Bonifaci, Bonifatz, or Bonifacio Calvo (fl. 1253–1266) was a Genoesetroubadour of the late thirteenth century. The only biographical account of (part of) his life is found in the vida of Bertolome Zorzi. He is, however, the most notable Genoese troubadour after Lanfranc Cigala.[1] In total, nineteen of his poems[2] and two descorts have survived.[3]
Bonifaci is known to have spent most of his career at the court of Alfonso X of Castile, where the prevailing language was Galician-Portuguese.[4] He wrote primarily in Occitan, concentrating on sirventes in imitation of Bertran de Born,[3] but he did take up the court language and wrote two cantigas de amor and a multilingual poem.[4] He wrote one sirventes encouraging Alfonso to go to war with Henry III of England over Gascony, an event which provides a reliable date for the work's composition (1253–1254).[3] Outside of sirventes, he composed love songs in the style of Arnaut Daniel, but his most lauded work is a planh on the death of his lady.[3]
The notion that Bonifaci had been knighted by Ferdinand III of Castile and fell in love with Ferdinand's niece Berenguela, which inspired him to compose in Galician-Portuguese, is legendary, being based on an unreliable passage of Jean de Nostredame.[5]
In 1266 Bonifaci returned to Lombardy.[3] He continued composing in Occitan, producing two descorts with Scotto and Luquet Gattulus.[3] During a war between Genoa and Venice, Bonifaci composed a sirventes, "Ges no m'es greu, s'ieu non sui ren prezatz" (It matters little to me if I am not esteemed), in which he blamed the Genoese for allowing themselves to be defeated the Venetians and insulting the latter.[1] In response, Bertolome Zorzi, a Venetian prisoner of war, wrote "Molt me sui fort d'un chant mer[a]veillatz" (I was very much surprised by a song), defending his country's conduct and blaming Genoa for the war. According to Bertolome's vida, Bonifaci was convinced by Bertolome's poem and the two became friends.[1] They composed many tensos together.[6]
Cabré, Miriam. "Italian and Catalan troubadours" (pp. 127–140). The Troubadours: An Introduction. Simon Gaunt and Sarah Kay, edd. Cambridge: Cambridge University Press, 1999. ISBN0-521-57473-0.
Egan, Margarita, ed. and trans. The Vidas of the Troubadours. New York: Garland, 1984. ISBN0-8240-9437-9.
Keller, Hans-Erich. "Bonifacio Calvo." Medieval Italy: An Encyclopedia. Christopher Kleinhenz, ed. New Jersey: Routledge, 2004. ISBN0-415-93931-3.
Lang, H. R. "The Relations of the Earliest Portuguese Lyric School with the Troubadours and Trouvères." Modern Language Notes, 10:4 (Apr:1895), pp. 104–116.
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February 07, 2023
bonifaci, calvo, bonifaci, bonifatz, bonifacio, calvo, 1253, 1266, genoese, troubadour, late, thirteenth, century, only, biographical, account, part, life, found, vida, bertolome, zorzi, however, most, notable, genoese, troubadour, after, lanfranc, cigala, tot. Bonifaci Bonifatz or Bonifacio Calvo fl 1253 1266 was a Genoese troubadour of the late thirteenth century The only biographical account of part of his life is found in the vida of Bertolome Zorzi He is however the most notable Genoese troubadour after Lanfranc Cigala 1 In total nineteen of his poems 2 and two descorts have survived 3 Bonifaci Calvo in a 13th century chansonnier Bonifaci is known to have spent most of his career at the court of Alfonso X of Castile where the prevailing language was Galician Portuguese 4 He wrote primarily in Occitan concentrating on sirventes in imitation of Bertran de Born 3 but he did take up the court language and wrote two cantigas de amor and a multilingual poem 4 He wrote one sirventes encouraging Alfonso to go to war with Henry III of England over Gascony an event which provides a reliable date for the work s composition 1253 1254 3 Outside of sirventes he composed love songs in the style of Arnaut Daniel but his most lauded work is a planh on the death of his lady 3 The notion that Bonifaci had been knighted by Ferdinand III of Castile and fell in love with Ferdinand s niece Berenguela which inspired him to compose in Galician Portuguese is legendary being based on an unreliable passage of Jean de Nostredame 5 In 1266 Bonifaci returned to Lombardy 3 He continued composing in Occitan producing two descorts with Scotto and Luquet Gattulus 3 During a war between Genoa and Venice Bonifaci composed a sirventes Ges no m es greu s ieu non sui ren prezatz It matters little to me if I am not esteemed in which he blamed the Genoese for allowing themselves to be defeated the Venetians and insulting the latter 1 In response Bertolome Zorzi a Venetian prisoner of war wrote Molt me sui fort d un chant mer a veillatz I was very much surprised by a song defending his country s conduct and blaming Genoa for the war According to Bertolome s vida Bonifaci was convinced by Bertolome s poem and the two became friends 1 They composed many tensos together 6 Notes Edit a b c Egan 16 Four cansos one planh and fourteen sirventes a b c d e f Keller 145 a b Cabre 128 Lang 105 n24 Egan 15 Sources EditCabre Miriam Italian and Catalan troubadours pp 127 140 The Troubadours An Introduction Simon Gaunt and Sarah Kay edd Cambridge Cambridge University Press 1999 ISBN 0 521 57473 0 Egan Margarita ed and trans The Vidas of the Troubadours New York Garland 1984 ISBN 0 8240 9437 9 Keller Hans Erich Bonifacio Calvo Medieval Italy An Encyclopedia Christopher Kleinhenz ed New Jersey Routledge 2004 ISBN 0 415 93931 3 Lang H R The Relations of the Earliest Portuguese Lyric School with the Troubadours and Trouveres Modern Language Notes 10 4 Apr 1895 pp 104 116 Wikimedia Commons has media related to Bonifaci Calvo Retrieved from https en wikipedia org w index php title Bonifaci Calvo amp oldid 1086246794, wikipedia, wiki, book, books, library,
