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Golden ratio

In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. Expressed algebraically, for quantities and with ,

Golden ratio
Line segments in the golden ratio
Representations
Decimal1.618033988749894...[1]
Algebraic form
Continued fraction
Binary1.10011110001101110111...
Hexadecimal1.9E3779B97F4A7C15...
A golden rectangle with long side a and short side b (shaded red, right) and a square with sides of length a (shaded blue, left) combine to form a similar golden rectangle with long side a + b and short side a. This illustrates the relationship

where the Greek letter phi ( or ) denotes the golden ratio.[a] The constant satisfies the quadratic equation and is an irrational number with a value of[1]

1.618033988749....

The golden ratio was called the extreme and mean ratio by Euclid,[2] and the divine proportion by Luca Pacioli,[3] and also goes by several other names.[b]

Mathematicians have studied the golden ratio's properties since antiquity. It is the ratio of a regular pentagon's diagonal to its side and thus appears in the construction of the dodecahedron and icosahedron.[7] A golden rectangle—that is, a rectangle with an aspect ratio of —may be cut into a square and a smaller rectangle with the same aspect ratio. The golden ratio has been used to analyze the proportions of natural objects and artificial systems such as financial markets, in some cases based on dubious fits to data.[8] The golden ratio appears in some patterns in nature, including the spiral arrangement of leaves and other parts of vegetation.

Some 20th-century artists and architects, including Le Corbusier and Salvador Dalí, have proportioned their works to approximate the golden ratio, believing it to be aesthetically pleasing. These uses often appear in the form of a golden rectangle.

Calculation

Two quantities   and   are in the golden ratio   if[9]

 

One method for finding  's closed form starts with the left fraction. Simplifying the fraction and substituting the reciprocal  ,

 

Therefore,

 

Multiplying by   gives

 

which can be rearranged to

 

The quadratic formula yields two solutions:

  and  

Because   is a ratio between positive quantities,   is necessarily the positive root.[10] The negative root is in fact the negative inverse  , which shares many properties with the golden ratio.

History

According to Mario Livio,

Some of the greatest mathematical minds of all ages, from Pythagoras and Euclid in ancient Greece, through the medieval Italian mathematician Leonardo of Pisa and the Renaissance astronomer Johannes Kepler, to present-day scientific figures such as Oxford physicist Roger Penrose, have spent endless hours over this simple ratio and its properties. ... Biologists, artists, musicians, historians, architects, psychologists, and even mystics have pondered and debated the basis of its ubiquity and appeal. In fact, it is probably fair to say that the Golden Ratio has inspired thinkers of all disciplines like no other number in the history of mathematics.[11]

— The Golden Ratio: The Story of Phi, the World's Most Astonishing Number

Ancient Greek mathematicians first studied the golden ratio because of its frequent appearance in geometry;[12] the division of a line into "extreme and mean ratio" (the golden section) is important in the geometry of regular pentagrams and pentagons.[13] According to one story, 5th-century BC mathematician Hippasus discovered that the golden ratio was neither a whole number nor a fraction (an irrational number), surprising Pythagoreans.[14] Euclid's Elements (c. 300 BC) provides several propositions and their proofs employing the golden ratio,[15][c] and contains its first known definition which proceeds as follows:[16]

A straight line is said to have been cut in extreme and mean ratio when, as the whole line is to the greater segment, so is the greater to the lesser.[17][d]

 
Michael Maestlin, the first to write a decimal approximation of the ratio

The golden ratio was studied peripherally over the next millennium. Abu Kamil (c. 850–930) employed it in his geometric calculations of pentagons and decagons; his writings influenced that of Fibonacci (Leonardo of Pisa) (c. 1170–1250), who used the ratio in related geometry problems but did not observe that it was connected to the Fibonacci numbers.[19]

Luca Pacioli named his book Divina proportione (1509) after the ratio; the book, largely plagiarized from Piero della Francesca, explored its properties including its appearance in some of the Platonic solids.[20][21] Leonardo da Vinci, who illustrated Pacioli's book, called the ratio the sectio aurea ('golden section').[22] Though it is often said that Pacioli advocated the golden ratio's application to yield pleasing, harmonious proportions, Livio points out that the interpretation has been traced to an error in 1799, and that Pacioli actually advocated the Vitruvian system of rational proportions.[23] Pacioli also saw Catholic religious significance in the ratio, which led to his work's title. 16th-century mathematicians such as Rafael Bombelli solved geometric problems using the ratio.[24]

German mathematician Simon Jacob (d. 1564) noted that consecutive Fibonacci numbers converge to the golden ratio;[25] this was rediscovered by Johannes Kepler in 1608.[26] The first known decimal approximation of the (inverse) golden ratio was stated as "about  " in 1597 by Michael Maestlin of the University of Tübingen in a letter to Kepler, his former student.[27] The same year, Kepler wrote to Maestlin of the Kepler triangle, which combines the golden ratio with the Pythagorean theorem. Kepler said of these:

Geometry has two great treasures: one is the theorem of Pythagoras, the other the division of a line into extreme and mean ratio. The first we may compare to a mass of gold, the second we may call a precious jewel.[28]

18th-century mathematicians Abraham de Moivre, Nicolaus I Bernoulli, and Leonhard Euler used a golden ratio-based formula which finds the value of a Fibonacci number based on its placement in the sequence; in 1843, this was rediscovered by Jacques Philippe Marie Binet, for whom it was named "Binet's formula".[29] Martin Ohm first used the German term goldener Schnitt ('golden section') to describe the ratio in 1835.[30] James Sully used the equivalent English term in 1875.[31]

By 1910, inventor Mark Barr began using the Greek letter Phi ( ) as a symbol for the golden ratio.[32][e] It has also been represented by tau ( ), the first letter of the ancient Greek τομή ('cut' or 'section').[35]

 
Dan Shechtman demonstrates quasicrystals at the NIST in 1985 using a Zometoy model.

The zome construction system, developed by Steve Baer in the late 1960s, is based on the symmetry system of the icosahedron/dodecahedron, and uses the golden ratio ubiquitously. Between 1973 and 1974, Roger Penrose developed Penrose tiling, a pattern related to the golden ratio both in the ratio of areas of its two rhombic tiles and in their relative frequency within the pattern.[36] This gained in interest after Dan Shechtman's Nobel-winning 1982 discovery of quasicrystals with icosahedral symmetry, which were soon afterward explained through analogies to the Penrose tiling.[37]

Mathematics

Irrationality

The golden ratio is an irrational number. Below are two short proofs of irrationality:

Contradiction from an expression in lowest terms

 
If   were rational, then it would be the ratio of sides of a rectangle with integer sides (the rectangle comprising the entire diagram). But it would also be a ratio of integer sides of the smaller rectangle (the rightmost portion of the diagram) obtained by deleting a square. The sequence of decreasing integer side lengths formed by deleting squares cannot be continued indefinitely because the positive integers have a lower bound, so   cannot be rational.

Recall that:

the whole is the longer part plus the shorter part;
the whole is to the longer part as the longer part is to the shorter part.

If we call the whole   and the longer part   then the second statement above becomes

  is to   as   is to  

To say that the golden ratio   is rational means that   is a fraction   where   and   are integers. We may take   to be in lowest terms and   and   to be positive. But if   is in lowest terms, then the equally valued   is in still lower terms. That is a contradiction that follows from the assumption that   is rational.

By irrationality of 5

Another short proof – perhaps more commonly known – of the irrationality of the golden ratio makes use of the closure of rational numbers under addition and multiplication. If   is rational, then   is also rational, which is a contradiction if it is already known that the square root of all non-square natural numbers are irrational.

Minimal polynomial

 
The golden ratio   and its negative reciprocal   are the two roots of the quadratic polynomial  . The golden ratio's negative   and reciprocal   are the two roots of the quadratic polynomial  .

The golden ratio is also an algebraic number and even an algebraic integer. It has minimal polynomial

 

This quadratic polynomial has two roots,   and  

The golden ratio is also closely related to the polynomial

 

which has roots   and   As the root of a quadratic polynomial, the golden ratio is a constructible number.[38]

Golden ratio conjugate and powers

The conjugate root to the minimal polynomial   is

 

The absolute value of this quantity ( ) corresponds to the length ratio taken in reverse order (shorter segment length over longer segment length,  ).

This illustrates the unique property of the golden ratio among positive numbers, that

 

or its inverse:

 

The conjugate and the defining quadratic polynomial relationship lead to decimal values that have their fractional part in common with  :

 

The sequence of powers of   contains these values         more generally, any power of   is equal to the sum of the two immediately preceding powers:

 

As a result, one can easily decompose any power of   into a multiple of   and a constant. The multiple and the constant are always adjacent Fibonacci numbers. This leads to another property of the positive powers of  :

If   then:

 

Continued fraction and square root

 
Approximations to the reciprocal golden ratio by finite continued fractions, or ratios of Fibonacci numbers

The formula   can be expanded recursively to obtain a continued fraction for the golden ratio:[39]

 

It is in fact the simplest form of a continued fraction, alongside its reciprocal form:

 

The convergents of these continued fractions (              ... or             ...) are ratios of successive Fibonacci numbers. The consistently small terms in its continued fraction explain why the approximants converge so slowly. This makes the golden ratio an extreme case of the Hurwitz inequality for Diophantine approximations, which states that for every irrational  , there are infinitely many distinct fractions   such that,

 

This means that the constant   cannot be improved without excluding the golden ratio. It is, in fact, the smallest number that must be excluded to generate closer approximations of such Lagrange numbers.[40]

A continued square root form for   can be obtained from  , yielding:

 

Relationship to Fibonacci and Lucas numbers

 
 
A Fibonacci spiral (top) which approximates the golden spiral, using Fibonacci sequence square sizes up to   A golden spiral is also generated (bottom) from stacking squares whose lengths of sides are numbers belonging to the sequence of Lucas numbers, here up to  

Fibonacci numbers and Lucas numbers have an intricate relationship with the golden ratio. In the Fibonacci sequence, each number is equal to the sum of the preceding two, starting with the base sequence  :

                         (OEISA000045).

The sequence of Lucas numbers (not to be confused with the generalized Lucas sequences, of which this is part) is like the Fibonacci sequence, in-which each term is the sum of the previous two, however instead starts with  :

                         (OEISA000032).

Exceptionally, the golden ratio is equal to the limit of the ratios of successive terms in the Fibonacci sequence and sequence of Lucas numbers:[41]

 

In other words, if a Fibonacci and Lucas number is divided by its immediate predecessor in the sequence, the quotient approximates  .

For example,   and  

These approximations are alternately lower and higher than   and converge to   as the Fibonacci and Lucas numbers increase.

Closed-form expressions for the Fibonacci and Lucas sequences that involve the golden ratio are:

 
 

Combining both formulas above, one obtains a formula for   that involves both Fibonacci and Lucas numbers:

 

Between Fibonacci and Lucas numbers one can deduce   which simplifies to express the limit of the quotient of Lucas numbers by Fibonacci numbers as equal to the square root of five:

 

Indeed, much stronger statements are true:

 ,
 .

These values describe   as a fundamental unit of the algebraic number field  .

Successive powers of the golden ratio obey the Fibonacci recurrence, i.e.  

The reduction to a linear expression can be accomplished in one step by using:

 

This identity allows any polynomial in   to be reduced to a linear expression, as in:

 

Consecutive Fibonacci numbers can also be used to obtain a similar formula for the golden ratio, here by infinite summation:

 

In particular, the powers of   themselves round to Lucas numbers (in order, except for the first two powers,   and  , are in reverse order):

 

and so forth.[42] The Lucas numbers also directly generate powers of the golden ratio; for  :

 

Rooted in their interconnecting relationship with the golden ratio is the notion that the sum of third consecutive Fibonacci numbers equals a Lucas number, that is  ; and, importantly, that  .

Both the Fibonacci sequence and the sequence of Lucas numbers can be used to generate approximate forms of the golden spiral (which is a special form of a logarithmic spiral) using quarter-circles with radii from these sequences, differing only slightly from the true golden logarithmic spiral. Fibonacci spiral is generally the term used for spirals that approximate golden spirals using Fibonacci number-sequenced squares and quarter-circles.

Geometry

The golden ratio features prominently in geometry. For example, it is intrinsically involved in the internal symmetry of the pentagon, and extends to form part of the coordinates of the vertices of a regular dodecahedron, as well as those of a 5-cell. It features in the Kepler triangle and Penrose tilings too, as well as in various other polytopes.

Construction

 
 
Dividing a line segment by interior division (top) and exterior division (bottom) according to the golden ratio.

Dividing by interior division

  1. Having a line segment   construct a perpendicular   at point   with   half the length of   Draw the hypotenuse  
  2. Draw an arc with center   and radius   This arc intersects the hypotenuse   at point  
  3. Draw an arc with center   and radius   This arc intersects the original line segment   at point   Point   divides the original line segment   into line segments   and   with lengths in the golden ratio.

Dividing by exterior division

  1. Draw a line segment   and construct off the point   a segment   perpendicular to   and with the same length as  
  2. Do bisect the line segment   with  
  3. A circular arc around   with radius   intersects in point   the straight line through points   and   (also known as the extension of  ). The ratio of   to the constructed segment   is the golden ratio.

Application examples you can see in the articles Pentagon with a given side length, Decagon with given circumcircle and Decagon with a given side length.

Both of the above displayed different algorithms produce geometric constructions that determine two aligned line segments where the ratio of the longer one to the shorter one is the golden ratio.

Golden angle

 
 

When two angles that make a full circle have measures in the golden ratio, the smaller is called the golden angle, with measure  

 

This angle occurs in patterns of plant growth as the optimal spacing of leaf shoots around plant stems so that successive leaves do not block sunlight from the leaves below them.[43]

Golden spiral

 
A golden logarithmic spiral swirls around a golden triangle, touching its three vertices, moving inwardly inside similar fractal golden triangles.

Logarithmic spirals are self-similar spirals where distances covered per turn are in geometric progression. Importantly, isosceles golden triangles can be encased by a golden logarithmic spiral, such that successive turns of a spiral generate new golden triangles inside. This special case of logarithmic spirals is called the golden spiral, and it exhibits continuous growth in golden ratio. That is, for every   turn, there is a growth factor of  . As mentioned above, these golden spirals can be approximated by quarter-circles generated from Fibonacci and Lucas number-sized squares that are tiled together. In their exact form, they can be described by the polar equation with  :

 

As with any logarithmic spiral, for   with   at right angles:

 

Its polar slope   can be calculated using   alongside   from above,

 

It has a complementary angle,  :

 

Golden spirals can be symmetrically placed inside pentagons and pentagrams as well, such that fractal copies of the underlying geometry are reproduced at all scales.

In triangles, quadrilaterals, and pentagons

Odom's construction
 
Odom's construction:  

George Odom found a construction for   involving an equilateral triangle: if an equilateral triangle is inscribed in a circle and the line segment joining the midpoints of two sides is produced to intersect the circle in either of two points, then these three points are in golden proportion.[44]

Kepler triangle
 
A Kepler triangle has sides shared by squares that have areas in geometric progression:  .

The Kepler triangle, named after Johannes Kepler, is the unique right triangle with sides in geometric progression:

 .

The Kepler triangle can also be understood as the right triangle formed by three squares whose areas are also in golden geometric progression  .

Fittingly, the Pythagorean means for   are precisely  ,  , and  . It is from these ratios that we are able to geometrically express the fundamental defining quadratic polynomial for   with the Pythagorean theorem; that is,  .

The inradius of an isosceles triangle is greatest when the triangle is composed of two mirror Kepler triangles, such that their bases lie on the same line.[45] Also, the isosceles triangle of given perimeter with the largest possible semicircle is one from two mirrored Kepler triangles.[46]

For a Kepler triangle with smallest side length  , the area and acute internal angles are:

 
Golden triangle and golden gnomon
 
A golden triangle subdivided by an angle bisector into a smaller golden triangle and a golden gnomon

The golden triangle or sublime triangle is a acute isosceles triangle with apex angle 36° and base angles 72°.[47] Its two equal sides are in the golden ratio to its base. Another isosceles triangle, obtuse, with apex angle 108° and base angle 36°, is called the golden gnomon. The golden ratio is both the ratio of side length to base in the golden triangle, and the ratio of base to side length in the golden gnomon.[48]

Bisecting one of the base angles of the golden triangle subdivides it into a smaller golden triangle and a golden gnomon. Analogously, any acute isosceles triangle can be subdivided into a similar triangle and an obtuse isosceles triangle, but the golden triangle is the only one for which this subdivision is made by the angle bisector, because it is the only isosceles triangle whose base angle is twice its apex angle. The angle bisector of the golden triangle subdivides the side that it meets in the golden ratio, and the areas of the two subdivided pieces are also in the golden ratio.[48] Golden triangles that are decomposed further like this into pairs of isosceles and obtuse golden triangles are known as Robinson triangles.[49][50]

If the apex angle of the golden gnomon is trisected, the trisector again subdivides it into a smaller golden gnomon and a golden triangle. The trisector subdivides the base in the golden ratio, and the two pieces have areas in the golden ratio. Analogously, any obtuse triangle can be subdivided into a similar triangle and an acute isosceles triangle, but the golden gnomon is the only one for which this subdivision is made by the angle trisector, because it is the only isosceles triangle whose apex angle is three times its base angle.[48]

The triangles formed by two sides and a diagonal of a regular pentagon are golden gnomons; the pentagon can be subdivided in this way into two golden gnomons and a central golden triangle. The five points of a regular pentagram are golden triangles,[48] as are the ten triangles formed by connecting the vertices of a regular decagon to its center point.[51]

Golden rectangle
 
To construct a golden rectangle with only a straightedge and compass in four simple steps:
Draw a square.
Draw a line from the midpoint of one side of the square to an opposite corner.
Use that line as the radius to draw an arc that defines the height of the rectangle.
Complete the golden rectangle.

The golden ratio proportions the adjacent side lengths of a golden rectangle in   ratio.[52] Stacking golden rectangles produces golden rectangles anew, and removing or adding squares from golden rectangles leaves rectangles still proportioned in   ratio. They can be generated by golden spirals, through successive Fibonacci and Lucas number-sized squares and quarter circles. They feature prominently in the icosahedron as well as in the dodecahedron (see section below for more detail).[53]

Golden rhombus

A golden rhombus is a rhombus whose diagonals are in proportion to the golden ratio, most commonly  .[54] For a rhombus of such proportions, its acute angle and obtuse angles are:

 

The lengths of its short and long diagonals   and  , in terms of side length   are:

 

Its area, in terms of  ,and  :

 

Its inradius, in terms of side  :

 

Golden rhombi feature in the rhombic triacontahedron (see section below). They also are found in the golden rhombohedron, the Bilinski dodecahedron,[55] and the rhombic hexecontahedron.[54]

Pentagon and pentagram
 
A pentagram colored to distinguish its line segments of different lengths. The four lengths are in golden ratio to one another.

In a regular pentagon the ratio of a diagonal to a side is the golden ratio, while intersecting diagonals section each other in the golden ratio. The golden ratio properties of a regular pentagon can be confirmed by applying Ptolemy's theorem to the quadrilateral formed by removing one of its vertices. If the quadrilateral's long edge and diagonals are   and short edges are   then Ptolemy's theorem gives   which yields,

 

The diagonal segments of a pentagon form a pentagram, or five-pointed star polygon, whose geometry is quintessentially described by  . Primarily, each intersection of edges sections other edges in the golden ratio. The ratio of the length of the shorter segment to the segment bounded by the two intersecting edges (that is, a side of the inverted pentagon in the pentagram's center) is   as the four-color illustration shows.

Pentagonal and pentagrammic geometry permits us to calculate the following values for  :

 
Penrose tilings
 
The kite and dart tiles of the Penrose tiling. The colored arcs divide each edge in the golden ratio; when two tiles share an edge, their arcs must match.

The golden ratio appears prominently in the Penrose tiling, a family of aperiodic tilings of the plane developed by Roger Penrose, inspired by Johannes Kepler's remark that pentagrams, decagons, and other shapes could fill gaps that pentagonal shapes alone leave when tiled together.[49] Several variations of this tiling have been studied, all of whose prototiles exhibit the golden ratio:

  • Penrose's original version of this tiling used four shapes: regular pentagons and pentagrams, "boat" figures with three points of a pentagram, and "diamond" shaped rhombi.[56]
  • The kite and dart Penrose tiling uses kites with three interior angles of 72° and one interior angle of 144°, and darts, concave quadrilaterals with two interior angles of 36°, one of 72°, and one non-convex angle of 216°. Special matching rules restrict how the tiles can meet at any edge, resulting in seven combinations of tiles at any vertex. Both the kites and darts have sides of two lengths, in the golden ratio to each other. The areas of these two tile shapes are also in the golden ratio to each other.[49]
  • The rhombic Penrose tiling contains two types of rhombus, a thin rhombus with angles of 36° and 144°, and a thick rhombus with angles of 72° and 108°. Again, these rhombi can be decomposed into golden Robinson triangles. All side lengths are equal, but the ratio of the length of sides to the short diagonal in the thin rhombus equals  , as does the ratio of the sides of to the long diagonal of the thick rhombus. As with the kite and dart tiling, the areas of these two tiles are in the golden ratio to each other.[49]
 
Original four-tile Penrose tiling
 
Rhombic Penrose tiling

In the dodecahedron and icosahedron

 
Cartesian coordinates of the dodecahedron :
(±1, ±1, ±1)
(0, ±φ, ±1/φ)
1/φ, 0, ±φ)
φ, ±1/φ, 0)
A nested cube inside the dodecahedron is represented with dotted lines.

The regular dodecahedron and its dual polyhedron the icosahedron are Platonic solids whose dimensions are related to the golden ratio. An icosahedron is made of   regular pentagonal faces, whereas the icosahedron is made of   equilateral triangles; both with   edges.[57]

For a dodecahedron of side  , the radius of a circumscribed and inscribed sphere, and midradius are ( ,   and  , respectively):

 ,  , and  .

While for an icosahedron of side  , the radius of a circumscribed and inscribed sphere, and midradius are:

 ,  , and  .

The volume and surface area of the dodecahedron can be expressed in terms of  :

  and  .

As well as for the icosahedron:

  and  
 
Three golden rectangles touch all of the   vertices of a regular icosahedron.

These geometric values can be calculated from their Cartesian coordinates, which also can be given using formulas involving  . The coordinates of the dodecahedron are displayed on the figure above, while those of the icosahedron are the cyclic permutations of:

 ,  ,  

Sets of three golden rectangles intersect perpendicularly inside dodecahedra and icosahedra, forming Borromean rings.[58][53] In dodecahedra, pairs of opposing vertices in golden rectangles meet the centers of pentagonal faces, and in icosahedra, they meet at its vertices. In all, the three golden rectangles contain   vertices of the icosahedron, or equivalently, intersect the centers of   of the dodecahedron's faces.[57]

A cube can be inscribed in a regular dodecahedron, with some of the diagonals of the pentagonal faces of the dodecahedron serving as the cube's edges; therefore, the edge lengths are in the golden ratio. The cube's volume is   times that of the dodecahedron's.[59] In fact, golden rectangles inside a dodecahedron are in golden proportions to an inscribed cube, such that edges of a cube and the long edges of a golden rectangle are themselves in   ratio. On the other hand, the octahedron, which is the dual polyhedron of the cube, can inscribe an icosahedron, such that an icosahedron's   vertices touch the   edges of an octahedron at points that divide its edges in golden ratio.[60]

Other polyhedra are related to the dodecahedron and icosahedron or their symmetries, and therefore have corresponding relations to the golden ratio. These include the compound of five cubes, compound of five octahedra, compound of five tetrahedra, the compound of ten tetrahedra, rhombic triacontahedron, icosidodecahedron, truncated icosahedron, truncated dodecahedron, and rhombicosidodecahedron, rhombic enneacontahedron, and Kepler-Poinsot polyhedra, and rhombic hexecontahedron. In four dimensions, the dodecahedron and icosahedron appear as faces of the 120-cell and 600-cell, which again have dimensions related to the golden ratio.

Other properties

The golden ratio's decimal expansion can be calculated via root-finding methods, such as Newton's method or Halley's method, on the equation   or on   (to compute   first). The time needed to compute   digits of the golden ratio using Newton's method is essentially  , where   is the time complexity of multiplying two  -digit numbers.[61] This is considerably faster than known algorithms for   and  . An easily programmed alternative using only integer arithmetic is to calculate two large consecutive Fibonacci numbers and divide them. The ratio of Fibonacci numbers   and   each over   digits, yields over   significant digits of the golden ratio. The decimal expansion of the golden ratio  [1] has been calculated to an accuracy of ten trillion ( ) digits.[62]

The golden ratio and inverse golden ratio   have a set of symmetries that preserve and interrelate them. They are both preserved by the fractional linear transformations   – this fact corresponds to the identity and the definition quadratic equation. Further, they are interchanged by the three maps   – they are reciprocals, symmetric about   and (projectively) symmetric about   More deeply, these maps form a subgroup of the modular group   isomorphic to the symmetric group on   letters,   corresponding to the stabilizer of the set   of   standard points on the projective line, and the symmetries correspond to the quotient map   – the subgroup   consisting of the identity and the  -cycles, in cycle notation   fixes the two numbers, while the  -cycles   interchange these, thus realizing the map.

In the complex plane, the fifth roots of unity   (for an integer  ) satisfying   are the vertices of a pentagon. They do not form a ring of quadratic integers, however the sum of any fifth root of unity and its complex conjugate,   is a quadratic integer, an element of   Specifically,

 

This also holds for the remaining tenth roots of unity satisfying  

 

For the gamma function  , the only solutions to the equation   are   and  .

When the golden ratio is used as the base of a numeral system (see golden ratio base, sometimes dubbed phinary or  -nary), quadratic integers in the ring   – that is, numbers of the form   for   – have terminating representations, but rational fractions have non-terminating representations.

The golden ratio also appears in hyperbolic geometry, as the maximum distance from a point on one side of an ideal triangle to the closer of the other two sides: this distance, the side length of the equilateral triangle formed by the points of tangency of a circle inscribed within the ideal triangle, is  [63]

The golden ratio appears in the theory of modular functions as well. For  , let

 

Then

 

and

 

where

golden, ratio, other, uses, disambiguation, golden, number, disambiguation, mathematics, quantities, golden, ratio, their, ratio, same, ratio, their, larger, quantities, expressed, algebraically, quantities, displaystyle, displaystyle, with, displaystyle, line. For other uses see Golden ratio disambiguation and Golden number disambiguation In mathematics two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities Expressed algebraically for quantities a displaystyle a and b displaystyle b with a gt b gt 0 displaystyle a gt b gt 0 Golden ratioLine segments in the golden ratioRepresentationsDecimal1 618033 988 749 894 1 Algebraic form1 5 2 displaystyle frac 1 sqrt 5 2 Continued fraction1 1 1 1 1 1 1 1 1 displaystyle 1 cfrac 1 1 cfrac 1 1 cfrac 1 1 cfrac 1 1 ddots Binary1 10011110 0011 0111 0111 Hexadecimal1 9E3779B9 7F4A 7C15 A golden rectangle with long side a and short side b shaded red right and a square with sides of length a shaded blue left combine to form a similar golden rectangle with long side a b and short side a This illustrates the relationship a b a a b f displaystyle frac a b a frac a b equiv varphi a b a a b f displaystyle frac a b a frac a b varphi where the Greek letter phi f displaystyle varphi or ϕ displaystyle phi denotes the golden ratio a The constant f displaystyle varphi satisfies the quadratic equation f 2 f 1 displaystyle varphi 2 varphi 1 and is an irrational number with a value of 1 f 1 5 2 displaystyle varphi frac 1 sqrt 5 2 1 618033 988 749 The golden ratio was called the extreme and mean ratio by Euclid 2 and the divine proportion by Luca Pacioli 3 and also goes by several other names b Mathematicians have studied the golden ratio s properties since antiquity It is the ratio of a regular pentagon s diagonal to its side and thus appears in the construction of the dodecahedron and icosahedron 7 A golden rectangle that is a rectangle with an aspect ratio of f displaystyle varphi may be cut into a square and a smaller rectangle with the same aspect ratio The golden ratio has been used to analyze the proportions of natural objects and artificial systems such as financial markets in some cases based on dubious fits to data 8 The golden ratio appears in some patterns in nature including the spiral arrangement of leaves and other parts of vegetation Some 20th century artists and architects including Le Corbusier and Salvador Dali have proportioned their works to approximate the golden ratio believing it to be aesthetically pleasing These uses often appear in the form of a golden rectangle Contents 1 Calculation 2 History 3 Mathematics 3 1 Irrationality 3 1 1 Contradiction from an expression in lowest terms 3 1 2 By irrationality of 5 3 2 Minimal polynomial 3 3 Golden ratio conjugate and powers 3 4 Continued fraction and square root 3 5 Relationship to Fibonacci and Lucas numbers 3 6 Geometry 3 6 1 Construction 3 6 2 Golden angle 3 6 3 Golden spiral 3 6 4 In triangles quadrilaterals and pentagons 3 6 4 1 Odom s construction 3 6 4 2 Kepler triangle 3 6 4 3 Golden triangle and golden gnomon 3 6 4 4 Golden rectangle 3 6 4 5 Golden rhombus 3 6 4 6 Pentagon and pentagram 3 6 4 7 Penrose tilings 3 6 5 In the dodecahedron and icosahedron 3 7 Other properties 4 Applications and observations 4 1 Architecture 4 2 Art 4 3 Books and design 4 4 Flags 4 5 Music 4 6 Nature 4 7 Physics 4 8 Optimization 5 Disputed observations 5 1 Egyptian pyramids 5 2 The Parthenon 5 3 Modern art 6 See also 7 References 7 1 Explanatory footnotes 7 2 Citations 7 3 Works cited 8 Further reading 9 External linksCalculationTwo quantities a displaystyle a and b displaystyle b are in the golden ratio f displaystyle varphi if 9 a b a a b f displaystyle frac a b a frac a b varphi One method for finding f displaystyle varphi s closed form starts with the left fraction Simplifying the fraction and substituting the reciprocal b a 1 f displaystyle b a 1 varphi a b a a a b a 1 b a 1 1 f displaystyle frac a b a frac a a frac b a 1 frac b a 1 frac 1 varphi Therefore 1 1 f f displaystyle 1 frac 1 varphi varphi Multiplying by f displaystyle varphi gives f 1 f 2 displaystyle varphi 1 varphi 2 which can be rearranged to f 2 f 1 0 displaystyle varphi 2 varphi 1 0 The quadratic formula yields two solutions 1 5 2 1 618033 displaystyle frac 1 sqrt 5 2 1 618033 dots and 1 5 2 0 618033 displaystyle frac 1 sqrt 5 2 0 618033 dots Because f displaystyle varphi is a ratio between positive quantities f displaystyle varphi is necessarily the positive root 10 The negative root is in fact the negative inverse 1 f displaystyle frac 1 varphi which shares many properties with the golden ratio HistorySee also Mathematics and art and Fibonacci number History According to Mario Livio Some of the greatest mathematical minds of all ages from Pythagoras and Euclid in ancient Greece through the medieval Italian mathematician Leonardo of Pisa and the Renaissance astronomer Johannes Kepler to present day scientific figures such as Oxford physicist Roger Penrose have spent endless hours over this simple ratio and its properties Biologists artists musicians historians architects psychologists and even mystics have pondered and debated the basis of its ubiquity and appeal In fact it is probably fair to say that the Golden Ratio has inspired thinkers of all disciplines like no other number in the history of mathematics 11 The Golden Ratio The Story of Phi the World s Most Astonishing Number Ancient Greek mathematicians first studied the golden ratio because of its frequent appearance in geometry 12 the division of a line into extreme and mean ratio the golden section is important in the geometry of regular pentagrams and pentagons 13 According to one story 5th century BC mathematician Hippasus discovered that the golden ratio was neither a whole number nor a fraction an irrational number surprising Pythagoreans 14 Euclid s Elements c 300 BC provides several propositions and their proofs employing the golden ratio 15 c and contains its first known definition which proceeds as follows 16 A straight line is said to have been cut in extreme and mean ratio when as the whole line is to the greater segment so is the greater to the lesser 17 d Michael Maestlin the first to write a decimal approximation of the ratio The golden ratio was studied peripherally over the next millennium Abu Kamil c 850 930 employed it in his geometric calculations of pentagons and decagons his writings influenced that of Fibonacci Leonardo of Pisa c 1170 1250 who used the ratio in related geometry problems but did not observe that it was connected to the Fibonacci numbers 19 Luca Pacioli named his book Divina proportione 1509 after the ratio the book largely plagiarized from Piero della Francesca explored its properties including its appearance in some of the Platonic solids 20 21 Leonardo da Vinci who illustrated Pacioli s book called the ratio the sectio aurea golden section 22 Though it is often said that Pacioli advocated the golden ratio s application to yield pleasing harmonious proportions Livio points out that the interpretation has been traced to an error in 1799 and that Pacioli actually advocated the Vitruvian system of rational proportions 23 Pacioli also saw Catholic religious significance in the ratio which led to his work s title 16th century mathematicians such as Rafael Bombelli solved geometric problems using the ratio 24 German mathematician Simon Jacob d 1564 noted that consecutive Fibonacci numbers converge to the golden ratio 25 this was rediscovered by Johannes Kepler in 1608 26 The first known decimal approximation of the inverse golden ratio was stated as about 0 6180340 displaystyle 0 6180340 in 1597 by Michael Maestlin of the University of Tubingen in a letter to Kepler his former student 27 The same year Kepler wrote to Maestlin of the Kepler triangle which combines the golden ratio with the Pythagorean theorem Kepler said of these Geometry has two great treasures one is the theorem of Pythagoras the other the division of a line into extreme and mean ratio The first we may compare to a mass of gold the second we may call a precious jewel 28 18th century mathematicians Abraham de Moivre Nicolaus I Bernoulli and Leonhard Euler used a golden ratio based formula which finds the value of a Fibonacci number based on its placement in the sequence in 1843 this was rediscovered by Jacques Philippe Marie Binet for whom it was named Binet s formula 29 Martin Ohm first used the German term goldener Schnitt golden section to describe the ratio in 1835 30 James Sully used the equivalent English term in 1875 31 By 1910 inventor Mark Barr began using the Greek letter Phi f displaystyle boldsymbol varphi as a symbol for the golden ratio 32 e It has also been represented by tau t displaystyle boldsymbol tau the first letter of the ancient Greek tomh cut or section 35 Dan Shechtman demonstrates quasicrystals at the NIST in 1985 using a Zometoy model The zome construction system developed by Steve Baer in the late 1960s is based on the symmetry system of the icosahedron dodecahedron and uses the golden ratio ubiquitously Between 1973 and 1974 Roger Penrose developed Penrose tiling a pattern related to the golden ratio both in the ratio of areas of its two rhombic tiles and in their relative frequency within the pattern 36 This gained in interest after Dan Shechtman s Nobel winning 1982 discovery of quasicrystals with icosahedral symmetry which were soon afterward explained through analogies to the Penrose tiling 37 MathematicsIrrationality The golden ratio is an irrational number Below are two short proofs of irrationality Contradiction from an expression in lowest terms If f displaystyle varphi were rational then it would be the ratio of sides of a rectangle with integer sides the rectangle comprising the entire diagram But it would also be a ratio of integer sides of the smaller rectangle the rightmost portion of the diagram obtained by deleting a square The sequence of decreasing integer side lengths formed by deleting squares cannot be continued indefinitely because the positive integers have a lower bound so f displaystyle varphi cannot be rational Recall that the whole is the longer part plus the shorter part the whole is to the longer part as the longer part is to the shorter part If we call the whole n displaystyle n and the longer part m displaystyle m then the second statement above becomes n displaystyle n is to m displaystyle m as m displaystyle m is to n m displaystyle n m To say that the golden ratio f displaystyle varphi is rational means that f displaystyle varphi is a fraction n m displaystyle n m where n displaystyle n and m displaystyle m are integers We may take n m displaystyle n m to be in lowest terms and n displaystyle n and m displaystyle m to be positive But if n m displaystyle n m is in lowest terms then the equally valued m n m displaystyle m n m is in still lower terms That is a contradiction that follows from the assumption that f displaystyle varphi is rational By irrationality of 5 Another short proof perhaps more commonly known of the irrationality of the golden ratio makes use of the closure of rational numbers under addition and multiplication If f 1 2 1 5 displaystyle varphi tfrac 1 2 1 sqrt 5 is rational then 2 f 1 5 displaystyle 2 varphi 1 sqrt 5 is also rational which is a contradiction if it is already known that the square root of all non square natural numbers are irrational Minimal polynomial The golden ratio f displaystyle varphi and its negative reciprocal f 1 displaystyle varphi 1 are the two roots of the quadratic polynomial x 2 x 1 displaystyle x 2 x 1 The golden ratio s negative f displaystyle varphi and reciprocal f 1 displaystyle varphi 1 are the two roots of the quadratic polynomial x 2 x 1 displaystyle x 2 x 1 The golden ratio is also an algebraic number and even an algebraic integer It has minimal polynomial x 2 x 1 displaystyle x 2 x 1 This quadratic polynomial has two roots f displaystyle varphi and f 1 displaystyle varphi 1 The golden ratio is also closely related to the polynomial x 2 x 1 displaystyle x 2 x 1 which has roots f displaystyle varphi and f 1 displaystyle varphi 1 As the root of a quadratic polynomial the golden ratio is a constructible number 38 Golden ratio conjugate and powers The conjugate root to the minimal polynomial x 2 x 1 displaystyle x 2 x 1 is 1 f 1 f 1 5 2 0 618033 displaystyle frac 1 varphi 1 varphi frac 1 sqrt 5 2 0 618033 dots The absolute value of this quantity 0 618 displaystyle 0 618 ldots corresponds to the length ratio taken in reverse order shorter segment length over longer segment length b a displaystyle b a This illustrates the unique property of the golden ratio among positive numbers that 1 f f 1 displaystyle frac 1 varphi varphi 1 or its inverse 1 1 f 1 f 1 displaystyle frac 1 1 varphi 1 varphi 1 The conjugate and the defining quadratic polynomial relationship lead to decimal values that have their fractional part in common with f displaystyle varphi f 2 f 1 2 618033 1 f f 1 0 618033 displaystyle begin aligned varphi 2 amp varphi 1 2 618033 dots 5mu frac 1 varphi amp varphi 1 0 618033 dots end aligned The sequence of powers of f displaystyle varphi contains these values 0 618033 displaystyle 0 618033 ldots 1 0 displaystyle 1 0 1 618033 displaystyle 1 618033 ldots 2 618033 displaystyle 2 618033 ldots more generally any power of f displaystyle varphi is equal to the sum of the two immediately preceding powers f n f n 1 f n 2 f F n F n 1 displaystyle varphi n varphi n 1 varphi n 2 varphi cdot operatorname F n operatorname F n 1 As a result one can easily decompose any power of f displaystyle varphi into a multiple of f displaystyle varphi and a constant The multiple and the constant are always adjacent Fibonacci numbers This leads to another property of the positive powers of f displaystyle varphi If n 2 1 m displaystyle lfloor n 2 1 rfloor m then f n f n 1 f n 3 f n 1 2 m f n 2 2 m f n f n 1 f n 2 displaystyle begin aligned varphi n amp varphi n 1 varphi n 3 cdots varphi n 1 2m varphi n 2 2m 5mu varphi n varphi n 1 amp varphi n 2 end aligned Continued fraction and square root See also Lucas number Continued fractions for powers of the golden ratio Approximations to the reciprocal golden ratio by finite continued fractions or ratios of Fibonacci numbers The formula f 1 1 f displaystyle varphi 1 1 varphi can be expanded recursively to obtain a continued fraction for the golden ratio 39 f 1 1 1 1 1 1 1 1 1 1 1 displaystyle varphi 1 1 1 1 dots 1 cfrac 1 1 cfrac 1 1 cfrac 1 1 ddots It is in fact the simplest form of a continued fraction alongside its reciprocal form f 1 0 1 1 1 0 1 1 1 1 1 1 displaystyle varphi 1 0 1 1 1 dots 0 cfrac 1 1 cfrac 1 1 cfrac 1 1 ddots The convergents of these continued fractions 1 1 displaystyle 1 1 2 1 displaystyle 2 1 2 1 displaystyle 2 1 3 2 displaystyle 3 2 5 3 displaystyle 5 3 8 5 displaystyle 8 5 13 8 displaystyle 13 8 or 1 1 displaystyle 1 1 1 2 displaystyle 1 2 2 3 displaystyle 2 3 3 5 displaystyle 3 5 5 8 displaystyle 5 8 8 13 displaystyle 8 13 are ratios of successive Fibonacci numbers The consistently small terms in its continued fraction explain why the approximants converge so slowly This makes the golden ratio an extreme case of the Hurwitz inequality for Diophantine approximations which states that for every irrational 3 displaystyle xi there are infinitely many distinct fractions p q displaystyle p q such that 3 p q lt 1 5 q 2 displaystyle left xi frac p q right lt frac 1 sqrt 5 q 2 This means that the constant 5 displaystyle sqrt 5 cannot be improved without excluding the golden ratio It is in fact the smallest number that must be excluded to generate closer approximations of such Lagrange numbers 40 A continued square root form for f displaystyle varphi can be obtained from f 2 1 f displaystyle varphi 2 1 varphi yielding f 1 1 1 displaystyle varphi sqrt 1 sqrt 1 sqrt 1 cdots Relationship to Fibonacci and Lucas numbers Further information Fibonacci number Relation to the golden ratio See also Lucas number Relationship to Fibonacci numbers A Fibonacci spiral top which approximates the golden spiral using Fibonacci sequence square sizes up to 21 displaystyle 21 A golden spiral is also generated bottom from stacking squares whose lengths of sides are numbers belonging to the sequence of Lucas numbers here up to 76 displaystyle 76 Fibonacci numbers and Lucas numbers have an intricate relationship with the golden ratio In the Fibonacci sequence each number is equal to the sum of the preceding two starting with the base sequence 0 1 displaystyle 0 1 0 displaystyle 0 1 displaystyle 1 1 displaystyle 1 2 displaystyle 2 3 displaystyle 3 5 displaystyle 5 8 displaystyle 8 13 displaystyle 13 21 displaystyle 21 34 displaystyle 34 55 displaystyle 55 89 displaystyle 89 displaystyle ldots OEIS A000045 The sequence of Lucas numbers not to be confused with the generalized Lucas sequences of which this is part is like the Fibonacci sequence in which each term is the sum of the previous two however instead starts with 2 1 displaystyle 2 1 2 displaystyle 2 1 displaystyle 1 3 displaystyle 3 4 displaystyle 4 7 displaystyle 7 11 displaystyle 11 18 displaystyle 18 29 displaystyle 29 47 displaystyle 47 76 displaystyle 76 123 displaystyle 123 199 displaystyle 199 displaystyle ldots OEIS A000032 Exceptionally the golden ratio is equal to the limit of the ratios of successive terms in the Fibonacci sequence and sequence of Lucas numbers 41 lim n F n 1 F n lim n L n 1 L n f displaystyle lim n to infty frac F n 1 F n lim n to infty frac L n 1 L n varphi In other words if a Fibonacci and Lucas number is divided by its immediate predecessor in the sequence the quotient approximates f displaystyle varphi For example F 16 F 15 987 610 1 6180327 displaystyle frac F 16 F 15 frac 987 610 1 6180327 ldots and L 16 L 15 2207 1364 1 6180351 displaystyle frac L 16 L 15 frac 2207 1364 1 6180351 ldots These approximations are alternately lower and higher than f displaystyle varphi and converge to f displaystyle varphi as the Fibonacci and Lucas numbers increase Closed form expressions for the Fibonacci and Lucas sequences that involve the golden ratio are F n f n 1 f n 5 f n f n 5 displaystyle F left n right varphi n 1 varphi n over sqrt 5 varphi n varphi n over sqrt 5 L n f n f n 1 5 2 n 1 5 2 n displaystyle L left n right varphi n varphi n left 1 sqrt 5 over 2 right n left 1 sqrt 5 over 2 right n Combining both formulas above one obtains a formula for f n displaystyle varphi n that involves both Fibonacci and Lucas numbers f n L n F n 5 2 displaystyle varphi n L n F n sqrt 5 over 2 Between Fibonacci and Lucas numbers one can deduce L 2 n 5 F n 2 2 1 n L n 2 2 1 n displaystyle L 2n 5F n 2 2 1 n L n 2 2 1 n which simplifies to express the limit of the quotient of Lucas numbers by Fibonacci numbers as equal to the square root of five lim n L n F n 5 displaystyle lim n to infty frac L n F n sqrt 5 Indeed much stronger statements are true L n 5 F n 2 f n 0 displaystyle vert L n sqrt 5 F n vert frac 2 varphi n to 0 L 3 n 2 2 5 F 3 n 2 2 1 n displaystyle L 3n 2 2 5 F 3n 2 2 1 n These values describe f displaystyle varphi as a fundamental unit of the algebraic number field Q 5 displaystyle mathbb Q sqrt 5 Successive powers of the golden ratio obey the Fibonacci recurrence i e f n 1 f n f n 1 displaystyle varphi n 1 varphi n varphi n 1 The reduction to a linear expression can be accomplished in one step by using f n F n f F n 1 displaystyle varphi n F n varphi F n 1 This identity allows any polynomial in f displaystyle varphi to be reduced to a linear expression as in 3 f 3 5 f 2 4 3 f 2 f 5 f 2 4 3 f 1 f 5 f 1 4 f 2 3 618033 displaystyle begin aligned 3 varphi 3 5 varphi 2 4 amp 3 varphi 2 varphi 5 varphi 2 4 5mu amp 3 varphi 1 varphi 5 varphi 1 4 5mu amp varphi 2 approx 3 618033 end aligned Consecutive Fibonacci numbers can also be used to obtain a similar formula for the golden ratio here by infinite summation n 1 F n f F n 1 f displaystyle sum n 1 infty F n varphi F n 1 varphi In particular the powers of f displaystyle varphi themselves round to Lucas numbers in order except for the first two powers f 0 displaystyle varphi 0 and f displaystyle varphi are in reverse order f 0 1 f 1 1 618033989 2 f 2 2 618033989 3 f 3 4 236067978 4 f 4 6 854101967 7 displaystyle begin aligned varphi 0 amp 1 5mu varphi 1 amp 1 618033989 approx 2 5mu varphi 2 amp 2 618033989 approx 3 5mu varphi 3 amp 4 236067978 approx 4 5mu varphi 4 amp 6 854101967 approx 7 end aligned and so forth 42 The Lucas numbers also directly generate powers of the golden ratio for n 2 displaystyle n geq 2 f n L n f n displaystyle varphi n L n varphi n Rooted in their interconnecting relationship with the golden ratio is the notion that the sum of third consecutive Fibonacci numbers equals a Lucas number that is L n F n 1 F n 1 displaystyle L n F n 1 F n 1 and importantly that L n F 2 n F n displaystyle L n frac F 2n F n Both the Fibonacci sequence and the sequence of Lucas numbers can be used to generate approximate forms of the golden spiral which is a special form of a logarithmic spiral using quarter circles with radii from these sequences differing only slightly from the true golden logarithmic spiral Fibonacci spiral is generally the term used for spirals that approximate golden spirals using Fibonacci number sequenced squares and quarter circles Geometry The golden ratio features prominently in geometry For example it is intrinsically involved in the internal symmetry of the pentagon and extends to form part of the coordinates of the vertices of a regular dodecahedron as well as those of a 5 cell It features in the Kepler triangle and Penrose tilings too as well as in various other polytopes Construction Dividing a line segment by interior division top and exterior division bottom according to the golden ratio Dividing by interior division Having a line segment A B displaystyle AB construct a perpendicular B C displaystyle BC at point B displaystyle B with B C displaystyle BC half the length of A B displaystyle AB Draw the hypotenuse A C displaystyle AC Draw an arc with center C displaystyle C and radius B C displaystyle BC This arc intersects the hypotenuse A C displaystyle AC at point D displaystyle D Draw an arc with center A displaystyle A and radius A D displaystyle AD This arc intersects the original line segment A B displaystyle AB at point S displaystyle S Point S displaystyle S divides the original line segment A B displaystyle AB into line segments A S displaystyle AS and S B displaystyle SB with lengths in the golden ratio Dividing by exterior division Draw a line segment A S displaystyle AS and construct off the point S displaystyle S a segment S C displaystyle SC perpendicular to A S displaystyle AS and with the same length as A S displaystyle AS Do bisect the line segment A S displaystyle AS with M displaystyle M A circular arc around M displaystyle M with radius M C displaystyle MC intersects in point B displaystyle B the straight line through points A displaystyle A and S displaystyle S also known as the extension of A S displaystyle AS The ratio of A S displaystyle AS to the constructed segment S B displaystyle SB is the golden ratio Application examples you can see in the articles Pentagon with a given side length Decagon with given circumcircle and Decagon with a given side length Both of the above displayed different algorithms produce geometric constructions that determine two aligned line segments where the ratio of the longer one to the shorter one is the golden ratio Golden angle Main article Golden angle g 137 508 displaystyle g approx 137 508 circ When two angles that make a full circle have measures in the golden ratio the smaller is called the golden angle with measure g textstyle g colon 2 p g g 2 p 2 p g f 2 p g 2 p f 222 5 g 2 p f 2 137 5 displaystyle begin aligned frac 2 pi g g amp frac 2 pi 2 pi g varphi 8mu 2 pi g amp frac 2 pi varphi approx 222 5 circ 8mu g amp frac 2 pi varphi 2 approx 137 5 circ end aligned This angle occurs in patterns of plant growth as the optimal spacing of leaf shoots around plant stems so that successive leaves do not block sunlight from the leaves below them 43 Golden spiral Main article Golden spiral A golden logarithmic spiral swirls around a golden triangle touching its three vertices moving inwardly inside similar fractal golden triangles Logarithmic spirals are self similar spirals where distances covered per turn are in geometric progression Importantly isosceles golden triangles can be encased by a golden logarithmic spiral such that successive turns of a spiral generate new golden triangles inside This special case of logarithmic spirals is called the golden spiral and it exhibits continuous growth in golden ratio That is for every 90 displaystyle 90 circ turn there is a growth factor of f displaystyle varphi As mentioned above these golden spirals can be approximated by quarter circles generated from Fibonacci and Lucas number sized squares that are tiled together In their exact form they can be described by the polar equation with r 8 displaystyle r theta r f 2 8 p displaystyle r varphi 2 theta pi As with any logarithmic spiral for r a e b 8 displaystyle r ae b theta with e b 8 r i g h t f displaystyle e b theta mathrm right varphi at right angles b ln f 8 r i g h t 0 0053468 0 3063489 rad displaystyle b ln varphi over theta mathrm right doteq 0 0053468 circ doteq 0 3063489 text rad Its polar slope a displaystyle alpha can be calculated using tan a b displaystyle tan alpha b alongside b displaystyle b from above a arctan b arctan ln f p 2 17 03239113 0 2972713047 rad displaystyle alpha arctan b arctan left ln varphi over pi 2 right doteq 17 03239113 circ doteq 0 2972713047 text rad It has a complementary angle b displaystyle beta b p 2 a 72 96760887 1 273525022 rad displaystyle beta pi 2 alpha doteq 72 96760887 circ doteq 1 273525022 text rad Golden spirals can be symmetrically placed inside pentagons and pentagrams as well such that fractal copies of the underlying geometry are reproduced at all scales In triangles quadrilaterals and pentagons Odom s construction Odom s construction A B B C A C A B f displaystyle tfrac AB BC tfrac AC AB varphi George Odom found a construction for f displaystyle varphi involving an equilateral triangle if an equilateral triangle is inscribed in a circle and the line segment joining the midpoints of two sides is produced to intersect the circle in either of two points then these three points are in golden proportion 44 Kepler triangle Main article Kepler triangle A Kepler triangle has sides shared by squares that have areas in geometric progression 1 f f 2 displaystyle 1 mathbin varphi mathbin varphi 2 The Kepler triangle named after Johannes Kepler is the unique right triangle with sides in geometric progression 1 f f displaystyle 1 mathbin sqrt varphi mathbin varphi The Kepler triangle can also be understood as the right triangle formed by three squares whose areas are also in golden geometric progression 1 f f 2 displaystyle 1 mathbin varphi mathbin varphi 2 Fittingly the Pythagorean means for f 1 displaystyle varphi pm 1 are precisely 1 displaystyle 1 f displaystyle varphi and f 2 displaystyle varphi 2 It is from these ratios that we are able to geometrically express the fundamental defining quadratic polynomial for f displaystyle varphi with the Pythagorean theorem that is f 2 f 1 displaystyle varphi 2 varphi 1 The inradius of an isosceles triangle is greatest when the triangle is composed of two mirror Kepler triangles such that their bases lie on the same line 45 Also the isosceles triangle of given perimeter with the largest possible semicircle is one from two mirrored Kepler triangles 46 For a Kepler triangle with smallest side length s displaystyle s the area and acute internal angles are A s 2 2 f 8 sin 1 1 f 38 1727 8 cos 1 1 f 51 8273 displaystyle begin aligned A amp tfrac s 2 2 sqrt varphi 5mu theta amp sin 1 frac 1 varphi approx 38 1727 circ 5mu theta amp cos 1 frac 1 varphi approx 51 8273 circ end aligned Golden triangle and golden gnomon Main article Golden triangle mathematics A golden triangle subdivided by an angle bisector into a smaller golden triangle and a golden gnomon The golden triangle or sublime triangle is a acute isosceles triangle with apex angle 36 and base angles 72 47 Its two equal sides are in the golden ratio to its base Another isosceles triangle obtuse with apex angle 108 and base angle 36 is called the golden gnomon The golden ratio is both the ratio of side length to base in the golden triangle and the ratio of base to side length in the golden gnomon 48 Bisecting one of the base angles of the golden triangle subdivides it into a smaller golden triangle and a golden gnomon Analogously any acute isosceles triangle can be subdivided into a similar triangle and an obtuse isosceles triangle but the golden triangle is the only one for which this subdivision is made by the angle bisector because it is the only isosceles triangle whose base angle is twice its apex angle The angle bisector of the golden triangle subdivides the side that it meets in the golden ratio and the areas of the two subdivided pieces are also in the golden ratio 48 Golden triangles that are decomposed further like this into pairs of isosceles and obtuse golden triangles are known as Robinson triangles 49 50 If the apex angle of the golden gnomon is trisected the trisector again subdivides it into a smaller golden gnomon and a golden triangle The trisector subdivides the base in the golden ratio and the two pieces have areas in the golden ratio Analogously any obtuse triangle can be subdivided into a similar triangle and an acute isosceles triangle but the golden gnomon is the only one for which this subdivision is made by the angle trisector because it is the only isosceles triangle whose apex angle is three times its base angle 48 The triangles formed by two sides and a diagonal of a regular pentagon are golden gnomons the pentagon can be subdivided in this way into two golden gnomons and a central golden triangle The five points of a regular pentagram are golden triangles 48 as are the ten triangles formed by connecting the vertices of a regular decagon to its center point 51 Golden rectangle Main article Golden rectangle To construct a golden rectangle with only a straightedge and compass in four simple steps Draw a square Draw a line from the midpoint of one side of the square to an opposite corner Use that line as the radius to draw an arc that defines the height of the rectangle Complete the golden rectangle The golden ratio proportions the adjacent side lengths of a golden rectangle in 1 f displaystyle 1 varphi ratio 52 Stacking golden rectangles produces golden rectangles anew and removing or adding squares from golden rectangles leaves rectangles still proportioned in f displaystyle varphi ratio They can be generated by golden spirals through successive Fibonacci and Lucas number sized squares and quarter circles They feature prominently in the icosahedron as well as in the dodecahedron see section below for more detail 53 Golden rhombus Main article Golden rhombus A golden rhombus is a rhombus whose diagonals are in proportion to the golden ratio most commonly 1 f displaystyle 1 varphi 54 For a rhombus of such proportions its acute angle and obtuse angles are a 2 arctan 1 f 63 43495 b 2 arctan f p arctan 2 arctan 1 arctan 3 116 56505 displaystyle begin aligned alpha amp 2 arctan 1 over varphi approx 63 43495 circ 5mu beta amp 2 arctan varphi pi arctan 2 arctan 1 arctan 3 approx 116 56505 circ end aligned The lengths of its short and long diagonals d displaystyle d and D displaystyle D in terms of side length a displaystyle a are d 2 a 2 f 2 3 f 5 a 1 05146 a D 2 2 f 5 a 1 70130 a displaystyle begin aligned d amp 2a over sqrt 2 varphi 2 sqrt 3 varphi over 5 a approx 1 05146a 5mu D amp 2 sqrt 2 varphi over 5 a approx 1 70130a end aligned Its area in terms of a displaystyle a and d displaystyle d A sin arctan 2 a 2 2 5 a 2 0 89443 a 2 A f 2 d 2 0 80902 d 2 displaystyle begin aligned A amp sin arctan 2 a 2 2 over sqrt 5 a 2 approx 0 89443a 2 5mu A amp varphi over 2 d 2 approx 0 80902d 2 end aligned Its inradius in terms of side a displaystyle a r a 5 displaystyle r frac a sqrt 5 Golden rhombi feature in the rhombic triacontahedron see section below They also are found in the golden rhombohedron the Bilinski dodecahedron 55 and the rhombic hexecontahedron 54 Pentagon and pentagram A pentagram colored to distinguish its line segments of different lengths The four lengths are in golden ratio to one another In a regular pentagon the ratio of a diagonal to a side is the golden ratio while intersecting diagonals section each other in the golden ratio The golden ratio properties of a regular pentagon can be confirmed by applying Ptolemy s theorem to the quadrilateral formed by removing one of its vertices If the quadrilateral s long edge and diagonals are b displaystyle b and short edges are a displaystyle a then Ptolemy s theorem gives b 2 a 2 a b displaystyle b 2 a 2 ab which yields b a 1 5 2 f displaystyle b over a 1 sqrt 5 over 2 varphi The diagonal segments of a pentagon form a pentagram or five pointed star polygon whose geometry is quintessentially described by f displaystyle varphi Primarily each intersection of edges sections other edges in the golden ratio The ratio of the length of the shorter segment to the segment bounded by the two intersecting edges that is a side of the inverted pentagon in the pentagram s center is f displaystyle varphi as the four color illustration shows Pentagonal and pentagrammic geometry permits us to calculate the following values for f displaystyle varphi f 1 2 sin p 10 1 2 sin 18 f 1 2 csc p 10 1 2 csc 18 f 2 cos p 5 2 cos 36 f 2 sin 3 p 10 2 sin 54 displaystyle begin aligned varphi amp 1 2 sin pi 10 1 2 sin 18 circ 5mu varphi amp tfrac 1 2 csc pi 10 tfrac 1 2 csc 18 circ 5mu varphi amp 2 cos pi 5 2 cos 36 circ 5mu varphi amp 2 sin 3 pi 10 2 sin 54 circ end aligned Penrose tilings Main article Penrose tiling The kite and dart tiles of the Penrose tiling The colored arcs divide each edge in the golden ratio when two tiles share an edge their arcs must match The golden ratio appears prominently in the Penrose tiling a family of aperiodic tilings of the plane developed by Roger Penrose inspired by Johannes Kepler s remark that pentagrams decagons and other shapes could fill gaps that pentagonal shapes alone leave when tiled together 49 Several variations of this tiling have been studied all of whose prototiles exhibit the golden ratio Penrose s original version of this tiling used four shapes regular pentagons and pentagrams boat figures with three points of a pentagram and diamond shaped rhombi 56 The kite and dart Penrose tiling uses kites with three interior angles of 72 and one interior angle of 144 and darts concave quadrilaterals with two interior angles of 36 one of 72 and one non convex angle of 216 Special matching rules restrict how the tiles can meet at any edge resulting in seven combinations of tiles at any vertex Both the kites and darts have sides of two lengths in the golden ratio to each other The areas of these two tile shapes are also in the golden ratio to each other 49 The rhombic Penrose tiling contains two types of rhombus a thin rhombus with angles of 36 and 144 and a thick rhombus with angles of 72 and 108 Again these rhombi can be decomposed into golden Robinson triangles All side lengths are equal but the ratio of the length of sides to the short diagonal in the thin rhombus equals 1 f displaystyle 1 varphi as does the ratio of the sides of to the long diagonal of the thick rhombus As with the kite and dart tiling the areas of these two tiles are in the golden ratio to each other 49 Original four tile Penrose tiling Rhombic Penrose tiling In the dodecahedron and icosahedron Cartesian coordinates of the dodecahedron 1 1 1 0 f 1 f 1 f 0 f f 1 f 0 A nested cube inside the dodecahedron is represented with dotted lines The regular dodecahedron and its dual polyhedron the icosahedron are Platonic solids whose dimensions are related to the golden ratio An icosahedron is made of 12 displaystyle 12 regular pentagonal faces whereas the icosahedron is made of 20 displaystyle 20 equilateral triangles both with 30 displaystyle 30 edges 57 For a dodecahedron of side a displaystyle a the radius of a circumscribed and inscribed sphere and midradius are r u displaystyle r u r i displaystyle r i and r m displaystyle r m respectively r u a 3 f 2 displaystyle r u a frac sqrt 3 varphi 2 r i a f 2 2 3 f displaystyle r i a frac varphi 2 2 sqrt 3 varphi and r m a f 2 2 displaystyle r m a frac varphi 2 2 While for an icosahedron of side a displaystyle a the radius of a circumscribed and inscribed sphere and midradius are r u a f 5 2 displaystyle r u a frac sqrt varphi sqrt 5 2 r i a f 2 2 3 displaystyle r i a frac varphi 2 2 sqrt 3 and r m a f 2 displaystyle r m a frac varphi 2 The volume and surface area of the dodecahedron can be expressed in terms of f displaystyle varphi A d 15 f 3 f displaystyle A d frac 15 varphi sqrt 3 varphi and V d 5 f 3 6 2 f displaystyle V d frac 5 varphi 3 6 2 varphi As well as for the icosahedron A i 20 f 2 2 displaystyle A i 20 frac varphi 2 2 and V i 5 6 1 f displaystyle V i frac 5 6 1 varphi Three golden rectangles touch all of the 12 displaystyle 12 vertices of a regular icosahedron These geometric values can be calculated from their Cartesian coordinates which also can be given using formulas involving f displaystyle varphi The coordinates of the dodecahedron are displayed on the figure above while those of the icosahedron are the cyclic permutations of 0 1 f displaystyle 0 pm 1 pm varphi 1 f 0 displaystyle pm 1 pm varphi 0 f 0 1 displaystyle pm varphi 0 pm 1 Sets of three golden rectangles intersect perpendicularly inside dodecahedra and icosahedra forming Borromean rings 58 53 In dodecahedra pairs of opposing vertices in golden rectangles meet the centers of pentagonal faces and in icosahedra they meet at its vertices In all the three golden rectangles contain 12 displaystyle 12 vertices of the icosahedron or equivalently intersect the centers of 12 displaystyle 12 of the dodecahedron s faces 57 A cube can be inscribed in a regular dodecahedron with some of the diagonals of the pentagonal faces of the dodecahedron serving as the cube s edges therefore the edge lengths are in the golden ratio The cube s volume is 2 2 f displaystyle tfrac 2 2 varphi times that of the dodecahedron s 59 In fact golden rectangles inside a dodecahedron are in golden proportions to an inscribed cube such that edges of a cube and the long edges of a golden rectangle are themselves in f f 2 displaystyle varphi varphi 2 ratio On the other hand the octahedron which is the dual polyhedron of the cube can inscribe an icosahedron such that an icosahedron s 12 displaystyle 12 vertices touch the 12 displaystyle 12 edges of an octahedron at points that divide its edges in golden ratio 60 Other polyhedra are related to the dodecahedron and icosahedron or their symmetries and therefore have corresponding relations to the golden ratio These include the compound of five cubes compound of five octahedra compound of five tetrahedra the compound of ten tetrahedra rhombic triacontahedron icosidodecahedron truncated icosahedron truncated dodecahedron and rhombicosidodecahedron rhombic enneacontahedron and Kepler Poinsot polyhedra and rhombic hexecontahedron In four dimensions the dodecahedron and icosahedron appear as faces of the 120 cell and 600 cell which again have dimensions related to the golden ratio Other properties The golden ratio s decimal expansion can be calculated via root finding methods such as Newton s method or Halley s method on the equation x 2 x 1 0 displaystyle x 2 x 1 0 or on x 2 5 0 displaystyle x 2 5 0 to compute 5 displaystyle sqrt 5 first The time needed to compute n displaystyle n digits of the golden ratio using Newton s method is essentially O M n displaystyle O M n where M n displaystyle M n is the time complexity of multiplying two n displaystyle n digit numbers 61 This is considerably faster than known algorithms for p displaystyle pi and e displaystyle e An easily programmed alternative using only integer arithmetic is to calculate two large consecutive Fibonacci numbers and divide them The ratio of Fibonacci numbers F 25001 displaystyle F 25001 and F 25000 displaystyle F 25000 each over 5000 displaystyle 5000 digits yields over 10 000 displaystyle 10 000 significant digits of the golden ratio The decimal expansion of the golden ratio f displaystyle varphi 1 has been calculated to an accuracy of ten trillion 1 10 13 10 000 000 000 000 displaystyle 1 times 10 13 10 000 000 000 000 digits 62 The golden ratio and inverse golden ratio f 1 2 1 5 displaystyle varphi pm tfrac 1 2 bigl 1 pm sqrt 5 bigr have a set of symmetries that preserve and interrelate them They are both preserved by the fractional linear transformations x 1 1 x x 1 x displaystyle x 1 1 x x 1 x this fact corresponds to the identity and the definition quadratic equation Further they are interchanged by the three maps 1 x 1 x x x 1 displaystyle 1 x 1 x x x 1 they are reciprocals symmetric about 1 2 displaystyle tfrac 1 2 and projectively symmetric about 2 displaystyle 2 More deeply these maps form a subgroup of the modular group PSL 2 Z displaystyle operatorname PSL 2 mathbb Z isomorphic to the symmetric group on 3 displaystyle 3 letters S 3 displaystyle S 3 corresponding to the stabilizer of the set 0 1 displaystyle 0 1 infty of 3 displaystyle 3 standard points on the projective line and the symmetries correspond to the quotient map S 3 S 2 displaystyle S 3 to S 2 the subgroup C 3 lt S 3 displaystyle C 3 lt S 3 consisting of the identity and the 3 displaystyle 3 cycles in cycle notation 1 0 1 0 1 displaystyle 1 0 1 infty 0 infty 1 fixes the two numbers while the 2 displaystyle 2 cycles 0 1 0 1 displaystyle 0 1 0 infty 1 infty interchange these thus realizing the map In the complex plane the fifth roots of unity z e 2 p k i 5 displaystyle z e 2 pi ki 5 for an integer k textstyle k satisfying z 5 1 displaystyle z 5 1 are the vertices of a pentagon They do not form a ring of quadratic integers however the sum of any fifth root of unity and its complex conjugate z z displaystyle z bar z is a quadratic integer an element of Z f textstyle mathbb Z varphi Specifically e 0 e 0 2 e 2 p i 5 e 2 p i 5 f 1 1 f e 4 p i 5 e 4 p i 5 f displaystyle begin aligned e 0 e 0 amp 2 5mu e 2 pi i 5 e 2 pi i 5 amp varphi 1 1 varphi 5mu e 4 pi i 5 e 4 pi i 5 amp varphi end aligned This also holds for the remaining tenth roots of unity satisfying z 10 1 displaystyle z 10 1 e p i e p i 2 e p i 5 e p i 5 f e 3 p i 5 e 3 p i 5 f 1 1 f displaystyle begin aligned e pi i e pi i amp 2 5mu e pi i 5 e pi i 5 amp varphi 5mu e 3 pi i 5 e 3 pi i 5 amp varphi 1 1 varphi end aligned For the gamma function G displaystyle Gamma the only solutions to the equation G z 1 G z 1 displaystyle Gamma z 1 Gamma z 1 are z f displaystyle z varphi and z f 1 displaystyle z varphi 1 When the golden ratio is used as the base of a numeral system see golden ratio base sometimes dubbed phinary or f displaystyle varphi nary quadratic integers in the ring Z f displaystyle mathbb Z varphi that is numbers of the form a b f displaystyle a b varphi for a b Z displaystyle a b in mathbb Z have terminating representations but rational fractions have non terminating representations The golden ratio also appears in hyperbolic geometry as the maximum distance from a point on one side of an ideal triangle to the closer of the other two sides this distance the side length of the equilateral triangle formed by the points of tangency of a circle inscribed within the ideal triangle is 4 log f displaystyle 4 log varphi 63 The golden ratio appears in the theory of modular functions as well For q lt 1 displaystyle left q right lt 1 let R q q 1 5 1 q 1 q 2 1 q 3 1 displaystyle R q cfrac q 1 5 1 cfrac q 1 cfrac q 2 1 cfrac q 3 1 ddots Then R e 2 p f 5 f R e p f 1 2 f 1 displaystyle R e 2 pi sqrt varphi sqrt 5 varphi quad R e pi varphi 1 sqrt 2 varphi 1 and R e 2 p i t 1 f R e 2 p i t f R e 2 p i t displaystyle R e 2 pi i tau frac 1 varphi R e 2 pi i tau varphi R e 2 pi i tau where Im t gt 0 displaystyle op, wikipedia, wiki, book, books, library,

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