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Wide release

February 15, 2024

In the motion picture industry, a wide release (short for nationwide release) is a film playing at the same time at cinemas in most markets across a country. This is in contrast to the formerly common practice of a roadshow theatrical release in which a film opens at a few cinemas in key cities before circulating among cinemas around a country, or a limited release in which a film is booked at fewer cinemas (such as "art house" venues) in larger cities in anticipation of lesser commercial appeal. In some cases, a film that sells well in limited release will then "go wide". Since 1994, a wide release in the United States and Canada has been defined by Nielsen EDI as a film released in more than 600 theaters.[1][2]

The practice emerged as a successful marketing strategy in the 1970s, and became increasingly common in subsequent decades, in parallel with the expansion of the number of screens available at multiplex cinemas. With the switch to digital formats – lowering the added cost of wide release and increasing the opportunity for piracy – "opening wide" has become the default release strategy for big-budget mainstream films, sometimes expanding to include closely spaced wide releases in various countries, or even simultaneous world-wide release.[3]

History edit

Prior to the 1980s, most feature films initially opened in major cities such as New York, Los Angeles, Paris, and London, with a small set of prints then circulating as a "roadshow" among cinemas regionally over the course of a few months. The number of prints in circulation would be increased only to accommodate demand for highly popular features, which might be "held over" beyond their originally scheduled run. Many of the most successful major releases during this period were handled this way.[4]

In 1946, David O. Selznick's Duel in the Sun was given a "blitz" release, where it was released simultaneously in a number of theaters in an area or city, with it opening in as many as 54 theaters in one area at the same time. The "blitz" approach had been used for a number of years in the Los Angeles area due to its geographic spread. Advantages of the new release approach included economies of scale on advertising costs and the fact that it allowed an old circus technique of making money and leaving before cinemagoers could realize how bad a film was. [5] The following year, MGM used a "splash" approach on The Hucksters, opening in 350 theaters before expanding to 1,000 theaters a week later.[5][6]

In 1952, Terry Turner of RKO introduced "saturation booking" (similar to nationwide release but on a regional scale) on a reissue of King Kong and then expanded this concept with Warner Bros.' The Beast from 20,000 Fathoms (1953), planning to have most of its bookings in its first two months, opening in New York and Los Angeles before expanding to 1,422 theaters within the first week.[7][8]

Joseph E. Levine, a distributor/exhibitor based in Boston who had worked on the "blitz" release of Duel in the Sun, hired Turner and adopted a similar approach on the 1958 US release of the Italian film Attila, quickly moving 90 prints through regional distribution hubs, renting them to mostly low-end theaters where he could book short runs with favorable box office terms.[9][8] Booking dense concentrations of venues in a region allowed for the effective use of costly local TV and radio spots. Levine was able to generate over $2 million in US box office theatrical rentals with runs averaging only ten days per screen. Warner Bros. then paid him a $300,000 advance to secure the distribution rights to Hercules. Released the following summer with over 600 prints (175 of these played simultaneously in the greater New York City area) with the assistance of Warner's nationwide network of print exchanges, the film secured $4.7 million in rentals.[10][11]

In 1974, Tom Laughlin gave The Trial of Billy Jack, a sequel to his independently distributed Billy Jack, one of the widest releases to date, opening in 1,200 theatres in the United States on November 13.[12] The following year, Breakout was the first major studio film to go into wide release in its opening week, with Columbia Pictures distributing 1,325 prints nationwide, combined with a heavy national advertising campaign.[12][13] The following month, Jaws was released in a similar way on 409 screens, expanding to nearly 1,000 by mid-August in conjunction with nationwide advertising. The modest success of Breakout and the blockbuster success of Jaws led other distributors to follow suit with other mass-market films. In December 1980, Any Which Way You Can beat the record set by Breakout, opening in a record 1,541 theaters.[13][14]

The growth in the number and size of multiplexes since the 1980s, increasing the availability of screens with more flexible scheduling, facilitated this strategy and, together with the reduction in the number of movie palaces, saw an end to the roadshow release strategy.[15][4] In 1984, Beverly Hills Cop was the first film playing simultaneously on more than 2,000 screens in the United States and Canada, in its third weekend in December.[16][17] In 1990, 13 films were shown on 2,000 screens simultaneously, and in 1993 the number had almost doubled to 24.[18] In 1993, 145 films (41% of films released) received a wide release in the United States and Canada with an average widest point of release of 1,493 engagements with 29% of the films' grosses coming from their opening week.[19]

In May 1996, Mission: Impossible was the first film to be released in over 3,000 theaters in the United States and Canada.[20][21] Meanwhile, Showgirls (1995) was the first film with an NC-17 rating to have a wide release in the United States, opening in 1,388 theaters.[22] In 1996, 67 films were released in the United States and Canada on more than 2,000 screens and by 1997, the average widest point of release for wide release films in the United States and Canada had reached 1,888 engagements with 37% of the films' grosses coming from their opening week.[23][19] By 2000, 22 films were released on more than 3,000 screens in the year, while the average widest point of release had increased to 2,228.[24]

By 2002, opening globally on the same day became more commonplace, with Spider-Man being released on 7,500 screens at 3,615 theaters in the United States and Canada[25] and 838 prints in 18 other countries.[26] The same month, Star Wars: Episode II – Attack of the Clones opened in 3,161 theaters in the United States and Canada, and in 73 other countries on 5,854 screens.[27][28] In 2003, 20th Century Fox released X2, the second installment of the X-Men film series, in 3,741 theaters in the United States and Canada, and in 93 markets on 7,316 screens overseas.[29][30] Later that year, Warner Bros. released the third Matrix film, The Matrix Revolutions, simultaneously in 108 territories on November 5, 2003 at 1400 Greenwich Mean Time on around 18,000 screens with 10,013 prints overseas[31][32] and in 3,502 theaters in the United States and Canada.[33] Shrek 2 became the first film to open in over 4,000 theaters in the United States and Canada in 2004.[34] The Lion King set the record for the widest opening in the United States and Canada, being released in 4,725 theaters in 2019 before expanding two weeks later to 4,802 theaters.[35][36] In 2019, 120 films released in the United States and Canada played on 2,000 theaters or more.[37]

Classification edit

Since 1994, a wide release in the United States and Canada has been defined by EDI as a film released in more than 600 theaters.[38] In 1996, Variety considered a wide release as a film with 700 or more playdates or a film in the top 50 markets with at least 500 playdates. New Line distribution president Mitch Goldman called the term a misnomer as he claimed that a film needed to open in more than 800 theaters to be considered a wide release but that such a film might not even play the top cities and that a film could open in the top 50 markets with just 600 prints and be in wide release.[39]

See also edit

References edit

  1. ^ . 27 September 2002. Archived from the original on 2021-10-16.
  2. ^ "Box Office News: Release Patterns". Daily Variety. January 4, 1994. p. 4.
  3. ^ "Paramount stops releasing major movies on film". Los Angeles Times. 2014-01-18. Retrieved 2020-06-13.
  4. ^ a b Natale, Richard (May 21, 1992). "Uni/Imagine throw dice 'Far and Away'". Daily Variety. p. 17.
  5. ^ a b "Goldwyn to Give 'Mitty' Blitz Treatment". Variety. July 16, 1947. p. 5 – via Archive.org.
  6. ^ "'Hucksters' Tees Off New Selling for M-G July 17; See 22 During 1947-48". Variety. July 2, 1947. p. 4 – via Archive.org.
  7. ^ "Play Fast Playoff For WB 'Beast'". Variety. June 17, 1953. p. 5 – via Archive.org.
  8. ^ a b Hayes, Dade; Bing, Jonathan (2004). Open Wide: How Hollywood Box Office Became a National Obsession. Miramax Books. pp. 145-150. ISBN 1401352006.
  9. ^ "T. Turner Technique For 'Attila the Hun". Variety. March 12, 1958. p. 20. Retrieved October 1, 2021 – via Archive.org.
  10. ^ "'Hercules' Has 6,000 WB Dates Lined Up". Variety. 15 July 1959. p. 32. Retrieved June 13, 2020 – via Archive.org.
  11. ^ McCarthy, Todd (August 5, 1987). "Joseph E. Levine Dead At 81; Leading Indie Producer Of '60s". Variety. p. 4.
  12. ^ a b Hayes, Dade; Bing, Jonathan (2004). Open Wide: How Hollywood Box Office Became a National Obsession. Miramax Books. pp. 277-280. ISBN 1401352006.
  13. ^ a b McCarthy, Todd (December 17, 1980). "'Any Which Way' But Not Anti-Bid States". Variety. p. 3.
  14. ^ "Weekend Domestic Chart for December 19, 1980". The Numbers. Retrieved December 31, 2020.
  15. ^ Wyatt, Justin (1998). "From Roadshowing to Saturation Release: Majors, Independents, and Marketing/Distribution Innovations". In Lewis, Jon. The New American Cinema. Durham, North Carolina: Duke University Press. ISBN 0-8223-2115-7, p 78
  16. ^ Greenberg, James (December 27, 1984). "'Beverly Hills Cop' Top Ticket At National B.O.; 'Pinocchio' Strong". Daily Variety. p. 4.
  17. ^ "Beverly Hills Cop". Box Office Mojo. Retrieved June 8, 2020.
  18. ^ "Box Office News: Release patterns". Daily Variety. April 12, 1994. p. 21.
  19. ^ a b "EDI Box Office News More Shelf Space For Films". Variety. January 5, 1998. p. 3.
  20. ^ Thomas, Karen (May 24, 1996). "'Mission' is successful, breaks Wednesday record". USA Today. p. 1D.
  21. ^ Hindes, Andrew (May 24, 1996). "Mission Cruises to B.O. Record". Variety. p. 1.
  22. ^ Weinraub, Bernard (21 July 1995). "First Major Film With an NC-17 Rating Is Embraced by the Studio". The New York Times.
  23. ^ "EDI Box Office News: Really wide release". Variety. January 6, 1997. p. 18.
  24. ^ "ACNielsen EDI Box Office News: Screen Trends For 2000". Variety. March 5, 2001. p. 16.
  25. ^ Lyman, Rick (May 7, 2002). "In a Weekend, 'Spider-Man' Jump-Starts The Summer". The New York Times. Retrieved April 5, 2017.
  26. ^ Groves, Don (May 13, 2002). "Day-and-date strategy spins 'Spidey' success". Variety. p. 12.
  27. ^ Groves, Don (May 27, 2002). "'Clones' racks up top overseas sesh". Variety. p. 9. Retrieved June 8, 2020.
  28. ^ "Star Wars: Episode II - Attack of the Clones". Box Office Mojo. Retrieved June 8, 2020.
  29. ^ Groves, Don (May 12, 2003). "'X2' leads B.O. to second-highest sesh". Variety. p. 14. Retrieved June 8, 2020.
  30. ^ "X2: X-Men United". Box Office Mojo. Retrieved June 8, 2020.
  31. ^ Hayes, Dade; Bing, Jonathan (2004). Open Wide: How Hollywood Box Office Became a National Obsession. Miramax Books. pp. 372. ISBN 1401352006.
  32. ^ Groves, Don (November 17, 2003). "'The Matrix' Takes Over the World". Variety. p. 17. Retrieved June 8, 2020.
  33. ^ "The Matrix Revolutions". Box Office Mojo. Retrieved June 8, 2020.
  34. ^ Hollywood.com. May 11, 2009. Archived from the original on March 31, 2014. Retrieved March 31, 2014.
  35. ^ "The Lion King". Box Office Mojo. Retrieved May 24, 2020.
  36. ^ "All Time Charts: Miscellaneous Records". Box Office Mojo. Retrieved May 24, 2020.
  37. ^ McClintock, Pamela (December 15, 2023). "See You in 2025? Box Office Might Take $2B Hit Amid Delays". The Hollywood Reporter. p. 13.
  38. ^ "Box Office News: Release Patterns". Daily Variety. January 4, 1994. p. 4.
  39. ^ Klady, Leonard (January 8, 1996). "Pictures go wide for B.O. touchdown". Variety. p. 13.

Further reading edit

  • Dade Hayes and Jonathan Bing, Open Wide: How Hollywood Box Office Became a National Obsession, Miramax Books, 2004. (ISBN 1401352006)

February 15, 2024
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In the motion picture industry a wide release short for nationwide release is a film playing at the same time at cinemas in most markets across a country This is in contrast to the formerly common practice of a roadshow theatrical release in which a film opens at a few cinemas in key cities before circulating among cinemas around a country or a limited release in which a film is booked at fewer cinemas such as art house venues in larger cities in anticipation of lesser commercial appeal In some cases a film that sells well in limited release will then go wide Since 1994 a wide release in the United States and Canada has been defined by Nielsen EDI as a film released in more than 600 theaters 1 2 The practice emerged as a successful marketing strategy in the 1970s and became increasingly common in subsequent decades in parallel with the expansion of the number of screens available at multiplex cinemas With the switch to digital formats lowering the added cost of wide release and increasing the opportunity for piracy opening wide has become the default release strategy for big budget mainstream films sometimes expanding to include closely spaced wide releases in various countries or even simultaneous world wide release 3 Contents 1 History 2 Classification 3 See also 4 References 5 Further readingHistory editPrior to the 1980s most feature films initially opened in major cities such as New York Los Angeles Paris and London with a small set of prints then circulating as a roadshow among cinemas regionally over the course of a few months The number of prints in circulation would be increased only to accommodate demand for highly popular features which might be held over beyond their originally scheduled run Many of the most successful major releases during this period were handled this way 4 In 1946 David O Selznick s Duel in the Sun was given a blitz release where it was released simultaneously in a number of theaters in an area or city with it opening in as many as 54 theaters in one area at the same time The blitz approach had been used for a number of years in the Los Angeles area due to its geographic spread Advantages of the new release approach included economies of scale on advertising costs and the fact that it allowed an old circus technique of making money and leaving before cinemagoers could realize how bad a film was 5 The following year MGM used a splash approach on The Hucksters opening in 350 theaters before expanding to 1 000 theaters a week later 5 6 In 1952 Terry Turner of RKO introduced saturation booking similar to nationwide release but on a regional scale on a reissue of King Kong and then expanded this concept with Warner Bros The Beast from 20 000 Fathoms 1953 planning to have most of its bookings in its first two months opening in New York and Los Angeles before expanding to 1 422 theaters within the first week 7 8 Joseph E Levine a distributor exhibitor based in Boston who had worked on the blitz release of Duel in the Sun hired Turner and adopted a similar approach on the 1958 US release of the Italian film Attila quickly moving 90 prints through regional distribution hubs renting them to mostly low end theaters where he could book short runs with favorable box office terms 9 8 Booking dense concentrations of venues in a region allowed for the effective use of costly local TV and radio spots Levine was able to generate over 2 million in US box office theatrical rentals with runs averaging only ten days per screen Warner Bros then paid him a 300 000 advance to secure the distribution rights to Hercules Released the following summer with over 600 prints 175 of these played simultaneously in the greater New York City area with the assistance of Warner s nationwide network of print exchanges the film secured 4 7 million in rentals 10 11 In 1974 Tom Laughlin gave The Trial of Billy Jack a sequel to his independently distributed Billy Jack one of the widest releases to date opening in 1 200 theatres in the United States on November 13 12 The following year Breakout was the first major studio film to go into wide release in its opening week with Columbia Pictures distributing 1 325 prints nationwide combined with a heavy national advertising campaign 12 13 The following month Jaws was released in a similar way on 409 screens expanding to nearly 1 000 by mid August in conjunction with nationwide advertising The modest success of Breakout and the blockbuster success of Jaws led other distributors to follow suit with other mass market films In December 1980 Any Which Way You Can beat the record set by Breakout opening in a record 1 541 theaters 13 14 The growth in the number and size of multiplexes since the 1980s increasing the availability of screens with more flexible scheduling facilitated this strategy and together with the reduction in the number of movie palaces saw an end to the roadshow release strategy 15 4 In 1984 Beverly Hills Cop was the first film playing simultaneously on more than 2 000 screens in the United States and Canada in its third weekend in December 16 17 In 1990 13 films were shown on 2 000 screens simultaneously and in 1993 the number had almost doubled to 24 18 In 1993 145 films 41 of films released received a wide release in the United States and Canada with an average widest point of release of 1 493 engagements with 29 of the films grosses coming from their opening week 19 In May 1996 Mission Impossible was the first film to be released in over 3 000 theaters in the United States and Canada 20 21 Meanwhile Showgirls 1995 was the first film with an NC 17 rating to have a wide release in the United States opening in 1 388 theaters 22 In 1996 67 films were released in the United States and Canada on more than 2 000 screens and by 1997 the average widest point of release for wide release films in the United States and Canada had reached 1 888 engagements with 37 of the films grosses coming from their opening week 23 19 By 2000 22 films were released on more than 3 000 screens in the year while the average widest point of release had increased to 2 228 24 By 2002 opening globally on the same day became more commonplace with Spider Man being released on 7 500 screens at 3 615 theaters in the United States and Canada 25 and 838 prints in 18 other countries 26 The same month Star Wars Episode II Attack of the Clones opened in 3 161 theaters in the United States and Canada and in 73 other countries on 5 854 screens 27 28 In 2003 20th Century Fox released X2 the second installment of the X Men film series in 3 741 theaters in the United States and Canada and in 93 markets on 7 316 screens overseas 29 30 Later that year Warner Bros released the third Matrix film The Matrix Revolutions simultaneously in 108 territories on November 5 2003 at 1400 Greenwich Mean Time on around 18 000 screens with 10 013 prints overseas 31 32 and in 3 502 theaters in the United States and Canada 33 Shrek 2 became the first film to open in over 4 000 theaters in the United States and Canada in 2004 34 The Lion King set the record for the widest opening in the United States and Canada being released in 4 725 theaters in 2019 before expanding two weeks later to 4 802 theaters 35 36 In 2019 120 films released in the United States and Canada played on 2 000 theaters or more 37 Classification editSince 1994 a wide release in the United States and Canada has been defined by EDI as a film released in more than 600 theaters 38 In 1996 Variety considered a wide release as a film with 700 or more playdates or a film in the top 50 markets with at least 500 playdates New Line distribution president Mitch Goldman called the term a misnomer as he claimed that a film needed to open in more than 800 theaters to be considered a wide release but that such a film might not even play the top cities and that a film could open in the top 50 markets with just 600 prints and be in wide release 39 See also editArt film Film releaseReferences edit Indie distrib Premiere in need of cash 27 September 2002 Archived from the original on 2021 10 16 Box Office News Release Patterns Daily Variety January 4 1994 p 4 Paramount stops releasing major movies on film Los Angeles Times 2014 01 18 Retrieved 2020 06 13 a b Natale Richard May 21 1992 Uni Imagine throw dice Far and Away Daily Variety p 17 a b Goldwyn to Give Mitty Blitz Treatment Variety July 16 1947 p 5 via Archive org Hucksters Tees Off New Selling for M G July 17 See 22 During 1947 48 Variety July 2 1947 p 4 via Archive org Play Fast Playoff For WB Beast Variety June 17 1953 p 5 via Archive org a b Hayes Dade Bing Jonathan 2004 Open Wide How Hollywood Box Office Became a National Obsession Miramax Books pp 145 150 ISBN 1401352006 T Turner Technique For Attila the Hun Variety March 12 1958 p 20 Retrieved October 1 2021 via Archive org Hercules Has 6 000 WB Dates Lined Up Variety 15 July 1959 p 32 Retrieved June 13 2020 via Archive org McCarthy Todd August 5 1987 Joseph E Levine Dead At 81 Leading Indie Producer Of 60s Variety p 4 a b Hayes Dade Bing Jonathan 2004 Open Wide How Hollywood Box Office Became a National Obsession Miramax Books pp 277 280 ISBN 1401352006 a b McCarthy Todd December 17 1980 Any Which Way But Not Anti Bid States Variety p 3 Weekend Domestic Chart for December 19 1980 The Numbers Retrieved December 31 2020 Wyatt Justin 1998 From Roadshowing to Saturation Release Majors Independents and Marketing Distribution Innovations In Lewis Jon The New American Cinema Durham North Carolina Duke University Press ISBN 0 8223 2115 7 p 78 Greenberg James December 27 1984 Beverly Hills Cop Top Ticket At National B O Pinocchio Strong Daily Variety p 4 Beverly Hills Cop Box Office Mojo Retrieved June 8 2020 Box Office News Release patterns Daily Variety April 12 1994 p 21 a b EDI Box Office News More Shelf Space For Films Variety January 5 1998 p 3 Thomas Karen May 24 1996 Mission is successful breaks Wednesday record USA Today p 1D Hindes Andrew May 24 1996 Mission Cruises to B O Record Variety p 1 Weinraub Bernard 21 July 1995 First Major Film With an NC 17 Rating Is Embraced by the Studio The New York Times EDI Box Office News Really wide release Variety January 6 1997 p 18 ACNielsen EDI Box Office News Screen Trends For 2000 Variety March 5 2001 p 16 Lyman Rick May 7 2002 In a Weekend Spider Man Jump Starts The Summer The New York Times Retrieved April 5 2017 Groves Don May 13 2002 Day and date strategy spins Spidey success Variety p 12 Groves Don May 27 2002 Clones racks up top overseas sesh Variety p 9 Retrieved June 8 2020 Star Wars Episode II Attack of the Clones Box Office Mojo Retrieved June 8 2020 Groves Don May 12 2003 X2 leads B O to second highest sesh Variety p 14 Retrieved June 8 2020 X2 X Men United Box Office Mojo Retrieved June 8 2020 Hayes Dade Bing Jonathan 2004 Open Wide How Hollywood Box Office Became a National Obsession Miramax Books pp 372 ISBN 1401352006 Groves Don November 17 2003 The Matrix Takes Over the World Variety p 17 Retrieved June 8 2020 The Matrix Revolutions Box Office Mojo Retrieved June 8 2020 News May 21 Shrek 2 Hits Record Number of Theaters Vincent Gallo s Bunny Comes to U S Online Bets Taken on Celeb Poker Players More Hollywood com May 11 2009 Archived from the original on March 31 2014 Retrieved March 31 2014 The Lion King Box Office Mojo Retrieved May 24 2020 All Time Charts Miscellaneous Records Box Office Mojo Retrieved May 24 2020 McClintock Pamela December 15 2023 See You in 2025 Box Office Might Take 2B Hit Amid Delays The Hollywood Reporter p 13 Box Office News Release Patterns Daily Variety January 4 1994 p 4 Klady Leonard January 8 1996 Pictures go wide for B O touchdown Variety p 13 Further reading editDade Hayes and Jonathan Bing Open Wide How Hollywood Box Office Became a National Obsession Miramax Books 2004 ISBN 1401352006 Retrieved from https en wikipedia org w index php title Wide release amp oldid 1190095750, wikipedia, wiki, book, books, library,

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