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Lugné-Poe

January 01, 1970

Aurélien-Marie Lugné[1] (27 December 1869 – 19 June 1940), known by his stage and pen name Lugné-Poe,[2] was a French actor, theatre director, and scenic designer. He founded the landmark Paris theatre company, the Théâtre de l'Œuvre,[3] which produced experimental work by French Symbolist writers and painters at the end of the nineteenth century.[4] Like his contemporary, theatre pioneer André Antoine, he gave the French premieres of works by the leading Scandinavian playwrights Henrik Ibsen, August Strindberg, and Bjørnstjerne Bjørnson.[5]

Lugné-Poe
Lugné-Poe in Figures contemporaines tirées de l’Album Mariani. Etching c. 1903.
Born
Aurélien Marie Lugné

(1869-12-27)27 December 1869
Paris, France
Died19 June 1940(1940-06-19) (aged 70)
Villeneuve-les-Avignon, France
EducationParis Conservatoire (1889–1891)
Known forTheatre Director, Designer
MovementSymbolism
SpouseSuzanne Desprès
AwardsOfficier, Lègion d'Honneur

Early career edit

In 1887, at age 17, Lugné-Poe and friend Georges Bourdon created an amateur theatre group called le Cercle des Escholiers, which sought to perform "unpublished or, at the very least, little-known works."[6] As he prepared to audition for the Paris Conservatory, he changed his name from Lugné to "Lugné-Poe" in homage to Edgar Allan Poe.[7] While the Conservatory rejected his audition in fall 1887, they accepted him in fall 1888; days later he joined André Antoine's Théâtre Libre, a subscriber-based Naturalist independent theatre.[8] After appearing in the first play of that season under his own name, Lugné-Poe adopted the stage names "Philippon," "Delorme," and "Leroy" for the duration of his association with Antoine's company.[9]

Lugné-Poe continued acting lessons at the Conservatory under the great Comédie-Française star Gustave Worms while appearing in Théâtre Libre's 1888-1889 season and the first half of the next. But tensions grew over the next year as Antoine bullied and blamed his actors, including Lugné-Poe, for weak performances. After their falling out while on tour in Belgium in early 1890, Lugné-Poe concentrated on his Conservatory competition showcases, winning a First-Place certificate for Comedy in early 1890.[10] His obligation to fulfill military service in the fall, however, suspended his theatrical rise.[11] Before his departure, he had already befriended a group of painters known as The Nabis, and publicized their work in a series of articles.[12]

Returning from an abbreviated military service in early spring 1891, Lugné-Poe joined Paul Fort's Théâtre d'Art, first appearing in Maurice Maeterlinck's L'Intruse. For the next two years, he moved regularly between acting for the Théâtre d'Art and directing for his former company Le Cercle des Escholiers.[13] Lugné-Poe performed in ten plays altogether for Fort, interpreting, most notably, the Maeterlinck rôles of the Old Man in L'Intruse (1891) and the First Blind Man in Les Aveugles (1891), as well as Satan in Jules Bois' Les Noces de Sathan (1892). He, along with Georgette Camée, forged the signature Symbolist acting style that conveys a reverie, with its hieratic movement and gestures, matched with solemn, psalmodized line readings. After the disappointing plays of the March 28, 1892 program, Fort called a halt to the Théâtre d'Art. Lugné-Poe put his talents to staging and acting in noteworthy plays with the Cercle des Escholiers, which culminated with Ibsen's The Lady from the Sea (1892).[14] It was only the fourth French-translated Ibsen play to open in Paris, after Antoine's landmark productions of Ghosts in 1890 and The Wild Duck in 1891, and Albert Carré's production of Hedda Gabler in December 1891. When Lugné-Poe reconstituted the Théâtre d'Art as the Théâtre de l'Œuvre in 1893, he would make Ibsen his specialty in Paris theatre, premiering (and often starring in) nine Ibsen plays between 1893 and 1897.

Théâtre de l'Œuvre edit

Like Paul Fort before him, Lugné-Poe never secured a permanent stage for the entire run of his company's initial art-theatre experiment. The Théâtre de l'Œuvre debuted with Maeterlinck's Pelléas et Mélisande for a single matinée performance at the Théâtre des Bouffes-Parisiens in May 1893, but the six engagements in his next season occurred at the distant Théâtre des Bouffes du Nord, where he premiered Ibsen's Rosmersholm, An Enemy of the People, and The Master Builder, Gerhart Hauptmann's Lonely Lives, and Bjørnstjerne Bjørnson's Beyond Human Power, among others. For the May 1894 production of Henri Bataille and Robert d'Humières' Sleeping Beauty, he secured Nouveau-Théâtre's space for the first time. Though he concluded the season with August Strindberg's Creditors at the newly built Comédie-Parisienne (later known as Louis Jouvet's Théâtre de l'Athénée), he quickly assumed the directorship of Nouveau-Théâtre for most of the 1894-95 season. There he premiered Maeterlinck's adaptation of John Ford's 'Tis Pity She's a Whore (Annabella), Beaubourg's The Mute Voice, Strindberg's The Father, Śūdraka's The Little Clay Cart, and Maeterlinck's Interior, among others. While his May 1895 productions (including Ibsen's Little Eyolf) were staged at the Théâtre des Menus-Plaisirs, he returned to Nouveau-Théâtre to conclude the season with Ibsen's Brand.

The 1895-96 season found residence at two locations. Lugné-Poe staged the first half of the season back at the Comédie-Parisienne, with a line-up that included Thomas Otway's Venice Preserved, Kālidāsa's The Ring of Shakuntalā, and Oscar Wilde's Salome. The second half, however, starting in March 1896, began over two-years' residency for the Théâtre de l'Œuvre at Nouveau-Théâtre. Most notably, they premiered Ibsen's Pillars of Society (22-23 June 1896) and Peer Gynt (11-12 November 1896); Alfred Jarry's Ubu Roi (9-10 December 1896); Bjørnson's sequel to Beyond Human Power (25-26 January 1897); Hauptmann's fairy drama The Sunken Bell (4-5 March 1897); Bataille's Your Blood (7-8 May 1897); Ibsen's Love's Comedy (22-23 June 1897) and John Gabriel Borkman (8-9 November 1897); Nikolai Gogol's The Inspector General (7-8 January 1898); and Romain Rolland's Aert (2-3 May 1898) and The Wolves (18 May 1898). For their last season, the Théâtre de l'Œuvre gave two undistinguished premieres—Paul Sonniès' Fausta (15-16 May 1899) and Lucien Mayrargue's The Yoke (5-6 June 1899)—preferring to hold the much anticipated revival of An Enemy of the People at the grander Théâtre de la Renaissance in February. Lugné-Poe's last productions for the company were done at the very theatre where the Théâtre de l'Œuvre had begun in 1893 with Pelléas et Mélisande: the Théâtre des Bouffes-Parisiens. By the close of the nineteenth century, Lugné-Poe's company had successfully established half a dozen Parisian theatres as sites for daring, challenging, and at times outrageous modern drama.

In 1895, Jakub Grein and the Independent Theatre Society invited Lugné-Poe and his troupe to present a season of Ibsen's Rosmersholm, The Master Builder, and Maurice Maeterlinck's symbolist L'Intruse and Pelléas and Mélisande in London.[15]

Productions edit

Théâtre des Bouffes-Parisiens
Théâtre des Bouffes du Nord
  • 1893: Rosmersholm (Henrik Ibsen, translated by Prozor)
  • 1893: Un Ennemi du peuple (Henrik Ibsen, translated by Chennevière and Johansen)
  • 1893: Ames solitaires (Gerhart Hauptmann, translated by Cohen)
  • 1894: L'Araignée de cristal (Rachilde)
  • 1894: Au-dessus des forces humaines (Björnstjerne-Björnson, translated by Prozor)
  • 1894: Une Nuit d'avril à Céos (Trarieux)
  • 1894: L'Image (Beaubourg)
  • 1894: Solness le construsteur (Henrik Ibsen, translated by Prozor)
Nouveau-Théâtre
Comédie-Parisienne
Théâtre du Ménus-Plaisirs
  • 1895: L'École de l'idéal (Vérola)
  • 1895: Le Petit Eyolf (Henrik Ibsen, translated by Prozor)
  • 1895: Le Volant (Paul Claudel)
Salle de Trianon, Paris
  • 1906: Madame la marquise (Sutro)
  • 1906: Le Troisième Couvert (Savoir)
  • 1906: Leurs Soucis (Bahr)
Théâtre Marigny
Théâtre Grévin
  • 1907: Une Aventure de Frédérick Lemaître (Basset)
  • 1907: Placide (Séverin-Malfayde and Dolley)
  • 1907: Zénaïde ou les caprices du destin (Delorme and Gally)
Théâtre Fémina
Théâtre Antoine
Théâtre du Palais-Royal
  • 1912: La Dernière Heure (Frappa)
  • 1912: Grégoire (Falk)
  • 1912: Morituri (Prozor)
Théâtre Malakoff, Paris
Théâtre de l'Œuvre, Cité Monthiers
Other Paris Theatres
  • 1895: Carmosine (Musset), Ministère du Commerce
  • 1896: Le Grand Galeoto (Echegaray), home of Ruth Rattazzi
  • 1898: Mesure pour mesure (William Shakespeare), Cirque d'été
  • 1899: Noblesse de la terre (Faramond), Théâtre de la Renaissance
  • 1899: Un Ennemi du peuple (Henrik Ibsen, translated by Chennevière and Johansen), Théâtre de la Renaissance
  • 1900: Monsieur Bonnet (Faramond), Théâtre du Gymnase
  • 1911: Le Philanthrope ou la Maison des amours (Bouvelet), Théâtre Réjane
  • 1913: Le Baladin du monde occidental (Synge, translated by Bourgeois), Salle Berlioz

References edit

  1. ^ "Lugné-Poe" (in French). Encyclopædia Universalis Online. Retrieved September 6, 2013.
  2. ^ "Lugné-Poe" (in French). Dictionnaire Larousse Online. Retrieved September 6, 2013.
  3. ^ . Musée d'Orsay Online. Archived from the original on March 4, 2016. Retrieved September 6, 2013.
  4. ^ Braun, Edward (1982). "The Symbolist Theatre." in The Director and the Stage: From Naturalism to Grotowski. New York: Holmes & Meier. ISBN 0841908001.
  5. ^ Shaw, George Bernard (1932). Our Theatres in the Nineties. London: Constable & Co. ISBN 140674302X.
  6. ^ Robichez, Jacques. Le Symbolisme au théâtre: Lugné-Poe et les débuts de l'Oeuvre. L'Arche, 1957, p. 55
  7. ^ Robichez 53, n. 6.
  8. ^ Robichez 58.
  9. ^ Robichez 485.
  10. ^ Robichex 64.
  11. ^ Robichez 64-65, 74.
  12. ^ Robichez 105-09.
  13. ^ Robichez 142-44.
  14. ^ Robichez 495-505.
  15. ^ Styan, J. Modern Drama in Theory and Practice: Realism and Naturalism pp. 55–57 (Cambridge University Press, 1981) ISBN 0-521-29628-5.

January 01, 1970
lugné, aurélien, marie, lugné, december, 1869, june, 1940, known, stage, name, french, actor, theatre, director, scenic, designer, founded, landmark, paris, theatre, company, théâtre, Œuvre, which, produced, experimental, work, french, symbolist, writers, pain. Aurelien Marie Lugne 1 27 December 1869 19 June 1940 known by his stage and pen name Lugne Poe 2 was a French actor theatre director and scenic designer He founded the landmark Paris theatre company the Theatre de l Œuvre 3 which produced experimental work by French Symbolist writers and painters at the end of the nineteenth century 4 Like his contemporary theatre pioneer Andre Antoine he gave the French premieres of works by the leading Scandinavian playwrights Henrik Ibsen August Strindberg and Bjornstjerne Bjornson 5 Lugne PoeLugne Poe in Figures contemporaines tirees de l Album Mariani Etching c 1903 BornAurelien Marie Lugne 1869 12 27 27 December 1869Paris FranceDied19 June 1940 1940 06 19 aged 70 Villeneuve les Avignon FranceEducationParis Conservatoire 1889 1891 Known forTheatre Director DesignerMovementSymbolismSpouseSuzanne DespresAwardsOfficier Legion d Honneur Contents 1 Early career 2 Theatre de l Œuvre 3 Productions 4 ReferencesEarly career editIn 1887 at age 17 Lugne Poe and friend Georges Bourdon created an amateur theatre group called le Cercle des Escholiers which sought to perform unpublished or at the very least little known works 6 As he prepared to audition for the Paris Conservatory he changed his name from Lugne to Lugne Poe in homage to Edgar Allan Poe 7 While the Conservatory rejected his audition in fall 1887 they accepted him in fall 1888 days later he joined Andre Antoine s Theatre Libre a subscriber based Naturalist independent theatre 8 After appearing in the first play of that season under his own name Lugne Poe adopted the stage names Philippon Delorme and Leroy for the duration of his association with Antoine s company 9 Lugne Poe continued acting lessons at the Conservatory under the great Comedie Francaise star Gustave Worms while appearing in Theatre Libre s 1888 1889 season and the first half of the next But tensions grew over the next year as Antoine bullied and blamed his actors including Lugne Poe for weak performances After their falling out while on tour in Belgium in early 1890 Lugne Poe concentrated on his Conservatory competition showcases winning a First Place certificate for Comedy in early 1890 10 His obligation to fulfill military service in the fall however suspended his theatrical rise 11 Before his departure he had already befriended a group of painters known as The Nabis and publicized their work in a series of articles 12 Returning from an abbreviated military service in early spring 1891 Lugne Poe joined Paul Fort s Theatre d Art first appearing in Maurice Maeterlinck s L Intruse For the next two years he moved regularly between acting for the Theatre d Art and directing for his former company Le Cercle des Escholiers 13 Lugne Poe performed in ten plays altogether for Fort interpreting most notably the Maeterlinck roles of the Old Man in L Intruse 1891 and the First Blind Man in Les Aveugles 1891 as well as Satan in Jules Bois Les Noces de Sathan 1892 He along with Georgette Camee forged the signature Symbolist acting style that conveys a reverie with its hieratic movement and gestures matched with solemn psalmodized line readings After the disappointing plays of the March 28 1892 program Fort called a halt to the Theatre d Art Lugne Poe put his talents to staging and acting in noteworthy plays with the Cercle des Escholiers which culminated with Ibsen s The Lady from the Sea 1892 14 It was only the fourth French translated Ibsen play to open in Paris after Antoine s landmark productions of Ghosts in 1890 and The Wild Duck in 1891 and Albert Carre s production of Hedda Gabler in December 1891 When Lugne Poe reconstituted the Theatre d Art as the Theatre de l Œuvre in 1893 he would make Ibsen his specialty in Paris theatre premiering and often starring in nine Ibsen plays between 1893 and 1897 Theatre de l Œuvre editLike Paul Fort before him Lugne Poe never secured a permanent stage for the entire run of his company s initial art theatre experiment The Theatre de l Œuvre debuted with Maeterlinck s Pelleas et Melisande for a single matinee performance at the Theatre des Bouffes Parisiens in May 1893 but the six engagements in his next season occurred at the distant Theatre des Bouffes du Nord where he premiered Ibsen s Rosmersholm An Enemy of the People and The Master Builder Gerhart Hauptmann s Lonely Lives and Bjornstjerne Bjornson s Beyond Human Power among others For the May 1894 production of Henri Bataille and Robert d Humieres Sleeping Beauty he secured Nouveau Theatre s space for the first time Though he concluded the season with August Strindberg s Creditors at the newly built Comedie Parisienne later known as Louis Jouvet s Theatre de l Athenee he quickly assumed the directorship of Nouveau Theatre for most of the 1894 95 season There he premiered Maeterlinck s adaptation of John Ford s Tis Pity She s a Whore Annabella Beaubourg s The Mute Voice Strindberg s The Father Sudraka s The Little Clay Cart and Maeterlinck s Interior among others While his May 1895 productions including Ibsen s Little Eyolf were staged at the Theatre des Menus Plaisirs he returned to Nouveau Theatre to conclude the season with Ibsen s Brand The 1895 96 season found residence at two locations Lugne Poe staged the first half of the season back at the Comedie Parisienne with a line up that included Thomas Otway s Venice Preserved Kalidasa s The Ring of Shakuntala and Oscar Wilde s Salome The second half however starting in March 1896 began over two years residency for the Theatre de l Œuvre at Nouveau Theatre Most notably they premiered Ibsen s Pillars of Society 22 23 June 1896 and Peer Gynt 11 12 November 1896 Alfred Jarry s Ubu Roi 9 10 December 1896 Bjornson s sequel to Beyond Human Power 25 26 January 1897 Hauptmann s fairy drama The Sunken Bell 4 5 March 1897 Bataille s Your Blood 7 8 May 1897 Ibsen s Love s Comedy 22 23 June 1897 and John Gabriel Borkman 8 9 November 1897 Nikolai Gogol s The Inspector General 7 8 January 1898 and Romain Rolland s Aert 2 3 May 1898 and The Wolves 18 May 1898 For their last season the Theatre de l Œuvre gave two undistinguished premieres Paul Sonnies Fausta 15 16 May 1899 and Lucien Mayrargue s The Yoke 5 6 June 1899 preferring to hold the much anticipated revival of An Enemy of the People at the grander Theatre de la Renaissance in February Lugne Poe s last productions for the company were done at the very theatre where the Theatre de l Œuvre had begun in 1893 with Pelleas et Melisande the Theatre des Bouffes Parisiens By the close of the nineteenth century Lugne Poe s company had successfully established half a dozen Parisian theatres as sites for daring challenging and at times outrageous modern drama In 1895 Jakub Grein and the Independent Theatre Society invited Lugne Poe and his troupe to present a season of Ibsen s Rosmersholm The Master Builder and Maurice Maeterlinck s symbolist L Intruse and Pelleas and Melisande in London 15 Productions editTheatre des Bouffes Parisiens 1893 Pelleas et Melisande Maurice Maeterlinck 1898 La Victoire Bouhelier 1898 Solness le constructeur Henrik Ibsen translated by Prozor 1899 Entretien d un philosophie avec la marechale de XXX Diderot 1899 Le Triomphe de la raison Rolland Theatre des Bouffes du Nord 1893 Rosmersholm Henrik Ibsen translated by Prozor 1893 Un Ennemi du peuple Henrik Ibsen translated by Chenneviere and Johansen 1893 Ames solitaires Gerhart Hauptmann translated by Cohen 1894 L Araignee de cristal Rachilde 1894 Au dessus des forces humaines Bjornstjerne Bjornson translated by Prozor 1894 Une Nuit d avril a Ceos Trarieux 1894 L Image Beaubourg 1894 Solness le construsteur Henrik Ibsen translated by Prozor Nouveau Theatre 1894 La Belle au bois dormant Bataille and d Humieres 1894 La Vie muette Beaubourg 1894 Pere August Strindberg translated by Loiseau 1894 Un Ennemi du peuple Henrik Ibsen translated by Chenneviere and Johansen 1895 Le Chariot de terre cuite Barrucand 1895 La Scene Lebey 1895 La Verite dans levin ou les Desagrements de la galanterie Colle 1895 Interieur Maurice Maeterlinck 1895 Brand Henrik Ibsen translated by Prozor 1896 La Fleur palan enlevee Arene 1896 L Errante Quillard 1896 La Derniere croisade Gray 1896 Heraklea Villeroy 1896 La Brebis See 1896 Les Soutiens de la societe Henrik Ibsen translated by Bertrand and Nevers 1896 Peer Gynt Henrik Ibsen 1896 Ubu roi ou les Polonais Alfred Jarry 1896 Le Tandem Trezenick and Soulaine 1897 La Motte de terre Dumur 1897 Au dela des forces humaines Bjornstjerne Bjornson translated by Monnier and Littmanson 1897 La Cloche engloutie Gerhart Hauptmann translated by Herold 1897 Ton Sang Bataille 1897 Le Fils de l abbesse Herdey 1897 La Comedie de l amour Henrik Ibsen translated by Colleville and Zepelin 1897 Jean Gabriel Borkman Henrik Ibsen translated by Prozor 1898 Le Revizor Nikolai Gogol 1898 Rosmersholm Henrik Ibsen translated by Prozor 1898 Le Gage Jourdain 1898 L Echelle Zype 1898 Le Balcon Heiberg translated by Prozor 1898 Aert Rolland 1898 Morituri ou les Loups Rolland 1899 Fausta Sonnies 1899 Le Joug Mayrargue 1900 La Cloitre Verhaeren 1901 Le Roi candaule Andre Gide 1902 Monna Vanna Maurice Maeterlinck 1902 Manfred Lord Byron adapted by Forthuny 1903 La Roussalka Schure 1903 Le Maitre de Palmyre Wilbrandt translated by Renon Benon and Zifferer 1903 L Oasis Jullien 1904 Philippe II Verhaeren 1904 Polypheme Samain 1904 Oedipe a Colone Sophocles adapted by Gastambide 1904 L Ouvrier de la derniere heure Guiraud 1904 Les Droits du coeur Jullien 1904 Le Jaloux Bibesco 1905 La Gioconda D Annunzio translated by Herelle 1905 La Fille de Jorio D Annunzio translated by Herelle 1905 Dionysos Gasquet 1905 Dans les bas fonds Gorky translated by Halperine Kaminsky 1906 Le Reformateur Rod 1906 Le Cloaque Labry Comedie Parisienne 1894 Freres Bang translated by Colleville and Zepelin 1894 La Gardienne Regnier 1894 Les Creanciers August Strindberg translated by Loiseau 1895 Venise sauvee Otway translated by Pene 1895 L Anneau de Cakuntala Kalidasa adapted by Herold 1896 Une Mere Ameen translated by Prozor 1896 Broceliande Lorrain 1896 Les Flaireurs Lerberghe 1896 Des mots des mots Quinel and Dubreuil 1896 Raphael Coolus 1896 Salome Oscar Wilde 1896 La Lepreuse Henry Bataille Theatre du Menus Plaisirs 1895 L Ecole de l ideal Verola 1895 Le Petit Eyolf Henrik Ibsen translated by Prozor 1895 Le Volant Paul Claudel Salle de Trianon Paris 1906 Madame la marquise Sutro 1906 Le Troisieme Couvert Savoir 1906 Leurs Soucis Bahr Theatre Marigny 1904 La Prophetie Toussaint 1906 Pan Charles van Lerberghe 1906 L Heritier naturel Keim 1907 L Amie des sages Allou 1907 Petit Jean Buysieulx and Max 1908 Hypatie Barlatier 1908 Acquitte Antona Traversi translated by Lecuyer 1908 Les Vieux Rameil and Saisset 1908 La Madone Spaak 1909 Le Roi bombance Marinetti 1909 Nonotte et Patouillet du Bois Theatre Grevin 1907 Une Aventure de Frederick Lemaitre Basset 1907 Placide Severin Malfayde and Dolley 1907 Zenaide ou les caprices du destin Delorme and Gally Theatre Femina 1907 La Tragedie florentine Oscar Wilde 1907 Philista Battanchon 1907 Le Droit au bonheur Lemonnier and Soulaine 1907 Un Rien Valloton 1907 Le Bapteme Savoir and Noziere 1907 Mendes est dans la salle Marches and Vautel 1908 La Loi Jourda 1908 Vae Victis Duterme 1908 Les Amours d Ovide Mouezy Eon Auzanet and Faral 1908 Au Temps des fees Blanchard 1908 Elektra Hofmannsthal adapted by Strozzi and Epstein 1908 Le Jeu de la morale et du hasard Bernard 1908 La Dame qui n est plus aux camelias Faramond 1909 Perce Neige et les sept gnomes Dortzal Adapted from Snow White by the Brothers Grimm 1909 La Chaine Level and Monnier 1910 La Sonate a Kreutzer Savoir and Noziere adapted from Tolstoy 1910 Le Mauvais Grain Faramond 1910 Le Poupard Bouvelet 1911 Malazarte Aranha Theatre Antoine 1911 Sur le seuil Battanchon 1911 Un Medecin de campagne Bordeaux and Denarie 1911 Les Oiseaux Noziere 1912 Anne ma soeur Auzanet 1912 La Charite s v p Speth 1912 Futile Bernouard 1912 Le Visionnaire Renaud 1912 Ce Bougre d original Soulages 1912 Le Candidat Machefer Hellem and D Estoc 1912 Ariane blessee Allou 1912 Les Derniers Masques Schnitzler translated by Remon and Valentin 1914 La Danse des fous Birinski adapted by Remon Theatre du Palais Royal 1912 La Derniere Heure Frappa 1912 Gregoire Falk 1912 Morituri Prozor Theatre Malakoff Paris 1912 L Annonce faite a Marie Paul Claudel 1913 La Brebis egaree Jammes 1914 L Otage Paul Claudel Theatre de l Œuvre Cite Monthiers 1894 Annabella translated by Maurice Maeterlinck from Tis Pity She s a Whore by John Ford 1895 Les Pieds nickeles Bernard 1897 Le Fardeau de la liberte Bernard 1910 L Amour de Kesa Humieres 1920 La Couronne de carton Sarment 1920 Le Cocu magnifique Crommelynck 1921 Les Scrupules de Sganarelle Regnier 1921 Sophie Arnoux Nigoud 1921 Le Pecheur d ombres Sarment 1921 La Danse de mort August Strindberg translated by Remon 1921 Comite secret Lourie 1921 Madonna Fiamma Segur 1922 L Age heureux Jacques Natanson 1922 Dardamelle Mazaud 1922 Le Dilemme du docteur George Bernard Shaw 1922 La Dette de Schmil Orna 1922 Le Visage sans voile Allou 1922 Le Retour d Ivering Holt 1922 Le Lasso Batty Weber 1922 L Enfant truque Natanson 1923 La Dame allegre Puig and Ferreter translated by Pierat 1923 La Messe est dite Achard 1923 Le Cadi et le cocu Mille and Loria 1923 Est ce possible Birabeau 1923 Passions de fantoches San Secondo translated by Mortier 1923 On finit souvent par ou on devrait commencer Turpin 1923 La Maison avant tout Hamp 1923 Berniquel Maurice Maeterlinck 1923 L Autre Messie Soumagne 1924 Le Feu a l Opera Kaiser translated by Goll 1924 Irene exigeante Beaunier 1924 Le Mort a cheval Gheon 1924 La Farce des encore Thuysbaert and Gheon 1924 L Amour est un Etrange maitre Worms Barretta 1924 Philippe le zele Trintzius and Valentin 1924 L Egoiste Orna 1924 La Profession de Madame Warren George Bernard Shaw 1924 La Maison ouverte Passeur 1925 Le Genie camougle Fabri 1925 La Femme de feu Schoenherr translated by Lindauer 1925 La Traversee de Paris a la nage Passeur 1925 Une Demande en mariage Anton Chekhov 1925 Je Rectifie les visages Trintzius and Valentin 1925 La Fleur sous les yeux Martini translated by Ponzone 1925 Tour a terre Salacrou 1926 Les Danseurs de gigue Soumagne 1926 Ariel Marx 1926 Poisson d avril ou les griffes du destin adapted from Colpartage translated by Lindauer 1926 La Jeune Fille de la popote Passeur 1926 L Ancre noire Brasseur 1926 Ville moderne Modave 1927 L Avons nous tuee Datz 1927 Le Deraillement du T P 33 Hamp 1927 Le Bourgeois romanesque Blanchon 1927 Un Homme en or Ferdinand 1927 Les Deux Amis Savoir 1927 Le Conditionnel passe Bruyez 1927 Un Homme seul Sauvage 1927 Une Bourgeoise Francen 1927 Telescopage Demont 1927 L Ile lointaine Ginisty 1928 Madame Marie Soumagne 1928 La Halte sur la grand route Jabes 1928 La Foire aux sentiments Ferdinand 1928 Hommes du monde Brasseur 1928 Tu Pourrais ne pas m aimer Brasseur 1928 Les Trois Langages Charmel 1928 Celui qui voulait jouer avec la vie Francois 1928 Le Cercle Maugham adapted by Carbuccia 1929 Jules Juliette et Julien Bernard Other Paris Theatres 1895 Carmosine Musset Ministere du Commerce 1896 Le Grand Galeoto Echegaray home of Ruth Rattazzi 1898 Mesure pour mesure William Shakespeare Cirque d ete 1899 Noblesse de la terre Faramond Theatre de la Renaissance 1899 Un Ennemi du peuple Henrik Ibsen translated by Chenneviere and Johansen Theatre de la Renaissance 1900 Monsieur Bonnet Faramond Theatre du Gymnase 1911 Le Philanthrope ou la Maison des amours Bouvelet Theatre Rejane 1913 Le Baladin du monde occidental Synge translated by Bourgeois Salle BerliozReferences edit Lugne Poe in French Encyclopaedia Universalis Online Retrieved September 6 2013 Lugne Poe in French Dictionnaire Larousse Online Retrieved September 6 2013 The Theatre de l Œuvre Musee d Orsay Online Archived from the original on March 4 2016 Retrieved September 6 2013 Braun Edward 1982 The Symbolist Theatre inThe Director and the Stage From Naturalism to Grotowski New York Holmes amp Meier ISBN 0841908001 Shaw George Bernard 1932 Our Theatres in the Nineties London Constable amp Co ISBN 140674302X Robichez Jacques Le Symbolisme au theatre Lugne Poe et les debuts de l Oeuvre L Arche 1957 p 55 Robichez 53 n 6 Robichez 58 Robichez 485 Robichex 64 Robichez 64 65 74 Robichez 105 09 Robichez 142 44 Robichez 495 505 Styan J Modern Drama in Theory and Practice Realism and Naturalism pp 55 57 Cambridge University Press 1981 ISBN 0 521 29628 5 Retrieved from https en wikipedia org w index php title Lugne Poe amp oldid 1214743553, wikipedia, wiki, book, books, library,

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