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The End (Beatles song)

January 01, 1970

"The End" is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was composed by Paul McCartney and credited to Lennon–McCartney. It was the last song recorded collectively by all four Beatles,[2] and is the final song of the medley that constitutes the majority of side two of the album. The song features the only drum solo recorded by Ringo Starr with the Beatles.

"The End"
Cover of the song's sheet music
Song by the Beatles
from the album Abbey Road
Released26 September 1969 (1969-09-26)
Recorded23 July – 20 August 1969
StudioEMI, London
Genre
Length2:20
LabelApple
Songwriter(s)Lennon–McCartney
Producer(s)George Martin

Composition and recording edit

McCartney said, "I wanted [the medley] to end with a little meaningful couplet, so I followed the Bard and wrote a couplet."[3] In his 1980 interview with Playboy, John Lennon acknowledged McCartney's authorship by saying, "That's Paul again ... He had a line in it, 'And in the end, the love you get is equal to the love you give,' which is a very cosmic, philosophical line. Which again proves that if he wants to, he can think."[4] Lennon misquoted the line; the actual words are, "And in the end, the love you take, is equal to the love you make..."[5]

Recording began on 23 July 1969, when the Beatles recorded a one-minute, thirty-second master take that was extended via overdubs to two minutes and five seconds. At this point, the song was called "Ending".[6] The first vocals for the song were added on 5 August, additional vocals and guitar overdubs were added on 7 August, and bass and drums on 8 August, the day the Abbey Road cover picture was taken.[7] Orchestral overdubs were added on 15 August, and the closing piano and accompanying vocal on 18 August.[8][9]

 
The closing lyrics of "The End" inspired this plaque.

All four Beatles have a solo in "The End", including a Ringo Starr drum solo. Starr disliked solos, preferring to cater drum work to whoever sang in a particular performance,[10] and in fact this is the only drum solo Starr recorded with the Beatles.[11] His solo on "The End" was recorded with twelve microphones around his drum kit; in his playing, he said he copied part of Ron Bushy's drumming on the Iron Butterfly track "In-A-Gadda-Da-Vida".[12] The take in which Starr performed the solo originally had guitar and tambourine accompaniment,[6] but other instruments were muted during mixing, giving the effect of a drum solo.[13]

McCartney, George Harrison and Lennon perform a rotating sequence of three, two-bar guitar solos.[2][14] The idea for a guitar instrumental over this section was Harrison's, and Lennon suggested that the three of them each play a section.[15] The solos begin approximately 53 seconds into the song. Geoff Emerick, the Beatles' recording engineer, later recalled: "John, Paul and George looked like they had gone back in time, like they were kids again, playing together for the sheer enjoyment of it. More than anything, they reminded me of gunslingers, with their guitars strapped on, looks of steely-eyed resolve, determined to outdo one another. Yet there was no animosity, no tension at all – you could tell they were simply having fun."[16]

The first two bars are played by McCartney, the second two by Harrison, the third two by Lennon, and then the sequence repeats twice.[2][17] Each has a distinctive style which McCartney felt reflected their personalities. Immediately after Lennon's third solo, the piano chords of the final line "And in the end ..." begin. Then the orchestration arrangement takes over with a humming chorus and Harrison playing a final guitar solo that ends the song.

"The End" was initially intended to be the final track on Abbey Road, but it ended up being followed by "Her Majesty". Although "The End" stands as the last known new recording involving all four members of the Beatles, one additional song, "I Me Mine", was recorded by three members of the group (Lennon being absent due to having privately left in September 1969) in January 1970 for the album Let It Be.

The 1996 compilation album Anthology 3 contains a remixed version of "The End", restoring tambourine and guitar overdubs mixed out of the original, and edited to emphasise the guitar solos and orchestral overdub.[9] The track is followed by a variant on the long piano chord that ends "A Day in the Life", concluding the compilation.[9] The drum solo was later used at the beginning of "Get Back" on the 2006 album Love.

Musical structure edit

The song commences in A major, with an initial I–IV–II–V–I structure matching the vocals on "Oh, yeah, all right!" This is followed by a ♯iv dim–I pattern (D♯dim to A chord) on "dreams tonight." During this, the accompanying bass and one guitar move chromatically from A to B and D♯, while the second guitar harmonises a minor third higher to reach F♯.[18] An eight-bar drum solo as a final statement of recognition to their "steady, solid drummer"[19] ends with a crescendo of eighth notes and bass and rhythm guitar in seventh chords to the chant "Love you."[20] The sequential three guitar solos rotate through I7 (A7 chord)–IV7 (D7 chord) changes in the key of A in a mix of "major and minor pentatonic scales with slides, double-stops, repeated notes, low-bass string runs and wailing bends".[21] Gould terms these live studio takes "little character sketches":

Paul opens with a characteristically fluid and melodically balanced line that sounds a high A before snaking an octave down the scale; George responds by soaring to an even higher D and sustaining it for half a bar before descending in syncopated pairs of 16th notes; John then picks upon the pattern of George's 16ths with a series of choppy thirds that hammer relentlessly on the second and flattened seventh degrees of the scale. The second time through, Paul answers John's bluesy flattened 7ths with bluesy minor thirds and then proceeds to echo George's earlier line, spiraling up to that same high D; George responds with some minor thirds of his own, while mimicking the choppy rhythm of John's part; John then drops two octaves to unleash a growling single-note line. On this final two-bar solo, Paul plays almost nothing but minor thirds and flattened sevenths in a herky-jerky rhythm that ends with a sudden plunge to a low A; George then reaches for the stars with a steeply ascending line that is pitched an octave above any notes heard so far; and John finishes with a string of insistent and heavily distorted 4ths, phrased in triplets, that drag behind the beat and grate against the background harmony.[20]

The final "Ah" is in C with a spiritually evocative Plagal cadence IV–I (F–C chord) on piano while the voices do an F to E shift.[22] "And in the end the love you take" is in A major, but the G/A chord supporting the word "love" begins to dissolve the listener's certainty that the chord is in A, by adding a ♭VII. The next line shifts us to the fresh key of C, with a iv (F) chord that threatens the dominance of the departing A key's F♯: "Is eq-ual" (supported successively by IV (F)–iii (Em) chords with an A–G bass line) "to the love" (supported successively by ii (Dm)–vi (Am)–ii7 (Dm7) chords with a F–E bass line) "you make" (supported by a V7 (G7) chord).[23] The final bars in the key of C involve a I–II–♭III rock-type progression and a IV–I soothing cadence that appear to instinctively reconcile different musical genres.[24]

Critical reception edit

Richie Unterberger of AllMusic considered "The End" to be "the group's take on the improvised jamming common to heavy rock of the late '60s, though as usual, The Beatles did it with far more economic precision than anyone else."[25] John Mendelsohn of Rolling Stone said it was "a perfect epitaph for our visit to the world of Beatle daydreams: 'The love you take is equal to the love you make.'"[26]

In 2007, "The End" was ranked at number 7 on Q magazine's list "The 20 Greatest Guitar Tracks".[27]

Legacy edit

Cover versions edit

Personnel edit

Personnel per Ian MacDonald[2] and Kenneth Womack:[37]

Notes edit

  1. ^ Unterberger, Richie. "The Beatles Abbey Road". AllMusic. from the original on 29 May 2012. Retrieved 1 February 2018.
  2. ^ a b c d MacDonald 2005, p. 361.
  3. ^ Miles 1997, p. 558.
  4. ^ Sheff 2000, p. 204.
  5. ^ Hal Leonard 1993, pp. 252–253.
  6. ^ a b Lewisohn 1988, p. 181.
  7. ^ Lewisohn 1988, pp. 185–186.
  8. ^ a b Lewisohn 1988, p. 190.
  9. ^ a b c Winn 2009, p. 317.
  10. ^ Larry King Show 2007.
  11. ^ Mike Haid (April 2006). "Top 25 Drum Solos of All Time". Modern Drummer. p. 97. Retrieved 27 August 2023. 'The End'... was Ringo's only drum solo with The Beatles.
  12. ^ Womack 2014, pp. 258, 259.
  13. ^ Apple Records 1996.
  14. ^ The Beatles 2000, p. 337.
  15. ^ . Rolling Stone. 19 September 2011. Archived from the original on 22 January 2014. Retrieved 10 March 2018.
  16. ^ Womack 2014, pp. 258–59.
  17. ^ Winn 2009, p. 316.
  18. ^ Dominic Pedler. The Songwriting Secrets of the Beatles. Music Sales Limited. Omnibus Press. NY. 2003. pp. 392–394
  19. ^ Jonathan Gould. Can't Buy Me Love: The Beatles, Britain and America. Piatkus 2007 pp. 589–590.
  20. ^ a b Gould, p. 590
  21. ^ Pedler, p. 669
  22. ^ Pedler, p. 33
  23. ^ Pedler, pp. 669–670
  24. ^ Pedler, p. 671
  25. ^ Unterberger 2007.
  26. ^ Mendelsohn 1969.
  27. ^ Womack 2014, p. 259.
  28. ^ Maremaa, Thomas (2004) [1972]. "Who Is This Crumb?". In Holm, D. K. (ed.). R. Crumb: Conversations. Univ. Press of Mississippi. p. 28. ISBN 1-57806-637-9.
  29. ^ . Archived from the original on 5 May 2013. Retrieved 10 April 2010.
  30. ^ "KMET Rides The Wave, Becomes KTWV" (PDF). Radio and Records. 20 February 1987. Retrieved 23 April 2018.
  31. ^ "KMET Becomes Smooth Jazz 94.7 The Wave KTWV". Format Change Archive. Retrieved 25 December 2017.
  32. ^ Larsen, Peter (16 November 2017). "The Sound of silence: Classic rock station The Sound FM 100.3 played its final songs and left the air on Thursday". The Orange County Register. Retrieved 25 December 2017.
  33. ^ "KLOVE Comes To SoCal As 'The Sound' Is Silenced". RBR. 16 November 2017. Retrieved 18 November 2017.
  34. ^ Collins, Glenn (14 September 1999). "WNEW-FM, Rock Pioneer, Goes to All-Talk Format". The New York Times. Retrieved 23 April 2018.
  35. ^ Martin, Roy (3 March 2023). "It's The End for Ken Bruce as he says goodbye to BBC Radio 2". RadioToday. Retrieved 5 March 2023.
  36. ^ Shaffer, Claire (1 July 2021). "Tenacious D Cover the Beatles' 'You Never Give Me Your Money' and 'The End'". Rolling Stone. Retrieved 1 July 2021.
  37. ^ Womack, Kenneth (2019). Solid State: The Story of "Abbey Road" and the End of the Beatles. Cornell University Press. p. 169.
  38. ^ a b c Babiuk, Andy (17 January 2018). "The Beatles' Casinos".
  39. ^ a b The Abbey Road (Super Deluxe Book). Apple Corps. 2019. p. 55.

References edit

External links edit

 
Wikiquote has quotations related to Abbey Road.

January 01, 1970
beatles, song, song, english, rock, band, beatles, from, their, 1969, album, abbey, road, composed, paul, mccartney, credited, lennon, mccartney, last, song, recorded, collectively, four, beatles, final, song, medley, that, constitutes, majority, side, album, . The End is a song by the English rock band the Beatles from their 1969 album Abbey Road It was composed by Paul McCartney and credited to Lennon McCartney It was the last song recorded collectively by all four Beatles 2 and is the final song of the medley that constitutes the majority of side two of the album The song features the only drum solo recorded by Ringo Starr with the Beatles The End Cover of the song s sheet musicSong by the Beatlesfrom the album Abbey RoadReleased26 September 1969 1969 09 26 Recorded23 July 20 August 1969StudioEMI LondonGenreRock 1 Length2 20LabelAppleSongwriter s Lennon McCartneyProducer s George Martin Contents 1 Composition and recording 2 Musical structure 3 Critical reception 4 Legacy 5 Cover versions 6 Personnel 7 Notes 8 References 9 External linksComposition and recording editMcCartney said I wanted the medley to end with a little meaningful couplet so I followed the Bard and wrote a couplet 3 In his 1980 interview with Playboy John Lennon acknowledged McCartney s authorship by saying That s Paul again He had a line in it And in the end the love you get is equal to the love you give which is a very cosmic philosophical line Which again proves that if he wants to he can think 4 Lennon misquoted the line the actual words are And in the end the love you take is equal to the love you make 5 Recording began on 23 July 1969 when the Beatles recorded a one minute thirty second master take that was extended via overdubs to two minutes and five seconds At this point the song was called Ending 6 The first vocals for the song were added on 5 August additional vocals and guitar overdubs were added on 7 August and bass and drums on 8 August the day the Abbey Road cover picture was taken 7 Orchestral overdubs were added on 15 August and the closing piano and accompanying vocal on 18 August 8 9 nbsp The closing lyrics of The End inspired this plaque All four Beatles have a solo in The End including a Ringo Starr drum solo Starr disliked solos preferring to cater drum work to whoever sang in a particular performance 10 and in fact this is the only drum solo Starr recorded with the Beatles 11 His solo on The End was recorded with twelve microphones around his drum kit in his playing he said he copied part of Ron Bushy s drumming on the Iron Butterfly track In A Gadda Da Vida 12 The take in which Starr performed the solo originally had guitar and tambourine accompaniment 6 but other instruments were muted during mixing giving the effect of a drum solo 13 McCartney George Harrison and Lennon perform a rotating sequence of three two bar guitar solos 2 14 The idea for a guitar instrumental over this section was Harrison s and Lennon suggested that the three of them each play a section 15 The solos begin approximately 53 seconds into the song Geoff Emerick the Beatles recording engineer later recalled John Paul and George looked like they had gone back in time like they were kids again playing together for the sheer enjoyment of it More than anything they reminded me of gunslingers with their guitars strapped on looks of steely eyed resolve determined to outdo one another Yet there was no animosity no tension at all you could tell they were simply having fun 16 The first two bars are played by McCartney the second two by Harrison the third two by Lennon and then the sequence repeats twice 2 17 Each has a distinctive style which McCartney felt reflected their personalities Immediately after Lennon s third solo the piano chords of the final line And in the end begin Then the orchestration arrangement takes over with a humming chorus and Harrison playing a final guitar solo that ends the song The End was initially intended to be the final track on Abbey Road but it ended up being followed by Her Majesty Although The End stands as the last known new recording involving all four members of the Beatles one additional song I Me Mine was recorded by three members of the group Lennon being absent due to having privately left in September 1969 in January 1970 for the album Let It Be The 1996 compilation album Anthology 3 contains a remixed version of The End restoring tambourine and guitar overdubs mixed out of the original and edited to emphasise the guitar solos and orchestral overdub 9 The track is followed by a variant on the long piano chord that ends A Day in the Life concluding the compilation 9 The drum solo was later used at the beginning of Get Back on the 2006 album Love Musical structure editThe song commences in A major with an initial I IV II V I structure matching the vocals on Oh yeah all right This is followed by a iv dim I pattern D dim to A chord on dreams tonight During this the accompanying bass and one guitar move chromatically from A to B and D while the second guitar harmonises a minor third higher to reach F 18 An eight bar drum solo as a final statement of recognition to their steady solid drummer 19 ends with a crescendo of eighth notes and bass and rhythm guitar in seventh chords to the chant Love you 20 The sequential three guitar solos rotate through I7 A7 chord IV7 D7 chord changes in the key of A in a mix of major and minor pentatonic scales with slides double stops repeated notes low bass string runs and wailing bends 21 Gould terms these live studio takes little character sketches Paul opens with a characteristically fluid and melodically balanced line that sounds a high A before snaking an octave down the scale George responds by soaring to an even higher D and sustaining it for half a bar before descending in syncopated pairs of 16th notes John then picks upon the pattern of George s 16ths with a series of choppy thirds that hammer relentlessly on the second and flattened seventh degrees of the scale The second time through Paul answers John s bluesy flattened 7ths with bluesy minor thirds and then proceeds to echo George s earlier line spiraling up to that same high D George responds with some minor thirds of his own while mimicking the choppy rhythm of John s part John then drops two octaves to unleash a growling single note line On this final two bar solo Paul plays almost nothing but minor thirds and flattened sevenths in a herky jerky rhythm that ends with a sudden plunge to a low A George then reaches for the stars with a steeply ascending line that is pitched an octave above any notes heard so far and John finishes with a string of insistent and heavily distorted 4ths phrased in triplets that drag behind the beat and grate against the background harmony 20 The final Ah is in C with a spiritually evocative Plagal cadence IV I F C chord on piano while the voices do an F to E shift 22 And in the end the love you take is in A major but the G A chord supporting the word love begins to dissolve the listener s certainty that the chord is in A by adding a VII The next line shifts us to the fresh key of C with a iv F chord that threatens the dominance of the departing A key s F Is eq ual supported successively by IV F iii Em chords with an A G bass line to the love supported successively by ii Dm vi Am ii7 Dm7 chords with a F E bass line you make supported by a V7 G7 chord 23 The final bars in the key of C involve a I II III rock type progression and a IV I soothing cadence that appear to instinctively reconcile different musical genres 24 Critical reception editRichie Unterberger of AllMusic considered The End to be the group s take on the improvised jamming common to heavy rock of the late 60s though as usual The Beatles did it with far more economic precision than anyone else 25 John Mendelsohn of Rolling Stone said it was a perfect epitaph for our visit to the world of Beatle daydreams The love you take is equal to the love you make 26 In 2007 The End was ranked at number 7 on Q magazine s list The 20 Greatest Guitar Tracks 27 Legacy editThe song is included as the encore on The Beatles Rock Band McCartney s second guitar solo Lennon s last guitar solo and Starr s drum solo were used in the intro to Get Back in the Beatles Love In Ralph Bakshi s 1972 film Fritz the Cat Fritz quotes the line the love you give is equal to the love you get when deciding not to plant a bomb in a nuclear power plant and rejecting violent revolutionary politics The character s creator Robert Crumb denounced this dialogue as red neck and fascistic 28 The Beastie Boys sampled a portion of The End for their track The Sounds of Science from Paul s Boutique 29 Chris Farley famously asked McCartney on the Chris Farley Show skit on Saturday Night Live whether it was true that the love you take is equal to the love you make McCartney replied to Farley s delight that in his experiences it was saying the more you give the more you get Paul McCartney performed the closing couplet of The End at the 2012 Summer Olympics opening ceremony just prior to closing the event with a performance of the song Hey Jude Peter Brown used the song s lyric as the title of his book about the Beatles The Love You Make The closing couplet is sung by k d lang and partly spoken by Robin Williams as the character Lovelace at the end of the movie Happy Feet And in the End the final episode of the American TV series ER is derived from the song s lyrics citation needed The series finale of Criminal Minds is similarly titled And in the End The song was used as the final song played on the classic rock stations KMET 30 31 and KSWD 32 33 in Los Angeles as well as WNEW FM 34 and WPLJ in New York City The last 30 seconds of this song was the final song to play on 4KQ in Brisbane Australia on 30 June 2022 British broadcaster and BBC DJ Ken Bruce chose the song as the final track played on his last BBC Radio 2 show on 3 March 2023 35 Cover versions editPhil Collins covered the full medley on George Martin s 1998 album In My Life which also included Golden Slumbers amp Carry That Weight Comedy rock duo Tenacious D released a mashup of You Never Give Me Your Money and The End on 1 July 2021 The proceeds benefited Doctors Without Borders 36 Personnel editPersonnel per Ian MacDonald 2 and Kenneth Womack 37 Paul McCartney lead and backing vocals bass guitar piano guitar solo Epiphone Casino 38 John Lennon harmony vocals rhythm guitar guitar solo Epiphone Casino 38 George Harrison harmony vocals rhythm and lead guitar guitar solo Gibson Les Paul 38 Ringo Starr backing vocals drums tambourine 39 George Martin orchestration 8 uncredited 12 violins four violas one double bass four horns three trumpets one trombone one bass trombone 39 Notes edit Unterberger Richie The Beatles Abbey Road AllMusic Archived from the original on 29 May 2012 Retrieved 1 February 2018 a b c d MacDonald 2005 p 361 Miles 1997 p 558 Sheff 2000 p 204 Hal Leonard 1993 pp 252 253 a b Lewisohn 1988 p 181 Lewisohn 1988 pp 185 186 a b Lewisohn 1988 p 190 a b c Winn 2009 p 317 Larry King Show 2007 Mike Haid April 2006 Top 25 Drum Solos of All Time Modern Drummer p 97 Retrieved 27 August 2023 The End was Ringo s only drum solo with The Beatles Womack 2014 pp 258 259 Apple Records 1996 The Beatles 2000 p 337 100 Greatest Beatles Songs 23 Abbey Road Medley Rolling Stone 19 September 2011 Archived from the original on 22 January 2014 Retrieved 10 March 2018 Womack 2014 pp 258 59 Winn 2009 p 316 Dominic Pedler The Songwriting Secrets of the Beatles Music Sales Limited Omnibus Press NY 2003 pp 392 394 Jonathan Gould Can t Buy Me Love The Beatles Britain and America Piatkus 2007 pp 589 590 a b Gould p 590 Pedler p 669 Pedler p 33 Pedler pp 669 670 Pedler p 671 Unterberger 2007 Mendelsohn 1969 Womack 2014 p 259 Maremaa Thomas 2004 1972 Who Is This Crumb In Holm D K ed R Crumb Conversations Univ Press of Mississippi p 28 ISBN 1 57806 637 9 Search Archived from the original on 5 May 2013 Retrieved 10 April 2010 KMET Rides The Wave Becomes KTWV PDF Radio and Records 20 February 1987 Retrieved 23 April 2018 KMET Becomes Smooth Jazz 94 7 The Wave KTWV Format Change Archive Retrieved 25 December 2017 Larsen Peter 16 November 2017 The Sound of silence Classic rock station The Sound FM 100 3 played its final songs and left the air on Thursday The Orange County Register Retrieved 25 December 2017 KLOVE Comes To SoCal As The Sound Is Silenced RBR 16 November 2017 Retrieved 18 November 2017 Collins Glenn 14 September 1999 WNEW FM Rock Pioneer Goes to All Talk Format The New York Times Retrieved 23 April 2018 Martin Roy 3 March 2023 It s The End for Ken Bruce as he says goodbye to BBC Radio 2 RadioToday Retrieved 5 March 2023 Shaffer Claire 1 July 2021 Tenacious D Cover the Beatles You Never Give Me Your Money and The End Rolling Stone Retrieved 1 July 2021 Womack Kenneth 2019 Solid State The Story of Abbey Road and the End of the Beatles Cornell University Press p 169 a b c Babiuk Andy 17 January 2018 The Beatles Casinos a b The Abbey Road Super Deluxe Book Apple Corps 2019 p 55 References editAnthology 3 booklet The Beatles London Apple Records 1996 34451 a href Template Cite AV media notes html title Template Cite AV media notes cite AV media notes a CS1 maint others in cite AV media notes link The Beatles 2000 The Beatles Anthology San Francisco Chronicle Books ISBN 0 8118 2684 8 The Beatles Complete Scores Milwaukee Hal Leonard Publishing Corporation 1993 ISBN 0 7935 1832 6 Interview Transcript Larry King Show 26 June 2007 Retrieved 25 April 2009 Lewisohn Mark 1988 The Beatles Recording Sessions New York Harmony Books ISBN 0 517 57066 1 MacDonald Ian 2005 Revolution in the Head The Beatles Records and the Sixties Second Revised ed London Pimlico Rand ISBN 1 84413 828 3 Mendelsohn John 15 November 1969 Review of Abbey Road Rolling Stone Archived from the original on 4 July 2006 Retrieved 1 March 2007 Miles Barry 1997 Paul McCartney Many Years From Now New York Henry Holt amp Company ISBN 0 8050 5249 6 Sheff David 2000 All We Are Saying The Last Major Interview with John Lennon and Yoko Ono New York St Martin s Press ISBN 0 312 25464 4 Unterberger Richie 2007 Review of The End Allmusic Retrieved 1 March 2007 Winn John C 2009 That Magic Feeling The Beatles Recorded Legacy Volume Two 1966 1970 New York NY Three Rivers Press ISBN 978 0 307 45239 9 Womack Kenneth 2014 The Beatles Encyclopedia Everything Fab Four Santa Barbara CA ABC CLIO ISBN 978 0 313 39171 2 External links edit nbsp Wikiquote has quotations related to Abbey Road Alan W Pollack s Notes on The End Beatles song Retrieved from https en wikipedia org w index php title The End Beatles song amp oldid 1218756002, wikipedia, wiki, book, books, library,

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