This article is about the visual artist. For the chemist, see Yu-Shan Lin.
This article relies largely or entirely on a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources. Find sources: "Lin Yushan" – news · newspapers · books · scholar · JSTOR(April 2016)
Lin Yushan (Chinese: 林玉山; Pe̍h-ōe-jī: Lîm Gio̍k-San; 1 April 1907 – 20 August 2004), originally named Lin Yinggui (Chinese: 林英貴; Pe̍h-ōe-jī: Lîm Ing-Kuì), was a Taiwanese visual artist.
Water Buffalo and Southern Gate were selected for Taiten in 1927
Lotus Pond became the first-ever modern painting to receive designation as a national treasure by the Bureau of Cultural Heritage under the Ministry of Culture in 2014
Lin was raised in a family-owned picture framing store. Lin grew up with an early passion for painting, and his first instructors were folk painters hired by his family. He also spent much of his early years learning from artists such as Tan Ting-pho and Isaka Kyokko.
Educationedit
Between 1926 and 1929, he lived in Japan and studied Oriental painting at the Kawabata Painting School. In 1927, his works Water Buffalo and Southern Gate were selected for the 1st Taiwan Art Exhibition [zh] (Taiten), where, together with Chen Jin and Guo Xuehu, he became known as one of the “Taiten’s Up-and-Coming Talents”. After this, he was selected in each subsequent year of the Taiten. His works Lotus Pond, Sugar Cane, and Evening Glow were named as special selections for the 4th, 6th, and 7th Taitens, respectively.
Work and public lifeedit
Aside from participating in exhibitions, he also actively participated in various types of painting societies such as Chiayi's Chun-Meng Painting Society (Tainan artist
Pan Chun-yuan also participated the society), Crow Society, Mo-Yang Painting Group, and the Zili Society, as well as Northern painting societies like the “Sandalwood Association” and the “Liguang Society”.
In order to advance his art Lin went back to Kyoto to continue advanced studies at Insho Domoto's Art School Tokyusha from 1935 to 1936. During this time, he imitated the styles of Song dynasty painters and became better acquainted with Chinese painting.
Starting in 1938, he drew illustrations for serialized novels in newspapers and popular fiction books. The illustrations for Yang Kui’s interpretations of Records of the Three Kingdoms and Journey to the West were among Lin's famous works. In 1946, he served as a juror for the Chinese Painting Section of the 1st Taiwan Provincial Art Exhibition.
In 1972, after gouache paintings were removed from the Taiwan Provincial Art Exhibitions, he and some other gouache painters formed the “Chang Liu Painting Society”. In addition to his creative work, Lin also contributed to the education of new artistic talents. He taught at Provincial Chiayi Senior High School and Blessed Imelda's School. In 1951, he was hired by the Art Department of National Taiwan Normal University, where he stayed until his retirement in 1977.[1]
Contributions to artedit
Lin promoted en plein air painting, which he considered an important foundation of painting. His work centered thematically on bird-and-flower, landscapes, and figures. Before 1946, most of his works used a fine-brush technique. Afterwards, he shifted toward a more freehand style while continuing to use fine-brush techniques. Among Lin's works, some are characterized by abstraction, such as 1966's Ivy. In addition to his paintings, Lin also wrote reflections on his creative experiences and life as an artist. His written works include 1955's “Vicissitudes of the Way of Art”, 1964's “A Study of Bird-and-Flower Painting”, and 1968's “An Outline of the Beginning of Chinese Painting”.
Starting Out from 23.5°N: Chen Cheng-po, Academia Sinica Digital Center (ASDC)
National Repository of Cultural Heritage
National Taiwan Museum of Fine Arts
May 02, 2024
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This article is about the visual artist For the chemist see Yu Shan Lin This article relies largely or entirely on a single source Relevant discussion may be found on the talk page Please help improve this article by introducing citations to additional sources Find sources Lin Yushan news newspapers books scholar JSTOR April 2016 This article uses bare URLs which are uninformative and vulnerable to link rot Please consider converting them to full citations to ensure the article remains verifiable and maintains a consistent citation style Several templates and tools are available to assist in formatting such as reFill documentation and Citation bot documentation September 2022 Learn how and when to remove this message Lin Yushan Chinese 林玉山 Pe h ōe ji Lim Gio k San 1 April 1907 20 August 2004 originally named Lin Yinggui Chinese 林英貴 Pe h ōe ji Lim Ing Kui was a Taiwanese visual artist Lin Yushan林玉山Born 1907 04 01 1 April 1907Kagi cho Japanese Taiwan modern day Chiayi Taiwan Died20 August 2004 2004 08 20 aged 97 Taipei City TaiwanNationalityTaiwaneseOther namesLin Yinggui 林英貴 Alma materKawabata Painting SchoolArt School TokyushaKnown forCo Founder of Chang Liu Painting SocietyNotable workLotus Pond painting Vicissitudes of the Way of Art book 1955 A Study of Bird and Flower Painting book 1964 An Outline of the Beginning of Chinese Painting book 1968 StyleOriental painting gouache abstractionAwardsWater Buffalo and Southern Gate were selected for Taiten in 1927Lotus Pond became the first ever modern painting to receive designation as a national treasure by the Bureau of Cultural Heritage under the Ministry of Culture in 2014Lin YushanChinese林玉山TranscriptionsStandard MandarinHanyu PinyinLin YushanBopomofoㄌㄧㄣˊ ㄩˋ ㄕㄢGwoyeu RomatzyhLin Yuh ShanWade GilesLin2 Yu4 Shan1Tongyong PinyinLin Yu ShanSouthern MinHokkien POJLim Gio k SanTai loLim Gio k SanAlternative Chinese nameChinese林英貴TranscriptionsStandard MandarinHanyu PinyinLin YingguiBopomofoㄌㄧㄣˊ ㄧㄥ ㄍㄨㄟˋGwoyeu RomatzyhLin Ing GueyWade GilesLin2 Ying1 Kuei4Tongyong PinyinLin Ying GueiSouthern MinHokkien POJLim Ing KuiTai loLim Ing Kui Contents 1 Early life 2 Education 3 Work and public life 4 Contributions to art 5 See also 6 References 7 External linksEarly life editLin was raised in a family owned picture framing store Lin grew up with an early passion for painting and his first instructors were folk painters hired by his family He also spent much of his early years learning from artists such as Tan Ting pho and Isaka Kyokko Education editBetween 1926 and 1929 he lived in Japan and studied Oriental painting at the Kawabata Painting School In 1927 his works Water Buffalo and Southern Gate were selected for the 1st Taiwan Art Exhibition zh Taiten where together with Chen Jin and Guo Xuehu he became known as one of the Taiten s Up and Coming Talents After this he was selected in each subsequent year of the Taiten His works Lotus Pond Sugar Cane and Evening Glow were named as special selections for the 4th 6th and 7th Taitens respectively Work and public life editAside from participating in exhibitions he also actively participated in various types of painting societies such as Chiayi s Chun Meng Painting Society Tainan artistPan Chun yuan also participated the society Crow Society Mo Yang Painting Group and the Zili Society as well as Northern painting societies like the Sandalwood Association and the Liguang Society In order to advance his art Lin went back to Kyoto to continue advanced studies at Insho Domoto s Art School Tokyusha from 1935 to 1936 During this time he imitated the styles of Song dynasty painters and became better acquainted with Chinese painting Starting in 1938 he drew illustrations for serialized novels in newspapers and popular fiction books The illustrations for Yang Kui s interpretations of Records of the Three Kingdoms and Journey to the West were among Lin s famous works In 1946 he served as a juror for the Chinese Painting Section of the 1st Taiwan Provincial Art Exhibition In 1972 after gouache paintings were removed from the Taiwan Provincial Art Exhibitions he and some other gouache painters formed the Chang Liu Painting Society In addition to his creative work Lin also contributed to the education of new artistic talents He taught at Provincial Chiayi Senior High School and Blessed Imelda s School In 1951 he was hired by the Art Department of National Taiwan Normal University where he stayed until his retirement in 1977 1 Contributions to art editLin promoted en plein air painting which he considered an important foundation of painting His work centered thematically on bird and flower landscapes and figures Before 1946 most of his works used a fine brush technique Afterwards he shifted toward a more freehand style while continuing to use fine brush techniques Among Lin s works some are characterized by abstraction such as 1966 s Ivy In addition to his paintings Lin also wrote reflections on his creative experiences and life as an artist His written works include 1955 s Vicissitudes of the Way of Art 1964 s A Study of Bird and Flower Painting and 1968 s An Outline of the Beginning of Chinese Painting See also editTaiwanese artReferences edit http chenchengpo asdc sinica edu twExternal links editStarting Out from 23 5 N Chen Cheng po Academia Sinica Digital Center ASDC National Repository of Cultural Heritage National Taiwan Museum of Fine Arts Retrieved from https en wikipedia org w index php title Lin Yushan amp oldid 1190001290, wikipedia, wiki, book, books, library,
