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Hairstyle

A hairstyle, hairdo, haircut or coiffure refers to the styling of hair, usually on the human head but sometimes on the face or body. The fashioning of hair can be considered an aspect of personal grooming, fashion, and cosmetics, although practical, cultural, and popular considerations also influence some hairstyles.

Chinese woman with an elaborate hair style, 1869
Traditional hairstyle of a Japanese bride
Female figure with elaborate coiffure and hairpins, 1st century BC
Hopi woman dressing hair, ca. 1900

The oldest known depiction of hair styling is hair braiding which dates back about 30,000 years. Women's hair was often elaborately and carefully dressed in special ways, though it was also often kept covered outside the home, especially for married women.

Prehistory and history Edit

People's hairstyles are largely determined by the fashions of the culture they live in. Hairstyles are markers and signifiers of social class, age, marital status, racial identification, political beliefs, and attitudes about gender.

Some people may cover their hair totally or partially for cultural or religious reasons. Notable examples of head covering include women in Islam who wear the hijab, married women in Haredi Judaism who wear the sheitel or tichel, married Himba men who cover their hair except when in mourning, Tuareg men who wear a veil, and baptized men and women in Sikhism who wear the dastar.[1][2][3]

Paleolithic Edit

The oldest known reproduction of hair braiding lies back about 30,000 years: the Venus of Willendorf, now known in academia as the Woman of Willendorf, of a female figurine from the Paleolithic, estimated to have been made between about 28,000 and 25,000 BCE.[4]The Venus of Brassempouy counts about 25,000 years old and indisputably shows hairstyling.

Bronze Age Edit

 
Bronze Figure With Towering Hair from Sanxingdui, Shu

In the Bronze Age, razors were known and in use by some men, but not on a daily basis since the procedure was rather unpleasant and required resharpening of the tool which reduced its endurance.[5]

Ancient history Edit

In ancient civilizations, women's hair was often elaborately and carefully dressed in special ways. Women coloured their hair, curled it, and pinned it up (ponytail) in a variety of ways. They set their hair in waves and curls using wet clay, which they dried in the sun and then combed out, or else by using a jelly made of quince seeds soaked in water, or curling tongs and curling irons of various kinds.[6][7]

Roman Empire and Middle Ages Edit

Between 27 BC and 102 AD, in Imperial Rome, women wore their hair in complicated styles: a mass of curls on top, or in rows of waves, drawn back into ringlets or braids. Eventually noblewomen's hairstyles grew so complex that they required daily attention from several slaves and a stylist in order to be maintained. The hair was often lightened using wood ash, unslaked lime and sodium bicarbonate, or darkened with copper filings, oak-apples or leeches marinated in wine and vinegar.[8] It was augmented by wigs, hairpieces and pads, and held in place by nets, pins, combs and pomade. Under the Byzantine Empire, noblewomen covered most of their hair with silk caps and pearl nets.[9]

From the time of the Roman Empire[citation needed] until the Middle Ages, most women grew their hair as long as it would naturally grow. It was normally just styled through cutting, as women's hair was tied up on the head and covered on most occasions when outside the home by using a snood, kerchief or veil; for an adult woman to wear uncovered and loose hair in the street was often restricted to prostitutes. Braiding and tying the hair was common. In the 16th century, women began to wear their hair in extremely ornate styles, often decorated with pearls, precious stones, ribbons, and veils. Women used a technique called "lacing" or "taping," in which cords or ribbons were used to bind the hair around their heads.[10] During this period, most of the hair was braided and hidden under wimples, veils or couvrechefs. In the later half of the 15th century and on into the 16th century, a very high hairline on the forehead was considered attractive, and wealthy women frequently plucked out hair at their temples and the napes of their necks, or used depilatory cream to remove it, if it would otherwise be visible at the edges of their hair coverings.[11] Working-class women in this period wore their hair in simple styles.[10]

Early modern history Edit

Male styles Edit

During the 15th and 16th centuries, European men wore their hair cropped no longer than shoulder-length, with very fashionable men wearing bangs or fringes. In Italy, it was common for men to dye their hair.[12] In the early 17th century male hairstyles grew longer, with waves or curls being considered desirable in upper-class European men.

The male wig was supposedly pioneered by King Louis XIII of France (1601–1643) in 1624 when he had prematurely begun to bald.[13] This fashion was largely promoted by his son and successor Louis XIV of France (1638–1715) that contributed to its spread in European and European-influenced countries. The beard had been in a long decline and now disappeared among the upper classes.

Perukes or periwigs for men were introduced into the English-speaking world with other French styles when Charles II was restored to the throne in 1660, following a lengthy exile in France. These wigs were shoulder-length or longer, imitating the long hair that had become fashionable among men since the 1620s. Their use soon became popular in the English court. The London diarist Samuel Pepys recorded the day in 1665 that a barber had shaved his head and that he tried on his new periwig for the first time, but in a year of plague he was uneasy about wearing it:

3rd September 1665: Up, and put on my coloured silk suit, very fine, and my new periwig, bought a good while since, but darst not wear it because the plague was in Westminster when I bought it. And it is a wonder what will be the fashion after the plague is done as to periwigs, for nobody will dare to buy any hair for fear of the infection? That it had been cut off the heads of people dead of the plague.

Late 17th-century wigs were very long and wavy (see George I below), but became shorter in the mid-18th century, by which time they were normally white (George II). A very common style had a single stiff curl running round the head at the end of the hair. By the late 18th century the natural hair was often powdered to achieve the impression of a short wig, tied into a small tail or "queue" behind (George III).

Short hair for fashionable men was a product of the Neoclassical movement. Classically inspired male hair styles included the Bedford Crop, arguably the precursor of most plain modern male styles, which was invented by the radical politician Francis Russell, 5th Duke of Bedford as a protest against a tax on hair powder; he encouraged his friends to adopt it by betting them they would not. Another influential style (or group of styles) was named by the French "à la Titus" after Titus Junius Brutus (not in fact the Roman Emperor Titus as often assumed), with hair short and layered but somewhat piled up on the crown, often with restrained quiffs or locks hanging down; variants are familiar from the hair of both Napoleon and George IV. The style was supposed to have been introduced by the actor François-Joseph Talma, who upstaged his wigged co-actors when appearing in productions of works such as Voltaire's Brutus (about Lucius Junius Brutus, who orders the execution of his son Titus). In 1799, a Parisian fashion magazine reported that even bald men were adopting Titus wigs,[14] and the style was also worn by women, the Journal de Paris reporting in 1802 that "more than half of elegant women were wearing their hair or wig à la Titus".[15]

In the early 19th century the male beard, and also moustaches and sideburns, made a strong reappearance, associated with the Romantic movement, and all remained very common until the 1890s, after which younger men ceased to wear them, with World War I, when the majority of men in many countries saw military service, finally despatching the full beard except for older men retaining the styles of their youth, and those affecting a Bohemian look. The short military-style moustache remained popular.

Female styles Edit

 
Marie Antoinette with pouf hairstyle

From the 16th to the 19th century, European women's hair became more visible while their hair coverings grew smaller, with both becoming more elaborate, and with hairstyles beginning to include ornamentation such as flowers, ostrich plumes, ropes of pearls, jewels, ribbons and small crafted objects such as replicas of ships and windmills.[10][16] Bound hair was felt to be symbolic of propriety: loosening one's hair was considered immodest and sexual, and sometimes was felt to have supernatural connotations.[17] Red hair was popular, particularly in England during the reign of the red-haired Elizabeth I, and women and aristocratic men used borax, saltpeter, saffron and sulfur powder to dye their hair red, making themselves nauseated and giving themselves headaches and nosebleeds.[8][18] During this period in Spain and Latin cultures, women wore lace mantillas, often worn over a high comb,[10][19] and in Buenos Aires, there developed a fashion for extremely large tortoise-shell hair combs called peinetón, which could measure up to three feet in height and width, and which are said by historians to have reflected the growing influence of France, rather than Spain, upon Argentinians.[20]

In the middle of the 18th century the pouf style developed, with women creating volume in the hair at the front of the head, usually with a pad underneath to lift it higher, and ornamented the back with seashells, pearls or gemstones. In 1750, women began dressing their hair with perfumed pomade and powdering it white. Just before World War I, some women began wearing silk turbans over their hair.[10]

Japan Edit

In the early 1870s, in a shift that historians attribute to the influence of the West,[21] Japanese men began cutting their hair into styles known as jangiri or zangiri (which roughly means "random cropping").[22] During this period, Japanese women were still wearing traditional hairstyles held up with combs, pins, and sticks crafted from tortoise, metal, wood and other materials,[10] but in the middle 1880s, upper-class Japanese women began pushing back their hair in the Western style (known as sokuhatsu), or adopting Westernized versions of traditional Japanese hairstyles (these were called yakaimaki, or literally, "soirée chignon").[22]

 
Movie star Rudolph Valentino

Inter-war years Edit

During the First World War, women around the world started to shift to shorter hairstyles that were easier to manage. In the 1920s women started for the first time to bob, shingle and crop their hair, often covering it with small head-hugging cloche hats. In Korea, the bob was called tanbal.[23] Women began marcelling their hair, creating deep waves in it using heated scissor irons. Durable permanent waving became popular also in this period:[24] it was an expensive, uncomfortable and time-consuming process, in which the hair was put in curlers and inserted into a steam or dry heat machine. During the 1930s women began to wear their hair slightly longer, in pageboys, bobs or waves and curls.[9]

During this period, Western men began to wear their hair in ways popularized by movie stars such as Douglas Fairbanks Jr. and Rudolph Valentino. Men wore their hair short, and either parted on the side or in the middle, or combed straight back, and used pomade, creams and tonics to keep their hair in place. At the beginning of the Second World War and for some time afterwards, men's haircuts grew shorter, mimicking the military crewcut.[25]

During the 1920s and 1930s, Japanese women began wearing their hair in a style called mimi-kakushi (literally, "ear hiding"), in which hair was pulled back to cover the ears and tied into a bun at the nape of the neck. Waved or curled hair became increasingly popular for Japanese women throughout this period, and permanent waves, though controversial, were extremely popular. Bobbed hair also became more popular for Japanese women, mainly among actresses and moga, or "cut-hair girls," young Japanese women who followed Westernized fashions and lifestyles in the 1920s.[22]

Post-war years Edit

After the war, women started to wear their hair in softer, more natural styles. In the early 1950s women's hair was generally curled and worn in a variety of styles and lengths. In the later 1950s, high bouffant and beehive styles, sometimes nicknamed B-52s for their similarity to the bulbous noses of the B-52 Stratofortress bomber, became popular.[26] During this period many women washed and set their hair only once a week, and kept it in place by wearing curlers every night and reteasing and respraying it every morning.[27] In the 1960s, many women began to wear their hair in short modern cuts such as the pixie cut, while in the 1970s, hair tended to be longer and looser. In both the 1960s and 1970s many men and women wore their hair very long and straight.[28] Women straightened their hair through chemical straightening processes, by ironing their hair at home with a clothes iron, or by rolling it up with large empty cans while wet.[29] African-American men and women began wearing their hair naturally (unprocessed) in large Afros, sometimes ornamented with Afro picks made from wood or plastic.[10] By the end of the 1970s the Afro had fallen out of favour among African-Americans, and was being replaced by other natural hairstyles such as corn rows and dreadlocks.[30]

 
Bantu Knots
 
Woman wearing a loose Afro

Contemporary hairstyles Edit

 
Man with styled hair, 2011

Since the 1960s and 1970s, women have worn their hair in a wide variety of fairly natural styles. In the 1980s, women pulled back their hair with scrunchies, stretchy ponytail holders made from cloth over fabric bands. Women also often wear glittery ornaments today, as well as claw-style barrettes used to secure ponytails and other upswept or partially upswept hairstyles.[10]

Today,[when?] women and men can choose from a broad range of hairstyles, but they are still expected to wear their hair in ways that conform to gender norms: in much of the world, men with long hair and women whose hair does not appear carefully groomed may face various forms of discrimination, including harassment, social shaming or workplace discrimination.[31] This is somewhat less true of African-American men, who wear their hair in a variety of styles that overlap with those of African-American women, including box braids and cornrows fastened with rubber bands and dreadlocks.[32]

Defining factors Edit

A hairstyle's aesthetic considerations may be determined by many factors, such as the subject's physical attributes and desired self-image and/or the stylist's artistic instincts.

Physical factors include natural hair type and growth patterns, face and head shape from various angles, and overall body proportions; medical considerations may also apply. Self-image may be directed toward conforming to mainstream values (military-style crew cuts or current "fad" hairstyles such as the Dido flip), identifying with distinctively groomed subgroups (e.g., punk hair), or obeying religious dictates (e.g., Orthodox Jewish have payot, Rastafari have Dreadlocks, North India jatas, or the Sikh practice of Kesh), though this is highly contextual such that "mainstream" look in one setting may be limited to a "subgroup" in another.

A hairstyle is achieved by arranging hair in a certain way, occasionally using combs, a blow-dryer, gel, or other products. The practice of styling hair is often called hairdressing, especially when done as an occupation.

Hairstyling may also include adding accessories (such as headbands or barrettes) to the hair to hold it in place, enhance its ornamental appearance, or partially or fully conceal it with coverings such as a kippah, hijab, tam or turban.

Process Edit

 
In the United States, cosmetology students purchase practice heads with human hair to learn cutting, coloring and styling.

Hair dressing may include cuts, weaves, coloring, extensions, perms, permanent relaxers, curling, and any other form of styling or texturing.

Washing Edit

Stylists often wash a subject's hair first, so that the hair is cut while still slightly damp. Compared to dry hair, wet hair can be easier to manage in a cut/style situation because the added weight and surface tension of the water cause the strands to stretch downward and cling together along the hair's length, holding a line and making it easier for the stylist to create a form. It is important to note that this method of cutting hair while wet, may be most suitable (or common) for straight hair types. Curly, kinky and other types of hair textures with considerable volume may benefit from cutting while dry, as the hair is in a more natural state and the hair can be cut evenly.

Cutting Edit

Hair cutting or hair trimming is intended to create or maintain a specific shape and form. There are ways to trim one's own hair but usually another person is enlisted to perform the process, as it is difficult to maintain symmetry while cutting hair at the back of one's head.

Cutting hair is often done with hair clipper, scissors, and razors. Combs and hair grips are often employed to isolate a section of hair which is then trimmed.

Brushing and combing Edit

Brushes and combs are used to organize and untangle the hair, encouraging all of the strands to lie in the same direction and removing debris such as lint, dandruff, or hairs that have already shed from their follicles but continue to cling to the other hairs.

There are all manner of detangling tools available in a wide variety of price ranges. Combs come in all shapes and sizes and all manner of materials including plastics, wood, and horn. Similarly, brushes also come in all sizes and shapes, including various paddle shapes. Most benefit from using some form of a wide tooth comb for detangling. Most physicians advise against sharing hair care instruments like combs and clips, to prevent spreading hair conditions like dandruff and head lice.

The historical dictum to brush hair with one hundred strokes every day is somewhat archaic, dating from a time when hair was washed less frequently; the brushstrokes would spread the scalp's natural oils down through the hair, creating a protective effect. Now, however, this does not apply when the natural oils have been washed off by frequent shampoos. Also, hairbrushes are now usually made with rigid plastic bristles instead of the natural boar's bristles that were once standard; the plastic bristles increase the likelihood of actually injuring the scalp and hair with excessively vigorous brushing. However, traditional brushes with boar's bristles are still commonly used among African Americans and those with coarse or kinky textures to soften and lay down curls and waves.[citation needed]

Drying Edit

Hair dryers speed the drying process of hair by blowing air, which is usually heated, over the wet hair shaft to accelerate the rate of water evaporation.

Excessive heat may increase the rate of shaft-splitting or other damage to the hair. Hair dryer diffusers can be used to widen the stream of air flow so it is weaker but covers a larger area of the hair.

Hair dryers can also be used as a tool to sculpt the hair to a very slight degree. Proper technique involves aiming the dryer such that the air does not blow onto the face or scalp, which can cause burns.

Other common hair drying techniques include towel drying and air drying.

A barber practicing a haircut in Tokyo, Japan

Braiding and updos Edit

Tight or frequent braiding may pull at the hair roots and cause traction alopecia. Rubber bands with metal clasps or tight clips, which bend the hair shaft at extreme angles, can have the same effect.

 
Updo

An updo is a hair style that involves arranging the hair so that it is carried high on the head. It can be as simple as a ponytail, but is more commonly associated with more elaborate styles intended for special occasions such as a prom or weddings.

If hair is pinned too tightly, or the whole updo slips causing pulling on the hair in the follicle at the hair root, it can cause aggravation to the hair follicle and result in headaches. Although some people of African heritage may use braiding extensions (long term braiding hairstyle) as a form of convenience and/or as a reflection of personal style, it is important not to keep the braids up longer than needed to avoid hair breakage or hair loss. Proper braiding technique and maintenance can result in no hair damage even with repeated braid styles.

Curling and straightening Edit

Curling and straightening hair requires the stylist to use a curling rod or a flat iron to get a desired look. These irons use heat to manipulate the hair into a variety of waves, curls and reversing natural curls and temporarily straightening the hair. Straightening or even curling hair can damage it due to direct heat from the iron and applying chemicals afterwards to keep its shape. There are irons that have a function to straighten or curl hair even when it's damp (from showering or wetting the hair), but this requires more heat than the average iron (temperatures can range from 300 to 450 °F (150 to 230 °C)). Heat protection sprays and hair-repairing shampoos and conditioners can protect hair from damage caused by the direct heat from the irons.

Industry Edit

Hair styling is a major world industry, from the salon itself to products, advertising, and even magazines on the subject. In the United States, most hairstylists are licensed after obtaining training at a cosmetology or beauty school.[33]

In recent years, competitive events for professional stylists have grown in popularity. Stylists compete on deadline to create the most elaborate hairstyle using props, lights and other accessories.

Tools Edit

 
Hair being straightened with a hair iron

Styling tools may include hair irons (including flat, curling, and crimping irons), hair dryers, hair brushes and hair rollers. Hair dressing might also include the use of hair product to add texture, shine, curl, volume or hold to a particular style. Hairpins are also used when creating particular hairstyles. Their uses and designs vary over different cultural backgrounds.

Products Edit

Styling products aside from shampoo and conditioner are many and varied. Leave-in conditioner, conditioning treatments, mousse, gels, lotions, waxes, creams, clays, serums, oils, and sprays are used to change the texture or shape of the hair, or to hold it in place in a certain style. Applied properly, most styling products will not damage the hair apart from drying it out; most styling products contain alcohols, which can dissolve oils. Many hair products contain chemicals which can cause build-up, resulting in dull hair or a change in perceived texture.

Wigs Edit

 
In the late 18th century and early 19th century, powdered wigs were popular

Care of human or other natural hair wigs is similar to care of a normal head of hair in that the wig can be brushed, styled, and kept clean using haircare products. Wigs can serve as a form of protective styling that allows freedom of control of the hairstyling.

Synthetic wigs are usually made from a fine fiber that mimics human hair. This fiber can be made in almost any color and hairstyle, and is often glossier than human hair. However, this fiber is sensitive to heat and cannot be styled with flat irons or curling irons. There is a newer synthetic fiber that can take heat up to a certain temperature.

Human hair wigs can be styled with heat, and they must be brushed only when dry. Synthetic and human hair wigs should be brushed dry before shampooing to remove tangles. To clean the wig, the wig should be dipped into a container with water and mild shampoo, then dipped in clear water and moved up and down to remove excess water. The wig must then be air dried naturally into its own hairstyle. Proper maintenance can make a human hair wig last for many years.

Functional and decorative ornaments Edit

There are many options to embellish and arrange the hair. Hairpins, clasps, barrettes, headbands, ribbons, rubber bands, scrunchies, and combs can be used to achieve a variety of styles. There are also many decorative ornaments that, while they may have clasps to affix them to the hair, are used solely for appearance and do not aid in keeping the hair in place. In India for example, the Gajra (flower garland) is common there are heaps on hair.

Social and cultural implications Edit

 
A one-year-old child getting his first haircut

Gender Edit

At most times in most cultures, men have worn their hair in styles that are different from women's. American sociologist Rose Weitz once wrote that the most widespread cultural rule about hair is that women's hair must differ from men's hair.[34] An exception is the men and women living in the Orinoco-Amazon Basin, where traditionally both genders have worn their hair cut into a bowl shape. In Western countries in the 1960s, both young men and young women wore their hair long and natural, and since then it has become more common for men to grow their hair.[35] During most periods in human history when men and women wore similar hairstyles, as in the 1920s and 1960s, it has generated significant social concern and approbation.[36]

Religion Edit

Hair in religion also plays an important role since women and men, when deciding to dedicate their life to faith, often change their haircut. Catholic nuns often cut their hair very short, and men who joined Catholic monastic orders in the eighth century adopted what was known as the tonsure, which involved shaving the tops of their heads and leaving a ring of hair around the bald crown.[35] Many Buddhists, Hajj pilgrims and Vaisnavas, especially members of the Hare Krishna movement who are brahmacharis or sannyasis, shave their heads. Some Hindu and most Buddhist monks and nuns shave their heads upon entering their order, and Korean Buddhist monks and nuns have their heads shaved every 15 days.[37] Adherents of Sikhism are required to wear their hair unshorn. Women usually wear it in a braid or a bun and men cover it with a turban.

Marital status Edit

In the 1800s, American women started wearing their hair up when they became ready to get married. Among the Fulani people of west Africa, unmarried women wear their hair ornamented with small amber beads and coins, while married women wear large amber ornaments. Marriage is signified among the Toposa women of South Sudan by wearing the hair in many small pigtails. Unmarried Hopi women have traditionally worn a "butterfly" hairstyle characterized by a twist or whorl of hair at each side of the face.[38] Hindu widows in India used to shave their heads as part of their mourning although that practice has mostly disappeared.

Life transitions Edit

In many cultures, including Hindu culture and among the Wayana people of the Guiana highlands, young people have historically shaved off their hair to denote coming-of-age. Women in India historically have signified adulthood by switching from wearing two braids to one. Among the Rendille of north-eastern Kenya and the Tchikrin people of the Brazilian rainforest, both men and women shave their heads after the death of a close family member. When a man died in ancient Greece, his wife cut off her hair and buried it with him,[35] and in Hindu families, the chief mourner is expected to shave his or her head 3 days after the death.[39]

Social class Edit

Upper-class people have always used their hairstyles to signal wealth and status. Wealthy Roman women wore complex hairstyles that needed the labours of several people to maintain them,[40] and rich people have also often chosen hairstyles that restricted or burdened their movement, making it obvious that they did not need to work.[41] Wealthy people's hairstyles used to be at the cutting edge of fashion, setting the styles for the less wealthy. But today, the wealthy are generally observed to wear their hair in conservative styles that date back decades prior.[42]

Middle-class hairstyles tend to be understated and professional. Middle-class people aspire to have their hair look healthy and natural, implying that they have the resources to live a healthy lifestyle and take good care of themselves.[citation needed]

Working-class people's haircuts have tended to be practical and simple. Working-class men have often shaved their heads or worn their hair close-cropped, and working-class women have typically pulled their hair up and off their faces in simple styles. However, today, working-class people often have more elaborate and fashion-conscious hairstyles than other social classes. Many working-class Mexican men in American cities wear their hair in styles like the Mongolian (shaved except for a tuft of hair at the nape of the neck) or the rat tail (crewcut on top, tuft at the nape), and African Americans often wear their hair in complex patterns of box braids and cornrows, fastened with barrettes and beads, and sometimes including shaved sections or bright colour. Sociologists say these styles are an attempt to express individuality and presence in the face of social denigration and invisibility.[43]

Haircuts in space Edit

 
NASA astronaut Catherine (Cady) Coleman trims the hair of Paolo Nespoli in the Kibō laboratory on the International Space Station during Expedition 26. A hair clipper attached to a vacuum cleaner removes free-floating hair clippings.[44]

Haircuts also occur in the International Space Station. During the various expeditions astronauts use hair clippers attached to vacuum devices for grooming their colleagues so that the cut hair will not drift inside the weightless environment of the space station and become a nuisance to the astronauts or a hazard to the sensitive equipment installations inside the station.[45][46][47]

Haircutting in space was also used for charitable purposes in the case of astronaut Sunita Williams who obtained such a haircut by fellow astronaut Joan Higginbotham inside the International Space Station. Sunita's ponytail was brought back to earth with the STS-116 crew and was donated to Locks of Love.[48][49]

See also Edit

References Edit

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  3. ^ "The Gift of Dastar | SikhNet". SikhNet. Retrieved 27 February 2018.
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  13. ^ marcelgomessweden. "Louis XIII « The Beautiful Times". Thebeautifultimes.wordpress.com. Retrieved 16 January 2013.
  14. ^ Hunt, Lynn, "Freedom of Dress in Revolutionary France", p. 243, in From the Royal to the Republican Body: Incorporating the Political in Seventeenth- and Eighteenth-Century France, Editors: Sara E. Melzer, Kathryn Norberg, 1998, University of California Press, 1998, ISBN 0520208072,9780520208070
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  21. ^ O'Brien, Suzanne G. (10 November 2008). "Splitting Hairs: History and the Politics of Daily Life in Nineteenth-Century Japan". The Journal of Asian Studies. 67 (4): 1309–1339. doi:10.1017/S0021911808001794. S2CID 145239880. Retrieved 19 September 2011.
  22. ^ a b c Slade, Toby (2010). Japanese Fashion: a Cultural History. Berg Publishers. ISBN 978-1-84788-252-3.
  23. ^ Jun Yoo, Theodore (2008). The politics of gender in colonial Korea: education, labor, and health, 1910–1945. University of California Press. p. 76. ISBN 978-0-520-25288-2.
  24. ^ "Women Getting their Hair Done at the Chez Marie Beauty Shop". World Digital Library. Retrieved 8 February 2013.
  25. ^ Peterson, Amy T. and Ann T. Kellogg (2008). The Greenwood encyclopedia of clothing through American history. Greenwood. p. 278. ISBN 978-0-313-35855-5.
  26. ^ Patrick, Bethanne Kelly, and John Thompson, Henry Petroski (2009). An Uncommon History of Common Things. National Geographic. p. 206. ISBN 978-1-4262-0420-3.{{cite book}}: CS1 maint: multiple names: authors list (link)
  27. ^ Craats, Rennay (2001). History of the 1960s. Weigl Publishers. p. 15. ISBN 978-1-930954-29-8.
  28. ^ Yarwood, Doreen (1978). The Encyclopedia of World Costume. New York: Scribner. p. 220. ISBN 0-517-61943-1.
  29. ^ Sherrow, Victoria (2001). For Appearance' Sake: The Historical Encyclopedia of Good Looks, Beauty, and Grooming. Greenwood. p. 144. ISBN 978-1-57356-204-1.
  30. ^ Biddle-Perry, Geraldine, and Sarah Cheang (2008). Hair: styling, culture and fashion. London: Berg Publishers. p. 125. ISBN 978-1-84520-792-2.{{cite book}}: CS1 maint: multiple names: authors list (link)
  31. ^ Weitz, Rose (2004). Rapunzel's Daughters: What Women's Hair Tells Us About Women's Lives. Farrar, Straus and Giroux. ISBN 978-0-374-24082-0.
  32. ^ Banks, Ingrid (2008). Hair matters: beauty, power, and Black women's consciousness. New York: NYU Press. ISBN 978-0-8147-1337-2.
  33. ^ The American Association of Cosmetology Schools
  34. ^ Ofek, Galia (2009). Representations of hair in Victorian literature and culture. Ashgate. ISBN 978-0-7546-6161-0.
  35. ^ a b c Sherrow, Victoria (2001). For Appearance' Sake: The Historical Encyclopedia of Good Looks, Beauty, and Grooming. Greenwood. p. 141. ISBN 978-1-57356-204-1.
  36. ^ DeMello, Margo (2007). Encyclopedia of body adornment. Greenwood. p. 141. ISBN 978-0-313-33695-9.
  37. ^ Geraldine A. Larkin, First You Shave Your Head, Celestial Arts (2001), ISBN 1-58761-009-4
  38. ^ Sherrow, Victoria (2001). For Appearance' Sake: The Historical Encyclopedia of Good Looks, Beauty, and Grooming. Greenwood. pp. 141–143. ISBN 978-1-57356-204-1.
  39. ^ ul Hassan, Syed Siraj (1920). The castes and tribes of H.E.H. the Nizam's dominions, Volume 1. Bombay: The Times Press. p. 46.
  40. ^ Winter, Bruce W. (2003). Roman wives, Roman widows: the appearance of new women and the Pauline communities. Wm. B. Eerdmans Publishing Company. p. 104. ISBN 978-0-8028-4971-7.
  41. ^ Ofek, Galia (2009). Representations of hair in Victorian literature and culture. Ashgate. p. 2. ISBN 978-0-7546-6161-0.
  42. ^ Fussell, Paul (1992). Class: A Guide Through the American Status System. Touchstone. p. 54. ISBN 978-0-671-79225-1.
  43. ^ Sánchez-Jankowski, Martin (2 September 2008). Cracks in the Pavement: Social Change and Resilience in Poor Neighborhoods. University of California Press. pp. 202–203. ISBN 978-0-520-25675-0.
  44. ^ . Archived from the original on 1 April 2011.
  45. ^ . NASA. Archived from the original on 8 December 2007. Retrieved 20 November 2012.
  46. ^ Williams, Sunita. "Journal of Sunita Williams". Retrieved 20 November 2012. So, you may be wondering how we do this and not get hair all over the place…Can you figure out how we do this by the picture?
  47. ^ Edward T. Lu. . Archived from the original on 6 September 2003.
  48. ^ CollectSpace.com (20 December 2006). "Astronaut cuts her hair in space for charity". Retrieved 8 June 2007.
  49. ^ Pearlman, Robert Z. (19 December 2006). "Astronaut Cuts Her Hair in Space for Charity". Space.com. Retrieved 20 November 2012.

External links Edit

  •   The dictionary definition of hairstyle at Wiktionary
  •   Media related to Hair fashion at Wikimedia Commons

hairstyle, haircut, redirects, here, other, uses, haircut, disambiguation, hairdo, redirects, here, little, birdy, song, hairdo, song, redirects, here, magazine, magazine, this, article, needs, additional, citations, verification, please, help, improve, this, . Haircut redirects here For other uses see Haircut disambiguation Hairdo redirects here For the Little Birdy song see Hairdo song Hairstyles redirects here For the magazine see Hairstyles magazine This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Hairstyle news newspapers books scholar JSTOR December 2020 Learn how and when to remove this template message A hairstyle hairdo haircut or coiffure refers to the styling of hair usually on the human head but sometimes on the face or body The fashioning of hair can be considered an aspect of personal grooming fashion and cosmetics although practical cultural and popular considerations also influence some hairstyles Chinese woman with an elaborate hair style 1869Traditional hairstyle of a Japanese brideFemale figure with elaborate coiffure and hairpins 1st century BCHopi woman dressing hair ca 1900The oldest known depiction of hair styling is hair braiding which dates back about 30 000 years Women s hair was often elaborately and carefully dressed in special ways though it was also often kept covered outside the home especially for married women Contents 1 Prehistory and history 1 1 Paleolithic 1 2 Bronze Age 1 3 Ancient history 1 4 Roman Empire and Middle Ages 1 5 Early modern history 1 5 1 Male styles 1 5 2 Female styles 1 5 3 Japan 1 6 Inter war years 1 7 Post war years 1 8 Contemporary hairstyles 2 Defining factors 3 Process 3 1 Washing 3 2 Cutting 3 3 Brushing and combing 3 4 Drying 3 5 Braiding and updos 3 6 Curling and straightening 4 Industry 4 1 Tools 4 2 Products 4 3 Wigs 4 4 Functional and decorative ornaments 5 Social and cultural implications 5 1 Gender 5 2 Religion 5 3 Marital status 5 4 Life transitions 5 5 Social class 6 Haircuts in space 7 See also 8 References 9 External linksPrehistory and history EditPeople s hairstyles are largely determined by the fashions of the culture they live in Hairstyles are markers and signifiers of social class age marital status racial identification political beliefs and attitudes about gender Some people may cover their hair totally or partially for cultural or religious reasons Notable examples of head covering include women in Islam who wear the hijab married women in Haredi Judaism who wear the sheitel or tichel married Himba men who cover their hair except when in mourning Tuareg men who wear a veil and baptized men and women in Sikhism who wear the dastar 1 2 3 Paleolithic Edit The oldest known reproduction of hair braiding lies back about 30 000 years the Venus of Willendorf now known in academia as the Woman of Willendorf of a female figurine from the Paleolithic estimated to have been made between about 28 000 and 25 000 BCE 4 The Venus of Brassempouy counts about 25 000 years old and indisputably shows hairstyling The Venus of Willendorf with braided hair The Venus of BrassempouyBronze Age Edit Bronze Figure With Towering Hair from Sanxingdui ShuIn the Bronze Age razors were known and in use by some men but not on a daily basis since the procedure was rather unpleasant and required resharpening of the tool which reduced its endurance 5 Reconstructed headgear of Puabi the First Dynasty of Ur circa 2500 BC Early Dynastic period III Golden helmet imitating hairstyle the First Dynasty of Ur circa 2500 BC Early Dynastic period III Sumerian portrait statuette of a woman Sumerian statue from Khafajah female worshiperAncient history Edit In ancient civilizations women s hair was often elaborately and carefully dressed in special ways Women coloured their hair curled it and pinned it up ponytail in a variety of ways They set their hair in waves and curls using wet clay which they dried in the sun and then combed out or else by using a jelly made of quince seeds soaked in water or curling tongs and curling irons of various kinds 6 7 Roman Empire and Middle Ages Edit Romano British hair piece with jet pins found in a lead coffin in Roman York Late 1st century BC portrait of a Roman woman with an elaborate hairstyle found on the Via Latina in Rome 130 AD bust of Vibia Sabina with a hairband and centre partingBetween 27 BC and 102 AD in Imperial Rome women wore their hair in complicated styles a mass of curls on top or in rows of waves drawn back into ringlets or braids Eventually noblewomen s hairstyles grew so complex that they required daily attention from several slaves and a stylist in order to be maintained The hair was often lightened using wood ash unslaked lime and sodium bicarbonate or darkened with copper filings oak apples or leeches marinated in wine and vinegar 8 It was augmented by wigs hairpieces and pads and held in place by nets pins combs and pomade Under the Byzantine Empire noblewomen covered most of their hair with silk caps and pearl nets 9 From the time of the Roman Empire citation needed until the Middle Ages most women grew their hair as long as it would naturally grow It was normally just styled through cutting as women s hair was tied up on the head and covered on most occasions when outside the home by using a snood kerchief or veil for an adult woman to wear uncovered and loose hair in the street was often restricted to prostitutes Braiding and tying the hair was common In the 16th century women began to wear their hair in extremely ornate styles often decorated with pearls precious stones ribbons and veils Women used a technique called lacing or taping in which cords or ribbons were used to bind the hair around their heads 10 During this period most of the hair was braided and hidden under wimples veils or couvrechefs In the later half of the 15th century and on into the 16th century a very high hairline on the forehead was considered attractive and wealthy women frequently plucked out hair at their temples and the napes of their necks or used depilatory cream to remove it if it would otherwise be visible at the edges of their hair coverings 11 Working class women in this period wore their hair in simple styles 10 Early modern history Edit Male styles Edit During the 15th and 16th centuries European men wore their hair cropped no longer than shoulder length with very fashionable men wearing bangs or fringes In Italy it was common for men to dye their hair 12 In the early 17th century male hairstyles grew longer with waves or curls being considered desirable in upper class European men The male wig was supposedly pioneered by King Louis XIII of France 1601 1643 in 1624 when he had prematurely begun to bald 13 This fashion was largely promoted by his son and successor Louis XIV of France 1638 1715 that contributed to its spread in European and European influenced countries The beard had been in a long decline and now disappeared among the upper classes Perukes or periwigs for men were introduced into the English speaking world with other French styles when Charles II was restored to the throne in 1660 following a lengthy exile in France These wigs were shoulder length or longer imitating the long hair that had become fashionable among men since the 1620s Their use soon became popular in the English court The London diarist Samuel Pepys recorded the day in 1665 that a barber had shaved his head and that he tried on his new periwig for the first time but in a year of plague he was uneasy about wearing it 3rd September 1665 Up and put on my coloured silk suit very fine and my new periwig bought a good while since but darst not wear it because the plague was in Westminster when I bought it And it is a wonder what will be the fashion after the plague is done as to periwigs for nobody will dare to buy any hair for fear of the infection That it had been cut off the heads of people dead of the plague Late 17th century wigs were very long and wavy see George I below but became shorter in the mid 18th century by which time they were normally white George II A very common style had a single stiff curl running round the head at the end of the hair By the late 18th century the natural hair was often powdered to achieve the impression of a short wig tied into a small tail or queue behind George III Short hair for fashionable men was a product of the Neoclassical movement Classically inspired male hair styles included the Bedford Crop arguably the precursor of most plain modern male styles which was invented by the radical politician Francis Russell 5th Duke of Bedford as a protest against a tax on hair powder he encouraged his friends to adopt it by betting them they would not Another influential style or group of styles was named by the French a la Titus after Titus Junius Brutus not in fact the Roman Emperor Titus as often assumed with hair short and layered but somewhat piled up on the crown often with restrained quiffs or locks hanging down variants are familiar from the hair of both Napoleon and George IV The style was supposed to have been introduced by the actor Francois Joseph Talma who upstaged his wigged co actors when appearing in productions of works such as Voltaire s Brutus about Lucius Junius Brutus who orders the execution of his son Titus In 1799 a Parisian fashion magazine reported that even bald men were adopting Titus wigs 14 and the style was also worn by women the Journal de Paris reporting in 1802 that more than half of elegant women were wearing their hair or wig a la Titus 15 In the early 19th century the male beard and also moustaches and sideburns made a strong reappearance associated with the Romantic movement and all remained very common until the 1890s after which younger men ceased to wear them with World War I when the majority of men in many countries saw military service finally despatching the full beard except for older men retaining the styles of their youth and those affecting a Bohemian look The short military style moustache remained popular Female styles Edit Marie Antoinette with pouf hairstyleFrom the 16th to the 19th century European women s hair became more visible while their hair coverings grew smaller with both becoming more elaborate and with hairstyles beginning to include ornamentation such as flowers ostrich plumes ropes of pearls jewels ribbons and small crafted objects such as replicas of ships and windmills 10 16 Bound hair was felt to be symbolic of propriety loosening one s hair was considered immodest and sexual and sometimes was felt to have supernatural connotations 17 Red hair was popular particularly in England during the reign of the red haired Elizabeth I and women and aristocratic men used borax saltpeter saffron and sulfur powder to dye their hair red making themselves nauseated and giving themselves headaches and nosebleeds 8 18 During this period in Spain and Latin cultures women wore lace mantillas often worn over a high comb 10 19 and in Buenos Aires there developed a fashion for extremely large tortoise shell hair combs called peineton which could measure up to three feet in height and width and which are said by historians to have reflected the growing influence of France rather than Spain upon Argentinians 20 In the middle of the 18th century the pouf style developed with women creating volume in the hair at the front of the head usually with a pad underneath to lift it higher and ornamented the back with seashells pearls or gemstones In 1750 women began dressing their hair with perfumed pomade and powdering it white Just before World War I some women began wearing silk turbans over their hair 10 Japan Edit In the early 1870s in a shift that historians attribute to the influence of the West 21 Japanese men began cutting their hair into styles known as jangiri or zangiri which roughly means random cropping 22 During this period Japanese women were still wearing traditional hairstyles held up with combs pins and sticks crafted from tortoise metal wood and other materials 10 but in the middle 1880s upper class Japanese women began pushing back their hair in the Western style known as sokuhatsu or adopting Westernized versions of traditional Japanese hairstyles these were called yakaimaki or literally soiree chignon 22 Movie star Rudolph ValentinoInter war years Edit During the First World War women around the world started to shift to shorter hairstyles that were easier to manage In the 1920s women started for the first time to bob shingle and crop their hair often covering it with small head hugging cloche hats In Korea the bob was called tanbal 23 Women began marcelling their hair creating deep waves in it using heated scissor irons Durable permanent waving became popular also in this period 24 it was an expensive uncomfortable and time consuming process in which the hair was put in curlers and inserted into a steam or dry heat machine During the 1930s women began to wear their hair slightly longer in pageboys bobs or waves and curls 9 During this period Western men began to wear their hair in ways popularized by movie stars such as Douglas Fairbanks Jr and Rudolph Valentino Men wore their hair short and either parted on the side or in the middle or combed straight back and used pomade creams and tonics to keep their hair in place At the beginning of the Second World War and for some time afterwards men s haircuts grew shorter mimicking the military crewcut 25 During the 1920s and 1930s Japanese women began wearing their hair in a style called mimi kakushi literally ear hiding in which hair was pulled back to cover the ears and tied into a bun at the nape of the neck Waved or curled hair became increasingly popular for Japanese women throughout this period and permanent waves though controversial were extremely popular Bobbed hair also became more popular for Japanese women mainly among actresses and moga or cut hair girls young Japanese women who followed Westernized fashions and lifestyles in the 1920s 22 Post war years Edit After the war women started to wear their hair in softer more natural styles In the early 1950s women s hair was generally curled and worn in a variety of styles and lengths In the later 1950s high bouffant and beehive styles sometimes nicknamed B 52s for their similarity to the bulbous noses of the B 52 Stratofortress bomber became popular 26 During this period many women washed and set their hair only once a week and kept it in place by wearing curlers every night and reteasing and respraying it every morning 27 In the 1960s many women began to wear their hair in short modern cuts such as the pixie cut while in the 1970s hair tended to be longer and looser In both the 1960s and 1970s many men and women wore their hair very long and straight 28 Women straightened their hair through chemical straightening processes by ironing their hair at home with a clothes iron or by rolling it up with large empty cans while wet 29 African American men and women began wearing their hair naturally unprocessed in large Afros sometimes ornamented with Afro picks made from wood or plastic 10 By the end of the 1970s the Afro had fallen out of favour among African Americans and was being replaced by other natural hairstyles such as corn rows and dreadlocks 30 Bantu Knots Woman wearing a loose AfroContemporary hairstyles Edit Man with styled hair 2011Since the 1960s and 1970s women have worn their hair in a wide variety of fairly natural styles In the 1980s women pulled back their hair with scrunchies stretchy ponytail holders made from cloth over fabric bands Women also often wear glittery ornaments today as well as claw style barrettes used to secure ponytails and other upswept or partially upswept hairstyles 10 Today when women and men can choose from a broad range of hairstyles but they are still expected to wear their hair in ways that conform to gender norms in much of the world men with long hair and women whose hair does not appear carefully groomed may face various forms of discrimination including harassment social shaming or workplace discrimination 31 This is somewhat less true of African American men who wear their hair in a variety of styles that overlap with those of African American women including box braids and cornrows fastened with rubber bands and dreadlocks 32 Defining factors EditThis section does not cite any sources Please help improve this section by adding citations to reliable sources Unsourced material may be challenged and removed December 2020 Learn how and when to remove this template message This section may need to be rewritten to comply with Wikipedia s quality standards You can help The talk page may contain suggestions December 2020 A hairstyle s aesthetic considerations may be determined by many factors such as the subject s physical attributes and desired self image and or the stylist s artistic instincts Physical factors include natural hair type and growth patterns face and head shape from various angles and overall body proportions medical considerations may also apply Self image may be directed toward conforming to mainstream values military style crew cuts or current fad hairstyles such as the Dido flip identifying with distinctively groomed subgroups e g punk hair or obeying religious dictates e g Orthodox Jewish have payot Rastafari have Dreadlocks North India jatas or the Sikh practice of Kesh though this is highly contextual such that mainstream look in one setting may be limited to a subgroup in another A hairstyle is achieved by arranging hair in a certain way occasionally using combs a blow dryer gel or other products The practice of styling hair is often called hairdressing especially when done as an occupation Hairstyling may also include adding accessories such as headbands or barrettes to the hair to hold it in place enhance its ornamental appearance or partially or fully conceal it with coverings such as a kippah hijab tam or turban Process EditThis section does not cite any sources Please help improve this section by adding citations to reliable sources Unsourced material may be challenged and removed December 2020 Learn how and when to remove this template message In the United States cosmetology students purchase practice heads with human hair to learn cutting coloring and styling Hair dressing may include cuts weaves coloring extensions perms permanent relaxers curling and any other form of styling or texturing Washing Edit Stylists often wash a subject s hair first so that the hair is cut while still slightly damp Compared to dry hair wet hair can be easier to manage in a cut style situation because the added weight and surface tension of the water cause the strands to stretch downward and cling together along the hair s length holding a line and making it easier for the stylist to create a form It is important to note that this method of cutting hair while wet may be most suitable or common for straight hair types Curly kinky and other types of hair textures with considerable volume may benefit from cutting while dry as the hair is in a more natural state and the hair can be cut evenly Cutting Edit Hair cutting or hair trimming is intended to create or maintain a specific shape and form There are ways to trim one s own hair but usually another person is enlisted to perform the process as it is difficult to maintain symmetry while cutting hair at the back of one s head Cutting hair is often done with hair clipper scissors and razors Combs and hair grips are often employed to isolate a section of hair which is then trimmed Brushing and combing Edit Brushes and combs are used to organize and untangle the hair encouraging all of the strands to lie in the same direction and removing debris such as lint dandruff or hairs that have already shed from their follicles but continue to cling to the other hairs There are all manner of detangling tools available in a wide variety of price ranges Combs come in all shapes and sizes and all manner of materials including plastics wood and horn Similarly brushes also come in all sizes and shapes including various paddle shapes Most benefit from using some form of a wide tooth comb for detangling Most physicians advise against sharing hair care instruments like combs and clips to prevent spreading hair conditions like dandruff and head lice The historical dictum to brush hair with one hundred strokes every day is somewhat archaic dating from a time when hair was washed less frequently the brushstrokes would spread the scalp s natural oils down through the hair creating a protective effect Now however this does not apply when the natural oils have been washed off by frequent shampoos Also hairbrushes are now usually made with rigid plastic bristles instead of the natural boar s bristles that were once standard the plastic bristles increase the likelihood of actually injuring the scalp and hair with excessively vigorous brushing However traditional brushes with boar s bristles are still commonly used among African Americans and those with coarse or kinky textures to soften and lay down curls and waves citation needed Drying Edit Hair dryers speed the drying process of hair by blowing air which is usually heated over the wet hair shaft to accelerate the rate of water evaporation Excessive heat may increase the rate of shaft splitting or other damage to the hair Hair dryer diffusers can be used to widen the stream of air flow so it is weaker but covers a larger area of the hair Hair dryers can also be used as a tool to sculpt the hair to a very slight degree Proper technique involves aiming the dryer such that the air does not blow onto the face or scalp which can cause burns Other common hair drying techniques include towel drying and air drying source source source source source source source source source source source source source source A barber practicing a haircut in Tokyo JapanBraiding and updos Edit Tight or frequent braiding may pull at the hair roots and cause traction alopecia Rubber bands with metal clasps or tight clips which bend the hair shaft at extreme angles can have the same effect UpdoAn updo is a hair style that involves arranging the hair so that it is carried high on the head It can be as simple as a ponytail but is more commonly associated with more elaborate styles intended for special occasions such as a prom or weddings If hair is pinned too tightly or the whole updo slips causing pulling on the hair in the follicle at the hair root it can cause aggravation to the hair follicle and result in headaches Although some people of African heritage may use braiding extensions long term braiding hairstyle as a form of convenience and or as a reflection of personal style it is important not to keep the braids up longer than needed to avoid hair breakage or hair loss Proper braiding technique and maintenance can result in no hair damage even with repeated braid styles Curling and straightening Edit Curling and straightening hair requires the stylist to use a curling rod or a flat iron to get a desired look These irons use heat to manipulate the hair into a variety of waves curls and reversing natural curls and temporarily straightening the hair Straightening or even curling hair can damage it due to direct heat from the iron and applying chemicals afterwards to keep its shape There are irons that have a function to straighten or curl hair even when it s damp from showering or wetting the hair but this requires more heat than the average iron temperatures can range from 300 to 450 F 150 to 230 C Heat protection sprays and hair repairing shampoos and conditioners can protect hair from damage caused by the direct heat from the irons Industry EditThis section duplicates the scope of other sections specifically Process Please discuss this issue on the talk page and edit it to conform with Wikipedia s Manual of Style by replacing the section with a link and a summary of the repeated material or by spinning off the repeated text into an article in its own right April 2021 Hair styling is a major world industry from the salon itself to products advertising and even magazines on the subject In the United States most hairstylists are licensed after obtaining training at a cosmetology or beauty school 33 In recent years competitive events for professional stylists have grown in popularity Stylists compete on deadline to create the most elaborate hairstyle using props lights and other accessories Tools Edit Hair being straightened with a hair ironStyling tools may include hair irons including flat curling and crimping irons hair dryers hair brushes and hair rollers Hair dressing might also include the use of hair product to add texture shine curl volume or hold to a particular style Hairpins are also used when creating particular hairstyles Their uses and designs vary over different cultural backgrounds Products Edit Styling products aside from shampoo and conditioner are many and varied Leave in conditioner conditioning treatments mousse gels lotions waxes creams clays serums oils and sprays are used to change the texture or shape of the hair or to hold it in place in a certain style Applied properly most styling products will not damage the hair apart from drying it out most styling products contain alcohols which can dissolve oils Many hair products contain chemicals which can cause build up resulting in dull hair or a change in perceived texture Wigs Edit In the late 18th century and early 19th century powdered wigs were popularCare of human or other natural hair wigs is similar to care of a normal head of hair in that the wig can be brushed styled and kept clean using haircare products Wigs can serve as a form of protective styling that allows freedom of control of the hairstyling Synthetic wigs are usually made from a fine fiber that mimics human hair This fiber can be made in almost any color and hairstyle and is often glossier than human hair However this fiber is sensitive to heat and cannot be styled with flat irons or curling irons There is a newer synthetic fiber that can take heat up to a certain temperature Human hair wigs can be styled with heat and they must be brushed only when dry Synthetic and human hair wigs should be brushed dry before shampooing to remove tangles To clean the wig the wig should be dipped into a container with water and mild shampoo then dipped in clear water and moved up and down to remove excess water The wig must then be air dried naturally into its own hairstyle Proper maintenance can make a human hair wig last for many years Functional and decorative ornaments Edit There are many options to embellish and arrange the hair Hairpins clasps barrettes headbands ribbons rubber bands scrunchies and combs can be used to achieve a variety of styles There are also many decorative ornaments that while they may have clasps to affix them to the hair are used solely for appearance and do not aid in keeping the hair in place In India for example the Gajra flower garland is common there are heaps on hair Social and cultural implications Edit A one year old child getting his first haircutGender Edit At most times in most cultures men have worn their hair in styles that are different from women s American sociologist Rose Weitz once wrote that the most widespread cultural rule about hair is that women s hair must differ from men s hair 34 An exception is the men and women living in the Orinoco Amazon Basin where traditionally both genders have worn their hair cut into a bowl shape In Western countries in the 1960s both young men and young women wore their hair long and natural and since then it has become more common for men to grow their hair 35 During most periods in human history when men and women wore similar hairstyles as in the 1920s and 1960s it has generated significant social concern and approbation 36 Religion Edit Hair in religion also plays an important role since women and men when deciding to dedicate their life to faith often change their haircut Catholic nuns often cut their hair very short and men who joined Catholic monastic orders in the eighth century adopted what was known as the tonsure which involved shaving the tops of their heads and leaving a ring of hair around the bald crown 35 Many Buddhists Hajj pilgrims and Vaisnavas especially members of the Hare Krishna movement who are brahmacharis or sannyasis shave their heads Some Hindu and most Buddhist monks and nuns shave their heads upon entering their order and Korean Buddhist monks and nuns have their heads shaved every 15 days 37 Adherents of Sikhism are required to wear their hair unshorn Women usually wear it in a braid or a bun and men cover it with a turban Marital status Edit In the 1800s American women started wearing their hair up when they became ready to get married Among the Fulani people of west Africa unmarried women wear their hair ornamented with small amber beads and coins while married women wear large amber ornaments Marriage is signified among the Toposa women of South Sudan by wearing the hair in many small pigtails Unmarried Hopi women have traditionally worn a butterfly hairstyle characterized by a twist or whorl of hair at each side of the face 38 Hindu widows in India used to shave their heads as part of their mourning although that practice has mostly disappeared Life transitions Edit In many cultures including Hindu culture and among the Wayana people of the Guiana highlands young people have historically shaved off their hair to denote coming of age Women in India historically have signified adulthood by switching from wearing two braids to one Among the Rendille of north eastern Kenya and the Tchikrin people of the Brazilian rainforest both men and women shave their heads after the death of a close family member When a man died in ancient Greece his wife cut off her hair and buried it with him 35 and in Hindu families the chief mourner is expected to shave his or her head 3 days after the death 39 Social class Edit Upper class people have always used their hairstyles to signal wealth and status Wealthy Roman women wore complex hairstyles that needed the labours of several people to maintain them 40 and rich people have also often chosen hairstyles that restricted or burdened their movement making it obvious that they did not need to work 41 Wealthy people s hairstyles used to be at the cutting edge of fashion setting the styles for the less wealthy But today the wealthy are generally observed to wear their hair in conservative styles that date back decades prior 42 Middle class hairstyles tend to be understated and professional Middle class people aspire to have their hair look healthy and natural implying that they have the resources to live a healthy lifestyle and take good care of themselves citation needed Working class people s haircuts have tended to be practical and simple Working class men have often shaved their heads or worn their hair close cropped and working class women have typically pulled their hair up and off their faces in simple styles However today working class people often have more elaborate and fashion conscious hairstyles than other social classes Many working class Mexican men in American cities wear their hair in styles like the Mongolian shaved except for a tuft of hair at the nape of the neck or the rat tail crewcut on top tuft at the nape and African Americans often wear their hair in complex patterns of box braids and cornrows fastened with barrettes and beads and sometimes including shaved sections or bright colour Sociologists say these styles are an attempt to express individuality and presence in the face of social denigration and invisibility 43 Haircuts in space Edit NASA astronaut Catherine Cady Coleman trims the hair of Paolo Nespoli in the Kibō laboratory on the International Space Station during Expedition 26 A hair clipper attached to a vacuum cleaner removes free floating hair clippings 44 Haircuts also occur in the International Space Station During the various expeditions astronauts use hair clippers attached to vacuum devices for grooming their colleagues so that the cut hair will not drift inside the weightless environment of the space station and become a nuisance to the astronauts or a hazard to the sensitive equipment installations inside the station 45 46 47 Haircutting in space was also used for charitable purposes in the case of astronaut Sunita Williams who obtained such a haircut by fellow astronaut Joan Higginbotham inside the International Space Station Sunita s ponytail was brought back to earth with the STS 116 crew and was donated to Locks of Love 48 49 See also EditAsymmetric cut Eponymous hairstyle Historical Christian hairstyles List of hairstyles Regular haircut Roman hairstyles Osadia Hair lossReferences Edit Taxonomy of the Sheitel The Forward Retrieved 27 February 2018 Women gt Veiling gt What is the Hijab and Why do Women Wear it Arabs in America arabsinamerica unc edu Retrieved 27 February 2018 The Gift of Dastar SikhNet SikhNet Retrieved 27 February 2018 Nude woman Venus of Willendorf via www khanacademy org Harding Anthony January 2008 Razors and male identity in the Bronze Age Durch die Zeiten Festschrift fur Albrecht Jockenhovel Yarwood Doreen 1978 The Encyclopedia of World Costume New York Scribner pp 216 220 ISBN 0 517 61943 1 Sherrow Victoria 2001 For Appearance Sake The Historical Encyclopedia of Good Looks Beauty and Grooming Greenwood p 142 ISBN 978 1 57356 204 1 a b Adams David and Jacki Wadeson 1998 The Art of Hair Colouring Cengage Publishing p 1 ISBN 978 1 86152 894 0 a b Yarwood Doreen 1978 The Encyclopedia of World Costume New York Scribner p 216 ISBN 0 517 61943 1 a b c d e f g h Sherrow Victoria 2006 Encyclopedia of hair a cultural history Greenwood p 2 ISBN 0 313 33145 6 Davis Natalie Zemon and Arlette Farge 1993 A history of women in the west volume III Renaissance and enlightenment paradoxes Belknap Press p 62 ISBN 978 0674403727 Condra Jill 2007 The Greenwood Encyclopedia of Clothing through World History Volume 2 1501 1800 Greenwood pp 45 and 72 ISBN 978 0 313 33664 5 marcelgomessweden Louis XIII The Beautiful Times Thebeautifultimes wordpress com Retrieved 16 January 2013 Hunt Lynn Freedom of Dress in Revolutionary France p 243 in From the Royal to the Republican Body Incorporating the Political in Seventeenth and Eighteenth Century France Editors Sara E Melzer Kathryn Norberg 1998 University of California Press 1998 ISBN 0520208072 9780520208070 Rifelj Carol De Dobay Coiffures Hair in Nineteenth Century French Literature and Culture p 35 2010 University of Delaware Press ISBN 0874130999 9780874130997 Google Books Sherrow Victoria 2001 For Appearance Sake The Historical Encyclopedia of Good Looks Beauty and Grooming Greenwood p 143 ISBN 978 1 57356 204 1 Condra Jill 2007 The Greenwood Encyclopedia of Clothing Through World History 1501 1800 Greenwood p 149 ISBN 978 0 313 33664 5 Sherrow Victoria 2001 For Appearance Sake The Historical Encyclopedia of Good Looks Beauty and Grooming Greenwood ISBN 978 1 57356 204 1 Keyes Jean 1967 A history of women s hairstyles 1500 1965 Methuen ASIN B0000CNN46 Root Regina A 2005 The Latin American fashion reader Dress Body Culture Berg Publishers p 33 ISBN 978 1 85973 893 1 O Brien Suzanne G 10 November 2008 Splitting Hairs History and the Politics of Daily Life in Nineteenth Century Japan The Journal of Asian Studies 67 4 1309 1339 doi 10 1017 S0021911808001794 S2CID 145239880 Retrieved 19 September 2011 a b c Slade Toby 2010 Japanese Fashion a Cultural History Berg Publishers ISBN 978 1 84788 252 3 Jun Yoo Theodore 2008 The politics of gender in colonial Korea education labor and health 1910 1945 University of California Press p 76 ISBN 978 0 520 25288 2 Women Getting their Hair Done at the Chez Marie Beauty Shop World Digital Library Retrieved 8 February 2013 Peterson Amy T and Ann T Kellogg 2008 The Greenwood encyclopedia of clothing through American history Greenwood p 278 ISBN 978 0 313 35855 5 Patrick Bethanne Kelly and John Thompson Henry Petroski 2009 An Uncommon History of Common Things National Geographic p 206 ISBN 978 1 4262 0420 3 a href Template Cite book html title Template Cite book cite book a CS1 maint multiple names authors list link Craats Rennay 2001 History of the 1960s Weigl Publishers p 15 ISBN 978 1 930954 29 8 Yarwood Doreen 1978 The Encyclopedia of World Costume New York Scribner p 220 ISBN 0 517 61943 1 Sherrow Victoria 2001 For Appearance Sake The Historical Encyclopedia of Good Looks Beauty and Grooming Greenwood p 144 ISBN 978 1 57356 204 1 Biddle Perry Geraldine and Sarah Cheang 2008 Hair styling culture and fashion London Berg Publishers p 125 ISBN 978 1 84520 792 2 a href Template Cite book html title Template Cite book cite book a CS1 maint multiple names authors list link Weitz Rose 2004 Rapunzel s Daughters What Women s Hair Tells Us About Women s Lives Farrar Straus and Giroux ISBN 978 0 374 24082 0 Banks Ingrid 2008 Hair matters beauty power and Black women s consciousness New York NYU Press ISBN 978 0 8147 1337 2 The American Association of Cosmetology Schools Ofek Galia 2009 Representations of hair in Victorian literature and culture Ashgate ISBN 978 0 7546 6161 0 a b c Sherrow Victoria 2001 For Appearance Sake The Historical Encyclopedia of Good Looks Beauty and Grooming Greenwood p 141 ISBN 978 1 57356 204 1 DeMello Margo 2007 Encyclopedia of body adornment Greenwood p 141 ISBN 978 0 313 33695 9 Geraldine A Larkin First You Shave Your Head Celestial Arts 2001 ISBN 1 58761 009 4 Sherrow Victoria 2001 For Appearance Sake The Historical Encyclopedia of Good Looks Beauty and Grooming Greenwood pp 141 143 ISBN 978 1 57356 204 1 ul Hassan Syed Siraj 1920 The castes and tribes of H E H the Nizam s dominions Volume 1 Bombay The Times Press p 46 Winter Bruce W 2003 Roman wives Roman widows the appearance of new women and the Pauline communities Wm B Eerdmans Publishing Company p 104 ISBN 978 0 8028 4971 7 Ofek Galia 2009 Representations of hair in Victorian literature and culture Ashgate p 2 ISBN 978 0 7546 6161 0 Fussell Paul 1992 Class A Guide Through the American Status System Touchstone p 54 ISBN 978 0 671 79225 1 Sanchez Jankowski Martin 2 September 2008 Cracks in the Pavement Social Change and Resilience in Poor Neighborhoods University of California Press pp 202 203 ISBN 978 0 520 25675 0 Spaceflight gallery Archived from the original on 1 April 2011 International Space Station Imagery ISS016 E 014192 1 Dec 2007 NASA Archived from the original on 8 December 2007 Retrieved 20 November 2012 Williams Sunita Journal of Sunita Williams Retrieved 20 November 2012 So you may be wondering how we do this and not get hair all over the place Can you figure out how we do this by the picture Edward T Lu Greetings Earthlings Archived from the original on 6 September 2003 CollectSpace com 20 December 2006 Astronaut cuts her hair in space for charity Retrieved 8 June 2007 Pearlman Robert Z 19 December 2006 Astronaut Cuts Her Hair in Space for Charity Space com Retrieved 20 November 2012 External links Edit The dictionary definition of hairstyle at Wiktionary Media related to Hair fashion at Wikimedia Commons Retrieved from https en wikipedia org w index php title Hairstyle amp oldid 1171316965, wikipedia, wiki, book, books, library,

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