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Sparśa

Sparśa (Sanskrit; Pali: phassa) is a Sanskrit/Indian term that is translated as "contact", "touching", "sensation", "sense impression", etc. It is defined as the coming together of three factors: the sense organ, the sense object, and sense consciousness (vijnana).[1][2] For example, contact (sparsha) is said to occur at the coming together of the eye organ, a visual object, and the visual sense consciousness.

Translations of
Sparśa
Englishcontact,
contacting awareness,
rapport,
sense impression,
touch,
etc.
Sanskritस्पर्श, sparśa
Paliphassa
Bengaliস্পর্শ (sporsho)
ছোঁয়া
Chinese觸 or 触
Japanesesoku
Korean
(RR: chok)
Sinhalaස්පර්ශ
(sparsha)
Tibetanརེག་པ་
(Wylie: reg pa;
THL: rekpa
)
Tagalogspalsa
Thaiผัสสะ (RTGSphatsa)
lit.'สัมผัส' (RTGSSamphat)
Vietnamesexúc
Glossary of Buddhism
  The 12 Nidānas:  
Ignorance
Formations
Consciousness
Name & Form
Six Sense Bases
Contact
Feeling
Craving
Clinging
Becoming
Birth
Old Age & Death
 

Sparśa is identified within the Buddhist teachings as:

Explanation edit

Theravada edit

The Atthasālinī (Expositor, Part IV, Chapter I, 108) states:

Contact means “it touches”. It has touching as its salient characteristic, impact as its function, “coinciding” (of the physical base, object and consciousness) as its manifestation, and the object which has entered the avenue (of awareness) as proximate cause.[3]

Nina van Gorkom explains:

Phassa is manifested by coinciding or concurrence, namely, by the coinciding of three factors: physical base (vatthu), object and consciousness.
When there is seeing, there is the coinciding of eye (the eyebase), visible object and seeing-consciousness; through this concurrence phassa, which is in this case eye-contact, is manifested.[3]

Nina van Gorkom also explains:

Phassa is different from what we mean in conventional language by physical contact or touch. When we use the word contact in conventional language we may think of the impingement of something external on one of the senses, for example the impingement of hardness on the bodysense. We may use words such as touching or impingement in order to describe phassa, but we should not forget that phassa is nāma, a cetasika which arises together with the citta and assists the citta so that it can experience the object which presents itself through the appropriate doorway. When hardness presents itself through the bodysense there is phassa, contact, arising together with the citta which experiences the hardness. Phassa is not the mere collision of hardness with the bodysense, it is not touch in the physical sense. Impact is the function of phassa in the sense that it assists the citta so that it can cognize the object.[3]

Mahayana edit

The Abhidharma-samuccaya states:

What is sparsha (contact)? It is it determination, a transformation in the controlling power, which is in accordance with the three factors coming together. Its function is to provide it basis for feeling.[1]

Herbert Guenther explains:

It is an awareness in which a pleasant [or unpleasant or neutral] feeling is felt when the object, sensory capacity, and cognitive process have come together and which is restricted to the appropriate object. Transformation in the controlling power means that when the visual sense meets a pleasant object [for example] and the feeling becomes the cause of adhering to this pleasure, rapport [sparsha] restricts the pleasant color-form and the feeling becomes the cause of pleasure.[1]

Six classes edit

The Theravada and Mahayana traditions both identify six "classes" of contact:[1][4]

  • eye-contact
  • ear-contact
  • nose-contact
  • tongue-contact
  • body-contact
  • mind-contact

For example, when the ear sense and a sound object are present, the associated auditory consciousness (Pali: viññāṇa) arises. The arising of these three elements (dhātu) – ear-sense, sound and auditory consciousness – lead to "contact" (phassa).[5]

Within the twelve nidanas edit

Sparśa is the sixth of the Twelve Nidānas. It is conditioned by the presence of the six sense-openings (ṣaḍāyatana), and in turn is a condition for the arising of pleasant, unpleasant or neutral 'sensations' or 'feelings' (vedanā).

Dan Lusthaus explains:

sparśa (P. phassa) - Literally 'touch' or 'sensory contact'. This term accrued varied usages in later Indian thought, but here it simply means that the sense organs are 'in contact with' sensory objects. The circuit of intentionality, or to borrow Merleau-Ponty's term intentional arc, is operational. This term could be translated as 'sensation' as long as this is qualified as a constitutional, active process that is invariably contextualized within its psycho-cognitive dimensions. For Buddhists, sensation can neither be passive nor purely a physical or neurological matter. When the proper sensorial conditions aggregate, i.e., come into contact with each other, sensation occurs. These proper conditions include a properly functioning sense organ and a cognitive-sensory object, which already presuppose a linguistically-complex conscious body (nāma-rūpa).[6]

Jeffrey Hopkins explains:

Roughly speaking, [sparsha refers to] the coming together of an object, a sense organ, and a moment of consciousness. Hence contact, in the twelve links, refers to contact with a sense-object and the subsequent discrimination of the object as attractive, unattractive, or neutral. Sense objects are always present, and thus when a sense organ—the subtle matter that allows you to see, hear, and so forth—develops,[7] an eye consciousness, ear consciousness, nose consciousness, tongue consciousness, or body consciousness will be produced.[8]

Alexander Berzin provides an explanation of the sixth link in the context of the development of the fetus; he states:

The sixth of the twelve links of dependent arising. The subsidiary awareness (mental factor) of contacting awareness [sparsha] during the period of time in the development of a fetus when the distinguishing aggregate and such other affecting variables as contacting awareness are functioning, but the feeling aggregate is not yet functioning. During this period, one experiences contacting awareness of objects as pleasant, unpleasant, or neutral, but does not feel happy, unhappy, or neutral in response to this.[9]

Within the five aggregates edit

In terms of the Five Aggregates, sparśa is the implicit basis by which Form (rūpa) and Consciousness (viññāna) lead to the mental factors of Feeling (vedanā), Perception (sañña) and Formations (sankhāra).

 The Five Aggregates (pañca khandha)
according to the Pali Canon.
 
   
 
 
 


 
 
 
 
 
 Source: MN 109 (Thanissaro, 2001)  |  diagram details

Alternate translations edit

  • Contact (Erik Pema Kusang, Jeffrey Hopkins, Nina van Gorkom)
  • Contacting awareness (Alexander Berzin)
  • Rapport (Herbert Guenther)
  • Sensation (Dan Lusthaus)
  • Sense impression
  • Touch (Jeffrey Hopkins)
  • Touching (Jeffrey Hopkins)

See also edit

References edit

  1. ^ a b c d Guenther (1975), Kindle Locations 401-405.
  2. ^ Kunsang (2004), p. 23.
  3. ^ a b c Gorkom (2010), Definition of Contact
  4. ^ "Paticca-samuppada-vibhanga Sutta: Analysis of Dependent Co-arising". www.accesstoinsight.org.
  5. ^ "Chachakka Sutta: The Six Sextets". www.accesstoinsight.org.
  6. ^ Lusthaus, Dan (February 4, 2014). Buddhist Phenomenology: A Philosophical Investigation of Yogacara Buddhism and the Ch'eng Wei-shih Lun. Routledge. ISBN 9781317973423 – via Google Books.
  7. ^ The sense organs develop in the fifth link of the Twelve Links.
  8. ^ Dalai Lama (1992), p. 18 (from the Introduction by Jeffrey Hopkins)
  9. ^ Definitions of Sparsha (Tibetan: reg-pa), Alexander Berzin

Sources edit

  • Bhikkhu Bodhi (2003), A Comprehensive Manual of Abhidhamma, Pariyatti Publishing
  • Dalai Lama (1992). The Meaning of Life, translated and edited by Jeffrey Hopkins, Boston: Wisdom.
  • Dan Lusthaus, Buddhist Phenomenology
  • Guenther, Herbert V. & Leslie S. Kawamura (1975), Mind in Buddhist Psychology: A Translation of Ye-shes rgyal-mtshan's "The Necklace of Clear Understanding" Dharma Publishing. Kindle Edition.
  • Kunsang, Erik Pema (translator) (2004). Gateway to Knowledge, Vol. 1. North Atlantic Books.
  • Nina van Gorkom (2010), Cetasikas, Zolag

External links edit

  • Berzin, Alexander (2006), Primary Minds and the 51 Mental Factors
  • Thanissaro Bhikkhu (trans.) (1997). , Access to Insight
  • U Kyaw Min (n.d.). Introducing Buddhist Abhidhamma: Meditation and Concentration
Preceded by Twelve Nidānas
Sparśa
Succeeded by

sparśa, film, sparsha, film, sanskrit, pali, phassa, sanskrit, indian, term, that, translated, contact, touching, sensation, sense, impression, defined, coming, together, three, factors, sense, organ, sense, object, sense, consciousness, vijnana, example, cont. For the film see Sparsha film Sparsa Sanskrit Pali phassa is a Sanskrit Indian term that is translated as contact touching sensation sense impression etc It is defined as the coming together of three factors the sense organ the sense object and sense consciousness vijnana 1 2 For example contact sparsha is said to occur at the coming together of the eye organ a visual object and the visual sense consciousness Translations ofSparsaEnglishcontact contacting awareness rapport sense impression touch etc Sanskritस पर श sparsaPaliphassaBengaliস পর শ sporsho ছ য Chinese觸 or 触JapanesesokuKorean촉 RR chok Sinhalaස පර ශ sparsha Tibetanར ག པ Wylie reg pa THL rekpa TagalogspalsaThaiphssa RTGS phatsa lit smphs RTGS Samphat VietnamesexucGlossary of Buddhism The 12 Nidanas Ignorance Formations Consciousness Name amp Form Six Sense Bases Contact Feeling Craving Clinging Becoming Birth Old Age amp Death Sparsa is identified within the Buddhist teachings as One of the seven universal mental factors in the Theravada Abhidharma One of the five universal mental factors in the Mahayana Abhidharma The sixth link in the twelve links of dependent origination Contents 1 Explanation 1 1 Theravada 1 2 Mahayana 1 3 Six classes 2 Within the twelve nidanas 3 Within the five aggregates 4 Alternate translations 5 See also 6 References 7 Sources 8 External linksExplanation editTheravada edit The Atthasalini Expositor Part IV Chapter I 108 states Contact means it touches It has touching as its salient characteristic impact as its function coinciding of the physical base object and consciousness as its manifestation and the object which has entered the avenue of awareness as proximate cause 3 Nina van Gorkom explains Phassa is manifested by coinciding or concurrence namely by the coinciding of three factors physical base vatthu object and consciousness When there is seeing there is the coinciding of eye the eyebase visible object and seeing consciousness through this concurrence phassa which is in this case eye contact is manifested 3 Nina van Gorkom also explains Phassa is different from what we mean in conventional language by physical contact or touch When we use the word contact in conventional language we may think of the impingement of something external on one of the senses for example the impingement of hardness on the bodysense We may use words such as touching or impingement in order to describe phassa but we should not forget that phassa is nama a cetasika which arises together with the citta and assists the citta so that it can experience the object which presents itself through the appropriate doorway When hardness presents itself through the bodysense there is phassa contact arising together with the citta which experiences the hardness Phassa is not the mere collision of hardness with the bodysense it is not touch in the physical sense Impact is the function of phassa in the sense that it assists the citta so that it can cognize the object 3 Mahayana edit The Abhidharma samuccaya states What is sparsha contact It is it determination a transformation in the controlling power which is in accordance with the three factors coming together Its function is to provide it basis for feeling 1 Herbert Guenther explains It is an awareness in which a pleasant or unpleasant or neutral feeling is felt when the object sensory capacity and cognitive process have come together and which is restricted to the appropriate object Transformation in the controlling power means that when the visual sense meets a pleasant object for example and the feeling becomes the cause of adhering to this pleasure rapport sparsha restricts the pleasant color form and the feeling becomes the cause of pleasure 1 Six classes edit The Theravada and Mahayana traditions both identify six classes of contact 1 4 eye contact ear contact nose contact tongue contact body contact mind contact For example when the ear sense and a sound object are present the associated auditory consciousness Pali vinnaṇa arises The arising of these three elements dhatu ear sense sound and auditory consciousness lead to contact phassa 5 Within the twelve nidanas editSparsa is the sixth of the Twelve Nidanas It is conditioned by the presence of the six sense openings ṣaḍayatana and in turn is a condition for the arising of pleasant unpleasant or neutral sensations or feelings vedana Dan Lusthaus explains sparsa P phassa Literally touch or sensory contact This term accrued varied usages in later Indian thought but here it simply means that the sense organs are in contact with sensory objects The circuit of intentionality or to borrow Merleau Ponty s term intentional arc is operational This term could be translated as sensation as long as this is qualified as a constitutional active process that is invariably contextualized within its psycho cognitive dimensions For Buddhists sensation can neither be passive nor purely a physical or neurological matter When the proper sensorial conditions aggregate i e come into contact with each other sensation occurs These proper conditions include a properly functioning sense organ and a cognitive sensory object which already presuppose a linguistically complex conscious body nama rupa 6 Jeffrey Hopkins explains Roughly speaking sparsha refers to the coming together of an object a sense organ and a moment of consciousness Hence contact in the twelve links refers to contact with a sense object and the subsequent discrimination of the object as attractive unattractive or neutral Sense objects are always present and thus when a sense organ the subtle matter that allows you to see hear and so forth develops 7 an eye consciousness ear consciousness nose consciousness tongue consciousness or body consciousness will be produced 8 Alexander Berzin provides an explanation of the sixth link in the context of the development of the fetus he states The sixth of the twelve links of dependent arising The subsidiary awareness mental factor of contacting awareness sparsha during the period of time in the development of a fetus when the distinguishing aggregate and such other affecting variables as contacting awareness are functioning but the feeling aggregate is not yet functioning During this period one experiences contacting awareness of objects as pleasant unpleasant or neutral but does not feel happy unhappy or neutral in response to this 9 Within the five aggregates editIn terms of the Five Aggregates sparsa is the implicit basis by which Form rupa and Consciousness vinnana lead to the mental factors of Feeling vedana Perception sanna and Formations sankhara The Five Aggregates panca khandha according to the Pali Canon form rupa 4 elements mahabhuta contact phassa consciousness vinnana mental factors cetasika feeling vedana perception sanna formation saṅkhara Form is derived from the Four Great Elements Consciousness arises from other aggregates Mental Factors arise from the Contact ofConsciousness and other aggregates Source MN 109 Thanissaro 2001 diagram detailsAlternate translations editContact Erik Pema Kusang Jeffrey Hopkins Nina van Gorkom Contacting awareness Alexander Berzin Rapport Herbert Guenther Sensation Dan Lusthaus Sense impression Touch Jeffrey Hopkins Touching Jeffrey Hopkins See also editAyatana sense bases Mental factors Buddhism Skandha aggregates Asparsa yogaReferences edit a b c d Guenther 1975 Kindle Locations 401 405 Kunsang 2004 p 23 a b c Gorkom 2010 Definition of Contact Paticca samuppada vibhanga Sutta Analysis of Dependent Co arising www accesstoinsight org Chachakka Sutta The Six Sextets www accesstoinsight org Lusthaus Dan February 4 2014 Buddhist Phenomenology A Philosophical Investigation of Yogacara Buddhism and the Ch eng Wei shih Lun Routledge ISBN 9781317973423 via Google Books The sense organs develop in the fifth link of the Twelve Links Dalai Lama 1992 p 18 from the Introduction by Jeffrey Hopkins Definitions of Sparsha Tibetan reg pa Alexander BerzinSources editBhikkhu Bodhi 2003 A Comprehensive Manual of Abhidhamma Pariyatti Publishing Dalai Lama 1992 The Meaning of Life translated and edited by Jeffrey Hopkins Boston Wisdom Dan Lusthaus Buddhist Phenomenology Guenther Herbert V amp Leslie S Kawamura 1975 Mind in Buddhist Psychology A Translation of Ye shes rgyal mtshan s The Necklace of Clear Understanding Dharma Publishing Kindle Edition Kunsang Erik Pema translator 2004 Gateway to Knowledge Vol 1 North Atlantic Books Nina van Gorkom 2010 Cetasikas ZolagExternal links editBerzin Alexander 2006 Primary Minds and the 51 Mental Factors Thanissaro Bhikkhu trans 1997 Paticca samuppada vibhanga Sutta Analysis of Dependent Co arising Access to Insight U Kyaw Min n d Introducing Buddhist Abhidhamma Meditation and Concentration Preceded byṢaḍayatana Twelve NidanasSparsa Succeeded byVedana Retrieved from https en wikipedia org w index php title Sparsa amp oldid 1174416465, wikipedia, wiki, book, books, library,

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