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Extreme metal

Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".[1]

Extreme metal
Stylistic origins
Cultural origins1980s, United States and Europe
Derivative forms
Subgenres
Fusion genres
Between extreme metal genres
With punk rock
With other rock styles
With other musical styles
Regional scenes
Local scenes
Other topics

The term usually refers to a more abrasive, harsher, underground, non-commercialized style associated with the speed metal, thrash metal, black metal, death metal, and doom metal genres.[2] Hardcore punk has been considered an integral part of the development of extreme metal, in the case of song structure and speed,[3][4] in every case other than doom metal.[5]

Definitions

Extreme metal acts set themselves apart from traditional heavy metal acts, such as Iron Maiden, Judas Priest and Motörhead, by incorporating more abrasive musical characteristics such as higher tempos, increased aggression and a harsher extremity. In the majority of the world, extreme metal does not receive much radio-play or achieve high chart positions.[6]

Extreme metal's sonic excess is characterized by high levels of distortion (also in the vocals – growling, gargling or screaming), less focus on guitar solos and melody, emphasis on technical control, and fast tempos (at times, more than 200 beats per minute). Its thematic transgression can be found in more overt and/or serious references to Satanism and the darker aspects of human existence that are considered out of bounds or distasteful, such as death, suicide and war."[7] "Visual transgression [can include] ... medieval weaponry [and] bloody/horrific artwork."[7]

According to ethnographer Keith Kahn-Harris,[8] the defining characteristics of extreme metal can all be regarded as clearly transgressive: the "extreme" traits noted above are all intended to violate or transgress given cultural, artistic, social or aesthetic boundaries. Kahn-Harris states that extreme metal can be "close to being ... formless noise", at least to the uninitiated listener.[8]: 33  He states that with extreme metal lyrics, they often "offer no possibility of hope or redemption" and lyrics often reference apocalyptic themes. Extreme metal lyrics often describe Christianity as weak or submissive,[8]: 40  and many songs express misanthropic views such as "kill every thing".[8]: 40  A small number of extreme metal bands and song lyrics take radical (left or right) political stances; for example, the Swedish black metal band Marduk has commonly referenced the Nazi Panzer tanks, which can be seen in works such as Panzer Division Marduk (1999).[8]: 41 

History

 
Venom in 2008

The British band Venom are one of the first bands to venture into extreme metal territory, due to their ideological shift into themes of evil, the devil and hell.[3] Their first two albums, Welcome to Hell (1981) and Black Metal (1982), are considered a major influence on thrash metal and extreme metal in general.[8] This early work by Venom, in combination with bands like Discharge, the Exploited and Amebix as well as American hardcore punk brought integral elements into the budding extreme metal landscape at the time.[3] In 1983, Metallica would release their debut album Kill 'Em All, which fused elements of the new wave of British heavy metal with hardcore punk and the style of Motörhead, becoming the first thrash metal album,[9] and would eventually be certified triple platinum.[10] A few months later, Slayer would release their own thrash metal album Show No Mercy, influenced by the sounds of Venom, Judas Priest, Iron Maiden, and Mercyful Fate.[11]

When extreme metal band Hellhammer first began making music, it was generally panned by critics, leading to the members forming Celtic Frost in its place, which proved very influential on the progression of the genre. During this period, the line between extreme metal genres were blurred, as thrash metal bands such as Slayer, Sepultura, Sodom, Destruction and Kreator were integral to the first wave black metal scene.[3] The front cover of the Sarcófago's 1987 debut album, I.N.R.I., is regarded as a great influence on black metal's corpse paint style make-up.[12] That record is also considered one of the first wave black metal albums that helped shape the genre. Their second album, The Laws of Scourge, was one of the first technical death metal records to be released.[13]

List of genres

 
Venom were significant to the development of speed metal into thrash metal into black metal.

Primary genres

Subgenres of primary genres

Fusion genres

Fusions between primary genres

Fusions with punk rock styles

Fusion with other rock styles

Fusions with other musical styles

Derivatives

Genres influenced by extreme metal but usually not considered extreme themselves:

References

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Notes

Further reading

  • Crocker, Chris (1993). Metallica: The Frayed Ends of Metal. New York: St. Martin's Press. ISBN 0-312-08635-0.

extreme, metal, loosely, defined, umbrella, term, number, related, heavy, metal, music, subgenres, that, have, developed, since, early, 1980s, been, defined, cluster, metal, subgenres, characterized, sonic, verbal, visual, transgression, stylistic, originsheav. Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s It has been defined as a cluster of metal subgenres characterized by sonic verbal and visual transgression 1 Extreme metalStylistic originsHeavy metal hardcore punk except doom metal Cultural origins1980s United States and EuropeDerivative formsAvant garde metal beatdown hardcore dungeon synth funk metal gothic metal groove metal grunge neoclassical metal nu metal post metal power metal sassSubgenresBlack metal ambient black metal folk black metal industrial black metal National Socialist black metal post black metal blackgaze psychedelic black metal raw black metal symphonic black metal unblack metal death metal brutal death metal industrial death metal melodic death metal old school death metal slam death metal symphonic death metal technical death metal doom metal epic doom traditional doom speed metal thrash metalFusion genresBetween extreme metal genresBlack doom depressive suicidal black metal blackened death doom blackened death metal melodic black death war metal blackened thrash metal death doom funeral doom deathrashWith punk rockCrossover thrash crust punk blackened crust Red and Anarchist black metal grindcore blackened grindcore deathgrind electrogrind goregrind noisegrind pornogrind metalcore deathcore easycore electronicore mathcore melodic metalcore nu metalcore progressive metalcore sludge metal sludgecore With other rock stylesBlack n roll death n roll gothic doom progressive doom stoner metal desert rock With other musical stylesDrone metal pagan metal Viking metalRegional scenesAustralia Brazil Finland Florida France Germany Japan Norway Netherlands Poland Sweden United Kingdom United StatesLocal scenesBirmingham New York City San Francisco Bay AreaOther topicsGrowling heavy metal genres list of bands moshing NWOBHM screamingThe term usually refers to a more abrasive harsher underground non commercialized style associated with the speed metal thrash metal black metal death metal and doom metal genres 2 Hardcore punk has been considered an integral part of the development of extreme metal in the case of song structure and speed 3 4 in every case other than doom metal 5 Contents 1 Definitions 2 History 3 List of genres 3 1 Primary genres 3 2 Subgenres of primary genres 3 3 Fusion genres 3 3 1 Fusions between primary genres 3 3 2 Fusions with punk rock styles 3 3 3 Fusion with other rock styles 3 3 4 Fusions with other musical styles 3 4 Derivatives 4 References 4 1 Notes 5 Further readingDefinitions EditExtreme metal acts set themselves apart from traditional heavy metal acts such as Iron Maiden Judas Priest and Motorhead by incorporating more abrasive musical characteristics such as higher tempos increased aggression and a harsher extremity In the majority of the world extreme metal does not receive much radio play or achieve high chart positions 6 Extreme metal s sonic excess is characterized by high levels of distortion also in the vocals growling gargling or screaming less focus on guitar solos and melody emphasis on technical control and fast tempos at times more than 200 beats per minute Its thematic transgression can be found in more overt and or serious references to Satanism and the darker aspects of human existence that are considered out of bounds or distasteful such as death suicide and war 7 Visual transgression can include medieval weaponry and bloody horrific artwork 7 According to ethnographer Keith Kahn Harris 8 the defining characteristics of extreme metal can all be regarded as clearly transgressive the extreme traits noted above are all intended to violate or transgress given cultural artistic social or aesthetic boundaries Kahn Harris states that extreme metal can be close to being formless noise at least to the uninitiated listener 8 33 He states that with extreme metal lyrics they often offer no possibility of hope or redemption and lyrics often reference apocalyptic themes Extreme metal lyrics often describe Christianity as weak or submissive 8 40 and many songs express misanthropic views such as kill every thing 8 40 A small number of extreme metal bands and song lyrics take radical left or right political stances for example the Swedish black metal band Marduk has commonly referenced the Nazi Panzer tanks which can be seen in works such as Panzer Division Marduk 1999 8 41 History Edit Venom in 2008 The British band Venom are one of the first bands to venture into extreme metal territory due to their ideological shift into themes of evil the devil and hell 3 Their first two albums Welcome to Hell 1981 and Black Metal 1982 are considered a major influence on thrash metal and extreme metal in general 8 This early work by Venom in combination with bands like Discharge the Exploited and Amebix as well as American hardcore punk brought integral elements into the budding extreme metal landscape at the time 3 In 1983 Metallica would release their debut album Kill Em All which fused elements of the new wave of British heavy metal with hardcore punk and the style of Motorhead becoming the first thrash metal album 9 and would eventually be certified triple platinum 10 A few months later Slayer would release their own thrash metal album Show No Mercy influenced by the sounds of Venom Judas Priest Iron Maiden and Mercyful Fate 11 When extreme metal band Hellhammer first began making music it was generally panned by critics leading to the members forming Celtic Frost in its place which proved very influential on the progression of the genre During this period the line between extreme metal genres were blurred as thrash metal bands such as Slayer Sepultura Sodom Destruction and Kreator were integral to the first wave black metal scene 3 The front cover of the Sarcofago s 1987 debut album I N R I is regarded as a great influence on black metal s corpse paint style make up 12 That record is also considered one of the first wave black metal albums that helped shape the genre Their second album The Laws of Scourge was one of the first technical death metal records to be released 13 List of genres Edit Venom were significant to the development of speed metal into thrash metal into black metal This is a dynamic list and may never be able to satisfy particular standards for completeness You can help by adding missing items with reliable sources Primary genres Edit Black metal 2 Death metal 2 Doom metal 2 Speed metal 2 Thrash metal 2 Subgenres of primary genres Edit Subgenres of black metal Ambient black metal 14 Folk black metal 15 Industrial black metal 16 National Socialist black metal 17 Post black metal 18 Blackgaze 19 Psychedelic black metal 20 Raw black metal 21 22 Symphonic black metal 23 Unblack metal 24 Subgenres of death metal Brutal death metal 25 Industrial death metal 26 Melodic death metal 27 28 Old school death metal 29 Slam death metal 30 Symphonic death metal 31 Technical death metal 32 Subgenres of doom metal Epic doom 33 34 Traditional doom 35 Fusion genres Edit Fusions between primary genres Edit Black doom 36 37 Depressive suicidal black metal 38 Blackened death doom 39 Blackened death metal 40 41 Melodic black death 42 War metal 43 Blackened thrash metal 44 Death doom 45 Funeral doom 8 Deathrash 46 47 Fusions with punk rock styles Edit Crossover thrash 48 Crust punk 49 Blackened crust 49 Red and Anarchist black metal 50 51 52 53 Crustcore 49 Crack rock steady 54 Grindcore 55 Blackened grindcore 56 Deathgrind 57 Electrogrind 58 Goregrind 59 Noisegrind 60 Pornogrind 61 59 Metalcore 62 Deathcore 63 64 65 66 67 Easycore 68 Electronicore 69 Mathcore 70 Melodic metalcore 71 Nu metalcore 72 Progressive metalcore 73 74 Sludge metal 75 Sludgecore 76 Fusion with other rock styles Edit Black n roll 77 78 79 Death n roll 80 Gothic doom 81 Progressive doom 82 Stoner metal 83 Desert rock 84 Fusions with other musical styles Edit Drone metal 8 Pagan metal 85 86 Viking metal 87 Derivatives Edit Genres influenced by extreme metal but usually not considered extreme themselves Avant garde metal 88 Beatdown hardcore influenced by thrash metal 89 90 Dungeon synth influenced by black metal 91 Funk metal influenced by thrash metal 92 Gothic metal influenced by death doom and doom metal 93 45 Groove metal influenced by thrash metal and death metal 94 95 96 Grunge influenced by sludge metal 97 and thrash metal 98 99 100 Neoclassical metal influenced by speed metal and thrash metal 101 Nu metal influenced by thrash metal 102 Post metal influenced by doom metal and later by black metal 103 Power metal influenced by speed metal and thrash metal 104 Sass influenced by grindcore and metalcore 105 References Edit Julian Schaap and Pauwke Berkers Grunting Alone Online Gender Inequality in Extreme Metal Music in IASPM Journal Vol 4 no 1 2014 p 101 a b c d e f K Kahn Harris Extreme Metal Music and Culture on the Edge Berg Publishers 2007 ISBN 1 84520 399 2 p 31 a b c d Andrews J September 2015 Origins of Evil The Birth of Extreme Metal Metal Injection Archived from the original on 11 August 2018 Retrieved 11 August 2018 K Kahn Harris Extreme Metal Music and Culture on the Edge Berg Publishers 2007 ISBN 1 84520 399 2 p 23 K Kahn Harris Extreme Metal Music and Culture on the Edge Berg Publishers 2007 ISBN 1 84520 399 2 p 4 McIver Joel 2010 Extreme Metal II p 10 a b Julian Schaap and Pauwke Berkers Grunting Alone Online Gender Inequality in Extreme Metal Music in IASPM Journal Vol 4 no 1 2014 p 103 a b c d e f g h Kahn Harris Keith Extreme Metal Music and Culture on the Edge Oxford Berg 2007 ISBN 1 84520 399 2 Huey Steve Metallica Kill Em All AllMusic Archived from the original on 23 June 2018 Retrieved 12 August 2018 METALLICA KILL EM ALL Recording Industry Association of America Retrieved 12 August 2018 Gargano Paul LiveDaily Interview Tom Araya of Slayer Archived from the original on 5 February 2007 Retrieved 12 August 2018 Moynihan Michael 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