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Call Me by Your Name (film)

January 01, 1970

Call Me by Your Name (Italian: Chiamami col tuo nome) is a 2017 coming-of-age romantic drama film directed by Luca Guadagnino. Its screenplay, by James Ivory, who also co-produced, is based on the 2007 novel of the same title by André Aciman. The film is the final installment in Guadagnino's thematic "Desire" trilogy, after I Am Love (2009), and A Bigger Splash (2015). Set in 1983 in northern Italy, Call Me by Your Name chronicles the romantic relationship between a 17-year-old, Elio Perlman (Timothée Chalamet), and Oliver (Armie Hammer), a 24-year-old graduate-student assistant to Elio's father Samuel (Michael Stuhlbarg), an archaeology professor. The film also stars actresses Amira Casar, Esther Garrel, and Victoire Du Bois.

Call Me by Your Name
Theatrical release poster
Directed byLuca Guadagnino
Screenplay byJames Ivory
Based onCall Me by Your Name
by André Aciman
Produced by
Starring
CinematographySayombhu Mukdeeprom
Edited byWalter Fasano
Production
companies
  • Frenesy Film Company
  • La Cinéfacture
  • RT Features
  • M.Y.R.A. Entertainment
  • Water's End Productions
Distributed by
Release dates
  • January 22, 2017 (2017-01-22) (Sundance)
  • November 24, 2017 (2017-11-24) (United States)
  • January 18, 2018 (2018-01-18) (Brazil)
  • January 25, 2018 (2018-01-25) (Italy)
Running time
132 minutes[1]
Countries
  • Italy
  • United States
  • France
  • Brazil[2][3]
Languages
  • English
  • Italian
  • French[4]
Budget$3.5 million[5]
Box office$43.1 million[6]

Development began in 2007 when producers Peter Spears and Howard Rosenman optioned the rights to Aciman's novel. Ivory had been chosen to co-direct with Guadagnino, but stepped down in 2016. Guadagnino had joined the project as a location scout, and eventually became sole director and co-producer. Call Me by Your Name was financed by several international companies, and its principal photography took place mainly in the city and comune of Crema, Lombardy, between May and June 2016. Cinematographer Sayombhu Mukdeeprom used 35 mm film, as opposed to employing digital cinematography. The filmmakers spent weeks decorating Villa Albergoni, one of the main shooting locations. Guadagnino curated the film's soundtrack, which features three original songs by American singer-songwriter Sufjan Stevens.

Sony Pictures Classics acquired distribution rights to Call Me by Your Name before its premiere at the 2017 Sundance Film Festival on January 22, 2017. The film began a limited release in the United States on November 24, 2017, and went on general release on January 19, 2018. It received widespread critical acclaim, particularly for Ivory's screenplay, Guadagnino's direction, Mukdeeprom's cinematography, and the performances of Chalamet, Hammer, and Stuhlbarg. The film garnered a number of accolades, including many for its screenplay, direction, acting, and music. It received four nominations at the 90th Academy Awards, including Best Picture and Best Actor for 22-year-old Chalamet (the third-youngest nominee in the category), and winning for Best Adapted Screenplay. The screenplay also won at the 23rd Critics' Choice Awards, 71st British Academy Film Awards, and the 70th Writers Guild of America Awards. Since then, it is now considered to be one of the best films of the 21st century.[7][8][9]

Plot

In the summer of 1983, Elio Perlman, a 17-year-old Jewish French-Italian boy, lives with his parents in rural Northern Italy. Elio's father, a professor of archaeology, invites a 24-year-old Jewish-American graduate student, Oliver, to live with the family over the summer and help with his academic paperwork. Elio, an introspective bookworm and a musician, initially thinks he has little in common with Oliver, who appears confident and carefree. Elio spends much of the summer reading, playing piano, and hanging out with his childhood friends, Chiara and Marzia. During a volleyball match, Oliver touches Elio's back but Elio brushes it off. However, Elio later finds himself jealous upon seeing Oliver pursue Chiara.

Elio and Oliver spend more time together, going for long walks into town, and accompanying Elio's father on an archaeological trip. Elio is increasingly drawn to Oliver, even sneaking to Oliver's room to smell his clothing. Elio eventually confesses his feelings to Oliver, who tells him they cannot discuss such things. Later, in a secluded spot, the two kiss for the first time. Oliver is reluctant to take things further, and they do not speak for several days.

Elio goes on a date with Marzia and the two have sex. Elio leaves a note for Oliver to end their silence. Oliver writes back, asking Elio to meet him at midnight. Elio agrees and they sleep together for the first time. Afterwards, Oliver says to Elio, "Call me by your name and I'll call you by mine". The morning after, Elio is briefly conflicted about their encounter and takes out his sexual frustration by masturbating with a peach. When Oliver finds him, Elio cries about how little time he and Oliver have left together. Marzia confronts Elio after not hearing from him for three days. He responds coldly, hurting her.

As the end of Oliver's stay approaches, Elio's parents, who appear to be aware of the bond between the two, recommend that he and Oliver visit Bergamo together before Oliver returns to the U.S. They spend three romantic days together. Elio, heartbroken after Oliver's departure, calls his mother and asks her to pick him up from the train station and take him home. Marzia is sympathetic to Elio's feelings and says she wants to remain friends. Elio's father, observing his unhappiness, tells him that the bond he had with Oliver was rare and that he envied Elio because he never was able to have what Elio and Oliver had.

During Hanukkah, Oliver calls Elio's family to tell them he is engaged to be married to a woman he has been seeing for a few years. Elio calls Oliver by his name and Oliver responds with his; Oliver also says that he remembers everything. After the call, Elio sits down by the fireplace and stares into the flames, tearfully reflecting, as his parents and staff prepare the holiday dinner.

Cast

Styles and themes

Call Me by Your Name is the final installment in a thematic trilogy Guadagnino calls his "Desire" trilogy; the other two parts were I Am Love (2009) and A Bigger Splash (2015).[12][13] Guadagnino described his approach to the film as "lighthearted and simple",[14][15] marking a departure from his previous work, which has been called "highly stylised [and] dazzling".[16] Guadagnino considers Call Me by Your Name a "homage to the fathers of my life: my own father, and my cinematic ones", referring to the filmmakers Jean Renoir, Jacques Rivette, Éric Rohmer, and Bernardo Bertolucci, who he says inspired him.[17]

Guadagnino has described Call Me by Your Name as a family-oriented film for the purpose of "transmission of knowledge and hope that people of different generations come to see the film together."[18] He saw it not as a "gay" movie but as a film about "the beauty of the newborn idea of desire, unbiased and uncynical", reflecting his motto of living "with a sense of joie de vivre".[14][15] "We should always be very earnest with one's feelings, instead of hiding them or shielding ourselves," he said.[12] He considered it an "uplifting film" about "being who you want to be and finding yourself into the gaze of the other in his or her otherness."[19]

The director tried to avoid the flaws he had seen in most coming-of-age films, where growth is often portrayed as being a result of resolving preconceived dilemmas such as an enforced choice between two lovers.[20] He also wanted the story to follow two people "in the moment", rather than focus on an antagonist or a tragedy[15]—an approach inspired by À nos amours (1983), directed by Maurice Pialat.[20][21] As someone who considers sex in film a representation of the characters' behavior and identity,[22] Guadagnino was not interested in including explicit sex scenes in the film.[23] He explained his intention: "I wanted the audience to completely rely on the emotional travel of these people and feel first love... It was important to me to create this powerful universality, because the whole idea of the movie is that the other person makes you beautiful—enlightens you, elevates you."[23]

Alongside a sexual coming of age motif, the movie also touches upon the novel's theme[24] of Elio discovering and connecting to his Jewish identity through the openly Jewish Oliver and as a contrast with his own family being, as his mother puts it, "Jews of discretion".[25] The common Jewish identity is a part of what draws Elio and Oliver together and is represented visually on screen through the Star of David necklace that Oliver initially wears and Elio is drawn to.[26] The theme of sexual self-discovery is paralleled with the Jewish theme in the movie, since in both cases, Elio starts out more secretive about these parts of himself and transitions to a place of greater self-acceptance, both journeys connected to Oliver's role in his life. There is a hint in the movie that Oliver might have gifted his own Star of David necklace to Elio shortly before they parted ways in the train station.[27] Elio's own necklace can be clearly seen during the conversation from which the movie (as the novel) borrows its title thanks to its visually central placement during this scene.

Production

Development

 
James Ivory, pictured in September 1991, took nine months to write the script, and had been set to co-direct the film.

Two of the film's producers, Peter Spears and Howard Rosenman, saw a galley proof of André Aciman's debut novel Call Me by Your Name in 2007 and "optioned" the screen rights before its publication.[28] Rosenman first heard about the book through a friend after acting in Milk (2008) and described it as "divine".[29] Spears, moved by the novel and believing it deserved a cinematic adaptation, received his first credit as a producer from his work on the film.[30] They invited their friend James Ivory to work as an executive producer on the film adaptation.[31] Spears and Rosenman began production in 2008,[32] but the project was soon trapped in "development hell".[33] The producers met with three sets of directors and writers—among them Gabriele Muccino, Ferzan Özpetek, and Sam Taylor-Johnson[34]—but could not find anyone who would commit to the project.[28][35] Scheduling filming in Italy during the summer also proved difficult.[28][35]

The producers contacted Guadagnino, their first choice to direct, but he declined, citing a busy schedule.[13][32] However, as Guadagnino lived in northern Italy, he was initially hired as a location consultant instead.[20][36] Guadagnino later suggested that he co-direct the film with Ivory, but no contractual agreement was put in place.[14][33] Ivory accepted the offer to co-direct on the condition that he would also write the film;[33] he spent "about nine months" on the screenplay.[31][37] Guadagnino, who has described the novel as "a Proustian book about remembering the past and indulging in the melancholy of lost things",[21] collaborated on the adaptation with Ivory and Walter Fasano.[14][18] Screenwriting took place at Ivory's house, Guadagnino's kitchen table in Crema, and sometimes in New York City.[38] Ivory rarely met Guadagnino during the process, since the director was busy making A Bigger Splash (2015).[37]

The screenplay was completed in late 2015.[37] Aciman approved it and commended the adaptation as "direct ... real and persuasive", adding "they've done better than the book".[28] The completed screenplay was vital in securing funding for the film.[31][33] Among the financiers were the production companies La Cinéfacture (France), Frenesy Film Company (Italy, owned by Guadagnino), M.Y.R.A. Entertainment (United States), RT Features (Brazil), and Water's End Productions (United States). The project was also supported by the Italian Ministry of Cultural Heritage and Activities and Tourism.[18][39][40] The backers deemed the production's initial cost estimates "too expensive",[41] so the production budget was reduced from $12 million to $3.4 million and the filming schedule was cut from 12 to 5 weeks.[40][42]

Ivory stepped down from a directorial role in 2016, leaving Guadagnino to direct the film alone.[13][14] According to Ivory, financiers from Memento Films International did not want two directors involved with the project because they "thought it would be awkward ... It might take longer, it would look terrible if we got in fights on the set, and so on."[31][37] Guadagnino said Ivory's version would have likely been "a much more costly [and] different film" that would have been too expensive to make.[20][36] Ivory became the sole-credited screenwriter[43] and later sold the rights to the screenplay to Guadagnino's company.[31][37] Call Me by Your Name was Ivory's first produced screenplay since Le Divorce (2003) and the only narrative feature he has written but not directed.[43] He remained involved with other aspects of the production.[43] Guadagnino dedicated the film to his late friend Bill Paxton, who came to visit the set in Crema before his death in February 2017.[citation needed]

Adaptation

 
The film adaptation, as directed by Guadagnino (left), differs from Ivory's script and the source material written by Aciman (right).

The film differs from its source material in several ways. The novel is written in flashback, from Elio's perspective. The filmmakers set the movie entirely in 1983 to help the audience understand the characters, believing that this approach would allow them to remain true to the spirit of the book.[32][21] The setting was changed from Bordighera to the countryside of Crema, where Guadagnino lives.[b] The town square selected for filming differed from the one Aciman had pictured in his novel, which in his vision was "far smaller and stood high on a hill overlooking a windswept Mediterranean".[46] The arid climate and "spookily deserted" landscape in Crema suggested to him that the film would not correspond to the novel.[46] The director also changed the year of the events from 1987 to 1983. In his words, Guadagnino chose "the year—in Italy at least—where the '70s are killed, when everything that was great about the '70s is definitely shut down," but also a time when the characters could be "in a way untouched by the corruption of the '80s—in the U.S., [Ronald] Reagan, and in the UK, [Margaret] Thatcher".[38][44]

Guadagnino was tempted to remove the scene in which Elio masturbates into a pitted peach, finding it too explicit.[28][47] Chalamet was also nervous about the scene,[48] describing it as "a metamorphosis of some of the strongest ideas in the movie" and the key to illuminating the character's "overabundant sexual energy".[32][49] Both Guadagnino and Chalamet believed it was implausible to masturbate with a peach, but each independently tested the method. To their surprise, it worked, so Guadagnino shot the scene and ultimately included it in the film.[50] A scene featuring Elio and Oliver dancing enthusiastically to The Psychedelic Furs song "Love My Way" in a small bar is not drawn from the book. It was inspired by Jonathan Demme's Something Wild (1986), and Guadagnino's experience of dancing by himself when he was young.[28][51] Ivory altered Mr. Perlman's profession from a classics scholar to "an art historian/archeologist type",[32][45] a decision that Aciman described as "perfect" and "more visual, [...] more exciting, as opposed to what a scholar does at his desk".[45]

When he was revising Ivory's draft of the script, Guadagnino removed the voice-over narration and much of the nudity.[21][36] He said that explicit nudity was "absolutely irrelevant" to his vision for the film,[52] and that he did not like the idea of having the main character tell the story retrospectively, stating that "it kills the surprise".[21] Towards the end of the novel, the two protagonists visit Rome, a trip which lasts an entire chapter and introduces new characters in multiple locations.[37][43] Because of the film's limited budget, Ivory and the producers wrote several variations, one of which was to leave the lead characters alone in the family's house.[37] Ultimately, the filmmakers settled on another trip—to Bergamo, rather than Rome—where the characters spend much of their time alone together in a hotel room.[37] In his original script, Ivory depicted Elio's parents discussing HIV/AIDS in two scenes,[53] and Elio decorating a Christmas tree in his family's home in the final scene.[54][43] Ivory had to reduce the length of Mr. Perlman's speech but was committed to keeping it in the script.[55] Aciman said in an interview with Moment that, while keeping intervention with the script at a minimum, he suggested to Ivory to keep dialogue prior to Perlman's speech to a minimum so as not to "steal the surprise and the suspense that happens" as it unfolds.[56] Ivory described the scene in which Elio conveys his feelings to Oliver as one of the moments that captures the "euphoric passion and nervousness" of their first love.[57] Aciman was surprised by Guadagnino's final scene where Elio is seen crying by the fireplace;[46] he wrote of the film adaptation:

Cinema can be an entirely magical medium. What I do as a writer, and what Guadagnino does as a film director, is more than speak two different languages. What I do is chisel a statue down to its finest, most elusive details. What a film director does is make the statue move.[46]

Many of the changes to Ivory's screenplay were made during the filming; the screenwriter was not present at the shooting set.[54] In May 2016, Ivory said that he and Guadagnino discussed how to film the scenes involving nudity, but the director later dropped them.[53] In Ivory's view, some of the director's statements to the press had misrepresented the film's omission of nudity as a "conscious aesthetic decision", even though they had never discussed removing nudity from the screenplay.[53] Ivory said, "When people are wandering around before or after making love, and they're decorously covered with sheets, it’s always seemed phoney to me."[53] By contrast, Ivory cited scenes from his earlier film Maurice (1987)—a gay romantic drama that includes male nudity—as "a more natural way of doing things than to hide them, or to do what Luca did, which is to pan the camera out of the window toward some trees."[53] Guadagnino said that he understood Ivory's position, but that it was clear that there were "no limitations on what we wanted to do."[52]

Casting

In 2015, Shia LaBeouf and Greta Scacchi were reportedly set to be cast in the film.[58] In September 2016, Ivory confirmed they were no longer involved in the project. Ivory said he got along with LaBeouf, who had read for the film in New York City, but the production company later felt the actor was unsuitable after his "various troubles". Ivory thought Scacchi and LaBeouf read well together and could have made it into the film, but the company disagreed.[59]

Guadagnino was impressed by Armie Hammer's performance in The Social Network (2010),[14][50] describing him as a "sophisticated actor, with a great range".[14] Hammer almost turned down the role of Oliver after reading the draft script because it contained nudity, saying, "There's a lot of stuff here that I've never done on film before. But there's no way I can't do this [film], mostly because it scares me so much."[60][61] Hammer had previously played gay characters in J. Edgar (2011) and Final Portrait (2017).[47][62]

 
Hammer and Chalamet during the press conference for Call Me by Your Name at the 2017 Berlin International Film Festival

In 2013, Swardstrom—Spears' husband and agent—introduced Chalamet to Guadagnino,[14][22] who immediately felt the actor had "the ambition, the intelligence, the sensitivity, the naivety, and the artistry" to play Elio.[21] Chalamet had already read Aciman's novel and described it as "a window into a young person".[48] His character, 17-year-old Elio, is fluent in three languages: English, French and Italian.[40] Upon his arrival in Italy, Chalamet—who already spoke French fluently and had played piano and guitar for years[32][40][63]—prepared for his role with a schedule of daily lessons in Italian, gym workouts three times a week,[32] and by working with composer Roberto Solci.[32][40]

Michael Stuhlbarg, who was cast as Elio's father, Mr. Perlman,[60][64] did not read the book until he had already joined the production.[65] He found the script moving and described Mr. Perlman as having a "sense of generosity and love and understanding".[66] Esther Garrel was contacted by Guadagnino when he was in Paris for the promotion of A Bigger Splash.[67] Garrel was cast as Marzia without any formal audition, and she chose not to read the book before shooting.[67] Towards the end of the film, Marzia asks Elio, "Friend for life?"—a line taken from J'entends plus la guitare (1991), directed by the actress's father, Philippe Garrel.[41] "I like the idea of talking virtually with Philippe Garrel through her," Guadagnino said.[41] During shooting, Garrel spoke French with Chalamet on set and watched the American sitcom Friends with English subtitles to improve her English.[67]

Guadagnino chose Amira Casar, whom he had known for twenty years, for the role of Elio's mother Annella.[41][64] In an interview with French magazine Télérama, Guadagnino expressed his admiration of Casar's "sense of transgression" and called her "the most audacious" in European art cinema.[c][41] Casting director Stella Savino met Vanda Capriolo when she was bicycling in the countryside. Capriolo, who was not an actor, was chosen to play Mafalda, the Perlmans' maid.[51][68] Aciman and Spears also appear briefly in cameo roles as Mounir and Isaac, an openly gay couple who attend a dinner party.[32][45] Aciman was asked to be in the movie after actors became unavailable. "It was a last-minute decision," Spears recalled, "André turns out to be a phenomenal actor! So comfortable, not nervous at all. His wife was sitting there and said, 'I had no idea!'"[69] In dialogue, the characters switch between English, French, Italian,[70] and in one scene Annella reads a German translation of 16th-century French literature.[71]

Hammer and Chalamet both signed contracts prohibiting the film from showing them with full-frontal nudity. Ivory, whose original screenplay contained nudity, was dismayed by the decision. He criticized what he saw as an "American" attitude, saying, "Nobody seems to care that much or be shocked about a totally naked woman. It's the men."[33][36] Guadagnino picked actors based on their performances and chemistry rather than on their sexuality.[23] He said, "The idea that you have to cast only someone who has a certain set of skills, and worse, a certain gender identity in any role: that's oppressive to me."[13]

Production design and costume

The main location set for the Perlmans' residence was Villa Albergoni, an uninhabited 17th-century mansion in Moscazzano.[32][72] Guadagnino wanted to buy the house but could not afford it, so he made a film there instead.[40][73] A landscape designer was hired to construct an orchard in the mansion's garden.[68] A pergola was built on the patio, and apricot and peach trees were placed in the garden.[72][74]

Guadagnino did not want the film to be a period piece and tried to resist making a film that would reflect "our idea of the 80s". His goal was an accurate recreation of the period that was invisible to the viewer."[20] The crew, including production designer Samuel Deshors and set decorators Sandro Piccarozzi and Violante Visconti di Modrone, styled the house with furniture and objects inspired by the characters.[32][73] Much of the furniture, including dishes and glassware from the 1950s, belonged to Guadagnino and Visconti di Modrone's parents. Di Modrone, a grandniece of Luchino Visconti from the famous Visconti family said, "That made it cozy and personal ... I wanted to give it the sense of time passing by".[75] Many paintings, maps, and mirrors influenced by Asian art came from an antiques shop in Milan.[74][75] The books seen in the background were all published before 1982.[68] The swimming pool used in the film was based on a watering trough common in the area.[32][75]

The filmmakers set up faded political billboards in public places to reflect the Italian general election in 1983[68] and re-created a newsstand full of magazines of that time.[68] Residents of Crema helped the production team with their research, inviting them into their homes and providing pictures from the 1980s.[20][76] Chen Li, the film's graphic designer, created a handwritten typeface for the film's title sequence of photocopied images of statues alongside items on Mr. Perlman's desk.[68]

Costume designer Giulia Piersanti avoided using period costumes; instead, she wanted to provide "a sense of insouciant adolescent sensuality, summer heat and sexual awakening" to the characters.[75] The costumes, which were influenced by the French films Pauline at the Beach (1983), A Tale of Springtime (1990) and A Summer's Tale (1996),[75] included some pieces made by Piersanti's team.[68] For the Perlmans' wardrobe, Piersanti took inspiration from her parents' photograph albums. For Oliver's "sexy, healthy American" image, Piersanti referred to "some of Bruce Weber's earliest photographs".[75] Oliver's clothes change throughout the film as "he's more able to free himself".[68] Aiming to emphasize Elio's confident style, she chose several Lacoste costumes and a distinctive, New Romantic-looking shirt in the final scene.[20][75] For Elio's other costumes, Piersanti picked some items from her husband's closet, including the polo shirt and Fido Dido T-shirt.[75]

Principal photography

Principal photography began on May 9, 2016, and wrapped in June 2016,[77][78] lasting around 33 days.[68][79] The film was shot primarily in Crema and the surrounding province of Cremona.[14][17][80][81] An unusual series of rainstorms coincided with the shooting schedule, with heavy rain on 28 of the shooting days.[30][79] Scenes set in the nearby villages Pandino and Moscazzano were filmed between May 17 and 19, and shooting in Crema began on June 1.[82][83][84] Additional outdoor scenes were shot on December 4, 2016.[85][86] The City of Crema invested €18,000 in the film, including a publicity campaign costing €7,500.[87][88]

The arch of Torrazzo at Crema Cathedral and several historical locations in the streets of Crema and Pandino were chosen during production.[72][82] Businesses requested compensation for financial losses caused by the closure, which was scheduled for May 30 and 31.[89] Two days' filming at the cathedral were postponed due to the rainy weather.[90] Filming also took place in the Lodigiano area near Crespiatica and in two small towns near Crema, Montodine and Ripalta.[72][32][85] The archaeological discovery scene was filmed at the Grottoes of Catullus in Sirmione on the Brescian shores of Lake Garda.[72] The trip to Bergamo was filmed at the exterior of multiple historical buildings, including Bergamo Cathedral, the Santa Maria Maggiore, the courtyard of Liceo Classico Paolo Sarpi in Piazza Rosate and the University of Sciences, Letters and Arts [it].[72] The train station scenes were filmed at Pizzighettone.[91] Because of security concerns, the production team was only granted permission to film at the Cascate del Serio in Valbondione for half an hour.[72][80][92]

Before and during filming, the actors lived in Crema and were able to experience small-town life.[32] Guadagnino engaged with the cast and filmmakers and often cooked for them and showed films at his house.[28] Hammer and Chalamet, who did not have to do a screen test together,[21][93] met for the first time during production in Crema.[32][78] Before filming began, they spent a month together, watching TV and going to local restaurants.[12][61][78] "We'd hang out with each other all the time, because we were pretty much the only Americans there, and we were able to defend one another and really get to know one another," Chalamet said.[63] During the first two days of production, Guadagnino read the script with the cast.[38] The first scene that Hammer and Chalamet rehearsed was the kissing scene,[29][93] and they spent several days filming nude.[94] "I've never been so intimately involved with a director before. Luca was able to look at me and completely undress me," Hammer said.[50]

Guadagnino shot the film in chronological order,[38][95] which allowed the filmmakers to "witness the onscreen maturity of both protagonist and actor", according to Fasano.[96] The scene in which Mr. Perlman delivers an emotional speech to Elio was filmed on the penultimate day of filming.[12][38] Stuhlbarg spent months preparing for the scene,[12][66] which Guadagnino wanted to make "as simple as possible" by shooting fewer takes and "let[ting] the actors be."[19] The scene took three takes to film and Stuhlbarg was "on three different levels of getting emotional".[96] Garrel enjoyed filming her sex scene with Chalamet, which she described as filled with "joy and simplicity".[67] Chalamet was listening to "Visions of Gideon", one of the original songs written by Sufjan Stevens for the film, in an earpiece while filming the final sequence;[97][98] the director asked him to perform three variations of the scene, one per take.[99] The camera was set in the fireplace with nobody behind it. "It was bit of an acting experiment," Chalamet said.[51] During this scene, the title of the film was shown for the first time, rather than in the opening sequence.

At the Piazza Vittorio Emanuele,[91] a memorial to the victims of the battle of the Piave in Pandino,[46] the filmmakers laid a long camera dolly track to film the scene where Elio tells Oliver of his feelings for him in a single long take. This provided the flexibility and "flow of emotion" a cut scene could not.[100] During the dancing sequence, Hammer had to perform to a click track in front of 50 off-camera extras with the music turned down so the dialogue could be recorded.[51][61] In preparation for the scene, Guadagnino arranged for Hammer to practice with a dance coach.[51] Hammer said that it was "the worst scene" he had ever filmed.[101] Choreographer Paolo Rocchi, who was contacted by the Frenesy Film Company in June 2016, described the routine as "awkward and realistic".[102] Rosenman considered the scene one of the most emotional moments; he said "It embodied and encapsulated, for me, what teenage love is all about, what desire is all about."[29]

Sayombhu Mukdeeprom, who had previously collaborated with Guadagnino on Ferdinando Cito Filomarino's Antonia (2015), served as the director of photography.[22][103] He had read Aciman's novel before receiving the script and walked around filming locations to "get a feeling for everything ... to see the color, to see how the light changed during the day, and input it into my data".[104] Mukdeeprom had to use artificial lighting to capture the Northern Italian summer atmosphere,[14] compensating for heavy rains that lasted throughout the shoot.[22][79] While filming the confrontation scene between Oliver and Elio, Mukdeeprom cried in a corner of the room after they finished the first take, overwhelmed by a feeling of profound empathy for the actors.[14] The film was shot using 35 mm celluloid film and a single lens,[105] a decision influenced by the work of David Cronenberg to "solidif[y] the point of view"[15] and make "the tension of the performance come off the screen"—even if it meant increasing the production budget above the cost of shooting in digital.[105] Guadagnino praised Jean-Pierre Laforce, the film's sound designer and mixer, for his "wonderful" and "pivotal" contributions. Guadagnino, who had previously worked with Laforce on A Bigger Splash, said he was "able to create a sort of Cathedral of sound without overwhelming the movie."[19]

Post-production

Fasano collaborated with Guadagnino during the post-production.[106][40] They had worked together for 25 years since Guadagnino's debut feature The Protagonists (1999).[40] Fasano described working with Guadagnino as "atypical [and] very demanding, but it's a great experience."[106] Post-production took only a month, between June and July[14]—the fastest they had ever edited.[78] Fasano cited the films of Bernardo Bertolucci and the "fast and unexplained" storytelling in Pialat's À nos amours as inspiration.[106]

Their first cut of the film ran three hours and 20 minutes long.[106][107] Fasano described it as his favorite saying it made him "lose [him]self in the story and the images."[106] The final cut lasts two hours and 10 minutes with a shooting ratio of 25:1.[106]

Several notable changes were made, or almost made, near the end of post-production. The monologue sequence with Elio's father once had piano playing beneath it. The scene where the two protagonists bike to a courtyard almost failed to make the final cut after one of the producers said it was inconsequential.[96] Hammer revealed that some scenes were digitally altered to fix wardrobe malfunctions caused by his short shorts.[108][109] Guadagnino has discussed several scenes that did not make the final cut. There was a "well-acted" scene where Elio and Oliver were "teasing one another" under a lime tree, which the director felt was "too precious".[47] A scene where Elio's parents make love in the bedroom while Elio and Oliver are kissing under the moonlight in the garden was also cut.[47] The latter scene was shown at a screening in Castiglioncello in June 2018, which also included a deleted scene of Elio inviting Oliver to tour the village.[110]

Music

Main article: Call Me by Your Name: Original Motion Picture Soundtrack
 
Sufjan Stevens contributed three songs to the film's soundtrack.

Guadagnino selected the music for Call Me by Your Name himself.[32] He wanted to find an "emotional narrator to the film" through music, in a "less heavy, less present, and more enveloping" way than voice and text.[38] The films Barry Lyndon (1975), The Magnificent Ambersons (1942), and The Age of Innocence (1993) inspired him.[38] Guadagnino wanted the film's music to be connected to Elio, a young pianist who enjoys transcribing and adapting piano pieces and uses music to deepen his relationship with Oliver.[21] Music is used in the film to reflect the period setting, the characters' family life and their level of education, and "the kind of canon they would be a part of".[21] Guadagnino also researched which pop songs had been played frequently on local radio stations that summer.[21][111]

Impressed by the lyricism of American songwriter Sufjan Stevens,[22] Guadagnino asked him to record an original song for Call Me by Your Name and to narrate the film from the perspective of Elio at an older age.[22][97] Stevens declined the voiceover role[97] but contributed three songs to the soundtrack: "Mystery of Love", "Visions of Gideon", and a remix by Doveman of his song "Futile Devices" from The Age of Adz (2010).[21] Stevens was inspired by the film's script, the novel and conversations with Guadagnino about the characters.[22] He submitted the songs a few days before filming began. Surprised by the result, Guadagnino listened to them on-set with the actors and editor Walter Fasano.[32][78] Because it had been pre-recorded, Chalamet was able to listen to "Visions of Gideon" on an earpiece during filming of the movie's 4-minute final shot, a static closeup of his face. He said that "Sufjan's song was playing in my ear so I could mirror the structure."[112] The project marked the first time Stevens had written songs explicitly for a feature-film soundtrack.[113][114] Next to the music of Stevens, a number of classical music pieces and pop songs of the 1980s are included in the soundtrack.

A soundtrack album was released in digital formats by Madison Gate Records and Sony Classical on November 3, 2017,[115] and in physical formats on November 17, 2017.[116] It features songs by: Stevens, The Psychedelic Furs, Franco Battiato, Loredana Bertè, Bandolero, Giorgio Moroder, Joe Esposito, and F. R. David, as well as music by John Adams, Erik Satie, Ryuichi Sakamoto, Bach, and Ravel.[117] As of February 1, 2018, the soundtrack has sold 9,000 copies and had 29 million on-demand audio streams of its tracks in the United States, according to Nielsen SoundScan.[118]

Release

Call Me by Your Name had its world premiere on January 22, 2017, at the Sundance Film Festival.[119][120] International sales were handled by Memento Films International, a French company, which screened a promo reel at the American Film Market in November 2016.[39][121] Shortly before the film's Sundance premiere, Sony Pictures Classics acquired worldwide distribution rights for $6 million.[122] The deal was negotiated by WME Global and UTA Independent Film Group.[123] The film was screened at the Berlin International Film Festival on February 13, 2017;[64] the Toronto International Film Festival on September 7, 2017;[14][78][124] and the New York Film Festival on October 3, 2017.[125] At the Beijing International Film Festival, it was originally scheduled for April 2018, but was removed from the official program with no explanation; Patrick Brzeski of The Hollywood Reporter wrote that the decision reflected the government's "consistent stance of intolerance toward gay content".[126][127] That year, the film was honored at the Crema Film Festival: Aciman met the public on June 23, and Garrel joined the screening at the Crema Cathedral on June 30.[128]

 
From left to right: Armie Hammer, Timothée Chalamet, Vanda Capriolo, Amira Casar, André Aciman, Esther Garrel, Victoire du Bois, and Peter Spears at the screening of Call Me by Your Name at the 2017 Berlin International Film Festival

Call Me by Your Name opened in limited release in the United Kingdom on October 27, 2017,[17] and the United States on November 24, 2017.[6] It expanded from four to thirty locations in the U.S. on December 15, 2017,[129] then to 114 theaters on December 22.[130] It screened in 174 theaters in January 2018,[131] before going into wide release in 815 theaters a few days before the Oscar nomination announcement ceremony on January 19, 2018.[132][133] On Oscars weekend, the film screened in 914 theaters, its widest release in the U.S.[134]

Warner Bros. Entertainment theatrically released the film in Italy on January 25, 2018, though home media distribution in Italy is distributed through Sony Pictures Home Entertainment as well.[135][136][137] Special screenings and a public meet-and-greet with Guadagnino, Hammer and Chalamet took place in Crema between January 27 and 30.[137][138][139] The film opened in Brazil on January 18[140] and in France on February 28.[141] In March 2018, a distributor in Tunisia reported that the Ministry of Culture had banned the film as an "attack on liberties" because of its subject matter.[142][143] In Ireland, it became the longest-running film shown at the Light House Cinema in early June 2018, after a 30-week run.[144] In the Philippines, the film was screened accompanied by a live performance of its soundtrack by the Manila Symphony Orchestra on October 28.[145]

Walt Disney Studios Motion Pictures theatrically released the film in Taiwan on January 12, 2018, under the Buena Vista International label.[146]

Marketing

Sony Pictures Classics released an official poster for Call Me by Your Name on July 27, 2017.[147] The first theatrical trailer was released on August 1, 2017.[148][149] On October 11, 2017, Sony Pictures Classics released a teaser titled "Dance Party" to celebrate National Coming Out Day.[150] The 42-second clip, consisting of a single take of Hammer and Chalamet dancing to "Love My Way" in a bar, became a meme on Twitter.[151][152][153] Because of its use in the clip, "Love My Way" gained popularity on music-streaming websites. It rose 13% on on-demand streams during the two months before the film's release. In the week ending November 30, 2017, the song collected 177,000 on-demand streams, its biggest streaming week in the U.S.[154]

Reaction to the advertisement on social media was somewhat negative, largely because of Sony Pictures' misleading use of an image of Chalamet and Garrel instead of a focus on the protagonists' relationship.[155] Daniel Megarry of Gay Times described it as "an attempt to 'straight-wash' the movie's predominant same-sex romance".[156] Benjamin Lee of The Guardian called the ad a "disastrous attempt to push Oscar-buzzed Call Me by Your Name as a straight love story", and said the advert "belies an industry awkwardly denying queerness".[157] Sony Pictures Classics later aired several commercial spots to promote the film during its U.S.-wide expansion on January 19, 2018.[132] To promote the film in South Korea, Sony Pictures released several never-before-seen set photos and pastel promotional posters illustrated by Son Eunkyoung in March 2018.[158][159]

Home media

A pirated copy of an awards-screener DVD of Call Me by Your Name, along with copies of Last Flag Flying and fellow Oscar nominees I, Tonya and Lady Bird, were leaked onto file-sharing websites by the hacker group Hive-CM8 on December 24, 2017.[160][161][162] The film was officially released for digital download on February 27, 2018.[163] It was released on Blu-ray and DVD on March 13, 2018, with two bonus featurettes ("In Conversation with Armie Hammer, Timothée Chalamet, Michael Stuhlbarg & Luca Guadagnino" and "Snapshots of Italy: The Making of Call Me by Your Name"), an audio commentary track by Chalamet and Stuhlbarg, and the music video for "Mystery of Love".[101][163][164] The film made $2,100,758 in DVD sales and $1,856,909 in Blu-ray sales in the United States, for a total of $3,957,667 in home media sales.[165] In the United Kingdom, the DVD charted at number seven and the Blu-ray at number four on Top 100 sales for both formats.[166][167]

Reception

Box office

Call Me by Your Name grossed $18.1 million in the United States and Canada, and $23.8 million in other territories, for a worldwide total of $41.9 million against a production budget of $3.4 million.[6] The film was Sony Pictures Classics' third-highest-grossing release of 2017.[168]

In the United States, Call Me by Your Name began its limited run on November 24, 2017, at The Paris Theater and Union Square Theatre in New York City, and the ArcLight Hollywood and Landmark Theater in Los Angeles.[169] The film made $404,874 in its opening weekend—a per-theater average of $101,219.[170][171] It was the highest average of 2017—the biggest since the opening of La La Land the previous December[172]—and had the best per-screen opening for a gay romance film since Brokeback Mountain (2005).[170][173] In its second weekend, the film grossed $281,288,[174][175] with an "excellent" per-screen average of $70,320.[176][177] The film expanded to nine theaters in its third weekend, grossing $291,101 for a "solid" $32,345 per-theater average.[178] It earned $491,933 from 30 theaters in its fourth weekend, averaging $16,398.[129] The film expanded to 114 theaters in its fifth week and grossed $850,736, averaging $7,463 per screen.[130] It crossed $6 million in its seventh weekend, earning $758,726 from 115 locations.[179] It grossed $715,559 from 174 theaters in its eighth weekend, averaging $4,185 per screen.[131]

In the film's nationwide release week—its ninth weekend overall—the film grossed $1.4 million from 815 theaters, an under-performance compared to "some of its competition with similar theater counts," according to Deadline Hollywood.[132][133] The following weekend, after the announcement of its four Oscar nominations, the film's revenues dropped 6 percent to $1.3 million.[180][181] With a total gross revenue of $9,370,359 by the week of January 23, 2018, Call Me by Your Name was the second-lowest-grossing film among that year's Best Picture nominees.[182] However, the online ticketing company Fandango reported that the film had experienced a 56 percent increase in ticket sales through its service since its Best Picture nomination was announced.[5] Regarding the film's "lagging" box-office performance, Tom Brueggemann of IndieWire commented that Sony Picture Classic "has done an able job so far", and said "at some point the film and the reaction to it is something no distributor can overcome".[183] It grossed $919,926, averaging $1,006, from 914 theaters during the Oscar weekend,[134] and went on to earn $304,228 from 309 theaters in its sixteenth weekend.[184]

Call Me by Your Name opened at number seven in Italy with €781,000 and obtained the best per-theater average of the week.[185] It made €49,170 on February 6 and reached €2 million by the end of the week.[186] It re-entered at number 10 on March 13 by making another €13,731 at the box office.[187] As of July 6, 2018, the film had grossed $3,925,137 in Italy.[165] It attracted 17,152 viewers in France on its first day of screening, with an "excellent" per-theater average of 184 entries.[188] It went on to attract 108,500 viewers in the opening weekend, earning 1,167 viewings—the second-best average that week[189]—and 238,124 viewers in its third weekend.[190] As of April 17, 2018, the film had grossed $2,652,781 in France.[165] In the United Kingdom, the film earned £231,995 ($306,000) from 112 screens in its opening weekend,[191] including £4,000 from previews.[192] After ten days, it had made £568,000 ($745,000),[193] before reaching the $1 million mark (£767,000) in its third weekend.[194][195] As of May 21, 2018, the film had grossed $2,372,382 in the United Kingdom.[165]

Critical response

At its premiere at the Sundance Film Festival, Call Me by Your Name received a standing ovation.[196] When it screened at Alice Tully Hall as part of the New York Film Festival, it received a ten-minute ovation, the longest in the festival's history.[44][197] On review aggregator Rotten Tomatoes, the film has an approval rating of 94% based on 368 reviews, with an average rating of 8.7/10. The website's critical consensus reads, "Call Me by Your Name offers a melancholy, powerfully affecting portrait of first love, empathetically acted by Timothée Chalamet and Armie Hammer."[198] It was the best-reviewed limited release and the second-best-reviewed romance film of 2017 on the site.[199][200] On Metacritic, the film has an average weighted score of 94 out of 100, based on 53 critics, indicating "universal acclaim".[201] It was the year's fifth-best rated film on Metacritic.[202]

 
Guadagnino's direction was particularly praised by critics.[120][203]

Writing for The Hollywood Reporter, Boyd van Hoeij described Call Me by Your Name as an "extremely sensual ... intimate and piercingly honest" adaptation of Aciman's novel and called Chalamet's performance "the true breakout of the film".[204] Peter Debruge of Variety believed the film "advances the canon of gay cinema" by portraying "a story of first love ... that transcends the same-sex dynamic of its central couple". He compared Guadagnino's "sensual" direction with the films of Pedro Almodóvar and François Ozon, and put Call Me by Your Name "on par with the best of their work".[120] David Ehrlich of IndieWire also praised Guadagnino's directing, which he said helped the film "match the artistry and empathy" of Carol (2015) and Moonlight (2016).[203] Sam Adams of the BBC wrote that Stuhlbarg's performance "puts a frame around the movie's painting and opens up avenues we may not have thought to explore", and called it "one of his finest" to date. He extolled the film as one of "many movies that have so successfully appealed to both the intellectual and the erotic since the heydays of Patrice Chéreau and André Téchiné".[205]

Ty Burr of The Boston Globe gave the film three-and-a-half stars, commended the director for "broaden[ing] his embrace of humanity while hitting new heights of cinematic bliss" and said that the film "may be a fantasy but it's one that's lovely and wise."[206] David Morgan of CBS praised the cinematography, production design and costuming for "making a summer in the 1980s palpably alive again." He found Stuhlbarg's character "the most forward-thinking parent in movie history".[207] Richard Lawson wrote that Guadagnino's adaptation "was made with real love, with good intentions, with a clarity of heart and purposeful, unpretentious intellect" and hailed it as a "modern gay classic" in his Vanity Fair review.[208] Chicago Tribune's Michael Phillips was pleased by the "wonderfully paradoxical" visual interests from the director and said Stevens's songs "work like magic on your sympathies regarding Elio's emotional awakening." He praised Hammer's performance as "some of the most easy-breathing and relaxed best work of his career."[209]

The Economist noted the tension "between pain and pleasure" in the film and praised Chalamet, saying that he "evokes so many shades of humanity, portraying a path of youthful self-discovery that is more raw, unhinged, and ultimately honest than many actors could manage".[210] Kate Taylor of The Globe and Mail, who gave the film two-and-a-half stars, also enjoyed Chalamet's effort in capturing "first love and its inevitable heartbreak" and said the "multilingual, almost-pre-AIDS idyll does not stretch credulity ... but it can try the patience".[211] Ken Eisner of The Georgia Straight said that "Guadagnino's lyrical excesses ... can alternate wildly between the poetically incisive and the indulgently preposterous."[212] In a negative review, Kyle Turner of Paste wrote, "The details of the film are too small for anyone, perhaps particularly a queer person, to see," a visual distance that "suggests that the film, in the beginning, is as terrified as Elio initially is. It never gets over that hesitation."[213] Armond White of Out called the movie "craven commercialism" and a "super-bourgeois fantasy" that "exploit[s] the queer audience's romantic needs by packaging them and falsifying them."[214]

Depiction of age gap in a sexual relationship

The film's depiction of a sexual relationship with an age disparity between the characters Elio and Oliver drew commentary and criticism—especially in the United States, where the lowest legal age of consent is higher than in Italy.[215] The 17-year-old Elio was portrayed by Chalamet, who was 20 at the time of filming, while the 24-year-old Oliver was played by Hammer, then 30. Queer Eye host Karamo Brown criticized the movie as glorifying sexual assault and said, "it looks like a grown man having sex with a little boy."[216] Author Cheyenne Montgomery said she was disturbed that one of the protagonists is portrayed as a boy and the other as a man, saying, "Elio is portrayed very much as a child: He shaves peach fuzz off of his face, he cuddles with his parents, his lines are often kind of bratty and childlike, and he's being played as a sexy romantic partner to a character who's very much being portrayed as an adult."[217] Physicians Renee Sorrentino and Jack Turban wrote in Psychiatric Times:

This film is about sexual predation. Oliver looks much older than his reported age of 24 while Elio looks like a very young 17-year-old. The power disparity in the relationship is clear. Elio is fragile and sexually naive. Oliver is experienced and directive in the relationship. ... Is it appropriate for a 24-year-old experienced in drinking to have sex with an inebriated and vomiting 17-year-old?[218]

A feature in The Advocate, an LGBT-interest magazine, drew attention to other narrative films depicting heterosexual relationships with similar or greater age gaps, such as between the teenaged Scarlett and the 33-year-old Rhett Butler in Gone with the Wind.[219]

Accolades

Main article: List of accolades received by Call Me by Your Name
 
Chalamet's performance received widespread acclaim and earned the 22-year-old a nomination for the Academy Award for Best Actor in a Leading Role, making him the third-youngest nominee for the award.

The National Board of Review and the American Film Institute selected Call Me by Your Name as one of the top 10 films of the year.[220][221] At the 90th Academy Awards, it was nominated for Best Picture, Best Actor (Chalamet), Best Original Song ("Mystery of Love"), and Best Adapted Screenplay, winning the last.[222][223] Chalamet became the third-youngest Best Actor nominee and the youngest nominee since 1939, and Ivory became the oldest winner in any competitive category.[224] The film received four nominations at the 71st British Academy Film Awards, including Best Film and Best Direction, and won Best Adapted Screenplay for Ivory.[225][226] At the 75th Golden Globe Awards, it was nominated for Best Motion Picture – Drama, Best Actor – Motion Picture Drama for Chalamet and Best Supporting Actor for Hammer.[227]

The film received eight nominations at the 23rd Critics' Choice Awards; Ivory won Best Adapted Screenplay.[228] The film led the 33rd Independent Spirit Awards with six nominations, winning Best Male Lead for Chalamet and Best Cinematography for Mukdeeprom.[229][230] At the 24th Screen Actors Guild Awards, Chalamet received a nomination for Outstanding Performance by a Male Actor in a Leading Role.[231] The film won the GLAAD Media Award for Outstanding Film – Wide Release at its 29th ceremony.[232] In Italy, Fasano won Best Editing at the 73rd Nastro d'Argento Awards and 33rd Golden Ciak Awards.[233][234] The National Board of Review, the Gotham Independent Film Awards and the Hollywood Film Awards each awarded Chalamet with their Breakout Actor Awards.[235][236]

In a series of articles regarding the best of the 2010s in film, IndieWire ranked Call Me by Your Name as the 18th best film of the decade and Chalamet's performance as the 39th best acting performance.[237][238] Consequence of Sound ranked the film as the 23rd best of the decade,[239] Rolling Stone ranked it 40th[240] and Little White Lies ranked it 47th.[241]

Fanbase

The film has gained a large international fan base. During the film's festival run, people crossed borders and oceans to be among the first to see the film. In 2018, a book was published by Barb Mirell, who collected stories from fans around the world about what the film meant to them.[242] By early 2018 the film had attracted a following in China among heterosexual women, who perceived it as a Western "boys' love" romance, evidenced by its popularity on the Chinese social network and media database Douban.[243]

After an Italian fan published coordinates of the filming locations, visiting Crema has become something akin to a religious pilgrimage for fans of the film. The city of Crema now offers official tours.[244]

Sequel

See also: Find Me (novel)

Guadagnino has deliberated over the idea of a sequel since the film's premiere at Sundance, when he said he realized the characters "could go beyond the boundaries of the film."[47] In October 2017, he said he hoped to make a sequel in 2020 that might be in the style of François Truffaut's The Adventures of Antoine Doinel series, telling the story of Oliver and Elio as they age. "If I paired the age of Elio in the film with the age of Timothée, in three years' time, Timothée will be 25, as would Elio by the time the second story was set", he said.[245][246] In the novel, Elio and Oliver reunite 15 years later when Oliver is married. Guadagnino said that in the sequel, "I don't think Elio is necessarily going to become a gay man. He hasn't found his place yet ... I believe that he would start an intense relationship with Marzia again."[247]

Guadagnino has expressed interest in the politics of the 1990s, saying, "It is the time of the fall of Communism and the start of the new world order and so-called 'end of history' that Francis Fukuyama established then ... the beginning of the [Silvio] Berlusconi era in Italy and it would mean dealing with the [first Gulf War] of Iraq."[247][248] In November 2017, Guadagnino shared his intention to make a series of five films, in which the audience could "see those actors grow older, embodying those characters."[47] A month later, he was reported to have begun writing a script for a sequel that would reveal more about Oliver and resemble Michael Apted's Up series.[249][250] Hammer and Chalamet have expressed interest in appearing in a sequel,[251] but Ivory appears to be dismissive, saying about the idea of sequels, "that's fine, good. But I don't know how they're going to get a 40-year-old [Chalamet]!"[43]

In January 2018, Guadagnino revealed the sequel will be set "right after the fall of Berlin Wall and that great shift that was the end of ... the USSR",[19] and that the first scene in the film could depict Elio watching Paul Vecchiali's Once More (1988)—the first French film to deal with AIDS—in a movie theater.[252] In March 2018, Guadagnino confirmed he will work with Aciman on the sequel, which will take place "five or six years afterwards" with "a different tone" than the first film.[253] He also said that Hammer and Chalamet would reprise their roles with a different backdrop, where they "go around the world".[253] Hammer said he was pitched the script by Guadagnino, saying: "it's not a finished script, but he's got all the ideas for it".[254] In April 2018, Aciman said in an interview for The Sydney Morning Herald that he and Guadagnino were "not sure" about the sequel, saying "[Guadagnino] has quite a few projects in line and so do I. So we are flirting with each other about the sequel but I don't know if we are very serious."[255] In July 2018, Stuhlbarg said that Guadagnino and Aciman were excited about the project and that the director was "serious" about it. He expressed enthusiasm to reprise his role in the sequel, saying "I think it would have to be some kind of unique thing from what it was, but I would absolutely be game for trying."[256] Two months later, Hammer said of the sequel in an interview for Variety: "It will happen because there are already people working on it and trying to make it happen."[257]

In an interview for Time in October 2018, Chalamet compared the sequel to Richard Linklater's Boyhood (2014) and said that Hammer, Aciman and Guadagnino were all intended to return for the next film.[258] That same month, Guadagnino revealed that he has asked Dakota Johnson, a frequent collaborator of his, to play Oliver's wife in the sequel. He described her character as "a New England kind of hoochie woman" who might also have children with Oliver.[259] He said that the film would be "a new chapter in a chronicle" about the characters, rather than a sequel,[260] and it might take some time to develop due to the busy schedule, saying "I have not been able to luxuriate in anything but the promotion of Suspiria ... I didn't have space of mind and the real, actual time to put ideas on the table and think of things."[260] "The only problem is the title," he said; "It cannot be Call Me by Your Name Two".[259][261] At the SCAD Savannah Film Festival in October, Hammer said that Guadagnino had laid out a potential plot for the sequel and it might be a few years away, saying "[Guadagnino] wants to wait so that we age a bit more so that gap makes sense, kind of like a Linklater thing."[262] In an interview with Dazed in November, the director said about the sequel, "It's a delicate flower that is blooming very slowly. And so I think it's not the time to collect it and put it into a vase."[263]

In November 2018, Ivory confirmed that he wouldn't return for the sequel and said that Aciman thought "it was not a good idea".[264] Less than a week later, Aciman, however, said he was in fact writing a sequel to Call Me by Your Name.[265][266] The novel, titled Find Me, was officially confirmed on March 20, 2019, and was released on October 29 by Farrar, Straus and Giroux.[267] Also in March 2019, Hammer revealed that the film isn't formally in the works, and he hasn't had explicit conversations with either Chalamet or Guadagnino about it. He also felt the potential sequel might not match the expectation, saying, "It felt like a really perfect storm of so many things, that if we do make a second one, I think we're setting ourselves up for disappointment. I don't know that anything will match up to the first ... I'm like, 'That was such a special thing, why don't we just leave it alone?'"[268]

In March 2020, Guadagnino confirmed a sequel film in an interview with Italian newspaper la Repubblica. In the interview he also confirmed that the full cast of the original film, including Timothée Chalamet and Armie Hammer will be returning. He also stated in the interview that he was due to meet with an unnamed American writer to discuss the sequel, however it was postponed due to the COVID-19 pandemic.[269] In a GQ interview in September, Hammer was asked again about the film's progress and said, "I've been talking to [Guadagnino], but we haven't got into it. I haven't even read the book. I know Luca hasn't got a full script yet, although he knows what he wants to do with the story, so I don't know how similar or dissimilar it will be to Find Me the novel. I know if we end up doing it, it’s more important for me to focus on Luca’s vision than to focus on Find Me."[270]

A series of allegations against Hammer of emotional abuse and cannibalistic fetishism in early 2021 – resulting in Hammer's removal from nearly all upcoming projects – have raised doubts about the prospects of a sequel,[271] but actor Michael Stuhlbarg hopes that the film will still be made.[272] In May 2021, Guadagnino suggested in an interview with Deadline that a sequel was no longer in his priorities.[273] In the interview, he hinted that, beyond the complications related to Hammer's scandal, Chalamet and himself would be busy with other films in the near future which has led him to put the sequel project aside.

See also

Notes

  1. ^ Mr. Perlman's first name is not given in the film's credits or in the source novel. In an interview, Stuhlbarg said his character was referred to as Samuel or Sam during production, and the character is called "Sammy" once in the film.[10]
  2. ^ Liguria and Sanremo were once depicted as the main setting in the book.[32][44] Aciman, however, declared that the novel takes place in Bordighera, saying "I didn't want to name it in the book, but it's known. I go back to Bordighera all the time".[45] During his time as a location consultant, Guadagnino suggested Liguria as the main setting to the producers.[41]
  3. ^ In the original French, "le cinéma d'art [et] d'essai européen," a term encompassing independent and arthouse films.

References

  1. ^ "Call Me by Your Name (2017)". British Board of Film Classification. from the original on 7 November 2017. Retrieved 4 November 2017.
  2. ^ . British Film Institute. Archived from the original on April 1, 2020. Retrieved April 3, 2020.
  3. ^ "Film #74034: Call Me by Your Name". Lumiere. from the original on February 24, 2020. Retrieved April 3, 2020.
  4. ^ "Berlin Film Festival 2017 Program by Memento Films" (PDF). Memento Films International. (PDF) from the original on December 8, 2017. Retrieved December 1, 2017.
  5. ^ a b Katz, Brandon (January 25, 2018). "'Call Me by Your Name' Sequel Details Revealed". The New York Observer. from the original on February 14, 2018. Retrieved January 25, 2018.
  6. ^ a b c "Call Me by Your Name (2017)". Box Office Mojo. from the original on August 27, 2017. Retrieved September 29, 2018.
  7. ^ "Hollywood Reporter Critics Pick the 50 Best Films of the 21st Century (So Far)". The Hollywood Reporter. April 6, 2023.
  8. ^ "Why Call Me by Your Name is One of the Greatest Love Stories of All Time". August 14, 2021.
  9. ^ ""Call Me by Your Name" Review: The Most Beautiful Film of the 21st Century Thus Far – film & glory". January 3, 2021.
  10. ^ Rochlin, Margy (December 21, 2017). "Michael Stuhlbarg's 'fragile balancing act' in playing a supportive dad in 'Call Me by Your Name'". Los Angeles Times. from the original on January 22, 2018. Retrieved July 2, 2018.
  11. ^ Gallo, Francesco (February 14, 2017). "Luca Guadagnino, la mia storia gay per famiglie" [Luca Guadagnino, my gay story for families]. ANSA (in Italian). from the original on February 25, 2020. Retrieved February 14, 2020.
  12. ^ a b c d e Ryan, Patrick (January 24, 2017). "Sundance: Critics fall for Armie Hammer gay romance 'Call Me By Your Name'". USA Today. Park City, Utah. from the original on October 23, 2017. Retrieved October 17, 2017.
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January 01, 1970
call, your, name, film, call, your, name, italian, chiamami, nome, 2017, coming, romantic, drama, film, directed, luca, guadagnino, screenplay, james, ivory, also, produced, based, 2007, novel, same, title, andré, aciman, film, final, installment, guadagnino, . Call Me by Your Name Italian Chiamami col tuo nome is a 2017 coming of age romantic drama film directed by Luca Guadagnino Its screenplay by James Ivory who also co produced is based on the 2007 novel of the same title by Andre Aciman The film is the final installment in Guadagnino s thematic Desire trilogy after I Am Love 2009 and A Bigger Splash 2015 Set in 1983 in northern Italy Call Me by Your Name chronicles the romantic relationship between a 17 year old Elio Perlman Timothee Chalamet and Oliver Armie Hammer a 24 year old graduate student assistant to Elio s father Samuel Michael Stuhlbarg an archaeology professor The film also stars actresses Amira Casar Esther Garrel and Victoire Du Bois Call Me by Your NameTheatrical release posterDirected byLuca GuadagninoScreenplay byJames IvoryBased onCall Me by Your Nameby Andre AcimanProduced byPeter Spears Luca Guadagnino Emilie Georges Rodrigo Teixeira Marco Morabito James Ivory Howard RosenmanStarringArmie Hammer Timothee Chalamet Michael Stuhlbarg Amira Casar Esther Garrel Victoire Du BoisCinematographySayombhu MukdeepromEdited byWalter FasanoProductioncompaniesFrenesy Film Company La Cinefacture RT Features M Y R A Entertainment Water s End ProductionsDistributed bySony Pictures Classics Worldwide Warner Bros Pictures Italy Memento Films International International Release datesJanuary 22 2017 2017 01 22 Sundance November 24 2017 2017 11 24 United States January 18 2018 2018 01 18 Brazil January 25 2018 2018 01 25 Italy Running time132 minutes 1 CountriesItaly United States France Brazil 2 3 LanguagesEnglishItalianFrench 4 Budget 3 5 million 5 Box office 43 1 million 6 Development began in 2007 when producers Peter Spears and Howard Rosenman optioned the rights to Aciman s novel Ivory had been chosen to co direct with Guadagnino but stepped down in 2016 Guadagnino had joined the project as a location scout and eventually became sole director and co producer Call Me by Your Name was financed by several international companies and its principal photography took place mainly in the city and comune of Crema Lombardy between May and June 2016 Cinematographer Sayombhu Mukdeeprom used 35 mm film as opposed to employing digital cinematography The filmmakers spent weeks decorating Villa Albergoni one of the main shooting locations Guadagnino curated the film s soundtrack which features three original songs by American singer songwriter Sufjan Stevens Sony Pictures Classics acquired distribution rights to Call Me by Your Name before its premiere at the 2017 Sundance Film Festival on January 22 2017 The film began a limited release in the United States on November 24 2017 and went on general release on January 19 2018 It received widespread critical acclaim particularly for Ivory s screenplay Guadagnino s direction Mukdeeprom s cinematography and the performances of Chalamet Hammer and Stuhlbarg The film garnered a number of accolades including many for its screenplay direction acting and music It received four nominations at the 90th Academy Awards including Best Picture and Best Actor for 22 year old Chalamet the third youngest nominee in the category and winning for Best Adapted Screenplay The screenplay also won at the 23rd Critics Choice Awards 71st British Academy Film Awards and the 70th Writers Guild of America Awards Since then it is now considered to be one of the best films of the 21st century 7 8 9 Contents 1 Plot 2 Cast 3 Styles and themes 4 Production 4 1 Development 4 2 Adaptation 4 3 Casting 4 4 Production design and costume 4 5 Principal photography 4 6 Post production 5 Music 6 Release 6 1 Marketing 6 2 Home media 7 Reception 7 1 Box office 7 2 Critical response 7 3 Depiction of age gap in a sexual relationship 7 4 Accolades 7 5 Fanbase 8 Sequel 9 See also 10 Notes 11 References 12 External linksPlotIn the summer of 1983 Elio Perlman a 17 year old Jewish French Italian boy lives with his parents in rural Northern Italy Elio s father a professor of archaeology invites a 24 year old Jewish American graduate student Oliver to live with the family over the summer and help with his academic paperwork Elio an introspective bookworm and a musician initially thinks he has little in common with Oliver who appears confident and carefree Elio spends much of the summer reading playing piano and hanging out with his childhood friends Chiara and Marzia During a volleyball match Oliver touches Elio s back but Elio brushes it off However Elio later finds himself jealous upon seeing Oliver pursue Chiara Elio and Oliver spend more time together going for long walks into town and accompanying Elio s father on an archaeological trip Elio is increasingly drawn to Oliver even sneaking to Oliver s room to smell his clothing Elio eventually confesses his feelings to Oliver who tells him they cannot discuss such things Later in a secluded spot the two kiss for the first time Oliver is reluctant to take things further and they do not speak for several days Elio goes on a date with Marzia and the two have sex Elio leaves a note for Oliver to end their silence Oliver writes back asking Elio to meet him at midnight Elio agrees and they sleep together for the first time Afterwards Oliver says to Elio Call me by your name and I ll call you by mine The morning after Elio is briefly conflicted about their encounter and takes out his sexual frustration by masturbating with a peach When Oliver finds him Elio cries about how little time he and Oliver have left together Marzia confronts Elio after not hearing from him for three days He responds coldly hurting her As the end of Oliver s stay approaches Elio s parents who appear to be aware of the bond between the two recommend that he and Oliver visit Bergamo together before Oliver returns to the U S They spend three romantic days together Elio heartbroken after Oliver s departure calls his mother and asks her to pick him up from the train station and take him home Marzia is sympathetic to Elio s feelings and says she wants to remain friends Elio s father observing his unhappiness tells him that the bond he had with Oliver was rare and that he envied Elio because he never was able to have what Elio and Oliver had During Hanukkah Oliver calls Elio s family to tell them he is engaged to be married to a woman he has been seeing for a few years Elio calls Oliver by his name and Oliver responds with his Oliver also says that he remembers everything After the call Elio sits down by the fireplace and stares into the flames tearfully reflecting as his parents and staff prepare the holiday dinner CastArmie Hammer as Oliver Timothee Chalamet as Elio Perlman Michael Stuhlbarg as Mr Perlman a Amira Casar as Annella Perlman Esther Garrel as Marzia Victoire Du Bois as Chiara Vanda Capriolo as Mafalda Antonio Rimoldi as Anchise Elena Bucci as Bambi Marco Sgrosso as Nico Andre Aciman as Mounir Peter Spears as Isaac Beppe Grillo as himself archive footage 11 Styles and themesCall Me by Your Name is the final installment in a thematic trilogy Guadagnino calls his Desire trilogy the other two parts were I Am Love 2009 and A Bigger Splash 2015 12 13 Guadagnino described his approach to the film as lighthearted and simple 14 15 marking a departure from his previous work which has been called highly stylised and dazzling 16 Guadagnino considers Call Me by Your Name a homage to the fathers of my life my own father and my cinematic ones referring to the filmmakers Jean Renoir Jacques Rivette Eric Rohmer and Bernardo Bertolucci who he says inspired him 17 Guadagnino has described Call Me by Your Name as a family oriented film for the purpose of transmission of knowledge and hope that people of different generations come to see the film together 18 He saw it not as a gay movie but as a film about the beauty of the newborn idea of desire unbiased and uncynical reflecting his motto of living with a sense of joie de vivre 14 15 We should always be very earnest with one s feelings instead of hiding them or shielding ourselves he said 12 He considered it an uplifting film about being who you want to be and finding yourself into the gaze of the other in his or her otherness 19 The director tried to avoid the flaws he had seen in most coming of age films where growth is often portrayed as being a result of resolving preconceived dilemmas such as an enforced choice between two lovers 20 He also wanted the story to follow two people in the moment rather than focus on an antagonist or a tragedy 15 an approach inspired by A nos amours 1983 directed by Maurice Pialat 20 21 As someone who considers sex in film a representation of the characters behavior and identity 22 Guadagnino was not interested in including explicit sex scenes in the film 23 He explained his intention I wanted the audience to completely rely on the emotional travel of these people and feel first love It was important to me to create this powerful universality because the whole idea of the movie is that the other person makes you beautiful enlightens you elevates you 23 Alongside a sexual coming of age motif the movie also touches upon the novel s theme 24 of Elio discovering and connecting to his Jewish identity through the openly Jewish Oliver and as a contrast with his own family being as his mother puts it Jews of discretion 25 The common Jewish identity is a part of what draws Elio and Oliver together and is represented visually on screen through the Star of David necklace that Oliver initially wears and Elio is drawn to 26 The theme of sexual self discovery is paralleled with the Jewish theme in the movie since in both cases Elio starts out more secretive about these parts of himself and transitions to a place of greater self acceptance both journeys connected to Oliver s role in his life There is a hint in the movie that Oliver might have gifted his own Star of David necklace to Elio shortly before they parted ways in the train station 27 Elio s own necklace can be clearly seen during the conversation from which the movie as the novel borrows its title thanks to its visually central placement during this scene ProductionDevelopment nbsp James Ivory pictured in September 1991 took nine months to write the script and had been set to co direct the film Two of the film s producers Peter Spears and Howard Rosenman saw a galley proof of Andre Aciman s debut novel Call Me by Your Name in 2007 and optioned the screen rights before its publication 28 Rosenman first heard about the book through a friend after acting in Milk 2008 and described it as divine 29 Spears moved by the novel and believing it deserved a cinematic adaptation received his first credit as a producer from his work on the film 30 They invited their friend James Ivory to work as an executive producer on the film adaptation 31 Spears and Rosenman began production in 2008 32 but the project was soon trapped in development hell 33 The producers met with three sets of directors and writers among them Gabriele Muccino Ferzan Ozpetek and Sam Taylor Johnson 34 but could not find anyone who would commit to the project 28 35 Scheduling filming in Italy during the summer also proved difficult 28 35 The producers contacted Guadagnino their first choice to direct but he declined citing a busy schedule 13 32 However as Guadagnino lived in northern Italy he was initially hired as a location consultant instead 20 36 Guadagnino later suggested that he co direct the film with Ivory but no contractual agreement was put in place 14 33 Ivory accepted the offer to co direct on the condition that he would also write the film 33 he spent about nine months on the screenplay 31 37 Guadagnino who has described the novel as a Proustian book about remembering the past and indulging in the melancholy of lost things 21 collaborated on the adaptation with Ivory and Walter Fasano 14 18 Screenwriting took place at Ivory s house Guadagnino s kitchen table in Crema and sometimes in New York City 38 Ivory rarely met Guadagnino during the process since the director was busy making A Bigger Splash 2015 37 The screenplay was completed in late 2015 37 Aciman approved it and commended the adaptation as direct real and persuasive adding they ve done better than the book 28 The completed screenplay was vital in securing funding for the film 31 33 Among the financiers were the production companies La Cinefacture France Frenesy Film Company Italy owned by Guadagnino M Y R A Entertainment United States RT Features Brazil and Water s End Productions United States The project was also supported by the Italian Ministry of Cultural Heritage and Activities and Tourism 18 39 40 The backers deemed the production s initial cost estimates too expensive 41 so the production budget was reduced from 12 million to 3 4 million and the filming schedule was cut from 12 to 5 weeks 40 42 Ivory stepped down from a directorial role in 2016 leaving Guadagnino to direct the film alone 13 14 According to Ivory financiers from Memento Films International did not want two directors involved with the project because they thought it would be awkward It might take longer it would look terrible if we got in fights on the set and so on 31 37 Guadagnino said Ivory s version would have likely been a much more costly and different film that would have been too expensive to make 20 36 Ivory became the sole credited screenwriter 43 and later sold the rights to the screenplay to Guadagnino s company 31 37 Call Me by Your Name was Ivory s first produced screenplay since Le Divorce 2003 and the only narrative feature he has written but not directed 43 He remained involved with other aspects of the production 43 Guadagnino dedicated the film to his late friend Bill Paxton who came to visit the set in Crema before his death in February 2017 citation needed Adaptation nbsp The film adaptation as directed by Guadagnino left differs from Ivory s script and the source material written by Aciman right The film differs from its source material in several ways The novel is written in flashback from Elio s perspective The filmmakers set the movie entirely in 1983 to help the audience understand the characters believing that this approach would allow them to remain true to the spirit of the book 32 21 The setting was changed from Bordighera to the countryside of Crema where Guadagnino lives b The town square selected for filming differed from the one Aciman had pictured in his novel which in his vision was far smaller and stood high on a hill overlooking a windswept Mediterranean 46 The arid climate and spookily deserted landscape in Crema suggested to him that the film would not correspond to the novel 46 The director also changed the year of the events from 1987 to 1983 In his words Guadagnino chose the year in Italy at least where the 70s are killed when everything that was great about the 70s is definitely shut down but also a time when the characters could be in a way untouched by the corruption of the 80s in the U S Ronald Reagan and in the UK Margaret Thatcher 38 44 Guadagnino was tempted to remove the scene in which Elio masturbates into a pitted peach finding it too explicit 28 47 Chalamet was also nervous about the scene 48 describing it as a metamorphosis of some of the strongest ideas in the movie and the key to illuminating the character s overabundant sexual energy 32 49 Both Guadagnino and Chalamet believed it was implausible to masturbate with a peach but each independently tested the method To their surprise it worked so Guadagnino shot the scene and ultimately included it in the film 50 A scene featuring Elio and Oliver dancing enthusiastically to The Psychedelic Furs song Love My Way in a small bar is not drawn from the book It was inspired by Jonathan Demme s Something Wild 1986 and Guadagnino s experience of dancing by himself when he was young 28 51 Ivory altered Mr Perlman s profession from a classics scholar to an art historian archeologist type 32 45 a decision that Aciman described as perfect and more visual more exciting as opposed to what a scholar does at his desk 45 When he was revising Ivory s draft of the script Guadagnino removed the voice over narration and much of the nudity 21 36 He said that explicit nudity was absolutely irrelevant to his vision for the film 52 and that he did not like the idea of having the main character tell the story retrospectively stating that it kills the surprise 21 Towards the end of the novel the two protagonists visit Rome a trip which lasts an entire chapter and introduces new characters in multiple locations 37 43 Because of the film s limited budget Ivory and the producers wrote several variations one of which was to leave the lead characters alone in the family s house 37 Ultimately the filmmakers settled on another trip to Bergamo rather than Rome where the characters spend much of their time alone together in a hotel room 37 In his original script Ivory depicted Elio s parents discussing HIV AIDS in two scenes 53 and Elio decorating a Christmas tree in his family s home in the final scene 54 43 Ivory had to reduce the length of Mr Perlman s speech but was committed to keeping it in the script 55 Aciman said in an interview with Moment that while keeping intervention with the script at a minimum he suggested to Ivory to keep dialogue prior to Perlman s speech to a minimum so as not to steal the surprise and the suspense that happens as it unfolds 56 Ivory described the scene in which Elio conveys his feelings to Oliver as one of the moments that captures the euphoric passion and nervousness of their first love 57 Aciman was surprised by Guadagnino s final scene where Elio is seen crying by the fireplace 46 he wrote of the film adaptation Cinema can be an entirely magical medium What I do as a writer and what Guadagnino does as a film director is more than speak two different languages What I do is chisel a statue down to its finest most elusive details What a film director does is make the statue move 46 Many of the changes to Ivory s screenplay were made during the filming the screenwriter was not present at the shooting set 54 In May 2016 Ivory said that he and Guadagnino discussed how to film the scenes involving nudity but the director later dropped them 53 In Ivory s view some of the director s statements to the press had misrepresented the film s omission of nudity as a conscious aesthetic decision even though they had never discussed removing nudity from the screenplay 53 Ivory said When people are wandering around before or after making love and they re decorously covered with sheets it s always seemed phoney to me 53 By contrast Ivory cited scenes from his earlier film Maurice 1987 a gay romantic drama that includes male nudity as a more natural way of doing things than to hide them or to do what Luca did which is to pan the camera out of the window toward some trees 53 Guadagnino said that he understood Ivory s position but that it was clear that there were no limitations on what we wanted to do 52 Casting In 2015 Shia LaBeouf and Greta Scacchi were reportedly set to be cast in the film 58 In September 2016 Ivory confirmed they were no longer involved in the project Ivory said he got along with LaBeouf who had read for the film in New York City but the production company later felt the actor was unsuitable after his various troubles Ivory thought Scacchi and LaBeouf read well together and could have made it into the film but the company disagreed 59 Guadagnino was impressed by Armie Hammer s performance in The Social Network 2010 14 50 describing him as a sophisticated actor with a great range 14 Hammer almost turned down the role of Oliver after reading the draft script because it contained nudity saying There s a lot of stuff here that I ve never done on film before But there s no way I can t do this film mostly because it scares me so much 60 61 Hammer had previously played gay characters in J Edgar 2011 and Final Portrait 2017 47 62 nbsp Hammer and Chalamet during the press conference for Call Me by Your Name at the 2017 Berlin International Film Festival In 2013 Swardstrom Spears husband and agent introduced Chalamet to Guadagnino 14 22 who immediately felt the actor had the ambition the intelligence the sensitivity the naivety and the artistry to play Elio 21 Chalamet had already read Aciman s novel and described it as a window into a young person 48 His character 17 year old Elio is fluent in three languages English French and Italian 40 Upon his arrival in Italy Chalamet who already spoke French fluently and had played piano and guitar for years 32 40 63 prepared for his role with a schedule of daily lessons in Italian gym workouts three times a week 32 and by working with composer Roberto Solci 32 40 Michael Stuhlbarg who was cast as Elio s father Mr Perlman 60 64 did not read the book until he had already joined the production 65 He found the script moving and described Mr Perlman as having a sense of generosity and love and understanding 66 Esther Garrel was contacted by Guadagnino when he was in Paris for the promotion of A Bigger Splash 67 Garrel was cast as Marzia without any formal audition and she chose not to read the book before shooting 67 Towards the end of the film Marzia asks Elio Friend for life a line taken from J entends plus la guitare 1991 directed by the actress s father Philippe Garrel 41 I like the idea of talking virtually with Philippe Garrel through her Guadagnino said 41 During shooting Garrel spoke French with Chalamet on set and watched the American sitcom Friends with English subtitles to improve her English 67 Guadagnino chose Amira Casar whom he had known for twenty years for the role of Elio s mother Annella 41 64 In an interview with French magazine Telerama Guadagnino expressed his admiration of Casar s sense of transgression and called her the most audacious in European art cinema c 41 Casting director Stella Savino met Vanda Capriolo when she was bicycling in the countryside Capriolo who was not an actor was chosen to play Mafalda the Perlmans maid 51 68 Aciman and Spears also appear briefly in cameo roles as Mounir and Isaac an openly gay couple who attend a dinner party 32 45 Aciman was asked to be in the movie after actors became unavailable It was a last minute decision Spears recalled Andre turns out to be a phenomenal actor So comfortable not nervous at all His wife was sitting there and said I had no idea 69 In dialogue the characters switch between English French Italian 70 and in one scene Annella reads a German translation of 16th century French literature 71 Hammer and Chalamet both signed contracts prohibiting the film from showing them with full frontal nudity Ivory whose original screenplay contained nudity was dismayed by the decision He criticized what he saw as an American attitude saying Nobody seems to care that much or be shocked about a totally naked woman It s the men 33 36 Guadagnino picked actors based on their performances and chemistry rather than on their sexuality 23 He said The idea that you have to cast only someone who has a certain set of skills and worse a certain gender identity in any role that s oppressive to me 13 Production design and costume The main location set for the Perlmans residence was Villa Albergoni an uninhabited 17th century mansion in Moscazzano 32 72 Guadagnino wanted to buy the house but could not afford it so he made a film there instead 40 73 A landscape designer was hired to construct an orchard in the mansion s garden 68 A pergola was built on the patio and apricot and peach trees were placed in the garden 72 74 Guadagnino did not want the film to be a period piece and tried to resist making a film that would reflect our idea of the 80s His goal was an accurate recreation of the period that was invisible to the viewer 20 The crew including production designer Samuel Deshors and set decorators Sandro Piccarozzi and Violante Visconti di Modrone styled the house with furniture and objects inspired by the characters 32 73 Much of the furniture including dishes and glassware from the 1950s belonged to Guadagnino and Visconti di Modrone s parents Di Modrone a grandniece of Luchino Visconti from the famous Visconti family said That made it cozy and personal I wanted to give it the sense of time passing by 75 Many paintings maps and mirrors influenced by Asian art came from an antiques shop in Milan 74 75 The books seen in the background were all published before 1982 68 The swimming pool used in the film was based on a watering trough common in the area 32 75 The filmmakers set up faded political billboards in public places to reflect the Italian general election in 1983 68 and re created a newsstand full of magazines of that time 68 Residents of Crema helped the production team with their research inviting them into their homes and providing pictures from the 1980s 20 76 Chen Li the film s graphic designer created a handwritten typeface for the film s title sequence of photocopied images of statues alongside items on Mr Perlman s desk 68 Costume designer Giulia Piersanti avoided using period costumes instead she wanted to provide a sense of insouciant adolescent sensuality summer heat and sexual awakening to the characters 75 The costumes which were influenced by the French films Pauline at the Beach 1983 A Tale of Springtime 1990 and A Summer s Tale 1996 75 included some pieces made by Piersanti s team 68 For the Perlmans wardrobe Piersanti took inspiration from her parents photograph albums For Oliver s sexy healthy American image Piersanti referred to some of Bruce Weber s earliest photographs 75 Oliver s clothes change throughout the film as he s more able to free himself 68 Aiming to emphasize Elio s confident style she chose several Lacoste costumes and a distinctive New Romantic looking shirt in the final scene 20 75 For Elio s other costumes Piersanti picked some items from her husband s closet including the polo shirt and Fido Dido T shirt 75 Principal photography nbsp nbsp Crema nbsp Pandino nbsp Moscazzano nbsp Grottoes of Catullus nbsp Cascate del Serio nbsp Bergamo nbsp PizzighettoneMap of filming locations in Lombardy Principal photography began on May 9 2016 and wrapped in June 2016 77 78 lasting around 33 days 68 79 The film was shot primarily in Crema and the surrounding province of Cremona 14 17 80 81 An unusual series of rainstorms coincided with the shooting schedule with heavy rain on 28 of the shooting days 30 79 Scenes set in the nearby villages Pandino and Moscazzano were filmed between May 17 and 19 and shooting in Crema began on June 1 82 83 84 Additional outdoor scenes were shot on December 4 2016 85 86 The City of Crema invested 18 000 in the film including a publicity campaign costing 7 500 87 88 The arch of Torrazzo at Crema Cathedral and several historical locations in the streets of Crema and Pandino were chosen during production 72 82 Businesses requested compensation for financial losses caused by the closure which was scheduled for May 30 and 31 89 Two days filming at the cathedral were postponed due to the rainy weather 90 Filming also took place in the Lodigiano area near Crespiatica and in two small towns near Crema Montodine and Ripalta 72 32 85 The archaeological discovery scene was filmed at the Grottoes of Catullus in Sirmione on the Brescian shores of Lake Garda 72 The trip to Bergamo was filmed at the exterior of multiple historical buildings including Bergamo Cathedral the Santa Maria Maggiore the courtyard of Liceo Classico Paolo Sarpi in Piazza Rosate and the University of Sciences Letters and Arts it 72 The train station scenes were filmed at Pizzighettone 91 Because of security concerns the production team was only granted permission to film at the Cascate del Serio in Valbondione for half an hour 72 80 92 Before and during filming the actors lived in Crema and were able to experience small town life 32 Guadagnino engaged with the cast and filmmakers and often cooked for them and showed films at his house 28 Hammer and Chalamet who did not have to do a screen test together 21 93 met for the first time during production in Crema 32 78 Before filming began they spent a month together watching TV and going to local restaurants 12 61 78 We d hang out with each other all the time because we were pretty much the only Americans there and we were able to defend one another and really get to know one another Chalamet said 63 During the first two days of production Guadagnino read the script with the cast 38 The first scene that Hammer and Chalamet rehearsed was the kissing scene 29 93 and they spent several days filming nude 94 I ve never been so intimately involved with a director before Luca was able to look at me and completely undress me Hammer said 50 Selected filming locations nbsp The Villa Albergoni nbsp nbsp The arch of Torrazzo at the Crema Cathedral nbsp nbsp The Grottoes of Catullus on the Brescian shore of Lake Garda nbsp nbsp The Piazza Vittorio Emanuele in Pandino nbsp nbsp Cascate del Serio nbsp nbsp The South portal of Santa Maria Maggiore Bergamo nbsp nbsp The Station of Pizzighettone nbsp Guadagnino shot the film in chronological order 38 95 which allowed the filmmakers to witness the onscreen maturity of both protagonist and actor according to Fasano 96 The scene in which Mr Perlman delivers an emotional speech to Elio was filmed on the penultimate day of filming 12 38 Stuhlbarg spent months preparing for the scene 12 66 which Guadagnino wanted to make as simple as possible by shooting fewer takes and let ting the actors be 19 The scene took three takes to film and Stuhlbarg was on three different levels of getting emotional 96 Garrel enjoyed filming her sex scene with Chalamet which she described as filled with joy and simplicity 67 Chalamet was listening to Visions of Gideon one of the original songs written by Sufjan Stevens for the film in an earpiece while filming the final sequence 97 98 the director asked him to perform three variations of the scene one per take 99 The camera was set in the fireplace with nobody behind it It was bit of an acting experiment Chalamet said 51 During this scene the title of the film was shown for the first time rather than in the opening sequence At the Piazza Vittorio Emanuele 91 a memorial to the victims of the battle of the Piave in Pandino 46 the filmmakers laid a long camera dolly track to film the scene where Elio tells Oliver of his feelings for him in a single long take This provided the flexibility and flow of emotion a cut scene could not 100 During the dancing sequence Hammer had to perform to a click track in front of 50 off camera extras with the music turned down so the dialogue could be recorded 51 61 In preparation for the scene Guadagnino arranged for Hammer to practice with a dance coach 51 Hammer said that it was the worst scene he had ever filmed 101 Choreographer Paolo Rocchi who was contacted by the Frenesy Film Company in June 2016 described the routine as awkward and realistic 102 Rosenman considered the scene one of the most emotional moments he said It embodied and encapsulated for me what teenage love is all about what desire is all about 29 Sayombhu Mukdeeprom who had previously collaborated with Guadagnino on Ferdinando Cito Filomarino s Antonia 2015 served as the director of photography 22 103 He had read Aciman s novel before receiving the script and walked around filming locations to get a feeling for everything to see the color to see how the light changed during the day and input it into my data 104 Mukdeeprom had to use artificial lighting to capture the Northern Italian summer atmosphere 14 compensating for heavy rains that lasted throughout the shoot 22 79 While filming the confrontation scene between Oliver and Elio Mukdeeprom cried in a corner of the room after they finished the first take overwhelmed by a feeling of profound empathy for the actors 14 The film was shot using 35 mm celluloid film and a single lens 105 a decision influenced by the work of David Cronenberg to solidif y the point of view 15 and make the tension of the performance come off the screen even if it meant increasing the production budget above the cost of shooting in digital 105 Guadagnino praised Jean Pierre Laforce the film s sound designer and mixer for his wonderful and pivotal contributions Guadagnino who had previously worked with Laforce on A Bigger Splash said he was able to create a sort of Cathedral of sound without overwhelming the movie 19 Post production Fasano collaborated with Guadagnino during the post production 106 40 They had worked together for 25 years since Guadagnino s debut feature The Protagonists 1999 40 Fasano described working with Guadagnino as atypical and very demanding but it s a great experience 106 Post production took only a month between June and July 14 the fastest they had ever edited 78 Fasano cited the films of Bernardo Bertolucci and the fast and unexplained storytelling in Pialat s A nos amours as inspiration 106 Their first cut of the film ran three hours and 20 minutes long 106 107 Fasano described it as his favorite saying it made him lose him self in the story and the images 106 The final cut lasts two hours and 10 minutes with a shooting ratio of 25 1 106 Several notable changes were made or almost made near the end of post production The monologue sequence with Elio s father once had piano playing beneath it The scene where the two protagonists bike to a courtyard almost failed to make the final cut after one of the producers said it was inconsequential 96 Hammer revealed that some scenes were digitally altered to fix wardrobe malfunctions caused by his short shorts 108 109 Guadagnino has discussed several scenes that did not make the final cut There was a well acted scene where Elio and Oliver were teasing one another under a lime tree which the director felt was too precious 47 A scene where Elio s parents make love in the bedroom while Elio and Oliver are kissing under the moonlight in the garden was also cut 47 The latter scene was shown at a screening in Castiglioncello in June 2018 which also included a deleted scene of Elio inviting Oliver to tour the village 110 MusicMain article Call Me by Your Name Original Motion Picture Soundtrack nbsp Sufjan Stevens contributed three songs to the film s soundtrack Guadagnino selected the music for Call Me by Your Name himself 32 He wanted to find an emotional narrator to the film through music in a less heavy less present and more enveloping way than voice and text 38 The films Barry Lyndon 1975 The Magnificent Ambersons 1942 and The Age of Innocence 1993 inspired him 38 Guadagnino wanted the film s music to be connected to Elio a young pianist who enjoys transcribing and adapting piano pieces and uses music to deepen his relationship with Oliver 21 Music is used in the film to reflect the period setting the characters family life and their level of education and the kind of canon they would be a part of 21 Guadagnino also researched which pop songs had been played frequently on local radio stations that summer 21 111 Impressed by the lyricism of American songwriter Sufjan Stevens 22 Guadagnino asked him to record an original song for Call Me by Your Name and to narrate the film from the perspective of Elio at an older age 22 97 Stevens declined the voiceover role 97 but contributed three songs to the soundtrack Mystery of Love Visions of Gideon and a remix by Doveman of his song Futile Devices from The Age of Adz 2010 21 Stevens was inspired by the film s script the novel and conversations with Guadagnino about the characters 22 He submitted the songs a few days before filming began Surprised by the result Guadagnino listened to them on set with the actors and editor Walter Fasano 32 78 Because it had been pre recorded Chalamet was able to listen to Visions of Gideon on an earpiece during filming of the movie s 4 minute final shot a static closeup of his face He said that Sufjan s song was playing in my ear so I could mirror the structure 112 The project marked the first time Stevens had written songs explicitly for a feature film soundtrack 113 114 Next to the music of Stevens a number of classical music pieces and pop songs of the 1980s are included in the soundtrack A soundtrack album was released in digital formats by Madison Gate Records and Sony Classical on November 3 2017 115 and in physical formats on November 17 2017 116 It features songs by Stevens The Psychedelic Furs Franco Battiato Loredana Berte Bandolero Giorgio Moroder Joe Esposito and F R David as well as music by John Adams Erik Satie Ryuichi Sakamoto Bach and Ravel 117 As of February 1 2018 update the soundtrack has sold 9 000 copies and had 29 million on demand audio streams of its tracks in the United States according to Nielsen SoundScan 118 ReleaseCall Me by Your Name had its world premiere on January 22 2017 at the Sundance Film Festival 119 120 International sales were handled by Memento Films International a French company which screened a promo reel at the American Film Market in November 2016 39 121 Shortly before the film s Sundance premiere Sony Pictures Classics acquired worldwide distribution rights for 6 million 122 The deal was negotiated by WME Global and UTA Independent Film Group 123 The film was screened at the Berlin International Film Festival on February 13 2017 64 the Toronto International Film Festival on September 7 2017 14 78 124 and the New York Film Festival on October 3 2017 125 At the Beijing International Film Festival it was originally scheduled for April 2018 but was removed from the official program with no explanation Patrick Brzeski of The Hollywood Reporter wrote that the decision reflected the government s consistent stance of intolerance toward gay content 126 127 That year the film was honored at the Crema Film Festival Aciman met the public on June 23 and Garrel joined the screening at the Crema Cathedral on June 30 128 nbsp From left to right Armie Hammer Timothee Chalamet Vanda Capriolo Amira Casar Andre Aciman Esther Garrel Victoire du Bois and Peter Spears at the screening of Call Me by Your Name at the 2017 Berlin International Film Festival Call Me by Your Name opened in limited release in the United Kingdom on October 27 2017 17 and the United States on November 24 2017 6 It expanded from four to thirty locations in the U S on December 15 2017 129 then to 114 theaters on December 22 130 It screened in 174 theaters in January 2018 131 before going into wide release in 815 theaters a few days before the Oscar nomination announcement ceremony on January 19 2018 132 133 On Oscars weekend the film screened in 914 theaters its widest release in the U S 134 Warner Bros Entertainment theatrically released the film in Italy on January 25 2018 though home media distribution in Italy is distributed through Sony Pictures Home Entertainment as well 135 136 137 Special screenings and a public meet and greet with Guadagnino Hammer and Chalamet took place in Crema between January 27 and 30 137 138 139 The film opened in Brazil on January 18 140 and in France on February 28 141 In March 2018 a distributor in Tunisia reported that the Ministry of Culture had banned the film as an attack on liberties because of its subject matter 142 143 In Ireland it became the longest running film shown at the Light House Cinema in early June 2018 after a 30 week run 144 In the Philippines the film was screened accompanied by a live performance of its soundtrack by the Manila Symphony Orchestra on October 28 145 Walt Disney Studios Motion Pictures theatrically released the film in Taiwan on January 12 2018 under the Buena Vista International label 146 Marketing Sony Pictures Classics released an official poster for Call Me by Your Name on July 27 2017 147 The first theatrical trailer was released on August 1 2017 148 149 On October 11 2017 Sony Pictures Classics released a teaser titled Dance Party to celebrate National Coming Out Day 150 The 42 second clip consisting of a single take of Hammer and Chalamet dancing to Love My Way in a bar became a meme on Twitter 151 152 153 Because of its use in the clip Love My Way gained popularity on music streaming websites It rose 13 on on demand streams during the two months before the film s release In the week ending November 30 2017 the song collected 177 000 on demand streams its biggest streaming week in the U S 154 Reaction to the advertisement on social media was somewhat negative largely because of Sony Pictures misleading use of an image of Chalamet and Garrel instead of a focus on the protagonists relationship 155 Daniel Megarry of Gay Times described it as an attempt to straight wash the movie s predominant same sex romance 156 Benjamin Lee of The Guardian called the ad a disastrous attempt to push Oscar buzzed Call Me by Your Name as a straight love story and said the advert belies an industry awkwardly denying queerness 157 Sony Pictures Classics later aired several commercial spots to promote the film during its U S wide expansion on January 19 2018 132 To promote the film in South Korea Sony Pictures released several never before seen set photos and pastel promotional posters illustrated by Son Eunkyoung in March 2018 158 159 Home media A pirated copy of an awards screener DVD of Call Me by Your Name along with copies of Last Flag Flying and fellow Oscar nominees I Tonya and Lady Bird were leaked onto file sharing websites by the hacker group Hive CM8 on December 24 2017 160 161 162 The film was officially released for digital download on February 27 2018 163 It was released on Blu ray and DVD on March 13 2018 with two bonus featurettes In Conversation with Armie Hammer Timothee Chalamet Michael Stuhlbarg amp Luca Guadagnino and Snapshots of Italy The Making of Call Me by Your Name an audio commentary track by Chalamet and Stuhlbarg and the music video for Mystery of Love 101 163 164 The film made 2 100 758 in DVD sales and 1 856 909 in Blu ray sales in the United States for a total of 3 957 667 in home media sales 165 In the United Kingdom the DVD charted at number seven and the Blu ray at number four on Top 100 sales for both formats 166 167 ReceptionBox office Call Me by Your Name grossed 18 1 million in the United States and Canada and 23 8 million in other territories for a worldwide total of 41 9 million against a production budget of 3 4 million 6 The film was Sony Pictures Classics third highest grossing release of 2017 168 In the United States Call Me by Your Name began its limited run on November 24 2017 at The Paris Theater and Union Square Theatre in New York City and the ArcLight Hollywood and Landmark Theater in Los Angeles 169 The film made 404 874 in its opening weekend a per theater average of 101 219 170 171 It was the highest average of 2017 the biggest since the opening of La La Land the previous December 172 and had the best per screen opening for a gay romance film since Brokeback Mountain 2005 170 173 In its second weekend the film grossed 281 288 174 175 with an excellent per screen average of 70 320 176 177 The film expanded to nine theaters in its third weekend grossing 291 101 for a solid 32 345 per theater average 178 It earned 491 933 from 30 theaters in its fourth weekend averaging 16 398 129 The film expanded to 114 theaters in its fifth week and grossed 850 736 averaging 7 463 per screen 130 It crossed 6 million in its seventh weekend earning 758 726 from 115 locations 179 It grossed 715 559 from 174 theaters in its eighth weekend averaging 4 185 per screen 131 In the film s nationwide release week its ninth weekend overall the film grossed 1 4 million from 815 theaters an under performance compared to some of its competition with similar theater counts according to Deadline Hollywood 132 133 The following weekend after the announcement of its four Oscar nominations the film s revenues dropped 6 percent to 1 3 million 180 181 With a total gross revenue of 9 370 359 by the week of January 23 2018 Call Me by Your Name was the second lowest grossing film among that year s Best Picture nominees 182 However the online ticketing company Fandango reported that the film had experienced a 56 percent increase in ticket sales through its service since its Best Picture nomination was announced 5 Regarding the film s lagging box office performance Tom Brueggemann of IndieWire commented that Sony Picture Classic has done an able job so far and said at some point the film and the reaction to it is something no distributor can overcome 183 It grossed 919 926 averaging 1 006 from 914 theaters during the Oscar weekend 134 and went on to earn 304 228 from 309 theaters in its sixteenth weekend 184 Call Me by Your Name opened at number seven in Italy with 781 000 and obtained the best per theater average of the week 185 It made 49 170 on February 6 and reached 2 million by the end of the week 186 It re entered at number 10 on March 13 by making another 13 731 at the box office 187 As of July 6 2018 update the film had grossed 3 925 137 in Italy 165 It attracted 17 152 viewers in France on its first day of screening with an excellent per theater average of 184 entries 188 It went on to attract 108 500 viewers in the opening weekend earning 1 167 viewings the second best average that week 189 and 238 124 viewers in its third weekend 190 As of April 17 2018 update the film had grossed 2 652 781 in France 165 In the United Kingdom the film earned 231 995 306 000 from 112 screens in its opening weekend 191 including 4 000 from previews 192 After ten days it had made 568 000 745 000 193 before reaching the 1 million mark 767 000 in its third weekend 194 195 As of May 21 2018 update the film had grossed 2 372 382 in the United Kingdom 165 Critical response At its premiere at the Sundance Film Festival Call Me by Your Name received a standing ovation 196 When it screened at Alice Tully Hall as part of the New York Film Festival it received a ten minute ovation the longest in the festival s history 44 197 On review aggregator Rotten Tomatoes the film has an approval rating of 94 based on 368 reviews with an average rating of 8 7 10 The website s critical consensus reads Call Me by Your Name offers a melancholy powerfully affecting portrait of first love empathetically acted by Timothee Chalamet and Armie Hammer 198 It was the best reviewed limited release and the second best reviewed romance film of 2017 on the site 199 200 On Metacritic the film has an average weighted score of 94 out of 100 based on 53 critics indicating universal acclaim 201 It was the year s fifth best rated film on Metacritic 202 nbsp Guadagnino s direction was particularly praised by critics 120 203 Writing for The Hollywood Reporter Boyd van Hoeij described Call Me by Your Name as an extremely sensual intimate and piercingly honest adaptation of Aciman s novel and called Chalamet s performance the true breakout of the film 204 Peter Debruge of Variety believed the film advances the canon of gay cinema by portraying a story of first love that transcends the same sex dynamic of its central couple He compared Guadagnino s sensual direction with the films of Pedro Almodovar and Francois Ozon and put Call Me by Your Name on par with the best of their work 120 David Ehrlich of IndieWire also praised Guadagnino s directing which he said helped the film match the artistry and empathy of Carol 2015 and Moonlight 2016 203 Sam Adams of the BBC wrote that Stuhlbarg s performance puts a frame around the movie s painting and opens up avenues we may not have thought to explore and called it one of his finest to date He extolled the film as one of many movies that have so successfully appealed to both the intellectual and the erotic since the heydays of Patrice Chereau and Andre Techine 205 Ty Burr of The Boston Globe gave the film three and a half stars commended the director for broaden ing his embrace of humanity while hitting new heights of cinematic bliss and said that the film may be a fantasy but it s one that s lovely and wise 206 David Morgan of CBS praised the cinematography production design and costuming for making a summer in the 1980s palpably alive again He found Stuhlbarg s character the most forward thinking parent in movie history 207 Richard Lawson wrote that Guadagnino s adaptation was made with real love with good intentions with a clarity of heart and purposeful unpretentious intellect and hailed it as a modern gay classic in his Vanity Fair review 208 Chicago Tribune s Michael Phillips was pleased by the wonderfully paradoxical visual interests from the director and said Stevens s songs work like magic on your sympathies regarding Elio s emotional awakening He praised Hammer s performance as some of the most easy breathing and relaxed best work of his career 209 The Economist noted the tension between pain and pleasure in the film and praised Chalamet saying that he evokes so many shades of humanity portraying a path of youthful self discovery that is more raw unhinged and ultimately honest than many actors could manage 210 Kate Taylor of The Globe and Mail who gave the film two and a half stars also enjoyed Chalamet s effort in capturing first love and its inevitable heartbreak and said the multilingual almost pre AIDS idyll does not stretch credulity but it can try the patience 211 Ken Eisner of The Georgia Straight said that Guadagnino s lyrical excesses can alternate wildly between the poetically incisive and the indulgently preposterous 212 In a negative review Kyle Turner of Paste wrote The details of the film are too small for anyone perhaps particularly a queer person to see a visual distance that suggests that the film in the beginning is as terrified as Elio initially is It never gets over that hesitation 213 Armond White of Out called the movie craven commercialism and a super bourgeois fantasy that exploit s the queer audience s romantic needs by packaging them and falsifying them 214 Depiction of age gap in a sexual relationship The film s depiction of a sexual relationship with an age disparity between the characters Elio and Oliver drew commentary and criticism especially in the United States where the lowest legal age of consent is higher than in Italy 215 The 17 year old Elio was portrayed by Chalamet who was 20 at the time of filming while the 24 year old Oliver was played by Hammer then 30 Queer Eye host Karamo Brown criticized the movie as glorifying sexual assault and said it looks like a grown man having sex with a little boy 216 Author Cheyenne Montgomery said she was disturbed that one of the protagonists is portrayed as a boy and the other as a man saying Elio is portrayed very much as a child He shaves peach fuzz off of his face he cuddles with his parents his lines are often kind of bratty and childlike and he s being played as a sexy romantic partner to a character who s very much being portrayed as an adult 217 Physicians Renee Sorrentino and Jack Turban wrote in Psychiatric Times This film is about sexual predation Oliver looks much older than his reported age of 24 while Elio looks like a very young 17 year old The power disparity in the relationship is clear Elio is fragile and sexually naive Oliver is experienced and directive in the relationship Is it appropriate for a 24 year old experienced in drinking to have sex with an inebriated and vomiting 17 year old 218 A feature in The Advocate an LGBT interest magazine drew attention to other narrative films depicting heterosexual relationships with similar or greater age gaps such as between the teenaged Scarlett and the 33 year old Rhett Butler in Gone with the Wind 219 Accolades Main article List of accolades received by Call Me by Your Name nbsp Chalamet s performance received widespread acclaim and earned the 22 year old a nomination for the Academy Award for Best Actor in a Leading Role making him the third youngest nominee for the award The National Board of Review and the American Film Institute selected Call Me by Your Name as one of the top 10 films of the year 220 221 At the 90th Academy Awards it was nominated for Best Picture Best Actor Chalamet Best Original Song Mystery of Love and Best Adapted Screenplay winning the last 222 223 Chalamet became the third youngest Best Actor nominee and the youngest nominee since 1939 and Ivory became the oldest winner in any competitive category 224 The film received four nominations at the 71st British Academy Film Awards including Best Film and Best Direction and won Best Adapted Screenplay for Ivory 225 226 At the 75th Golden Globe Awards it was nominated for Best Motion Picture Drama Best Actor Motion Picture Drama for Chalamet and Best Supporting Actor for Hammer 227 The film received eight nominations at the 23rd Critics Choice Awards Ivory won Best Adapted Screenplay 228 The film led the 33rd Independent Spirit Awards with six nominations winning Best Male Lead for Chalamet and Best Cinematography for Mukdeeprom 229 230 At the 24th Screen Actors Guild Awards Chalamet received a nomination for Outstanding Performance by a Male Actor in a Leading Role 231 The film won the GLAAD Media Award for Outstanding Film Wide Release at its 29th ceremony 232 In Italy Fasano won Best Editing at the 73rd Nastro d Argento Awards and 33rd Golden Ciak Awards 233 234 The National Board of Review the Gotham Independent Film Awards and the Hollywood Film Awards each awarded Chalamet with their Breakout Actor Awards 235 236 In a series of articles regarding the best of the 2010s in film IndieWire ranked Call Me by Your Name as the 18th best film of the decade and Chalamet s performance as the 39th best acting performance 237 238 Consequence of Sound ranked the film as the 23rd best of the decade 239 Rolling Stone ranked it 40th 240 and Little White Lies ranked it 47th 241 Fanbase The film has gained a large international fan base During the film s festival run people crossed borders and oceans to be among the first to see the film In 2018 a book was published by Barb Mirell who collected stories from fans around the world about what the film meant to them 242 By early 2018 the film had attracted a following in China among heterosexual women who perceived it as a Western boys love romance evidenced by its popularity on the Chinese social network and media database Douban 243 After an Italian fan published coordinates of the filming locations visiting Crema has become something akin to a religious pilgrimage for fans of the film The city of Crema now offers official tours 244 SequelSee also Find Me novel Guadagnino has deliberated over the idea of a sequel since the film s premiere at Sundance when he said he realized the characters could go beyond the boundaries of the film 47 In October 2017 he said he hoped to make a sequel in 2020 that might be in the style of Francois Truffaut s The Adventures of Antoine Doinel series telling the story of Oliver and Elio as they age If I paired the age of Elio in the film with the age of Timothee in three years time Timothee will be 25 as would Elio by the time the second story was set he said 245 246 In the novel Elio and Oliver reunite 15 years later when Oliver is married Guadagnino said that in the sequel I don t think Elio is necessarily going to become a gay man He hasn t found his place yet I believe that he would start an intense relationship with Marzia again 247 Guadagnino has expressed interest in the politics of the 1990s saying It is the time of the fall of Communism and the start of the new world order and so called end of history that Francis Fukuyama established then the beginning of the Silvio Berlusconi era in Italy and it would mean dealing with the first Gulf War of Iraq 247 248 In November 2017 Guadagnino shared his intention to make a series of five films in which the audience could see those actors grow older embodying those characters 47 A month later he was reported to have begun writing a script for a sequel that would reveal more about Oliver and resemble Michael Apted s Up series 249 250 Hammer and Chalamet have expressed interest in appearing in a sequel 251 but Ivory appears to be dismissive saying about the idea of sequels that s fine good But I don t know how they re going to get a 40 year old Chalamet 43 In January 2018 Guadagnino revealed the sequel will be set right after the fall of Berlin Wall and that great shift that was the end of the USSR 19 and that the first scene in the film could depict Elio watching Paul Vecchiali s Once More 1988 the first French film to deal with AIDS in a movie theater 252 In March 2018 Guadagnino confirmed he will work with Aciman on the sequel which will take place five or six years afterwards with a different tone than the first film 253 He also said that Hammer and Chalamet would reprise their roles with a different backdrop where they go around the world 253 Hammer said he was pitched the script by Guadagnino saying it s not a finished script but he s got all the ideas for it 254 In April 2018 Aciman said in an interview for The Sydney Morning Herald that he and Guadagnino were not sure about the sequel saying Guadagnino has quite a few projects in line and so do I So we are flirting with each other about the sequel but I don t know if we are very serious 255 In July 2018 Stuhlbarg said that Guadagnino and Aciman were excited about the project and that the director was serious about it He expressed enthusiasm to reprise his role in the sequel saying I think it would have to be some kind of unique thing from what it was but I would absolutely be game for trying 256 Two months later Hammer said of the sequel in an interview for Variety It will happen because there are already people working on it and trying to make it happen 257 In an interview for Time in October 2018 Chalamet compared the sequel to Richard Linklater s Boyhood 2014 and said that Hammer Aciman and Guadagnino were all intended to return for the next film 258 That same month Guadagnino revealed that he has asked Dakota Johnson a frequent collaborator of his to play Oliver s wife in the sequel He described her character as a New England kind of hoochie woman who might also have children with Oliver 259 He said that the film would be a new chapter in a chronicle about the characters rather than a sequel 260 and it might take some time to develop due to the busy schedule saying I have not been able to luxuriate in anything but the promotion of Suspiria I didn t have space of mind and the real actual time to put ideas on the table and think of things 260 The only problem is the title he said It cannot be Call Me by Your Name Two 259 261 At the SCAD Savannah Film Festival in October Hammer said that Guadagnino had laid out a potential plot for the sequel and it might be a few years away saying Guadagnino wants to wait so that we age a bit more so that gap makes sense kind of like a Linklater thing 262 In an interview with Dazed in November the director said about the sequel It s a delicate flower that is blooming very slowly And so I think it s not the time to collect it and put it into a vase 263 In November 2018 Ivory confirmed that he wouldn t return for the sequel and said that Aciman thought it was not a good idea 264 Less than a week later Aciman however said he was in fact writing a sequel to Call Me by Your Name 265 266 The novel titled Find Me was officially confirmed on March 20 2019 and was released on October 29 by Farrar Straus and Giroux 267 Also in March 2019 Hammer revealed that the film isn t formally in the works and he hasn t had explicit conversations with either Chalamet or Guadagnino about it He also felt the potential sequel might not match the expectation saying It felt like a really perfect storm of so many things that if we do make a second one I think we re setting ourselves up for disappointment I don t know that anything will match up to the first I m like That was such a special thing why don t we just leave it alone 268 In March 2020 Guadagnino confirmed a sequel film in an interview with Italian newspaper la Repubblica In the interview he also confirmed that the full cast of the original film including Timothee Chalamet and Armie Hammer will be returning He also stated in the interview that he was due to meet with an unnamed American writer to discuss the sequel however it was postponed due to the COVID 19 pandemic 269 In a GQ interview in September Hammer was asked again about the film s progress and said I ve been talking to Guadagnino but we haven t got into it I haven t even read the book I know Luca hasn t got a full script yet although he knows what he wants to do with the story so I don t know how similar or dissimilar it will be to Find Me the novel I know if we end up doing it it s more important for me to focus on Luca s vision than to focus on Find Me 270 A series of allegations against Hammer of emotional abuse and cannibalistic fetishism in early 2021 resulting in Hammer s removal from nearly all upcoming projects have raised doubts about the prospects of a sequel 271 but actor Michael Stuhlbarg hopes that the film will still be made 272 In May 2021 Guadagnino suggested in an interview with Deadline that a sequel was no longer in his priorities 273 In the interview he hinted that beyond the complications related to Hammer s scandal Chalamet and himself would be busy with other films in the near future which has led him to put the sequel project aside See alsoList of LGBT related films List of oldest and youngest Academy Award winners and nominees Youngest nominees for Best Actor in a Leading RoleNotes Mr Perlman s first name is not given in the film s credits or in the source novel In an interview Stuhlbarg said his character was referred to as Samuel or Sam during production and the character is called Sammy once in the film 10 Liguria and Sanremo were once depicted as the main setting in the book 32 44 Aciman however declared that the novel takes place in Bordighera saying I didn t want to name it in the book but it s known I go back to Bordighera all the time 45 During his time as a location consultant Guadagnino suggested Liguria as the main setting to the producers 41 In the original French le cinema d art et d essai europeen a term encompassing independent and arthouse films References Call Me by Your Name 2017 British Board of Film Classification Archived from the original on 7 November 2017 Retrieved 4 November 2017 Call Me by Your Name 2017 British Film Institute Archived from the original on April 1 2020 Retrieved April 3 2020 Film 74034 Call Me by Your Name Lumiere Archived from the original on February 24 2020 Retrieved April 3 2020 Berlin Film Festival 2017 Program by Memento Films PDF Memento Films International Archived PDF from 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GEDI Gruppo Editoriale Archived from the original on December 22 2017 Retrieved December 20 2017 Maleszka Jamie May 4 2016 Interview Luca Guadagnino Talks A Bigger Splash Stanley Kubrick Leaving Room For The Audience And More The Playlist p 2 Archived from the original on October 22 2017 Retrieved May 8 2017 We start shooting on May 9th I am doing a movie from the novel by Andre Aciman called Call Me By Your Name a b c d e f Ellwood Gregory September 8 2017 Call Me By Your Name Steals TIFF 2017 Opening Night Buzz The Playlist Archived from the original on September 14 2017 Retrieved September 8 2017 a b c O Falt Chris November 15 2017 Call Me by Your Name Looks So Incredible You d Never Guess It Was Shot During a Historic Rainstorm IndieWire Archived from the original on November 16 2017 Retrieved November 15 2017 a b Girato alle cascate del Serio il film in pista per 7 Oscar The film on track for 7 Oscars was shot at the Serio Falls Bergamo News in Italian December 15 2017 Archived from the original on February 8 2018 Retrieved December 15 2017 Film girato alle cascate del Serio e in Citta Alta 4 nomination agli Oscar Film shot at the Serio Falls and in the Upper Town 4 Oscar nominations Bergamo News in Italian January 23 2018 Archived from the original on February 8 2018 Retrieved January 23 2018 a b Set cinematografico centro chiuso due giorni Cinematography set the center closed for two days La Provincia di Cremona in Italian Pandino Soc Editoriale Cremonese S P A published May 11 2016 May 10 2016 Archived from the original on November 7 2017 Retrieved May 8 2017 Tozzi Silvia May 12 2016 Call me by your name Guadagnino gira anche a Pandino Le reazioni Call Me by Your Name Guadagnino also turns to Pandino The reactions Crema Online in Italian Archived from the original on August 9 2017 Retrieved May 8 2017 Crema ciak si gira Crema ciak turns La Provincia di Cremona in Italian Pandino Soc Editoriale Cremonese S P A published June 1 2016 May 31 2016 Archived from the original on February 2 2017 Retrieved May 8 2017 a b Riprese a Villa Albergoni ancora ciak ma niente compensi He resumed at Palazzo Albergoni still silent but no compensation La Provincia di Cremona in Italian Moscazzano Soc Editoriale Cremonese S P A published December 8 2016 December 7 2016 Archived from the original on December 9 2016 Retrieved December 7 2016 Film di Guadagnino saldati i conti Guadagnino s film sold out La Provincia di Cremona in Italian Crema Soc Editoriale Cremonese S P A published January 20 2017 January 19 2017 Archived from the original on November 7 2017 Retrieved January 19 2017 Crema set cinematografico Ma ci costa 18mila euro Movie Set in Crema But it costs us 18 000 euros La Provincia di Cremona in Italian Crema Soc Editoriale Cremonese S P A May 29 2016 Archived from the original on May 31 2016 Retrieved May 29 2016 Il lancio e negli Usa e Crema resta in attesa della prima The launch is in the US and Crema is waiting for the first La Provincia di Cremona in Italian Crema Soc Editoriale Cremonese S P A published October 23 2016 January 23 2017 Archived from the original on November 7 2017 Retrieved January 23 2017 Piazza Duomo diventa un set i commercianti vogliono un indennizzo Piazza Duomo becomes a set traders want a compensation La Provincia di Cremona in Italian Crema Soc Editoriale Cremonese S P A published May 8 2016 May 7 2016 Archived from the original on May 8 2016 Retrieved May 28 2016 La pioggia ferma il set cinematografico The rain stops the movie set La Provincia di Cremona in Italian Crema Soc Editoriale Cremonese S P A published May 28 2016 May 27 2016 Archived from the original on May 29 2016 Retrieved May 28 2016 a b Chua Paolo January 29 2018 A Call Me By Your Name Themed Travel Guide to Northern Italy Town amp Country Philippines Archived from the original on March 19 2018 Retrieved July 28 2018 Mancini Carolina February 2 2017 Berlinale Call me by your name made in Lombardia Cinema amp Video International Archived from the original on December 20 2017 Retrieved December 20 2017 a b Setoodeh Ramin January 23 2017 Call Me by Your Name Director Blasts Mike Pence for Anti Gay Policies Variety Archived from the original on January 26 2017 Retrieved January 23 2017 Kohn Eric October 9 2017 Armie Hammer on Getting Naked in Call Me By Your Name Playing Hunks and His James Woods Feud IndieWire Archived from the original on October 9 2017 Retrieved October 11 2017 Taylor Trey December 20 2017 The Untold Story Of Michael Stuhlbarg s Emotional Call Me By Your Name Speech Interview Archived from the original on December 22 2017 Retrieved December 20 2017 a b c Desowitz Bill December 1 2017 Call Me by Your Name Editing Was Crucial to the Year s Best Love Story IndieWire Archived from the original on December 4 2017 Retrieved December 1 2017 a b c Utichi Joe December 13 2017 Sufjan Stevens Nearly Played The Narrator In Luca Guadagnino s Call Me By Your Name Deadline Hollywood Archived from the original on January 21 2018 Retrieved December 13 2017 Pritchard Tiffany September 10 2017 Armie Hammer Timothee Chalamet Luca Guadagnino talk Call Me By Your Name in Toronto Screendaily Archived from the original on December 26 2017 Retrieved December 25 2017 In erotic Call Me By Your Name sunshine and summer love ABC News Associated Press December 21 2017 Archived from the original on January 7 2018 Retrieved December 21 2017 Giardina Carolyn December 12 2017 How Call Me by Your Name Captured a Pivotal Love Confession in One Take The Hollywood Reporter Archived from the original on December 31 2017 Retrieved December 12 2017 a b Russell Scott March 13 2018 Exclusive Call Me By Your Name s Armie Hammer Recalls Shooting the Worst Scene of His Life Paste Archived from the original on July 15 2018 Retrieved March 13 2018 Scardi Rosanna April 16 2018 Rocchi il coreografo di Seriate Le mie danze per Guadagnino Gli anni 80 sono diventati virali Corriere della Sera in Italian RCS MediaGroup Archived from the original on April 17 2018 Retrieved April 16 2018 Raup Jordan May 23 2016 Michael Stuhlbarg Armie Hammer amp More Leading Luca Guadagnino s Call Me By Your Name The Film Stage Archived from the original on June 24 2016 Retrieved June 5 2016 Grobar Matt January 10 2018 Cinematographer Sayombhu Mukdeeprom On The Decision To Shoot Call Me By Your Name With Only One Lens Deadline Hollywood Archived from the original on January 10 2018 Retrieved January 10 2018 a b Grater Tom October 11 2017 Call Me By Your Name director Luca Guadagnino shooting on digital is laziness Screendaily Archived from the original on October 11 2017 Retrieved October 11 2017 a b c d e f Grobar Matt January 9 2018 Call Me By Your Name Editor Walter Fasano On Suspiria amp Luca Guadagnino s Coppolian Factory Of Artists Deadline Hollywood Archived from the original on June 13 2018 Retrieved January 9 2018 Weintraub Steve Frosty September 18 2017 Director Luca Guadagnino Reveals His First Cut of Call Me by Your Name Was 4 Hours Long Collider Archived from the original on September 18 2017 Retrieved September 18 2017 Gustashaw Megan November 30 2017 Armie Hammer s Balls Had to Be Edited Out of Call Me by Your Name GQ Archived from the original on June 5 2018 Retrieved November 30 2017 Desta Yohana November 29 2017 Armie Hammer Has the Most Ridiculous Digital Editing Story of the Year Vanity Fair Archived from the original on July 28 2018 Retrieved November 30 2017 Ulivi Stefania June 14 2018 Luca Guadagnino con Suspiria il mio elogio della paura Corriere della Sera in Italian RCS MediaGroup Archived from the original on June 16 2018 Retrieved June 14 2018 Caulfield Keith Atkinson Katie December 12 2017 Pop Shop Podcast Director Luca Guadagnino on Music s Vital Role in Call Me by Your Name Billboard Archived from the original on February 8 2018 Retrieved December 12 2017 Dommu Rose March 15 2018 Timothee Chalamet Reveals What He Was Listening to During Final Call Me By Your Name Scene Out Archived from the original on January 26 2023 Retrieved April 16 2023 Eisinger Dale January 8 2017 Sufjan Stevens Soundtracks Upcoming Film Call Me By Your Name Spin Archived from the original on October 22 2017 Retrieved January 8 2017 Willman Chris March 22 2018 Sufjan Stevens on How His Wary Dance With Hollywood Led to an Outrageous Oscar Nom Variety Archived from the original on March 26 2018 Retrieved March 22 2018 Nordine Michael November 3 2017 Call Me by Your Name Soundtrack Sufjan Stevens the Psychedelic Furs and More Lend Their Musical Stylings Listen IndieWire Archived from the original on December 20 2017 Retrieved November 3 2017 Call Me by Your Name Original Motion Picture Soundtrack CD Available November 17 Press release Sony Classical PR Newswire November 6 2017 Archived from the original on November 7 2017 Retrieved November 6 2017 Raup Jordan November 3 2017 Listen Full Soundtrack for Call Me by Your Name Featuring New Songs by Sufjan Stevens The Film Stage Archived from the original on November 7 2017 Retrieved November 3 2017 Caulfield Keith February 8 2018 How the Eclectic Call Me by Your Name Soundtrack Became a Surprise Vinyl Hit Is Radio Next Billboard Archived from the original on June 23 2018 Retrieved February 8 2018 Patten Dominic December 5 2016 Sundance 2017 Robert Redford New Rashida Jones Netflix Series Rebel In The Rye amp More On Premiere Docu Midnight amp Kids Slates Deadline Hollywood Archived from the original on January 18 2017 Retrieved October 17 2017 a b c Debruge Peter January 23 2017 Sundance Film Review Call Me by Your Name Variety Archived from the original on October 22 2017 Retrieved October 17 2017 Reviewed at Sundance Film Festival Premieres Jan 22 2017 AFM 2016 PDF Memento Films International Archived PDF from the original on August 2 2017 Retrieved May 8 2017 Seetodeh Ramin January 6 2017 Sundance Gay Love Story Call Me By Your Name Sells to Sony Pictures Classics Exclusive Variety Archived from the original on January 7 2017 Retrieved January 6 2017 Kilday Gregg January 6 2017 Sundance Sony Classics Takes Gay Love Story Call Me by Your Name The Hollywood Reporter Archived from the original on January 8 2017 Retrieved January 6 2017 Hammond Pete September 7 2017 Opening Night Premieres Borg McEnroe And Call Me By Your Name Are A Love Match As Toronto Gets Underway Deadline Hollywood Archived from the original on October 25 2017 Retrieved October 20 2017 Call Me by Your Name New York Film Festival Archived from the original on October 25 2017 Retrieved May 8 2017 Brzeski Patrick March 26 2018 Beijing Film Festival Drops Call Me by Your Name As China Tightens Grip on Media The Hollywood Reporter Archived from the original on June 29 2018 Retrieved March 27 2018 Li Pei Jourdan Adam March 6 2018 Macfie Nick ed Beijing festival pulls award winning gay film amid content squeeze Beijing Shanghai Reuters Archived from the original on April 4 2018 Retrieved March 6 2018 Crema Film Festival omaggio a Chiamami col tuo nome Crema Film Festival a tribute to Call me by your name in Italian Cinecitta May 5 2018 Archived from the original on May 9 2018 Retrieved June 8 2018 a b Brooks Brian December 17 2017 I Tonya Ices Robust Weekend Disaster Artist Shape of Water amp Call Me By Your Name Expand Specialty Box Office Deadline Hollywood Archived from the original on December 18 2017 Retrieved December 18 2017 a b Brooks Brian December 24 2017 The Post Scoops Into Top Ten In Best 3 Day Averages of 2017 Holdovers Solid Specialty Box Office Deadline Hollywood Archived from the original on December 25 2017 Retrieved December 24 2017 a b Brooks Brian January 14 2018 Golden Globes Winners Three Billboards amp Lady Bird Cash In Phantom Thread Expands Solid Specialty Box Office Deadline Hollywood Archived from the original on January 14 2018 Retrieved January 14 2018 a b c Brooks Brian January 21 2018 Darkest Hour Tops 41M The Shape of Water Crosses 30M Call Me By Your Name Expands Specialty Box Office Deadline Hollywood Archived from the original on January 22 2018 Retrieved January 21 2018 a b Brueggemann Tom January 21 2018 With Oscar Nominations Ahead Specialized Releases Hold Their Breath at the Box Office IndieWire Archived from the original on January 23 2018 Retrieved January 21 2018 a b Brooks Brian March 4 2018 Oscar Hopefuls Cross Thresholds Shape Of Water At 57M Darkest Hour At 55M Three Billboards At 52M Lady Bird At 48M Specialty Box Office Deadline Hollywood Archived from the original on April 24 2018 Retrieved March 4 2018 Chiamami col tuo Nome Call Me by Your Name in Italian Warner Bros Entertainment Italia Archived from the original on February 24 2018 Retrieved January 18 2018 Vivarelli Nick January 24 2018 Luca Guadagnino Timothee Chalamet Armie Hammer Talk Oscar Noms in Italy Variety Rome Italy Archived from the original on January 24 2018 Retrieved January 24 2018 a b Il film di Luca Guadagnino il 29 gennaio al Multisala The film by Luca Guadagnino on January 29 at the Multisala La Provincia di Cremona in Italian Crema Soc Editoriale Cremonese S P A published January 19 2018 January 18 2018 Archived from the original on January 26 2018 Retrieved January 18 2018 Guadagnino il 27 e la serata cremasca The film by Luca Guadagnino on January 29 at the Multisala La Provincia di Cremona in Italian Crema Soc Editoriale Cremonese S P A published January 10 2018 January 9 2018 Archived from the original on January 10 2018 Retrieved January 9 2018 Read Bridget January 31 2018 Watch Timothee Chalamet and Armie Hammer Dance in the Streets Where Call Me by Your Name Was Filmed With Fans Vogue Archived from the original on April 7 2018 Retrieved January 31 2018 Orozco Beatriz January 18 2018 Me Chame Pelo Seu Nome o filme para o qual o Oscar nao esta preparado Check out the mesmerizing trailer of Call Me by Your Name El Pais in Portuguese Ediciones El Pais S L Archived from the original on January 30 2018 Retrieved January 18 2018 Martinez Edouard November 28 2017 Decouvrez la bande annonce envoutante de Call Me by Your Name Check out the mesmerizing trailer of Call Me by Your Name Premiere in French Hildegarde Archived from the original on January 1 2018 Retrieved November 28 2017 Oscar nominated Call Me By Your Name Has Been Banned In Tunisia Attitude Stream Publishing March 2 2018 Archived from the original on March 4 2018 Retrieved March 2 2018 Tunisia bans Oscar nominated gay film Al Araby Al Jadeed March 1 2018 Archived from the original on March 4 2018 Retrieved March 1 2018 Murray Sean June 2 2018 How a bittersweet coming of age love story became the Light House s longest running film ever The Journal Archived from the original on June 14 2018 Retrieved June 14 2018 Casal Chang October 30 2018 What it felt to watch Call Me By Your Name with a live orchestra Manila CNN Philippines Archived from the original on December 5 2018 Retrieved November 1 2018 Buena Vista International Taiwan Gay Romantic Drama Call Me By Your Name Gets First Official Poster Attitude Stream Publishing July 28 2017 Archived from the original on September 3 2018 Retrieved July 28 2017 Buchanan Kyle August 1 2017 Watch the Call Me by Your Name Trailer Vulture Archived from the original on August 1 2017 Retrieved August 1 2017 Nolfi Joey August 1 2017 Armie Hammer Timothee Chalamet spark passion in stunning Call Me by Your Name trailer Entertainment Weekly Archived from the original on August 1 2017 Retrieved August 1 2017 McAdams Eric October 11 2017 Watch Armie Hammer Dance in New Clip From Call Me By Your Name Paste Archived from the original on October 23 2017 Retrieved October 17 2017 Lang Cady October 13 2017 Be Soothed By the Armie Hammer Viral Dance Bringing Delight to the Masses Time Archived from the original on October 16 2017 Retrieved October 17 2017 Shraf Zack October 12 2017 Armie Hammer Will Dance to Any Song in the Call Me By Your Name Meme of Our Dreams Watch IndieWire Archived from the original on October 23 2017 Retrieved October 17 2017 Munzenrieder Kyle October 12 2017 Armie Hammer s Call Me By Your Name Dance Scene Has Been Meme d W Archived from the original on October 17 2017 Retrieved October 17 2017 Caulfield Keith December 7 2017 Call Me by Your Name Spurs Biggest Streaming Week Ever for The Psychedelic Furs Love My Way Billboard Archived from the original on December 11 2017 Retrieved December 22 2017 Mikel Ryan November 7 2017 Sony Pictures Straight Washes Call Me By Your Name Out Archived from the original on November 8 2017 Retrieved November 18 2017 Megarry Daniel November 8 2017 Sony slammed for straight washing gay romance Call Me By Your Name Gay Times Archived from the original on December 1 2017 Retrieved November 18 2017 Lee Benjamin November 8 2017 Call me by the wrong name how studios are still trying to straight wash gay films The Guardian Archived from the original on November 17 2017 Retrieved November 18 2017 Wheeler Andre Naquian March 20 2018 Check Out These New Call Me By Your Name Set Photos i D Archived from the original on July 15 2018 Retrieved March 20 2018 Lanigan Roisin March 17 2018 The Korean Promo Pics For Call Me By Your Name Transform It Into An Even More Beautiful Love Story i D Archived from the original on April 18 2018 Retrieved March 20 2018 Chmielewski Dawn C December 28 2017 I Tonya Lady Bird Call Me By Your Name Awards Screeners Leak Online Deadline Hollywood Archived from the original on May 18 2018 Retrieved December 28 2017 Spangler Todd December 27 2017 Lady Bird Call Me by Your Name I Tonya Screener Copies Leaked to Piracy Networks Variety Archived from the original on April 1 2018 Retrieved December 27 2017 Shraf Zack December 28 2017 Hackers Leak Lady Bird Call Me by Your Name and More Online But Still Encourage You to See Them in Theaters IndieWire Archived from the original on May 11 2018 Retrieved December 28 2017 a b Smith Nigel January 29 2018 Exclusive Timothee Chalamet on Seducing Armie Hammer with Piano Playing in Call Me By Your Name People Archived from the original on January 29 2018 Retrieved January 29 2018 Chitwood Adam March 13 2018 Origins of Call Me by Your Name Revealed in New Blu ray Clip Collider Archived from the original on May 1 2018 Retrieved March 13 2018 a b c d Call Me by Your Name 2017 The Numbers Archived from the original on June 14 2017 Retrieved January 28 2018 Official DVD Chart Top 100 11 March 2018 17 March 2018 The Official UK Charts Company March 11 2018 Archived from the original on April 4 2018 Retrieved April 1 2018 Official Blu Ray Chart Top 100 11 March 2018 17 March 2018 The Official UK Charts Company March 11 2018 Archived from the original on April 4 2018 Retrieved April 1 2018 Box Office Performance for Sony Pictures Classics in 2017 The Numbers Archived from the original on January 22 2018 Retrieved January 22 2018 Brooks Brian November 22 2017 Darkest Hour Call Me By Your Name Man Who Invented Christmas Usher Holiday Specialty B O Preview Deadline Hollywood Archived from the original on November 22 2017 Retrieved November 22 2017 a b Brooks Brian November 26 2017 Call Me By Your Name Scores Year s Best Average Opener At 101K Darkest Hour Has Robust Start Specialty Box Office Deadline Hollywood Archived from the original on November 26 2017 Retrieved November 26 2017 D Alessandro Anthony November 26 2017 Thanksgiving B O At 268M 3 Over 2016 Spurred By Coco amp Holdovers Deadline Hollywood Archived from the original on November 26 2017 Retrieved November 26 2017 McClintock Pamela November 26 2017 Thanksgiving Box Office Coco Gobbles Up Justice League With 71 2M The Hollywood Reporter Archived from the original on November 26 2017 Retrieved November 26 2017 Brueggemann Tom November 26 2017 Call Me by Your Name Is Best Opener of 2017 Darkest Hour Launches Well IndieWire Archived from the original on December 7 2017 Retrieved December 7 2017 McClintock Pamela December 3 2017 Weekend Box Office Coco Stays No 1 With 26 1M The Disaster Artist Impresses The Hollywood Reporter Archived from the original on December 3 2017 Retrieved December 4 2017 Brueggemann Tom December 3 2017 Record Opener Disaster Artist and The Shape of Water Lead Specialty Box Office Surge IndieWire Archived from the original on December 4 2017 Retrieved December 4 2017 Hayes Dade December 3 2017 Guillermo del Toro s The Shape of Water Bows with 4th Best PTA of 2017 The Disaster Artist Sizzles Specialty Box Office Deadline Hollywood Archived from the original on December 4 2017 Retrieved December 4 2017 Coyle Jack December 3 2017 Coco Tops Box Office for 2nd Week with 26 1M Time Archived from the original on December 4 2017 Retrieved December 4 2017 Brooks Brian December 3 2017 I Tonya Blades To Robust Bow The Shape Of Water amp Call Me By Your Name Expand Solidly Specialty Box Office Deadline Hollywood Archived from the original on December 10 2017 Retrieved December 10 2017 Brooks Brian January 7 2018 I Tonya Expands Strong Call Me By Your Name Crosses 6M As Golden Globe Noms Score Specialty Box Office Deadline Hollywood Archived from the original on January 7 2018 Retrieved January 7 2018 D Alessandro Anthony January 28 2018 Fox Controls Close To 40 Of Weekend B O Led By Maze Runner amp Oscar Holdovers Hostiles Gallops Past 10M Deadline Hollywood Archived from the original on January 27 2018 Retrieved January 28 2018 Brueggemann Tom January 28 2018 The Shape of Water Gets Oscar Boost as Hostiles Lures Crowds IndieWire Archived from the original on January 28 2018 Retrieved January 28 2018 2017 Academy Award Nominations and Winner for Best Picture Box Office Mojo Archived from the original on February 19 2018 Retrieved March 13 2018 Brueggemann Tom January 30 2018 Call Me by Your Name Box Office Is Lagging But Sony Pictures Classics Isn t to Blame IndieWire Archived from the original on June 24 2018 Retrieved January 30 2018 Brooks Brian March 11 2018 The Death of Stalin Has Best Specialty Debut of 2018 The Shape of Water Crosses 61M Post Oscar Update Deadline Hollywood Archived from the original on May 2 2018 Retrieved March 11 2018 Chirichelli Andrea January 29 2018 Chiamami Col Tuo Nome Ottiene La Miglior Media Sala Del Weekend Call Me by Your Name Gets The Best Average Room Of Weekend Mymovies in Italian Archived from the original on March 15 2018 Retrieved January 29 2018 Chirichelli Andrea February 7 2018 Chiamami Col Tuo Nome Punta Ai 2 Milioni Di Euro Call Me by Your Name Points To 2 Million Euro Mymovies in Italian Archived from the original on February 8 2018 Retrieved February 7 2018 Chirichelli Andrea March 13 2018 Chiamami Col Tuo Nome Rientra in Top Ten Call Me by Your Name Re enters in Top Ten Mymovies in Italian Archived from the original on March 15 2018 Retrieved March 13 2018 Champalaune Mathieu March 1 2018 Box office Malgre la deferlante Ch tite famille Call Me By Your Name et Les Garcons sauvages seduisent le public Box office In spite of the breaking Ch tite family Call Me by Your Name and The wild Boys seduce the public Les Inrockuptibles Archived from the original on March 17 2018 Retrieved March 1 2018 Champalaune Mathieu March 9 2018 Box office Mme Mills en tete Isabelle Huppert omnipresente Box office Mrs Mills in the lead Isabelle Huppert ubiquitous Les Inrockuptibles Archived from the original on March 17 2018 Retrieved March 9 2018 Champalaune Mathieu March 23 2018 Box office Pacific Rim Uprising domine mollement Mektoub My Love a la peine Box office Pacific Rim Uprising dominates softly Mektoub My Love to the trouble Les Inrockuptibles Archived from the original on June 25 2018 Retrieved March 23 2018 Sandwell Ian October 30 2017 UK box office Thor Ragnarok scores biggest non Bond October debut Screendaily Archived from the original on October 30 2017 Retrieved October 30 2017 Gant Charles October 30 2017 Thor Ragnarok hammers the opposition at the UK box office The Guardian Archived from the original on November 1 2017 Retrieved October 30 2017 Sandwell Ian November 6 2017 UK box office Murder On The Orient Express derails Thor Ragnarok Screendaily Archived from the original on November 6 2017 Retrieved November 6 2017 Sandwell Ian November 13 2017 UK box office Paddington 2 scores record breaking bow Screendaily Archived from the original on November 21 2017 Retrieved November 13 2017 Gant Charles November 14 2017 Paddington 2 makes marmalade of the UK box office competition The Guardian Archived from the original on November 14 2017 Retrieved November 14 2017 Buchanan Kyle January 23 2017 Why Sundance Fell in Love With the Gay Romance Call Me by Your Name Vulture Archived from the original on August 2 2017 Retrieved August 1 2017 Marotta Jenna November 17 2017 Call Me by Your Name Timothee Chalamet is Learning How to Be a Man Onscreen and Off IndieWire Archived from the original on November 20 2017 Retrieved November 17 2017 Call Me by Your Name 2018 Rotten Tomatoes Archived from the original on July 5 2020 Retrieved July 5 2020 Golden Tomato Awards Best reviewed Movies 2017 gt Limited Releases Rotten Tomatoes Fandango Media January 4 2018 Archived from the original on January 4 2018 Retrieved January 4 2018 Golden Tomato Awards Best reviewed Romance Movies 2017 Rotten Tomatoes Fandango Media January 4 2018 Archived from the original on January 4 2018 Retrieved January 4 2018 Call Me By Your Name 2017 Metacritic CBS Interactive Archived from the original on October 4 2017 Retrieved January 4 2018 Dietz Jason January 4 2018 Best Movies of 2017 Metacritic CBS Interactive Archived from the original on January 7 2018 Retrieved January 4 2018 a b Ehrlich David January 23 2017 Call Me By Your Name Review Luca Guadagnino Delivers A Queer Masterpiece Sundance 2017 IndieWire Archived from the original on January 24 2017 Retrieved January 23 2017 Hoeij Boyd van January 23 2017 Call Me by Your Name Film Review Sundance 2017 The Hollywood Reporter Archived from the original on January 24 2017 Retrieved January 23 2017 Adams Sam January 25 2017 Film review Call Me By Your Name will make you swoon BBC Archived from the original on January 25 2017 Retrieved January 25 2017 Burr Ty December 20 2017 Call Me by Your Name is full of light and landscape and unstoppable beauty The Boston Globe Archived from the original on December 27 2017 Retrieved January 25 2018 Morgan David October 3 2017 Review Armie Hammer in the coming of age film Call Me By Your Name CBS Archived from the original on October 8 2017 Retrieved October 3 2017 Lawson Richard January 23 2017 The Gorgeous Call Me by Your Name Makes Sundance Swoon Vanity Fair Archived from the original on November 26 2017 Retrieved October 3 2017 Phillips Michael December 13 2017 Call Me by Your Name review At long last first love Chicago Tribune Archived from the original on February 9 2018 Retrieved December 13 2017 N E G September 8 2017 Call Me By Your Name is a work of beauty The Economist Archived from the original on September 12 2017 Retrieved September 12 2017 Taylor Kate September 9 2017 The Globe s Guide to TIFF 2017 Movies The Globe and Mail Archived from the original on November 26 2017 Retrieved January 17 2017 Eisner Ken December 13 2017 Call Me By Your Name suffers from an excess of beauty The Georgia Straight Archived from the original on February 15 2018 Retrieved December 13 2017 Turner Kyle October 4 2017 Call Me By Your Name 2017 New York Film Festival Review Paste Archived from the original on February 16 2018 Retrieved October 4 2017 White Armond November 30 2017 Call Me by Your Name s Sex Lives of the Rich and Immodest Out Archived from the original on March 20 2018 Retrieved March 19 2018 Bloomer Jeffrey November 8 2017 What Should We Make of Call Me by Your Name s Age Gap Relationship Slate Archived from the original on November 13 2020 Retrieved January 14 2021 Ahlgrim Callie December 10 2018 Queer Eye star Karamo Brown thinks Call Me by Your Name is problematic because it glorifies predatory behavior Insider Retrieved January 14 2021 Young Robin February 15 2018 One Author Says Call Me By Your Name Is About Abuse Not Love WBUR Archived from the original on February 9 2021 Retrieved January 14 2021 Sorrentino Renee Turban Jack September 8 2018 Call Me by Your Name Not Pedophilia Still Problematic Psychiatric Times 35 9 Archived from the original on December 21 2020 Retrieved January 14 2021 Ogles Jacob February 2 2018 19 Straight Films That Didn t Mind Call Me by Your Name s Age Gap The Advocate Archived from the original on November 9 2020 Retrieved January 14 2021 American Film Institute Announces AFI Awards 2017 Official Selections Press release Los Angeles CA American Film Institute December 7 2017 Archived from the original on December 8 2017 Retrieved December 7 2017 National Board Of Review Announces 2017 Award Winners Press release New York NY National Board of Review November 28 2017 Archived from the original on November 29 2017 Retrieved 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original on January 8 2018 Retrieved January 7 2018 The Shape Of Water Named Best Picture Takes Four Awards At 23rd Annual Critics Choice Awards Press release Los Angeles CA Broadcast Film Critics Association Broadcast Television Journalists Association January 11 2018 Archived from the original on January 12 2018 Retrieved January 11 2018 33rd Film Independent Spirits Nominations Announced PDF Press release Los Angeles Independent Spirit Awards November 21 2017 Archived PDF from the original on December 7 2017 Retrieved November 21 2017 2018 Film Independent Spirit Awards Winners Announced Press release Los Angeles Independent Spirit Awards March 3 2018 Archived from the original on March 4 2018 Retrieved March 3 2018 Rubin Rebecca December 13 2017 SAG Award Nominations Complete List Variety Archived from the original on January 24 2018 Retrieved January 25 2018 Ava DuVernay Samira Wiley Call Me by Your Name Honored at GLAAD Media Awards Variety May 5 2018 Archived from the original on May 6 2018 Retrieved May 6 2018 Turrini Davide May 30 2018 Nastri d Argento 2018 le nomination la sfida e tra Loro Ammore e malavita Dogman e Napoli velata Nastri d Argento 2018 the nominations the challenge is between Loro Ammore and malavita Dogman and Napoli veiled Il Fatto Quotidiano in Italian Archived from the original on June 2 2018 Retrieved May 30 2018 Catena Testo Antonella June 7 2018 Ciak d Oro 2018 Vincono i Manetti Bros Luca Guadagnino Claudia Gerini Ligabue Ciak d Oro 2018 Manetti Bros Luca Guadagnino Claudia Gerini Ligabue win Amica in Italian Archived from the original on June 8 2018 Retrieved June 8 2018 Gettell Oliver November 27 2017 Call Me By Your Name takes top prize at 2017 Gotham Awards Entertainment Weekly Archived from the original on December 7 2017 Retrieved November 27 2017 2017 Honorees Hollywood Film Awards Archived from the original on October 22 2017 Retrieved October 19 2017 Zilko David Ehrlich Eric Kohn Kate Erbland Anne Thompson Zack Sharf Chris O Falt Jude Dry Tambay Obenson Christian Blauvelt Leah Lu Christian Ehrlich David Kohn Eric Erbland Kate Thompson Anne Sharf Zack O Falt Chris Dry Jude Obenson Tambay July 22 2019 The 100 Best Movies of the Decade IndieWire Archived from the original on July 27 2019 Retrieved July 28 2019 a href Template Cite web html title Template Cite web cite web a CS1 maint multiple names authors list link Zilko David Ehrlich Kate Erbland Eric Kohn Anne Thompson Chris O Falt Tambay Obenson Christian Blauvelt Christian Ehrlich David Erbland Kate Kohn Eric Thompson Anne O Falt Chris Obenson Tambay Blauvelt Christian Zilko Christian July 23 2019 The 50 Best Movie Performances of the Decade IndieWire Archived from the original on July 25 2019 Retrieved July 28 2019 a href Template Cite web html title Template Cite web cite web a CS1 maint multiple names authors list link Top 100 Films of the 2010s December 30 2019 Archived from the original on July 27 2020 Retrieved April 27 2020 The 50 Best Movies of the 2010s Rolling Stone December 18 2019 Archived from the original on July 27 2020 Retrieved April 27 2020 The 100 best films of the decade 2010 2019 Archived from the original on February 12 2020 Retrieved April 27 2020 Call Me by Your Name How a Little Film Touched So Many Lives Kindle edition by Mirell Barb Humor amp Entertainment Kindle eBooks Amazon com Liberty Bell Publishers July 18 2018 Archived from the original on November 15 2020 Retrieved February 3 2021 span, wikipedia, wiki, book, books, library,

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