Der Sturm was established in Berlin in 1910 by Herwarth Walden. It ran weekly from 1910 to 1914, monthly from 1914 to 1924, and quarterly until it ceased publication in 1932. From 1916 to 1928, it was edited by the artist and Bauhaus teacher Lothar Schreyer[2]
The magazine was modeled on the Italian literary magazine La Voce which was published in Florence from 1908 to 1916.[3]
Jean Metzinger, 1913, En Canot (Im Boot), oil on canvas, 146 x 114 cm, exhibited at Moderni Umeni, S.V.U. Mánes, Prague, 1914, acquired in 1916 by Georg Muche at the Galerie Der Sturm, confiscated by the Nazis circa 1936, displayed at the Degenerate Art show in Munich, and missing ever since.[4]
Particularly in the time before outbreak of the World War I, Der Sturm played a crucial role in the French-German exchange of expressionist artists, which led to a special relationship between Berlin and Paris. Regularly, poems and other texts of French and/or French-speaking expressionists were published (Guillaume Apollinaire, Blaise Cendrars, etc.). This relationship was renewed after the war despite the hostilities between the two countries caused by the fighting.[citation needed] The magazine also contained avant-garde poetry examples.[1]
After the war, Walden expanded Der Sturm into Sturmabende, lectures and discussions on modern art, and Die Sturmbühne, an expressionist theatre, as well as publishing books and portfolios by leading artists such as Oskar Kokoschka. Despite this, the gallery declined in importance after the war and closed in 1924, leaving the magazine to carry on as a quarterly until it too closed in 1932.[6]
However, concerning the exact closing date of the Der Sturm Art Gallery (an offshoot of the magazine) as Maurice Godé, wrote in his book "Der Sturm of Herwarth Walden or the utopia of an autonomous art", the author wanted to promote the German "avant-garde" arts by means of both resident and touring exhibitions. Accordingly, Walden organized, until 1932, more than 200 exhibitions in its premises in Berlin plus multiple other touring exhibitions (Wanderausstellungen) in Germany and also in most other major European cities.[citation needed]
^ abSami Sjoberg (2017). "Jewish Communality in German Avant-Garde Magazines of the 1910s and 1920s". Orbis Litterarum. 72 (3): 246. doi:10.1111/oli.12131.
^Bauhaus100. Lothar Schreyer. Retrieved 6 December 2018
^Douglas Brent McBride (2006). "Expressionism, Futurism, and the Dream of Mass Democracy". Studies in 20th & 21st Century Literature. 30 (2). Retrieved 2 November 2014.
^Degenerate Art Database (Beschlagnahme Inventar, Entartete Kunst)
^ abcd"The Sturm is Herwarth Walden". SCHIRN KUNSTHALLE FRANKFURT. 11 November 2015. Retrieved 17 January 2021.
Nell Walden (ed.), Der Sturm: ein Erinnerungsbuch an Herwarth Walden und die Künstler aus dem Sturmkreis, Baden-Baden: Klein, 1954 (in German)
Bibliographie Der Sturm, University of Heidelberg
May 04, 2023
sturm, confused, with, stürmer, nazi, aligned, tabloid, newspaper, opera, opera, transl, storm, german, avant, garde, literary, magazine, founded, herwarth, walden, covering, expressionism, cubism, dada, surrealism, among, other, artistic, movements, published. Not to be confused with Der Sturmer a Nazi aligned tabloid newspaper For the opera see Der Sturm opera Der Sturm transl The Storm was a German avant garde art and literary magazine founded by Herwarth Walden covering Expressionism Cubism Dada and Surrealism among other artistic movements It was published between 1910 and 1932 1 Der Sturm for October 1917 Cover art by Rudolf Bauer Contents 1 History and profile 2 The Gallery 3 See also 4 Notes 5 External linksHistory and profile EditDer Sturm was established in Berlin in 1910 by Herwarth Walden It ran weekly from 1910 to 1914 monthly from 1914 to 1924 and quarterly until it ceased publication in 1932 From 1916 to 1928 it was edited by the artist and Bauhaus teacher Lothar Schreyer 2 The magazine was modeled on the Italian literary magazine La Voce which was published in Florence from 1908 to 1916 3 Jean Metzinger 1913 En Canot Im Boot oil on canvas 146 x 114 cm exhibited at Moderni Umeni S V U Manes Prague 1914 acquired in 1916 by Georg Muche at the Galerie Der Sturm confiscated by the Nazis circa 1936 displayed at the Degenerate Art show in Munich and missing ever since 4 Among the literary contributors were Peter Altenberg Max Brod Paul Leppin Richard Dehmel Alfred Doblin Anatole France Knut Hamsun Arno Holz Karl Kraus Selma Lagerlof Adolf Loos Heinrich Mann Paul Scheerbart and Rene Schickele Der Sturm consisted of pieces such as expressionistic dramas i e from Hermann Essig de fr and August Stramm artistic portfolios Oskar Kokoschka and Curt Stoermer essays from artists the Kandinsky Album and theoretical writings on art from Herwarth Walden The best known publications resulting from the magazine were the Sturmbucher storm books e g Sturmbucher 1 and 2 were works of August Stramm Sancta Susanna und Rudimentar Postcards were also created featuring the expressionistic cubist and abstract art of Franz Marc Wassily Kandinsky Oskar Kokoschka August Macke Gabriele Munter Georg Schrimpf Maria Uhden Rudolf Bauer and others The term Sturm was branded by Walden to represent the way in which modern art was penetrating Germany at the time 5 Particularly in the time before outbreak of the World War I Der Sturm played a crucial role in the French German exchange of expressionist artists which led to a special relationship between Berlin and Paris Regularly poems and other texts of French and or French speaking expressionists were published Guillaume Apollinaire Blaise Cendrars etc This relationship was renewed after the war despite the hostilities between the two countries caused by the fighting citation needed The magazine also contained avant garde poetry examples 1 Der Sturm stood out from other art magazines of that time by including the art created by women The exhibitions organized by the magazine included works of Gabriele Munter Sonia Delaunay Else Lasker Schuler Marianne von Werefkin Natalia Goncharova Jacoba van Heemskerck and others 5 Before the Gallery closed in 1932 it had shown works by over 30 female painters and sculptors more than any other gallery of the era 5 The Gallery Edit Albert Gleizes study for Femme aux gants noirs drawing zeichnung published on the cover of Der Sturm 5 June 1920 Sonia Delaunay or Robert Delaunay or both 1922 published in Der Sturm Volume 13 Number 3 5 March 1922 The magazine also fostered the Galerie Der Sturm started by Walden to celebrate its 100th edition in 1912 The gallery became the focus for Berlin s modern art scene for a decade Starting with an exhibition of Fauves and Der Blaue Reiter followed by the introduction in Germany of the Italian Futurists Cubists and Orphists the gallery was to exhibit Edvard Munch Georges Braque Pablo Picasso Jean Metzinger Albert Gleizes Robert Delaunay Gino Severini Jean Arp Paul Klee Wassily Kandinsky Serge Charchoune and Kurt Schwitters 5 After the war Walden expanded Der Sturm into Sturmabende lectures and discussions on modern art and Die Sturmbuhne an expressionist theatre as well as publishing books and portfolios by leading artists such as Oskar Kokoschka Despite this the gallery declined in importance after the war and closed in 1924 leaving the magazine to carry on as a quarterly until it too closed in 1932 6 However concerning the exact closing date of the Der Sturm Art Gallery an offshoot of the magazine as Maurice Gode wrote in his book Der Sturm of Herwarth Walden or the utopia of an autonomous art the author wanted to promote the German avant garde arts by means of both resident and touring exhibitions Accordingly Walden organized until 1932 more than 200 exhibitions in its premises in Berlin plus multiple other touring exhibitions Wanderausstellungen in Germany and also in most other major European cities citation needed See also EditList of magazines in Germany Die Aktion Proto Cubism Cubism OrphismNotes Edit a b Sami Sjoberg 2017 Jewish Communality in German Avant Garde Magazines of the 1910s and 1920s Orbis Litterarum 72 3 246 doi 10 1111 oli 12131 Bauhaus100 Lothar Schreyer Retrieved 6 December 2018 Douglas Brent McBride 2006 Expressionism Futurism and the Dream of Mass Democracy Studies in 20th amp 21st Century Literature 30 2 Retrieved 2 November 2014 Degenerate Art Database Beschlagnahme Inventar Entartete Kunst a b c d The Sturm is Herwarth Walden SCHIRN KUNSTHALLE FRANKFURT 11 November 2015 Retrieved 17 January 2021 Der Sturm German periodical Encyclopaedia Britannica External links Edit Media related to Der Sturm at Wikimedia Commons Herwarth Walden und Der Sturm thematic section at ArtHistoricum net in German Storm Women exhibition Schirn Kunsthalle Frankfurt 2015 Der Sturm magazine in Dada Companion Nell Walden ed Der Sturm ein Erinnerungsbuch an Herwarth Walden und die Kunstler aus dem Sturmkreis Baden Baden Klein 1954 in German Bibliographie Der Sturm University of Heidelberg Retrieved from https en wikipedia org w index php title Der Sturm amp oldid 1142451470, wikipedia, wiki, book, books, library,
