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The Hateful Eight

March 06, 2023

The Hateful Eight (sometimes marketed as The H8ful Eight or The Hateful 8) is a 2015 American Western mystery thriller film written and directed by Quentin Tarantino. It stars Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demián Bichir, Tim Roth, Michael Madsen, and Bruce Dern as eight strangers who seek refuge from a blizzard in a stagecoach stopover some time after the American Civil War.

The Hateful Eight
Theatrical release poster
Directed byQuentin Tarantino
Written byQuentin Tarantino
Produced by
Starring
Narrated byQuentin Tarantino
CinematographyRobert Richardson
Edited byFred Raskin
Music byEnnio Morricone
Production
companies
Distributed byThe Weinstein Company[2]
Release dates
  • December 7, 2015 (2015-12-07) (Cinerama Dome)
  • December 25, 2015 (2015-12-25) (United States)
Running time
CountryUnited States[2]
LanguageEnglish
Budget$44–62 million[6][7]
Box office$156.5 million[6]

Tarantino announced the film in November 2013. He conceived it as a novel and sequel to his 2012 film Django Unchained before deciding to make it a standalone film. After the script leaked in January 2014, he decided to abandon the production and publish it as a novel instead. In April 2014, Tarantino directed a live reading of the script at the United Artists Theater in Los Angeles, before reconsidering a new draft and resuming the project. Filming began in January 2015 near Telluride, Colorado. Italian composer Ennio Morricone composed the original score, his first complete Western score in thirty-four years (and the last before his death in 2020), his first for a high-profile Hollywood production since Mission to Mars (2000), and the first and only original score for a Tarantino film.

Distributed by The Weinstein Company in the United States, The Hateful Eight was released on December 25, 2015, in a limited roadshow release on 70 mm film, before expanding wide theatrically on December 30, 2015. The film was praised for its direction, screenplay, score, cinematography, and performances, though the depiction of race relations and the violent treatment of Leigh's character divided opinions. It has grossed over $156 million worldwide. For his work on the score, Morricone won his only Academy Award for Best Original Score after his five previous nominations. The film also earned Oscar nominations for Best Supporting Actress (Leigh) and Best Cinematography (Robert Richardson).

On April 25, 2019, the film was released as a re-edited four-episode miniseries on Netflix with the subtitle Extended Version.[8] The Hateful Eight is Tarantino's final collaboration with The Weinstein Company following allegations of sexual abuse against Harvey Weinstein in October 2017.

Plot

In 1877, bounty hunter and African-American Union veteran Major Marquis Warren is heading to Red Rock, Wyoming, with three bounty corpses. His horse gives out, and faced with an incoming blizzard, Warren hitches a ride on a stagecoach driven by O.B. Jackson. Aboard is bounty hunter John Ruth, handcuffed to fugitive "Crazy" Daisy Domergue, whom he is taking to Red Rock to be hanged. Ruth and Warren had previously bonded over Warren's personal letter from Abraham Lincoln. Lost-Causer Chris Mannix, who claims to be Red Rock's new sheriff, also joins them. During the trip, Ruth learns about the Confederate bounty on Warren's head for breaking out of and setting fire to a prisoner-of-war camp.

They seek refuge from the blizzard at Minnie's Haberdashery. Greeting them is Bob, a Mexican who says Minnie is away and left him in charge. The other lodgers are deputy sheriff Oswaldo Mobray, cowboy Joe Gage, and elderly Confederate general Sanford Smithers, who is planning to erect a cenotaph for his missing son. Suspicious, Ruth disarms all but Warren. Later at the dinner table, Mannix surmises, and Warren concedes, that the Lincoln letter is false. Warren responds to Ruth's disappointment by saying his forged letter buys him leeway with whites, something Ruth silently acknowledges he never would have given Warren without.

Warren puts one of his guns next to Sanford and provokes him by claiming that he sexually assaulted and murdered Smithers' son, who had tried to claim the bounty. When the enraged Smithers reaches for the gun, Warren kills him in revenge for ordering the slaughter of black prisoners of war at Baton Rouge.

Some coffee is brewed and laced with poison. Ruth and Jackson drink it and Jackson dies, but Ruth lives long enough to attack Daisy, who then shoots him dead with his own gun. Warren disarms Domergue, leaving her shackled to Ruth's corpse, and holds the others at gunpoint. He is joined by Mannix, whom Warren trusts because he nearly drank the poisoned coffee. Examining the evidence and revealing Minnie's hatred of Mexicans, Warren deduces that Bob is lying and promptly executes him. When Warren threatens to kill Daisy, Gage admits he poisoned the coffee. An unknown man hiding under the floorboards shoots Warren in the groin, leaving him unable to walk. Mobray pulls a .32 pistol from his coat and shoots Mannix, who returns fire and fatally wounds him.

A flashback shows Bob, Mobray, Gage, and Daisy's brother Jody arriving at the lodge hours earlier. They gun down Minnie, her two servants, and all but one of her customers; Smithers is spared when he agrees to stay silent while the group prepares to spring Daisy from Ruth's custody. The bodies are hastily thrown down the well outside. Once they finish cleaning the store, Jody hides in the cellar. In the present, Mannix and Warren, both seriously wounded, hold Daisy, Gage, and Mobray at gunpoint. When they threaten to kill Daisy, Jody surrenders and is executed by Warren. The surviving gang members offer Mannix a deal. They claim fifteen hired guns are waiting in Red Rock in case the rescue attempt fails. If Mannix kills Warren, they will spare him and allow him to collect the bounty on the dying Mobray and the deceased Bob.

Warren shoots Mobray dead, and he and Mannix then kill Gage. Warren tries to shoot Daisy but is out of bullets. He asks Mannix for his gun, but Mannix refuses, wanting to hear Daisy out after deducing that Daisy lied about the hired guns. Mannix faints from blood loss. Warren watches helplessly as Daisy frees herself by hacking off Ruth's arm. Before she can shoot Warren, Mannix regains consciousness and wounds her. As he aims for the killing shot, Warren persuades his ally to hang her in honor of Ruth, who was known as "The Hangman" for always bringing his bounties in alive to the gallows. The two wounded men succeed in hanging Daisy from the rafters. As they lie dying, Mannix reads aloud Warren's fake Lincoln letter, complimenting his attention to detail.

Cast

Production

In November 2013, writer-director Quentin Tarantino said he was working on another Western. He initially attempted the story as a novel, a sequel to his film Django Unchained (2012),[9] titled Django in White Hell but realized that the Django character did not fit the story.[10] On January 11, 2014, the title was announced as The Hateful Eight.[11]

The film was inspired by the 1960s Western TV series Bonanza, The Virginian, and The High Chaparral. Tarantino said:

Twice per season, those shows would have an episode where a bunch of outlaws would take the lead characters hostage. They would come to the Ponderosa and hold everybody hostage, or go to Judge Garth's place – Lee J. Cobb played him – in The Virginian and take hostages. There would be a guest star like David Carradine, Darren McGavin, Claude Akins, Robert Culp, Charles Bronson, or James Coburn. I don't like that storyline in a modern context, but I love it in a Western, where you would pass halfway through the show to find out if they were good or bad guys, and they all had a past that was revealed. I thought, 'What if I did a movie starring nothing but those characters? No heroes, no Michael Landons. Just a bunch of nefarious guys in a room, all telling backstories that may or may not be true. Trap those guys together in a room with a blizzard outside, give them guns, and see what happens.[12]

 
The Hateful Eight Live Reading at the Ace Hotel Los Angeles, as part of LACMA's Live Read series, on April 19, 2014

Production was planned for late 2014 in the winter, but after the script leaked online in January 2014, Tarantino considered publishing it as a novel instead. He said he had given the script to a few trusted colleagues, including Reginald Hudlin, Michael Madsen, Bruce Dern, and Tim Roth.[13] This version of the script featured a different ending in which Warren and Mannix attempt to kill Gage in revenge by forcing him to drink the poisoned coffee, sparking a firefight in which every character is killed.[14] Tarantino described his vision for the character of Daisy Domergue as a "Susan Atkins of the Wild West".[15] Madsen based Joe Gage on Peter Breck's performance in The Big Valley.[16]

On April 19, 2014, Tarantino directed a live reading of the leaked script at the United Artists Theater in the Ace Hotel Los Angeles. The event was organized by the Film Independent at Los Angeles County Museum of Art (LACMA) as part of the Live Read series and was introduced by Elvis Mitchell.[17] Tarantino explained that they would read the first draft of the script, and he added that he was writing two new drafts with a different ending. The actors who joined Tarantino included Jackson, Russell, Dern, Roth, Madsen, Goggins, Bell, Amber Tamblyn, James Parks, James Remar, and Dana Gourrier.[18]

Casting

On September 23, 2014, it was revealed that Viggo Mortensen was in discussion with Tarantino for a role in the film.[19] On October 9, 2014, Jennifer Jason Leigh was added to the cast to play Daisy Domergue.[20] On November 5, 2014, it was announced that Channing Tatum was eyeing a major role in the film.[21] Later the same day, The Weinstein Company confirmed the cast in a press release, which would include Samuel L. Jackson, Jennifer Jason Leigh, Kurt Russell, Tim Roth, Demián Bichir, Walton Goggins, Michael Madsen, and Bruce Dern. Tatum's casting was also confirmed.[22]

Later on January 23, 2015, TWC announced an ensemble cast of supporting members, including James Parks, Dana Gourrier, Zoë Bell, Gene Jones, Keith Jefferson, Lee Horsley, Craig Stark, and Belinda Owino.[23]

In the earlier public reading of the first script, the role of Daisy Domergue had been read by Amber Tamblyn, and the role of Bob, a Frenchman rather than a Mexican, was read by Denis Ménochet;[18] at the reading, the role of Jody was read by James Remar. Regarding the cast, Tarantino has said, "This is a movie where [bigger movie stars] wouldn't work. It needs to be an ensemble where nobody is more important than anybody else."[24]

Filming

On September 26, 2014, the state of Colorado had signed to fund the film's production with $5 million, and the complete film would be shot in Southwest Colorado.[25] A 900-acre ranch was leased to the production for the filming. There was a meeting on October 16, and the county's planning commission issued a permit for the construction of a temporary set.[25] Principal photography began in January 2015 near Telluride, Colorado.[26][27][28] The budget was reported to be $44–62 million.[6][29][30]

Antique guitar incident

The guitar destroyed by Russell's character was not a prop but an antique 1870s Martin guitar lent by the Martin Guitar Museum. According to sound producer Mark Ulano, the guitar was supposed to have been switched with a copy to be destroyed, but this was not communicated to Russell; everyone on the set was "pretty freaked out" at the guitar's destruction, and Leigh's reaction was genuine, though "Tarantino was in a corner of the room with a funny curl on his lips, because he got something out of it with the performance."[31] Museum director Dick Boak said that the museum was not told that the script included a scene that called for a guitar being smashed, and determined that it was irreparable. The insurance remunerated the purchase value of the guitar. As a result of the incident, the museum no longer lends props to film productions.[32]

Cinematography

Cinematographer Robert Richardson, who also worked with Tarantino on Kill Bill: Volume 1 (2003), Kill Bill: Volume 2 (2004), Inglourious Basterds (2009), and Django Unchained, filmed The Hateful Eight on 65mm, using three modern 65mm camera models: the Arriflex 765 and the Studio 65 and the 65 HS from Panavision.[33] The film was transferred to 70mm film for projection using Ultra Panavision 70 and Kodak Vision 3 film stocks: 5219, 5207, 5213 and 5203.[34] Until the release of Christopher Nolan's Dunkirk two years later, it was the widest release in 70mm film since Ron Howard's Far and Away in 1992.[35] The film uses Panavision anamorphic lenses with an aspect ratio of 2.76:1, a very widescreen image that was used on some films in the 1950s and 1960s.[36] The production team also avoided any use of a digital intermediate in the 70mm roadshow release, which was color-timed photochemically by FotoKem, and the dailies were screened in 70mm.[37] The wide digital release and a handful of 35mm prints were struck from a digital intermediate, done by Yvan Lucas at Shed/Santa Monica.[38]

Post-production

Tarantino edited two versions of the film, one for the roadshow version and the other for general release. The roadshow version runs for three hours and two minutes, including six minutes of extra footage plus an overture and intermission, and has alternate takes of some scenes. Tarantino created two versions as he felt some of the footage he shot for 70mm would not play well on smaller screens.[39] The British Board of Film Classification records show the runtime difference between the Roadshow (187 minutes) and the DCP (168 minutes) releases was 19 minutes.[40][41]

Music

Main article: The Hateful Eight (soundtrack)

Tarantino announced at the 2015 Comic-Con that Ennio Morricone would compose the score for The Hateful Eight; it is the first Western scored by Morricone in 34 years, since Buddy Goes West, and Tarantino's first film to use an original score.[42][43] Tarantino had previously used Morricone's music in Kill Bill, Death Proof, Inglourious Basterds, and Django Unchained, and Morricone also wrote an original song, "Ancora Qui", for the last.[44] Morricone had previously made statements that he would "never work" with Tarantino after Django Unchained,[45] but ultimately changed his mind and agreed to score The Hateful Eight.[46] According to Variety, Morricone composed the score without even seeing the film.[47]

The soundtrack was announced on November 19, 2015, for a December 18 release from Decca Records. Ennio Morricone composed 50 minutes of original music for The Hateful Eight. In addition to Morricone's original score, the soundtrack includes dialogue excerpts from the film, "Apple Blossom" by The White Stripes from their De Stijl album, "Now You're All Alone" by David Hess from The Last House on the Left and "There Won't Be Many Coming Home" by Roy Orbison from The Fastest Guitar Alive.[48]

Tarantino confirmed that the film would use three unused tracks from Morricone's original soundtrack for the 1982 John Carpenter film The Thing—"Eternity", "Bestiality", and "Despair"—as Morricone was pressed for time while creating the score.[49] The final film also uses Morricone's "Regan's Theme" from the 1977 John Boorman film Exorcist II: The Heretic.[50][51]

Morricone's score won several awards, including a special award from New York Film Critics Circle. The score won a Golden Globe for Best Original Score.[52] It also took the 2016 Academy Award for Best Motion Picture Score, Morricone's first after several career nominations.

The acoustic song played by Leigh's character Domergue on a Martin guitar is the traditional Australian folk ballad "Jim Jones at Botany Bay", which dates from the early 19th century and was first published by Charles McAlister in 1907.[53][verification needed] The rendition in the film includes lines which were not in MacAlister's version.[54] The film's trailer used Welshly Arms' cover of "Hold On, I'm Coming", although this is not used in the film itself.[55]

Release

 
The cast and director of The Hateful Eight at the 2015 San Diego Comic-Con to promote the film.

On September 3, 2014, The Weinstein Company (TWC) acquired the worldwide distribution rights to the film for a fall 2015 release.[56] TWC would sell the film worldwide, but Tarantino asked to personally approve the global distributors for the film.[57] In preparation for its release, Tarantino arranged for approximately 100[58] theaters worldwide to be retrofitted with anamorphic equipped 70 mm film projectors, in order to display the film as he intended.[36][59] The film was released on December 25, 2015, as a roadshow presentation in 70 mm film format theaters.[60] The film was initially scheduled to be released in digital theaters on January 8, 2016.

On December 14, The Hollywood Reporter announced that the film would see wide release on December 31, 2015, while still screening the 70 mm version.[61] The release date was moved to December 30, 2015, to meet demand.[62] On July 11, 2015, Tarantino and the cast of the film appeared at San Diego Comic-Con to promote the film.[42] In the UK, where the film was distributed by Entertainment Film Distributors, the sole 70mm print in the country opened at the Odeon Leicester Square on January 8 in a roadshow presentation, with the digital general release version opening the same day at other cinemas, except Cineworld, who refused to book the film after failing to reach an agreement to show the 70mm print.[63]

On December 20, 2015, screener copies of The Hateful Eight and numerous other Oscar contenders, including Carol, The Revenant, Brooklyn, Creed, and Straight Outta Compton, were uploaded to many websites. The FBI linked the case to co-CEO Andrew Kosove of Alcon Entertainment. Kosove responded that he had "never seen this DVD", and that "it never touched his hands."[64]

Home media

The Hateful Eight was released in the United States on Digital HD, and on Blu-ray and DVD on March 29, 2016 by The Weinstein Company Home Entertainment and Anchor Bay Entertainment.[65]

Extended version

On April 25, 2019, the streaming service Netflix released The Hateful Eight: Extended Version, an extended cut in the form of a miniseries split into four episodes.[66] However, it was removed from the service on January 26, 2023.[67]

Mooted stage adaptation

In early 2016, Tarantino announced that he planned to adapt The Hateful Eight as a stage play.[68]

Reception

Box office

The Hateful Eight grossed $54.1 million in the United States and Canada and $102.4 million in other countries, for a worldwide total of $156.5 million.[6]

It opened in the US with a limited release on December 25, 2015, and over the weekend, it grossed $4.9 million from 100 theaters ($46,107 per screen), finishing 10th at the box office.[69] It had its wide release on December 30, grossing $3.5 million on its first day.[70] The film went on to gross $15.7 million in its opening weekend, finishing third at the box office, behind Star Wars: The Force Awakens ($90.2 million) and Daddy's Home ($29.2 million).[71]

Critical response and analysis

On the review aggregator website Rotten Tomatoes, The Hateful Eight holds an approval rating of 74% based on 337 reviews, with an average rating of 7.3/10. Its critical consensus reads, "The Hateful Eight offers another well-aimed round from Quentin Tarantino's signature blend of action, humor, and over-the-top violence – all while demonstrating an even stronger grip on his filmmaking craft."[72] Metacritic, which uses a weighted average, assigned The Hateful Eight a score of 68 out of 100 based on 51 critics, indicating "generally favorable reviews".[73] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, while PostTrak reported audiences gave it a 42% "definite recommend".[70]

James Berardinelli wrote that The Hateful Eight "is a high-wire thriller, full of masterfully executed twists, captivating dialogue, and a wildly entertaining narrative that gallops along at a pace to make three hours evaporate in an instant. Best film of the year? Yes."[74] Telegraph critic Robbie Collin wrote: "The Hateful Eight is a parlour-room epic, an entire nation in a single room, a film steeped in its own filminess but at the same time vital, riveting and real. Only Tarantino can do this, and he’s done it again."[75] The Guardian critic Peter Bradshaw gave the film five out of five, and wrote that it was "intimate yet somehow weirdly colossal, once again releasing [Tarantino's] own kind of unwholesome crazy-funny-violent nitrous oxide into the cinema auditorium for us all to inhale ... "Thriller" is a generic label which has lost its force. But The Hateful Eight thrills."[76] A.V. Club critic Ignatiy Vishnevetsky gave the film a grade of A- and wrote that "with a script that could easily be a stage play, The Hateful Eight is about as close as this pastiche artist is likely to get to the classical tradition."[77]

In contrast, Owen Gleiberman of the BBC said, "I'm not alone in thinking that it's Tarantino's worst film – a sluggish, unimaginative dud, brimming with venom but not much cleverness."[78] Donald Clarke, writing in The Irish Times, wrote, "What a shame the piece is so lacking in character and narrative coherence. What a shame so much of it is so gosh-darn boring."[79] A. O. Scott in The New York Times said, "Some of the film's ugliness...seems dumb and ill-considered, as if Mr. Tarantino's intellectual ambition and his storytelling discipline had failed him at the same time."[80] Todd McCarthy of The Hollywood Reporter praised the film's production design, idiosyncratic dialogue, and "lip-smackingly delicious" performances, but felt the film was overlong and that Morricone's score was put to too limited use.[81]

Scholars Florian Zitzelsberger and Sarah E. Beyvers observe that the film follows Aristotle's unities: "Tarantino's film meticulously adheres to the classical unities of a tragedy, which had been seen as a necessity for the audience's immersion for a long time: 'The Hateful Eight' follows only one plot (unity of action), it is limited to a time period of 24 hours (unity of time)."[82] Hollis Robbins argues that The Hateful Eight is a panoramic Western chamber drama: "Tarantino's eighth film demands to be seen not as a revisionist but a newly visioned western, using the mythmaker's tools to offer a panoramic vision of racial sovereignty undone by random violence."[83]

Attempted police boycott

In October 2015, Tarantino attended a Black Lives Matter rally and publicly commented on police brutality in the United States, saying, "When I see murders, I do not stand by... I have to call a murder a murder, and I have to call the murderers the murderers." Tarantino's comments received national media attention, and several police groups in the United States pledged to boycott The Hateful Eight and his other films. New York City Police Benevolent Association president Patrick J. Lynch said: "With nearly one million law enforcement officers in this country who have families and friends who support them, the impact that police have economically on a product or project is immense. The law enforcement boycott of cop-hater Quentin Tarantino's movie is one demonstration of that economic power."[84] Tarantino responded that he was not a "cop hater" and would not be intimidated by the calls for a boycott.[85][86]

Richard Johnson of the New York Post claimed The Hateful Eight was a "box-office disaster, and the police officers who boycotted the movie are taking credit".[84] However, Forbes rebutted this claim, writing that the film, while not as commercially successful as some of Tarantino's other films, was not a "box-office disaster", and cast doubt on claims that a boycott had a strong effect on sales.[87]

Race issues

Tarantino told GQ that race issues were part of his creative process and were inescapable, saying: "I wasn’t trying to bend over backwards in any way, shape, or form to make it socially relevant. But once I finished the script, that's when all the social relevancy started."[88] He told The Telegraph he wrote The Hateful Eight to reflect America's fraught racial history, with the splitting of the cabin into northern and southern sides and a speech about the perils of "frontier justice".[89] A. O. Scott of The New York Times observed that the film rejects the Western genre's tradition of ignoring America's racial history, but felt its handling of race issues was "dumb and ill-considered", and wrote: "Tarantino doesn’t make films that are 'about race' so much as he tries to burrow into the bowels of American racism with his camera and his pen. There is no way to do that and stay clean."[80]

Gender issues

Some critics expressed unease at the treatment of the Daisy Domergue character, who is the subject of repeated physical and verbal abuse and finally hanged in a sequence, which, according to Matt Zoller Seitz of RogerEbert.com, "lingers on Daisy's death with near-pornographic fascination".[90][91][92] A. O. Scott felt the film "mutates from an exploration of racial animus into an orgy of elaborately justified misogyny".[80] Laura Bogart regarded the treatment of Daisy Domergue as a "betrayal" of the positive female characters in previous Tarantino films, such as Kill Bill.[93] Juliette Peers wrote that "compared to the stunning twists and inversions of norms that Tarantino's other works offer when presenting female characters, The Hateful Eight's sexual politics seem bleakly conservative. Daisy is feisty and highly intelligent, yet the plotline is arbitrarily stacked against her."[92]

Conversely, Courtney Bissonette of Bust praised Tarantino's history of female characters and wrote of Domergue's treatment: "This is equality, man, and it's more feminist to think that a criminal is getting treated the same despite her sex. They don't treat her like a fairy princess because she is a woman, they treat her like a killer because she is a killer."[94] Sophie Besl of Bitch Flicks argued that Domergue received no special treatment as a woman, is never sexually objectified, and has agency over her own actions (including killing her captor). She defended the hanging scene as in the filmic tradition of villains "getting what's coming to [them]", and that equivalent scenes with male villains in previous Tarantino films raised no objections.[95] However, Matthew Stogdon felt that as Domergue's crimes are not explained, her status as a criminal deserving execution is not established, breaking the narrative rule of "show, don't tell".[96]

Walton Goggins described the two survivors cooperating in the hanging as symbolic of a positive step to erase racism: "I see it as very uplifting, as very hopeful, and as a big step in the right direction, as a celebration, as a changing of one heart and one mind."[97] However, Sasha Stone, writing for Awards Daily, felt it was implausible for Domergue to "represent, somehow, all of the evil of the South, all of the racism, all of the injustice. She's a tiny thing. There is no point in the film, or maybe one just barely, when Daisy inflicts any violence upon anyone – and by then it could be argued that she is only desperately trying to defend herself. She is handcuffed to Kurt Russell, needing his permission to speak and eat, and then punched brutally in the face whenever she says anything."[98]

Tarantino intended the violence against Domergue to be shocking and wanted the audience's allegiances to shift during the story. He said: "Violence is hanging over every one of those characters like a cloak of night. So I'm not going to go, 'OK, that's the case for seven of the characters, but because one is a woman, I have to treat her differently.' I'm not going to do that."[99]

Accolades

Main article: List of accolades received by The Hateful Eight

See also

References

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Wikiquote has quotations related to The Hateful Eight.

March 06, 2023
hateful, eight, sometimes, marketed, h8ful, eight, hateful, 2015, american, western, mystery, thriller, film, written, directed, quentin, tarantino, stars, samuel, jackson, kurt, russell, jennifer, jason, leigh, walton, goggins, demián, bichir, roth, michael, . The Hateful Eight sometimes marketed as The H8ful Eight or The Hateful 8 is a 2015 American Western mystery thriller film written and directed by Quentin Tarantino It stars Samuel L Jackson Kurt Russell Jennifer Jason Leigh Walton Goggins Demian Bichir Tim Roth Michael Madsen and Bruce Dern as eight strangers who seek refuge from a blizzard in a stagecoach stopover some time after the American Civil War The Hateful EightTheatrical release posterDirected byQuentin TarantinoWritten byQuentin TarantinoProduced byRichard N Gladstein Stacey Sher Shannon McIntoshStarringSamuel L Jackson Kurt Russell Jennifer Jason Leigh Walton Goggins Demian Bichir Tim Roth Michael Madsen Bruce Dern James Parks Channing TatumNarrated byQuentin TarantinoCinematographyRobert RichardsonEdited byFred RaskinMusic byEnnio MorriconeProductioncompaniesThe Weinstein Company 1 Shiny Penny 2 FilmColony 2 Double Feature Films 3 4 Visiona Romantica Inc 5 Distributed byThe Weinstein Company 2 Release datesDecember 7 2015 2015 12 07 Cinerama Dome December 25 2015 2015 12 25 United States Running time187 minutes Roadshow 168 minutes General CountryUnited States 2 LanguageEnglishBudget 44 62 million 6 7 Box office 156 5 million 6 Tarantino announced the film in November 2013 He conceived it as a novel and sequel to his 2012 film Django Unchained before deciding to make it a standalone film After the script leaked in January 2014 he decided to abandon the production and publish it as a novel instead In April 2014 Tarantino directed a live reading of the script at the United Artists Theater in Los Angeles before reconsidering a new draft and resuming the project Filming began in January 2015 near Telluride Colorado Italian composer Ennio Morricone composed the original score his first complete Western score in thirty four years and the last before his death in 2020 his first for a high profile Hollywood production since Mission to Mars 2000 and the first and only original score for a Tarantino film Distributed by The Weinstein Company in the United States The Hateful Eight was released on December 25 2015 in a limited roadshow release on 70 mm film before expanding wide theatrically on December 30 2015 The film was praised for its direction screenplay score cinematography and performances though the depiction of race relations and the violent treatment of Leigh s character divided opinions It has grossed over 156 million worldwide For his work on the score Morricone won his only Academy Award for Best Original Score after his five previous nominations The film also earned Oscar nominations for Best Supporting Actress Leigh and Best Cinematography Robert Richardson On April 25 2019 the film was released as a re edited four episode miniseries on Netflix with the subtitle Extended Version 8 The Hateful Eight is Tarantino s final collaboration with The Weinstein Company following allegations of sexual abuse against Harvey Weinstein in October 2017 Contents 1 Plot 2 Cast 3 Production 3 1 Casting 3 2 Filming 3 2 1 Antique guitar incident 3 3 Cinematography 3 4 Post production 4 Music 5 Release 5 1 Home media 5 2 Extended version 5 3 Mooted stage adaptation 6 Reception 6 1 Box office 6 2 Critical response and analysis 6 3 Attempted police boycott 6 4 Race issues 6 5 Gender issues 6 6 Accolades 7 See also 8 References 9 External linksPlot EditIn 1877 bounty hunter and African American Union veteran Major Marquis Warren is heading to Red Rock Wyoming with three bounty corpses His horse gives out and faced with an incoming blizzard Warren hitches a ride on a stagecoach driven by O B Jackson Aboard is bounty hunter John Ruth handcuffed to fugitive Crazy Daisy Domergue whom he is taking to Red Rock to be hanged Ruth and Warren had previously bonded over Warren s personal letter from Abraham Lincoln Lost Causer Chris Mannix who claims to be Red Rock s new sheriff also joins them During the trip Ruth learns about the Confederate bounty on Warren s head for breaking out of and setting fire to a prisoner of war camp They seek refuge from the blizzard at Minnie s Haberdashery Greeting them is Bob a Mexican who says Minnie is away and left him in charge The other lodgers are deputy sheriff Oswaldo Mobray cowboy Joe Gage and elderly Confederate general Sanford Smithers who is planning to erect a cenotaph for his missing son Suspicious Ruth disarms all but Warren Later at the dinner table Mannix surmises and Warren concedes that the Lincoln letter is false Warren responds to Ruth s disappointment by saying his forged letter buys him leeway with whites something Ruth silently acknowledges he never would have given Warren without Warren puts one of his guns next to Sanford and provokes him by claiming that he sexually assaulted and murdered Smithers son who had tried to claim the bounty When the enraged Smithers reaches for the gun Warren kills him in revenge for ordering the slaughter of black prisoners of war at Baton Rouge Some coffee is brewed and laced with poison Ruth and Jackson drink it and Jackson dies but Ruth lives long enough to attack Daisy who then shoots him dead with his own gun Warren disarms Domergue leaving her shackled to Ruth s corpse and holds the others at gunpoint He is joined by Mannix whom Warren trusts because he nearly drank the poisoned coffee Examining the evidence and revealing Minnie s hatred of Mexicans Warren deduces that Bob is lying and promptly executes him When Warren threatens to kill Daisy Gage admits he poisoned the coffee An unknown man hiding under the floorboards shoots Warren in the groin leaving him unable to walk Mobray pulls a 32 pistol from his coat and shoots Mannix who returns fire and fatally wounds him A flashback shows Bob Mobray Gage and Daisy s brother Jody arriving at the lodge hours earlier They gun down Minnie her two servants and all but one of her customers Smithers is spared when he agrees to stay silent while the group prepares to spring Daisy from Ruth s custody The bodies are hastily thrown down the well outside Once they finish cleaning the store Jody hides in the cellar In the present Mannix and Warren both seriously wounded hold Daisy Gage and Mobray at gunpoint When they threaten to kill Daisy Jody surrenders and is executed by Warren The surviving gang members offer Mannix a deal They claim fifteen hired guns are waiting in Red Rock in case the rescue attempt fails If Mannix kills Warren they will spare him and allow him to collect the bounty on the dying Mobray and the deceased Bob Warren shoots Mobray dead and he and Mannix then kill Gage Warren tries to shoot Daisy but is out of bullets He asks Mannix for his gun but Mannix refuses wanting to hear Daisy out after deducing that Daisy lied about the hired guns Mannix faints from blood loss Warren watches helplessly as Daisy frees herself by hacking off Ruth s arm Before she can shoot Warren Mannix regains consciousness and wounds her As he aims for the killing shot Warren persuades his ally to hang her in honor of Ruth who was known as The Hangman for always bringing his bounties in alive to the gallows The two wounded men succeed in hanging Daisy from the rafters As they lie dying Mannix reads aloud Warren s fake Lincoln letter complimenting his attention to detail Cast EditSamuel L Jackson as Major Marquis Warren Kurt Russell as John The Hangman Ruth Jennifer Jason Leigh as Crazy Daisy Domergue Walton Goggins as Chris Mannix Demian Bichir as Senor Bob Marco The Mexican Tim Roth as Oswaldo Mobray Pete English Pete Hicox Michael Madsen as Joe Gage Grouch Douglass Bruce Dern as General Sandford Sandy Smithers James Parks as O B Jackson Channing Tatum as Jody Domergue Dana Gourrier as Minnie Mink Zoe Bell as Six Horse Judy Lee Horsley as Ed Gene Jones as Sweet Dave Keith Jefferson as Charly Craig Stark as Chester Charles Smithers Belinda Owino as GemmaProduction EditIn November 2013 writer director Quentin Tarantino said he was working on another Western He initially attempted the story as a novel a sequel to his film Django Unchained 2012 9 titled Django in White Hell but realized that the Django character did not fit the story 10 On January 11 2014 the title was announced as The Hateful Eight 11 The film was inspired by the 1960s Western TV series Bonanza The Virginian and The High Chaparral Tarantino said Twice per season those shows would have an episode where a bunch of outlaws would take the lead characters hostage They would come to the Ponderosa and hold everybody hostage or go to Judge Garth s place Lee J Cobb played him in The Virginian and take hostages There would be a guest star like David Carradine Darren McGavin Claude Akins Robert Culp Charles Bronson or James Coburn I don t like that storyline in a modern context but I love it in a Western where you would pass halfway through the show to find out if they were good or bad guys and they all had a past that was revealed I thought What if I did a movie starring nothing but those characters No heroes no Michael Landons Just a bunch of nefarious guys in a room all telling backstories that may or may not be true Trap those guys together in a room with a blizzard outside give them guns and see what happens 12 The Hateful Eight Live Reading at the Ace Hotel Los Angeles as part of LACMA s Live Read series on April 19 2014 Production was planned for late 2014 in the winter but after the script leaked online in January 2014 Tarantino considered publishing it as a novel instead He said he had given the script to a few trusted colleagues including Reginald Hudlin Michael Madsen Bruce Dern and Tim Roth 13 This version of the script featured a different ending in which Warren and Mannix attempt to kill Gage in revenge by forcing him to drink the poisoned coffee sparking a firefight in which every character is killed 14 Tarantino described his vision for the character of Daisy Domergue as a Susan Atkins of the Wild West 15 Madsen based Joe Gage on Peter Breck s performance in The Big Valley 16 On April 19 2014 Tarantino directed a live reading of the leaked script at the United Artists Theater in the Ace Hotel Los Angeles The event was organized by the Film Independent at Los Angeles County Museum of Art LACMA as part of the Live Read series and was introduced by Elvis Mitchell 17 Tarantino explained that they would read the first draft of the script and he added that he was writing two new drafts with a different ending The actors who joined Tarantino included Jackson Russell Dern Roth Madsen Goggins Bell Amber Tamblyn James Parks James Remar and Dana Gourrier 18 Casting Edit On September 23 2014 it was revealed that Viggo Mortensen was in discussion with Tarantino for a role in the film 19 On October 9 2014 Jennifer Jason Leigh was added to the cast to play Daisy Domergue 20 On November 5 2014 it was announced that Channing Tatum was eyeing a major role in the film 21 Later the same day The Weinstein Company confirmed the cast in a press release which would include Samuel L Jackson Jennifer Jason Leigh Kurt Russell Tim Roth Demian Bichir Walton Goggins Michael Madsen and Bruce Dern Tatum s casting was also confirmed 22 Later on January 23 2015 TWC announced an ensemble cast of supporting members including James Parks Dana Gourrier Zoe Bell Gene Jones Keith Jefferson Lee Horsley Craig Stark and Belinda Owino 23 In the earlier public reading of the first script the role of Daisy Domergue had been read by Amber Tamblyn and the role of Bob a Frenchman rather than a Mexican was read by Denis Menochet 18 at the reading the role of Jody was read by James Remar Regarding the cast Tarantino has said This is a movie where bigger movie stars wouldn t work It needs to be an ensemble where nobody is more important than anybody else 24 Filming Edit On September 26 2014 the state of Colorado had signed to fund the film s production with 5 million and the complete film would be shot in Southwest Colorado 25 A 900 acre ranch was leased to the production for the filming There was a meeting on October 16 and the county s planning commission issued a permit for the construction of a temporary set 25 Principal photography began in January 2015 near Telluride Colorado 26 27 28 The budget was reported to be 44 62 million 6 29 30 Antique guitar incident Edit The guitar destroyed by Russell s character was not a prop but an antique 1870s Martin guitar lent by the Martin Guitar Museum According to sound producer Mark Ulano the guitar was supposed to have been switched with a copy to be destroyed but this was not communicated to Russell everyone on the set was pretty freaked out at the guitar s destruction and Leigh s reaction was genuine though Tarantino was in a corner of the room with a funny curl on his lips because he got something out of it with the performance 31 Museum director Dick Boak said that the museum was not told that the script included a scene that called for a guitar being smashed and determined that it was irreparable The insurance remunerated the purchase value of the guitar As a result of the incident the museum no longer lends props to film productions 32 Cinematography Edit Cinematographer Robert Richardson who also worked with Tarantino on Kill Bill Volume 1 2003 Kill Bill Volume 2 2004 Inglourious Basterds 2009 and Django Unchained filmed The Hateful Eight on 65mm using three modern 65mm camera models the Arriflex 765 and the Studio 65 and the 65 HS from Panavision 33 The film was transferred to 70mm film for projection using Ultra Panavision 70 and Kodak Vision 3 film stocks 5219 5207 5213 and 5203 34 Until the release of Christopher Nolan s Dunkirk two years later it was the widest release in 70mm film since Ron Howard s Far and Away in 1992 35 The film uses Panavision anamorphic lenses with an aspect ratio of 2 76 1 a very widescreen image that was used on some films in the 1950s and 1960s 36 The production team also avoided any use of a digital intermediate in the 70mm roadshow release which was color timed photochemically by FotoKem and the dailies were screened in 70mm 37 The wide digital release and a handful of 35mm prints were struck from a digital intermediate done by Yvan Lucas at Shed Santa Monica 38 Post production Edit Tarantino edited two versions of the film one for the roadshow version and the other for general release The roadshow version runs for three hours and two minutes including six minutes of extra footage plus an overture and intermission and has alternate takes of some scenes Tarantino created two versions as he felt some of the footage he shot for 70mm would not play well on smaller screens 39 The British Board of Film Classification records show the runtime difference between the Roadshow 187 minutes and the DCP 168 minutes releases was 19 minutes 40 41 Music EditMain article The Hateful Eight soundtrack Tarantino announced at the 2015 Comic Con that Ennio Morricone would compose the score for The Hateful Eight it is the first Western scored by Morricone in 34 years since Buddy Goes West and Tarantino s first film to use an original score 42 43 Tarantino had previously used Morricone s music in Kill Bill Death Proof Inglourious Basterds and Django Unchained and Morricone also wrote an original song Ancora Qui for the last 44 Morricone had previously made statements that he would never work with Tarantino after Django Unchained 45 but ultimately changed his mind and agreed to score The Hateful Eight 46 According to Variety Morricone composed the score without even seeing the film 47 The soundtrack was announced on November 19 2015 for a December 18 release from Decca Records Ennio Morricone composed 50 minutes of original music for The Hateful Eight In addition to Morricone s original score the soundtrack includes dialogue excerpts from the film Apple Blossom by The White Stripes from their De Stijl album Now You re All Alone by David Hess from The Last House on the Left and There Won t Be Many Coming Home by Roy Orbison from The Fastest Guitar Alive 48 Tarantino confirmed that the film would use three unused tracks from Morricone s original soundtrack for the 1982 John Carpenter film The Thing Eternity Bestiality and Despair as Morricone was pressed for time while creating the score 49 The final film also uses Morricone s Regan s Theme from the 1977 John Boorman film Exorcist II The Heretic 50 51 Morricone s score won several awards including a special award from New York Film Critics Circle The score won a Golden Globe for Best Original Score 52 It also took the 2016 Academy Award for Best Motion Picture Score Morricone s first after several career nominations The acoustic song played by Leigh s character Domergue on a Martin guitar is the traditional Australian folk ballad Jim Jones at Botany Bay which dates from the early 19th century and was first published by Charles McAlister in 1907 53 verification needed The rendition in the film includes lines which were not in MacAlister s version 54 The film s trailer used Welshly Arms cover of Hold On I m Coming although this is not used in the film itself 55 Release Edit The cast and director of The Hateful Eight at the 2015 San Diego Comic Con to promote the film On September 3 2014 The Weinstein Company TWC acquired the worldwide distribution rights to the film for a fall 2015 release 56 TWC would sell the film worldwide but Tarantino asked to personally approve the global distributors for the film 57 In preparation for its release Tarantino arranged for approximately 100 58 theaters worldwide to be retrofitted with anamorphic equipped 70 mm film projectors in order to display the film as he intended 36 59 The film was released on December 25 2015 as a roadshow presentation in 70 mm film format theaters 60 The film was initially scheduled to be released in digital theaters on January 8 2016 On December 14 The Hollywood Reporter announced that the film would see wide release on December 31 2015 while still screening the 70 mm version 61 The release date was moved to December 30 2015 to meet demand 62 On July 11 2015 Tarantino and the cast of the film appeared at San Diego Comic Con to promote the film 42 In the UK where the film was distributed by Entertainment Film Distributors the sole 70mm print in the country opened at the Odeon Leicester Square on January 8 in a roadshow presentation with the digital general release version opening the same day at other cinemas except Cineworld who refused to book the film after failing to reach an agreement to show the 70mm print 63 On December 20 2015 screener copies of The Hateful Eight and numerous other Oscar contenders including Carol The Revenant Brooklyn Creed and Straight Outta Compton were uploaded to many websites The FBI linked the case to co CEO Andrew Kosove of Alcon Entertainment Kosove responded that he had never seen this DVD and that it never touched his hands 64 Home media Edit The Hateful Eight was released in the United States on Digital HD and on Blu ray and DVD on March 29 2016 by The Weinstein Company Home Entertainment and Anchor Bay Entertainment 65 Extended version Edit On April 25 2019 the streaming service Netflix released The Hateful Eight Extended Version an extended cut in the form of a miniseries split into four episodes 66 However it was removed from the service on January 26 2023 67 Mooted stage adaptation Edit In early 2016 Tarantino announced that he planned to adapt The Hateful Eight as a stage play 68 Reception EditBox office Edit The Hateful Eight grossed 54 1 million in the United States and Canada and 102 4 million in other countries for a worldwide total of 156 5 million 6 It opened in the US with a limited release on December 25 2015 and over the weekend it grossed 4 9 million from 100 theaters 46 107 per screen finishing 10th at the box office 69 It had its wide release on December 30 grossing 3 5 million on its first day 70 The film went on to gross 15 7 million in its opening weekend finishing third at the box office behind Star Wars The Force Awakens 90 2 million and Daddy s Home 29 2 million 71 Critical response and analysis Edit On the review aggregator website Rotten Tomatoes The Hateful Eight holds an approval rating of 74 based on 337 reviews with an average rating of 7 3 10 Its critical consensus reads The Hateful Eight offers another well aimed round from Quentin Tarantino s signature blend of action humor and over the top violence all while demonstrating an even stronger grip on his filmmaking craft 72 Metacritic which uses a weighted average assigned The Hateful Eight a score of 68 out of 100 based on 51 critics indicating generally favorable reviews 73 Audiences polled by CinemaScore gave the film an average grade of B on an A to F scale while PostTrak reported audiences gave it a 42 definite recommend 70 James Berardinelli wrote that The Hateful Eight is a high wire thriller full of masterfully executed twists captivating dialogue and a wildly entertaining narrative that gallops along at a pace to make three hours evaporate in an instant Best film of the year Yes 74 Telegraph critic Robbie Collin wrote The Hateful Eight is a parlour room epic an entire nation in a single room a film steeped in its own filminess but at the same time vital riveting and real Only Tarantino can do this and he s done it again 75 The Guardian critic Peter Bradshaw gave the film five out of five and wrote that it was intimate yet somehow weirdly colossal once again releasing Tarantino s own kind of unwholesome crazy funny violent nitrous oxide into the cinema auditorium for us all to inhale Thriller is a generic label which has lost its force But The Hateful Eight thrills 76 A V Club critic Ignatiy Vishnevetsky gave the film a grade of A and wrote that with a script that could easily be a stage play The Hateful Eight is about as close as this pastiche artist is likely to get to the classical tradition 77 In contrast Owen Gleiberman of the BBC said I m not alone in thinking that it s Tarantino s worst film a sluggish unimaginative dud brimming with venom but not much cleverness 78 Donald Clarke writing in The Irish Times wrote What a shame the piece is so lacking in character and narrative coherence What a shame so much of it is so gosh darn boring 79 A O Scott in The New York Times said Some of the film s ugliness seems dumb and ill considered as if Mr Tarantino s intellectual ambition and his storytelling discipline had failed him at the same time 80 Todd McCarthy of The Hollywood Reporter praised the film s production design idiosyncratic dialogue and lip smackingly delicious performances but felt the film was overlong and that Morricone s score was put to too limited use 81 Scholars Florian Zitzelsberger and Sarah E Beyvers observe that the film follows Aristotle s unities Tarantino s film meticulously adheres to the classical unities of a tragedy which had been seen as a necessity for the audience s immersion for a long time The Hateful Eight follows only one plot unity of action it is limited to a time period of 24 hours unity of time 82 Hollis Robbins argues that The Hateful Eight is a panoramic Western chamber drama Tarantino s eighth film demands to be seen not as a revisionist but a newly visioned western using the mythmaker s tools to offer a panoramic vision of racial sovereignty undone by random violence 83 Attempted police boycott Edit In October 2015 Tarantino attended a Black Lives Matter rally and publicly commented on police brutality in the United States saying When I see murders I do not stand by I have to call a murder a murder and I have to call the murderers the murderers Tarantino s comments received national media attention and several police groups in the United States pledged to boycott The Hateful Eight and his other films New York City Police Benevolent Association president Patrick J Lynch said With nearly one million law enforcement officers in this country who have families and friends who support them the impact that police have economically on a product or project is immense The law enforcement boycott of cop hater Quentin Tarantino s movie is one demonstration of that economic power 84 Tarantino responded that he was not a cop hater and would not be intimidated by the calls for a boycott 85 86 Richard Johnson of the New York Post claimed The Hateful Eight was a box office disaster and the police officers who boycotted the movie are taking credit 84 However Forbes rebutted this claim writing that the film while not as commercially successful as some of Tarantino s other films was not a box office disaster and cast doubt on claims that a boycott had a strong effect on sales 87 Race issues Edit Tarantino told GQ that race issues were part of his creative process and were inescapable saying I wasn t trying to bend over backwards in any way shape or form to make it socially relevant But once I finished the script that s when all the social relevancy started 88 He told The Telegraph he wrote The Hateful Eight to reflect America s fraught racial history with the splitting of the cabin into northern and southern sides and a speech about the perils of frontier justice 89 A O Scott of The New York Times observed that the film rejects the Western genre s tradition of ignoring America s racial history but felt its handling of race issues was dumb and ill considered and wrote Tarantino doesn t make films that are about race so much as he tries to burrow into the bowels of American racism with his camera and his pen There is no way to do that and stay clean 80 Gender issues Edit Some critics expressed unease at the treatment of the Daisy Domergue character who is the subject of repeated physical and verbal abuse and finally hanged in a sequence which according to Matt Zoller Seitz of RogerEbert com lingers on Daisy s death with near pornographic fascination 90 91 92 A O Scott felt the film mutates from an exploration of racial animus into an orgy of elaborately justified misogyny 80 Laura Bogart regarded the treatment of Daisy Domergue as a betrayal of the positive female characters in previous Tarantino films such as Kill Bill 93 Juliette Peers wrote that compared to the stunning twists and inversions of norms that Tarantino s other works offer when presenting female characters The Hateful Eight s sexual politics seem bleakly conservative Daisy is feisty and highly intelligent yet the plotline is arbitrarily stacked against her 92 Conversely Courtney Bissonette of Bust praised Tarantino s history of female characters and wrote of Domergue s treatment This is equality man and it s more feminist to think that a criminal is getting treated the same despite her sex They don t treat her like a fairy princess because she is a woman they treat her like a killer because she is a killer 94 Sophie Besl of Bitch Flicks argued that Domergue received no special treatment as a woman is never sexually objectified and has agency over her own actions including killing her captor She defended the hanging scene as in the filmic tradition of villains getting what s coming to them and that equivalent scenes with male villains in previous Tarantino films raised no objections 95 However Matthew Stogdon felt that as Domergue s crimes are not explained her status as a criminal deserving execution is not established breaking the narrative rule of show don t tell 96 Walton Goggins described the two survivors cooperating in the hanging as symbolic of a positive step to erase racism I see it as very uplifting as very hopeful and as a big step in the right direction as a celebration as a changing of one heart and one mind 97 However Sasha Stone writing for Awards Daily felt it was implausible for Domergue to represent somehow all of the evil of the South all of the racism all of the injustice She s a tiny thing There is no point in the film or maybe one just barely when Daisy inflicts any violence upon anyone and by then it could be argued that she is only desperately trying to defend herself She is handcuffed to Kurt Russell needing his permission to speak and eat and then punched brutally in the face whenever she says anything 98 Tarantino intended the violence against Domergue to be shocking and wanted the audience s allegiances to shift during the story He said Violence is hanging over every one of those characters like a cloak of night So I m not going to go OK that s the case for seven of the characters but because one is a woman I have to treat her differently I m not going to do that 99 Accolades Edit Main article List of accolades received by The Hateful EightSee also EditQuentin Tarantino filmographyReferences Edit McCarthy Todd December 15 2015 The Hateful Eight Film Review The Hollywood Reporter Retrieved December 13 2022 a b c d The Hateful Eight 2015 AFI Catalog of Feature Films Archived from the original on February 7 2018 Retrieved February 6 2018 The Hateful Eight Pharos Retrieved December 13 2022 The Hateful 8 The Hateful 8 Retrieved December 13 2022 The Hateful Eight 2015 British Film Institute Retrieved December 13 2022 a b c d The Hateful Eight Box Office Mojo IMDb Retrieved January 2 2022 The Hateful Eight The Numbers Archived from the original on January 2 2022 Retrieved January 2 2022 Sharf Zack April 25 2019 Tarantino s Extended Hateful Eight Hits Netflix With Big Surprise It s a Four Episode Miniseries IndieWire Archived from the original on April 26 2019 Retrieved April 26 2019 Beaumont Thomas Ben November 27 2013 Quentin Tarantino says next film will be another western The Guardian UK Archived from the original on November 10 2015 Retrieved November 7 2015 Staskiewicz Keith December 11 2015 Quentin Tarantino explains how Hateful Eight began as a Django novel Entertainment Weekly Archived from the original on January 4 2016 Retrieved January 6 2016 Kit Borys January 11 2014 Quentin Tarantino s New Movie Sets Title Begins Casting The Hollywood Reporter Fleming Mike Jr November 10 2014 Quentin Tarantino on Retirement Grand 70 MM Intl Plans For The Hateful Eight Deadline Hollywood Archived from the original on March 15 2015 Retrieved March 18 2015 Multiple sources Fleming Mike Jr January 21 2014 Quentin Tarantino Shelves The Hateful Eight After Betrayal Results in Script Leak Deadline Hollywood Archived from the original on August 8 2014 Retrieved August 29 2014 Quentin Tarantino sues Gawker over Hateful Eight script leak CBC News January 21 2014 Archived from the original on February 18 2016 Retrieved August 29 2014 Gettell Oliver January 22 2014 Quentin Tarantino mothballs Hateful Eight after script leak Los Angeles Times Archived from the original on May 12 2014 Retrieved January 27 2014 The Hateful Eight Script Leak 8 Spoilers From Quentin Tarantino s Western WhatCulture com Archived from the original on January 7 2016 Retrieved January 2 2016 Truitt Brian December 23 2015 Jennifer Jason Leigh gives life to devilish Daisy in Hateful Eight USA Today Archived from the 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January 7 2016 Making of Hateful Eight How Tarantino Braved Sub Zero Weather and a Stolen Screener The Hollywood Reporter Dyer Kyle December 10 2014 New Tarantino movie starts filming near Telluride 9News Multimedia Holdings Corporation Archived from the original on December 11 2014 Retrieved December 11 2014 McNary Dave January 23 2015 Quentin Tarantino Starts Shooting Hateful Eight Variety Archived from the original on February 7 2016 Retrieved January 24 2015 Lang Brent January 3 2016 Harvey Weinstein Talks Hateful Eight Star Wars Took a Bite Out of Box Office Variety Archived from the original on October 9 2021 Retrieved August 11 2020 Tarantino Holes Up A Few Outlaws In The Hateful Eight NPR December 24 2015 Archived from the original on December 26 2015 Retrieved December 26 2015 The Hateful Eight Hates on Six Strings Film Includes Real Destruction of Antique Martin reverb com Archived from the original on March 5 2020 Retrieved July 17 2020 Martin Responds to Hateful Eight 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February 4 2016 Robert Richardson ASC The Hateful Eight British Cinematographer Tapley Kristopher October 13 2015 Quentin Tarantino Says He Cut Two Different Versions of The Hateful Eight Variety Archived from the original on December 16 2017 Retrieved December 9 2017 The Hateful Eight 70Mm Version British Board of Film Classification Archived from the original on November 18 2021 Retrieved November 18 2021 The Hateful Eight British Board of Film Classification Archived from the original on November 18 2021 Retrieved November 18 2021 a b Lincoln Ross A July 11 2015 Quentin Tarantino Delivers Mind Blowing Look At Hateful Eight Comic Con Deadline Hollywood Archived from the original on October 1 2019 Retrieved July 12 2015 Johnston Raymond July 19 2015 Tarantino and Morricone settle the score in Prague The Prague Post Archived from the original on July 20 2015 Retrieved July 19 2015 Django Unchained Soundtrack Details Film Music Reporter November 28 2012 Archived from the original on 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2018 Retrieved April 16 2018 Stone Sasha The Hateful Eight Tarantino and that Misogyny Word AwardsDaily Archived from the original on March 10 2016 Retrieved March 10 2016 Tapley Kristopher Claims of Hateful Eight Misogyny Fishing for Stupidity Harvey Weinstein Says Variety Archived from the original on December 21 2017 Retrieved March 7 2016 External links Edit Wikiquote has quotations related to The Hateful Eight The Hateful Eight at IMDb The Hateful Eight at AllMovie Portals Film United States 2010s Colorado Retrieved from https en wikipedia org w index php title The Hateful Eight amp oldid 1136645231, wikipedia, wiki, book, books, library,

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