Many ghazals and thumris are based on Khamaj. It utilises the shuddha (pure) form of Ni on the ascent, and the komala (flat) form of Ni on the descent, creating a key asymmetry in compositional and improvisational performance. This raga has been explored more in the lighter forms of Hindustani Classical Music such as Thumri, Tappa etc. Yet a many compositions in Dhrupad and Khayal are found as well. Harikambhoji is the equivalent rāgam in Carnatic music.
The Narsinh Bhajan "Vaishnav jan to" is also based on Khamaj.
The Sargam Geet is as follows: set to teentaal, that is sixteen beats:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
G
G
S
G
M
P
G
M
N
D
_
M
P
D
_
M
G
_
_
_
D
N
S'
_
S '
N
D
P
M
G
R
S
This is the Prelude to the Sargam Geet, the underscore signifies the avagraha i.e. prolongation of the immediate previous note by one beat for one _ and three beats in case of _ _ _
^Anirudha Bhattacharjee; Balaji Vittal (2012). R. D. Burman: The Man, The Music. Harper Collins India. p. 96. ISBN978-93-5029-236-5.
Sourcesedit
Bor, Joep; Rao, Suvarnalata (1999). The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 100. ISBN9780954397609.
Khamāj Rāga (Hin), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN9780195650983. Retrieved 8 October 2018.
khamaj, thaat, that, this, raga, belongs, thaat, iast, khamāj, hindustani, classical, music, raga, within, thaat, which, named, after, thaattypeshadava, sampurnatime, daylate, night, arohanas, ṠavarohanaṠ, spakadṈ, vadigsamavadinsynonymkambojakambhojikambodika. For the thaat that this raga belongs to see Khamaj thaat Khamaj IAST Khamaj is a Hindustani classical Music raga within the Khamaj thaat which is named after it KhamajThaatKhamajTypeShadava sampurnaTime of dayLate night 9 12 1 ArohanaS G M P D N ṠAvarohanaṠ Ṉ D P M G R SPakadṈ D M P D M G 2 VadiGSamavadiNSynonymKambojaKambhojiKambodiKamodi 1 EquivalentHarikambhojiMixolydian modeSimilarDesh Khambavati 1 Many ghazals and thumris are based on Khamaj It utilises the shuddha pure form of Ni on the ascent and the komala flat form of Ni on the descent creating a key asymmetry in compositional and improvisational performance This raga has been explored more in the lighter forms of Hindustani Classical Music such as Thumri Tappa etc Yet a many compositions in Dhrupad and Khayal are found as well Harikambhoji is the equivalent ragam in Carnatic music Contents 1 Theory Raag Shashtra 2 Compositions 3 Film Songs 3 1 Language Hindi 3 2 Language Tamil 4 Notes 5 Notable songs 6 References 7 Sources 8 External linksTheory Raag Shashtra editArohana S G M P D N Ṡ a 1 2 Avroha Ṡ Ṉ D P M G R S b 2 1 3 Vadi Swar G 2 Samavadi Swar N 2 Compositions editIn Dhrupad Sadra Khayal Thumri amp Tappa styles Sudhi Bisara Gayi Sadra form in 10 beat cycle of Jhaptal Sung by Abdul Karim Khan of Kirana Gharana Ban Ban Dhunda liyo banvari Set in TeenTal composed by Acharya Dr Pandit Gokulotsavji Maharaj 4 nand ghar aaj baje badhai Set in TeenTal composed by Acharya Dr Pandit Gokulotsavji Maharaj 4 Piya Tori Tirchhi Najar Laage Pyaari Re Bol Banav Ki Thumri form Sung by Faiyaz Khan of Agra Gharana Koyaliyan Kuhuk Kook Sunaave Khayal Bandishi Thumri form in 16 beat cycle of Teentala Sung by Nisar Hussain Khan of Rampur Gharana Ajoy Chakrabarty of Patiala Gharana Shyaam Rang Daari Dhrupad form in 14 beat cycle of Dhamar Tala Sung by N Zahiruddin Dagar amp F Wasfuddin Dagar Ab Maan Jao Saiyaan Dadra sung by Ustad Ghulam Abbas Khan of Rampur Sahaswan Gharana Sudh Naa Lini Jabse Gaye Dadra form Sung by Faiyaz Khan of Agra Gharana and also Mentioned in Vishnu Narayan Bhatkhande s Kramik Pustak Malika Vol 2 Hindi Film Songs based on Raga Khamaj Bada natkhat hai ka kare yashoda maiya Kuchh Toh Log Kahenge and Raina Beet Jaye with Todi in mukhara Amar Prem 5 Ayo kahanse ghanashyam Buddha Mil Gaya Vo na aenge palatkar Devdaas A dilse dil mila le Navrang Dhal chuki shame Gam Kohinoor Khat likha de savariyake nam babu Mere to giridharagopala Meera Tere bina sajna lage na jiya hamar Aarti Tere mere milan ki ye raina Abhimaan Khamaj Fuzon sung by Shafqat Amanat Ali Mitwa Kabhi alvida na kehna The Narsinh Bhajan Vaishnav jan to is also based on Khamaj The Sargam Geet is as follows set to teentaal that is sixteen beats 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 G G S G M P G M N D M P D M G D N S S N D P M G R S This is the Prelude to the Sargam Geet the underscore signifies the avagraha i e prolongation of the immediate previous note by one beat for one and three beats in case of Film Songs editLanguage Hindi edit Song Movie Composer Singers Vo Na Ayenge Palatkar Devdas 1955 film S D Burman Mubarak Begum Piya Tose Naina Lage Re Guide film S D Burman Lata Mangeshkar Nazar Lagi Raja Tore Bungle Par Kala Pani 1958 film S D Burman Asha Bhosle Ham Apna Unhe Bana Na Sake Bhanwara Khemchand Prakash K L Saigal Sajana Saanjh Bhayi Roti 1942 film Anil Biswas composer Begum Akhtar Ab Kya Misal Dun Aarti film Roshan music director Mohammed Rafi Tere Bina Sajna Lage Na Jiya Hamar Aarti film Roshan music director Mohammed Rafi amp Lata Mangeshkar Bata Do Koi Kaun Gali Gaye Shyam Madhu 1959 film Roshan music director Mohammed Rafi M amp Lata Mangeshkar F A Dil Se Dil Mila Le Navrang C Ramchandra Asha Bhosle Dhal Chuki Sham e Gham Kohinoor 1960 film Naushad Mohammed Rafi Chunariya Katati Jae Mother India Naushad Mohammed Rafi amp Lata Mangeshkar amp Shamshad Begum Mere To Giridhara Gopala Meera 1979 film Ravi Shankar Vani Jairam amp Dinkar Kamanna Sakhi Re Suun Bole Papiha Miss Mary 1957 film Hemant Kumar Lata Mangeshkar amp Asha Bhosle Jao Re jogi tum jao re Amrapali film Shankar Jaikishan Lata Mangeshkar O Sajna Barakha Bahara Ayi Parakh 1960 film Salil Chowdhury Lata Mangeshkar Ayo Kahan Se Ghanashyam Buddha Mil Gaya R D Burman Manna Dey amp Archana Mahanta Bada Natkhat Hai Re Krishna Kahaiya Amar Prem R D Burman Lata Mangeshkar Kuch To Log Kahenge Amar Prem R D Burman Kishore Kumar Sham Dhale Jamuna Kinare Pushpanjali 1970 film Laxmikant Pyarelal Lata Mangeshkar amp Manna Dey Khat Likh De Savariya Ke Naam Babu Aaye Din Bahar Ke Laxmikant Pyarelal Asha Bhosle Language Tamil edit Song Movie Composer Singer Gnayiru Enbathu Kaakum Karangal K V Mahadevan T M Soundararajan P Susheela Kalviya Selvama Veerama Saraswati Sabatham T M Soundararajan Ennirandhu 16 Vayathu Annai Illam Anbulla Maanvizhiye Kuzhandaiyum Deivamum M S Viswanathan Ore Padal Unnai Azhaikkum Engirundho Vandhaal Sumaithaangi Saaindhaal Thanga Pathakkam Mellapo Mellapo Kaavalkaaran T M Soundararajan P Susheela Kungamapottin Mangalam Kudiyirundha Koyil Vizhiye Vizhiye Puthiya Bhoomi Acham Enbadhu Madamaiyada Mannadhi Mannan Viswanathan Ramamoorthy T M Soundararajan Malargalai Pol Thangai Pasamalar Kelvi Piranthathu Pachai Vilakku Silar Siripaar Silar Azhuvaar Paava Mannippu Kalangalil Aval Vasantham P B Sreenivas Anbumanam Kanindhapinne Aalukkoru Veedu P B Sreenivas P Susheela Unnai Ondru Ketpen Puthiya Paravai P Susheela Athaimadi Methaiyadi Karpagam Muthana Muthallavo Nenjil Or Aalayam Kavalaigal Kidakattum Bandha Pasam T M Soundararajan P B Sreenivas Odam Nadhiyinile Kathiruntha Kangal Sirkazhi Govindarajan Devankoyil Maniyosai Mani Osai Thookam Un Kangalai Aalayamani S Janaki Ammavuku Manasukulle Manapanthal S C Krishnan Amaithiyaana Nathiyinile Aandavan Kattalai T M Soundararajan P Susheela Naan Malarodu Thaniyaga Iru Vallavargal Vedha Naane Naana Azhage Unnai Aarathikkiren Ilayaraja Vani Jairam Manasukkulle Nayana Mallu Vetti Minor Arunmozhi S Janaki Megam Karukayilae Vaidehi Kathirunthal Ilayaraja Uma Ramanan Adukku Malli Yeduthu Aavarampoo S P Balasubrahmanyam S Janaki Mandhiram Idhu K J Yesudas Kanavu Kaanum Neengal Kettavai Pottu Vaitha Oru Vatta Nila Idhayam Pazhamuthir Cholai Varusham Padhinaaru Adi Kaana Karunkuyile Poonthotta Kaavalkaaran Vaana Malai Idhu Namma Bhoomi Eduthu Vecha Ninaive Oru Sangeetham S Janaki S P Balasubrahmanyam Pathos Sandhu Pottu Thevar Magan S P Balasubrahmanyam Kamal Haasan Enna Paada Sollathey Aan Paavam S Janaki Nadhi Odum Karaiyoram Aavarampoo Chinna Kuyil Paadum Pattu Poove Poochooda Vaa K S Chitra Thenmadurai Seemaiyile Thangamana Raasa Oru Naal Oru Kanavu Kannukkul Nilavu K J Yesudas Anuradha Sriram Thendral Varum Friends Hariharan Bhavatharini Diana Diana Kaadhal Kavithai Hariharan Ennavendru Solvathamma Rajakumaran S P Balasubrahmanyam En Kadhale Duet A R Rahman Chinna Chinna Aasai Shankarabaranam traces too Roja Minmini Uyire Uyire charanam in Charukesi Bombay Hariharan K S Chithra Kannukku Mai Azhagu Pudhiya Mugam Unni Menon P Susheela Maya Machindra Indian S P Balasubrahmanyam Swarnalatha Nenje Nenje Ratchagan K J Yesudas Sadhana Sargam Aathangara Marame Kizhakku Cheemayile Mano Sujatha Mohan Adi Nenthikkitten Star Karthik Chitra Sivaraman Sandakkozhi Aaytha Ezhuthu Madhushree A R Rahman Kummi Adi Sillunu Oru Kaadhal Sirkazhi G Sivachidambaram Swarnalatha Naresh Iyer Theni Kunjarammal Vignesh Chorus Maduraikku Pogathadee Azhagiya Tamil Magan Benny Dayal Archith Darshana KT Putham Puthu Olai Vedham Pudhithu Devendran K S Chithra Pullankuzhal Mozhi Tamil Oorum Uravum Shankar Ganesh S P Balasubrahmanyam Vani Jairam Kambangade Kambangade Vaaname Ellai Maragadha Mani Maragadha Mani K S Chithra Vannathi Poochi Paatti Sollai Thattathe Chandrabose S P Balasubrahmanyam K S Chithra Aathu Mettu Thopukulle Manasukketha Maharasa Deva S P Balasubrahmanyam P Susheela Vayakkaadu Parambarai Mano K S Chithra Kannukulle Dhill Vidyasagar Manikka Vinayagam Lesa Lesa Lesa Lesa Harris Jayaraj Anuradha SriramNotes edit Alternate notations Carnatic S G M P D N ṠWestern C E F G A B C Alternate notations Carnatic Ṡ N D P M G R SWestern C B A G F E D CNotable songs editKuch To Log Kahenge Tere Mere Milan Ki Ye Raina Mora Saiyyan Mose Bole Vaishnava Jana To in Mishra Khamaj References edit a b c d e Bor amp Rao 1999 a b c d e OEMI KR SWAAI SANGEET Part 1 Theory of Indian Classical Music by Prem Jialal Vasant a b Mathura Nita 2011 Sastriya saṅgita ke surya Acarya Paṃ Gokulotsava Ji Maharaja saṅgita seva sastra cintana evaṃ bandisoṃ ka saṅkalana 1 saṃskaraṇa ed Nai Dilli Radha Pablikesansa ISBN 978 81 7487 765 9 OCLC 769743702 Anirudha Bhattacharjee Balaji Vittal 2012 R D Burman The Man The Music Harper Collins India p 96 ISBN 978 93 5029 236 5 Sources editBor Joep Rao Suvarnalata 1999 The Raga Guide A Survey of 74 Hindustani Ragas Nimbus Records with Rotterdam Conservatory of Music p 100 ISBN 9780954397609 Khamaj Raga Hin The Oxford Encyclopaedia of the Music of India Oxford University Press ISBN 9780195650983 Retrieved 8 October 2018 http www tanarang com english khamaj eng htm https www parrikar org hindustani khamaj External links editMore details about raga Khamaj Retrieved from https en wikipedia org w index php title Khamaj amp oldid 1211231863, wikipedia, wiki, book, books, library,
