Hoffmann who gave his story a happy ending by having the heroine marry the Nutcracker Prince and presumably stay in the Kingdom of Sweets to live happily ever after with him Instead of Hoffmann s ending or the Apotheosis of the original production Masha and the Prince who fall deeply in love and are married offstage are turned into confections at the top of a giant wedding cake in danger of being eaten by rats who are climbing and nibbling on it 69 The production premiered at the Mariinsky in February 2001 and was performed in the U S for the first time in 2003 at the Kennedy Center for the Performing Arts in Washington D C 70 President George W Bush and his wife Laura attended one of the performances It was also shown in select movie theatres in high definition 71 It has proved highly controversial and has received many withering reviews which nevertheless praise the dancing of ballerina Irina Golub who portrays Masha on the DVD made of the production 72 Russian dance critic Nina Alovert also commented disparagingly of the production saying that it was full of uncaring human beings and rats who eat people and that The one good person meaning Masha is turned into a sugar coated doll 73 In Dance View Times critic George Jackson called it The Gargoyle Nutcracker and inexplicably termed Masha the kindliest character in the production a brat and a minislut perhaps partly because of the Act II Pas de Deux which is made quite sensual in this production some have even said sexual 70 On the other hand Stephen Smoliar published a favorable review of the production in which he said of the Act II Pas de Deux Never before have I found such an erotically charged Pas de Deux in any ballet stating that it represents the moment when Masha and the Nutcracker Prince consummate their relationship 74 and he complimented Irina Golub for dancing it so passionately 74 He also praised choreographer Simonov and stated that never before has this eroticism in the ballet seemed so relevant 74 In the production the Grand Adagio of the Pas de deux culminates in a passionate kiss between Masha and the Nutcracker Prince and at the end of the dance Masha with a mischievous smile and a knowing glance looks around the room as if trying to make sure that the others are preoccupied then grabs the Prince s hand and runs offstage with him perhaps to be alone with him in private one blog has even suggested that at this point the couple makes love for the first time It is left to the viewer to decide The ending of this version is quite horrifying in that it implies that Masha and the Prince have been killed This production was filmed in 2007 and released on DVD in 2008 both on Blu ray and regular format however the regular format version rapidly went out of print In the credits Chemiakin s name is spelled Shemiakin Onstage Golub and Natalya Sologub alternated in the role of Masha in the original stagings of this production which is still staged by the Mariinsky Ballet This version made its U S TV debut in December 2011 on Ovation TV s annual Battle of the Nutcrackers 75 Helgi Tomasson 2004 edit Choreography Helgi Tomasson Company San Francisco Ballet Premiere December 17 2004 War Memorial Opera House San FranciscoIn December 2004 artistic director Helgi Tomasson staged a new version of the ballet for the San Francisco Ballet set in San Francisco during the Panama Pacific International Exposition Other productions such as Robert Joffrey s for the Joffrey Ballet and Septime Webre s for the Washington Ballet have taken a similar route in transplanting the action to America Clara is played for the most part by a young girl rather than an adult woman This production utilizes the basic outline of the original 1892 version with some departures For example as in the Chemiakin and Grigorovich versions the Nutcracker first comes to life at the Christmas party before Clara s dream begins Rather than a Soldier as in the original 1892 version it is the Nutcracker that is Drosselmeyer s second life sized doll And rather than throwing her slipper at the Mouse King Clara humorously arranges with the help of the toy soldiers to get the Mouse King s tail caught in a huge mousetrap thus enabling the Nutcracker to fatally stab him Like the Sir Peter Wight production for the Royal Ballet it opens in Drosselmeyer s workplace In lieu of the Confiturembourg setting for Act II Tomasson substitutes a Crystal Palace like the one featured at the 1915 fair As the festivities draw to a close the Sugar Plum Fairy and Drosselmeyer grant the young girl Clara her greatest Christmas wish and transform her into a beautiful woman to dance in the arms of her Prince who is played by an adult in this version Thus as in Gorsky s version and Vasily Vainonen s 1934 version the Grand Pas de Deux is danced not by the Sugar Plum Fairy and her Cavalier but by the Nutcracker Prince and Clara Also like Vainonen s production Clara awakes on Christmas morning a young girl again to find that the fantasy sequences were a dream 76 In 2007 this version was filmed by KQED and presented in select movie theatres throughout the U S Canada and Europe 77 The following winter it was presented on PBS Dance in America and subsequently released on DVD 78 Gelsey Kirkland Michael Chernov 2013 edit Choreography Gelsey Kirkland Company Gelsey Kirkland Ballet Premiere December 12 2013 Schimmel Center for the Arts Pace University New York City 79 80 81 Other Productions edit Mary Day Martin Buckner 1961 Among the first wave of productions in the U S after Christensen and Balanchine was the Washington Ballet s production choreographed by Mary Day with Martin Buckner and Choo San Goh The production premiered at DAR Constitution Hall with the National Symphony Orchestra in December 1961 The production was subsequently performed at various venues throughout Washington D C including Lisner Auditorium and the Warner Theatre until Day s retirement in 2004 at which point the production was retired and replaced with a new version by Septime Webre set in 19th century Georgetown 82 Ronald Hynd 1976 Staged by the London Festival Ballet Hynd s version of the story gives the heroine an older sister named Louise who falls in love with Drosselmeyer s nephew against the wishes of her parents 83 Robert Joffrey Gerald Arpino 1987 In 1987 Robert Joffrey and Gerald Arpino created a version of the ballet for the Joffrey Ballet set in Currier and Ives America The production has been performed in cities nationwide including New York City Washington D C Los Angeles and ultimately in Chicago where the company established its permanent home in 1995 84 In 1999 an abridged version of the production was televised on some PBS stations in U S as The Joffrey Nutcracker 85 Graeme Murphy 1992 Graeme Murphy s version entitled Nutcracker The Story of Clara was created in 1992 for the Australian Ballet released on video in 1994 and released on DVD in 2008 It retains Tchaikovsky s music but throws out virtually all of the original story adding some quite intense scenes not found in a usual Nutcracker In this version set in the 1950s Clara is an aging Australian ballerina in a retirement home who recalls her past life in flashback and dies of old age at the end There are no magical enchantments in this version 86 which made a surprise appearance as an additional offering in 2011 s Battle of the Nutcrackers Anatoli Emilianov 1993 Anatoli Emilianov has staged a version for the Moscow Ballet called The Great Russian Nutcracker in which the second act is set in the Land of Peace and Harmony As in the Gorsky and Vainonen versions Clara performs all of the dances usually performed by the Sugar Plum Fairy and the Prince performs the Cavalier s dances New York Times dance critic Alastair Macaulay has criticized what he calls the production s emphasis on Love Love Love claiming that a romance between Clara and the Nutcracker Prince makes The Nutcracker seem like too many other classical ballets rather than a unique one which essentially does not have an adult love interest 87 Par Isberg 1997 Par Isberg s version for the Royal Swedish Ballet staged in 1997 uses most of Tchaikovsky s music but bears little resemblance to the original ballet although there still is a Mouse King In this version it is a charcoal burner who becomes a handsome Prince and a housemaid falls in love with him and becomes his Princess Instead of simply Clara visiting the Kingdom of Sweets it is two children Lotta and her brother Petter who do so Some of the new libretto co written by Isberg and Erik Naslund is inspired by Elsa Beskow s children s book Peter and Lotta s Christmas 88 89 This version is available on DVD only in Great Britain Patrice Bart 1999 Patrice Bart s version available on DVD created for the Berlin Staatsoper and premiered there in 1999 reworks the libretto The heroine here called Marie is an unhappy traumatized child who finds herself in the care of the cruel Stahlbaum family after her mother is kidnapped by Russian Revolutionaries Her only friend is Drosselmeyer who here is a young man who helps Marie remember and overcome her repressed trauma The nutcracker toy whose uniform reminds Marie of her father becomes the catalyst for this experience Drosselmeyer evokes in the revolutionaries taking the place of the Mice from the traditional staging enabling Marie to drive them off by throwing her toy nutcracker at them The toy then explodes comes to life and almost immediately turns into a Prince In the second act Marie is reunited with her mother As in Vainonen s 1934 version there is no Sugar Plum Fairy or Cavalier their dances are performed by Marie and the Nutcracker Prince The finale is unclear about Marie and the Prince s fate but her mother blesses their apparently forthcoming marriage after which Drosselmeyer suddenly produces another nutcracker which emits a strange light from its eyes Most of the dancers suddenly begin moving like mechanical dolls and through a cloud of smoke Marie is seen to be seemingly flying off happily with the Prince Mary Poppins like airborne on a giant umbrella This production appeared on DVD with Nadja Saidakova as Marie and Vladimir Malakhov as the Nutcracker Prince Daniel Barenboim conducts the orchestra This version was also shown on U S TV in Ovation s 2010 Battle of the Nutcrackers 56 and won the 2016 Battle of the Nutcrackers Maurice Bejart 2000 Like the Graeme Murphy version Maurice Bejart s 2000 production throws out the original story altogether creating all new characters Bejart plants his own mother at the center of the story depicting what looks like a mother and son s incestuous attraction to each other Here the main character is named Bim and is intended to represent Bejart himself Mephisto and Felix the Cat appear as characters A piece of set design seen throughout the production resembles a woman s naked torso with a visible uterus There is in addition to the suggestion of incest a strong gay subtext throughout The Act I Pas de Deux between Bim and his mother originally meant to be performed at the point at which the Nutcracker turns into a Prince is extremely suggestive sexually The ballet is constantly interrupted by filmed commentary from Bejart himself and French cafe songs are also inserted into the production This one was also a candidate in 2010 s Battle of the Nutcrackers 56 Youri Vamos 2007 Hungarian choreographer Youri Vamos has created The Nutcracker A Christmas Story a version of Tchaikovsky s ballet released on DVD in 2007 which combines Hoffmann s story with elements from Charles Dickens s A Christmas Carol to the point of including Ebenezer Scrooge Bob Cratchit Mrs Cratchit and the Spirit of Christmas as characters 90 It won the Battle of the Nutcrackers in 2014 Gary Harris 2010 Choreographer Gary Harris has created a production for the New Zealand Ballet which takes place partly in a hospital ward to which Clara is taken after receiving a bump on the head courtesy of her slingshot wielding brother Fritz 91 Alexei Ratmansky 2010 Russian choreographer Ratmansky s production of The Nutcracker for American Ballet Theatre premiered at the Brooklyn Academy of Music on Thursday December 23 2010 with principal dancers Gillian Murphy and David Hallberg It uses the original plot but in this production during the Pas de deux the little girl Clara and the boy Nutcracker Prince imagine themselves dancing it as adults whereupon the principal dancers take over the roles until the Apotheosis of the ballet The production follows Chemiakin s by beginning the ballet in the Stahlbaum s kitchen where mice are hiding 92 in making the snowflakes have a sinister quality 92 and in having Clara and the Nutcracker Prince kiss onstage near the end It follows the Bolshoi version in having attendants place a bridal veil on Clara after she accepts the Prince s marriage proposal during the Pas de Deux And like the Bolshoi version and many others it all turns out to have been a dream at the end The production has received mostly rave reviews perhaps the best for an ABT Nutcracker since Baryshnikov s famous production 93 94 Cabaret Red Light 2010 Cabaret Red Light created a burlesque and ballet version of The Nutcracker with original score by Rolf Lakaemper and Peter Gaffney and choreography by Christine Fisler Directed by Anna Frangiosa and Gaffney the production draws on material from the original short story by E T A Hoffmann The Nutcracker and the Mouse King aiming to restore scenes characters and other elements not included in Alexandre Dumas French adaptation of the holiday classic and presenting a version that is generally truer to the spirit and uncanny nature of Hoffmann s work Using a variety of media shadow puppets kinetic sculptures experimental music and narrative dance Cabaret Red Light s NUTCRACKER revolves around the figure of Marie and her Godfather Drosselmeyer s efforts to warn her about the false promises and counterfeit values that mark the transition into adult life The production premiered on December 16 2010 at Painted Bride Art Center in Philadelphia Christopher Wheeldon 2016 Joffrey Ballet commissioned Christopher Wheeldon to create a working class version of The Nutcracker Author Brian Selznick was brought in to create the story In this version set in the 1893 Chicago s World s Fair Marie is a daughter of Polish immigrants and is raised by her widowed mother The mother is a sculptor who is sculpting the golden statue of the world s fair The second act was Marie s fantasy of the world s fair rather than Land of the Sweets The Impresario the Drosselmeyer character of this version and the architect of the world s fair took Marie to the fair Marie s mother becomes the golden sculpture the Sugar Plum Fairy figure of this production In 2016 the work had its tryouts in Iowa then premiered in Chicago 95 96 97 Michael Pink s Production for Milwaukee Ballet 2003 English Choreographer Highly regarded for its engaging narrative throughout Drosselmeyer creates a fantasy journey in which Clara her brother Fritz and elder sister Marie travel through with Drosselmeyer s nephew Karl The choreographic invention is most noticeable in the snow pas de deux citation needed Film editFantasia 1940 edit Main article Fantasia 1940 film Selections from the Nutcracker Suite were heard in the 1940 Disney animated film Fantasia In this film the music from The Nutcracker is accompanied by dancing fairies mushrooms and fish among others and as host Deems Taylor mentions in live action footage the Nutcracker itself is nowhere in sight One remark that strikes modern day viewers strongly if they see the roadshow theatrical release of Fantasia now on DVD rather than the more commonly seen general release version is Taylor s declaration that the full length Nutcracker wasn t much of a success and nobody performs it nowadays a statement that had some validity in 1940 but is certainly not true now This remark was edited out of the general release version of Fantasia which began playing theatres in 1946 and is the one released on VHS As mentioned before this suite should not be mistaken for the entire Nutcracker The suite used in Fantasia is a slightly altered version of the Nutcracker Suite selected by the composer As animated in Fantasia it does not make use of a Christmas setting at all although snow and ice are shown near the end of it This version omits the Overture and the Marche and the remaining dances are reordered The accompanying animation is provided in parentheses 1 Danses caracteristiquesa Dance of the Sugar Plum Fairy Dew Fairies b Chinese Dance Chinese Mushrooms c Reed Flutes Blossoms d Arabian Dance Goldfish e Russian Dance Thistles and Orchids dd 2 Waltz of the Flowers Autumn Fairies Frost Fairies amp Snow Fairies dd Schelkunchik 1973 edit Main article The Nutcracker 1973 film Schelkunchik Nutcracker is a 1973 Russian animated short based on the story with no dialogue and features Tchaikovsky s music not only from The Nutcracker but also from Swan Lake and The Sleeping Beauty In this version the heroine is not Clara the daughter of a distinguished Town Council President but a lonely chambermaid who works in a large house When she kisses the Nutcracker he comes to life but is ashamed of his appearance He must fight the Mouse King in order to break the spell placed upon him and become a Prince again Dancer Mikhail Baryshnikov featured this version in his PBS television series Stories from My Childhood The U S telecast added narration by Shirley MacLaine Nutcracker The Motion Picture 1986 edit Main article Nutcracker The Motion Picture The film Nutcracker The Motion Picture referred to in the film credits as Pacific Northwest Ballet s Nutcracker is a feature film based on Kent Stowell s 1983 production of The Nutcracker with sets and costume designs by Maurice Sendak and narration by Julie Harris as the adult voice of Clara Directed by Carroll Ballard it was released nationwide in the U S on Thanksgiving Day in 1986 98 As in the stage version Clara was played by a young girl Vanessa Sharp during the Christmas party and the Battle with the Mice and an adult dancer Patricia Barker throughout the remainder of the ballet until Clara awakens from her dream The Nutcracker and the Nutcracker Prince were also played by two dancers in the film Jacob Rice before the toy s transformation into a Prince and Wade Walthall throughout the rest of the film The Overture shows Drosselmeyer in his workshop coming up with the idea for and then actually creating building his special Christmas present This version introduces hints of sexual tension between Clara and Drosselmeyer during the Christmas Party Clara is visibly uneasy around Drosselmeyer who seems to be leering at her and at one point even shrinks from his touch In the dream sequence there is an obvious rivalry between the Pasha Drosselmeyer s dream counterpart and the Nutcracker Prince as the Pasha tries to get Clara to sit with him against the wishes of the Nutcracker Prince The ending of the film departs from the stage version As Clara and her Prince slowly swirl around wrapped in each other s arms while the Apotheosis plays the Pasha magically levitates them higher and higher into the air as the other dancers wave goodbye Suddenly the jealous Pasha points his finger at the couple which magically causes them to let go of each other They suddenly begin to freefall and the Prince again becomes a nutcracker Just as both are about to hit the ground and presumably be seriously injured or killed Clara a young girl again is jolted awake from her dream 98 In the film the Final Waltz is heard during the closing credits although the Apotheosis is performed during the last moments of the ballet Drosselmeyer is sleeping at his work desk with the presumption that the dream was not Clara s but his on which we see the dancers performing the waltz The Nutcracker Prince 1990 edit Main article The Nutcracker Prince In 1990 a Canadian animated version The Nutcracker Prince starring the voices of Kiefer Sutherland Megan Follows and Peter O Toole among others was released This one also used Tchaikovsky s music but was actually a straightforward full length animated cartoon not a ballet film The plot follows E T A Hoffmann s original storyline in having the Nutcracker actually be Drosselmeyer s nephew named Hans in this version and having Clara meet him in real life at the end The fantasy elements really do occur in this film version as in Hoffmann s story New characters one of them voiced by Peter O Toole are added to the plot George Balanchine s The Nutcracker 1993 edit Main article The Nutcracker 1993 film In 1993 George Balanchine s version for the New York City Ballet served as the basis for a full length feature film called George Balanchine s The Nutcracker made by Electra Entertainment and Regency Enterprises It was distributed and released by Warner Bros The film was directed by Emile Ardolino with narration spoken by Kevin Kline The cast includes Jessica Lynn Cohen as Marie Macaulay Culkin as the Nutcracker the Prince and Drosselmeyer s nephew Darci Kistler as the Sugar Plum Fairy Kyra Nichols as Dew Drop Damian Woetzel as the Fairy s Cavalier and Wendy Whelan as Coffee The film was criticized by James Berardinelli for not capturing the excitement of a live performance stating that it opts to present a relatively mundane version of the stage production utilizing almost none of the advantages offered by the film medium 99 Roger Ebert of the Chicago Sun Times criticized the film for not adapting the dance for a film audience and also its casting of Culkin who he writes seems peripheral to all of the action sort of like a celebrity guest or visiting royalty nodding benevolently from the corners of shots 100 In The Washington Post Lucy Linfield echoed Ebert s criticism of Culkin stating that it s not so much that he can t act or dance more important the kid seems to have forgotten how to smile All little Mac can muster is a surly grimace She praised the dancing however as strong fresh and in perfect sync and Kistler s Sugar Plum Fairy as the Balanchinean ideal of a romantic seemingly fragile beauty combined with a technique of almost startling strength speed and knifelike precision 101 The New York Times Stephen Holden also criticized Culkin calling his performance the film s only serious flaw but praised the cinematography as very scrupulous in the way it establishes a mood of participatory excitement then draws back far enough so that the classic ballet sequences choreographed by Balanchine and staged by Peter Martins can be seen in their full glory 102 The Nuttiest Nutcracker 1999 edit Main article The Nuttiest Nutcracker In 1999 a comedy version entitled The Nuttiest Nutcracker became the first computer animated film released straight to video An example of the skewed tone that this version took may be inferred from the fact that Phyllis Diller provided the voice of an obese Sugar Plum Fairy Some of Tchaikovsky s music was used Barbie in The Nutcracker 2001 edit Main article Barbie in the Nutcracker This animated film uses generous chunks of Tchaikovsky s music and is a direct to video digitally animated version of the story with of course Barbie the doll released in 2001 However Barbie appears not as Clara but as herself Clara though looks exactly like Barbie and is still the main character and her story is told as a story within a film The film significantly alters the storyline of the Hoffmann tale adding all sorts of perils not found in the original story or the ballet There is even a Stone Monster sent by the Mouse King that chases Clara and the Nutcracker Drosselmeyer is not Clara s godfather but her grandfather and is depicted as being notably grumpy It is not Drosselmeyer who gives Clara the Nutcracker but her aunt and in this version Clara is an orphan raised by her grandfather The Nutcracker rather than becoming a Prince after his victory in battle must travel to the Sugar Plum Princess s castle in order for the spell to be broken defeating the Mouse King is not enough At the end Clara turns out to be the Sugar Plum Princess and her kiss breaks the spell that had been placed on the Nutcracker Real New York City Ballet dancers were used in the production and rotoscoped in order to properly capture ballet movements the Trepak the Adagio from the pas de deux and the Dance of the Sugar Plum Fairy are performed much as they would be in a live production of The Nutcracker Peter Martins served as choreographer In this version the Prince asks Clara to stay on as his Queen even telling her I love you But Clara is dreaming and therefore must awaken However the couple is reunited in reality when Clara s aunt brings the son of a friend over to visit for Christmas In this version the Mouse King does not die until near the end The film also features touches of sometimes deliberately anachronistic humor after the battle with the mice the Nutcracker who has not yet regained his form as a Prince says to Clara Thank you for saving my life and for your superior nursing skills During the early part of her adventures Clara maintains a skeptical attitude even saying This is crazy at one point The Nutcracker and the Mouse King 2004 edit In 2004 Argus International in Moscow produced an animated version of The Nutcracker and the Mouse King based on the original story by E T A Hoffmann The English version was released in 2005 and features the voices of Leslie Nielsen as the Mouse King Robert Hays as the mouse Squeak Fred Willard as the mouse Bubble and Eric Idle of Monty Python fame as the voice of Herr Drosselmeyer The Secret of the Nutcracker 2007 edit The Secret of the Nutcracker a 2007 Canadian made for television film which uses some of the ballet characters as well as Tchaikovsky s music has never been telecast in the U S but has been released on DVD 103 This version a dramatic film which uses a new plot features Brian Cox as Drosselmeyer This retelling is set during World War II and makes Clara s father a prisoner of war Nazis also feature in this adaptation The Nutcracker in 3D 2010 edit Main article The Nutcracker in 3D The Nutcracker in 3D also known as Nutcracker The Untold Story is a feature length musical variation in 3 D on the tale set in 1920s Vienna featuring John Turturro as the Rat King Elle Fanning as Mary rather than Clara and Nathan Lane as a young Albert Einstein here known only as Uncle Albert Originally scheduled to be released during the Christmas holiday season of 2009 it reportedly began showing in European countries as early as February 2009 and was released in the U S just before Thanksgiving in 2010 The film is written and directed by Andrei Konchalovsky 104 The music for the songs in this film is adapted from different works by Tchaikovsky and the lyrics are by Tim Rice The film is set in 1920s Vienna Konchalovsky evokes Adolf Hitler and the SS through the Rat King and his army The film has received nearly unanimously unfavorable reviews 105 106 A Nutcracker Christmas 2016 edit A Nutcracker Christmas is a Christmas film originally broadcast on the Hallmark Channel in 2016 The film premiered on Lifetime December 10 2016 It stars Amy Acker as Lily Sascha Radetsky as Mark Sophia Lucia as Sadie The film presents Lily s dreams and ballet career and leads up to her Nutcracker performance as the Sugar Plum fairy As a movie only selected scenes of the entire 1892 two act Nutcracker ballet are shown The Nutcracker and the Four Realms 2018 edit Main article The Nutcracker and the Four Realms The Nutcracker and the Four Realms is a 2018 American fantasy adventure film released by Walt Disney Studios Motion Pictures in the United States on November 2 2018 in RealD 3D and Dolby Cinema The film was directed by Lasse Hallstrom and Joe Johnston and written by Ashleigh Powell and is a retelling of E T A Hoffmann s short story The Nutcracker and the Mouse King and Marius Petipa s The Nutcracker about a young girl who is gifted a locked egg from her deceased mother and sets out in a magical land to retrieve the key The film stars Keira Knightley Mackenzie Foy Eugenio Derbez Matthew Macfadyen Richard E Grant and Misty Copeland with Helen Mirren and Morgan Freeman Television Presentations editPlease see the Stage section above for more information about televised versions by George Balanchine Mikhail Baryshnikov Matthew Bourne Lew Christensen Mark Morris Rudolf Nureyev Mikhail Chemiakin Helgi Tomasson and Peter Wright Other televised versions are noted below In 1961 then husband and wife Robert Goulet and Carol Lawrence starred in a musical ABC TV Christmas special entitled The Enchanted Nutcracker with a libretto by Samuel and Bella Spewack It was directed by Jack Smight Patrick Adiarte and Pierre Olaf co starred Very little information is currently available on this telecast and no video clips have been made available so it is difficult to know just what if any portions of the Tchaikovsky ballet were used This special appears to have been notably unsuccessful having been telecast only once and never being made available on VHS or DVD or for that matter online 107 A made for TV filmed color German American production of The Nutcracker was first telecast in the United States as a Christmas season special by CBS on December 21 1965 108 Choreographed by Kurt Jacob it featured a largely German but still international cast made up from several companies including Edward Villella the Nutcracker Prince Patricia McBride the dream Clara and Melissa Hayden the Sugar Plum Fairy from the New York City Ballet A little girl portrayed Clara in the real sequences First televised in Germany in 1964 this production aired on CBS annually between 1965 and 1968 and then was withdrawn from American network television but after more than forty years it has resurfaced nationally on a Warner Archive DVD 109 Videotaped wraparound host segments in English made in the style of those that CBS manufactured for their 1959 and 1960 s telecasts of MGM s The Wizard of Oz featured Eddie Albert at that time starring in the CBS long running hit Green Acres as host he also narrated the story offscreen These segments were added to the program for its showings in the U S New opening and closing credits were also added in English All of these are included on the DVD along with the actual film 110 Famed German dancer Harald Kreutzberg appeared in what was probably his last role in the dual roles of Drosselmeyer and the Snow King though in one listing Drosselmeyer has been re christened Uncle Alex Hoffman presumably a reference to E T A Hoffmann who wrote the original tale 111 This production cut the ballet down to a one act version lasting slightly less than an hour and drastically re ordered all the dances even to the point of altering the storyline to somewhat resemble that of The Wizard of Oz which at that time was an enormously successful annual attraction on U S network television The Mouse King although having turned the Prince into a Nutcracker does not even appear in this production Instead as Clara s dream begins she and the Nutcracker must now journey to the Castle of the Sugar Plum Fairy where the Fairy will wave her wand and turn him back into a Prince Along the way much like Oz s Dorothy the couple encounters several fantastic characters the waltzing snowflakes the Russian Dancers Mother Ginger and her Clowns the Bluebirds and the waltzing flowers Villella does not wear a Nutcracker mask at all in this production he is seen throughout as a normal looking man and the only way that one can tell that he has been transformed from a nutcracker into a prince is by his change in costume The two bluebirds from Tchaikovsky s The Sleeping Beauty appear to perform the Dance of the Reed Flutes rather than Sleeping Beauty s Bluebird Pas de Deux And curiously enough the famous March is not heard during the actual ballet but only during the new opening credits and hosting sequence devised by CBS The March comes to a sudden halt as host Eddie Albert cracks a nut with a nutcracker that he has beside him on a table 112 Battle of the Nutcrackers edit Ever since 2007 Ovation TV has held their annual Battle of the Nutcrackers viewing contest giving their audience a choice of which Nutcracker to choose as the best In 2007 the competitors were George Balanchine s The Nutcracker the 1993 film version with the New York City Ballet and Macaulay Culkin the Bolshoi Ballet s The Nutcracker Matthew Bourne s Nutcracker and Mark Morris The Hard Nut The Hard Nut was the winner 113 In 2008 the competition included six competitors Matthew Bourne s Nutcracker the Bolshoi Ballet s The Nutcracker the 1993 film version of George Balanchine s The Nutcracker the Pacific Northwest Ballet s Nutcracker The Motion Picture with designs and costumes by Maurice Sendak Bejart s Nutcracker and Mark Morris The Hard Nut The Hard Nut won for a second year 113 114 In Ovation s 2009 Battle the competitors were Mark Morris The Hard Nut the London Royal Ballet s The Nutcracker the Ballet of Monte Carlo s Casse Noisette Circus 56 Casse Noisette is French for Nutcracker the Bolshoi Ballet s The Nutcracker and Maurice Bejart s Nutcracker Once again the winner was The Hard Nut 113 The 2010 Battle of the Nutcrackers began its run on December 6 2010 It included two very traditional versions the 1989 Bolshoi Ballet s Nutcracker and the 2009 Royal Ballet Nutcracker as well as the Berlin State Opera Ballet s Nutcracker Maurice Bejart s Nutcracker and the Ballet of Monte Carlo s Casse Noisette Circus The winner was the Royal Ballet version 113 The 2011 lineup included the following competitors the Mariinsky s The Nutcracker the London Royal Ballet s The Nutcracker the Berlin State Opera Ballet s Nutcracker the Bolshoi Ballet s The Nutcracker and Matthew Bourne s Nutcracker An additional version Nutcracker The Story of Clara another radical reworking of the ballet was also telecast As in 2010 the Royal Ballet version was the winner For 2012 contestants included the following the London Royal Ballet s The Nutcracker Matthew Bourne s Nutcracker the Bolshoi Ballet s The Nutcracker Nutcracker The Story of Clara two Mariinsky Nutcrackers 2008 and 2012 respectively and the San Francisco Ballet s The Nutcracker The winner was the San Francisco version For 2013 the contestants once again included the Mariinsky s 2012 Nutcracker Matthew Bourne s Nutcracker Nutcracker The Story of Clara and the San Francisco Ballet s The Nutcracker The winner shown on December 23 was the San Francisco version 115 For 2014 the contestants were Youri Vamos The Nutcracker A Christmas Story the 2000 version of the London Royal Ballet s The Nutcracker the Bolshoi Ballet s Nutcracker and the Mariinsky s 2012 Nutcracker The winner shown on December 22 was Youri Vamos The Nutcracker A Christmas Story For 2015 the contestants were the 1993 film version of the New York City Ballet s Nutcracker the Dutch National Ballet s The Nutcracker and the Mouse King Das Wiener Staatsballett s 2014 Nutcracker and the Bonn Ballet s Nutcracker The winner shown on December 21 was The Dutch National Ballet s The Nutcracker And The Mouse King For 2016 the contestants were the Berlin State Opera Malakhov s 1999 Nutcracker the Bolshoi Ballet s Nutcracker the Mariinsky s 2012 Nutcracker Das Wiener Staatsballett s 2014 Nutcracker and the Semperoper Ballet s Nutcracker The winner shown on December 19 was the Berlin State Opera Malakhov version For 2017 the announced contestants were the Australian Ballet s Peter Wright s The Nutcracker the Dutch National Ballet s The Nutcracker and the Mouse King the Semperoper Ballet s Nutcracker the Berlin State Opera Malakhov s 1999 Nutcracker and the Royal Opera House s 2016 Nutcracker The winner announced on December 18 was again the Berlin State Opera Malahkov version For 2018 the contestants were the Berlin State Opera Malakhov s 1999 Nutcracker the Royal Opera House s 2016 Nutcracker the Mariinsky s 2012 Nutcracker the Czech National Ballet s 2017 The Nutcracker and the Cuddly Mouse and the Opernhaus Zurich s 2018 The Nutcracker The winner broadcast on December 24 was the Opernhaus Zurich production For 2019 the contestants were The Australian Ballet s production of Peter Wright s Nutcracker the Royal Opera House s 2016 Nutcracker the Mariinsky s 2012 Nutcracker the Czech National Ballet s 2017 The Nutcracker and the Cuddly Mouse and the Opernhaus Zurich s 2018 The Nutcracker For 2020 the contestants are the Mariinsky s 2012 Nutcracker the Czech National Ballet s 2017 The Nutcracker and the Cuddly Mouse and the Opernhaus Zurich s 2018 The Nutcracker 116 The 2021 version features the Redondo ballets version The 2021 version was the last year to do so Other versions editAnimated edit In addition to the ones mentioned above there have been several other animated versions of the original story but none can really be actually considered an animated version of the ballet itself All of these invent characters that appear neither in the original E T A Hoffmann story nor in the ballet In 1979 a stop motion puppet version entitled Nutcracker Fantasy was released using some of the Tchaikovsky music This version featured the voices of Christopher Lee as Drosselmeyer and Melissa Gilbert as Clara Care Bears The Nutcracker was a 1988 animated short based extremely loosely on the original ballet It was made for video and was first shown on TV on the Disney Channel The Jetlag Productions animation studio produced its own version of the story in 1994 entitled simply The Nutcracker The animated adaptation used some of Tchaikovsky s compositions as well as some original melodies and songs The Nutcracker on Ice edit Various versions of the ballet featuring ice skating have been made In The Nutcracker a Fantasy on Ice a television adaptation for ice skating from 1983 starring Dorothy Hamill and Robin Cousins narrated by Lorne Greene and telecast on HBO Tchaikovsky s score underwent not only reordering but also insertion of music from his other ballets and also of music from Mikhail Ippolitov Ivanov s Caucasian Sketches Drosselmeyer did not appear at all in this version Some years later Ms Hamill and then husband Kenneth Forsythe produced a more complete ice ballet version for the stage which was broadcast in somewhat abridged form in 1990 on NBC s Sportsworld co narrated by Hamill herself and Merlin Olsen This version featured Nathan Birch as the Prince J Scott Driscoll as the Nutcracker and Tim Murphy as Drosselmeyer Another ice skating version 1994 s Nutcracker on Ice starring Oksana Baiul as Clara and Victor Petrenko as Drosselmeyer was originally telecast on NBC and is now shown on several cable stations It was also condensed to slightly less than an hour radically altering and compressing both the music and the storyline Still another one hour ice skating version also called Nutcracker on Ice was staged on television in 1995 starring Peggy Fleming as the Sugar Plum Fairy Nicole Bobek as Clara and Todd Eldredge as the Nutcracker And yet another version of Nutcracker on Ice this one starring Tai Babilonia as Clara and Randy Gardner as the Nutcracker Prince was released straight to video in 1998 appearing on DVD in 2007 Another edition of Nutcracker on Ice also only an hour in length was made in 1996 and was telecast in some areas in December 2009 Debi Thomas appears as the Snow Queen Calla Urbanski is Clara Rocky Marval is the Nutcracker Prince and Rudy Galindo is Drosselmeyer 117 Music from other works by Tchaikovsky is added and many of the divertissement dances are cut Satirical versions edit One satirical version involves a group of gay boys constructing a show involving the nut cracker The stage version involves a chorus of singing parts and various out of character renditions of fairies and dancing flowers 118 119 In 2008 The Slutcracker made its debut at the Somerville Theatre in Somerville MA The ballet a satirical burlesque version of the classic produced choreographed and directed by Vanessa White A K A Sugar Dish featured Boston area actors burlesque and can can dancers drag kings hoopers ballerinas acrobats and bellydancers The plot recasts Clara as an adult the slutcracker as an adult toy and the rat king antagonist as her jealous boyfriend Because of the show s sell out popularity it has been booked at the same venue for extended performances in 2009 2010 and for a limited run at the Theatre Saint Denis in Montreal 120 121 Footnotes edit a b c d Fisher J 2003 Nutcracker Nation How an Old World Ballet Became a Christmas Tradition in the New World New Haven Yale University Press a b c d e Anderson J 1985 The Nutcracker Ballet New York Mayflower Books a b c d e f Nutcracker History Balletmet org Archived from the original on 2008 12 10 Retrieved 2008 12 18 not to be confused with the university teacher of the same name a b Fisher Jennifer 11 October 2004 Nutcracker Nation How an Old World Ballet Became a Christmas Tradition in the New World Yale University Press ISBN 0300105991 Nutcracker History Archived from the original on 2008 12 10 Retrieved 2008 12 18 a b Greskovic Robert 2005 Ballet 101 a complete guide to learning and loving the ballet New York Hal Leonard The Nutcracker IMDb The Nutcracker Mariinsky Ballet 3D MovieTickets com Archived from the original on 2012 12 04 Retrieved 2012 11 02 The Nutcracker Mariinsky Ballet Alina Somova actor Valery Gergiev director Movies amp TV Amazon 18 December 2012 Retrieved 2022 05 06 a b c San Francisco Ballet Nutcracker America s First Nutcracker Archived from the original on 2009 03 29 Retrieved 2010 11 03 a b Nutcracker Archived from the original on 2013 02 22 Retrieved 2010 11 03 San Francisco Ballet About History Archived from the original on 2009 03 30 Retrieved 2010 12 22 The Nutcracker IMDb New York City Ballet Reportory Index http www nycballet com company rep html rep 228 Date retrieved 03 11 10 a b Balanchine George Mason Francis 1975 101 Stories of the Great Ballets New York Anchor Press The Nutcracker IMDb NYCB s Nutcracker on TV Dale Brauner The Nutcracker IMDb Video NYC Ballet Nutcracker Promo Watch Live from Lincoln Center Online PBS Video Archived from the original on 2011 11 17 Retrieved 2011 11 16 73rd Emmy Nominations Announcement Alabama Ballet The Nutcracker Archived from the original on 2011 07 19 Retrieved 2010 11 04 Central Pennsylvania Youth Ballet The Nutcracker Archived from the original on 2010 12 22 Retrieved 2010 11 04 George Balanchine s The Nutcracker Retrieved 18 March 2024 Nutcracker 2021 Oregon Ballet Theatre PRB a Pennsylvania Regional Ballet a Ballet Classes Pennsylvania Regional Ballet Prballet org Retrieved 2022 05 06 Pennsylvania Ballet The Nutcracker Archived from the original on 2010 11 05 Retrieved 2010 11 04 Pacific Northwest Ballet The Nutcracker Archived from the original on 2015 06 01 Retrieved 2015 06 01 Balanchine s Nutcracker Dale Brauner Archived copy Archived from the original on 2011 12 22 Retrieved 2010 11 08 a href Template Cite web html title Template Cite web cite web a CS1 maint archived copy as title link Nutcracker and Rudolf Nureyev Culturekiosque com 2001 01 06 Retrieved 2022 05 06 Jean Louis Perrier June 28 2000 Rostislav Doboujinsky Le Monde Kisselgoff Anna 1988 07 03 Reviews Dance Nureyev s Nutcracker Breaks Some Traditions The New York Times Retrieved 2010 05 25 NME Awards Videos NME COM NME Archived from the original on 2016 03 04 Retrieved 2020 02 19 a b Ovation TV Battle of the Nutcrackers Archived from the original on 2010 04 20 Retrieved 2010 11 03 The Bolshoi Ballet Live from Moscow the Nutcracker IMDb P Tchaikovsky Nutsracker Bolshoi Theatre 1980 YouTube Gosteleradiofond of Russia 25 December 2018 Retrieved 3 December 2020 Jubilee event for Galina Sergeevna Ulanova a b The Nutcracker Abt Archived from the original on 2010 10 25 Retrieved 2010 11 03 Music Baryshnikov s New Bold Nutcracker Time 1977 01 03 Archived from the original on December 15 2008 The Nutcracker TV Movie 1977 IMDb IMDb Archived copy www getty net Archived from the original on 14 March 2008 Retrieved 12 January 2022 a href Template Cite web html title Template Cite web cite web a CS1 maint archived copy as title link The Nutcracker IMDb The Nutcracker IMDb IMDb a b Pacific Northwest Ballet The Nutcracker Archived from the original on 2010 09 06 Retrieved 2010 11 05 PNB Nutcracker Pacific Northwest Ballet Archived from the original on 2010 09 06 Retrieved 2010 11 05 Welcome to Royal Opera House Collections Roland John Wiley Archived from the original on 2010 12 29 Retrieved 2010 11 05 Palmer Ian 2007 12 Nutcracker Time Archived 2010 12 19 at the Wayback Machine Ballet magazine Date retrieved 2010 11 05 Brown Ismene 2006 29 11 Cracker bursting with excitement The Daily Telegraph Retrieved 2010 05 11 The Nutcracker IMDb The Nutcracker IMDb Royal Ballet s Nutcracker Ballet Alert ballettalk invisionzone com Archived from the original on 14 July 2012 Retrieved 2 February 2022 YouTube a Google company YouTube Nutcracker Blu ray Miyako Yoshida Steven McRae Gary Avis Iohna Loots Ricardo Cervera Thomas Bedford Elizabeth Harrod James Hay Bethany Keating Emma Maguire Brian Maloney Jose Martin Ross MacGibbon E T A Hoffmann Movies amp TV Amazon 26 October 2010 Retrieved 2022 05 06 Google a b c d e Search Ovation Archived from the original on 2011 07 15 Retrieved 2010 12 22 Birmingham Royal Ballet the Nutcracker Archived from the original on 2011 07 18 Retrieved 2010 11 05 MacKrell Judith 1998 12 31 Grown up Clara in too sensible Wonderland The Guardian London Retrieved 2010 05 25 Crompton Sarah 2009 12 30 The Nutcracker review The Daily Telegraph Retrieved 2010 11 05 Edmonds Richards 2009 11 22 The Nutcracker review The Stage Retrieved 2010 11 05 Hard Nut markmorrisdancegroup org The Hard Nut IMDb IMDb a b New Adventures the Company About Us Archived from the original on 2012 10 23 Retrieved 2014 02 09 Leeks Stuart ed 2003 Opera North 25 Leeds Opera North Kuo Jeff Matthew Bourne s Nutcracker Ballet Dance Magazine 2004 12 24 Retrieved 2010 11 05 カゴサギョ Matthewbournesnutcracker com 2021 06 23 Retrieved 2022 05 06 Nutcracker 2003 TV Imdb com Retrieved 2008 12 18 湖北欣佑塑料制品有限公司 首页 a b Chemiakin Mikhail 2001 Staging the Nutcracker Milan Rizzoli Illustrated Editions a b Kirov Ballet s Nutcracker George Jackson danceviewtimes com Germany www krankikom de KRANKIKOM GmbH Schifferstr 200 D 47059 Duisburg The Kirov s Nutcracker via www empirecinemas co uk a href Template Cite web html title Template Cite web cite web a CS1 maint multiple names authors list link CS1 maint numeric names authors list link Ballet Dance Forum dead link Ballet Talk gt 3rd International Ballet Festival at the Mariinsky Archived from the original on 2005 11 28 Retrieved 2010 11 03 a b c The Rehearsal Studio The Eclectic NUTCRACKER 21 December 2008 Breaking News Ovation s Battle of the Nutcrackers Programming Event to Feature the U S Television Premiere of Mariinsky Theatre s The Nutcracker on December 12 TheFutonCritic com 2011 10 20 Retrieved 2022 05 06 howard Rachel 2004 12 20 A near perfect gift for the holidays SFGate Retrieved 2010 11 06 Hamlin Jesse 2007 12 04 Film of S F Ballet s Nutcracker not for Bay Area Theatres SFGate Retrieved 2010 11 06 Dance in America San Francisco Ballet s Nutcracker IMDb The Gelsey Kirkland Academy of Classical Ballet Archived from the original on 2013 10 23 Retrieved 2013 12 16 Siobhan Burke NY Times December 15 2013 Gia Kourlas NY Times December 10 2013 Washington Ballet Institutional History Archived 2010 12 02 at the Wayback Machine Retrieved 2010 11 05 https www nytimes com 1986 11 30 arts dance view the return of nutcracker an eternal balletic verity html Jack Anderson DANCE VIEW The Return of the Nutcracker an Eternal Balletic Verity The New York Times November 20 1986 Nut joffrey com Turner Classical Movies dead link The Australian Ballet Archived from the original on 2011 07 16 Retrieved 2010 11 03 Macaulay Alastair 2010 11 26 Nutcracker From Joffrey Ballet and Moscow Ballet The New York Times Music DVDS reviews Archived from the original on 2010 03 29 Retrieved 2010 11 03 Kisselgoff Anna 1998 06 16 BALLET REVIEW A Smorgasbord Fit for a King The New York Times Retrieved 2010 05 25 The Nutcracker A Christmas Story IMDb The Nutcracker the Nutcracker great to watch a b REVIEWS Nutcracker at BAM American Ballet Theatre Ballet Alert 23 December 2010 Dance Magazine if it s happening in the world of dance it s happening in Dance Magazine Archived from the original on 2011 07 17 Retrieved 2011 01 04 ABT the Nutcracker Archived from the original on 2010 12 13 Retrieved 2010 12 22 Inside Christopher Wheeldon s Working Class Nutcracker New York Times 2 December 2016 Don t Miss This Behind the Scenes PBS Documentary of Christopher Wheeldon s Nutcracker at Joffrey Ballet Dance Magazine 29 November 2017 Taking A Crack At A New Nutcracker This One s Set At The World s Fair NPR 10 December 2016 a b Nutcracker 1986 IMDb IMDb Review Nutcracker the 1993 George Balanchine s The Nutcracker Chicago Sun Times Linfield Susie 1993 11 24 George Balanchine s The Nutcracker review The Washington Post Retrieved 2010 11 05 Holden Stephen 1993 11 24 George Balanchine s The Nutcracker review The New York Times Retrieved 2010 11 05 DVD Verdict Review the Secret of the Nutcracker Blu Ray Archived from the original on 2016 04 05 Retrieved 2020 02 18 Nutcracker The Untold Story 2009 Imdb com Retrieved 2008 12 18 MRQE www mrqe com Hartlaub Peter 2011 01 07 The Nutcracker in 3D review Like a bad trip The San Francisco Chronicle The Enchanted Nutcracker IMDb The Nutcracker 1965 TV special narrated by Eddie Albert at IMDb nbsp Archived copy Archived from the original on 2011 07 02 Retrieved 2010 11 08 a href Template Cite web html title Template Cite web cite web a CS1 maint archived copy as title link Archived copy Archived from the original on 2011 07 28 Retrieved 2010 11 03 a href Template Cite web html title Template Cite web cite web a CS1 maint archived copy as title link BFI Film amp TV Database NUSSKNACKER 1965 May 22 2008 Archived from the original on 2008 05 22 Archived copy Archived from the original on 2011 07 28 Retrieved 2010 11 03 a href Template Cite web html title Template Cite web cite web a CS1 maint archived copy as title link a b c d url Ovation TV Battle of the Nutcrackers Archived from the original on 2010 04 20 Retrieved 2010 11 03 Rocco Claudia La 2008 12 23 Dance In Battle of Nutcrackers Online Voters Pick a Familiar Dysfunctional Ballet The New York Times Retrieved 2009 01 07 Battle of the Nutcrackers 2020 www ovationtv com Battle of the Nutcrackers 2020 Ice Skating Spectacular Archived from the original on 2011 04 12 Retrieved 2010 11 03 Miami Gay Men s Chorus Miamigaychorus org Retrieved 2008 12 18 Arts Calendar artscalendar com permanent dead link Slutcracker MySpace page Retrieved 2008 12 22 dead link The Slutcracker official web page Retrieved 2009 09 22 Retrieved from https en wikipedia org w index php title List of productions of The Nutcracker amp oldid 1217036827 Helgi Tomasson 2004, wikipedia, wiki, book, books, library,

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