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Ravenloft (module)

January 09, 2023

"Castle Ravenloft" redirects here. For other uses, see Castle Ravenloft (disambiguation).

Ravenloft is an adventure module for the Dungeons & Dragons (D&D) fantasy role-playing game. The American game publishing company TSR, Inc. released it as a standalone adventure booklet in 1983 for use with the first edition Advanced Dungeons & Dragons game. It was written by Tracy and Laura Hickman, and includes art by Clyde Caldwell with maps by David Sutherland III.[2] The plot of Ravenloft focuses on the villain Strahd von Zarovich, a vampire who pines for his lost love. Various story elements, including Strahd's motivation and the locations of magical weapons, are randomly determined by drawing cards. The player characters attempt to defeat Strahd and, if successful, the adventure ends.

Ravenloft
The cover of the original Ravenloft module, with art by Clyde Caldwell. The artwork depicts villain Strahd von Zarovich atop Castle Ravenloft.
CodeI6
TSR product code9075
Rules requiredAdvanced Dungeons & Dragons 1st edition
Character levels5–7
Campaign settingGeneric Advanced Dungeons & Dragons
AuthorsTracy & Laura Hickman
First published1983
Linked modules
I1, I2, I3, I4, I5, I6, I7, I8, I9, I10, I11, I12, I13, I14

The Hickmans began work on Ravenloft in the late 1970s, intent on creating a frightening portrait of a vampire in a setting that combined Gothic horror with the D&D game system. They play-tested the adventure with a group of players each Halloween for five years before it was published. Strahd has since appeared in a number of D&D accessories and novels. The module has inspired numerous revisions and adaptations, including a campaign setting of the same name and a sequel. In 1999, on the 25th anniversary of Dungeons & Dragons, two commemorative versions of Ravenloft were released.

Ravenloft has won one award, been included on two "best of" lists, and was generally well received by critics of its era. In 1984, it won the Strategists' Club Award for Outstanding Play Aid, and it appeared second in Dungeon magazine's list of the top 30 D&D adventures. Several reviewers liked the included maps, and White Dwarf magazine gave it 8 out of 10 overall. A Dragon magazine review praised the module, but felt that the D&D elements detracted from the Gothic horror atmosphere. In 2016, Wizards of the Coast published Curse of Strahd, an adaptation of the original Ravenloft module for the 5th edition of Dungeons & Dragons.

Plot

The story involves a party of player characters (PCs) who travel to the land of Barovia, a small nation surrounded by a deadly magical fog. The master of nearby Castle Ravenloft, Count Strahd von Zarovich, tyrannically rules the country, and a prologue explains that the residents must barricade their doors each night to avoid attacks by Strahd and his minions. The Burgomaster's mansion is the focus of these attacks, and, for reasons that are not initially explained, Strahd is after the Burgomaster's adopted daughter, Ireena Kolyana.

Before play begins, the Dungeon Master (or DM, the player who organizes and directs the game play)[3] randomly draws five cards from a deck of six. Two of these cards determine the locations of two magical weapons useful in defeating Strahd: the Holy Symbol and the Sunsword. The next two cards determine the locations of Strahd and the Tome of Strahd, a book that details Strahd's long-ago unrequited love. In this work, it is revealed that Strahd had fallen in love with a young girl, who in turn loved his younger brother. Strahd blamed his age for the rejection, and made a pact with evil powers to live forever. He then slew his brother, but the young girl killed herself in response, and Strahd found that he had become a vampire.[4] All possible locations are inside Castle Ravenloft.

The fifth and final card selected determines Strahd's motivation. There are four possible motivations for Strahd. He may want to replace one of the PCs and attempt to turn the character into a vampire and take on that character's form. He may desire the love of Ireena, whose appearance matches that of his lost love, Tatyana. Using mind control, Strahd will try to force a PC to attack Ireena and gain her love by "saving" her from the situation he created. Strahd may also want to create an evil magic item, or destroy the Sunsword. If, during play, the party's fortune is told at the gypsy camp in Barovia, the random elements are altered to match the cards drawn by the gypsy.

As the party journeys through Barovia and the castle, the game play is guided using 12 maps with corresponding sections in the book's body guide. Example maps and sections include the Lands of Barovia, the Court of the Count, five entries for each level of the Spires of Ravenloft, and the Dungeons and Catacombs. Each location contains treasure and adversaries, including zombies, wolves, ghouls, ghosts, and other creatures. The main objective of the game is to destroy Count Strahd. The DM is instructed to play the vampire intelligently, and to keep him alive as long as possible, making him flee when necessary. In an optional epilogue, Ireena is reunited with her lover. They leave the "mortal world" as Ireena says, "Through these many centuries we have played out the tragedy of our lives."[5]

Publication background

 
 
Tracy and Laura Hickman, designers of Ravenloft

Tracy Hickman and Laura Curtis married in 1977. Soon after, while living in Provo, Utah, they wrote the adventures Pharaoh and Ravenloft.[6] When they began work on Ravenloft, they felt the vampire archetype had become overused, trite, and mundane, and decided to create a frightening version of the creature for the module.[7] Ravenloft was inspired by Bram Stoker's Dracula and advertised as "a classic gothic story."[8][9] They play-tested it with a group of players every Halloween for five years before it was published in 1983 by TSR.[10] The plot combined elements of the horror genre with Dungeons & Dragons conventions for the first time.[11] At the time of Ravenloft's release, each Dungeons & Dragons module was marked with an alphanumeric code indicating the series to which it belonged.[12] Ravenloft was labeled I6: the sixth in a series of intermediate-level modules for the first edition of Advanced Dungeons & Dragons (AD&D).[13] It consisted of a 32-page book, with separate maps that detailed locations in the adventure scenario.[5]

Tracy Hickman once ran the adventure as a Dungeon Master. According to him, the experience was like an old scary movie, with "the obligatory castle high on the craggy cliff with the wolves howling in the woods. Sure enough, the vampire was up there in the castle. To most of the players it seemed like a straight forward task: find the vampire and kill him."[4] One player discovered Strahd's backstory and was so affected by it that when it came time to kill the vampire at the end of the adventure, despite having a sword capable of dispatching Strahd, he refused, and his companions were forced to complete the task. Afterwards, Hickman asked him why. "He deserved to die better than that," his friend said, to which Hickman replied "Yes [...] But that is how it is with people who fall from greatness. He chose his end when he first chose to kill his brother. How could it be any different?".[4]

According to a Wizards of the Coast article, Strahd has become one of the most infamous and well-known villains in the Dungeons & Dragons game,[14] and he has appeared in a number of novels and rulebooks since his debut in Ravenloft.[15] In an introduction to an online edition of Ravenloft II, author John D. Rateliff described Strahd as a then-unusual fusion of a monster with the abilities of a player character class; that is, a vampire magic-user.[11] This design enables him to combine his own powers with the surrounding environment, making him a difficult opponent to defeat.[7]

To celebrate the 25th anniversary of the Dungeons & Dragons game in 1999, two additional versions of the Ravenloft module were released. The first was a reprinting of the original adventure made available in the Dungeons & Dragons Silver Anniversary Collector's Edition boxed set, with slight modifications to make it distinguishable from the original (for collecting purposes).[16] The second was the silver anniversary edition of Ravenloft that was adapted for use with the second edition Advanced Dungeons & Dragons (Wizards of the Coast periodically alters the rules of Dungeons & Dragons and releases a new version).[17][18]

Ravenloft II: The House on Gryphon Hill

Main article: Ravenloft II: The House on Gryphon Hill

Ravenloft's success led to a sequel in 1986 titled Ravenloft II: The House on Gryphon Hill. Although Tracy Hickman was credited in Ravenloft II, he had left TSR before the module was completed. The writing was done by David "Zeb" Cook, Jeff Grubb, Harold Johnson, and Douglas Niles, following the Hickmans' outline. Each writer pursued a different section of the module in order to meet the deadline.[11] Clyde Caldwell, who had done all of the art for the original Ravenloft module, provided the cover, but interior art was done by Jeff Easley. The adventure is designed for first edition Advanced Dungeons & Dragons characters of levels 8–10.[19] The adventure was 48 pages, and included a large color map and an outer folder.[20] It shared structural elements with the original, including variable NPC goals and variable locations for key objects, so that Gryphon Hill plays differently each time.[21] The module's plot features an artifact known as The Apparatus that switches a monster's personality with that of an ordinary townsperson; player characters, therefore, are uncertain about the true identity of the people they meet. The module also introduces Azalin the lich, who later became a major character in the Ravenloft campaign setting.[11] This module is playable alone, or as a sequel to the original Ravenloft.[21] The module describes the town of Mordentshire, as well as some haunted moors, and a manor house, all of which are mapped in perspective like the original module.[20]

Adaptations

In 1986, Ravenloft was adapted into the gamebook Master of Ravenloft, #6 in the Advanced Dungeons & Dragons Adventure Gamebooks series. In the book, the reader plays the role of Jeren Sureblade, a paladin, who must defeat Count Strahd von Zarovich to save a young girl from becoming one of the undead. The gamebook was written by Jean Blashfield, with cover art by Clyde Caldwell and interior art by Gary Williams.[22]

Ravenloft inspired a campaign setting of the same name,[3] published in 1990.[23] The Ravenloft: Realm of Terror boxed set was published as part of the second edition of Advanced Dungeons & Dragons and, according to its back cover, it is "rooted in the Gothic tradition" and contains "tips for adding fear to your games".[24] The setting of the module was expanded; Ravenloft is now a demiplane (an alternate dimension). The boxed set's version of Strahd is similar to character in the original adventure, but his abilities were increased and his background explained in more detail.[15] The campaign setting has produced a number of spin-offs,[25] and this new version of Strahd was used as a major character in a number of novels.[15]

The original Ravenloft module has been revised and expanded three times. In 1993, TSR published House of Strahd (module code RM4). It was updated to include rules from the second edition of Advanced Dungeons & Dragons. The module credits the original work by the Hickmans,[1] but was revised by Bruce Nesmith, who along with Andria Hayday created the Ravenloft campaign setting.[11] Nesmith introduced new monsters, made further developments on Strahd's tactics, and added a Time-Track Table to help the Dungeon Master plan for the sunset.[26] In October 2006, Wizards of the Coast released an updated and expanded version of the original module for Dungeons & Dragons version 3.5 as a 226-page hardcover book entitled Expedition to Castle Ravenloft.[27] It was based on the original module, and not the Ravenloft material made in the intervening years.[28] Expedition to Castle Ravenloft is designed to be played as a mini-campaign lasting about 20 game sessions, much longer than the original module, although it contains options for running long 8-session or short 4-session adventures. The book also includes suggestions for incorporating the adventure into an existing generic setting, Forgotten Realms, Eberron or d20 Modern campaign.[29] Wizards of the Coast released the board game Castle Ravenloft in 2010 as part of the "Adventure System" series of board games using a simplified 4th edition rule set.[30] In 2016, Wizards of the Coast published Curse of Strahd,[31] an adaptation of the original Ravenloft module for the 5th edition of Dungeons & Dragons, which was generally well received, earning the 2016 ENnie Awards for Best Adventure and Best Art/Cover and runner up for Product of the Year.[32]

Reception

Ravenloft won one award, and was included on two "best of" lists. In 1984, it won the Strategists' Club Award for Outstanding Play Aid.[20] The book Dungeon Master For Dummies chose the module as one of the ten best classic adventures, saying it is "perhaps our favorite D&D adventure of all time", Ravenloft "takes the Dracula legend and gives it a D&D spin", and praised the detailed yet concise plot and isometric maps. The book also claims that Ravenloft "inspired game designers and Dungeon Masters to take the art of adventure to the next level."[3]

In 2004, on the 30th anniversary of the Dungeons & Dragons game, Dungeon magazine ranked the module as the second greatest Dungeons & Dragons adventure of all time—behind Queen of the Spiders.[33] The editor of Dungeon praised the placement of treasure, and Strahd's motivation was described as "a brilliant way to let fate drive the plot and evoke the mystery and mystique of Barovia". Bill Slavicsek, director of Wizards of the Coast's RPGs and Miniatures department, noted that it was the first adventure to "mix tone, story, and dungeon crawl" in a module, and game designer Andy Collins agreed. Clark Peterson, president of Necromancer Games, singled out the maps and Strahd for praise, saying the vampire is "perhaps one of the best villains of all time".[33] Author John Rateliff also applauded the maps and the randomization, as well as Strahd's duality as a vampire/magic-user. The catacombs, where player characters were teleported away and replaced with undead wights, was singled out at as the adventure's "defining moment" by the magazine's editors.[33]

Reviews for Ravenloft were generally positive. Rick Swan reviewed the adventure in The Space Gamer No. 72. He commented that there was "so much gothic atmosphere in Ravenloft that if it had any more, it'd flap its pages and fly away", and stated that the bulk of the adventure involving a search of Castle Ravenloft was "not too interesting" with encounters few and far between, and that the mechanic of using a regular deck of cards to simulate a gypsy fortune teller was "silly and the results are too arbitrary" but concluded that "Ravenloft is such a refreshing change that even with its problems, it's recommended."[34] In the July 1984 issue of White Dwarf magazine, the module was given 8 out of 10 overall, with the reviewer mentioning its presentation as a positive, and its complexity as a negative. It was likened to a Hammer horror production and praised as enjoyable, although the reviewer said the game's puns were tedious and detracted from the spooky atmosphere.[35] White Dwarf reviewer Dave Morris said it "should be a lot of fun – 'light, relief' of a nerve-wracking and deadly sort" and concluded that Ravenloft is "full of clever touches", and "features some first-class illustration and graphics".[35] In a review for the January 1984 issue of Dragon magazine (published by a subsidiary of TSR), game designer Ken Rolston argued that, despite its design innovations, Ravenloft was still in essence a dungeon-style adventure. Rolston praised the randomization, the maps, and the player text (which is read aloud to the players by the DM). He said the player text "consistently develops an atmosphere of darkness and decay." Despite this, Rolston felt that the adventure has trouble in developing a frightening tone. He singles out its use of common monsters in D&D, an abundance of traps, and frequent combat interludes as elements that detract from the adventure's spookiness by interrupting the module's flow. Ultimately, he felt that in "AD&D terms it is a masterpiece", but not a work of "Gothic horror".[36] In a Polygon article from 2021, Charlie Hall wrote that the original Ravenloft "has been criticized as derivative–and for reinforcing harmful stereotypes," but that it had an interesting conflicted villain.[37] Tracy Hickman stated in 1998, "I still believe the original Ravenloft modules were perhaps the best that ever had my name on them."[10]

References

  1. ^ a b Hickman, Tracy; Hickman, Laura (1993). House of Strahd. Bruce Nesmith. TSR. ISBN 1-56076-671-9.
  2. ^ While the module does not mention him, David Sutherland III's signature appears in the bottom left corner of each map in the original Ravenloft module. Sutherland is also listed as the cartographer in 1993's House of Strahd.[1]
  3. ^ a b c Slavicsek, Bill; Baker, Rich; Grubb, Jeff (2006). Dungeon Master For Dummies. For Dummies. pp. 10, 320. ISBN 978-0-471-78330-5. Retrieved February 12, 2009.
  4. ^ a b c Hickman, Tracy (1989). . TRHickman.com. Archived from the original on 2011-07-22. Retrieved August 13, 2009.
  5. ^ a b Hickman, Tracy; Hickman, Laura (1983). Ravenloft. TSR. p. 30. ISBN 0-88038-042-X.
  6. ^ Hickman, Tracy. . TRHickman.com. Archived from the original on July 26, 2009. Retrieved August 12, 2009.
  7. ^ a b Winter, Steve; et al. (2004). "Ravenloft". 30 Years of Adventure: A Celebration of Dungeons & Dragons. Wizards of the Coast. p. 114. ISBN 0-7869-3498-0.
  8. ^ Hall, Charlie (18 January 2016). "D&D's Ravenloft returns with the help of its original creators". Polygon.
  9. ^ Jones, David Annwn (2018). "9.1 New media: The art of Gothic gaming and horror apps". Gothic Effigy. Manchester University Press. p. 228. ISBN 978-1-5261-0122-8.
  10. ^ a b Varney, Allen (August 1998). "Profiles: Tracy Hickman". Dragon. Wizards of the Coast (250): 120.
  11. ^ a b c d e Rateliff, John D (2004). "Introduction to Ravenloft II: The House on Gryphon Hill". Wizards of the Coast. Archived from the original on June 3, 2009. Retrieved March 6, 2007.
  12. ^ . Wizards of the Coast. 2003. Archived from the original on August 18, 2000. Retrieved February 9, 2009.
  13. ^ Rateliff, John D. . Wizards of the Coast. Archived from the original on June 17, 2001. Retrieved August 13, 2009.
  14. ^ Cordell, Bruce R.; Wyatt, James (2006). . Wizards of the Coast. Retrieved on March 9, 2007.
  15. ^ a b c Carter, Margaret (1997). "Chapter 10: I, Strahd: Narrative Voice and Variations on a Non-Player Character in TSR's "Ravenloft" Universe". In James Craig Holte (ed.). The Fantastic Vampire: Studies in the Children of the Night. Greenwood Publishing Group. pp. 89–102. ISBN 0-313-30933-7.
  16. ^ . Wizards of the Coast. 2003. Archived from the original on November 28, 1999. Retrieved August 14, 2009.
  17. ^ Pesca, Mike (June 12, 2008). "Is Dungeon & Dragons Too Popular for its Fans?". National Public Radio. Retrieved August 3, 2009.
  18. ^ Hickman, Tracy; Hickman, Laura (21 January 1999). Ravenloft: 25th Anniversary. TSR. ISBN 978-0-7869-1505-7.
  19. ^ Rateliff, John D (2004). . Wizards of the Coast. Archived from the original on June 8, 2003. Retrieved February 11, 2009.
  20. ^ a b c Schick, Lawrence (1991). Heroic Worlds: A History and Guide to Role-Playing Games. Prometheus Books. p. 102. ISBN 0-87975-653-5.
  21. ^ a b Sargent, Carl (March 1987). "Open Box: AD&D Adventures". White Dwarf. Games Workshop (87): 2–3.
  22. ^ Blashfield, Jean (1986). Master of Ravenloft. TSR. ISBN 0-88038-261-9.
  23. ^ . Wizards of the Coast. Archived from the original on 2008-09-24. Retrieved August 20, 2005.
  24. ^ Nesmith, Bruce; Hayday, Adriana (1990). Realm of Terror. TSR. ISBN 978-0-88038-853-5.
  25. ^ Melton, Gordon (1994). The Vampire Book: The Encyclopedia of the Undead (1st ed.). Detroit, MI: Visible Ink Press. p. 852. ISBN 0-8103-2295-1.
  26. ^ Swan, Rick (May 1994). "Role-Playing Reviews". Dragon. TSR (205): 98–102.
  27. ^ . Wizards of the Coast. 2006. Archived from the original on August 13, 2006. Retrieved February 11, 2009.
  28. ^ Carroll, Bart (June 10, 2006). . Wizards of the Coast. Archived from the original on April 29, 2007. Retrieved March 5, 2007.
  29. ^ Cordell, Bruce; Wyatt, James (2006). . Wizards of the Coast. Archived from the original on June 3, 2009. Retrieved August 22, 2009.
  30. ^ , Wizards of the Coast website
  31. ^ "Curse of Strahd". Wizards of the Coast.
  32. ^ "2016 ENnie Award Winners". Retrieved February 28, 2017.
  33. ^ a b c Mona, Erik; Jacobs, James; the "Dungeon Design Panel" (November 2004). "The 30 Greatest D&D Adventures of All Time". Dungeon. Paizo Publishing (116): 79.
  34. ^ Swan, Rick (January–February 1985). "Capsule Reviews". The Space Gamer. Steve Jackson Games (72): 43–45.
  35. ^ a b Morris, Dave (July 1984). "Open Box: Dungeon Modules". White Dwarf. Games Workshop (55): 18–19. ISSN 0265-8712.
  36. ^ Rolston, Ken (January 1984). "Gaming without heroes". Dragon. TSR (81): 76–78.
  37. ^ Hall, Charlie (3 May 2021). "D&D's new Ravenloft book swaps outdated tropes for a high-fantasy approach". Polygon.

External links

  • The Acaeum.com entry on the "I" series of modules
  • . Archived from the original on September 7, 2005.

January 09, 2023
ravenloft, module, castle, ravenloft, redirects, here, other, uses, castle, ravenloft, disambiguation, ravenloft, adventure, module, dungeons, dragons, fantasy, role, playing, game, american, game, publishing, company, released, standalone, adventure, booklet,. Castle Ravenloft redirects here For other uses see Castle Ravenloft disambiguation Ravenloft is an adventure module for the Dungeons amp Dragons D amp D fantasy role playing game The American game publishing company TSR Inc released it as a standalone adventure booklet in 1983 for use with the first edition Advanced Dungeons amp Dragons game It was written by Tracy and Laura Hickman and includes art by Clyde Caldwell with maps by David Sutherland III 2 The plot of Ravenloft focuses on the villain Strahd von Zarovich a vampire who pines for his lost love Various story elements including Strahd s motivation and the locations of magical weapons are randomly determined by drawing cards The player characters attempt to defeat Strahd and if successful the adventure ends RavenloftThe cover of the original Ravenloft module with art by Clyde Caldwell The artwork depicts villain Strahd von Zarovich atop Castle Ravenloft CodeI6TSR product code9075Rules requiredAdvanced Dungeons amp Dragons 1st editionCharacter levels5 7Campaign settingGeneric Advanced Dungeons amp DragonsAuthorsTracy amp Laura HickmanFirst published1983Linked modulesI1 I2 I3 I4 I5 I6 I7 I8 I9 I10 I11 I12 I13 I14The Hickmans began work on Ravenloft in the late 1970s intent on creating a frightening portrait of a vampire in a setting that combined Gothic horror with the D amp D game system They play tested the adventure with a group of players each Halloween for five years before it was published Strahd has since appeared in a number of D amp D accessories and novels The module has inspired numerous revisions and adaptations including a campaign setting of the same name and a sequel In 1999 on the 25th anniversary of Dungeons amp Dragons two commemorative versions of Ravenloft were released Ravenloft has won one award been included on two best of lists and was generally well received by critics of its era In 1984 it won the Strategists Club Award for Outstanding Play Aid and it appeared second in Dungeon magazine s list of the top 30 D amp D adventures Several reviewers liked the included maps and White Dwarf magazine gave it 8 out of 10 overall A Dragon magazine review praised the module but felt that the D amp D elements detracted from the Gothic horror atmosphere In 2016 Wizards of the Coast published Curse of Strahd an adaptation of the original Ravenloft module for the 5th edition of Dungeons amp Dragons Contents 1 Plot 2 Publication background 2 1 Ravenloft II The House on Gryphon Hill 2 2 Adaptations 3 Reception 4 References 5 External linksPlot EditThe story involves a party of player characters PCs who travel to the land of Barovia a small nation surrounded by a deadly magical fog The master of nearby Castle Ravenloft Count Strahd von Zarovich tyrannically rules the country and a prologue explains that the residents must barricade their doors each night to avoid attacks by Strahd and his minions The Burgomaster s mansion is the focus of these attacks and for reasons that are not initially explained Strahd is after the Burgomaster s adopted daughter Ireena Kolyana Before play begins the Dungeon Master or DM the player who organizes and directs the game play 3 randomly draws five cards from a deck of six Two of these cards determine the locations of two magical weapons useful in defeating Strahd the Holy Symbol and the Sunsword The next two cards determine the locations of Strahd and the Tome of Strahd a book that details Strahd s long ago unrequited love In this work it is revealed that Strahd had fallen in love with a young girl who in turn loved his younger brother Strahd blamed his age for the rejection and made a pact with evil powers to live forever He then slew his brother but the young girl killed herself in response and Strahd found that he had become a vampire 4 All possible locations are inside Castle Ravenloft The fifth and final card selected determines Strahd s motivation There are four possible motivations for Strahd He may want to replace one of the PCs and attempt to turn the character into a vampire and take on that character s form He may desire the love of Ireena whose appearance matches that of his lost love Tatyana Using mind control Strahd will try to force a PC to attack Ireena and gain her love by saving her from the situation he created Strahd may also want to create an evil magic item or destroy the Sunsword If during play the party s fortune is told at the gypsy camp in Barovia the random elements are altered to match the cards drawn by the gypsy As the party journeys through Barovia and the castle the game play is guided using 12 maps with corresponding sections in the book s body guide Example maps and sections include the Lands of Barovia the Court of the Count five entries for each level of the Spires of Ravenloft and the Dungeons and Catacombs Each location contains treasure and adversaries including zombies wolves ghouls ghosts and other creatures The main objective of the game is to destroy Count Strahd The DM is instructed to play the vampire intelligently and to keep him alive as long as possible making him flee when necessary In an optional epilogue Ireena is reunited with her lover They leave the mortal world as Ireena says Through these many centuries we have played out the tragedy of our lives 5 Publication background Edit Tracy and Laura Hickman designers of Ravenloft Tracy Hickman and Laura Curtis married in 1977 Soon after while living in Provo Utah they wrote the adventures Pharaoh and Ravenloft 6 When they began work on Ravenloft they felt the vampire archetype had become overused trite and mundane and decided to create a frightening version of the creature for the module 7 Ravenloft was inspired by Bram Stoker s Dracula and advertised as a classic gothic story 8 9 They play tested it with a group of players every Halloween for five years before it was published in 1983 by TSR 10 The plot combined elements of the horror genre with Dungeons amp Dragons conventions for the first time 11 At the time of Ravenloft s release each Dungeons amp Dragons module was marked with an alphanumeric code indicating the series to which it belonged 12 Ravenloft was labeled I6 the sixth in a series of intermediate level modules for the first edition of Advanced Dungeons amp Dragons AD amp D 13 It consisted of a 32 page book with separate maps that detailed locations in the adventure scenario 5 Tracy Hickman once ran the adventure as a Dungeon Master According to him the experience was like an old scary movie with the obligatory castle high on the craggy cliff with the wolves howling in the woods Sure enough the vampire was up there in the castle To most of the players it seemed like a straight forward task find the vampire and kill him 4 One player discovered Strahd s backstory and was so affected by it that when it came time to kill the vampire at the end of the adventure despite having a sword capable of dispatching Strahd he refused and his companions were forced to complete the task Afterwards Hickman asked him why He deserved to die better than that his friend said to which Hickman replied Yes But that is how it is with people who fall from greatness He chose his end when he first chose to kill his brother How could it be any different 4 According to a Wizards of the Coast article Strahd has become one of the most infamous and well known villains in the Dungeons amp Dragons game 14 and he has appeared in a number of novels and rulebooks since his debut in Ravenloft 15 In an introduction to an online edition of Ravenloft II author John D Rateliff described Strahd as a then unusual fusion of a monster with the abilities of a player character class that is a vampire magic user 11 This design enables him to combine his own powers with the surrounding environment making him a difficult opponent to defeat 7 To celebrate the 25th anniversary of the Dungeons amp Dragons game in 1999 two additional versions of the Ravenloft module were released The first was a reprinting of the original adventure made available in the Dungeons amp Dragons Silver Anniversary Collector s Edition boxed set with slight modifications to make it distinguishable from the original for collecting purposes 16 The second was the silver anniversary edition of Ravenloft that was adapted for use with the second edition Advanced Dungeons amp Dragons Wizards of the Coast periodically alters the rules of Dungeons amp Dragons and releases a new version 17 18 Ravenloft II The House on Gryphon Hill Edit Main article Ravenloft II The House on Gryphon Hill Ravenloft s success led to a sequel in 1986 titled Ravenloft II The House on Gryphon Hill Although Tracy Hickman was credited in Ravenloft II he had left TSR before the module was completed The writing was done by David Zeb Cook Jeff Grubb Harold Johnson and Douglas Niles following the Hickmans outline Each writer pursued a different section of the module in order to meet the deadline 11 Clyde Caldwell who had done all of the art for the original Ravenloft module provided the cover but interior art was done by Jeff Easley The adventure is designed for first edition Advanced Dungeons amp Dragons characters of levels 8 10 19 The adventure was 48 pages and included a large color map and an outer folder 20 It shared structural elements with the original including variable NPC goals and variable locations for key objects so that Gryphon Hill plays differently each time 21 The module s plot features an artifact known as The Apparatus that switches a monster s personality with that of an ordinary townsperson player characters therefore are uncertain about the true identity of the people they meet The module also introduces Azalin the lich who later became a major character in the Ravenloft campaign setting 11 This module is playable alone or as a sequel to the original Ravenloft 21 The module describes the town of Mordentshire as well as some haunted moors and a manor house all of which are mapped in perspective like the original module 20 Adaptations Edit In 1986 Ravenloft was adapted into the gamebook Master of Ravenloft 6 in the Advanced Dungeons amp Dragons Adventure Gamebooks series In the book the reader plays the role of Jeren Sureblade a paladin who must defeat Count Strahd von Zarovich to save a young girl from becoming one of the undead The gamebook was written by Jean Blashfield with cover art by Clyde Caldwell and interior art by Gary Williams 22 Ravenloft inspired a campaign setting of the same name 3 published in 1990 23 The Ravenloft Realm of Terror boxed set was published as part of the second edition of Advanced Dungeons amp Dragons and according to its back cover it is rooted in the Gothic tradition and contains tips for adding fear to your games 24 The setting of the module was expanded Ravenloft is now a demiplane an alternate dimension The boxed set s version of Strahd is similar to character in the original adventure but his abilities were increased and his background explained in more detail 15 The campaign setting has produced a number of spin offs 25 and this new version of Strahd was used as a major character in a number of novels 15 The original Ravenloft module has been revised and expanded three times In 1993 TSR published House of Strahd module code RM4 It was updated to include rules from the second edition of Advanced Dungeons amp Dragons The module credits the original work by the Hickmans 1 but was revised by Bruce Nesmith who along with Andria Hayday created the Ravenloft campaign setting 11 Nesmith introduced new monsters made further developments on Strahd s tactics and added a Time Track Table to help the Dungeon Master plan for the sunset 26 In October 2006 Wizards of the Coast released an updated and expanded version of the original module for Dungeons amp Dragons version 3 5 as a 226 page hardcover book entitled Expedition to Castle Ravenloft 27 It was based on the original module and not the Ravenloft material made in the intervening years 28 Expedition to Castle Ravenloft is designed to be played as a mini campaign lasting about 20 game sessions much longer than the original module although it contains options for running long 8 session or short 4 session adventures The book also includes suggestions for incorporating the adventure into an existing generic setting Forgotten Realms Eberron or d20 Modern campaign 29 Wizards of the Coast released the board game Castle Ravenloft in 2010 as part of the Adventure System series of board games using a simplified 4th edition rule set 30 In 2016 Wizards of the Coast published Curse of Strahd 31 an adaptation of the original Ravenloft module for the 5th edition of Dungeons amp Dragons which was generally well received earning the 2016 ENnie Awards for Best Adventure and Best Art Cover and runner up for Product of the Year 32 Reception EditRavenloft won one award and was included on two best of lists In 1984 it won the Strategists Club Award for Outstanding Play Aid 20 The book Dungeon Master For Dummies chose the module as one of the ten best classic adventures saying it is perhaps our favorite D amp D adventure of all time Ravenloft takes the Dracula legend and gives it a D amp D spin and praised the detailed yet concise plot and isometric maps The book also claims that Ravenloft inspired game designers and Dungeon Masters to take the art of adventure to the next level 3 In 2004 on the 30th anniversary of the Dungeons amp Dragons game Dungeon magazine ranked the module as the second greatest Dungeons amp Dragons adventure of all time behind Queen of the Spiders 33 The editor of Dungeon praised the placement of treasure and Strahd s motivation was described as a brilliant way to let fate drive the plot and evoke the mystery and mystique of Barovia Bill Slavicsek director of Wizards of the Coast s RPGs and Miniatures department noted that it was the first adventure to mix tone story and dungeon crawl in a module and game designer Andy Collins agreed Clark Peterson president of Necromancer Games singled out the maps and Strahd for praise saying the vampire is perhaps one of the best villains of all time 33 Author John Rateliff also applauded the maps and the randomization as well as Strahd s duality as a vampire magic user The catacombs where player characters were teleported away and replaced with undead wights was singled out at as the adventure s defining moment by the magazine s editors 33 Reviews for Ravenloft were generally positive Rick Swan reviewed the adventure in The Space Gamer No 72 He commented that there was so much gothic atmosphere in Ravenloft that if it had any more it d flap its pages and fly away and stated that the bulk of the adventure involving a search of Castle Ravenloft was not too interesting with encounters few and far between and that the mechanic of using a regular deck of cards to simulate a gypsy fortune teller was silly and the results are too arbitrary but concluded that Ravenloft is such a refreshing change that even with its problems it s recommended 34 In the July 1984 issue of White Dwarf magazine the module was given 8 out of 10 overall with the reviewer mentioning its presentation as a positive and its complexity as a negative It was likened to a Hammer horror production and praised as enjoyable although the reviewer said the game s puns were tedious and detracted from the spooky atmosphere 35 White Dwarf reviewer Dave Morris said it should be a lot of fun light relief of a nerve wracking and deadly sort and concluded that Ravenloft is full of clever touches and features some first class illustration and graphics 35 In a review for the January 1984 issue of Dragon magazine published by a subsidiary of TSR game designer Ken Rolston argued that despite its design innovations Ravenloft was still in essence a dungeon style adventure Rolston praised the randomization the maps and the player text which is read aloud to the players by the DM He said the player text consistently develops an atmosphere of darkness and decay Despite this Rolston felt that the adventure has trouble in developing a frightening tone He singles out its use of common monsters in D amp D an abundance of traps and frequent combat interludes as elements that detract from the adventure s spookiness by interrupting the module s flow Ultimately he felt that in AD amp D terms it is a masterpiece but not a work of Gothic horror 36 In a Polygon article from 2021 Charlie Hall wrote that the original Ravenloft has been criticized as derivative and for reinforcing harmful stereotypes but that it had an interesting conflicted villain 37 Tracy Hickman stated in 1998 I still believe the original Ravenloft modules were perhaps the best that ever had my name on them 10 References Edit a b Hickman Tracy Hickman Laura 1993 House of Strahd Bruce Nesmith TSR ISBN 1 56076 671 9 While the module does not mention him David Sutherland III s signature appears in the bottom left corner of each map in the original Ravenloft module Sutherland is also listed as the cartographer in 1993 s House of Strahd 1 a b c Slavicsek Bill Baker Rich Grubb Jeff 2006 Dungeon Master For Dummies For Dummies pp 10 320 ISBN 978 0 471 78330 5 Retrieved February 12 2009 a b c Hickman Tracy 1989 Ethics in Fantasy Morality and D amp D Part 3 The Moral Imperative of Fantasy TRHickman com Archived from the original on 2011 07 22 Retrieved August 13 2009 a b Hickman Tracy Hickman Laura 1983 Ravenloft TSR p 30 ISBN 0 88038 042 X Hickman Tracy Tracy Hickman s Works with Laura Curtis TRHickman com Archived from the original on July 26 2009 Retrieved August 12 2009 a b Winter Steve et al 2004 Ravenloft 30 Years of Adventure A Celebration of Dungeons amp Dragons Wizards of the Coast p 114 ISBN 0 7869 3498 0 Hall Charlie 18 January 2016 D amp D s Ravenloft returns with the help of its original creators Polygon Jones David Annwn 2018 9 1 New media The art of Gothic gaming and horror apps Gothic Effigy Manchester University Press p 228 ISBN 978 1 5261 0122 8 a b Varney Allen August 1998 Profiles Tracy Hickman Dragon Wizards of the Coast 250 120 a b c d e Rateliff John D 2004 Introduction to Ravenloft II The House on Gryphon Hill Wizards of the Coast Archived from the original on June 3 2009 Retrieved March 6 2007 Dungeons amp Dragons FAQ Wizards of the Coast 2003 Archived from the original on August 18 2000 Retrieved February 9 2009 Rateliff John D L2 The Assassin s Knot Wizards of the Coast Archived from the original on June 17 2001 Retrieved August 13 2009 Cordell Bruce R Wyatt James 2006 Expedition to Castle Ravenloft excerpts Introduction Wizards of the Coast Retrieved on March 9 2007 a b c Carter Margaret 1997 Chapter 10 I Strahd Narrative Voice and Variations on a Non Player Character in TSR s Ravenloft Universe In James Craig Holte ed The Fantastic Vampire Studies in the Children of the Night Greenwood Publishing Group pp 89 102 ISBN 0 313 30933 7 Silver Anniversary Collector s Edition Boxed Set Wizards of the Coast 2003 Archived from the original on November 28 1999 Retrieved August 14 2009 Pesca Mike June 12 2008 Is Dungeon amp Dragons Too Popular for its Fans National Public Radio Retrieved August 3 2009 Hickman Tracy Hickman Laura 21 January 1999 Ravenloft 25th Anniversary TSR ISBN 978 0 7869 1505 7 Rateliff John D 2004 Ravenloft II The House on Gryphon Hill Wizards of the Coast Archived from the original on June 8 2003 Retrieved February 11 2009 a b c Schick Lawrence 1991 Heroic Worlds A History and Guide to Role Playing Games Prometheus Books p 102 ISBN 0 87975 653 5 a b Sargent Carl March 1987 Open Box AD amp D Adventures White Dwarf Games Workshop 87 2 3 Blashfield Jean 1986 Master of Ravenloft TSR ISBN 0 88038 261 9 The History of TSR Wizards of the Coast Archived from the original on 2008 09 24 Retrieved August 20 2005 Nesmith Bruce Hayday Adriana 1990 Realm of Terror TSR ISBN 978 0 88038 853 5 Melton Gordon 1994 The Vampire Book The Encyclopedia of the Undead 1st ed Detroit MI Visible Ink Press p 852 ISBN 0 8103 2295 1 Swan Rick May 1994 Role Playing Reviews Dragon TSR 205 98 102 Expedition to Castle Ravenloft Wizards of the Coast 2006 Archived from the original on August 13 2006 Retrieved February 11 2009 Carroll Bart June 10 2006 Expedition to Castle Ravenloft Designer Interview Wizards of the Coast Archived from the original on April 29 2007 Retrieved March 5 2007 Cordell Bruce Wyatt James 2006 Expedition to Castle Ravenloft excerpts Adventure Hooks Wizards of the Coast Archived from the original on June 3 2009 Retrieved August 22 2009 Castle Ravenloft Board Game Wizards of the Coast website Curse of Strahd Wizards of the Coast 2016 ENnie Award Winners Retrieved February 28 2017 a b c Mona Erik Jacobs James the Dungeon Design Panel November 2004 The 30 Greatest D amp D Adventures of All Time Dungeon Paizo Publishing 116 79 Swan Rick January February 1985 Capsule Reviews The Space Gamer Steve Jackson Games 72 43 45 a b Morris Dave July 1984 Open Box Dungeon Modules White Dwarf Games Workshop 55 18 19 ISSN 0265 8712 Rolston Ken January 1984 Gaming without heroes Dragon TSR 81 76 78 Hall Charlie 3 May 2021 D amp D s new Ravenloft book swaps outdated tropes for a high fantasy approach Polygon External links Edit Dungeons amp Dragons portalThe Acaeum com entry on the I series of modules The Pen Paper net entry on Ravenloft Archived from the original on September 7 2005 Retrieved from https en wikipedia org w index php title Ravenloft module amp oldid 1128576107, wikipedia, wiki, book, books, library,

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