fbpx
Wikipedia

Lisner Auditorium

Lisner Auditorium is a performance venue sited on the Foggy Bottom campus of George Washington University at 730 21st Street Northwest, Washington, D.C. Named for Abram Lisner (1852-1938), a university trustee and benefactor whose will provided one million dollars towards its construction, it was designed in 1940 and completed in 1946. Constructed in the stripped classicist style of the late Art Deco and host to major classical, folk, rock, blues, opera, and theatrical performances over the decades, it was placed on the National Register of Historic Places in 1990 for its dual significance as an architectural work and as a performance venue.[2]

Lisner Auditorium
Lisner Auditorium in June 2020
Address730 21st St, NW
Washington, D.C.
United States
Public transitWashington Metro
at Foggy Bottom
OwnerGeorge Washington University
Capacity1,490
Construction
Opened1946
ArchitectFaulkner & Kingsbury
Website
www.lisner.org
Lisner Auditorium
Coordinates38°53′57.57″N 77°2′49.13″W / 38.8993250°N 77.0469806°W / 38.8993250; -77.0469806
Architectural styleStripped Classicism
NRHP reference No.90001548[1]
Designated October 25, 1990

The auditorium played a key role in desegregation at George Washington University and in Washington, D.C.; its 1946 grand opening became a city-wide target for the desegregation of the city's theaters and a catalyst for George Washington students calling on the university to admit African American students.[3] The auditorium seats 1,490[4] and is the home of the Washington Concert Opera.

Architecture edit

Lisner Auditorium extends the modernist ethos favored by its architect, Waldron Faulkner (1898-1978), who was born in Paris, France, educated at Yale University, and became influential in Washington, D.C., area architecture, where he designed numerous institutional and residential structures. His work at GW began in the 1930s. Lisner Hall (housing Lisner Library), in whitewashed brick, was completed in 1939 to match the Bauhaus style of flanking Bell Hall (1935) and Stuart Hall (1936). Hall of Government (1939) was the first university building clad in limestone (and in 1951, he designed the adjoining Monroe Hall in similar style). These 1930s modernist additions represented a sharp departure from the university's 1920s Harris Plan, which had called for a full block of Georgian Revival buildings enclosing what is now University Yard. This combination of modernist Bauhaus and Art Deco styles represents the architects' interpretation of university president Cloyd Heck Marvin's distaste for the Colonial Revival style and his insistence on "useful" architecture instead. Marvin and Faulkner's one exception in this era is Hattie M. Strong Hall, designed in a Georgian style they thought appropriately "domestic" for a women's dormitory.[2][5][6]

According to the National Register of Historic Places registration form, Lisner Auditorium's stripped classicism "expresses its modern roots in the basic geometric form of a cube." The structure is "sheathed in a tight skin of light colored limestone"; the "alternating limestone courses of square and rectangular blocks and the precise placement of joints present a pleasing pattern to the stonework." The "projecting box-like portico offers the only relief to the severe geometrical form of the building," with its "scale and abstracted columns echo[ing] classical qualities." Doors, grates, and lighting features of "loosely" Art Deco origin provide minimal ornamentation, a theme continued on the interior. Overall, "its modern and formal character are skillfully manipulated to speak [to] the building's function as a prominent center for the performing arts in Washington." Lisner Auditorium's resonance with the 1938 and 1939 First Medal winners of the Beaux Arts Institute's Paris Prize Competitions speaks to its communication with international movements in architecture at the time.[2]

Funding and construction edit

Construction of Lisner Auditorium was initially funded by Abram Lisner, a German-born owner of Washington's Palais Royale department store.[7] Additional funding for the construction project was provided by the George Washington Memorial Association and the Dimock Estate.

The building was designed by Faulkner & Kingsbury and built by Charles H. Tompkins Company. The groundbreaking ceremony was in 1940; work commenced on the Auditorium in 1941; it opened in 1946.[2]

Desegregation controversy edit

Lisner Auditorium's opening set the stage for a city-wide effort to desegregate the venue. In early October 1946, a group of white and Black ticket-holders, including the Dean of the Howard University Medical School, tried to attend a ballet performance but were denied entry based on race. Days later, Ingrid Bergman, star of the opening play, Joan of Lorraine, publicly denounced GW's racial exclusion policy and circulated a protest letter signed by the cast. GW students from the American Veterans Committee and the University Veterans Club printed flyers and, with the Southern Conference on Human Welfare, picketed outside.[3] The National Symphony Orchestra canceled performances.[8] In 1947, the Board of Trustees changed the theatre policy to admit African-Americans to sponsored public events, but President Marvin often denied such public uses. As students began to call for the desegregation of the university itself, Marvin publicly defended segregation, and the Trustees did not drop the racial exclusion of African Americans until 1954.[3] In 1971, Lisner Auditorium was the site of a follow-up protest against Marvin's segregationist policies. In March 1970, in the wake of the Kent State shootings, students had dedicated their new student center, opened in 1969, as the Kent State Memorial Student Center. In 1971, the university renamed it the Cloyd Heck Marvin Center, holding the naming ceremony in Lisner Auditorium across the street. Students attended the ceremony en masse, verbally denounced Marvin, and staged a walkout,[9] citing Marvin's racism as a key reason for their actions.[10][11]

Performances edit

The first known public performance at Lisner without racial restriction was the 1955 National Symphony Orchestra concert. A diverse schedule soon followed through the late 1950s and early 1960s, with opera singers Licia Albenese and Giuseppe Campora, folk singer Pete Seeger, and blues harmonica player Sonny Terry, rock and roll stars Jackie Wilson, Bo Diddley, Jerry Lee Lewis, and folk singer Joan Baez.[12] On December 14, 1963, Bob Dylan performed there on his first national tour outside of coffeehouses; the show sold out, and three rows of overflow seating was placed on stage behind the singer.[13] The 1970s brought Rush, Pink Floyd, Kiss, Little Feat, Emmylou Harris, Grand Funk Railroad, Joe Cocker, B.B. King, Derek and the Dominoes, Jimmy Buffett, Billy Joel, Blondie, and the Jerry Garcia Band. In the 1980s, Lisner hosted The Replacements, Alex Chilton, Billy Bragg, Midnight Oil, The Church, 10,000 Maniacs, Michelle Shocked, The BoDeans, Thomas Dolby, A Flock of Seagulls, and Red Hot Chili Peppers.[12]

 
Stairway of Lisner Auditorium

Live recordings edit

Several live recordings of shows at Lisner have been produced. Nine of the seventeen tracks on Little Feat's 1978 double LP, Waiting for Columbus, were recorded at Lisner on August 8, 9, and 10, 1977, as were five additional tracks included on the "deluxe" 2002 two-CD re-release, along with three more tracks first issued on the 1981 compilation Hoy-Hoy and also included on the 2002 re-release. Stereo Review's 1978 review praised the album's "spontaneity," declaring that "the performances, like the quality of the recording, are crisp, with precisely the kind of moments live albums should catch and usually don't." It was certified Gold in 1979.[14]

Art edit

Outside of the Auditorium is the River Horse sculpture. In 1996 George Washington University President Stephen Joel Trachtenberg presented this bronze statue of a hippopotamus as a gift to the university's Class of 2000. The auditorium contains a mural by Augustus Vincent Track, and the Dimock gallery is located on the lower Lisner Lounge.

References edit

  1. ^ "National Register Information System". National Register of Historic Places. National Park Service. March 13, 2009.
  2. ^ a b c d "Lisner Auditorium" Registration Form. Washington, D.C.: National Register of Historic Places. 25 October 1990. Retrieved 30 November 2021.
  3. ^ a b c Novak, Andrew (2012). "The Desegregation of George Washington University and the District of Columbia in Transition, 1946-1954". Washington History. 24 (1): 22–44. JSTOR 41510467. Retrieved 30 November 2021.
  4. ^ "Lisner Auditorium Seating Chart" (PDF).
  5. ^ Hattie M. Strong Residence Hall Registration Form. Washington, D.C.: National Register of Historic Places. 12 April 1991. Retrieved 1 December 2021.
  6. ^ George Washington/West End Historic District Design Guidelines. Washington, D.C.: DC Historic Preservation. 2018. pp. 9, 16–17. Retrieved 1 December 2021.
  7. ^ . The GW and Foggy Bottom Historical Encyclopedia. Archived from the original on 2010-06-13.
  8. ^ . The GW and Foggy Bottom Historical Encyclopedia. Archived from the original on 2011-07-23. Retrieved 2011-05-28.
  9. ^ Polman, Dick (February 18, 1971). "Walkout Mars Ceremony". The Hatchet. 67 (33): 1. Retrieved 28 September 2022.
  10. ^ [The Editors] (February 15, 1971). "A Letter to GW's Donors". The Hatchet. 67 (32: Dedication Extra): 1. {{cite journal}}: |last1= has generic name (help)
  11. ^ "Statement of Student Group Oppposed to Center's Renaming". The Hatchet. 67 (32: Dedication Extra): 3. February 15, 1971. Retrieved 28 September 2022.
  12. ^ a b "Lisner Auditorium Washington Concert Setlists". Setlist.fm. Retrieved 30 November 2021.
  13. ^ Epstein, Daniel Mark (2011). The Ballad of Bob Dylan: A Portrait (1st ed.). New York: HarperCollins. pp. 3–7, 14–24.
  14. ^ "Waiting for Columbus, Little Feat, Warner Bros. 2BS 3140". SuperSeventies.com.

External links edit

  • Lisner Auditorium official website
  • Lisner Auditorium box office
  • at The George Washington University and Foggy Bottom Historical Encyclopedia
  • Roster of Lisner performeances, 1950s to present, at Setlist.fm
  • Pink Floyd recorded live at Lisner, November 16th, 1971, audio on Youtube.
  • Rush recorded live at Lisner, April 17th, 1977, audio on Youtube.
  • Little Feat recorded live at Lisner, August 8th, 1977, audio on Youtube.

lisner, auditorium, performance, venue, sited, foggy, bottom, campus, george, washington, university, 21st, street, northwest, washington, named, abram, lisner, 1852, 1938, university, trustee, benefactor, whose, will, provided, million, dollars, towards, cons. Lisner Auditorium is a performance venue sited on the Foggy Bottom campus of George Washington University at 730 21st Street Northwest Washington D C Named for Abram Lisner 1852 1938 a university trustee and benefactor whose will provided one million dollars towards its construction it was designed in 1940 and completed in 1946 Constructed in the stripped classicist style of the late Art Deco and host to major classical folk rock blues opera and theatrical performances over the decades it was placed on the National Register of Historic Places in 1990 for its dual significance as an architectural work and as a performance venue 2 Lisner AuditoriumLisner Auditorium in June 2020Address730 21st St NWWashington D C United StatesPublic transitWashington Metro at Foggy BottomOwnerGeorge Washington UniversityCapacity1 490ConstructionOpened1946ArchitectFaulkner amp KingsburyWebsitewww wbr lisner wbr orgLisner AuditoriumU S National Register of Historic PlacesShow map of Central Washington D C Show map of the District of ColumbiaShow map of the United StatesCoordinates38 53 57 57 N 77 2 49 13 W 38 8993250 N 77 0469806 W 38 8993250 77 0469806Architectural styleStripped ClassicismNRHP reference No 90001548 1 Designated October 25 1990The auditorium played a key role in desegregation at George Washington University and in Washington D C its 1946 grand opening became a city wide target for the desegregation of the city s theaters and a catalyst for George Washington students calling on the university to admit African American students 3 The auditorium seats 1 490 4 and is the home of the Washington Concert Opera Contents 1 Architecture 2 Funding and construction 3 Desegregation controversy 4 Performances 5 Live recordings 6 Art 7 References 8 External linksArchitecture editLisner Auditorium extends the modernist ethos favored by its architect Waldron Faulkner 1898 1978 who was born in Paris France educated at Yale University and became influential in Washington D C area architecture where he designed numerous institutional and residential structures His work at GW began in the 1930s Lisner Hall housing Lisner Library in whitewashed brick was completed in 1939 to match the Bauhaus style of flanking Bell Hall 1935 and Stuart Hall 1936 Hall of Government 1939 was the first university building clad in limestone and in 1951 he designed the adjoining Monroe Hall in similar style These 1930s modernist additions represented a sharp departure from the university s 1920s Harris Plan which had called for a full block of Georgian Revival buildings enclosing what is now University Yard This combination of modernist Bauhaus and Art Deco styles represents the architects interpretation of university president Cloyd Heck Marvin s distaste for the Colonial Revival style and his insistence on useful architecture instead Marvin and Faulkner s one exception in this era is Hattie M Strong Hall designed in a Georgian style they thought appropriately domestic for a women s dormitory 2 5 6 According to the National Register of Historic Places registration form Lisner Auditorium s stripped classicism expresses its modern roots in the basic geometric form of a cube The structure is sheathed in a tight skin of light colored limestone the alternating limestone courses of square and rectangular blocks and the precise placement of joints present a pleasing pattern to the stonework The projecting box like portico offers the only relief to the severe geometrical form of the building with its scale and abstracted columns echo ing classical qualities Doors grates and lighting features of loosely Art Deco origin provide minimal ornamentation a theme continued on the interior Overall its modern and formal character are skillfully manipulated to speak to the building s function as a prominent center for the performing arts in Washington Lisner Auditorium s resonance with the 1938 and 1939 First Medal winners of the Beaux Arts Institute s Paris Prize Competitions speaks to its communication with international movements in architecture at the time 2 Funding and construction editConstruction of Lisner Auditorium was initially funded by Abram Lisner a German born owner of Washington s Palais Royale department store 7 Additional funding for the construction project was provided by the George Washington Memorial Association and the Dimock Estate The building was designed by Faulkner amp Kingsbury and built by Charles H Tompkins Company The groundbreaking ceremony was in 1940 work commenced on the Auditorium in 1941 it opened in 1946 2 Desegregation controversy editLisner Auditorium s opening set the stage for a city wide effort to desegregate the venue In early October 1946 a group of white and Black ticket holders including the Dean of the Howard University Medical School tried to attend a ballet performance but were denied entry based on race Days later Ingrid Bergman star of the opening play Joan of Lorraine publicly denounced GW s racial exclusion policy and circulated a protest letter signed by the cast GW students from the American Veterans Committee and the University Veterans Club printed flyers and with the Southern Conference on Human Welfare picketed outside 3 The National Symphony Orchestra canceled performances 8 In 1947 the Board of Trustees changed the theatre policy to admit African Americans to sponsored public events but President Marvin often denied such public uses As students began to call for the desegregation of the university itself Marvin publicly defended segregation and the Trustees did not drop the racial exclusion of African Americans until 1954 3 In 1971 Lisner Auditorium was the site of a follow up protest against Marvin s segregationist policies In March 1970 in the wake of the Kent State shootings students had dedicated their new student center opened in 1969 as the Kent State Memorial Student Center In 1971 the university renamed it the Cloyd Heck Marvin Center holding the naming ceremony in Lisner Auditorium across the street Students attended the ceremony en masse verbally denounced Marvin and staged a walkout 9 citing Marvin s racism as a key reason for their actions 10 11 Performances editThe first known public performance at Lisner without racial restriction was the 1955 National Symphony Orchestra concert A diverse schedule soon followed through the late 1950s and early 1960s with opera singers Licia Albenese and Giuseppe Campora folk singer Pete Seeger and blues harmonica player Sonny Terry rock and roll stars Jackie Wilson Bo Diddley Jerry Lee Lewis and folk singer Joan Baez 12 On December 14 1963 Bob Dylan performed there on his first national tour outside of coffeehouses the show sold out and three rows of overflow seating was placed on stage behind the singer 13 The 1970s brought Rush Pink Floyd Kiss Little Feat Emmylou Harris Grand Funk Railroad Joe Cocker B B King Derek and the Dominoes Jimmy Buffett Billy Joel Blondie and the Jerry Garcia Band In the 1980s Lisner hosted The Replacements Alex Chilton Billy Bragg Midnight Oil The Church 10 000 Maniacs Michelle Shocked The BoDeans Thomas Dolby A Flock of Seagulls and Red Hot Chili Peppers 12 nbsp Stairway of Lisner AuditoriumLive recordings editSeveral live recordings of shows at Lisner have been produced Nine of the seventeen tracks on Little Feat s 1978 double LP Waiting for Columbus were recorded at Lisner on August 8 9 and 10 1977 as were five additional tracks included on the deluxe 2002 two CD re release along with three more tracks first issued on the 1981 compilation Hoy Hoy and also included on the 2002 re release Stereo Review s 1978 review praised the album s spontaneity declaring that the performances like the quality of the recording are crisp with precisely the kind of moments live albums should catch and usually don t It was certified Gold in 1979 14 Art editMain article River Horse sculpture Outside of the Auditorium is the River Horse sculpture In 1996 George Washington University President Stephen Joel Trachtenberg presented this bronze statue of a hippopotamus as a gift to the university s Class of 2000 The auditorium contains a mural by Augustus Vincent Track and the Dimock gallery is located on the lower Lisner Lounge References edit National Register Information System National Register of Historic Places National Park Service March 13 2009 a b c d Lisner Auditorium Registration Form Washington D C National Register of Historic Places 25 October 1990 Retrieved 30 November 2021 a b c Novak Andrew 2012 The Desegregation of George Washington University and the District of Columbia in Transition 1946 1954 Washington History 24 1 22 44 JSTOR 41510467 Retrieved 30 November 2021 Lisner Auditorium Seating Chart PDF Hattie M Strong Residence Hall Registration Form Washington D C National Register of Historic Places 12 April 1991 Retrieved 1 December 2021 George Washington West End Historic District Design Guidelines Washington D C DC Historic Preservation 2018 pp 9 16 17 Retrieved 1 December 2021 Lisner Auditorium The GW and Foggy Bottom Historical Encyclopedia Archived from the original on 2010 06 13 Lisner Auditorium segregation controversy 1946 The GW and Foggy Bottom Historical Encyclopedia Archived from the original on 2011 07 23 Retrieved 2011 05 28 Polman Dick February 18 1971 Walkout Mars Ceremony The Hatchet 67 33 1 Retrieved 28 September 2022 The Editors February 15 1971 A Letter to GW s Donors The Hatchet 67 32 Dedication Extra 1 a href Template Cite journal html title Template Cite journal cite journal a last1 has generic name help Statement of Student Group Oppposed to Center s Renaming The Hatchet 67 32 Dedication Extra 3 February 15 1971 Retrieved 28 September 2022 a b Lisner Auditorium Washington Concert Setlists Setlist fm Retrieved 30 November 2021 Epstein Daniel Mark 2011 The Ballad of Bob Dylan A Portrait 1st ed New York HarperCollins pp 3 7 14 24 Waiting for Columbus Little Feat Warner Bros 2BS 3140 SuperSeventies com External links edit nbsp Wikimedia Commons has media related to Lisner Auditorium Lisner Auditorium official website Lisner Auditorium box office Lisner Auditorium entry at The George Washington University and Foggy Bottom Historical Encyclopedia Roster of Lisner performeances 1950s to present at Setlist fm Pink Floyd recorded live at Lisner November 16th 1971 audio on Youtube Rush recorded live at Lisner April 17th 1977 audio on Youtube Little Feat recorded live at Lisner August 8th 1977 audio on Youtube Retrieved from https en wikipedia org w index php title Lisner Auditorium amp oldid 1177381585, wikipedia, wiki, book, books, library,

article

, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games.