Fictional languages are the subset of constructed languages (conlangs) that have been created as part of a fictional setting (e.g. for use in a book, movie, television show, or video game). Typically they are the creation of one individual, while natural languages evolve out of a particular culture or people group, and other conlangs may have group involvement. Fictional languages are also distinct from natural languages in that they have no native speakers.[1] By contrast, the constructed language of Esperanto now has native speakers.
An example of Tolkien'sQuenya, one of the languages of the elves, written in Tengwar with transliteration into a Latin-based alphabet. It translates to "Ah! like gold fall the leaves in the wind, long years numberless as the wings of trees!"
Fictional languages are intended to be the languages of a fictional world and are often designed with the intent of giving more depth, and an appearance of plausibility, to the fictional worlds with which they are associated. The goal of the author may be to have their characters communicate in a fashion which is both alien and dislocated.[2] Within their fictional world, these languages do function as natural languages, helping to identify certain races or people groups and set them apart from others.[1]
While some less-formed fictional languages are created as distorted versions or dialects of a pre-existing natural language, many are independently designed conlangs with their own lexicon (some more robust than others) and rules of grammar.[3] Some of the latter are fully formed enough to be learned as a speakable language, and many subcultures exist of those who are 'fluent' in one or more of these fictional languages.[4] Often after the creator of a fictional language has accomplished their task, the fandom of that fictional universe will pick up where the creator left off and continue to flesh out the language, making it more like a natural language and therefore more usable.[5]
Fictional languages are separated from artistic languages by both purpose and relative completion: a fictional language often has the least amount of grammar and vocabulary possible, and rarely extends beyond the absolutely necessary. At the same time, some others have developed languages in detail for their own sake, such as J. R. R. Tolkien's Quenya and Sindarin (two Elvish languages), Star Trek's Klingon language and Avatar's Na'vi language which exist as functioning, usable languages.[4]
By analogy with the word "conlang", the term conworld is used to describe these fictional worlds, inhabited by fictional constructed cultures. The conworld influences vocabulary (what words the language will have for flora and fauna, articles of clothing, objects of technology, religious concepts, names of places and tribes, etc.), as well as influencing other factors such as pronouns, or how their cultures view the break-off points between colors or the gender and age of family members. Sound is also a directing factor, as creators seek to show their audience through phonology the type of race or people group to whom the language belongs.[3]
Commercial fictional languages
Commercial fictional languages are those languages created for use in various commercial media, such as:
While some languages are created purely from the desire of the creator, language creation can be a profession. In 1974, Victoria Fromkin was the first person hired to create a language (Land of the Lost's Paku).[5] Since then, notable professional language creators have included Marc Okrand (Klingon), David Peterson (Dothraki and others in Game of Thrones), and Paul Frommer (Na'vi).
The problem of alien language has confronted generations of science fiction writers; some have created fictional languages for their characters to use, while others have circumvented the problem through translation devices or other fantastic technology. For example, the Star Trek universe makes use of a 'universal translator', which explains why such different races, often meeting for the first time, are able to communicate with each other. Another more humorous example would be the Babel fish from The Hitchhiker's Guide to the Galaxy, an aurally-inserted fish that instantaneously translates alien speech to the speaker's native language.
While in many cases an alien language is but an element of a fictional reality, in a number of science fiction works the core of the plot involves linguistic and psychological problems of communication between various alien species.
Visual alien languages
Circular Gallifreyan from Doctor Who, an example of a visual language
A further subgenre of alien languages are those that are visual, rather than auditory. Notable examples of this type are Sherman's Circular Gallifreyan from BBC'sDoctor Who series (although this language was entirely created and spread by fans and all appearances of Gallifreyan in the show are merely meaningless symbols) and the Heptapod language from the 2016 film Arrival.
Internet-based fictional languages
Internet-based fictional languages are hosted along with their "conworlds" on the internet, and based at these sites, becoming known to the world through the visitors to these sites. Verdurian, the language of Mark Rosenfelder's Verduria on the planet of Almea, is a flagship Internet-based fictional language. Rosenfelder's website includes resources for other aspiring language creators.
Many other fictional languages and their associated conworlds are created privately by their inventor, known only to the inventor and perhaps a few friends.
^ abBarnes, Lawrie; van Heerden, Chantelle (2008-06-02). "Virtual Languages in Science Fiction and Fantasy Literature". Language Matters. 37: 102–117. doi:10.1080/10228190608566254. S2CID 144894796.
^ ab"Fictional Languages You Can Actually Learn To Speak". Ranker. Retrieved 2019-01-30.
^ abPeterson, David J. (2015). The Art of Language Invention : from Horse-Lords to Dark Elves, The Words Behind World-building. New York, New York. ISBN978-0-14-312646-1. OCLC 900623553.
General references
Barnes, Lawrie; van Heerden, Chantelle (2006). "Virtual Languages in Science fiction and fantasy literature". Language Matters. 37 (1): 102–117. doi:10.1080/10228190608566254. ISSN 1022-8195. S2CID 144894796.
Media related to fictional languages at Wikimedia Commons
A Primer In SF XENOLINGUISTICS, by Justin B. Rye
, a collection of references
Are Elvish, Klingon, Dothraki and Na'vi real languages?
The Klingon Language Institute
Accent Expert Breaks Down 6 Fictional Languages From Film & TV
April 06, 2023
fictional, language, this, article, multiple, issues, please, help, improve, discuss, these, issues, talk, page, learn, when, remove, these, template, messages, this, article, possibly, contains, original, research, please, improve, verifying, claims, made, ad. This article has multiple issues Please help improve it or discuss these issues on the talk page Learn how and when to remove these template messages This article possibly contains original research Please improve it by verifying the claims made and adding inline citations Statements consisting only of original research should be removed November 2008 Learn how and when to remove this template message This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Fictional language news newspapers books scholar JSTOR May 2011 Learn how and when to remove this template message Learn how and when to remove this template message Fictional languages are the subset of constructed languages conlangs that have been created as part of a fictional setting e g for use in a book movie television show or video game Typically they are the creation of one individual while natural languages evolve out of a particular culture or people group and other conlangs may have group involvement Fictional languages are also distinct from natural languages in that they have no native speakers 1 By contrast the constructed language of Esperanto now has native speakers An example of Tolkien s Quenya one of the languages of the elves written in Tengwar with transliteration into a Latin based alphabet It translates to Ah like gold fall the leaves in the wind long years numberless as the wings of trees Fictional languages are intended to be the languages of a fictional world and are often designed with the intent of giving more depth and an appearance of plausibility to the fictional worlds with which they are associated The goal of the author may be to have their characters communicate in a fashion which is both alien and dislocated 2 Within their fictional world these languages do function as natural languages helping to identify certain races or people groups and set them apart from others 1 While some less formed fictional languages are created as distorted versions or dialects of a pre existing natural language many are independently designed conlangs with their own lexicon some more robust than others and rules of grammar 3 Some of the latter are fully formed enough to be learned as a speakable language and many subcultures exist of those who are fluent in one or more of these fictional languages 4 Often after the creator of a fictional language has accomplished their task the fandom of that fictional universe will pick up where the creator left off and continue to flesh out the language making it more like a natural language and therefore more usable 5 Contents 1 Purpose 2 Commercial fictional languages 3 Alien languages 3 1 Visual alien languages 4 Internet based fictional languages 5 See also 6 References 7 External linksPurpose EditFictional languages are separated from artistic languages by both purpose and relative completion a fictional language often has the least amount of grammar and vocabulary possible and rarely extends beyond the absolutely necessary At the same time some others have developed languages in detail for their own sake such as J R R Tolkien s Quenya and Sindarin two Elvish languages Star Trek s Klingon language and Avatar s Na vi language which exist as functioning usable languages 4 By analogy with the word conlang the term conworld is used to describe these fictional worlds inhabited by fictional constructed cultures The conworld influences vocabulary what words the language will have for flora and fauna articles of clothing objects of technology religious concepts names of places and tribes etc as well as influencing other factors such as pronouns or how their cultures view the break off points between colors or the gender and age of family members Sound is also a directing factor as creators seek to show their audience through phonology the type of race or people group to whom the language belongs 3 Commercial fictional languages EditCommercial fictional languages are those languages created for use in various commercial media such as Books The Lord of the Rings Quenya and Sindarin Films Avatar s Na vi Baahubali s Kiliki and Star Wars Huttese Television shows Star Trek s Klingon Game of Thrones Valyrian and Dothraki Video games Far Cry Primal s Wenja The Sims Simlish Splatoon s inkling typeface Comics The Adventures of Tintin s Bordurian and Syldavian Toys Furby s Furbish Musical albums Magma s Kobaian Children s TV shows Pingu s Penguinese While some languages are created purely from the desire of the creator language creation can be a profession In 1974 Victoria Fromkin was the first person hired to create a language Land of the Lost s Paku 5 Since then notable professional language creators have included Marc Okrand Klingon David Peterson Dothraki and others in Game of Thrones and Paul Frommer Na vi Alien languages Edit Qapla means success in the Klingon language Main article Alien language A notable subgenre of fictional languages are alien languages the ones that are used or might be used by putative extraterrestrial life forms Alien languages are subject of both science fiction and scientific research Perhaps the most fully developed fictional alien language is the Klingon language of the Star Trek universe a fully developed constructed language The problem of alien language has confronted generations of science fiction writers some have created fictional languages for their characters to use while others have circumvented the problem through translation devices or other fantastic technology For example the Star Trek universe makes use of a universal translator which explains why such different races often meeting for the first time are able to communicate with each other Another more humorous example would be the Babel fish from The Hitchhiker s Guide to the Galaxy an aurally inserted fish that instantaneously translates alien speech to the speaker s native language While in many cases an alien language is but an element of a fictional reality in a number of science fiction works the core of the plot involves linguistic and psychological problems of communication between various alien species Visual alien languages Edit Circular Gallifreyan from Doctor Who an example of a visual language A further subgenre of alien languages are those that are visual rather than auditory Notable examples of this type are Sherman s Circular Gallifreyan from BBC s Doctor Who series although this language was entirely created and spread by fans and all appearances of Gallifreyan in the show are merely meaningless symbols and the Heptapod language from the 2016 film Arrival Internet based fictional languages EditInternet based fictional languages are hosted along with their conworlds on the internet and based at these sites becoming known to the world through the visitors to these sites Verdurian the language of Mark Rosenfelder s Verduria on the planet of Almea is a flagship Internet based fictional language Rosenfelder s website includes resources for other aspiring language creators Many other fictional languages and their associated conworlds are created privately by their inventor known only to the inventor and perhaps a few friends See also EditList of fictional languages Communication with extraterrestrial intelligence Constructed languages Languages in Star Wars SETIReferences EditCitations a b Barnes Lawrie van Heerden Chantelle 2008 06 02 Virtual Languages in Science Fiction and Fantasy Literature Language Matters 37 102 117 doi 10 1080 10228190608566254 S2CID 144894796 Conley amp Cain 2006 pp Foreword p XIX ff a b Questions Answered Invented Languages Schott s Vocab Blog 2010 03 10 Retrieved 2019 01 30 a b Fictional Languages You Can Actually Learn To Speak Ranker Retrieved 2019 01 30 a b Peterson David J 2015 The Art of Language Invention from Horse Lords to Dark Elves The Words Behind World building New York New York ISBN 978 0 14 312646 1 OCLC 900623553 General referencesBarnes Lawrie van Heerden Chantelle 2006 Virtual Languages in Science fiction and fantasy literature Language Matters 37 1 102 117 doi 10 1080 10228190608566254 ISSN 1022 8195 S2CID 144894796 Conley Tim Cain Stephen 2006 Encyclopedia of Fictional and Fantastic Languages Westport Connecticut Greenwood Publishing Group ISBN 978 0 313 33188 6 External links Edit Media related to fictional languages at Wikimedia Commons A Primer In SF XENOLINGUISTICS by Justin B Rye Interstellar Communication a collection of references Are Elvish Klingon Dothraki and Na vi real languages The Klingon Language Institute Accent Expert Breaks Down 6 Fictional Languages From Film amp TV Retrieved from https en wikipedia org w index php title Fictional language amp oldid 1147412211, wikipedia, wiki, book, books, library,
