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Teental

Teentaal (alternatively spelled tintal, teental, or tintaal, and also called trital; Hindi: तीन ताल) is the most common taal of Hindustani music, and is used for drut (fast tempo). It is symmetrical and presents a very simple rhythmic structure against which a performance can be laid. It is of 16 beats with 4/4/4/4/ pattern and 4 divisions.There are 3 claps(tali) and 1 gap(khali).

Arrangement edit

Teentaal has sixteen (16) beats[1] in four equal divisions (Vibhag). The period between every two beats is equal. The first beat out of 16 beats is called sam and the 9th beat is called khali ('empty'). To count the Teentaal, the audience claps on the first beat, claps on the 5th beat, then waves on the 9th beat and lastly again claps on the 13th beat; these three claps (Hindi teen 'three' + taal 'clap') give the rhythm its name.

Uses edit

Teentaal can be used for both accompaniment and solo. There are various Kaidas and Parans based on it. Teentaal is the most widely used taal. Teentaal is mostly used in the drut laya and Zhalas.

Theka:

DHA DHIN DHIN DHA |

DHA DHIN DHIN DHA |

NA TIN TIN TA |

TETE DHIN DHIN DHA |

Theka edit

मात्रा भाग : ४-४-४-४.
धा धिं धिं धा - धा धिं धिं धा - धा तिं तिं ता - ता धिं धिं धा
It has a characteristic pattern of bols (theka).

The Theka for Tintal
dha dhin dhin dha | dha dhin dhin dha |
x 2
dha tin tin ta | Ta dhin dhin dha |
o 3

This can also be shown using the following figure[1]

Taal signs X 2 0 3
Maatra 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
Bols dha dhin dhin dha dha dhin dhin dha dha tin tin ta ta dhin dhin dha

Note the bols used for the first beat of each division: Dha, a bol involving both hands, is played at the beginning of the first, second and final divisions; for the khali section, Naa – a right hand bol – is used to indicate that the division is open. There are some pedagogical variations as to the actual syllables pronounced when reciting the bol, most of which occur in the final two vibhags. Also note that this variation is from the Lucknow Gherana.

References edit

  1. ^ a b Sarah M. Van Doel (2008). Sikh Music: History, Text, and Praxis. pp. 57–. ISBN 978-0-549-83369-7. Retrieved 1 July 2012.

teental, confused, with, maya, archaeological, site, tintal, neighbourhood, tintal, bogotá, teentaal, alternatively, spelled, tintal, teental, tintaal, also, called, trital, hindi, most, common, taal, hindustani, music, used, drut, fast, tempo, symmetrical, pr. Not to be confused with the Maya archaeological site El Tintal or the neighbourhood of Tintal Bogota Teentaal alternatively spelled tintal teental or tintaal and also called trital Hindi त न त ल is the most common taal of Hindustani music and is used for drut fast tempo It is symmetrical and presents a very simple rhythmic structure against which a performance can be laid It is of 16 beats with 4 4 4 4 pattern and 4divisions There are 3 claps tali and 1 gap khali Contents 1 Arrangement 2 Uses 3 Theka 4 ReferencesArrangement editTeentaal has sixteen 16 beats 1 in four equal divisions Vibhag The period between every two beats is equal The first beat out of 16 beats is called sam and the 9th beat is called khali empty To count the Teentaal the audience claps on the first beat claps on the 5th beat then waves on the 9th beat and lastly again claps on the 13th beat these three claps Hindi teen three taal clap give the rhythm its name Uses editTeentaal can be used for both accompaniment and solo There are various Kaidas and Parans based on it Teentaal is the most widely used taal Teentaal is mostly used in the drut laya and Zhalas Theka DHA DHIN DHIN DHA DHA DHIN DHIN DHA NA TIN TIN TA TETE DHIN DHIN DHA Theka editम त र भ ग ४ ४ ४ ४ ध ध ध ध ध ध ध ध ध त त त त ध ध ध It has a characteristic pattern of bols theka The Theka for Tintal dha dhin dhin dha dha dhin dhin dha x 2dha tin tin ta Ta dhin dhin dha o 3This can also be shown using the following figure 1 Taal signs X 2 0 3Maatra 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16Bols dha dhin dhin dha dha dhin dhin dha dha tin tin ta ta dhin dhin dhaNote the bols used for the first beat of each division Dha a bol involving both hands is played at the beginning of the first second and final divisions for the khali section Naa a right hand bol is used to indicate that the division is open There are some pedagogical variations as to the actual syllables pronounced when reciting the bol most of which occur in the final two vibhags Also note that this variation is from the Lucknow Gherana References edit a b Sarah M Van Doel 2008 Sikh Music History Text and Praxis pp 57 ISBN 978 0 549 83369 7 Retrieved 1 July 2012 Retrieved from https en wikipedia org w index php title Teental amp oldid 1183706768, wikipedia, wiki, book, books, library,

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